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At the age of six, she saw a vision of Christ and thereafter dedicated herself to chastity, penance, and good works. She became much beloved in Siena for selflessly caring for victims of the Black Death. This panel, with 1966.",{"_314":452,"_316":453},{"_314":450,"_316":451},{"_314":448,"_316":449},{"_314":446,"_316":447},{"_314":444,"_316":445},"#98764e",0.1138,"#292621",0.135,"#5d5347",0.1401,"#847c6e",0.1958,"#b0a795",0.4153,"Giovanni di Paolo","giovanni-di-paolo","Italian, 1398–1482",1398,1482,"Siena","Giovanni di Paolo spent his long career in Siena, where he was one of the city’s leading painters through the fifteenth century.","the-fall-of-man-with-scenes-of-the-creation-aic-35184","The Fall of Man with Scenes of the Creation",{"_42":516,"_222":517,"_328":518,"_330":518,"_332":-5,"_334":519,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1544","germany","Oil on panel","48.6 × 58.4 cm (19 1/8 × 23 in.); Framed: 57.5 × 66.7 × 5.1 cm (22 5/8 × 26 1/4 × 2 in.)",58,48,1.206162990771156,[501,502,503,504,505],{"_221":497,"_222":498,"_42":499,"_307":500},"Courtesy of the Art Institute of Chicago","1970.1009","Augustus Cordus painted this in 1544. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_295":494,"_297":495,"_299":496},"https://img.ochreeditions.com/m/133.jpg?dl=1","/art/the-fall-of-man-with-scenes-of-the-creation-aic-35184","/galleries/style/renaissance/the-fall-of-man-with-scenes-of-the-creation-aic-35184",{"_291":373,"_293":374},{"_225":486,"_125":487,"_285":488},{"_276":432,"_278":484,"_280":468,"_281":485},63.08637012060692,48.08637012060692,{"_287":225,"_123":492,"_154":493,"_140":89},{"_287":125,"_123":369,"_154":370,"_140":348},{"_287":285,"_123":489,"_154":490,"_140":491},"era/16-germany","16th-century Germany",28,"artist/contemporaries-of-augustus-cordus","Augustus Cordus's contemporaries","https://img.ochreeditions.com/a/133/480.jpg","https://img.ochreeditions.com/a/133/960.jpg","https://img.ochreeditions.com/a/133/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_314":514,"_316":515},{"_314":512,"_316":513},{"_314":510,"_316":511},{"_314":508,"_316":509},{"_314":506,"_316":507},"#896b4b",0.1501,"#58706a",0.1504,"#b0967d",0.1627,"#544a2d",0.1963,"#312f23",0.3405,"Augustus Cordus","augustus-cordus","German",1553,"ornament-in-hexagonal-shape-nga-9484","Ornament in Hexagonal Shape","Unrecorded Italian maker","c. 1480/1510","print","Print","niello print","sheet: 2 x 4.3 cm (13/16 x 1 11/16 in.)",4.3,2.1132254995242628,[561,562,563,564,565],{"_221":557,"_222":558,"_42":559,"_307":560},"Courtesy National Gallery of Art, Washington","1943.3.6690","An unrecorded Italian artist made this in about 1480/1510. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of an ornamental floral design. The image shows a central floral motif resembling a flower with radiating petals, surrounded by swirling leaf patterns. The background is dark, contrasting with the lighter line work of the floral design. The drawing's borders are uneven and have an antique appearance.",{"_295":554,"_297":555,"_299":556},"https://img.ochreeditions.com/m/1353.jpg?dl=1","/art/ornament-in-hexagonal-shape-nga-9484","/galleries/style/renaissance/ornament-in-hexagonal-shape-nga-9484",{"_291":292,"_293":294},{"_225":547,"_125":548,"_285":549},{"_276":543,"_278":544,"_280":545,"_281":546},49,35.83025664115263,25,11.830256641152634,{"_287":225,"_123":552,"_154":553,"_140":77},{"_287":125,"_123":550,"_154":551,"_140":53},{"_287":285,"_123":427,"_154":428,"_140":429},"style/print-15","More