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The drawing's borders are uneven and have an antique appearance.","images",{"_293":294,"_295":296,"_297":298},"download_url","https://img.ochreeditions.com/m/1353.jpg?dl=1","page_url","/art/ornament-in-hexagonal-shape-nga-9484","walk_url","/galleries/style/renaissance/ornament-in-hexagonal-shape-nga-9484","frame",{"_289":290,"_291":292},{"_225":282,"_125":283,"_284":285},"size",{"_274":275,"_276":277,"_278":279,"_280":281},"w",49,"h",35.83025664115263,"image_w",25,"image_h",11.830256641152634,{"_286":225,"_123":171,"_154":170,"_140":77},{"_286":125,"_123":287,"_154":288,"_140":53},"era",{"_286":284,"_123":167,"_154":166,"_140":169},"facet","style/print-15","More prints of the 15th century","moulding","white","mount","snow","480","https://img.ochreeditions.com/a/1353/480.jpg","960","https://img.ochreeditions.com/a/1353/960.jpg","1920","https://img.ochreeditions.com/a/1353/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_309":319,"_311":320},{"_309":317,"_311":318},{"_309":315,"_311":316},{"_309":313,"_311":314},{"_309":310,"_311":312},"hex","#786a59","weight",0.1375,"#9f8e76",0.1406,"#5a5146",0.2245,"#433e39",0.2406,"#d4cab5",0.2568,"virgin-and-child-with-john-the-baptist-and-angels-cma-97154","Virgin and Child with John the Baptist and Angels",{"_42":379,"_222":380,"_381":382,"_383":384,"_385":386,"_387":388,"_389":-5,"_390":-5,"_391":-5,"_140":103},"c. 1500","painting","Painting","oil on wood","Framed: 120 x 120 x 7 cm (47 1/4 x 47 1/4 x 2 3/4 in.); Diameter: 95.2 x 92.8 cm (37 1/2 x 36 9/16 in.)",120,0.9655882352941176,[364,365,366,367,368],{"_221":360,"_222":361,"_42":362,"_302":363},"Courtesy of the Cleveland Museum of Art","1916.792","Pietro del Donzello painted this in about 1500, aged about 43. 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It is now at the Cleveland Museum of Art.",{"_118":434,"_435":436},"Arm of Eve, by Albrecht Dürer, 1507",{"_293":431,"_295":432,"_297":433},"https://img.ochreeditions.com/m/659.jpg?dl=1","/art/arm-of-eve-cma-141931","/galleries/style/renaissance/arm-of-eve-cma-141931",{"_289":290,"_291":292},{"_225":420,"_125":421,"_284":422},{"_274":417,"_276":418,"_278":419,"_280":402},51.509882352941176,58.4,27.509882352941176,{"_286":225,"_123":429,"_154":430,"_140":89},{"_286":125,"_123":426,"_154":427,"_140":428},{"_286":284,"_123":423,"_154":424,"_140":425},"era/16-germany","16th-century Germany",28,"style/drawing-16","More drawings of the 16th century",35,"artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/659/480.jpg","https://img.ochreeditions.com/a/659/960.jpg","https://img.ochreeditions.com/a/659/1920.jpg","Arm of Eve is the only surviving preparatory drawing for Dürer’s life-size panels of Adam and Eve in the Museo del Prado, Madrid. It is also one of the few surviving drawings by the artist made on Venetian blue paper, a support he began to use for his chiaroscuro studies while visiting Venice in the winter of 1506–7.","source","Text from the Cleveland Museum of Art.",{"_309":450,"_311":451},{"_309":448,"_311":449},{"_309":446,"_311":447},{"_309":444,"_311":445},{"_309":442,"_311":443},"#82857f",0.0518,"#f7f6f4",0.0695,"#b1b8b5",0.0833,"#969d97",0.2353,"#9fa9a4",0.5601,"Albrecht Dürer","albrecht-durer","German, 