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He holds a crumpled letter written in Italian. The words Asto , meaning \"ship mast,\" and mare , meaning \"sea,\" suggest that trade was a topic of this letter.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","city","Cleveland",{"_314":324,"_316":325},{"_314":322,"_316":323},{"_314":320,"_316":321},{"_314":318,"_316":319},{"_314":315,"_316":317},"hex","#801603","weight",0.0539,"#7f5d2d",0.0708,"#524d2f",0.0821,"#3d240f",0.136,"#1d180f",0.6572,"Dosso Dossi","dosso-dossi","bio","Italian, c. 1490–after 1541","nationality","Italian","birth_year",1490,"death_year",1541,"birth_place","death_place","about_excerpt","saint-catherine-of-siena-receiving-the-stigmata-aic-262135","Saint Catherine of Siena Receiving the Stigmata",{"_42":397,"_222":398,"_328":399,"_330":331,"_332":400,"_334":401,"_336":-5,"_337":-5,"_338":-5,"_140":103},"c. 1595","print","Print","Etching in black on cream laid paper","Plate/sheet: 11.9 × 7.7 cm (4 11/16 × 3 1/16 in.)",0.6651543977755012,[382,383,384,385,386],{"_221":378,"_222":379,"_42":380,"_307":381},"Courtesy of the Art Institute of Chicago","2022.52","Francesco Vanni made this in about 1595, aged about 27. It is now at the Art Institute of Chicago.","A work made of etching in black on cream laid paper.",{"_295":375,"_297":376,"_299":377},"https://img.ochreeditions.com/m/408.jpg?dl=1","/art/saint-catherine-of-siena-receiving-the-stigmata-aic-262135","/galleries/style/renaissance/saint-catherine-of-siena-receiving-the-stigmata-aic-262135",{"_291":373,"_293":374},{"_225":365,"_125":366,"_285":367},{"_276":361,"_278":362,"_280":363,"_282":364},40.62885994438753,49,16.628859944387532,25,{"_287":225,"_123":371,"_154":372,"_140":89},{"_287":125,"_123":368,"_154":369,"_140":370},{"_287":285,"_123":167,"_154":166,"_140":169},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-francesco-vanni","Francesco Vanni's contemporaries","white","snow","https://img.ochreeditions.com/a/408/480.jpg","https://img.ochreeditions.com/a/408/960.jpg","https://img.ochreeditions.com/a/408/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_314":395,"_316":396},{"_314":393,"_316":394},{"_314":391,"_316":392},{"_314":389,"_316":390},{"_314":387,"_316":388},"#f9e9d8",0.0985,"#756b61",0.1326,"#d3c1af",0.198,"#988b7e",0.2144,"#b5a595",0.3565,"Francesco Vanni","francesco-vanni","Italian, 1563–1610",1563,1610,"death-of-the-virgin-cma-97159","Death of the Virgin","Unrecorded Italian maker","mid-1500s","oil on wood","Framed: 78.8 x 130.9 cm (31 x 51 9/16 in.); Unframed: 25 x 103.5 cm (9 13/16 x 40 3/4 in.)",103.5,2.9437229437229435,[436,437,438,439,440],{"_221":304,"_222":305,"_42":306,"_307":308},"1916.797","An unrecorded Italy, Venice artist painted this in the mid-1500s. It is now at the Cleveland Museum of Art.",{"_118":435,"_302":303},"Death of the Virgin, mid-1500s",{"_295":432,"_297":433,"_299":434},"https://img.ochreeditions.com/m/481.jpg?dl=1","/art/death-of-the-virgin-cma-97159","/galleries/style/renaissance/death-of-the-virgin-cma-97159",{"_291":292,"_293":294},{"_225":427,"_125":428,"_285":429},{"_276":423,"_278":424,"_280":425,"_282":426},102.27475646991584,44.647748153750825,87.27475646991584,29.647748153750825,{"_287":225,"_123":430,"_154":431,"_140":77},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/481/480.jpg","https://img.ochreeditions.com/a/481/960.jpg","https://img.ochreeditions.com/a/481/1920.jpg","This