prints of the 15th century","artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/1353/480.jpg","https://img.ochreeditions.com/a/1353/960.jpg","https://img.ochreeditions.com/a/1353/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_314":574,"_316":575},{"_314":572,"_316":573},{"_314":570,"_316":571},{"_314":568,"_316":569},{"_314":566,"_316":567},"#786a59",0.1375,"#9f8e76",0.1406,"#5a5146",0.2245,"#433e39",0.2406,"#d4cab5",0.2568,"saint-sebastian-cma-135407","Saint Sebastian",{"_42":627,"_222":628,"_328":629,"_330":331,"_332":630,"_334":631,"_336":-5,"_337":-5,"_338":632,"_140":95},"c. 1493","metalpoint","Sheet: 25.6 x 14.6 cm (10 1/16 x 5 3/4 in.)",14.6,25.6,0.5744117647058824,[612,613,614,615,616],{"_221":304,"_222":305,"_42":306,"_307":308},"1958.411","Perugino drew this in about 1493, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":611,"_302":303},"Saint Sebastian, by Perugino, c. 1493",{"_295":608,"_297":609,"_299":610},"https://img.ochreeditions.com/m/629.jpg?dl=1","/art/saint-sebastian-cma-135407","/galleries/style/renaissance/saint-sebastian-cma-135407",{"_291":292,"_293":294},{"_225":601,"_125":602,"_285":603},{"_276":598,"_278":599,"_280":600,"_281":583},38.70494117647059,49.6,14.70494117647059,{"_287":225,"_123":606,"_154":607,"_140":95},{"_287":125,"_123":604,"_154":605,"_140":91},{"_287":285,"_123":427,"_154":428,"_140":429},"style/drawing-15","More drawings of the 15th century","artist/perugino","More by Perugino","https://img.ochreeditions.com/a/629/480.jpg","https://img.ochreeditions.com/a/629/960.jpg","https://img.ochreeditions.com/a/629/1920.jpg","The Florentine painter Perugino made drawings to record figural types and poses that could be repeated throughout his finished paintings.",{"_314":625,"_316":626},{"_314":623,"_316":624},{"_314":621,"_316":622},{"_314":619,"_316":620},{"_314":617,"_316":618},"#d9ccb7",0.0722,"#837057",0.0946,"#b29b7e",0.1119,"#a08c72",0.3041,"#958066",0.4172,"Perugino","perugino","Italian, c. 1450/55–1523",1450,1523,"Pietro Vannucci took the name Perugino from Perugia, the chief city of his native Umbria, and trained in Florence, probably alongside Leonardo in Verrocchio’s studio.","portrait-of-vincenzo-guarignoni-cma-137135","Portrait of Vincenzo Guarignoni",{"_42":681,"_222":682,"_328":683,"_330":331,"_332":684,"_334":685,"_336":-5,"_337":-5,"_338":-5,"_140":103},"c. 1572","oil on canvas","Framed: 91 x 80 x 8 cm (35 13/16 x 31 1/2 x 3 1/8 in.); Unframed: 63 x 50.8 cm (24 13/16 x 20 in.)",50.8,63,0.8155882352941176,[666,667,668,669,670],{"_221":304,"_222":305,"_42":306,"_307":308},"1962.1","Giovanni Battista Moroni painted this in about 1572, aged about 42. It is now at the Cleveland Museum of Art.",{"_118":665,"_302":303},"Portrait of Vincenzo Guarignoni, by Giovanni Battista Moroni, c. 1572",{"_295":662,"_297":663,"_299":664},"https://img.ochreeditions.com/m/644.jpg?dl=1","/art/portrait-of-vincenzo-guarignoni-cma-137135","/galleries/style/renaissance/portrait-of-vincenzo-guarignoni-cma-137135",{"_291":373,"_293":374},{"_225":657,"_125":658,"_285":659},{"_276":655,"_278":138,"_280":656,"_281":640},66.3820588235294,51.38205882352941,{"_287":225,"_123":660,"_154":661,"_140":89},{"_287":125,"_123":369,"_154":370,"_140":348},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-giovanni-battista-moroni","Giovanni