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It is now at the National Gallery of Art in Washington, DC.","note","This is a drawing of two armored knights on horseback during a joust. It depicts two horses with riders clad in full armor, including helmets with decorative details. Each knight holds a lance, poised as if they are about to engage in a jousting match. The horses are also adorned in armor, with a colorful caparison draped over them. On the ground, there are lances and a halberd seen in the foreground. There are also disembodied arms and hands illustrated in the composition, adding an abstract element. The style is illustrative, capturing the medieval theme of chivalric tournaments.","images",{"_293":294,"_295":296,"_297":298},"download_url","https://img.ochreeditions.com/m/1699.jpg?dl=1","page_url","/art/mock-joust-of-war-with-flying-shields-and-without-bevors-nga-216042","walk_url","/galleries/style/renaissance/mock-joust-of-war-with-flying-shields-and-without-bevors-nga-216042","frame",{"_289":290,"_291":292},{"_224":281,"_125":282,"_283":284},"size",{"_274":275,"_276":277,"_278":279,"_280":244},"w",50.46630859375,"h",57.5,"image_w",26.46630859375,"image_h",{"_285":224,"_123":170,"_154":169,"_140":97},{"_285":125,"_123":286,"_154":287,"_140":288},"era",{"_285":283,"_123":166,"_154":165,"_140":168},"facet","style/drawing-16","More drawings of the 16th century",35,"moulding","white","mount","snow","480","https://img.ochreeditions.com/a/1699/480.jpg","960","https://img.ochreeditions.com/a/1699/960.jpg","1920","https://img.ochreeditions.com/a/1699/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_309":319,"_311":320},{"_309":317,"_311":318},{"_309":315,"_311":316},{"_309":313,"_311":314},{"_309":310,"_311":312},"hex","#856750","weight",0.042,"#a9916d",0.0558,"#a39783",0.0561,"#cfba9e",0.1195,"#e6d3bc",0.7266,"portrait-of-roberto-castiglione-cma-97168","Portrait of Roberto Castiglione","Unrecorded Italian maker","early 1600s","italy","painting","Painting","oil on canvas","Framed: 147.3 x 120.6 x 10.2 cm (58 x 47 1/2 x 4 in.); Unframed: 121.2 x 98.7 cm (47 11/16 x 38 7/8 in.)",98.7,121.2,0.8088235294117647,[373,374,375,376,377],{"_220":369,"_221":370,"_42":371,"_302":372},"Courtesy of the Cleveland Museum of Art","1916.804","An unrecorded Italy, Cremona artist painted this in the early 1600s. 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His identity is further supported by the coat of arms in the upper left.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_309":386,"_311":387},{"_309":384,"_311":385},{"_309":382,"_311":383},{"_309":380,"_311":381},{"_309":378,"_311":379},"#5d3921",0.0376,"#947340",0.0526,"#5c4d33",0.0983,"#272017",0.366,"#1f1c15",0.4455,"the-annunciation-aic-16327","The Annunciation",{"_42":448,"_221":449,"_450":451,"_452":453,"_454":455,"_456":457,"_458":-5,"_459":-5,"_460":-5,"_140":101},"1490–95","netherlands","Oil on panel","72.5 × 50.1 cm (28 1/2 × 19 11/16 in.); Framed: 86.3 × 65.4 cm (34 × 25 3/4 in.)",72,0.6841548053170216,[433,434,435,436,437],{"_220":429,"_221":430,"_42":431,"_302":432},"Courtesy of the Art Institute of Chicago","1933.1062","Jean Hey (called Master of Moulins) painted this in 1490–95, aged about 15. It is now at the Art Institute of Chicago.",{"_118":427,"_367":428},"Painting of the Annunciation, dove flying above Mary with