1471–1528","German",1471,1528,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","portrait-of-a-man-possibly-girolamo-rosati-cma-127571","Portrait of a Man, Possibly Girolamo Rosati",{"_42":515,"_222":516,"_381":517,"_383":384,"_385":518,"_387":519,"_389":520,"_390":521,"_391":522,"_140":99},"1533–34","oil on canvas","Framed: 135.9 x 128 x 8.6 cm (53 1/2 x 50 3/8 x 3 3/8 in.); Unframed: 108.2 x 100.5 cm (42 5/8 x 39 9/16 in.)",100.5,108.2,0.923235294117647,[500,501,502,503,504],{"_221":360,"_222":361,"_42":362,"_302":363},"1950.250","Lorenzo Lotto painted this in 1533–34, aged about 58. It is now at the Cleveland Museum of Art.",{"_118":499,"_435":436},"Portrait of a Man, Possibly Girolamo Rosati, by Lorenzo Lotto, 1533–34",{"_293":496,"_295":497,"_297":498},"https://img.ochreeditions.com/m/589.jpg?dl=1","/art/portrait-of-a-man-possibly-girolamo-rosati-cma-127571","/galleries/style/renaissance/portrait-of-a-man-possibly-girolamo-rosati-cma-127571",{"_289":355,"_291":356},{"_225":485,"_125":486,"_284":487},{"_274":482,"_276":483,"_278":484,"_280":467},114.8940588235294,123.2,99.8940588235294,{"_286":225,"_123":494,"_154":495,"_140":99},{"_286":125,"_123":491,"_154":492,"_140":493},{"_286":284,"_123":488,"_154":489,"_140":490},"era/16-italy","16th-century Italy",66,"style/painting-16","More paintings of the 16th century",95,"artist/lorenzo-lotto","More by Lorenzo Lotto","https://img.ochreeditions.com/a/589/480.jpg","https://img.ochreeditions.com/a/589/960.jpg","https://img.ochreeditions.com/a/589/1920.jpg","The gesture of the elegantly dressed man is a mystery. Is he rising from his chair to address someone or is he pointing to something outside the frame? His right hand rests on a piece of paper (a letter?)",{"_309":513,"_311":514},{"_309":511,"_311":512},{"_309":509,"_311":510},{"_309":507,"_311":508},{"_309":505,"_311":506},"#927e66",0.1091,"#538a99",0.1131,"#403124",0.1472,"#2b5766",0.2296,"#1b1716",0.401,"Lorenzo Lotto","lorenzo-lotto","Italian, 1475–1556",1475,1556,"Venice","Loreto","Lotto was born in Venice but spent much of his restless career elsewhere: in Treviso, Bergamo and the towns of the Marches, with a stay in Rome.","the-academy-of-baccio-bandinelli-aic-273081","The Academy of Baccio Bandinelli",{"_42":577,"_222":578,"_381":579,"_383":384,"_385":580,"_387":581,"_389":-5,"_390":-5,"_391":-5,"_140":103},"1544/50, printed c. 1560s","Engraving in black on cream laid paper","Sheet: 77.8 × 111.3 cm (30 5/8 × 43 13/16 in.)",111,77,1.5323995472552348,[562,563,564,565,566],{"_221":558,"_222":559,"_42":560,"_302":561},"Courtesy of the Art Institute of Chicago","2024.154","Enea Vico made this in 1544/50, printed c. 1560s, aged about 21. It is now at the Art Institute of Chicago.","A work made of engraving in black on cream laid paper.",{"_293":555,"_295":556,"_297":557},"https://img.ochreeditions.com/m/442.jpg?dl=1","/art/the-academy-of-baccio-bandinelli-aic-273081","/galleries/style/renaissance/the-academy-of-baccio-bandinelli-aic-273081",{"_289":290,"_291":292},{"_225":547,"_125":548,"_284":549},{"_274":345,"_276":545,"_278":529,"_280":546},96.43541685901579,72.43541685901579,{"_286":225,"_123":553,"_154":554,"_140":89},{"_286":125,"_123":550,"_154":551,"_140":552},{"_286":284,"_123":488,"_154":489,"_140":490},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-enea-vico","Enea