panel reveals a long history of changes. The initial work was painted on a single slab of wood, with strips left unpainted along the top and bottom.",{"_314":449,"_316":450},{"_314":447,"_316":448},{"_314":445,"_316":446},{"_314":443,"_316":444},{"_314":441,"_316":442},"#9b957f",0.0554,"#593825",0.1129,"#5d553c",0.1286,"#382f21",0.2607,"#211e16",0.4424,"virgin-and-child-with-the-young-saint-john-the-baptist-aic-109323","Virgin and Child with the Young Saint John the Baptist",{"_42":498,"_222":499,"_328":500,"_330":331,"_332":501,"_334":502,"_336":503,"_337":503,"_338":-5,"_140":101},"1560–65","Oil on canvas","79.5 × 90.5 cm (31 1/4 × 35 5/8 in.); Framed: 103.2 × 115.3 × 13.7 cm (40 5/8 × 45 3/8 × 5 3/8 in.)",90,79,1.1670577193805725,[483,484,485,486,487],{"_221":378,"_222":379,"_42":380,"_307":381},"1968.320","Jacopo Bassano painted this in 1560–65, aged about 50. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_295":480,"_297":481,"_299":482},"https://img.ochreeditions.com/m/271.jpg?dl=1","/art/virgin-and-child-with-the-young-saint-john-the-baptist-aic-109323","/galleries/style/renaissance/virgin-and-child-with-the-young-saint-john-the-baptist-aic-109323",{"_291":292,"_293":294},{"_225":475,"_125":476,"_285":477},{"_276":472,"_278":473,"_280":457,"_282":474},105,92.11700844390833,77.11700844390833,{"_287":225,"_123":478,"_154":479,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jacopo-bassano","Jacopo Bassano's contemporaries","https://img.ochreeditions.com/a/271/480.jpg","https://img.ochreeditions.com/a/271/960.jpg","https://img.ochreeditions.com/a/271/1920.jpg",{"_314":496,"_316":497},{"_314":494,"_316":495},{"_314":492,"_316":493},{"_314":490,"_316":491},{"_314":488,"_316":489},"#937d6a",0.1351,"#605146",0.1432,"#c7a991",0.1481,"#43281e",0.2326,"#2a2320",0.341,"Jacopo Bassano","jacopo-bassano","Italian, c. 1510–1592",1510,1592,"Bassano del Grappa","a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303","A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)",{"_42":552,"_222":553,"_328":554,"_330":331,"_332":555,"_334":556,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1520/30","watercolour","Drawing and Watercolor","Red chalk and brush and red chalk wash (recto) and black chalk, with black chalk grid lines, (verso) on cream laid paper","11.6 × 12.7 cm (4 5/8 × 5 in.)",1.0949932341001354,[537,538,539,540,541],{"_221":378,"_222":379,"_42":380,"_307":381},"2019.888","Giovanni Antonio di Francesco Sogliani painted this in 1520/30, aged about 28. It is now at the Art Institute of Chicago.","A work made of red chalk and brush and red chalk wash (recto) and black chalk, with black chalk grid lines, (verso) on cream laid paper.",{"_295":534,"_297":535,"_299":536},"https://img.ochreeditions.com/m/371.jpg?dl=1","/art/a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303","/galleries/style/renaissance/a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303",{"_291":373,"_293":374},{"_225":527,"_125":528,"_285":529},{"_276":362,"_278":525,"_280":364,"_282":526},46.831191300049426,22.83119130004943,{"_287":225,"_123":532,"_154":533,"_140":89},{"_287":125,"_123":530,"_154":531,"_140":89},{"_287":285,"_123":167,"_154":166,"_140":169},"style/watercolour-16","More watercolours of the 