angel.",{"_293":424,"_295":425,"_297":426},"https://img.ochreeditions.com/m/50.jpg?dl=1","/art/the-annunciation-aic-16327","/galleries/style/renaissance/the-annunciation-aic-16327",{"_289":361,"_291":362},{"_224":414,"_125":415,"_283":416},{"_274":411,"_276":412,"_278":413,"_280":395},64.25914598282554,87,49.25914598282555,{"_285":224,"_123":422,"_154":423,"_140":89},{"_285":125,"_123":419,"_154":420,"_140":421},{"_285":283,"_123":417,"_154":418,"_140":81},"era/15-netherlands","15th-century Netherlands","style/painting-15","More paintings of the 15th century",73,"artist/contemporaries-of-jean-hey-called-master-of-moulins","Jean Hey (called Master of Moulins)'s contemporaries","https://img.ochreeditions.com/a/50/480.jpg","https://img.ochreeditions.com/a/50/960.jpg","https://img.ochreeditions.com/a/50/1920.jpg","Jean Hey, known as the Master of Moulins, was a leading painter in 15th-century France. Here, he captured the moment the archangel Gabriel announced to Mary that she would give birth to a son.","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_309":446,"_311":447},{"_309":444,"_311":445},{"_309":442,"_311":443},{"_309":440,"_311":441},{"_309":438,"_311":439},"#792423",0.0756,"#84826e",0.1854,"#726727",0.2031,"#393b32",0.2507,"#553624",0.2852,"Jean Hey (called Master of Moulins)","jean-hey-called-master-of-moulins","bio","Netherlandish, active fourth quarter 15th century","nationality","Netherlandish","birth_year",1475,"death_year",1499,"birth_place","death_place","about_excerpt","the-academy-of-baccio-bandinelli-aic-273081","The Academy of Baccio Bandinelli",{"_42":513,"_221":514,"_450":515,"_452":516,"_454":517,"_456":518,"_458":-5,"_459":-5,"_460":-5,"_140":103},"1544/50, printed c. 1560s","print","Print","Engraving in black on cream laid paper","Sheet: 77.8 × 111.3 cm (30 5/8 × 43 13/16 in.)",111,77,1.5323995472552348,[498,499,500,501,502],{"_220":429,"_221":430,"_42":431,"_302":432},"2024.154","Enea Vico made this in 1544/50, printed c. 1560s, aged about 21. It is now at the Art Institute of Chicago.","A work made of engraving in black on cream laid paper.",{"_293":495,"_295":496,"_297":497},"https://img.ochreeditions.com/m/442.jpg?dl=1","/art/the-academy-of-baccio-bandinelli-aic-273081","/galleries/style/renaissance/the-academy-of-baccio-bandinelli-aic-273081",{"_289":290,"_291":292},{"_224":487,"_125":488,"_283":489},{"_274":484,"_276":485,"_278":469,"_280":486},135,96.43541685901579,72.43541685901579,{"_285":224,"_123":493,"_154":494,"_140":89},{"_285":125,"_123":490,"_154":491,"_140":492},{"_285":283,"_123":353,"_154":354,"_140":355},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-enea-vico","Enea Vico's contemporaries","https://img.ochreeditions.com/a/442/480.jpg","https://img.ochreeditions.com/a/442/960.jpg","https://img.ochreeditions.com/a/442/1920.jpg",{"_309":511,"_311":512},{"_309":509,"_311":510},{"_309":507,"_311":508},{"_309":505,"_311":506},{"_309":503,"_311":504},"#e2d0c0",0.0759,"#af9e8f",0.1376,"#897c6f",0.2188,"#554d45",0.279,"#6e6459",0.2887,"Enea Vico","enea-vico","Italian, 1523–1567","Italian",1523,1567,"angelica-and-medoro-aic-21314","Angelica and Medoro",{"_42":566,"_221":567,"_450":568,"_452":516,"_454":569,"_456":570,"_458":-5,"_459":-5,"_460":571,"_140":99},"c. 1570","Engraving in black on ivory laid paper","29.9 × 20.9 cm (11 13/16 × 8 1/4 in.)",20,29,0.6897777777777778,[551,552,553,554,555],{"_220":429,"_221":430,"_42":431,"_302":432},"1935.119","Giorgio Ghisi made this in about 1570, aged about 45. It is now at the Art Institute of