Battista Moroni's contemporaries","https://img.ochreeditions.com/a/644/480.jpg","https://img.ochreeditions.com/a/644/960.jpg","https://img.ochreeditions.com/a/644/1920.jpg","The Latin inscription gives the sitter's name and age (45), as well as the painting's date. Guarignoni came from a prominent family in the northern Italian city of Bergamo.",{"_314":679,"_316":680},{"_314":677,"_316":678},{"_314":675,"_316":676},{"_314":673,"_316":674},{"_314":671,"_316":672},"#a09483",0.0592,"#7a6556",0.0601,"#27231e",0.2431,"#484139",0.2695,"#141210",0.3681,"Giovanni Battista Moroni","giovanni-battista-moroni","Italian, 1525–1578",1525,1578,"study-for-the-nude-youth-over-the-prophet-daniel-recto-figur-cma-119614","Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)",{"_42":736,"_222":737,"_328":738,"_330":331,"_332":739,"_334":740,"_336":741,"_337":742,"_338":-5,"_140":101},"1510–11","red chalk over black chalk or charcoal","Sheet: 34.3 x 24.3 cm (13 1/2 x 9 9/16 in.); Secondary Support: 34.4 x 24.4 cm (13 9/16 x 9 5/8 in.)",24.3,34.3,0.5841176470588235,[721,722,723,724,725],{"_221":304,"_222":305,"_42":306,"_307":308},"1940.465","Michelangelo Buonarroti drew this in 1510–11, aged about 35. It is now at the Cleveland Museum of Art.",{"_118":720,"_302":303},"Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso), by Michelangelo Buonarroti, 1510–11",{"_295":717,"_297":718,"_299":719},"https://img.ochreeditions.com/m/536.jpg?dl=1","/art/study-for-the-nude-youth-over-the-prophet-daniel-recto-figur-cma-119614","/galleries/style/renaissance/study-for-the-nude-youth-over-the-prophet-daniel-recto-figur-cma-119614",{"_291":292,"_293":294},{"_225":712,"_125":713,"_285":714},{"_276":708,"_278":709,"_280":710,"_281":711},46.064818550059705,61.774613831924974,22.064818550059705,37.774613831924974,{"_287":225,"_123":715,"_154":716,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-michelangelo-buonarroti","Michelangelo Buonarroti's contemporaries","https://img.ochreeditions.com/a/536/480.jpg","https://img.ochreeditions.com/a/536/960.jpg","https://img.ochreeditions.com/a/536/1920.jpg","Universally considered one of the greatest artists of the Italian Renaissance, Michelangelo devoted four years to painting the vast ceiling fresco in the Sistine Chapel.",{"_314":734,"_316":735},{"_314":732,"_316":733},{"_314":730,"_316":731},{"_314":728,"_316":729},{"_314":726,"_316":727},"#e3d7c5",0.0528,"#cd926c",0.0752,"#d0ab85",0.1769,"#fcfcfa",0.1981,"#d4bb98",0.497,"Michelangelo Buonarroti","michelangelo-buonarroti","Italian, 1475–1564",1475,1564,"Caprese","Rome","portrait-of-roberto-castiglione-cma-97168","Portrait of Roberto Castiglione","early 1600s","Framed: 147.3 x 120.6 x 10.2 cm (58 x 47 1/2 x 4 in.); Unframed: 121.2 x 98.7 cm (47 11/16 x 38 7/8 in.)",98.7,121.2,0.8088235294117647,[773,774,775,776,777],{"_221":304,"_222":305,"_42":306,"_307":308},"1916.804","An unrecorded Italy, Cremona artist painted this in the early 1600s. It is now at the Cleveland Museum of Art.",{"_118":772,"_302":303},"Portrait of Roberto Castiglione, early 