Vico's contemporaries","https://img.ochreeditions.com/a/442/480.jpg","https://img.ochreeditions.com/a/442/960.jpg","https://img.ochreeditions.com/a/442/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_309":575,"_311":576},{"_309":573,"_311":574},{"_309":571,"_311":572},{"_309":569,"_311":570},{"_309":567,"_311":568},"#e2d0c0",0.0759,"#af9e8f",0.1376,"#897c6f",0.2188,"#554d45",0.279,"#6e6459",0.2887,"Enea Vico","enea-vico","Italian, 1523–1567",1523,1567,"the-last-supper-pair-cma-119621","The Last Supper (pair)",{"_42":625,"_222":626,"_381":384,"_383":384,"_385":-5,"_387":-5,"_389":-5,"_390":-5,"_391":-5,"_140":99},"engraving on two sheets printed from two plates",2.6275115919629055,[612,613,614,615,616],{"_221":360,"_222":361,"_42":362,"_302":363},"1940.473","Lucantonio degli Uberti made this in about 1500. It is now at the Cleveland Museum of Art.",{"_118":611,"_435":436},"The Last Supper (pair), by Lucantonio degli Uberti, c. 1500",{"_293":608,"_295":609,"_297":610},"https://img.ochreeditions.com/m/537.jpg?dl=1","/art/the-last-supper-pair-cma-119621","/galleries/style/renaissance/the-last-supper-pair-cma-119621",{"_289":290,"_291":292},{"_225":603,"_125":604,"_284":605},{"_274":135,"_276":600,"_278":601,"_280":602},46.83529411764706,60,22.83529411764706,{"_286":225,"_123":606,"_154":607,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":53},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/lucantonio-degli-uberti","More by Lucantonio degli Uberti","https://img.ochreeditions.com/a/537/480.jpg","https://img.ochreeditions.com/a/537/960.jpg","https://img.ochreeditions.com/a/537/1920.jpg","Because large prints were often displayed on a wall, they were susceptible to damage and often have not survived. This large print of the Last Supper , however, is in excellent condition. It was engraved on two plates and printed on two separate sheets of paper.",{"_309":623,"_311":624},{"_309":621,"_311":622},{"_309":619,"_311":620},{"_309":618,"_311":314},{"_309":617,"_311":447},"#d1c2ac","#ad9d86","#695e4e",0.1686,"#958670",0.2943,"#807360",0.3132,"Lucantonio degli Uberti","lucantonio-degli-uberti","study-of-a-standing-male-nude-aic-248306","Study of a Standing Male Nude",{"_42":677,"_222":678,"_381":679,"_383":384,"_385":680,"_387":681,"_389":-5,"_390":-5,"_391":-5,"_140":103},"1595/96","watercolour","Drawing and Watercolor","Black chalk on laid paper, laid down on tan laid pulp board","43.2 × 17.3 cm (17 1/16 × 6 13/16 in.)",17,0.46583344654258935,[662,663,664,665,666],{"_221":558,"_222":559,"_42":560,"_302":561},"2019.876","Giuseppe Cesari, called Cavaliere d'Arpino painted this in 1595/96, aged about 27. It is now at the Art Institute of Chicago.","A work made of black chalk on laid paper, laid down on tan laid pulp board.",{"_293":659,"_295":660,"_297":661},"https://img.ochreeditions.com/m/373.jpg?dl=1","/art/study-of-a-standing-male-nude-aic-248306","/galleries/style/renaissance/study-of-a-standing-male-nude-aic-248306",{"_289":290,"_291":292},{"_225":652,"_125":653,"_284":654},{"_274":649,"_276":650,"_278":651,"_280":196},44.03083820133134,67,20.030838201331342,{"_286":225,"_123":657,"_154":658,"_140":89},{"_286":125,"_123":655,"_154":656,"_140":89},{"_286":284,"_123":488,"_154":489,"_140":490},"style/watercolour-16","More