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It is now at the Art Institute of Chicago.","A work made of red chalk and brush and red chalk wash (recto) and black chalk, with black chalk grid lines, (verso) on cream laid paper.",{"_293":367,"_295":368,"_297":369},"https://img.ochreeditions.com/m/371.jpg?dl=1","/art/a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303","/galleries/style/renaissance/a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303",{"_289":365,"_291":366},{"_224":358,"_125":359,"_283":360},{"_274":355,"_276":356,"_278":242,"_280":357},49,46.831191300049426,22.83119130004943,{"_285":224,"_123":363,"_154":364,"_140":89},{"_285":125,"_123":361,"_154":362,"_140":89},{"_285":283,"_123":166,"_154":165,"_140":168},"style/watercolour-16","More watercolours of the 16th century","artist/contemporaries-of-giovanni-antonio-di-francesco-sogliani","Giovanni Antonio di Francesco Sogliani's contemporaries","white","snow","https://img.ochreeditions.com/a/371/480.jpg","https://img.ochreeditions.com/a/371/960.jpg","https://img.ochreeditions.com/a/371/1920.jpg",{"_309":383,"_311":384},{"_309":381,"_311":382},{"_309":379,"_311":380},{"_309":377,"_311":378},{"_309":375,"_311":376},"#503e35",0.0633,"#e0ab87",0.2047,"#db9068",0.2293,"#c7724b",0.2449,"#e4c5a7",0.2578,"Giovanni Antonio di Francesco Sogliani","giovanni-antonio-di-francesco-sogliani","Italian, 1492–1544","Italian",1492,1544,"the-crucifixion-cma-97147","The Crucifixion",{"_42":448,"_221":449,"_323":450,"_325":388,"_327":451,"_329":452,"_331":-5,"_332":-5,"_333":-5,"_140":103},"1500s","oil on canvas","Framed: 72 x 59 x 4 cm (28 3/8 x 23 1/4 x 1 9/16 in.); Unframed: 59 x 47 cm (23 1/4 x 18 1/2 in.)",47,59,0.7861764705882353,[434,435,436,437,438],{"_220":430,"_221":431,"_42":432,"_302":433},"Courtesy of the Cleveland Museum of Art","1916.786","Sodoma painted this in the 1500s, aged about 23. It is now at the Cleveland Museum of Art.","The Crucifixion, by Sodoma, 1500s",{"_293":427,"_295":428,"_297":429},"https://img.ochreeditions.com/m/475.jpg?dl=1","/art/the-crucifixion-cma-97147","/galleries/style/renaissance/the-crucifixion-cma-97147",{"_289":290,"_291":292},{"_224":416,"_125":417,"_283":418},{"_274":413,"_276":414,"_278":415,"_280":398},61.38441176470588,74,46.38441176470588,{"_285":224,"_123":425,"_154":426,"_140":89},{"_285":125,"_123":422,"_154":423,"_140":424},{"_285":283,"_123":419,"_154":420,"_140":421},"era/15-italy","15th-century Italy",57,"style/painting-15","More paintings of the 15th century",73,"artist/contemporaries-of-sodoma","Sodoma's contemporaries","https://img.ochreeditions.com/a/475/480.jpg","https://img.ochreeditions.com/a/475/960.jpg","https://img.ochreeditions.com/a/475/1920.jpg","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_309":446,"_311":447},{"_309":445,"_311":378},{"_309":443,"_311":444},{"_309":441,"_311":442},{"_309":439,"_311":440},"#603124",0.1238,"#534a30",0.1984,"#85774f",0.2034,"#2e3a30","#7d8f74",0.2697,"Sodoma","sodoma","Italian, 1477–1549",1477,1549,"a-naval-battle-aic-273340","A Naval Battle",{"_42":505,"_221":506,"_323":388,"_325":388,"_327":-5,"_329":507,"_331":-5,"_332":-5,"_333":-5,"_140":103},"c. 