1600s",{"_295":769,"_297":770,"_299":771},"https://img.ochreeditions.com/m/483.jpg?dl=1","/art/portrait-of-roberto-castiglione-cma-97168","/galleries/style/renaissance/portrait-of-roberto-castiglione-cma-97168",{"_291":373,"_293":374},{"_225":766,"_125":767,"_285":768},{"_276":763,"_278":764,"_280":765,"_281":748},113.02941176470588,136.2,98.02941176470588,{"_287":225,"_123":552,"_154":553,"_140":77},{"_287":125,"_123":369,"_154":370,"_140":348},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/483/480.jpg","https://img.ochreeditions.com/a/483/960.jpg","https://img.ochreeditions.com/a/483/1920.jpg","The inscription on the bottom of this painting identifies the sitter of this commemorative portrait as Roberto Castiglione, a magistrate and imperial vicar for the Spanish empire in the 1200s. His identity is further supported by the coat of arms in the upper left.",{"_314":786,"_316":787},{"_314":784,"_316":785},{"_314":782,"_316":783},{"_314":780,"_316":781},{"_314":778,"_316":779},"#5d3921",0.0376,"#947340",0.0526,"#5c4d33",0.0983,"#272017",0.366,"#1f1c15",0.4455,"the-farnese-hercules-aic-264799","The Farnese Hercules",{"_42":838,"_222":839,"_328":840,"_330":331,"_332":841,"_334":842,"_336":-5,"_337":-5,"_338":843,"_140":99},"c. 1577","Engraving in black on cream laid paper","Plate: 36.4 × 22 cm (14 3/8 × 8 11/16 in.); Sheet: 50 × 35.8 cm (19 11/16 × 14 1/8 in.)",22,36,0.711064993868503,[823,824,825,826,827],{"_221":497,"_222":498,"_42":499,"_307":500},"2022.150","Giorgio Ghisi made this in about 1577, aged about 52. It is now at the Art Institute of Chicago.","A work made of engraving in black on cream laid paper.",{"_295":820,"_297":821,"_299":822},"https://img.ochreeditions.com/m/420.jpg?dl=1","/art/the-farnese-hercules-aic-264799","/galleries/style/renaissance/the-farnese-hercules-aic-264799",{"_291":292,"_293":294},{"_225":812,"_125":813,"_285":814},{"_276":809,"_278":810,"_280":811,"_281":795},49.598339779266105,60,25.598339779266105,{"_287":225,"_123":818,"_154":819,"_140":99},{"_287":125,"_123":815,"_154":816,"_140":817},{"_287":285,"_123":167,"_154":166,"_140":169},"style/print-16","More prints of the 16th century",54,"artist/giorgio-ghisi","More by Giorgio Ghisi","https://img.ochreeditions.com/a/420/480.jpg","https://img.ochreeditions.com/a/420/960.jpg","https://img.ochreeditions.com/a/420/1920.jpg",{"_314":836,"_316":837},{"_314":834,"_316":835},{"_314":832,"_316":833},{"_314":830,"_316":831},{"_314":828,"_316":829},"#f2e3d8",0.0679,"#b2a193",0.0839,"#83786d",0.0907,"#5e574f",0.0971,"#e1ccbb",0.6604,"Giorgio Ghisi","giorgio-ghisi","Italian, 1520–1582",1520,1582,"Ghisi was a Mantuan engraver who worked in Antwerp for the publisher Hieronymus Cock, engraving large plates after Raphael’s Vatican frescoes, and later in France.","virgin-and-child-with-john-the-baptist-and-angels-cma-97154","Virgin and Child with John the Baptist and Angels",{"_42":889,"_222":890,"_328":891,"_330":331,"_332":892,"_334":893,"_336":-5,"_337":-5,"_338":-5,"_140":103},"c. 1500","Framed: 120 x 120 x 7 cm (47 1/4 x 47 1/4 x 2 3/4 in.); Diameter: 95.2 x 92.8 cm (37 1/2 x 36 9/16 in.)",120,0.9655882352941176,[874,875,876,877,878],{"_221":304,"_222":305,"_42":306,"_307":308},"1916.792","Pietro del Donzello painted this in about 1500, aged about 43. It is now at the Cleveland Museum of Art.","Virgin and Child with John the Baptist and Angels, by Pietro del Donzello, c. 