16th century","artist/contemporaries-of-giovanni-antonio-di-francesco-sogliani","Giovanni Antonio di Francesco Sogliani's contemporaries","https://img.ochreeditions.com/a/371/480.jpg","https://img.ochreeditions.com/a/371/960.jpg","https://img.ochreeditions.com/a/371/1920.jpg",{"_314":550,"_316":551},{"_314":548,"_316":549},{"_314":546,"_316":547},{"_314":544,"_316":545},{"_314":542,"_316":543},"#503e35",0.0633,"#e0ab87",0.2047,"#db9068",0.2293,"#c7724b",0.2449,"#e4c5a7",0.2578,"Giovanni Antonio di Francesco Sogliani","giovanni-antonio-di-francesco-sogliani","Italian, 1492–1544",1492,1544,"the-passion-the-agony-in-the-garden-cma-104613","The Passion: The Agony in the Garden",{"_42":609,"_222":610,"_328":611,"_330":612,"_332":613,"_334":614,"_336":615,"_337":616,"_338":617,"_140":97},"c. 1480","germany","engraving",0.7132352941176471,[594,595,596,597,598],{"_221":304,"_222":305,"_42":306,"_307":308},"1922.91","Martin Schongauer made this in about 1480, aged about 25. It is now at the Cleveland Museum of Art.",{"_118":593,"_302":303},"The Passion: The Agony in the Garden, by Martin Schongauer, c. 1480",{"_295":590,"_297":591,"_299":592},"https://img.ochreeditions.com/m/510.jpg?dl=1","/art/the-passion-the-agony-in-the-garden-cma-104613","/galleries/style/renaissance/the-passion-the-agony-in-the-garden-cma-104613",{"_291":373,"_293":374},{"_225":581,"_125":582,"_285":583},{"_276":577,"_278":578,"_280":579,"_282":580},66.79411764705883,84,42.794117647058826,60,{"_287":225,"_123":588,"_154":589,"_140":97},{"_287":125,"_123":586,"_154":587,"_140":53},{"_287":285,"_123":584,"_154":585,"_140":91},"era/15-germany","15th-century Germany","style/print-15","More prints of the 15th century","artist/martin-schongauer","More by Martin Schongauer","https://img.ochreeditions.com/a/510/480.jpg","https://img.ochreeditions.com/a/510/960.jpg","https://img.ochreeditions.com/a/510/1920.jpg","Martin Schongauer's series of the Passion of Christ was his largest set of engravings, made around 1480, and extensively copied across Europe. It consists of twelve prints detailing the suffering of Christ in the last days of his life.",{"_314":607,"_316":608},{"_314":605,"_316":606},{"_314":603,"_316":604},{"_314":601,"_316":602},{"_314":599,"_316":600},"#46433d",0.1396,"#6c665e",0.1678,"#b7aea2",0.2035,"#90897e",0.2072,"#ded5c8",0.2819,"Martin Schongauer","martin-schongauer","German, c. 1450–1491","German",1450,1491,"Colmar","Breisach","Schongauer, the son of a goldsmith, worked in Colmar in Alsace and was both a painter and the most accomplished engraver of fifteenth-century northern Europe.","the-nativity-cma-153271","The Nativity",{"_42":666,"_222":667,"_328":668,"_330":331,"_332":669,"_334":670,"_336":-5,"_337":-5,"_338":671,"_140":99},"1553","Overall: 67.5 x 45.6 cm (26 9/16 x 17 15/16 in.); Part 1: 32.9 x 45 cm (12 15/16 x 17 11/16 in.); Part 2: 34 x 45.6 cm (13 3/8 x 17 15/16 in.)",45.6,67.5,0.6994117647058824,[651,652,653,654,655],{"_221":304,"_222":305,"_42":306,"_307":308},"1986.233","Giorgio Ghisi made this in 1553, aged 33. It is now at the Cleveland Museum of Art.",{"_118":650,"_302":303},"The Nativity, by Giorgio Ghisi, 