1550","print","Print","Engraving and etching in black on cream laid paper","22 × 36.1 cm (8 11/16 × 14 1/4 in.)",36,22,1.3656927426955703,[490,491,492,493,494],{"_220":299,"_221":300,"_42":301,"_302":303},"2024.163","Michele Lucchese made this in about 1550. It is now at the Art Institute of Chicago.","A work made of engraving and etching in black on cream laid paper.",{"_293":487,"_295":488,"_297":489},"https://img.ochreeditions.com/m/445.jpg?dl=1","/art/a-naval-battle-aic-273340","/galleries/style/renaissance/a-naval-battle-aic-273340",{"_289":365,"_291":366},{"_224":479,"_125":480,"_283":481},{"_274":476,"_276":477,"_278":461,"_280":478},60,50.36024844720497,26.360248447204967,{"_285":224,"_123":485,"_154":486,"_140":89},{"_285":125,"_123":482,"_154":483,"_140":484},{"_285":283,"_123":166,"_154":165,"_140":168},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-michele-lucchese","Michele Lucchese's contemporaries","https://img.ochreeditions.com/a/445/480.jpg","https://img.ochreeditions.com/a/445/960.jpg","https://img.ochreeditions.com/a/445/1920.jpg",{"_309":503,"_311":504},{"_309":501,"_311":502},{"_309":499,"_311":500},{"_309":497,"_311":498},{"_309":495,"_311":496},"#635a51",0.0771,"#c0b0a3",0.0798,"#a09388",0.0864,"#80756c",0.0884,"#eddacc",0.6683,"Michele Lucchese","michele-lucchese",1564,"salome-with-the-head-of-saint-john-the-baptist-cma-97190","Salome with the Head of Saint John the Baptist",{"_42":558,"_221":559,"_323":560,"_325":388,"_327":561,"_329":562,"_331":-5,"_332":-5,"_333":-5,"_140":101},"1500s or later","Framed: 72.1 x 87 x 5.7 cm (28 3/8 x 34 1/4 x 2 1/4 in.); Unframed: 46.6 x 59.7 cm (18 3/8 x 23 1/2 in.)",59.7,46.6,1.2903225806451613,[543,544,545,546,547],{"_220":430,"_221":431,"_42":432,"_302":433},"1916.824","Bernardino Luini painted this in the 1500s or later, aged about 20. It is now at the Cleveland Museum of Art.",{"_118":540,"_541":542},"Salome with the Head of Saint John the Baptist, by Bernardino Luini, 1500s or later",{"_293":537,"_295":538,"_297":539},"https://img.ochreeditions.com/m/489.jpg?dl=1","/art/salome-with-the-head-of-saint-john-the-baptist-cma-97190","/galleries/style/renaissance/salome-with-the-head-of-saint-john-the-baptist-cma-97190",{"_289":290,"_291":292},{"_224":532,"_125":533,"_283":534},{"_274":529,"_276":530,"_278":513,"_280":531},74.7,61.267500000000005,46.267500000000005,{"_285":224,"_123":535,"_154":536,"_140":89},{"_285":125,"_123":422,"_154":423,"_140":424},{"_285":283,"_123":419,"_154":420,"_140":421},"artist/contemporaries-of-bernardino-luini","Bernardino Luini's contemporaries","https://img.ochreeditions.com/a/489/480.jpg","https://img.ochreeditions.com/a/489/960.jpg","https://img.ochreeditions.com/a/489/1920.jpg","Salome’s dancing so pleased her stepfather Herod that he offered her anything she wanted. Her mother advised Salome to demand John the Baptist’s head, which Salome presented to her family on an elaborate dish.","source","Text from the Cleveland Museum of Art.",{"_309":556,"_311":557},{"_309":554,"_311":555},{"_309":552,"_311":553},{"_309":550,"_311":551},{"_309":548,"_311":549},"#948776",0.0872,"#635141",0.1138,"#633125",0.1166,"#36231c",0.2263,"#15100e",0.4561,"Bernardino