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This panel, with 1966.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_309":396,"_311":397},{"_309":394,"_311":395},{"_309":392,"_311":393},{"_309":390,"_311":391},{"_309":388,"_311":389},"#98764e",0.1138,"#292621",0.135,"#5d5347",0.1401,"#847c6e",0.1958,"#b0a795",0.4153,"Giovanni di Paolo","giovanni-di-paolo","Italian, 1398–1482",1398,1482,"Siena","Giovanni di Paolo spent his long career in Siena, where he was one of the city’s leading painters through the fifteenth century.","the-fall-of-man-with-scenes-of-the-creation-aic-35184","The Fall of Man with Scenes of the Creation",{"_42":458,"_221":459,"_323":460,"_325":460,"_326":-5,"_327":461,"_329":-5,"_330":-5,"_331":-5,"_140":103},"1544","germany","Oil on panel","48.6 × 58.4 cm (19 1/8 × 23 in.); Framed: 57.5 × 66.7 × 5.1 cm (22 5/8 × 26 1/4 × 2 in.)",58,48,1.206162990771156,[443,444,445,446,447],{"_220":299,"_221":300,"_42":301,"_302":303},"1970.1009","Augustus Cordus painted this in 1544. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_293":440,"_295":441,"_297":442},"https://img.ochreeditions.com/m/133.jpg?dl=1","/art/the-fall-of-man-with-scenes-of-the-creation-aic-35184","/galleries/style/renaissance/the-fall-of-man-with-scenes-of-the-creation-aic-35184",{"_289":371,"_291":372},{"_224":429,"_125":430,"_283":431},{"_274":368,"_276":427,"_278":412,"_279":428},63.08637012060692,48.08637012060692,{"_285":224,"_123":438,"_154":439,"_140":89},{"_285":125,"_123":435,"_154":436,"_140":437},{"_285":283,"_123":432,"_154":433,"_140":434},"era/16-germany","16th-century Germany",28,"style/painting-16","More paintings of the 16th century",95,"artist/contemporaries-of-augustus-cordus","Augustus Cordus's contemporaries","https://img.ochreeditions.com/a/133/480.jpg","https://img.ochreeditions.com/a/133/960.jpg","https://img.ochreeditions.com/a/133/1920.jpg",{"_309":456,"_311":457},{"_309":454,"_311":455},{"_309":452,"_311":453},{"_309":450,"_311":451},{"_309":448,"_311":449},"#896b4b",0.1501,"#58706a",0.1504,"#b0967d",0.1627,"#544a2d",0.1963,"#312f23",0.3405,"Augustus Cordus","augustus-cordus","German",1553,"virgin-and-child-with-angels-cma-97153","Virgin and Child with Angels",{"_42":509,"_221":510,"_323":324,"_325":324,"_326":-5,"_327":-5,"_329":-5,"_330":-5,"_331":-5,"_140":103},"early 1500s","oil on wood","Framed: 115 x 115 x 8 cm (45 1/4 x 45 1/4 x 3 1/8 in.); Unframed: 86 x 83.5 cm (33 7/8 x 32 7/8 in.)",83.5,86,0.9791176470588235,[494,495,496,497,498],{"_220":379,"_221":380,"_42":381,"_302":382},"1916.791","Master of the Holden Tondo painted this in the early 1500s. It is now at the Cleveland Museum of Art.","Virgin and Child with Angels, by Master of the Holden Tondo, early 1500s",{"_293":491,"_295":492,"_297":493},"https://img.ochreeditions.com/m/476.jpg?dl=1","/art/virgin-and-child-with-angels-cma-97153","/galleries/style/renaissance/virgin-and-child-with-angels-cma-97153",{"_289":371,"_291":372},{"_224":486,"_125":487,"_283":488},{"_274":483,"_276":484,"_278":485,"_279":469},99.20411764705882,101,84.20411764705882,{"_285":224,"_123":489,"_154":490,"_140":89},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-master-of-the-holden-tondo","Master of the Holden Tondo's contemporaries","https://img.ochreeditions.com/a/476/480.jpg","https://img.ochreeditions.com/a/476/960.jpg","https://img.ochreeditions.com/a/476/1920.jpg",{"_309":507,"_311":508},{"_309":505,"_311":506},{"_309":503,"_311":504},{"_309":501,"_311":502},{"_309":499,"_311":500},"#b4814e",0.1324,"#594d37",0.1399,"#5f2b19",0.1607,"#242217",0.2795,"#868785",0.2875,"Master