Chicago.","A work made of engraving in black on ivory laid paper.",{"_293":548,"_295":549,"_297":550},"https://img.ochreeditions.com/m/83.jpg?dl=1","/art/angelica-and-medoro-aic-21314","/galleries/style/renaissance/angelica-and-medoro-aic-21314",{"_289":290,"_291":292},{"_224":543,"_125":544,"_283":545},{"_274":540,"_276":541,"_278":542,"_280":526},44.00355555555556,53,20.003555555555558,{"_285":224,"_123":546,"_154":547,"_140":99},{"_285":125,"_123":490,"_154":491,"_140":492},{"_285":283,"_123":353,"_154":354,"_140":355},"artist/giorgio-ghisi","More by Giorgio Ghisi","https://img.ochreeditions.com/a/83/480.jpg","https://img.ochreeditions.com/a/83/960.jpg","https://img.ochreeditions.com/a/83/1920.jpg",{"_309":564,"_311":565},{"_309":562,"_311":563},{"_309":560,"_311":561},{"_309":558,"_311":559},{"_309":556,"_311":557},"#e0d7c5",0.1325,"#b5aa96",0.1761,"#918774",0.2163,"#524d3f",0.2322,"#6f6757",0.2429,"Giorgio Ghisi","giorgio-ghisi","Italian, 1520–1582",1520,1582,"Ghisi was a Mantuan engraver who worked in Antwerp for the publisher Hieronymus Cock, engraving large plates after Raphael’s Vatican frescoes, and later in France.","martyrdom-of-saint-andrew-cma-97145","Martyrdom of Saint Andrew",{"_42":620,"_221":621,"_450":622,"_452":516,"_454":623,"_456":624,"_458":625,"_459":625,"_460":626,"_140":93},"1600s","Framed: 55.3 x 47 x 7.7 cm (21 3/4 x 18 1/2 x 3 1/16 in.); Unframed: 40.7 x 34.6 cm (16 x 13 5/8 in.)",34.6,40.7,0.8347058823529412,[605,606,607,608,609],{"_220":369,"_221":370,"_42":371,"_302":372},"1916.784","Guido Reni painted this in the 1600s, aged about 25. It is now at the Cleveland Museum of Art.",{"_118":604,"_367":368},"Martyrdom of Saint Andrew, by Guido Reni, 1600s",{"_293":601,"_295":602,"_297":603},"https://img.ochreeditions.com/m/473.jpg?dl=1","/art/martyrdom-of-saint-andrew-cma-97145","/galleries/style/renaissance/martyrdom-of-saint-andrew-cma-97145",{"_289":361,"_291":362},{"_224":596,"_125":597,"_283":598},{"_274":593,"_276":594,"_278":595,"_280":578},48.97252941176471,55.7,33.97252941176471,{"_285":224,"_123":599,"_154":600,"_140":93},{"_285":125,"_123":356,"_154":357,"_140":358},{"_285":283,"_123":353,"_154":354,"_140":355},"artist/guido-reni","More by Guido Reni","https://img.ochreeditions.com/a/473/480.jpg","https://img.ochreeditions.com/a/473/960.jpg","https://img.ochreeditions.com/a/473/1920.jpg","This small devotional picture by an anonymous 17th-century Venetian artist drew his composition from Guido Reni's large St. Andrew Led to Martyrdom fresco in Rome's Church of San Gregorio al Celio. The CMA painting portrays the central image of Reni's 1608 fresco by Reni. St.",{"_309":618,"_311":619},{"_309":616,"_311":617},{"_309":614,"_311":615},{"_309":612,"_311":613},{"_309":610,"_311":611},"#684f38",0.0631,"#9b7d51",0.0703,"#6b684c",0.1563,"#423f33",0.2182,"#2d2d29",0.4921,"Guido Reni","guido-reni","Italian, 1575–1642",1575,1642,"Bologna","Reni trained in Bologna, first with Denys Calvaert and then at the Carracci academy, and spent the early 1600s in Rome, where his fresco Aurora won wide fame.","alessandro-de-medici-aic-110759","Alessandro de' Medici",{"_42":671,"_221":672,"_450":673,"_452":674,"_454":675,"_456":676,"_458":-5,"_459":-5,"_460":-5,"_140":103},"1534–35","35.3 × 25.8 cm (13 7/8 × 10 1/8 in.); Framed: 47.7 × 42 × 6.1 cm (18 3/4 × 16 1/2 × 2 3/8 in.)",25,0.7897363905786928,[656,657,658,659,660],{"_220":429,"_221":430,"_42":431,"_302":432},"1933.1002","Pontormo, (Jacopo Carrucci) painted this in 1534–35, aged about 40. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_293":653,"_295":654,"_297":655},"https://img.ochreeditions.com/m/274.jpg?dl=1","/art/alessandro-de-medici-aic-110759","/galleries/style/renaissance/alessandro-de-medici-aic-110759",{"_289":361,"_291":362},{"_224":648,"_125":649,"_283":650},{"_274":646,"_276":186,"_278":647,"_280":288},42.64077367025425,27.640773670254248,{"_285":224,"_123":651,"_154":652,"_140":89},{"_285":125,"_123":356,"_154":357,"_140":358},{"_285":283,"_123":353,"_154":354,"_140":355},"artist/contemporaries-of-pontormo-jacopo-carrucci","Pontormo, (Jacopo Carrucci)'s contemporaries","https://img.ochreeditions.com/a/274/480.jpg","https://img.ochreeditions.com/a/274/960.jpg","https://img.ochreeditions.com/a/274/1920.jpg",{"_309":669,"_311":670},{"_309":667,"_311":668},{"_309":665,"_311":666},{"_309":663,"_311":664},{"_309":661,"_311":662},"#d7986f",0.0689,"#58311d",0.0987,"#8b5438",0.1109,"#262116",0.3168,"#15110b",0.4047,"Pontormo, (Jacopo Carrucci)","pontormo-jacopo-carrucci","Jacopo Carrucci; Italian, 1494–1557","Jacopo Carrucci; Italian",1494,1557,"saint-john-the-baptist-entering-the-wilderness-aic-16156","Saint John the Baptist Entering the Wilderness",{"_42":727,"_221":728,"_450":729,"_452":516,"_454":730,"_456":731,"_458":732,"_459":732,"_460":733,"_140":97},"1455–60","Tempera on panel","68.5 × 36.2 cm (27 × 14 1/4 in.); Framed: 79.4 × 47.7 × 8 cm (31 1/4 × 18 3/4 × 3 1/8 in.)",36,68,0.508898885194602,[712,713,714,715,716],{"_220":429,"_221":430,"_42":431,"_302":432},"1933.1010","Giovanni di Paolo painted this in 1455–60, aged about 57. It is now at the Art Institute of Chicago.","The young John the Baptist leaves his home through a city gate at the lower left and reappears higher up, climbing a winding path into fantastical, folded mountains, so that one panel tells a whole journey. Below him spreads a patchwork of fields laid out like a map.","A work made of tempera on panel.",{"_293":709,"_295":710,"_297":711},"https://img.ochreeditions.com/m/43.jpg?dl=1","/art/saint-john-the-baptist-entering-the-wilderness-aic-16156","/galleries/style/renaissance/saint-john-the-baptist-entering-the-wilderness-aic-16156",{"_289":361,"_291":362},{"_224":701,"_125":702,"_283":703},{"_274":699,"_276":184,"_278":700,"_280":684},49.60512419323294,34.60512419323294,{"_285":224,"_123":707,"_154":708,"_140":97},{"_285":125,"_123":419,"_154":420,"_140":421},{"_285":283,"_123":704,"_154":705,"_140":706},"era/15-italy","15th-century Italy",57,"artist/giovanni-di-paolo","More by Giovanni di Paolo","https://img.ochreeditions.com/a/43/480.jpg","https://img.ochreeditions.com/a/43/960.jpg","https://img.ochreeditions.com/a/43/1920.jpg",{"_309":725,"_311":726},{"_309":723,"_311":724},{"_309":721,"_311":722},{"_309":719,"_311":720},{"_309":717,"_311":718},"#453420",0.1567,"#65512e",0.1652,"#82775a",0.2064,"#555b4a",0.2093,"#2e3027",0.2624,"Giovanni di Paolo","giovanni-di-paolo","Italian, 1398–1482",1398,1482,"Siena","Giovanni di Paolo spent his long career in Siena, where he was one of the city’s leading painters through the fifteenth century.","italian-joust-of-peace-nga-216058","Italian Joust of Peace","pen and brown ink with watercolor over leadpoint on laid paper","sheet: 33 × 26.3 cm (13 × 10 3/8 in.)",26.3,33,0.802734375,[760,761,762,763,764],{"_220":299,"_221":300,"_42":301,"_302":303},"1943.3.4502","This is a drawing