watercolours of the 16th century","artist/contemporaries-of-giuseppe-cesari-called-cavaliere-d-arpino","Giuseppe Cesari, called Cavaliere d'Arpino's contemporaries","https://img.ochreeditions.com/a/373/480.jpg","https://img.ochreeditions.com/a/373/960.jpg","https://img.ochreeditions.com/a/373/1920.jpg",{"_309":675,"_311":676},{"_309":673,"_311":674},{"_309":671,"_311":672},{"_309":669,"_311":670},{"_309":667,"_311":668},"#867564",0.0776,"#a9927c",0.1693,"#c99f78",0.199,"#b89173",0.2052,"#cdb096",0.3489,"Giuseppe Cesari, called Cavaliere d'Arpino","giuseppe-cesari-called-cavaliere-d-arpino","Italian, 1568–1640",1568,1640,"the-submersion-of-pharaoh-s-army-in-the-red-sea-cma-129875","The Submersion of Pharaoh's Army in the Red Sea",{"_42":732,"_222":733,"_381":734,"_383":384,"_385":735,"_387":736,"_389":737,"_390":520,"_391":-5,"_140":101},"1514–15, printed 1549","woodcut","Unframed: 40 x 55 cm (15 3/4 x 21 5/8 in.)",55,40,1.7580144777662874,[717,718,719,720,721],{"_221":360,"_222":361,"_42":362,"_302":363},"1952.296","Titian made this in 1514–15, printed 1549, aged about 26. It is now at the Cleveland Museum of Art.",{"_118":716,"_435":436},"The Submersion of Pharaoh's Army in the Red Sea, by Titian, 1514–15, printed 1549",{"_293":713,"_295":714,"_297":715},"https://img.ochreeditions.com/m/598.jpg?dl=1","/art/the-submersion-of-pharaoh-s-army-in-the-red-sea-cma-129875","/galleries/style/renaissance/the-submersion-of-pharaoh-s-army-in-the-red-sea-cma-129875",{"_289":290,"_291":292},{"_225":708,"_125":709,"_284":710},{"_274":704,"_276":705,"_278":706,"_280":707},86.19028743369685,59.375298793167566,62.19028743369685,35.375298793167566,{"_286":225,"_123":711,"_154":712,"_140":89},{"_286":125,"_123":550,"_154":551,"_140":552},{"_286":284,"_123":488,"_154":489,"_140":490},"artist/contemporaries-of-titian","Titian's contemporaries","https://img.ochreeditions.com/a/598/480.jpg","https://img.ochreeditions.com/a/598/960.jpg","https://img.ochreeditions.com/a/598/1920.jpg","This composition is made up of 12 separately printed woodcuts to create one image in grand scale. The size rivals that of a history painting, and, unlike most prints, the composition would have been hung on the wall.",{"_309":730,"_311":731},{"_309":728,"_311":729},{"_309":726,"_311":727},{"_309":724,"_311":725},{"_309":722,"_311":723},"#ddcfc5",0.0916,"#7b6c60",0.128,"#bcaa9a",0.2183,"#928274",0.2327,"#a79586",0.3294,"Titian","titian","Italian, c. 1488–1576",1488,1576,"Pieve di Cadore","portrait-of-vincenzo-guarignoni-cma-137135","Portrait of Vincenzo Guarignoni",{"_42":785,"_222":786,"_381":787,"_383":384,"_385":788,"_387":789,"_389":-5,"_390":-5,"_391":-5,"_140":103},"c. 1572","Framed: 91 x 80 x 8 cm (35 13/16 x 31 1/2 x 3 1/8 in.); Unframed: 63 x 50.8 cm (24 13/16 x 20 in.)",50.8,63,0.8155882352941176,[770,771,772,773,774],{"_221":360,"_222":361,"_42":362,"_302":363},"1962.1","Giovanni Battista Moroni painted this in about 1572, aged about 42. It is now at the Cleveland Museum of Art.",{"_118":769,"_435":436},"Portrait of Vincenzo Guarignoni, by Giovanni Battista Moroni, c. 