of the Holden Tondo","master-of-the-holden-tondo","a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303","A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)",{"_42":561,"_221":562,"_323":563,"_325":324,"_326":564,"_327":565,"_329":-5,"_330":-5,"_331":-5,"_140":103},"1520/30","watercolour","Drawing and Watercolor","Red chalk and brush and red chalk wash (recto) and black chalk, with black chalk grid lines, (verso) on cream laid paper","11.6 × 12.7 cm (4 5/8 × 5 in.)",1.0949932341001354,[546,547,548,549,550],{"_220":299,"_221":300,"_42":301,"_302":303},"2019.888","Giovanni Antonio di Francesco Sogliani painted this in 1520/30, aged about 28. It is now at the Art Institute of Chicago.","A work made of red chalk and brush and red chalk wash (recto) and black chalk, with black chalk grid lines, (verso) on cream laid paper.",{"_293":543,"_295":544,"_297":545},"https://img.ochreeditions.com/m/371.jpg?dl=1","/art/a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303","/galleries/style/renaissance/a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303",{"_289":290,"_291":292},{"_224":536,"_125":537,"_283":538},{"_274":532,"_276":533,"_278":534,"_279":535},49,46.831191300049426,25,22.83119130004943,{"_285":224,"_123":541,"_154":542,"_140":89},{"_285":125,"_123":539,"_154":540,"_140":89},{"_285":283,"_123":166,"_154":165,"_140":168},"style/watercolour-16","More watercolours of the 16th century","artist/contemporaries-of-giovanni-antonio-di-francesco-sogliani","Giovanni Antonio di Francesco Sogliani's contemporaries","https://img.ochreeditions.com/a/371/480.jpg","https://img.ochreeditions.com/a/371/960.jpg","https://img.ochreeditions.com/a/371/1920.jpg",{"_309":559,"_311":560},{"_309":557,"_311":558},{"_309":555,"_311":556},{"_309":553,"_311":554},{"_309":551,"_311":552},"#503e35",0.0633,"#e0ab87",0.2047,"#db9068",0.2293,"#c7724b",0.2449,"#e4c5a7",0.2578,"Giovanni Antonio di Francesco Sogliani","giovanni-antonio-di-francesco-sogliani","Italian, 1492–1544",1492,1544,"the-nativity-aic-16205","The Nativity",{"_42":613,"_221":614,"_323":615,"_325":324,"_326":616,"_327":617,"_329":-5,"_330":-5,"_331":618,"_140":95},"1500–05","Tempera on panel, transferred to canvas","26.2 × 46.3 cm (10 5/16 × 18 1/4 in.)",26,1.7069840031213421,[598,599,600,601,602],{"_220":299,"_221":300,"_42":301,"_302":303},"1933.1025","Perugino painted this in 1500–05, aged about 50. It is now at the Art Institute of Chicago.","Mary and Joseph adore the newborn Christ Child in a simple shelter, with the ox nearby and a quiet landscape beyond.","A work made of tempera on panel, transferred to canvas.",{"_293":595,"_295":596,"_297":597},"https://img.ochreeditions.com/m/46.jpg?dl=1","/art/the-nativity-aic-16205","/galleries/style/renaissance/the-nativity-aic-16205",{"_289":371,"_291":372},{"_224":590,"_125":591,"_283":592},{"_274":587,"_276":588,"_278":187,"_279":589},61,41.94811428571428,26.948114285714286,{"_285":224,"_123":593,"_154":594,"_140":95},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/perugino","More by Perugino","https://img.ochreeditions.com/a/46/480.jpg","https://img.ochreeditions.com/a/46/960.jpg","https://img.ochreeditions.com/a/46/1920.jpg",{"_309":611,"_311":612},{"_309":609,"_311":610},{"_309":607,"_311":608},{"_309":605,"_311":606},{"_309":603,"_311":604},"#7f8373",0.1351,"#465a54",0.1372,"#51402b",0.1867,"#7d4f24",0.2644,"#77643d",0.2766,"Perugino","perugino","Italian, c. 