1553",{"_295":647,"_297":648,"_299":649},"https://img.ochreeditions.com/m/738.jpg?dl=1","/art/the-nativity-cma-153271","/galleries/style/renaissance/the-nativity-cma-153271",{"_291":373,"_293":374},{"_225":642,"_125":643,"_285":644},{"_276":639,"_278":640,"_280":641,"_282":624},71.21029411764707,91.5,47.21029411764706,{"_287":225,"_123":645,"_154":646,"_140":99},{"_287":125,"_123":368,"_154":369,"_140":370},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/giorgio-ghisi","More by Giorgio Ghisi","https://img.ochreeditions.com/a/738/480.jpg","https://img.ochreeditions.com/a/738/960.jpg","https://img.ochreeditions.com/a/738/1920.jpg","The inscriptions praise Mary, the mother of Jesus Christ, emphasizing the great joys and inevitable sorrows that she is to endure in witnessing her son's life and death. After spending about five years in Rome, Ghisi left Italy around 1550 for Antwerp, the major commercial center in the Netherlands.",{"_314":664,"_316":665},{"_314":662,"_316":663},{"_314":660,"_316":661},{"_314":658,"_316":659},{"_314":656,"_316":657},"#ded5c3",0.0767,"#575247",0.1757,"#b2a899",0.2142,"#948b7e",0.2601,"#766f63",0.2733,"Giorgio Ghisi","giorgio-ghisi","Italian, 1520–1582",1520,1582,"Ghisi was a Mantuan engraver who worked in Antwerp for the publisher Hieronymus Cock, engraving large plates after Raphael’s Vatican frescoes, and later in France.","ornament-in-hexagonal-shape-nga-9484","Ornament in Hexagonal Shape","c. 1480/1510","niello print","sheet: 2 x 4.3 cm (13/16 x 1 11/16 in.)",4.3,2.1132254995242628,[707,708,709,710,711],{"_221":703,"_222":704,"_42":705,"_307":706},"Courtesy National Gallery of Art, Washington","1943.3.6690","An unrecorded Italian artist made this in about 1480/1510. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of an ornamental floral design. The image shows a central floral motif resembling a flower with radiating petals, surrounded by swirling leaf patterns. The background is dark, contrasting with the lighter line work of the floral design. The drawing's borders are uneven and have an antique appearance.",{"_295":700,"_297":701,"_299":702},"https://img.ochreeditions.com/m/1353.jpg?dl=1","/art/ornament-in-hexagonal-shape-nga-9484","/galleries/style/renaissance/ornament-in-hexagonal-shape-nga-9484",{"_291":373,"_293":374},{"_225":694,"_125":695,"_285":696},{"_276":362,"_278":692,"_280":364,"_282":693},35.83025664115263,11.830256641152634,{"_287":225,"_123":430,"_154":431,"_140":77},{"_287":125,"_123":586,"_154":587,"_140":53},{"_287":285,"_123":697,"_154":698,"_140":699},"era/15-italy","15th-century Italy",57,"https://img.ochreeditions.com/a/1353/480.jpg","https://img.ochreeditions.com/a/1353/960.jpg","https://img.ochreeditions.com/a/1353/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_314":720,"_316":721},{"_314":718,"_316":719},{"_314":716,"_316":717},{"_314":714,"_316":715},{"_314":712,"_316":713},"#786a59",0.1375,"#9f8e76",0.1406,"#5a5146",0.2245,"#433e39",0.2406,"#d4cab5",0.2568,"adoration-of-the-shepherds-cma-97143","Adoration of the Shepherds","c. 1500","Framed: 63 x 51 x 7.8 cm (24 13/16 x 20 1/16 x 3 1/16 in.); Unframed: 41.5 x 29.8 cm (16 5/16 x 11 3/4 in.)",29.8,41.5,0.7088235294117647,[753,754,755,756,757],{"_221":304,"_222":305,"_42":306,"_307":308},"1916.782","An unrecorded Northern Italy, late 15th-early 16th Century artist painted this in about 1500. It is now at the Cleveland Museum of Art.","Adoration of the Shepherds, c. 