1500",{"_295":871,"_297":872,"_299":873},"https://img.ochreeditions.com/m/477.jpg?dl=1","/art/virgin-and-child-with-john-the-baptist-and-angels-cma-97154","/galleries/style/renaissance/virgin-and-child-with-john-the-baptist-and-angels-cma-97154",{"_291":373,"_293":374},{"_225":866,"_125":867,"_285":868},{"_276":863,"_278":864,"_280":865,"_281":849},130.87058823529412,135,115.87058823529412,{"_287":225,"_123":869,"_154":870,"_140":89},{"_287":125,"_123":430,"_154":431,"_140":432},{"_287":285,"_123":427,"_154":428,"_140":429},"artist/contemporaries-of-pietro-del-donzello","Pietro del Donzello's contemporaries","https://img.ochreeditions.com/a/477/480.jpg","https://img.ochreeditions.com/a/477/960.jpg","https://img.ochreeditions.com/a/477/1920.jpg",{"_314":887,"_316":888},{"_314":885,"_316":886},{"_314":883,"_316":884},{"_314":881,"_316":882},{"_314":879,"_316":880},"#785939",0.1447,"#b79666",0.1494,"#61755d",0.1681,"#3c382b",0.2553,"#949494",0.2825,"Pietro del Donzello","pietro-del-donzello","Italian, 1452–1509",1452,1509,"a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303","A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)",{"_42":942,"_222":943,"_328":944,"_330":331,"_332":945,"_334":946,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1520/30","watercolour","Drawing and Watercolor","Red chalk and brush and red chalk wash (recto) and black chalk, with black chalk grid lines, (verso) on cream laid paper","11.6 × 12.7 cm (4 5/8 × 5 in.)",1.0949932341001354,[927,928,929,930,931],{"_221":497,"_222":498,"_42":499,"_307":500},"2019.888","Giovanni Antonio di Francesco Sogliani painted this in 1520/30, aged about 28. It is now at the Art Institute of Chicago.","A work made of red chalk and brush and red chalk wash (recto) and black chalk, with black chalk grid lines, (verso) on cream laid paper.",{"_295":924,"_297":925,"_299":926},"https://img.ochreeditions.com/m/371.jpg?dl=1","/art/a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303","/galleries/style/renaissance/a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303",{"_291":292,"_293":294},{"_225":917,"_125":918,"_285":919},{"_276":543,"_278":915,"_280":545,"_281":916},46.831191300049426,22.83119130004943,{"_287":225,"_123":922,"_154":923,"_140":89},{"_287":125,"_123":920,"_154":921,"_140":89},{"_287":285,"_123":167,"_154":166,"_140":169},"style/watercolour-16","More watercolours of the 16th century","artist/contemporaries-of-giovanni-antonio-di-francesco-sogliani","Giovanni Antonio di Francesco Sogliani's contemporaries","https://img.ochreeditions.com/a/371/480.jpg","https://img.ochreeditions.com/a/371/960.jpg","https://img.ochreeditions.com/a/371/1920.jpg",{"_314":940,"_316":941},{"_314":938,"_316":939},{"_314":936,"_316":937},{"_314":934,"_316":935},{"_314":932,"_316":933},"#503e35",0.0633,"#e0ab87",0.2047,"#db9068",0.2293,"#c7724b",0.2449,"#e4c5a7",0.2578,"Giovanni Antonio di Francesco Sogliani","giovanni-antonio-di-francesco-sogliani","Italian, 1492–1544",1492,1544,"portrait-of-a-couple-cma-97155","Portrait of a Couple","c. 1580–88","Framed: 132 x 173 x 10.5 cm (51 15/16 x 68 1/8 x 4 1/8 in.); Unframed: 99.8 x 140.5 cm (39 5/16 x 55 5/16 in.)",140.5,99.8,1.4078674948240166,[977,978,979,980,981],{"_221":304,"_222":305,"_42":306,"_307":308},"1916.793","An unrecorded Northern Italy, late 16th century artist painted this in about 