1450/55–1523",1450,1523,"Pietro Vannucci took the name Perugino from Perugia, the chief city of his native Umbria, and trained in Florence, probably alongside Leonardo in Verrocchio’s studio.","view-of-venice-cma-127250","View of Venice",{"_42":671,"_221":672,"_323":673,"_325":324,"_326":674,"_327":675,"_329":-5,"_330":-5,"_331":-5,"_140":101},"1500","woodcut from six blocks on six sheets of paper","Overall: 132.7 x 277.5 cm (52 1/4 x 109 1/4 in.)",277.5,132.7,2.0769700671960902,[656,657,658,659,660],{"_220":379,"_221":380,"_42":381,"_302":382},"1949.565","Jacopo de' Barbari made this in 1500, aged 45. It is now at the Cleveland Museum of Art.",{"_118":655,"_377":378},"View of Venice, by Jacopo de' Barbari, 1500",{"_293":652,"_295":653,"_297":654},"https://img.ochreeditions.com/m/587.jpg?dl=1","/art/view-of-venice-cma-127250","/galleries/style/renaissance/view-of-venice-cma-127250",{"_289":290,"_291":292},{"_224":645,"_125":646,"_283":647},{"_274":641,"_276":642,"_278":643,"_279":644},264,139.5529411764706,240,115.5529411764706,{"_285":224,"_123":650,"_154":651,"_140":89},{"_285":125,"_123":648,"_154":649,"_140":53},{"_285":283,"_123":363,"_154":364,"_140":365},"style/print-15","More prints of the 15th century","artist/contemporaries-of-jacopo-de-barbari","Jacopo de' Barbari's contemporaries","https://img.ochreeditions.com/a/587/480.jpg","https://img.ochreeditions.com/a/587/960.jpg","https://img.ochreeditions.com/a/587/1920.jpg","By the end of the 1400s, Venice had emerged as the major printing center in Europe, where books were printed in various languages to be shipped around the world.",{"_309":669,"_311":670},{"_309":667,"_311":668},{"_309":665,"_311":666},{"_309":663,"_311":664},{"_309":661,"_311":662},"#7b7163",0.1134,"#8d8271",0.1966,"#a19483",0.2087,"#c6b8a3",0.2329,"#b4a694",0.2484,"Jacopo de' Barbari","jacopo-de-barbari","Italian, c. 1460/70–c. 1516",1455,1520,"christ-crowned-with-thorns-cma-104610","Christ Crowned with Thorns",{"_42":724,"_221":725,"_323":726,"_325":460,"_326":616,"_327":727,"_329":728,"_330":729,"_331":730,"_140":97},"1470–82","engraving",0.7158823529411765,[709,710,711,712,713],{"_220":379,"_221":380,"_42":381,"_302":382},"1922.89","Martin Schongauer made this in 1470–82, aged about 25. It is now at the Cleveland Museum of Art.",{"_118":708,"_377":378},"Christ Crowned with Thorns, by Martin Schongauer, 1470–82",{"_293":705,"_295":706,"_297":707},"https://img.ochreeditions.com/m/509.jpg?dl=1","/art/christ-crowned-with-thorns-cma-104610","/galleries/style/renaissance/christ-crowned-with-thorns-cma-104610",{"_289":290,"_291":292},{"_224":698,"_125":699,"_283":700},{"_274":695,"_276":696,"_278":697,"_279":275},66.95294117647059,84,42.95294117647059,{"_285":224,"_123":703,"_154":704,"_140":97},{"_285":125,"_123":648,"_154":649,"_140":53},{"_285":283,"_123":701,"_154":702,"_140":91},"era/15-germany","15th-century Germany","artist/martin-schongauer","More by Martin Schongauer","https://img.ochreeditions.com/a/509/480.jpg","https://img.ochreeditions.com/a/509/960.jpg","https://img.ochreeditions.com/a/509/1920.jpg","Martin Schonaguer's series of the Passion of Christ was his largest set of engravings, made around 1480, and extensively copied across Europe. It consists of twelve prints detailing the suffering of Christ in the last days of his