Luini","bernardino-luini","Italian, c. 1480-c. 1532",1480,1532,"the-baptism-of-christ-aic-16197","The Baptism of Christ",{"_42":611,"_221":612,"_323":613,"_325":388,"_327":614,"_329":615,"_331":-5,"_332":-5,"_333":616,"_140":95},"1500–05","Tempera on panel, transferred to canvas","27.3 × 46.4 cm (10 3/4 × 18 1/4 in.)",46,27,1.70421710269426,[596,597,598,599,600],{"_220":299,"_221":300,"_42":301,"_302":303},"1933.1023","Perugino painted this in 1500–05, aged about 50. It is now at the Art Institute of Chicago.","Christ stands in the river Jordan as John the Baptist pours water over his head, with angels in attendance and a serene landscape of feathery trees stretching into the distance.","A work made of tempera on panel, transferred to canvas.",{"_293":593,"_295":594,"_297":595},"https://img.ochreeditions.com/m/44.jpg?dl=1","/art/the-baptism-of-christ-aic-16197","/galleries/style/renaissance/the-baptism-of-christ-aic-16197",{"_289":290,"_291":292},{"_224":588,"_125":589,"_283":590},{"_274":585,"_276":586,"_278":569,"_280":587},61,41.99186619314927,26.99186619314927,{"_285":224,"_123":591,"_154":592,"_140":95},{"_285":125,"_123":422,"_154":423,"_140":424},{"_285":283,"_123":419,"_154":420,"_140":421},"artist/perugino","More by Perugino","https://img.ochreeditions.com/a/44/480.jpg","https://img.ochreeditions.com/a/44/960.jpg","https://img.ochreeditions.com/a/44/1920.jpg",{"_309":609,"_311":610},{"_309":607,"_311":608},{"_309":605,"_311":606},{"_309":603,"_311":604},{"_309":601,"_311":602},"#804c41",0.0407,"#754a1e",0.1394,"#5b6a5f",0.234,"#807253",0.2632,"#57462d",0.3227,"Perugino","perugino","Italian, c. 1450/55–1523",1450,1523,"Pietro Vannucci took the name Perugino from Perugia, the chief city of his native Umbria, and trained in Florence, probably alongside Leonardo in Verrocchio’s studio.","the-power-of-women-the-poet-virgil-suspended-in-a-basket-cma-114941","The Power of Women: The Poet Virgil Suspended in a Basket",{"_42":666,"_221":667,"_323":668,"_325":669,"_327":328,"_329":670,"_331":-5,"_332":-5,"_333":-5,"_140":101},"c. 1512","netherlands","woodcut",0.6988235294117647,[651,652,653,654,655],{"_220":430,"_221":431,"_42":432,"_302":433},"1935.116","Lucas van Leyden made this in about 1512, aged about 13. It is now at the Cleveland Museum of Art.",{"_118":650,"_541":542},"The Power of Women: The Poet Virgil Suspended in a Basket, by Lucas van Leyden, c. 1512",{"_293":647,"_295":648,"_297":649},"https://img.ochreeditions.com/m/530.jpg?dl=1","/art/the-power-of-women-the-poet-virgil-suspended-in-a-basket-cma-114941","/galleries/style/renaissance/the-power-of-women-the-poet-virgil-suspended-in-a-basket-cma-114941",{"_289":365,"_291":366},{"_224":640,"_125":641,"_283":642},{"_274":637,"_276":638,"_278":639,"_280":476},65.92941176470589,84,41.92941176470588,{"_285":224,"_123":645,"_154":646,"_140":89},{"_285":125,"_123":482,"_154":483,"_140":484},{"_285":283,"_123":643,"_154":644,"_140":244},"era/16-netherlands","16th-century Netherlands","artist/contemporaries-of-lucas-van-leyden","Lucas van Leyden's