1572",{"_293":766,"_295":767,"_297":768},"https://img.ochreeditions.com/m/644.jpg?dl=1","/art/portrait-of-vincenzo-guarignoni-cma-137135","/galleries/style/renaissance/portrait-of-vincenzo-guarignoni-cma-137135",{"_289":355,"_291":356},{"_225":761,"_125":762,"_284":763},{"_274":759,"_276":138,"_278":760,"_280":744},66.3820588235294,51.38205882352941,{"_286":225,"_123":764,"_154":765,"_140":89},{"_286":125,"_123":491,"_154":492,"_140":493},{"_286":284,"_123":488,"_154":489,"_140":490},"artist/contemporaries-of-giovanni-battista-moroni","Giovanni Battista Moroni's contemporaries","https://img.ochreeditions.com/a/644/480.jpg","https://img.ochreeditions.com/a/644/960.jpg","https://img.ochreeditions.com/a/644/1920.jpg","The Latin inscription gives the sitter's name and age (45), as well as the painting's date. Guarignoni came from a prominent family in the northern Italian city of Bergamo.",{"_309":783,"_311":784},{"_309":781,"_311":782},{"_309":779,"_311":780},{"_309":777,"_311":778},{"_309":775,"_311":776},"#a09483",0.0592,"#7a6556",0.0601,"#27231e",0.2431,"#484139",0.2695,"#141210",0.3681,"Giovanni Battista Moroni","giovanni-battista-moroni","Italian, 1525–1578",1525,1578,"the-power-of-women-the-poet-virgil-suspended-in-a-basket-cma-114941","The Power of Women: The Poet Virgil Suspended in a Basket",{"_42":837,"_222":838,"_381":839,"_383":840,"_385":841,"_387":842,"_389":-5,"_390":-5,"_391":-5,"_140":101},"c. 1512","netherlands",0.6988235294117647,[822,823,824,825,826],{"_221":360,"_222":361,"_42":362,"_302":363},"1935.116","Lucas van Leyden made this in about 1512, aged about 13. It is now at the Cleveland Museum of Art.",{"_118":821,"_435":436},"The Power of Women: The Poet Virgil Suspended in a Basket, by Lucas van Leyden, c. 1512",{"_293":818,"_295":819,"_297":820},"https://img.ochreeditions.com/m/530.jpg?dl=1","/art/the-power-of-women-the-poet-virgil-suspended-in-a-basket-cma-114941","/galleries/style/renaissance/the-power-of-women-the-poet-virgil-suspended-in-a-basket-cma-114941",{"_289":290,"_291":292},{"_225":811,"_125":812,"_284":813},{"_274":809,"_276":135,"_278":810,"_280":601},65.92941176470589,41.92941176470588,{"_286":225,"_123":816,"_154":817,"_140":89},{"_286":125,"_123":550,"_154":551,"_140":552},{"_286":284,"_123":814,"_154":815,"_140":428},"era/16-netherlands","16th-century Netherlands","artist/contemporaries-of-lucas-van-leyden","Lucas van Leyden's contemporaries","https://img.ochreeditions.com/a/530/480.jpg","https://img.ochreeditions.com/a/530/960.jpg","https://img.ochreeditions.com/a/530/1920.jpg","This woodcut is from a series depicting the power of women, a popular early 16th-century theme. The series highlights a woman’s capacity to use beauty, charm, and ruse to thwart even the cleverest men. Here, Van Leyden illustrated the cunning of the Roman emperor’s daughter.",{"_309":835,"_311":836},{"_309":833,"_311":834},{"_309":831,"_311":832},{"_309":829,"_311":830},{"_309":827,"_311":828},"#615e55",0.1094,"#d1c7b8",0.1323,"#817b6f",0.2264,"#b3aa9b",0.2646,"#9c9486",0.2673,"Lucas van Leyden","lucas-van-leyden","Netherlandish, 1494–about 1533","Netherlandish",1494,1533,"saint-john-the-baptist-entering-the-wilderness-aic-16156","Saint John the Baptist Entering the Wilderness",{"_42":891,"_222":892,"_381":893,"_383":384,"_385":894,"_387":895,"_389":896,"_390":896,"_391":897,"_140":97},"1455–60","Tempera on panel","68.5 × 36.2 cm (27 × 14 1/4 in.); Framed: 79.4 × 47.7 × 8 cm (31 1/4 × 18 3/4 × 3 1/8 in.)",36,68,0.508898885194602,[876,877,878,879,880],{"_221":558,"_222":559,"_42":560,"_302":561},"1933.1010","Giovanni di Paolo painted this in 1455–60, aged about 57. It is now at the Art Institute of Chicago.","The young John the Baptist leaves his home through a city gate at the lower left and reappears higher up, climbing a winding path into fantastical, folded mountains, so that one panel tells a whole journey. Below him spreads a patchwork of fields laid out like a map.","A work made of tempera on panel.",{"_293":873,"_295":874,"_297":875},"https://img.ochreeditions.com/m/43.jpg?dl=1","/art/saint-john-the-baptist-entering-the-wilderness-aic-16156","/galleries/style/renaissance/saint-john-the-baptist-entering-the-wilderness-aic-16156",{"_289":355,"_291":356},{"_225":868,"_125":869,"_284":870},{"_274":865,"_276":866,"_278":867,"_280":850},49.60512419323294,83,34.60512419323294,{"_286":225,"_123":871,"_154":872,"_140":97},{"_286":125,"_123":350,"_154":351,"_140":352},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/giovanni-di-paolo","More by Giovanni di Paolo","https://img.ochreeditions.com/a/43/480.jpg","https://img.ochreeditions.com/a/43/960.jpg","https://img.ochreeditions.com/a/43/1920.jpg",{"_309":889,"_311":890},{"_309":887,"_311":888},{"_309":885,"_311":886},{"_309":883,"_311":884},{"_309":881,"_311":882},"#453420",0.1567,"#65512e",0.1652,"#82775a",0.2064,"#555b4a",0.2093,"#2e3027",0.2624,"Giovanni di Paolo","giovanni-di-paolo","Italian, 1398–1482",1398,1482,"Siena","Giovanni di Paolo spent his long career in Siena, where he was one of the city’s leading painters through the fifteenth century.","the-last-supper-cma-119622","The Last Supper",{"_42":625,"_222":626,"_381":384,"_383":384,"_385":-5,"_387":-5,"_389":-5,"_390":-5,"_391":-5,"_140":99},1.3137557959814528,[922,923,924,925,926],{"_221":360,"_222":361,"_42":362,"_302":363},"1940.473.a",{"_118":611,"_435":436},"The Last Supper, by Lucantonio degli Uberti, c. 1500",{"_293":919,"_295":920,"_297":921},"https://img.ochreeditions.com/m/538.jpg?dl=1","/art/the-last-supper-cma-119622","/galleries/style/renaissance/the-last-supper-cma-119622",{"_289":290,"_291":292},{"_225":916,"_125":917,"_284":918},{"_274":135,"_276":914,"_278":601,"_280":915},69.67058823529412,45.67058823529412,{"_286":225,"_123":606,"_154":607,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":53},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/538/480.jpg","https://img.ochreeditions.com/a/538/960.jpg","https://img.ochreeditions.com/a/538/1920.jpg",{"_309":935,"_311":936},{"_309":933,"_311":934},{"_309":931,"_311":932},{"_309":929,"_311":930},{"_309":927,"_311":928},"#f0e3cf",0.0574,"#c0af98",0.1441,"#6f6353",0.206,"#9f907a",0.2813,"#887966",0.3112,"a-naval-battle-aic-273340","A Naval Battle",{"_42":982,"_222":983,"_381":384,"_383":384,"_385":-5,"_387":984,"_389":-5,"_390":-5,"_391":-5,"_140":103},"c. 1550","Engraving and etching in black on cream laid paper","22 × 36.1 cm (8 11/16 × 14 1/4 in.)",22,1.3656927426955703,[967,968,969,970,971],{"_221":558,"_222":559,"_42":560,"_302":561},"2024.163","Michele Lucchese made this in about 1550. It is now at the Art Institute of Chicago.","A work made