life.",{"_309":722,"_311":723},{"_309":720,"_311":721},{"_309":718,"_311":719},{"_309":716,"_311":717},{"_309":714,"_311":715},"#ece7df",0.1332,"#4a4641",0.1923,"#9b948a",0.2075,"#c8c0b5",0.2218,"#716c64",0.2452,"Martin Schongauer","martin-schongauer","German, c. 1450–1491",1491,"Colmar","Breisach","Schongauer, the son of a goldsmith, worked in Colmar in Alsace and was both a painter and the most accomplished engraver of fifteenth-century northern Europe.","christ-carrying-the-cross-aic-234781","Christ Carrying the Cross",{"_42":778,"_221":779,"_323":780,"_325":324,"_326":781,"_327":782,"_329":-5,"_330":-5,"_331":-5,"_140":101},"c. 1515–17","118 × 92 cm (46 7/16 × 36 1/4 in.); Framed: 143.6 × 117.5 × 8.3 cm (56 1/2 × 46 1/4 × 3 1/4 in.)",92,118,0.7772108843537415,[763,764,765,766,767],{"_220":299,"_221":300,"_42":301,"_302":303},"2016.15","Sebastiano del Piombo painted this in about 1515–17, aged about 30. It is now at the Art Institute of Chicago.",{"_118":761,"_377":762},{"_293":758,"_295":759,"_297":760},"https://img.ochreeditions.com/m/367.jpg?dl=1","/art/christ-carrying-the-cross-aic-234781","/galleries/style/renaissance/christ-carrying-the-cross-aic-234781",{"_289":371,"_291":372},{"_224":753,"_125":754,"_283":755},{"_274":751,"_276":181,"_278":752,"_279":737},106.7108843537415,91.7108843537415,{"_285":224,"_123":756,"_154":757,"_140":89},{"_285":125,"_123":435,"_154":436,"_140":437},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-sebastiano-del-piombo","Sebastiano del Piombo's contemporaries","https://img.ochreeditions.com/a/367/480.jpg","https://img.ochreeditions.com/a/367/960.jpg","https://img.ochreeditions.com/a/367/1920.jpg","In the 1510s, Sebastiano del Piombo traveled to Rome, where he was drawn into the lively competition between the period's two great luminaries, Michelangelo and Raphael. Michelangelo took Sebastiano under his wing, teaching him his monumental style and providing drawings for commissions.","Text from the Art Institute of Chicago.",{"_309":776,"_311":777},{"_309":774,"_311":775},{"_309":772,"_311":773},{"_309":770,"_311":771},{"_309":768,"_311":769},"#896140",0.0731,"#8c958f",0.1081,"#563b24",0.1516,"#362b22",0.28,"#17120c",0.3872,"Sebastiano del Piombo","sebastiano-del-piombo","Italian, c. 1485–1547",1485,1547,"arm-of-eve-cma-141931","Arm of Eve",{"_42":837,"_221":838,"_323":839,"_325":460,"_326":840,"_327":841,"_329":842,"_330":842,"_331":843,"_140":89},"1507","drawing","Drawing","point of brush and gray and black wash, brush and gray and black wash, heightened with white gouache","Sheet: 34.4 x 26.7 cm (13 9/16 x 10 1/2 in.)",26.7,34.4,0.7997058823529412,[822,823,824,825,826],{"_220":379,"_221":380,"_42":381,"_302":382},"1965.470","Albrecht Dürer painted this in 1507, aged 36. It is now at the Cleveland Museum of Art.",{"_118":821,"_377":378},"Arm of Eve, by Albrecht Dürer, 1507",{"_293":818,"_295":819,"_297":820},"https://img.ochreeditions.com/m/659.jpg?dl=1","/art/arm-of-eve-cma-141931","/galleries/style/renaissance/arm-of-eve-cma-141931",{"_289":290,"_291":292},{"_224":810,"_125":811,"_283":812},{"_274":807,"_276":808,"_278":809,"_279":792},51.509882352941176,58.4,27.509882352941176,{"_285":224,"_123":816,"_154":817,"_140":89},{"_285":125,"_123":813,"_154":814,"_140":815},{"_285":283,"_123":432,"_154":433,"_140":434},"style/drawing-16","More drawings of the 16th century",35,"artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/659/480.jpg","https://img.ochreeditions.com/a/659/960.jpg","https://img.ochreeditions.com/a/659/1920.jpg","Arm of Eve is the only surviving