contemporaries","https://img.ochreeditions.com/a/530/480.jpg","https://img.ochreeditions.com/a/530/960.jpg","https://img.ochreeditions.com/a/530/1920.jpg","This woodcut is from a series depicting the power of women, a popular early 16th-century theme. The series highlights a woman’s capacity to use beauty, charm, and ruse to thwart even the cleverest men. Here, Van Leyden illustrated the cunning of the Roman emperor’s daughter.",{"_309":664,"_311":665},{"_309":662,"_311":663},{"_309":660,"_311":661},{"_309":658,"_311":659},{"_309":656,"_311":657},"#615e55",0.1094,"#d1c7b8",0.1323,"#817b6f",0.2264,"#b3aa9b",0.2646,"#9c9486",0.2673,"Lucas van Leyden","lucas-van-leyden","Netherlandish, 1494–about 1533","Netherlandish",1533,"the-power-of-women-samson-and-delilah-cma-114942","The Power of Women: Samson and Delilah",{"_42":666,"_221":667,"_323":668,"_325":669,"_327":328,"_329":670,"_331":-5,"_332":-5,"_333":-5,"_140":101},"Image: 41.1 x 28.7 cm (16 3/16 x 11 5/16 in.)",28.7,41.1,0.7105882352941176,[700,701,702,703,704],{"_220":430,"_221":431,"_42":432,"_302":433},"1935.117",{"_118":699,"_541":542},"The Power of Women: Samson and Delilah, by Lucas van Leyden, c. 1512",{"_293":696,"_295":697,"_297":698},"https://img.ochreeditions.com/m/531.jpg?dl=1","/art/the-power-of-women-samson-and-delilah-cma-114942","/galleries/style/renaissance/the-power-of-women-samson-and-delilah-cma-114942",{"_289":365,"_291":366},{"_224":693,"_125":694,"_283":695},{"_274":690,"_276":691,"_278":692,"_280":676},53.205176470588235,65.1,29.205176470588235,{"_285":224,"_123":645,"_154":646,"_140":89},{"_285":125,"_123":482,"_154":483,"_140":484},{"_285":283,"_123":643,"_154":644,"_140":244},"https://img.ochreeditions.com/a/531/480.jpg","https://img.ochreeditions.com/a/531/960.jpg","https://img.ochreeditions.com/a/531/1920.jpg","The publication of Albrecht Dürer's three impressive woodcut series in 1511— The Large Passion , The Apocalypse , and The Life of the Virgin —had an immediate impact on Northern painters such as Lucas.",{"_309":713,"_311":714},{"_309":711,"_311":712},{"_309":709,"_311":710},{"_309":707,"_311":708},{"_309":705,"_311":706},"#d5cec7",0.1488,"#484743",0.1552,"#6a6761",0.1787,"#aea79d",0.2456,"#8c877f",0.2717,"portrait-of-a-couple-cma-97155","Portrait of a Couple","Unrecorded Italian maker","c. 1580–88","Framed: 132 x 173 x 10.5 cm (51 15/16 x 68 1/8 x 4 1/8 in.); Unframed: 99.8 x 140.5 cm (39 5/16 x 55 5/16 in.)",140.5,99.8,1.4078674948240166,[748,749,750,751,752],{"_220":430,"_221":431,"_42":432,"_302":433},"1916.793","An unrecorded Northern Italy, late 16th century artist painted this in about 1580–88. It is now at the Cleveland Museum of Art.",{"_118":747,"_541":542},"Portrait of a Couple, c. 1580–88",{"_293":744,"_295":745,"_297":746},"https://img.ochreeditions.com/m/478.jpg?dl=1","/art/portrait-of-a-couple-cma-97155","/galleries/style/renaissance/portrait-of-a-couple-cma-97155",{"_289":290,"_291":292},{"_224":739,"_125":740,"_283":741},{"_274":736,"_276":737,"_278":720,"_280":738},155.5,114.79632352941177,99.79632352941177,{"_285":224,"_123":742,"_154":743,"_140":77},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/478/480.jpg","https://img.ochreeditions.com/a/478/960.jpg","https://img.ochreeditions.com/a/478/1920.jpg","While