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It is now at the Art Institute of Chicago.","A work made of engraving and etching in black on cream laid paper.",{"_294":434,"_296":435,"_298":436},"https://img.ochreeditions.com/m/445.jpg?dl=1","/art/a-naval-battle-aic-273340","/galleries/style/renaissance/a-naval-battle-aic-273340",{"_290":432,"_292":433},{"_224":424,"_125":425,"_284":426},{"_275":421,"_277":422,"_279":405,"_281":423},60,50.36024844720497,26.360248447204967,{"_286":224,"_123":430,"_154":431,"_140":89},{"_286":125,"_123":427,"_154":428,"_140":429},{"_286":284,"_123":167,"_154":166,"_140":169},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-michele-lucchese","Michele Lucchese's contemporaries","white","snow","https://img.ochreeditions.com/a/445/480.jpg","https://img.ochreeditions.com/a/445/960.jpg","https://img.ochreeditions.com/a/445/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_313":454,"_315":455},{"_313":452,"_315":453},{"_313":450,"_315":451},{"_313":448,"_315":449},{"_313":446,"_315":447},"#635a51",0.0771,"#c0b0a3",0.0798,"#a09388",0.0864,"#80756c",0.0884,"#eddacc",0.6683,"Michele Lucchese","michele-lucchese",1564,"portrait-of-an-old-man-cma-97156","Portrait of an Old Man",{"_42":507,"_221":508,"_327":509,"_329":330,"_331":510,"_333":511,"_335":-5,"_337":-5,"_338":-5,"_140":103},"mid-1500s","Framed: 120.7 x 91.4 x 11.4 cm (47 1/2 x 36 x 4 1/2 in.); Unframed: 92.4 x 63.5 cm (36 3/8 x 25 in.)",63.5,92.4,0.6820588235294117,[492,493,494,495,496],{"_220":303,"_221":304,"_42":305,"_306":307},"1916.794","Giulio Campi painted this in the mid-1500s, aged about 25. It is now at the Cleveland Museum of Art.",{"_118":491,"_301":302},"Portrait of an Old Man, by Giulio Campi, mid-1500s",{"_294":488,"_296":489,"_298":490},"https://img.ochreeditions.com/m/479.jpg?dl=1","/art/portrait-of-an-old-man-cma-97156","/galleries/style/renaissance/portrait-of-an-old-man-cma-97156",{"_290":291,"_292":293},{"_224":483,"_125":484,"_284":485},{"_275":480,"_277":481,"_279":482,"_281":465},78.02223529411765,107.4,63.02223529411765,{"_286":224,"_123":486,"_154":487,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-giulio-campi","Giulio Campi's contemporaries","https://img.ochreeditions.com/a/479/480.jpg","https://img.ochreeditions.com/a/479/960.jpg","https://img.ochreeditions.com/a/479/1920.jpg","Part of a distinguished family of Northern northern Italian painters, Campi depicts his sitter with an unidealized face dominated by carefully observed wrinkles. He stares out intently while grasping what may be a letter with its paper seal broken in his right hand.",{"_313":505,"_315":506},{"_313":503,"_315":504},{"_313":501,"_315":502},{"_313":499,"_315":500},{"_313":497,"_315":498},"#5a4739",0.0483,"#916e59",0.0533,"#2a2b1f",0.146,"#1b1c17",0.3729,"#11120e",0.3795,"Giulio Campi","giulio-campi","Italian, c. 1500–1572",1500,1572,"portrait-of-a-woman-as-saint-catherine-cma-97191","Portrait of a Woman as Saint Catherine",{"_42":559,"_221":560,"_327":561,"_329":330,"_331":562,"_333":563,"_335":-5,"_337":-5,"_338":-5,"_140":103},"c. 1560","Framed: 116 x 93 x 11 cm (45 11/16 x 36 5/8 x 4 5/16 in.); Unframed: 95 x 71.3 cm (37 3/8 x 28 1/16 in.)",71.3,0.7479411764705882,[544,545,546,547,548],{"_220":303,"_221":304,"_42":305,"_306":307},"1916.825","Pier Francesco Foschi painted this in about 1560, aged about 53. It is now at the Cleveland Museum of Art.",{"_118":543,"_301":302},"Portrait