preparatory drawing for Dürer’s life-size panels of Adam and Eve in the Museo del Prado, Madrid. It is also one of the few surviving drawings by the artist made on Venetian blue paper, a support he began to use for his chiaroscuro studies while visiting Venice in the winter of 1506–7.",{"_309":835,"_311":836},{"_309":833,"_311":834},{"_309":831,"_311":832},{"_309":829,"_311":830},{"_309":827,"_311":828},"#82857f",0.0518,"#f7f6f4",0.0695,"#b1b8b5",0.0833,"#969d97",0.2353,"#9fa9a4",0.5601,"Albrecht Dürer","albrecht-durer","German, 1471–1528",1471,1528,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","virgin-and-child-with-the-young-saint-john-the-baptist-aic-23972","Virgin and Child with the Young Saint John the Baptist",{"_42":892,"_221":893,"_323":894,"_325":895,"_326":896,"_327":897,"_329":-5,"_330":-5,"_331":-5,"_140":103},"c. 1515","64.2 × 50.2 cm (25 1/4 × 19 3/4 in.); Framed: 79.4 × 63.9 × 8.3 cm (31 1/4 × 25 1/8 × 3 1/4 in.)",50,64,0.7786499215070644,[877,878,879,880,881],{"_220":299,"_221":300,"_42":301,"_302":303},"1965.688","Antonio da Correggio painted this in about 1515, aged about 21. It is now at the Art Institute of Chicago.",{"_118":876,"_377":762},"Vividly colored painting of Virgin Mary with baby Jesus and baby John the Baptist.",{"_293":873,"_295":874,"_297":875},"https://img.ochreeditions.com/m/100.jpg?dl=1","/art/virgin-and-child-with-the-young-saint-john-the-baptist-aic-23972","/galleries/style/renaissance/virgin-and-child-with-the-young-saint-john-the-baptist-aic-23972",{"_289":371,"_291":372},{"_224":868,"_125":869,"_283":870},{"_274":865,"_276":866,"_278":867,"_279":850},64.83359497645212,79,49.83359497645212,{"_285":224,"_123":871,"_154":872,"_140":89},{"_285":125,"_123":435,"_154":436,"_140":437},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-antonio-da-correggio","Antonio da Correggio's contemporaries","https://img.ochreeditions.com/a/100/480.jpg","https://img.ochreeditions.com/a/100/960.jpg","https://img.ochreeditions.com/a/100/1920.jpg","This intimate devotional panel, an early work by Antonio da Correggio, reveals the young artist's evolving style. The distant landscape demonstrates his awareness of Northern European precedents, and the figural composition references the manner of Raphael, while its soft outlines recall Da Vinci.",{"_309":890,"_311":891},{"_309":888,"_311":889},{"_309":886,"_311":887},{"_309":884,"_311":885},{"_309":882,"_311":883},"#892f1f",0.0784,"#3c636a",0.0806,"#a8a49c",0.1931,"#6d5e37",0.255,"#2a2217",0.3929,"Antonio da Correggio","antonio-da-correggio","Antonio Allegri; Italian, 1489–1534","Antonio Allegri; Italian",1489,1534,"angelica-and-medoro-aic-21314","Angelica and Medoro",{"_42":945,"_221":946,"_323":947,"_325":324,"_326":675,"_327":948,"_329":-5,"_330":-5,"_331":949,"_140":99},"c. 1570","Engraving in black on ivory laid paper","29.9 × 20.9 cm (11 13/16 × 8 1/4 in.)",20,29,0.6897777777777778,[930,931,932,933,934],{"_220":299,"_221":300,"_42":301,"_302":303},"1935.119","Giorgio Ghisi made this in about 1570, aged about 45. It is now at the Art Institute of Chicago.","A work made of engraving in black on ivory laid paper.",{"_293":927,"_295":928,"_297":929},"https://img.ochreeditions.com/m/83.jpg?dl=1","/art/angelica-and-medoro-aic-21314","/galleries/style/renaissance/angelica-and-medoro-aic-21314",{"_289":290,"_291":292},{"_224":922,"_125":923,"_283":924},{"_274":919,"_276":920,"_278":921,"_279":905},44.00355555555556,53,20.003555555555558,{"_285":224,"_123":925,"_154":926,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/giorgio-ghisi","More