1500",{"_295":750,"_297":751,"_299":752},"https://img.ochreeditions.com/m/472.jpg?dl=1","/art/adoration-of-the-shepherds-cma-97143","/galleries/style/renaissance/adoration-of-the-shepherds-cma-97143",{"_291":292,"_293":294},{"_225":744,"_125":745,"_285":746},{"_276":741,"_278":742,"_280":743,"_282":727},44.41617647058824,56.5,29.416176470588237,{"_287":225,"_123":430,"_154":431,"_140":77},{"_287":125,"_123":747,"_154":748,"_140":749},{"_287":285,"_123":697,"_154":698,"_140":699},"style/painting-15","More paintings of the 15th century",73,"https://img.ochreeditions.com/a/472/480.jpg","https://img.ochreeditions.com/a/472/960.jpg","https://img.ochreeditions.com/a/472/1920.jpg",{"_314":766,"_316":767},{"_314":764,"_316":765},{"_314":762,"_316":763},{"_314":760,"_316":761},{"_314":758,"_316":759},"#433828",0.1522,"#a09a7b",0.1814,"#a18554",0.2028,"#7f643f",0.2201,"#614e34",0.2435,"francesco-sforza-nga-1141","Francesco Sforza","probably c. 1480/1500","oil on panel","painted surface: 69.5 x 59.5 cm (27 3/8 x 23 7/16 in.) overall (with backing, collar, and cradle): 72.4 x 62.1 cm (28 1/2 x 24 7/16 in.) framed: 103.5 x 92.7 x 8.9 cm (40 3/4 x 36 1/2 x 3 1/2 in.)",59.5,69.5,0.8447265625,[797,798,799,800,801],{"_221":703,"_222":704,"_42":705,"_307":706},"1942.9.4","An unrecorded North Italian artist painted this (probably c. 1480/1500). It is now at the National Gallery of Art in Washington, DC.","This painting shows an upper-body portrait of a man in a three-quarter view, turned to the left. He has a prominent double chin, a slightly furrowed brow, thin lips, and a serious expression. He has pale yellow skin and short, dark hair, and he wears a large, red hat. He is clad in silver armor with red straps on his shoulder and chest. The background is a simple, dark green color.",{"_295":794,"_297":795,"_299":796},"https://img.ochreeditions.com/m/1321.jpg?dl=1","/art/francesco-sforza-nga-1141","/galleries/style/renaissance/francesco-sforza-nga-1141",{"_291":292,"_293":294},{"_225":791,"_125":792,"_285":793},{"_276":788,"_278":789,"_280":790,"_282":774},73.70849609375,84.5,58.70849609375,{"_287":225,"_123":430,"_154":431,"_140":77},{"_287":125,"_123":747,"_154":748,"_140":749},{"_287":285,"_123":697,"_154":698,"_140":699},"https://img.ochreeditions.com/a/1321/480.jpg","https://img.ochreeditions.com/a/1321/960.jpg","https://img.ochreeditions.com/a/1321/1920.jpg",{"_314":809,"_316":810},{"_314":807,"_316":808},{"_314":806,"_316":491},{"_314":804,"_316":805},{"_314":802,"_316":803},"#b53305",0.0883,"#c38116",0.1007,"#866917","#524418",0.1453,"#243021",0.5225,"the-dead-christ-with-angels-cma-97170","The Dead Christ with Angels",{"_42":860,"_222":861,"_328":862,"_330":331,"_332":863,"_334":864,"_336":-5,"_337":-5,"_338":-5,"_140":103},"c. 1580","oil on canvas","Framed: 157 x 129.5 x 13 cm (61 13/16 x 51 x 5 1/8 in.); Unframed: 123.3 x 96.5 cm (48 9/16 x 38 in.)",96.5,123.3,0.7814705882352941,[845,846,847,848,849],{"_221":304,"_222":305,"_42":306,"_307":308},"1916.806","Leandro Bassano painted this in about 1580, aged about 18. It is now at the Cleveland Museum of Art.",{"_118":844,"_302":303},"The Dead Christ with Angels, by Leandro Bassano, c. 1580",{"_295":841,"_297":842,"_299":843},"https://img.ochreeditions.com/m/485.jpg?dl=1","/art/the-dead-christ-with-angels-cma-97170","/galleries/style/renaissance/the-dead-christ-with-angels-cma-97170",{"_291":292,"_293":294},{"_225":836,"_125":837,"_285":838},{"_276":833,"_278":834,"_280":835,"_282":818},111.35532352941176,138.3,96.35532352941176,{"_287":225,"_123":839,"_154":840,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-leandro-bassano","Leandro