the attribution remains hotly debated, this work exemplifies how Italian portraiture of the 1500s could articulate family alliances through marriage. The inscription gives the sitters’ ages as 35 and 28, and their elaborate jewelry, weapons, and garments, made of expensive materials, convey their elite status.",{"_309":761,"_311":762},{"_309":759,"_311":760},{"_309":757,"_311":758},{"_309":755,"_311":756},{"_309":753,"_311":754},"#a96957",0.0181,"#7b6954",0.0615,"#b9a489",0.0646,"#171812",0.3358,"#3c3629",0.52,"virgin-and-child-cma-97177","Virgin and Child",{"_42":558,"_221":559,"_323":560,"_325":388,"_327":561,"_329":562,"_331":-5,"_332":-5,"_333":-5,"_140":101},"oil on wood","Framed: 86 x 74 x 8 cm (33 7/8 x 29 1/8 x 3 1/8 in.); Unframed: 55.5 x 42.7 cm (21 7/8 x 16 13/16 in.)",42.7,55.5,0.7470588235294118,[792,793,794,795,796],{"_220":430,"_221":431,"_42":432,"_302":433},"1916.812","Bernardino Luini painted this in the 1500s, aged about 20. It is now at the Cleveland Museum of Art.","Virgin and Child, by Bernardino Luini, 1500s",{"_293":789,"_295":790,"_297":791},"https://img.ochreeditions.com/m/486.jpg?dl=1","/art/virgin-and-child-cma-97177","/galleries/style/renaissance/virgin-and-child-cma-97177",{"_289":290,"_291":292},{"_224":786,"_125":787,"_283":788},{"_274":783,"_276":784,"_278":785,"_280":769},56.46176470588235,70.5,41.46176470588235,{"_285":224,"_123":535,"_154":536,"_140":89},{"_285":125,"_123":422,"_154":423,"_140":424},{"_285":283,"_123":419,"_154":420,"_140":421},"https://img.ochreeditions.com/a/486/480.jpg","https://img.ochreeditions.com/a/486/960.jpg","https://img.ochreeditions.com/a/486/1920.jpg",{"_309":805,"_311":806},{"_309":803,"_311":804},{"_309":801,"_311":802},{"_309":799,"_311":800},{"_309":797,"_311":798},"#571b1d",0.0462,"#674937",0.1302,"#93715c",0.1322,"#3a2b25",0.2256,"#1c1d17",0.4658,"virgin-and-child-aic-16295",{"_42":853,"_221":854,"_323":855,"_325":669,"_327":856,"_329":328,"_331":-5,"_332":857,"_333":858,"_140":97},"c. 1485","Framed: 41.1 × 33.4 cm (16 3/16 × 13 1/8 in.); Framed: 63.9 × 91.8 × 7.4 cm (25 1/8 × 36 1/8 × 2 7/8 in.)",33,41,0.7746083703530512,[838,839,840,841,842],{"_220":299,"_221":300,"_42":301,"_302":303},"1933.1050","Hans Memling painted this in about 1485, aged about 50. It is now at the Art Institute of Chicago.",{"_293":835,"_295":836,"_297":837},"https://img.ochreeditions.com/m/48.jpg?dl=1","/art/virgin-and-child-aic-16295","/galleries/style/renaissance/virgin-and-child-aic-16295",{"_289":290,"_291":292},{"_224":828,"_125":829,"_283":830},{"_274":825,"_276":826,"_278":827,"_280":812},46.7589431844751,56,31.7589431844751,{"_285":224,"_123":833,"_154":834,"_140":97},{"_285":125,"_123":422,"_154":423,"_140":424},{"_285":283,"_123":831,"_154":832,"_140":81},"era/15-netherlands","15th-century Netherlands","artist/hans-memling","More by Hans Memling","https://img.ochreeditions.com/a/48/480.jpg","https://img.ochreeditions.com/a/48/960.jpg","https://img.ochreeditions.com/a/48/1920.jpg",{"_309":851,"_311":852},{"_309":849,"_311":850},{"_309":847,"_311":848},{"_309":845,"_311":846},{"_309":843,"_311":844},"#b1ada0",0.0922,"#730913",0.1722,"#604636",0.2188,"#bd8a6c",0.2537,"#22110f",0.2631,"Hans