of engraving and etching in black on cream laid paper.",{"_293":964,"_295":965,"_297":966},"https://img.ochreeditions.com/m/445.jpg?dl=1","/art/a-naval-battle-aic-273340","/galleries/style/renaissance/a-naval-battle-aic-273340",{"_289":290,"_291":292},{"_225":959,"_125":960,"_284":961},{"_274":601,"_276":957,"_278":849,"_280":958},50.36024844720497,26.360248447204967,{"_286":225,"_123":962,"_154":963,"_140":89},{"_286":125,"_123":550,"_154":551,"_140":552},{"_286":284,"_123":488,"_154":489,"_140":490},"artist/contemporaries-of-michele-lucchese","Michele Lucchese's contemporaries","https://img.ochreeditions.com/a/445/480.jpg","https://img.ochreeditions.com/a/445/960.jpg","https://img.ochreeditions.com/a/445/1920.jpg",{"_309":980,"_311":981},{"_309":978,"_311":979},{"_309":976,"_311":977},{"_309":974,"_311":975},{"_309":972,"_311":973},"#635a51",0.0771,"#c0b0a3",0.0798,"#a09388",0.0864,"#80756c",0.0884,"#eddacc",0.6683,"Michele Lucchese","michele-lucchese",1564,"domenico-da-gambassi-aic-154037","Domenico da Gambassi",{"_42":1029,"_222":1030,"_381":1031,"_383":384,"_385":1032,"_387":1033,"_389":1034,"_390":1034,"_391":1035,"_140":97},"1525–28","Oil on panel","22.5 × 15.9 cm (8 7/8 × 6 1/4 in.)",1.3081943437273387,[1014,1015,1016,1017,1018],{"_221":558,"_222":559,"_42":560,"_302":561},"1964.1097a","Andrea del Sarto painted this in 1525–28, aged about 39. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_293":1011,"_295":1012,"_297":1013},"https://img.ochreeditions.com/m/337.jpg?dl=1","/art/domenico-da-gambassi-aic-154037","/galleries/style/renaissance/domenico-da-gambassi-aic-154037",{"_289":355,"_291":356},{"_225":1006,"_125":1007,"_284":1008},{"_274":689,"_276":1004,"_278":279,"_280":1005},34.11031042128603,19.11031042128603,{"_286":225,"_123":1009,"_154":1010,"_140":97},{"_286":125,"_123":491,"_154":492,"_140":493},{"_286":284,"_123":488,"_154":489,"_140":490},"artist/andrea-del-sarto","More by Andrea del Sarto","https://img.ochreeditions.com/a/337/480.jpg","https://img.ochreeditions.com/a/337/960.jpg","https://img.ochreeditions.com/a/337/1920.jpg",{"_309":1027,"_311":1028},{"_309":1025,"_311":1026},{"_309":1023,"_311":1024},{"_309":1021,"_311":1022},{"_309":1019,"_311":1020},"#a67155",0.1173,"#6d4831",0.1231,"#2b1913",0.1904,"#462e1a",0.2092,"#4a1313",0.36,"Andrea del Sarto","andrea-del-sarto","Italian, 1486–1530",1486,1530,"Florence","Andrea del Sarto, the son of a tailor, or sarto, spent almost his whole career in Florence and became its leading painter after Leonardo, Michelangelo and Raphael had left.","equestrian-portrait-of-the-emperor-maximilian-cma-128048","Equestrian Portrait of the Emperor Maximilian",{"_42":1085,"_222":1086,"_381":1087,"_383":455,"_385":1088,"_387":1089,"_389":-5,"_390":-5,"_391":-5,"_140":103},"1508","woodcut, in black and white on paper washed blue","Sheet: 32.3 x 22.7 cm (12 11/16 x 8 15/16 in.)",22.7,32.3,0.7070588235294117,[1070,1071,1072,1073,1074],{"_221":360,"_222":361,"_42":362,"_302":363},"1950.72","Hans Burgkmair made this in 1508, aged 35. It is now at the Cleveland Museum of Art.",{"_118":1069,"_435":436},"Equestrian Portrait of the Emperor Maximilian, by Hans Burgkmair, 