of two armored figures on horseback engaged in a joust. Both knights are clad in ornate armor and mounted on horses as they participate in the match. The scene captures the moment of impact, with splintered lances flying in the air. One knight in silver armor with blue accents is being unseated from his horse, while the other knight in red and silver armor remains mounted. Both horses are draped in colors matching their riders' armors. The focus is on the dynamic action and energy of the joust, with fine details showing the armor's shine and the movement of the horses. The drawing is bordered, and there is some script at the top and bottom.",{"_293":757,"_295":758,"_297":759},"https://img.ochreeditions.com/m/1700.jpg?dl=1","/art/italian-joust-of-peace-nga-216058","/galleries/style/renaissance/italian-joust-of-peace-nga-216058",{"_289":290,"_291":292},{"_224":754,"_125":755,"_283":756},{"_274":752,"_276":706,"_278":753,"_280":739},50.490234375,26.490234375,{"_285":224,"_123":170,"_154":169,"_140":97},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1700/480.jpg","https://img.ochreeditions.com/a/1700/960.jpg","https://img.ochreeditions.com/a/1700/1920.jpg",{"_309":772,"_311":773},{"_309":770,"_311":771},{"_309":768,"_311":769},{"_309":767,"_311":312},{"_309":765,"_311":766},"#a2846e",0.0362,"#a15240","#ecddce",0.0542,"#c8b195",0.08,"#e9d3b7",0.7876,"christ-carrying-the-cross-aic-234781","Christ Carrying the Cross",{"_42":821,"_221":822,"_450":823,"_452":516,"_454":824,"_456":825,"_458":-5,"_459":-5,"_460":-5,"_140":101},"c. 1515–17","118 × 92 cm (46 7/16 × 36 1/4 in.); Framed: 143.6 × 117.5 × 8.3 cm (56 1/2 × 46 1/4 × 3 1/4 in.)",92,118,0.7772108843537415,[806,807,808,809,810],{"_220":429,"_221":430,"_42":431,"_302":432},"2016.15","Sebastiano del Piombo painted this in about 1515–17, aged about 30. It is now at the Art Institute of Chicago.",{"_118":805,"_367":428},{"_293":802,"_295":803,"_297":804},"https://img.ochreeditions.com/m/367.jpg?dl=1","/art/christ-carrying-the-cross-aic-234781","/galleries/style/renaissance/christ-carrying-the-cross-aic-234781",{"_289":361,"_291":362},{"_224":797,"_125":798,"_283":799},{"_274":794,"_276":795,"_278":796,"_280":780},106.7108843537415,133,91.7108843537415,{"_285":224,"_123":800,"_154":801,"_140":89},{"_285":125,"_123":356,"_154":357,"_140":358},{"_285":283,"_123":353,"_154":354,"_140":355},"artist/contemporaries-of-sebastiano-del-piombo","Sebastiano del Piombo's contemporaries","https://img.ochreeditions.com/a/367/480.jpg","https://img.ochreeditions.com/a/367/960.jpg","https://img.ochreeditions.com/a/367/1920.jpg","In the 1510s, Sebastiano del Piombo traveled to Rome, where he was drawn into the lively competition between the period's two great luminaries, Michelangelo and Raphael. Michelangelo took Sebastiano under his wing, teaching him his monumental style and providing drawings for commissions.",{"_309":819,"_311":820},{"_309":817,"_311":818},{"_309":815,"_311":816},{"_309":813,"_311":814},{"_309":811,"_311":812},"#896140",0.0731,"#8c958f",0.1081,"#563b24",0.1516,"#362b22",0.28,"#17120c",0.3872,"Sebastiano del Piombo","sebastiano-del-piombo","Italian, c. 1485–1547",1485,1547,"the-circumcision-of-christ-from-the-life-of-the-virgin-aic-43925","The Circumcision of Christ, from The Life of the Virgin",{"_42":871,"_221":872,"_450":873,"_452":874,"_454":875,"_456":876,"_458":877,"_459":877,"_460":878,"_140":89},"c. 1505, published 1511","Woodcut in