Memling","hans-memling","Netherlandish, c. 1430–1494",1430,"Bruges","Memling, born in Germany, probably trained in Brussels with Rogier van der Weyden before settling in Bruges in 1465, where he became the city’s leading painter.","scenes-from-the-life-of-saint-john-the-baptist-aic-25740","Scenes from the Life of Saint John the Baptist",{"_42":905,"_221":906,"_323":388,"_325":388,"_327":-5,"_329":907,"_331":-5,"_332":-5,"_333":-5,"_140":103},"1490/95","Tempera on panel (poplar)","74 × 150.4 cm (29 3/16 × 59 3/16 in.); Framed: 88 × 164 cm (34 5/8 × 64 9/16 in.)",150,2.0355891572930114,[890,891,892,893,894],{"_220":299,"_221":300,"_42":301,"_302":303},"1937.996","Bartolomeo di Giovanni painted this in 1490/95. It is now at the Art Institute of Chicago.","Outdoors, distinct groupings of adult men and women, some with halos, gather near a building. The front-facing wall of the building is not depicted, allowing for a view inside, where a woman sits in bed with two women nearby and two other women dress a baby. A bearded man sits near the bed.",{"_293":887,"_295":888,"_297":889},"https://img.ochreeditions.com/m/107.jpg?dl=1","/art/scenes-from-the-life-of-saint-john-the-baptist-aic-25740","/galleries/style/renaissance/scenes-from-the-life-of-saint-john-the-baptist-aic-25740",{"_289":290,"_291":292},{"_224":882,"_125":883,"_283":884},{"_274":879,"_276":880,"_278":865,"_280":881},165,88.68873992209438,73.68873992209438,{"_285":224,"_123":885,"_154":886,"_140":89},{"_285":125,"_123":422,"_154":423,"_140":424},{"_285":283,"_123":419,"_154":420,"_140":421},"artist/contemporaries-of-bartolomeo-di-giovanni","Bartolomeo di Giovanni's contemporaries","https://img.ochreeditions.com/a/107/480.jpg","https://img.ochreeditions.com/a/107/960.jpg","https://img.ochreeditions.com/a/107/1920.jpg",{"_309":903,"_311":904},{"_309":901,"_311":902},{"_309":899,"_311":900},{"_309":897,"_311":898},{"_309":895,"_311":896},"#1c1916",0.1048,"#9e836c",0.1532,"#694a33",0.2112,"#6a665a",0.2167,"#3d362e",0.3141,"Bartolomeo di Giovanni","bartolomeo-di-giovanni",1501,"the-academy-of-baccio-bandinelli-aic-273081","The Academy of Baccio Bandinelli",{"_42":954,"_221":955,"_323":956,"_325":388,"_327":615,"_329":957,"_331":-5,"_332":-5,"_333":-5,"_140":103},"1544/50, printed c. 1560s","Engraving in black on cream laid paper","Sheet: 77.8 × 111.3 cm (30 5/8 × 43 13/16 in.)",111,77,1.5323995472552348,[940,941,942,943,944],{"_220":299,"_221":300,"_42":301,"_302":303},"2024.154","Enea Vico made this in 1544/50, printed c. 1560s, aged about 21. It is now at the Art Institute of Chicago.","A work made of engraving in black on cream laid paper.",{"_293":937,"_295":938,"_297":939},"https://img.ochreeditions.com/m/442.jpg?dl=1","/art/the-academy-of-baccio-bandinelli-aic-273081","/galleries/style/renaissance/the-academy-of-baccio-bandinelli-aic-273081",{"_289":365,"_291":366},{"_224":932,"_125":933,"_283":934},{"_274":929,"_276":930,"_278":914,"_280":931},135,96.43541685901579,72.43541685901579,{"_285":224,"_123":935,"_154":936,"_140":89},{"_285":125,"_123":482,"_154":483,"_140":484},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-enea-vico","Enea