Bassano's contemporaries","https://img.ochreeditions.com/a/485/480.jpg","https://img.ochreeditions.com/a/485/960.jpg","https://img.ochreeditions.com/a/485/1920.jpg","In this scene, two angels are shown attending to the body of Christ after his death. The artist, Leandro Bassano, came from a family of painters—both his father and grandfather were artists, as were his brothers, Francesco and Gerolamo.",{"_314":858,"_316":859},{"_314":856,"_316":857},{"_314":854,"_316":855},{"_314":852,"_316":853},{"_314":850,"_316":851},"#8f7156",0.1206,"#c2ac8f",0.1303,"#747d73",0.1528,"#564a3c",0.1756,"#2f2820",0.4207,"Leandro Bassano","leandro-bassano","Italian, 1557–1623",1557,1623,"venus-reclining-in-a-landscape-cma-112586","Venus Reclining in a Landscape",{"_42":912,"_222":913,"_328":914,"_330":331,"_332":915,"_334":916,"_336":-5,"_337":-5,"_338":-5,"_140":103},"c. 1508–9","Platemark: 11.9 x 18.3 cm (4 11/16 x 7 3/16 in.); Sheet: 11.9 x 18.3 cm (4 11/16 x 7 3/16 in.)",18.3,11.9,1.4873140857392826,[897,898,899,900,901],{"_221":304,"_222":305,"_42":306,"_307":308},"1931.205","Giulio Campagnola made this in about 1508–9, aged about 26. It is now at the Cleveland Museum of Art.",{"_118":896,"_302":303},"Venus Reclining in a Landscape, by Giulio Campagnola, c. 1508–9",{"_295":893,"_297":894,"_299":895},"https://img.ochreeditions.com/m/527.jpg?dl=1","/art/venus-reclining-in-a-landscape-cma-112586","/galleries/style/renaissance/venus-reclining-in-a-landscape-cma-112586",{"_291":373,"_293":374},{"_225":888,"_125":889,"_285":890},{"_276":362,"_278":886,"_280":364,"_282":887},40.80882352941177,16.808823529411764,{"_287":225,"_123":891,"_154":892,"_140":89},{"_287":125,"_123":368,"_154":369,"_140":370},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-giulio-campagnola","Giulio Campagnola's contemporaries","https://img.ochreeditions.com/a/527/480.jpg","https://img.ochreeditions.com/a/527/960.jpg","https://img.ochreeditions.com/a/527/1920.jpg","The Venetian artist Giulio Campagnola introduced the \"dot manner,\" an engraving technique by which shading is created with dots and flicks produced with the point of the burin. This innovation allowed for a much greater range of tone and subtler gradations from dark to light.",{"_314":910,"_316":911},{"_314":908,"_316":909},{"_314":906,"_316":907},{"_314":904,"_316":905},{"_314":902,"_316":903},"#ede7dc",0.0694,"#a2978c",0.1959,"#615b55",0.2009,"#7e766d",0.23,"#c7baaa",0.3038,"Giulio Campagnola","giulio-campagnola","Italian, 1482–1515",1482,1515,"the-flight-into-egypt-aic-248304","The Flight into Egypt",{"_42":961,"_222":962,"_328":963,"_330":331,"_332":964,"_334":965,"_336":-5,"_337":-5,"_338":-5,"_140":103},"c. 1540","Pen and brown ink on dark cream laid paper, laid down on laid paper, with pen and ink and gold ruled lines","Primary support: 18.7 × 25 cm (7 3/8 × 9 7/8 in.); Secondary support: 24.1 × 30.2 cm (9 1/2 × 11 15/16 in.)",18,1.3208387942332895,[947,948,949,950,951],{"_221":378,"_222":379,"_42":380,"_307":381},"2019.874","Domenico Campagnola painted this in about 1540, aged 40. It is now at the Art Institute of Chicago.","A work made of pen and brown ink on