by Giorgio Ghisi","https://img.ochreeditions.com/a/83/480.jpg","https://img.ochreeditions.com/a/83/960.jpg","https://img.ochreeditions.com/a/83/1920.jpg",{"_309":943,"_311":944},{"_309":941,"_311":942},{"_309":939,"_311":940},{"_309":937,"_311":938},{"_309":935,"_311":936},"#e0d7c5",0.1325,"#b5aa96",0.1761,"#918774",0.2163,"#524d3f",0.2322,"#6f6757",0.2429,"Giorgio Ghisi","giorgio-ghisi","Italian, 1520–1582",1582,"Ghisi was a Mantuan engraver who worked in Antwerp for the publisher Hieronymus Cock, engraving large plates after Raphael’s Vatican frescoes, and later in France.","dead-christ-held-by-angels-aic-262509","Dead Christ Held by Angels",{"_42":995,"_221":996,"_323":324,"_325":324,"_326":-5,"_327":-5,"_329":-5,"_330":-5,"_331":-5,"_140":103},"1580/1620","Etching in black on cream laid paper","Plate: 26.6 × 21.4 cm (10 1/2 × 8 7/16 in.); Sheet: 29 × 23.6 cm (11 7/16 × 9 5/16 in.)",21,0.8459386767079075,[980,981,982,983,984],{"_220":299,"_221":300,"_42":301,"_302":303},"2022.51","Orazio Samacchini made this in 1580/1620. It is now at the Art Institute of Chicago.","A work made of etching in black on cream laid paper.",{"_293":977,"_295":978,"_297":979},"https://img.ochreeditions.com/m/409.jpg?dl=1","/art/dead-christ-held-by-angels-aic-262509","/galleries/style/renaissance/dead-christ-held-by-angels-aic-262509",{"_289":290,"_291":292},{"_224":972,"_125":973,"_283":974},{"_274":970,"_276":849,"_278":971,"_279":572},45.99440559440559,21.994405594405595,{"_285":224,"_123":975,"_154":976,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-orazio-samacchini","Orazio Samacchini's contemporaries","https://img.ochreeditions.com/a/409/480.jpg","https://img.ochreeditions.com/a/409/960.jpg","https://img.ochreeditions.com/a/409/1920.jpg",{"_309":993,"_311":994},{"_309":991,"_311":992},{"_309":989,"_311":990},{"_309":987,"_311":988},{"_309":985,"_311":986},"#695e53",0.1577,"#958473",0.1739,"#dbc3ad",0.1762,"#f5eae0",0.2358,"#b7a593",0.2564,"Orazio Samacchini","orazio-samacchini","the-academy-of-baccio-bandinelli-aic-273081","The Academy of Baccio Bandinelli",{"_42":1044,"_221":1045,"_323":1046,"_325":324,"_326":617,"_327":1047,"_329":-5,"_330":-5,"_331":-5,"_140":103},"1544/50, printed c. 1560s","Engraving in black on cream laid paper","Sheet: 77.8 × 111.3 cm (30 5/8 × 43 13/16 in.)",111,77,1.5323995472552348,[1029,1030,1031,1032,1033],{"_220":299,"_221":300,"_42":301,"_302":303},"2024.154","Enea Vico made this in 1544/50, printed c. 1560s, aged about 21. It is now at the Art Institute of Chicago.","A work made of engraving in black on cream laid paper.",{"_293":1026,"_295":1027,"_297":1028},"https://img.ochreeditions.com/m/442.jpg?dl=1","/art/the-academy-of-baccio-bandinelli-aic-273081","/galleries/style/renaissance/the-academy-of-baccio-bandinelli-aic-273081",{"_289":290,"_291":292},{"_224":1021,"_125":1022,"_283":1023},{"_274":1018,"_276":1019,"_278":1003,"_279":1020},135,96.43541685901579,72.43541685901579,{"_285":224,"_123":1024,"_154":1025,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-enea-vico","Enea Vico's contemporaries","https://img.ochreeditions.com/a/442/480.jpg","https://img.ochreeditions.com/a/442/960.jpg","https://img.ochreeditions.com/a/442/1920.jpg",{"_309":1042,"_311":1043},{"_309":1040,"_311":1041},{"_309":1038,"_311":1039},{"_309":1036,"_311":1037},{"_309":1034,"_311":1035},"#e2d0c0",0.0759,"#af9e8f",0.1376,"#897c6f",0.2188,"#554d45",0.279,"#6e6459",0.2887,"Enea