of a Woman as Saint Catherine, by Pier Francesco Foschi, c. 1560",{"_294":540,"_296":541,"_298":542},"https://img.ochreeditions.com/m/490.jpg?dl=1","/art/portrait-of-a-woman-as-saint-catherine-cma-97191","/galleries/style/renaissance/portrait-of-a-woman-as-saint-catherine-cma-97191",{"_290":291,"_292":293},{"_224":535,"_125":536,"_284":537},{"_275":532,"_277":533,"_279":534,"_281":289},86.05441176470588,110,71.05441176470588,{"_286":224,"_123":538,"_154":539,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-pier-francesco-foschi","Pier Francesco Foschi's contemporaries","https://img.ochreeditions.com/a/490/480.jpg","https://img.ochreeditions.com/a/490/960.jpg","https://img.ochreeditions.com/a/490/1920.jpg","Saint Catherine of Alexandria, a Christian, was martyred for refusing to make sacrifices to idols as decreed by the pagan Roman emperor Maxentius. While Maxentius first attempted to slay Catherine with spiked wheels, the machine broke when she prayed for salvation, and the emperor subsequently beheaded her.",{"_313":557,"_315":558},{"_313":555,"_315":556},{"_313":553,"_315":554},{"_313":551,"_315":552},{"_313":549,"_315":550},"#624a38",0.0768,"#69181e",0.0879,"#9b7472",0.1312,"#311d11",0.2191,"#190e09",0.485,"Pier Francesco Foschi","pier-francesco-foschi","Italian, 1502–1567",1502,1567,"christ-and-the-woman-of-samaria-aic-16200","Christ and the Woman of Samaria",{"_42":611,"_221":612,"_327":613,"_329":330,"_331":614,"_333":615,"_335":-5,"_337":-5,"_338":616,"_140":95},"1500–05","Tempera on panel, transferred to canvas","27.3 × 46.3 cm (10 3/4 × 18 1/4 in.)",46,27,1.6930673896204493,[596,597,598,599,600],{"_220":437,"_221":438,"_42":439,"_306":440},"1933.1024","Perugino painted this in 1500–05, aged about 50. It is now at the Art Institute of Chicago.","A work made of tempera on panel, transferred to canvas.",{"_294":593,"_296":594,"_298":595},"https://img.ochreeditions.com/m/45.jpg?dl=1","/art/christ-and-the-woman-of-samaria-aic-16200","/galleries/style/renaissance/christ-and-the-woman-of-samaria-aic-16200",{"_290":291,"_292":293},{"_224":588,"_125":589,"_284":590},{"_275":585,"_277":586,"_279":570,"_281":587},61,42.169621411414845,27.169621411414845,{"_286":224,"_123":591,"_154":592,"_140":95},{"_286":125,"_123":369,"_154":370,"_140":371},{"_286":284,"_123":366,"_154":367,"_140":368},"artist/perugino","More by Perugino","https://img.ochreeditions.com/a/45/480.jpg","https://img.ochreeditions.com/a/45/960.jpg","https://img.ochreeditions.com/a/45/1920.jpg",{"_313":609,"_315":610},{"_313":607,"_315":608},{"_313":605,"_315":606},{"_313":603,"_315":604},{"_313":601,"_315":602},"#60695c",0.1238,"#92826b",0.1558,"#7e4e24",0.1785,"#5a442c",0.2171,"#73603a",0.3248,"Perugino","perugino","Italian, c. 1450/55–1523",1450,1523,"Pietro Vannucci took the name Perugino from Perugia, the chief city of his native Umbria, and trained in Florence, probably alongside Leonardo in Verrocchio’s studio.","the-baptism-of-christ-aic-16197","The Baptism of Christ",{"_42":611,"_221":612,"_327":613,"_329":330,"_331":614,"_333":615,"_335":-5,"_337":-5,"_338":616,"_140":95},"27.3 × 46.4 cm (10 3/4 × 18 1/4 in.)",1.70421710269426,[641,642,643,644,645],{"_220":437,"_221":438,"_42":439,"_306":440},"1933.1023","Christ stands in the river Jordan as John the Baptist pours water over his head, with angels in attendance and a serene landscape of feathery trees stretching into the