dark cream laid paper, laid down on laid paper, with pen and ink and gold ruled lines.",{"_295":944,"_297":945,"_299":946},"https://img.ochreeditions.com/m/372.jpg?dl=1","/art/the-flight-into-egypt-aic-248304","/galleries/style/renaissance/the-flight-into-egypt-aic-248304",{"_291":373,"_293":374},{"_225":939,"_125":940,"_285":941},{"_276":362,"_278":937,"_280":364,"_282":938},42.92736654098036,18.927366540980355,{"_287":225,"_123":942,"_154":943,"_140":89},{"_287":125,"_123":530,"_154":531,"_140":89},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-domenico-campagnola","Domenico Campagnola's contemporaries","https://img.ochreeditions.com/a/372/480.jpg","https://img.ochreeditions.com/a/372/960.jpg","https://img.ochreeditions.com/a/372/1920.jpg",{"_314":959,"_316":960},{"_314":958,"_316":549},{"_314":956,"_316":957},{"_314":954,"_316":955},{"_314":952,"_316":953},"#cf9e5a",0.0606,"#a77c5a",0.1024,"#dfb995",0.2357,"#bd916c","#cfa57f",0.3564,"Domenico Campagnola","domenico-campagnola","Italian, c. 1500–1564",1500,1564,"martyrdom-of-saint-andrew-cma-97145","Martyrdom of Saint Andrew",{"_42":1014,"_222":1015,"_328":1016,"_330":331,"_332":1017,"_334":1018,"_336":1019,"_337":1019,"_338":1020,"_140":93},"1600s","Framed: 55.3 x 47 x 7.7 cm (21 3/4 x 18 1/2 x 3 1/16 in.); Unframed: 40.7 x 34.6 cm (16 x 13 5/8 in.)",34.6,40.7,0.8347058823529412,[999,1000,1001,1002,1003],{"_221":304,"_222":305,"_42":306,"_307":308},"1916.784","Guido Reni painted this in the 1600s, aged about 25. It is now at the Cleveland Museum of Art.",{"_118":998,"_302":303},"Martyrdom of Saint Andrew, by Guido Reni, 1600s",{"_295":995,"_297":996,"_299":997},"https://img.ochreeditions.com/m/473.jpg?dl=1","/art/martyrdom-of-saint-andrew-cma-97145","/galleries/style/renaissance/martyrdom-of-saint-andrew-cma-97145",{"_291":292,"_293":294},{"_225":990,"_125":991,"_285":992},{"_276":987,"_278":988,"_280":989,"_282":972},48.97252941176471,55.7,33.97252941176471,{"_287":225,"_123":993,"_154":994,"_140":93},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/guido-reni","More by Guido Reni","https://img.ochreeditions.com/a/473/480.jpg","https://img.ochreeditions.com/a/473/960.jpg","https://img.ochreeditions.com/a/473/1920.jpg","This small devotional picture by an anonymous 17th-century Venetian artist drew his composition from Guido Reni's large St. Andrew Led to Martyrdom fresco in Rome's Church of San Gregorio al Celio. The CMA painting portrays the central image of Reni's 1608 fresco by Reni. St.",{"_314":1012,"_316":1013},{"_314":1010,"_316":1011},{"_314":1008,"_316":1009},{"_314":1006,"_316":1007},{"_314":1004,"_316":1005},"#684f38",0.0631,"#9b7d51",0.0703,"#6b684c",0.1563,"#423f33",0.2182,"#2d2d29",0.4921,"Guido Reni","guido-reni","Italian, 1575–1642",1575,1642,"Bologna","Reni trained in Bologna, first with Denys Calvaert and then at the Carracci academy, and spent the early 1600s in Rome, where his fresco Aurora won wide fame.","samson-and-the-lion-from-the-story-of-samson-met-393723","Samson and the Lion, from \"The Story of Samson\"","Unrecorded French maker","ca. 1560–80","france","Prints","Woodcut with pochoir (stencil) and hand coloring","sheet: 14 3/4 x 19 1/2 in. (37.4 x 49.5 cm)",49.5,37.4,1.2985699337286363,[1062,1063,1064,1065,1066],{"_221":1058,"_222":1059,"_42":1060,"_307":1061},"Courtesy of The Metropolitan Museum of