Vico","enea-vico","Italian, 1523–1567",1567,"the-submersion-of-pharaoh-s-army-in-the-red-sea-cma-129875","The Submersion of Pharaoh's Army in the Red Sea",{"_42":1098,"_221":1099,"_323":1100,"_325":324,"_326":1101,"_327":1102,"_329":1103,"_330":1104,"_331":-5,"_140":101},"1514–15, printed 1549","woodcut","Unframed: 40 x 55 cm (15 3/4 x 21 5/8 in.)",55,40,1.7580144777662874,[1083,1084,1085,1086,1087],{"_220":379,"_221":380,"_42":381,"_302":382},"1952.296","Titian made this in 1514–15, printed 1549, aged about 26. It is now at the Cleveland Museum of Art.",{"_118":1082,"_377":378},"The Submersion of Pharaoh's Army in the Red Sea, by Titian, 1514–15, printed 1549",{"_293":1079,"_295":1080,"_297":1081},"https://img.ochreeditions.com/m/598.jpg?dl=1","/art/the-submersion-of-pharaoh-s-army-in-the-red-sea-cma-129875","/galleries/style/renaissance/the-submersion-of-pharaoh-s-army-in-the-red-sea-cma-129875",{"_289":290,"_291":292},{"_224":1074,"_125":1075,"_283":1076},{"_274":1070,"_276":1071,"_278":1072,"_279":1073},86.19028743369685,59.375298793167566,62.19028743369685,35.375298793167566,{"_285":224,"_123":1077,"_154":1078,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-titian","Titian's contemporaries","https://img.ochreeditions.com/a/598/480.jpg","https://img.ochreeditions.com/a/598/960.jpg","https://img.ochreeditions.com/a/598/1920.jpg","This composition is made up of 12 separately printed woodcuts to create one image in grand scale. The size rivals that of a history painting, and, unlike most prints, the composition would have been hung on the wall.",{"_309":1096,"_311":1097},{"_309":1094,"_311":1095},{"_309":1092,"_311":1093},{"_309":1090,"_311":1091},{"_309":1088,"_311":1089},"#ddcfc5",0.0916,"#7b6c60",0.128,"#bcaa9a",0.2183,"#928274",0.2327,"#a79586",0.3294,"Titian","titian","Italian, c. 1488–1576",1488,1576,"Pieve di Cadore","Venice","noli-me-tangere-aic-16207","Noli Me Tangere",{"_42":613,"_221":614,"_323":615,"_325":324,"_326":616,"_327":617,"_329":-5,"_330":-5,"_331":618,"_140":95},"27.3 × 46.3 cm (10 3/4 × 18 1/4 in.)",27,1.7202205158495767,[1129,1130,1131,1132,1133],{"_220":299,"_221":300,"_42":301,"_302":303},"1933.1026",{"_293":1126,"_295":1127,"_297":1128},"https://img.ochreeditions.com/m/47.jpg?dl=1","/art/noli-me-tangere-aic-16207","/galleries/style/renaissance/noli-me-tangere-aic-16207",{"_289":371,"_291":372},{"_224":1123,"_125":1124,"_283":1125},{"_274":587,"_276":1121,"_278":187,"_279":1122},41.74075769715005,26.740757697150052,{"_285":224,"_123":593,"_154":594,"_140":95},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"https://img.ochreeditions.com/a/47/480.jpg","https://img.ochreeditions.com/a/47/960.jpg","https://img.ochreeditions.com/a/47/1920.jpg",{"_309":1142,"_311":1143},{"_309":1140,"_311":1141},{"_309":1138,"_311":1139},{"_309":1136,"_311":1137},{"_309":1134,"_311":1135},"#7b7f70",0.0938,"#75442e",0.1022,"#835020",0.1681,"#47402e",0.2141,"#796841",0.4218,{"_1145":-5,"_1146":1147,"_1148":1149,"_1150":8,"_1151":1152,"_1153":8},"user","csrf","dd31518e339b09e246065786166d2be7d48de685","cartCount",0,"dropLive","legal",[1154,1155,1156,1157,1158,1159,1160,1161,1162,1163,1164,1165],"uploadsEnabled",{"_221":1188,"_20":1189},{"_221":1186,"_20":1187},{"_221":1184,"_20":1185},{"_221":1182,"_20":1183},{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},{"_221":1166,"_20":1167},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]