distance.",{"_294":638,"_296":639,"_298":640},"https://img.ochreeditions.com/m/44.jpg?dl=1","/art/the-baptism-of-christ-aic-16197","/galleries/style/renaissance/the-baptism-of-christ-aic-16197",{"_290":291,"_292":293},{"_224":635,"_125":636,"_284":637},{"_275":585,"_277":633,"_279":570,"_281":634},41.99186619314927,26.99186619314927,{"_286":224,"_123":591,"_154":592,"_140":95},{"_286":125,"_123":369,"_154":370,"_140":371},{"_286":284,"_123":366,"_154":367,"_140":368},"https://img.ochreeditions.com/a/44/480.jpg","https://img.ochreeditions.com/a/44/960.jpg","https://img.ochreeditions.com/a/44/1920.jpg",{"_313":654,"_315":655},{"_313":652,"_315":653},{"_313":650,"_315":651},{"_313":648,"_315":649},{"_313":646,"_315":647},"#804c41",0.0407,"#754a1e",0.1394,"#5b6a5f",0.234,"#807253",0.2632,"#57462d",0.3227,"the-passion-the-agony-in-the-garden-cma-104613","The Passion: The Agony in the Garden",{"_42":707,"_221":708,"_327":709,"_329":710,"_331":614,"_333":711,"_335":712,"_337":713,"_338":714,"_140":97},"c. 1480","germany","engraving",0.7132352941176471,[692,693,694,695,696],{"_220":303,"_221":304,"_42":305,"_306":307},"1922.91","Martin Schongauer made this in about 1480, aged about 25. It is now at the Cleveland Museum of Art.",{"_118":691,"_301":302},"The Passion: The Agony in the Garden, by Martin Schongauer, c. 1480",{"_294":688,"_296":689,"_298":690},"https://img.ochreeditions.com/m/510.jpg?dl=1","/art/the-passion-the-agony-in-the-garden-cma-104613","/galleries/style/renaissance/the-passion-the-agony-in-the-garden-cma-104613",{"_290":432,"_292":433},{"_224":679,"_125":680,"_284":681},{"_275":676,"_277":677,"_279":678,"_281":421},66.79411764705883,84,42.794117647058826,{"_286":224,"_123":686,"_154":687,"_140":97},{"_286":125,"_123":684,"_154":685,"_140":53},{"_286":284,"_123":682,"_154":683,"_140":91},"era/15-germany","15th-century Germany","style/print-15","More prints of the 15th century","artist/martin-schongauer","More by Martin Schongauer","https://img.ochreeditions.com/a/510/480.jpg","https://img.ochreeditions.com/a/510/960.jpg","https://img.ochreeditions.com/a/510/1920.jpg","Martin Schongauer's series of the Passion of Christ was his largest set of engravings, made around 1480, and extensively copied across Europe. It consists of twelve prints detailing the suffering of Christ in the last days of his life.",{"_313":705,"_315":706},{"_313":703,"_315":704},{"_313":701,"_315":702},{"_313":699,"_315":700},{"_313":697,"_315":698},"#46433d",0.1396,"#6c665e",0.1678,"#b7aea2",0.2035,"#90897e",0.2072,"#ded5c8",0.2819,"Martin Schongauer","martin-schongauer","German, c. 1450–1491","German",1491,"Colmar","Breisach","Schongauer, the son of a goldsmith, worked in Colmar in Alsace and was both a painter and the most accomplished engraver of fifteenth-century northern Europe.","the-nativity-cma-153271","The Nativity",{"_42":763,"_221":764,"_327":765,"_329":330,"_331":766,"_333":767,"_335":-5,"_337":-5,"_338":768,"_140":99},"1553","Overall: 67.5 x 45.6 cm (26 9/16 x 17 15/16 in.); Part 1: 32.9 x 45 cm (12 15/16 x 17 11/16 in.); Part 2: 34 x 45.6 cm (13 3/8 x 17 15/16 in.)",45.6,67.5,0.6994117647058824,[748,749,750,751,752],{"_220":303,"_221":304,"_42":305,"_306":307},"1986.233","Giorgio Ghisi made this in 1553, aged 33. It is now at the Cleveland Museum of Art.",{"_118":747,"_301":302},"The Nativity, by Giorgio Ghisi, 