Art","2010.27.2","An unrecorded French artist made this in about 1560–80. It is now at The Met in New York.","Samson and the Lion, from \"The Story of Samson\", ca. 1560–80",{"_295":1055,"_297":1056,"_299":1057},"https://img.ochreeditions.com/m/1054.jpg?dl=1","/art/samson-and-the-lion-from-the-story-of-samson-met-393723","/galleries/style/renaissance/samson-and-the-lion-from-the-story-of-samson-met-393723",{"_291":373,"_293":374},{"_225":1048,"_125":1049,"_285":1050},{"_276":1045,"_278":1046,"_280":1029,"_282":1047},73.5,62.11885576148267,38.11885576148267,{"_287":225,"_123":1053,"_154":1054,"_140":87},{"_287":125,"_123":368,"_154":369,"_140":370},{"_287":285,"_123":1051,"_154":1052,"_140":89},"era/16-france","16th-century France","artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/1054/480.jpg","https://img.ochreeditions.com/a/1054/960.jpg","https://img.ochreeditions.com/a/1054/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_314":1075,"_316":1076},{"_314":1073,"_316":1074},{"_314":1071,"_316":1072},{"_314":1069,"_316":1070},{"_314":1067,"_316":1068},"#eadecc",0.0548,"#a67150",0.1314,"#b0957a",0.1849,"#7a6559",0.2423,"#8c6f56",0.3866,"virgin-and-child-with-angels-cma-97153","Virgin and Child with Angels",{"_42":1123,"_222":1124,"_328":331,"_330":331,"_332":-5,"_334":-5,"_336":-5,"_337":-5,"_338":-5,"_140":103},"early 1500s","Framed: 115 x 115 x 8 cm (45 1/4 x 45 1/4 x 3 1/8 in.); Unframed: 86 x 83.5 cm (33 7/8 x 32 7/8 in.)",83.5,86,0.9791176470588235,[1108,1109,1110,1111,1112],{"_221":304,"_222":305,"_42":306,"_307":308},"1916.791","Master of the Holden Tondo painted this in the early 1500s. It is now at the Cleveland Museum of Art.","Virgin and Child with Angels, by Master of the Holden Tondo, early 1500s",{"_295":1105,"_297":1106,"_299":1107},"https://img.ochreeditions.com/m/476.jpg?dl=1","/art/virgin-and-child-with-angels-cma-97153","/galleries/style/renaissance/virgin-and-child-with-angels-cma-97153",{"_291":292,"_293":294},{"_225":1100,"_125":1101,"_285":1102},{"_276":1097,"_278":1098,"_280":1099,"_282":1083},99.20411764705882,101,84.20411764705882,{"_287":225,"_123":1103,"_154":1104,"_140":89},{"_287":125,"_123":747,"_154":748,"_140":749},{"_287":285,"_123":697,"_154":698,"_140":699},"artist/contemporaries-of-master-of-the-holden-tondo","Master of the Holden Tondo's contemporaries","https://img.ochreeditions.com/a/476/480.jpg","https://img.ochreeditions.com/a/476/960.jpg","https://img.ochreeditions.com/a/476/1920.jpg",{"_314":1121,"_316":1122},{"_314":1119,"_316":1120},{"_314":1117,"_316":1118},{"_314":1115,"_316":1116},{"_314":1113,"_316":1114},"#b4814e",0.1324,"#594d37",0.1399,"#5f2b19",0.1607,"#242217",0.2795,"#868785",0.2875,"Master of the Holden Tondo","master-of-the-holden-tondo",{"_1126":-5,"_1127":1128,"_1129":1130,"_1131":8,"_1132":1133,"_1134":8},"user","csrf","358eef5b95dd8dd32d75776ea704c0c12dc6cc14","cartCount",0,"dropLive","legal",[1135,1136,1137,1138,1139,1140,1141,1142,1143,1144,1145,1146],"uploadsEnabled",{"_222":1169,"_20":1170},{"_222":1167,"_20":1168},{"_222":1165,"_20":1166},{"_222":1163,"_20":1164},{"_222":1161,"_20":1162},{"_222":1159,"_20":1160},{"_222":1157,"_20":1158},{"_222":1155,"_20":1156},{"_222":1153,"_20":1154},{"_222":1151,"_20":1152},{"_222":1149,"_20":1150},{"_222":1147,"_20":1148},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]