black on tan laid paper","Image: 29.8 × 20.9 cm (11 3/4 × 8 1/4 in.); Sheet: 43.3 × 30.2 cm (17 1/16 × 11 15/16 in.)",0.7032694690687256,[856,857,858,859,860],{"_220":429,"_221":430,"_42":431,"_302":432},"1927.2895","Albrecht Dürer made this in about 1505, published 1511, aged 34. It is now at the Art Institute of Chicago.","The infant Christ is brought for circumcision, the rite performed on the eighth day after birth, in a scene from Dürer’s Life of the Virgin, a series of twenty woodcuts.","A work made of woodcut in black on tan laid paper.",{"_293":853,"_295":854,"_297":855},"https://img.ochreeditions.com/m/145.jpg?dl=1","/art/the-circumcision-of-christ-from-the-life-of-the-virgin-aic-43925","/galleries/style/renaissance/the-circumcision-of-christ-from-the-life-of-the-virgin-aic-43925",{"_289":290,"_291":292},{"_224":848,"_125":849,"_283":850},{"_274":846,"_276":541,"_278":847,"_280":526},44.39481460299304,20.39481460299304,{"_285":224,"_123":851,"_154":852,"_140":89},{"_285":125,"_123":490,"_154":491,"_140":492},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/145/480.jpg","https://img.ochreeditions.com/a/145/960.jpg","https://img.ochreeditions.com/a/145/1920.jpg",{"_309":869,"_311":870},{"_309":867,"_311":868},{"_309":865,"_311":866},{"_309":863,"_311":864},{"_309":861,"_311":862},"#5d544b",0.0802,"#9b8977",0.1226,"#c0a78e",0.1486,"#7d6f62",0.159,"#d8bea4",0.4896,"Albrecht Dürer","albrecht-durer","German, 1471–1528","German",1471,1528,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","arm-of-eve-cma-141931","Arm of Eve",{"_42":871,"_221":872,"_450":873,"_452":874,"_454":875,"_456":876,"_458":877,"_459":877,"_460":878,"_140":89},"1507","point of brush and gray and black wash, brush and gray and black wash, heightened with white gouache","Sheet: 34.4 x 26.7 cm (13 9/16 x 10 1/2 in.)",26.7,34.4,0.7997058823529412,[911,912,913,914,915],{"_220":369,"_221":370,"_42":371,"_302":372},"1965.470","Albrecht Dürer painted this in 1507, aged 36. It is now at the Cleveland Museum of Art.",{"_118":910,"_367":368},"Arm of Eve, by Albrecht Dürer, 1507",{"_293":907,"_295":908,"_297":909},"https://img.ochreeditions.com/m/659.jpg?dl=1","/art/arm-of-eve-cma-141931","/galleries/style/renaissance/arm-of-eve-cma-141931",{"_289":290,"_291":292},{"_224":904,"_125":905,"_283":906},{"_274":901,"_276":902,"_278":903,"_280":886},51.509882352941176,58.4,27.509882352941176,{"_285":224,"_123":851,"_154":852,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/659/480.jpg","https://img.ochreeditions.com/a/659/960.jpg","https://img.ochreeditions.com/a/659/1920.jpg","Arm of Eve is the only surviving preparatory drawing for Dürer’s life-size panels of Adam and Eve in the Museo del Prado, Madrid. It is also one of the few surviving drawings by the artist made on Venetian blue paper, a support he began to use for his chiaroscuro studies while visiting Venice in the winter of 1506–7.",{"_309":924,"_311":925},{"_309":922,"_311":923},{"_309":920,"_311":921},{"_309":918,"_311":919},{"_309":916,"_311":917},"#82857f",0.0518,"#f7f6f4",0.0695,"#b1b8b5",0.0833,"#969d97",0.2353,"#9fa9a4",0.5601,"samson-and-the-lion-from-the-story-of-samson-met-393723","Samson and the Lion, from \"The Story of Samson\"","Unrecorded French maker","ca. 1560–80","france","Prints","Woodcut with pochoir (stencil) and hand coloring","sheet: 14 3/4 x 19 1/2 in. (37.4 x 49.5 cm)",49.5,37.4,1.2985699337286363,[967,968,969,970,971],{"_220":963,"_221":964,"_42":965,"_302":966},"Courtesy