1580–88. It is now at the Cleveland Museum of Art.",{"_118":976,"_302":303},"Portrait of a Couple, c. 1580–88",{"_295":973,"_297":974,"_299":975},"https://img.ochreeditions.com/m/478.jpg?dl=1","/art/portrait-of-a-couple-cma-97155","/galleries/style/renaissance/portrait-of-a-couple-cma-97155",{"_291":373,"_293":374},{"_225":970,"_125":971,"_285":972},{"_276":967,"_278":968,"_280":951,"_281":969},155.5,114.79632352941177,99.79632352941177,{"_287":225,"_123":552,"_154":553,"_140":77},{"_287":125,"_123":369,"_154":370,"_140":348},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/478/480.jpg","https://img.ochreeditions.com/a/478/960.jpg","https://img.ochreeditions.com/a/478/1920.jpg","While the attribution remains hotly debated, this work exemplifies how Italian portraiture of the 1500s could articulate family alliances through marriage. The inscription gives the sitters’ ages as 35 and 28, and their elaborate jewelry, weapons, and garments, made of expensive materials, convey their elite status.",{"_314":990,"_316":991},{"_314":988,"_316":989},{"_314":986,"_316":987},{"_314":984,"_316":985},{"_314":982,"_316":983},"#a96957",0.0181,"#7b6954",0.0615,"#b9a489",0.0646,"#171812",0.3358,"#3c3629",0.52,"battle-of-the-nudes-cma-143142","Battle of the Nudes",{"_42":1041,"_222":1042,"_328":1043,"_330":331,"_332":1044,"_334":1045,"_336":1046,"_337":742,"_338":-5,"_140":101},"1470s–80s","engraving","Platemark: 42 x 60.4 cm (16 9/16 x 23 3/4 in.); Sheet: 42.4 x 60.9 cm (16 11/16 x 24 in.)",60.4,42,1.4358108108108107,[1026,1027,1028,1029,1030],{"_221":304,"_222":305,"_42":306,"_307":308},"1967.127","Antonio Pollaiuolo made this in the 1470s–80s, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":1025,"_302":303},"Battle of the Nudes, by Antonio Pollaiuolo, 1470s–80s",{"_295":1022,"_297":1023,"_299":1024},"https://img.ochreeditions.com/m/663.jpg?dl=1","/art/battle-of-the-nudes-cma-143142","/galleries/style/renaissance/battle-of-the-nudes-cma-143142",{"_291":292,"_293":294},{"_225":1017,"_125":1018,"_285":1019},{"_276":1014,"_278":1015,"_280":998,"_281":1016},84.4,66.06682352941176,42.066823529411764,{"_287":225,"_123":1020,"_154":1021,"_140":89},{"_287":125,"_123":550,"_154":551,"_140":53},{"_287":285,"_123":427,"_154":428,"_140":429},"artist/contemporaries-of-antonio-pollaiuolo","Antonio Pollaiuolo's contemporaries","https://img.ochreeditions.com/a/663/480.jpg","https://img.ochreeditions.com/a/663/960.jpg","https://img.ochreeditions.com/a/663/1920.jpg","This engraving is one of the earliest Renaissance prints to portray the nude male body in action. Antonio del Pollaiuolo’s grimacing warriors appear like clones in different poses.",{"_314":1039,"_316":1040},{"_314":1037,"_316":1038},{"_314":1035,"_316":1036},{"_314":1033,"_316":1034},{"_314":1031,"_316":1032},"#dbcebb",0.0587,"#bcac97",0.1708,"#847764",0.2076,"#968874",0.2747,"#a99984",0.2882,"Antonio Pollaiuolo","antonio-pollaiuolo","Italian, 1431/32–1498",1432,1498,"Florence","death-of-the-virgin-cma-97159","Death of the Virgin","mid-1500s","Framed: 78.8 x 130.9 cm (31 x 51 9/16 in.); Unframed: 25 x 103.5 cm (9 13/16 x 40 3/4 in.)",103.5,2.9437229437229435,[1077,1078,1079,1080,1081],{"_221":304,"_222":305,"_42":306,"_307":308},"1916.797","An unrecorded Italy, Venice artist painted this in the mid-1500s. It is now at the Cleveland Museum of