Vico's contemporaries","https://img.ochreeditions.com/a/442/480.jpg","https://img.ochreeditions.com/a/442/960.jpg","https://img.ochreeditions.com/a/442/1920.jpg",{"_309":952,"_311":953},{"_309":950,"_311":951},{"_309":949,"_311":848},{"_309":947,"_311":948},{"_309":945,"_311":946},"#e2d0c0",0.0759,"#af9e8f",0.1376,"#897c6f","#554d45",0.279,"#6e6459",0.2887,"Enea Vico","enea-vico","Italian, 1523–1567",1567,"francesco-sforza-nga-1141","Francesco Sforza","probably c. 1480/1500","oil on panel","painted surface: 69.5 x 59.5 cm (27 3/8 x 23 7/16 in.) overall (with backing, collar, and cradle): 72.4 x 62.1 cm (28 1/2 x 24 7/16 in.) framed: 103.5 x 92.7 x 8.9 cm (40 3/4 x 36 1/2 x 3 1/2 in.)",59.5,69.5,0.8447265625,[992,993,994,995,996],{"_220":988,"_221":989,"_42":990,"_302":991},"Courtesy National Gallery of Art, Washington","1942.9.4","An unrecorded North Italian artist painted this (probably c. 1480/1500). It is now at the National Gallery of Art in Washington, DC.","This painting shows an upper-body portrait of a man in a three-quarter view, turned to the left. He has a prominent double chin, a slightly furrowed brow, thin lips, and a serious expression. He has pale yellow skin and short, dark hair, and he wears a large, red hat. He is clad in silver armor with red straps on his shoulder and chest. The background is a simple, dark green color.",{"_293":985,"_295":986,"_297":987},"https://img.ochreeditions.com/m/1321.jpg?dl=1","/art/francesco-sforza-nga-1141","/galleries/style/renaissance/francesco-sforza-nga-1141",{"_289":290,"_291":292},{"_224":982,"_125":983,"_283":984},{"_274":979,"_276":980,"_278":981,"_280":964},73.70849609375,84.5,58.70849609375,{"_285":224,"_123":742,"_154":743,"_140":77},{"_285":125,"_123":422,"_154":423,"_140":424},{"_285":283,"_123":419,"_154":420,"_140":421},"https://img.ochreeditions.com/a/1321/480.jpg","https://img.ochreeditions.com/a/1321/960.jpg","https://img.ochreeditions.com/a/1321/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_309":1005,"_311":1006},{"_309":1003,"_311":1004},{"_309":1001,"_311":1002},{"_309":999,"_311":1000},{"_309":997,"_311":998},"#b53305",0.0883,"#c38116",0.1007,"#866917",0.1432,"#524418",0.1453,"#243021",0.5225,"portrait-of-a-man-possibly-girolamo-rosati-cma-127571","Portrait of a Man, Possibly Girolamo Rosati",{"_42":1055,"_221":1056,"_323":1057,"_325":388,"_327":1058,"_329":1059,"_331":1060,"_332":1061,"_333":1062,"_140":99},"1533–34","Framed: 135.9 x 128 x 8.6 cm (53 1/2 x 50 3/8 x 3 3/8 in.); Unframed: 108.2 x 100.5 cm (42 5/8 x 39 9/16 in.)",100.5,108.2,0.923235294117647,[1040,1041,1042,1043,1044],{"_220":430,"_221":431,"_42":432,"_302":433},"1950.250","Lorenzo Lotto painted this in 1533–34, aged about 58. It is now at the Cleveland Museum of Art.",{"_118":1039,"_541":542},"Portrait of a Man, Possibly Girolamo Rosati, by Lorenzo Lotto, 1533–34",{"_293":1036,"_295":1037,"_297":1038},"https://img.ochreeditions.com/m/589.jpg?dl=1","/art/portrait-of-a-man-possibly-girolamo-rosati-cma-127571","/galleries/style/renaissance/portrait-of-a-man-possibly-girolamo-rosati-cma-127571",{"_289":290,"_291":292},{"_224":1031,"_125":1032,"_283":1033},{"_274":1028,"_276":1029,"_278":1030,"_280":1013},114.8940588235294,123.2,99.8940588235294,{"_285":224,"_123":1034,"_154":1035,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/lorenzo-lotto","More