of The Metropolitan Museum of Art","2010.27.2","An unrecorded French artist made this in about 1560–80. It is now at The Met in New York.","Samson and the Lion, from \"The Story of Samson\", ca. 1560–80",{"_293":960,"_295":961,"_297":962},"https://img.ochreeditions.com/m/1054.jpg?dl=1","/art/samson-and-the-lion-from-the-story-of-samson-met-393723","/galleries/style/renaissance/samson-and-the-lion-from-the-story-of-samson-met-393723",{"_289":290,"_291":292},{"_224":953,"_125":954,"_283":955},{"_274":950,"_276":951,"_278":934,"_280":952},73.5,62.11885576148267,38.11885576148267,{"_285":224,"_123":958,"_154":959,"_140":87},{"_285":125,"_123":490,"_154":491,"_140":492},{"_285":283,"_123":956,"_154":957,"_140":89},"era/16-france","16th-century France","artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/1054/480.jpg","https://img.ochreeditions.com/a/1054/960.jpg","https://img.ochreeditions.com/a/1054/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_309":980,"_311":981},{"_309":978,"_311":979},{"_309":976,"_311":977},{"_309":974,"_311":975},{"_309":972,"_311":973},"#eadecc",0.0548,"#a67150",0.1314,"#b0957a",0.1849,"#7a6559",0.2423,"#8c6f56",0.3866,"the-nativity-cma-153271","The Nativity",{"_42":566,"_221":567,"_450":568,"_452":516,"_454":569,"_456":570,"_458":-5,"_459":-5,"_460":571,"_140":99},"1553","engraving","Overall: 67.5 x 45.6 cm (26 9/16 x 17 15/16 in.); Part 1: 32.9 x 45 cm (12 15/16 x 17 11/16 in.); Part 2: 34 x 45.6 cm (13 3/8 x 17 15/16 in.)",45.6,67.5,0.6994117647058824,[1014,1015,1016,1017,1018],{"_220":369,"_221":370,"_42":371,"_302":372},"1986.233","Giorgio Ghisi made this in 1553, aged 33. It is now at the Cleveland Museum of Art.",{"_118":1013,"_367":368},"The Nativity, by Giorgio Ghisi, 1553",{"_293":1010,"_295":1011,"_297":1012},"https://img.ochreeditions.com/m/738.jpg?dl=1","/art/the-nativity-cma-153271","/galleries/style/renaissance/the-nativity-cma-153271",{"_289":290,"_291":292},{"_224":1007,"_125":1008,"_283":1009},{"_274":1004,"_276":1005,"_278":1006,"_280":989},71.21029411764707,91.5,47.21029411764706,{"_285":224,"_123":546,"_154":547,"_140":99},{"_285":125,"_123":490,"_154":491,"_140":492},{"_285":283,"_123":353,"_154":354,"_140":355},"https://img.ochreeditions.com/a/738/480.jpg","https://img.ochreeditions.com/a/738/960.jpg","https://img.ochreeditions.com/a/738/1920.jpg","The inscriptions praise Mary, the mother of Jesus Christ, emphasizing the great joys and inevitable sorrows that she is to endure in witnessing her son's life and death. After spending about five years in Rome, Ghisi left Italy around 1550 for Antwerp, the major commercial center in the Netherlands.",{"_309":1027,"_311":1028},{"_309":1025,"_311":1026},{"_309":1023,"_311":1024},{"_309":1021,"_311":1022},{"_309":1019,"_311":1020},"#ded5c3",0.0767,"#575247",0.1757,"#b2a899",0.2142,"#948b7e",0.2601,"#766f63",0.2733,"virgin-and-child-with-john-the-baptist-and-angels-cma-97154","Virgin and Child with John the Baptist and Angels",{"_42":1074,"_221":1075,"_450":1076,"_452":516,"_454":1077,"_456":1078,"_458":-5,"_459":-5,"_460":-5,"_140":103},"c. 1500","oil on wood","Framed: 120 x 120 x 7 cm (47 1/4 x 47 1/4 x 2 3/4 in.); Diameter: 95.2 x 92.8 cm (37 1/2 x 36 9/16 in.)",120,0.9655882352941176,[1059,1060,1061,1062,1063],{"_220":369,"_221":370,"_42":371,"_302":372},"1916.792","Pietro del Donzello painted this in about 1500, aged about 43. It is now at the Cleveland