Art.",{"_118":1076,"_302":303},"Death of the Virgin, mid-1500s",{"_295":1073,"_297":1074,"_299":1075},"https://img.ochreeditions.com/m/481.jpg?dl=1","/art/death-of-the-virgin-cma-97159","/galleries/style/renaissance/death-of-the-virgin-cma-97159",{"_291":373,"_293":374},{"_225":1070,"_125":1071,"_285":1072},{"_276":1066,"_278":1067,"_280":1068,"_281":1069},102.27475646991584,44.647748153750825,87.27475646991584,29.647748153750825,{"_287":225,"_123":552,"_154":553,"_140":77},{"_287":125,"_123":369,"_154":370,"_140":348},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/481/480.jpg","https://img.ochreeditions.com/a/481/960.jpg","https://img.ochreeditions.com/a/481/1920.jpg","This panel reveals a long history of changes. The initial work was painted on a single slab of wood, with strips left unpainted along the top and bottom.",{"_314":1090,"_316":1091},{"_314":1088,"_316":1089},{"_314":1086,"_316":1087},{"_314":1084,"_316":1085},{"_314":1082,"_316":1083},"#9b957f",0.0554,"#593825",0.1129,"#5d553c",0.1286,"#382f21",0.2607,"#211e16",0.4424,"study-of-a-standing-male-nude-aic-248306","Study of a Standing Male Nude",{"_42":1139,"_222":1140,"_328":1141,"_330":331,"_332":1142,"_334":1143,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1595/96","Black chalk on laid paper, laid down on tan laid pulp board","43.2 × 17.3 cm (17 1/16 × 6 13/16 in.)",17,43,0.46583344654258935,[1124,1125,1126,1127,1128],{"_221":497,"_222":498,"_42":499,"_307":500},"2019.876","Giuseppe Cesari, called Cavaliere d'Arpino painted this in 1595/96, aged about 27. It is now at the Art Institute of Chicago.","A work made of black chalk on laid paper, laid down on tan laid pulp board.",{"_295":1121,"_297":1122,"_299":1123},"https://img.ochreeditions.com/m/373.jpg?dl=1","/art/study-of-a-standing-male-nude-aic-248306","/galleries/style/renaissance/study-of-a-standing-male-nude-aic-248306",{"_291":292,"_293":294},{"_225":1116,"_125":1117,"_285":1118},{"_276":1113,"_278":1114,"_280":1115,"_281":1099},44.03083820133134,67,20.030838201331342,{"_287":225,"_123":1119,"_154":1120,"_140":89},{"_287":125,"_123":920,"_154":921,"_140":89},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-giuseppe-cesari-called-cavaliere-d-arpino","Giuseppe Cesari, called Cavaliere d'Arpino's contemporaries","https://img.ochreeditions.com/a/373/480.jpg","https://img.ochreeditions.com/a/373/960.jpg","https://img.ochreeditions.com/a/373/1920.jpg",{"_314":1137,"_316":1138},{"_314":1135,"_316":1136},{"_314":1133,"_316":1134},{"_314":1131,"_316":1132},{"_314":1129,"_316":1130},"#867564",0.0776,"#a9927c",0.1693,"#c99f78",0.199,"#b89173",0.2052,"#cdb096",0.3489,"Giuseppe Cesari, called Cavaliere d'Arpino","giuseppe-cesari-called-cavaliere-d-arpino","Italian, 1568–1640",1568,1640,{"_1145":-5,"_1146":1147,"_1148":1149,"_1150":8,"_1151":1152,"_1153":8},"user","csrf","bba09ef6b57c4c42122f1070bc161155a2e6c5ab","cartCount",0,"dropLive","legal",[1154,1155,1156,1157,1158,1159,1160,1161,1162,1163,1164,1165],"uploadsEnabled",{"_222":1188,"_20":1189},{"_222":1186,"_20":1187},{"_222":1184,"_20":1185},{"_222":1182,"_20":1183},{"_222":1180,"_20":1181},{"_222":1178,"_20":1179},{"_222":1176,"_20":1177},{"_222":1174,"_20":1175},{"_222":1172,"_20":1173},{"_222":1170,"_20":1171},{"_222":1168,"_20":1169},{"_222":1166,"_20":1167},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]