1553",{"_294":744,"_296":745,"_298":746},"https://img.ochreeditions.com/m/738.jpg?dl=1","/art/the-nativity-cma-153271","/galleries/style/renaissance/the-nativity-cma-153271",{"_290":432,"_292":433},{"_224":739,"_125":740,"_284":741},{"_275":736,"_277":737,"_279":738,"_281":721},71.21029411764707,91.5,47.21029411764706,{"_286":224,"_123":742,"_154":743,"_140":99},{"_286":125,"_123":427,"_154":428,"_140":429},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/giorgio-ghisi","More by Giorgio Ghisi","https://img.ochreeditions.com/a/738/480.jpg","https://img.ochreeditions.com/a/738/960.jpg","https://img.ochreeditions.com/a/738/1920.jpg","The inscriptions praise Mary, the mother of Jesus Christ, emphasizing the great joys and inevitable sorrows that she is to endure in witnessing her son's life and death. After spending about five years in Rome, Ghisi left Italy around 1550 for Antwerp, the major commercial center in the Netherlands.",{"_313":761,"_315":762},{"_313":759,"_315":760},{"_313":757,"_315":758},{"_313":755,"_315":756},{"_313":753,"_315":754},"#ded5c3",0.0767,"#575247",0.1757,"#b2a899",0.2142,"#948b7e",0.2601,"#766f63",0.2733,"Giorgio Ghisi","giorgio-ghisi","Italian, 1520–1582",1520,1582,"Ghisi was a Mantuan engraver who worked in Antwerp for the publisher Hieronymus Cock, engraving large plates after Raphael’s Vatican frescoes, and later in France.","arm-of-eve-cma-141931","Arm of Eve",{"_42":826,"_221":827,"_327":828,"_329":710,"_331":829,"_333":830,"_335":831,"_337":831,"_338":832,"_140":89},"1507","drawing","Drawing","point of brush and gray and black wash, brush and gray and black wash, heightened with white gouache","Sheet: 34.4 x 26.7 cm (13 9/16 x 10 1/2 in.)",26.7,34.4,0.7997058823529412,[811,812,813,814,815],{"_220":303,"_221":304,"_42":305,"_306":307},"1965.470","Albrecht Dürer painted this in 1507, aged 36. It is now at the Cleveland Museum of Art.",{"_118":810,"_301":302},"Arm of Eve, by Albrecht Dürer, 1507",{"_294":807,"_296":808,"_298":809},"https://img.ochreeditions.com/m/659.jpg?dl=1","/art/arm-of-eve-cma-141931","/galleries/style/renaissance/arm-of-eve-cma-141931",{"_290":432,"_292":433},{"_224":796,"_125":797,"_284":798},{"_275":793,"_277":794,"_279":795,"_281":778},51.509882352941176,58.4,27.509882352941176,{"_286":224,"_123":805,"_154":806,"_140":89},{"_286":125,"_123":802,"_154":803,"_140":804},{"_286":284,"_123":799,"_154":800,"_140":801},"era/16-germany","16th-century Germany",28,"style/drawing-16","More drawings of the 16th century",35,"artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/659/480.jpg","https://img.ochreeditions.com/a/659/960.jpg","https://img.ochreeditions.com/a/659/1920.jpg","Arm of Eve is the only surviving preparatory drawing for Dürer’s life-size panels of Adam and Eve in the Museo del Prado, Madrid. It is also one of the few surviving drawings by the artist made on Venetian blue paper, a support he began to use for his chiaroscuro studies while visiting Venice in the winter of 1506–7.",{"_313":824,"_315":825},{"_313":822,"_315":823},{"_313":820,"_315":821},{"_313":818,"_315":819},{"_313":816,"_315":817},"#82857f",0.0518,"#f7f6f4",0.0695,"#b1b8b5",0.0833,"#969d97",0.2353,"#9fa9a4",0.5601,"Albrecht Dürer","albrecht-durer","German, 1471–1528",1471,1528,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","virgin-and-child-aic-16295","Virgin and Child",{"_42":883,"_221":884,"_327":885,"_329":886,"_331":887,"_333":888,"_335":-5,"_337":889,"_338":890,"_140":97},"c. 1485","netherlands","Oil on panel","Framed: 41.1 × 33.4 cm (16 3/16 × 13 1/8 in.); Framed: 63.9 × 91.8 × 7.4 cm (25 1/8 × 36 1/8 × 2 7/8 in.)",33,41,0.7746083703530512,[868,869,870,871,872],{"_220":437,"_221":438,"_42":439,"_306":440},"1933.1050","Hans Memling painted this in about 1485, aged about 50. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_294":865,"_296":866,"_298":867},"https://img.ochreeditions.com/m/48.jpg?dl=1","/art/virgin-and-child-aic-16295","/galleries/style/renaissance/virgin-and-child-aic-16295",{"_290":291,"_292":293},{"_224":858,"_125":859,"_284":860},{"_275":855,"_277":856,"_279":857,"_281":841},46.7589431844751,56,31.7589431844751,{"_286":224,"_123":863,"_154":864,"_140":97},{"_286":125,"_123":369,"_154":370,"_140":371},{"_286":284,"_123":861,"_154":862,"_140":81},"era/15-netherlands","15th-century Netherlands","artist/hans-memling","More by Hans Memling","https://img.ochreeditions.com/a/48/480.jpg","https://img.ochreeditions.com/a/48/960.jpg","https://img.ochreeditions.com/a/48/1920.jpg",{"_313":881,"_315":882},{"_313":879,"_315":880},{"_313":877,"_315":878},{"_313":875,"_315":876},{"_313":873,"_315":874},"#b1ada0",0.0922,"#730913",0.1722,"#604636",0.2188,"#bd8a6c",0.2537,"#22110f",0.2631,"Hans Memling","hans-memling","Netherlandish, c. 1430–1494","Netherlandish",1430,1494,"Bruges","Memling, born in Germany, probably trained in Brussels with Rogier van der Weyden before settling in Bruges in 1465, where he became the city’s leading painter.","virgin-and-child-with-saints-cma-97158","Virgin and Child with Saints","Unrecorded Italian maker","c. 1510","Framed: 109.5 x 149.9 x 9.5 cm (43 1/8 x 59 x 3 3/4 in.); Unframed: 77.8 x 118.7 cm (30 5/8 x 46 3/4 in.)",118.7,77.8,1.5461573442473853,[924,925,926,927,928],{"_220":303,"_221":304,"_42":305,"_306":307},"1916.796","An unrecorded Italy, Venice artist painted this in about 1510. It is now at the Cleveland Museum of Art.",{"_118":923,"_301":302},"Virgin and Child with Saints, c. 1510",{"_294":920,"_296":921,"_298":922},"https://img.ochreeditions.com/m/480.jpg?dl=1","/art/virgin-and-child-with-saints-cma-97158","/galleries/style/renaissance/virgin-and-child-with-saints-cma-97158",{"_290":291,"_292":293},{"_224":915,"_125":916,"_284":917},{"_275":912,"_277":913,"_279":896,"_281":914},133.7,91.77097058823529,76.77097058823529,{"_286":224,"_123":918,"_154":919,"_140":77},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/480/480.jpg","https://img.ochreeditions.com/a/480/960.jpg","https://img.ochreeditions.com/a/480/1920.jpg","What are some of the key steps in conserving this picture? While it may seem disturbing, the condition of this work is not unusual for a 16th-century panel painting. Treatment was abandoned decades ago when the conservator who was cleaning the work left the museum.",{"_313":937,"_315":938},{"_313":935,"_315":936},{"_313":933,"_315":934},{"_313":931,"_315":932},{"_313":929,"_315":930},"#7c402d",0.0956,"#99a499",0.1097,"#2c421e",0.2031,"#6a5740",0.269,"#2d2823",0.3226,"portrait-of-a-couple-cma-97155","Portrait of a Couple","c. 1580–88","Framed: 132 x 173 x 10.5 cm (51 15/16 x 68 1/8 x 4 1/8 in.); Unframed: 99.8 x 140.5 cm (39 5/16 x 55 5/16 in.)",140.5,99.8,1.4078674948240166,[969,970,971,972,973],{"_220":303,"_221":304,"_42":305,"_306":307},"1916.793","An unrecorded Northern Italy, late 16th century artist painted this in about 1580–88. It is now at the Cleveland Museum of Art.",{"_118":968,"_301":302},"Portrait