Museum of Art.","Virgin and Child with John the Baptist and Angels, by Pietro del Donzello, c. 1500",{"_293":1056,"_295":1057,"_297":1058},"https://img.ochreeditions.com/m/477.jpg?dl=1","/art/virgin-and-child-with-john-the-baptist-and-angels-cma-97154","/galleries/style/renaissance/virgin-and-child-with-john-the-baptist-and-angels-cma-97154",{"_289":361,"_291":362},{"_224":1051,"_125":1052,"_283":1053},{"_274":1049,"_276":484,"_278":1050,"_280":1035},130.87058823529412,115.87058823529412,{"_285":224,"_123":1054,"_154":1055,"_140":89},{"_285":125,"_123":419,"_154":420,"_140":421},{"_285":283,"_123":704,"_154":705,"_140":706},"artist/contemporaries-of-pietro-del-donzello","Pietro del Donzello's contemporaries","https://img.ochreeditions.com/a/477/480.jpg","https://img.ochreeditions.com/a/477/960.jpg","https://img.ochreeditions.com/a/477/1920.jpg",{"_309":1072,"_311":1073},{"_309":1070,"_311":1071},{"_309":1068,"_311":1069},{"_309":1066,"_311":1067},{"_309":1064,"_311":1065},"#785939",0.1447,"#b79666",0.1494,"#61755d",0.1681,"#3c382b",0.2553,"#949494",0.2825,"Pietro del Donzello","pietro-del-donzello","Italian, 1452–1509",1452,1509,"holy-family-with-a-shepherd-cma-126768","Holy Family with a Shepherd",{"_42":1127,"_221":1128,"_450":1129,"_452":516,"_454":1130,"_456":1131,"_458":-5,"_459":-5,"_460":-5,"_140":103},"early 1520s","Unframed: 38.7 x 32 cm (15 1/4 x 12 5/8 in.)",32,38.7,0.8385294117647059,[1112,1113,1114,1115,1116],{"_220":369,"_221":370,"_42":371,"_302":372},"1949.185","Battista Dossi painted this in the early 1520s, aged about 30. It is now at the Cleveland Museum of Art.",{"_118":1111,"_367":368},"Holy Family with a Shepherd, by Battista Dossi, early 1520s",{"_293":1108,"_295":1109,"_297":1110},"https://img.ochreeditions.com/m/582.jpg?dl=1","/art/holy-family-with-a-shepherd-cma-126768","/galleries/style/renaissance/holy-family-with-a-shepherd-cma-126768",{"_289":361,"_291":362},{"_224":1103,"_125":1104,"_283":1105},{"_274":1100,"_276":1101,"_278":1102,"_280":1085},47.45108823529412,53.7,32.45108823529412,{"_285":224,"_123":1106,"_154":1107,"_140":89},{"_285":125,"_123":356,"_154":357,"_140":358},{"_285":283,"_123":353,"_154":354,"_140":355},"artist/contemporaries-of-battista-dossi","Battista Dossi's contemporaries","https://img.ochreeditions.com/a/582/480.jpg","https://img.ochreeditions.com/a/582/960.jpg","https://img.ochreeditions.com/a/582/1920.jpg","In this image of the Holy Family, Joseph and Mary lean in to admire the Christ Child while a shepherd looks on, leaning on his staff. Before executing this painting, Battista visited Rome, including an extensive study of Raphael's works.",{"_309":1125,"_311":1126},{"_309":1123,"_311":1124},{"_309":1121,"_311":1122},{"_309":1119,"_311":1120},{"_309":1117,"_311":1118},"#967d52",0.0431,"#7f472c",0.059,"#5c553b",0.1128,"#473523",0.215,"#2b281f",0.5701,"Battista Dossi","battista-dossi","Italian, c. 1490–1548",1490,1548,{"_1133":-5,"_1134":1135,"_1136":1137,"_1138":8,"_1139":1140,"_1141":8},"user","csrf","8f8fab5053189506547806a8e0fa073e24b7b0d6","cartCount",0,"dropLive","legal",[1142,1143,1144,1145,1146,1147,1148,1149,1150,1151,1152,1153],"uploadsEnabled",{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},{"_221":1166,"_20":1167},{"_221":1164,"_20":1165},{"_221":1162,"_20":1163},{"_221":1160,"_20":1161},{"_221":1158,"_20":1159},{"_221":1156,"_20":1157},{"_221":1154,"_20":1155},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]