by Lorenzo Lotto","https://img.ochreeditions.com/a/589/480.jpg","https://img.ochreeditions.com/a/589/960.jpg","https://img.ochreeditions.com/a/589/1920.jpg","The gesture of the elegantly dressed man is a mystery. Is he rising from his chair to address someone or is he pointing to something outside the frame? His right hand rests on a piece of paper (a letter?)",{"_309":1053,"_311":1054},{"_309":1051,"_311":1052},{"_309":1049,"_311":1050},{"_309":1047,"_311":1048},{"_309":1045,"_311":1046},"#927e66",0.1091,"#538a99",0.1131,"#403124",0.1472,"#2b5766",0.2296,"#1b1716",0.401,"Lorenzo Lotto","lorenzo-lotto","Italian, 1475–1556",1475,1556,"Venice","Loreto","Lotto was born in Venice but spent much of his restless career elsewhere: in Treviso, Bergamo and the towns of the Marches, with a stay in Rome.","ornament-in-hexagonal-shape-nga-9484","Ornament in Hexagonal Shape","c. 1480/1510","niello print","sheet: 2 x 4.3 cm (13/16 x 1 11/16 in.)",4.3,2.1132254995242628,[1092,1093,1094,1095,1096],{"_220":988,"_221":989,"_42":990,"_302":991},"1943.3.6690","An unrecorded Italian artist made this in about 1480/1510. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of an ornamental floral design. The image shows a central floral motif resembling a flower with radiating petals, surrounded by swirling leaf patterns. The background is dark, contrasting with the lighter line work of the floral design. The drawing's borders are uneven and have an antique appearance.",{"_293":1089,"_295":1090,"_297":1091},"https://img.ochreeditions.com/m/1353.jpg?dl=1","/art/ornament-in-hexagonal-shape-nga-9484","/galleries/style/renaissance/ornament-in-hexagonal-shape-nga-9484",{"_289":365,"_291":366},{"_224":1084,"_125":1085,"_283":1086},{"_274":355,"_276":1082,"_278":242,"_280":1083},35.83025664115263,11.830256641152634,{"_285":224,"_123":742,"_154":743,"_140":77},{"_285":125,"_123":1087,"_154":1088,"_140":53},{"_285":283,"_123":419,"_154":420,"_140":421},"style/print-15","More prints of the 15th century","https://img.ochreeditions.com/a/1353/480.jpg","https://img.ochreeditions.com/a/1353/960.jpg","https://img.ochreeditions.com/a/1353/1920.jpg",{"_309":1105,"_311":1106},{"_309":1103,"_311":1104},{"_309":1101,"_311":1102},{"_309":1099,"_311":1100},{"_309":1097,"_311":1098},"#786a59",0.1375,"#9f8e76",0.1406,"#5a5146",0.2245,"#433e39",0.2406,"#d4cab5",0.2568,{"_1108":-5,"_1109":1110,"_1111":1112,"_1113":8,"_1114":1115,"_1116":8},"user","csrf","7eb1c2f3ac07eb77d1bfb994706c97dff714c6cc","cartCount",0,"dropLive","legal",[1117,1118,1119,1120,1121,1122,1123,1124,1125,1126,1127,1128],"uploadsEnabled",{"_221":1151,"_20":1152},{"_221":1149,"_20":1150},{"_221":1147,"_20":1148},{"_221":1145,"_20":1146},{"_221":1143,"_20":1144},{"_221":1141,"_20":1142},{"_221":1139,"_20":1140},{"_221":1137,"_20":1138},{"_221":1135,"_20":1136},{"_221":1133,"_20":1134},{"_221":1131,"_20":1132},{"_221":1129,"_20":1130},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]