of a Couple, c. 1580–88",{"_294":965,"_296":966,"_298":967},"https://img.ochreeditions.com/m/478.jpg?dl=1","/art/portrait-of-a-couple-cma-97155","/galleries/style/renaissance/portrait-of-a-couple-cma-97155",{"_290":291,"_292":293},{"_224":962,"_125":963,"_284":964},{"_275":959,"_277":960,"_279":943,"_281":961},155.5,114.79632352941177,99.79632352941177,{"_286":224,"_123":918,"_154":919,"_140":77},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/478/480.jpg","https://img.ochreeditions.com/a/478/960.jpg","https://img.ochreeditions.com/a/478/1920.jpg","While the attribution remains hotly debated, this work exemplifies how Italian portraiture of the 1500s could articulate family alliances through marriage. The inscription gives the sitters’ ages as 35 and 28, and their elaborate jewelry, weapons, and garments, made of expensive materials, convey their elite status.",{"_313":982,"_315":983},{"_313":980,"_315":981},{"_313":978,"_315":979},{"_313":976,"_315":977},{"_313":974,"_315":975},"#a96957",0.0181,"#7b6954",0.0615,"#b9a489",0.0646,"#171812",0.3358,"#3c3629",0.52,"saint-anthony-abbot-aic-129756","Saint Anthony Abbot",{"_42":1032,"_221":1033,"_327":1034,"_329":1035,"_331":1036,"_333":1037,"_335":-5,"_337":-5,"_338":-5,"_140":103},"1440–41","Tempera on panel","39.4 × 14 cm (15 1/2 × 5 1/2 in.); Framed: 70.5 × 42.6 × 7 cm (27 3/4 × 16 3/4 × 2 3/4 in.)",39,0.389749585891065,[1017,1018,1019,1020,1021],{"_220":437,"_221":438,"_42":439,"_306":440},"2001.329","Fra Angelico painted this in 1440–41, aged about 40. It is now at the Art Institute of Chicago.",{"_118":1015,"_301":1016},"A work made of tempera on panel.",{"_294":1012,"_296":1013,"_298":1014},"https://img.ochreeditions.com/m/311.jpg?dl=1","/art/saint-anthony-abbot-aic-129756","/galleries/style/renaissance/saint-anthony-abbot-aic-129756",{"_290":291,"_292":293},{"_224":1007,"_125":1008,"_284":1009},{"_275":1005,"_277":429,"_279":1006,"_281":990},30.200233849751534,15.200233849751536,{"_286":224,"_123":1010,"_154":1011,"_140":89},{"_286":125,"_123":369,"_154":370,"_140":371},{"_286":284,"_123":366,"_154":367,"_140":368},"artist/contemporaries-of-fra-angelico","Fra Angelico's contemporaries","https://img.ochreeditions.com/a/311/480.jpg","https://img.ochreeditions.com/a/311/960.jpg","https://img.ochreeditions.com/a/311/1920.jpg","Fra Angelico became a Dominican friar early in his painting career.","Text from the Art Institute of Chicago.",{"_313":1030,"_315":1031},{"_313":1028,"_315":1029},{"_313":1026,"_315":1027},{"_313":1024,"_315":1025},{"_313":1022,"_315":1023},"#724d2b",0.1119,"#847a74",0.1363,"#25211c",0.2006,"#4e341e",0.2306,"#9a7242",0.3206,"Fra Angelico","fra-angelico","Guido di Pietro; Italian, c. 1395/1400–1455","Guido di Pietro; Italian",1400,1455,"portrait-of-a-young-man-cma-97167","Portrait of a Young Man",{"_42":1087,"_221":1088,"_327":1089,"_329":330,"_331":1090,"_333":1091,"_335":-5,"_337":-5,"_338":-5,"_140":103},"c. 1530","oil and gold on wood","Framed: 128.2 x 102.2 x 11.5 cm (50 1/2 x 40 1/4 x 4 1/2 in.); Unframed: 97.2 x 77.5 cm (38 1/4 x 30 1/2 in.)",77.5,97.2,0.788235294117647,[1072,1073,1074,1075,1076],{"_220":303,"_221":304,"_42":305,"_306":307},"1916.803","Dosso Dossi painted this in about 1530, aged about 35. It is now at the Cleveland Museum of Art.",{"_118":1071,"_301":302},"Portrait of a Young Man, by Dosso Dossi, c. 