1508",{"_293":1066,"_295":1067,"_297":1068},"https://img.ochreeditions.com/m/590.jpg?dl=1","/art/equestrian-portrait-of-the-emperor-maximilian-cma-128048","/galleries/style/renaissance/equestrian-portrait-of-the-emperor-maximilian-cma-128048",{"_289":290,"_291":292},{"_225":1061,"_125":1062,"_284":1063},{"_274":1058,"_276":1059,"_278":1060,"_280":1043},46.837999999999994,56.3,22.837999999999997,{"_286":225,"_123":1064,"_154":1065,"_140":89},{"_286":125,"_123":550,"_154":551,"_140":552},{"_286":284,"_123":423,"_154":424,"_140":425},"artist/contemporaries-of-hans-burgkmair","Hans Burgkmair's contemporaries","https://img.ochreeditions.com/a/590/480.jpg","https://img.ochreeditions.com/a/590/960.jpg","https://img.ochreeditions.com/a/590/1920.jpg","Presented in full profile, the Holy Roman Emperor Maximilian I (reigned 1486–1519) and his mount emulate a classical equestrian portrait statue.",{"_309":1083,"_311":1084},{"_309":1081,"_311":1082},{"_309":1079,"_311":1080},{"_309":1077,"_311":1078},{"_309":1075,"_311":1076},"#798687",0.0993,"#606f71",0.1747,"#313d40",0.208,"#4d5d62",0.2424,"#3f4d51",0.2756,"Hans Burgkmair","hans-burgkmair","German, 1473–1531",1473,1531,"portrait-of-roberto-castiglione-cma-97168","Portrait of Roberto Castiglione","early 1600s","Framed: 147.3 x 120.6 x 10.2 cm (58 x 47 1/2 x 4 in.); Unframed: 121.2 x 98.7 cm (47 11/16 x 38 7/8 in.)",98.7,121.2,0.8088235294117647,[1120,1121,1122,1123,1124],{"_221":360,"_222":361,"_42":362,"_302":363},"1916.804","An unrecorded Italy, Cremona artist painted this in the early 1600s. It is now at the Cleveland Museum of Art.",{"_118":1119,"_435":436},"Portrait of Roberto Castiglione, early 1600s",{"_293":1116,"_295":1117,"_297":1118},"https://img.ochreeditions.com/m/483.jpg?dl=1","/art/portrait-of-roberto-castiglione-cma-97168","/galleries/style/renaissance/portrait-of-roberto-castiglione-cma-97168",{"_289":355,"_291":356},{"_225":1113,"_125":1114,"_284":1115},{"_274":1110,"_276":1111,"_278":1112,"_280":1095},113.02941176470588,136.2,98.02941176470588,{"_286":225,"_123":171,"_154":170,"_140":77},{"_286":125,"_123":491,"_154":492,"_140":493},{"_286":284,"_123":488,"_154":489,"_140":490},"https://img.ochreeditions.com/a/483/480.jpg","https://img.ochreeditions.com/a/483/960.jpg","https://img.ochreeditions.com/a/483/1920.jpg","The inscription on the bottom of this painting identifies the sitter of this commemorative portrait as Roberto Castiglione, a magistrate and imperial vicar for the Spanish empire in the 1200s. His identity is further supported by the coat of arms in the upper left.",{"_309":1133,"_311":1134},{"_309":1131,"_311":1132},{"_309":1129,"_311":1130},{"_309":1127,"_311":1128},{"_309":1125,"_311":1126},"#5d3921",0.0376,"#947340",0.0526,"#5c4d33",0.0983,"#272017",0.366,"#1f1c15",0.4455,{"_1136":-5,"_1137":1138,"_1139":1140,"_1141":8,"_1142":1143,"_1144":8},"user","csrf","a501e928a5da3ba115068a92c18a510e732fafe8","cartCount",0,"dropLive","legal",[1145,1146,1147,1148,1149,1150,1151,1152,1153,1154,1155,1156],"uploadsEnabled",{"_222":1179,"_20":1180},{"_222":1177,"_20":1178},{"_222":1175,"_20":1176},{"_222":1173,"_20":1174},{"_222":1171,"_20":1172},{"_222":1169,"_20":1170},{"_222":1167,"_20":1168},{"_222":1165,"_20":1166},{"_222":1163,"_20":1164},{"_222":1161,"_20":1162},{"_222":1159,"_20":1160},{"_222":1157,"_20":1158},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]