1530",{"_294":1068,"_296":1069,"_298":1070},"https://img.ochreeditions.com/m/482.jpg?dl=1","/art/portrait-of-a-young-man-cma-97167","/galleries/style/renaissance/portrait-of-a-young-man-cma-97167",{"_290":291,"_292":293},{"_224":1063,"_125":1064,"_284":1065},{"_275":1060,"_277":1061,"_279":1062,"_281":1045},91.61647058823529,112.2,76.61647058823529,{"_286":224,"_123":1066,"_154":1067,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-dosso-dossi","Dosso Dossi's contemporaries","https://img.ochreeditions.com/a/482/480.jpg","https://img.ochreeditions.com/a/482/960.jpg","https://img.ochreeditions.com/a/482/1920.jpg","Like other paintings from the Dossi workshop, this work conveys the sitter's social status and self-confidence. He holds a crumpled letter written in Italian. The words Asto , meaning \"ship mast,\" and mare , meaning \"sea,\" suggest that trade was a topic of this letter.",{"_313":1085,"_315":1086},{"_313":1083,"_315":1084},{"_313":1081,"_315":1082},{"_313":1079,"_315":1080},{"_313":1077,"_315":1078},"#801603",0.0539,"#7f5d2d",0.0708,"#524d2f",0.0821,"#3d240f",0.136,"#1d180f",0.6572,"Dosso Dossi","dosso-dossi","Italian, c. 1490–after 1541",1490,1541,"judith-aic-4575","Judith",{"_42":1142,"_221":1143,"_327":886,"_329":886,"_331":-5,"_333":1144,"_335":-5,"_337":-5,"_338":-5,"_140":103},"c. 1540","99.1 × 77.2 cm (39 × 30 3/8 in.); Framed: 119.7 × 97.8 × 6.4 cm (47 1/8 × 38 1/2 × 2 1/2 in.)",77,99,0.7735655737704918,[1127,1128,1129,1130,1131],{"_220":437,"_221":438,"_42":439,"_306":440},"1956.1109","Jan Sanders van Hemessen painted this in about 1540. It is now at the Art Institute of Chicago.",{"_118":1126,"_301":1016},"Painting of Judith, naked, holding sword, with head of Holophernes.",{"_294":1123,"_296":1124,"_298":1125},"https://img.ochreeditions.com/m/6.jpg?dl=1","/art/judith-aic-4575","/galleries/style/renaissance/judith-aic-4575",{"_290":291,"_292":293},{"_224":1116,"_125":1117,"_284":1118},{"_275":1113,"_277":1114,"_279":1115,"_281":1098},91.58299180327869,114,76.58299180327869,{"_286":224,"_123":1121,"_154":1122,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":1119,"_154":1120,"_140":804},"era/16-netherlands","16th-century Netherlands","artist/contemporaries-of-jan-sanders-van-hemessen","Jan Sanders van Hemessen's contemporaries","https://img.ochreeditions.com/a/6/480.jpg","https://img.ochreeditions.com/a/6/960.jpg","https://img.ochreeditions.com/a/6/1920.jpg","According to the biblical story, the widow Judith saved her people from being slaughtered by the Assyrian army by infiltrating the tent of the enemy general, Holofernes. She then seduced and beheaded him.",{"_313":1140,"_315":1141},{"_313":1138,"_315":1139},{"_313":1136,"_315":1137},{"_313":1134,"_315":1135},{"_313":1132,"_315":1133},"#976a4b",0.0788,"#b68b6d",0.1028,"#684b35",0.1266,"#48382a",0.1922,"#2f2c28",0.4996,"Jan Sanders van Hemessen","jan-sanders-van-hemessen",1556,{"_1146":-5,"_1147":1148,"_1149":1150,"_1151":8,"_1152":1153,"_1154":8},"user","csrf","25bab8945a634b1b15bf1072806d2781c5a5ff53","cartCount",0,"dropLive","legal",[1155,1156,1157,1158,1159,1160,1161,1162,1163,1164,1165,1166],"uploadsEnabled",{"_221":1189,"_20":1190},{"_221":1187,"_20":1188},{"_221":1185,"_20":1186},{"_221":1183,"_20":1184},{"_221":1181,"_20":1182},{"_221":1179,"_20":1180},{"_221":1177,"_20":1178},{"_221":1175,"_20":1176},{"_221":1173,"_20":1174},{"_221":1171,"_20":1172},{"_221":1169,"_20":1170},{"_221":1167,"_20":1168},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]