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It is now at the Cleveland Museum of Art.",{"_118":379,"_380":381},"Christ Crowned with Thorns, by Martin Schongauer, 1470–82",{"_296":376,"_298":377,"_300":378},"https://img.ochreeditions.com/m/509.jpg?dl=1","/art/christ-crowned-with-thorns-cma-104610","/galleries/style/renaissance/christ-crowned-with-thorns-cma-104610",{"_292":374,"_294":375},{"_227":365,"_125":366,"_286":367},{"_277":361,"_279":362,"_281":363,"_282":364},66.95294117647059,84,42.95294117647059,60,{"_288":227,"_123":372,"_154":373,"_140":97},{"_288":125,"_123":370,"_154":371,"_140":53},{"_288":286,"_123":368,"_154":369,"_140":91},"era/15-germany","15th-century Germany","style/print-15","More prints of the 15th century","artist/martin-schongauer","More by Martin Schongauer","white","snow","https://img.ochreeditions.com/a/509/480.jpg","https://img.ochreeditions.com/a/509/960.jpg","https://img.ochreeditions.com/a/509/1920.jpg","Martin Schonaguer's series of the Passion of Christ was his largest set of engravings, made around 1480, and extensively copied across Europe. It consists of twelve prints detailing the suffering of Christ in the last days of his life.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_312":399,"_314":400},{"_312":397,"_314":398},{"_312":395,"_314":396},{"_312":393,"_314":394},{"_312":391,"_314":392},"#ece7df",0.1332,"#4a4641",0.1923,"#9b948a",0.2075,"#c8c0b5",0.2218,"#716c64",0.2452,"Martin Schongauer","martin-schongauer","German, c. 1450–1491","German",1491,"Colmar","Breisach","Schongauer, the son of a goldsmith, worked in Colmar in Alsace and was both a painter and the most accomplished engraver of fifteenth-century northern Europe.","adoration-of-the-shepherds-cma-97143","Adoration of the Shepherds","Unrecorded Italian maker","c. 1500","oil on wood","Framed: 63 x 51 x 7.8 cm (24 13/16 x 20 1/16 x 3 1/16 in.); Unframed: 41.5 x 29.8 cm (16 5/16 x 11 3/4 in.)",29.8,41.5,0.7088235294117647,[441,442,443,444,445],{"_223":382,"_224":383,"_42":384,"_305":385},"1916.782","An unrecorded Northern Italy, late 15th-early 16th Century artist painted this in about 1500. 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It is now at the National Gallery of Art in Washington, DC.","This painting shows an upper-body portrait of a man in a three-quarter view, turned to the left. He has a prominent double chin, a slightly furrowed brow, thin lips, and a serious expression. He has pale yellow skin and short, dark hair, and he wears a large, red hat. He is clad in silver armor with red straps on his shoulder and chest. The background is a simple, dark green color.",{"_296":483,"_298":484,"_300":485},"https://img.ochreeditions.com/m/1321.jpg?dl=1","/art/francesco-sforza-nga-1141","/galleries/style/renaissance/francesco-sforza-nga-1141",{"_292":293,"_294":295},{"_227":480,"_125":481,"_286":482},{"_277":477,"_279":478,"_281":479,"_282":462},73.70849609375,84.5,58.70849609375,{"_288":227,"_123":436,"_154":437,"_140":77},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1321/480.jpg","https://img.ochreeditions.com/a/1321/960.jpg","https://img.ochreeditions.com/a/1321/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_312":503,"_314":504},{"_312":501,"_314":502},{"_312":499,"_314":500},{"_312":497,"_314":498},{"_312":495,"_314":496},"#b53305",0.0883,"#c38116",0.1007,"#866917",0.1432,"#524418",0.1453,"#243021",0.5225,"saint-catherine-of-siena-receiving-the-stigmata-aic-262135","Saint Catherine of Siena Receiving the Stigmata",{"_42":557,"_224":558,"_326":559,"_328":329,"_330":560,"_332":561,"_334":-5,"_335":-5,"_336":-5,"_140":103},"c. 1595","Etching in black on cream laid paper","Plate/sheet: 11.9 × 7.7 cm (4 11/16 × 3 1/16 in.)",0.6651543977755012,[542,543,544,545,546],{"_223":302,"_224":303,"_42":304,"_305":306},"2022.52","Francesco Vanni made this in about 1595, aged about 27. It is now at the Art Institute of Chicago.","A work made of etching in black on cream laid paper.",{"_296":539,"_298":540,"_300":541},"https://img.ochreeditions.com/m/408.jpg?dl=1","/art/saint-catherine-of-siena-receiving-the-stigmata-aic-262135","/galleries/style/renaissance/saint-catherine-of-siena-receiving-the-stigmata-aic-262135",{"_292":374,"_294":375},{"_227":528,"_125":529,"_286":530},{"_277":524,"_279":525,"_281":526,"_282":527},40.62885994438753,49,16.628859944387532,25,{"_288":227,"_123":537,"_154":538,"_140":89},{"_288":125,"_123":534,"_154":535,"_140":536},{"_288":286,"_123":531,"_154":532,"_140":533},"era/16-italy","16th-century Italy",66,"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-francesco-vanni","Francesco Vanni's contemporaries","https://img.ochreeditions.com/a/408/480.jpg","https://img.ochreeditions.com/a/408/960.jpg","https://img.ochreeditions.com/a/408/1920.jpg",{"_312":555,"_314":556},{"_312":553,"_314":554},{"_312":551,"_314":552},{"_312":549,"_314":550},{"_312":547,"_314":548},"#f9e9d8",0.0985,"#756b61",0.1326,"#d3c1af",0.198,"#988b7e",0.2144,"#b5a595",0.3565,"Francesco Vanni","francesco-vanni","Italian, 1563–1610",1563,1610,"holy-family-with-a-shepherd-cma-126768","Holy Family with a Shepherd",{"_42":614,"_224":615,"_326":616,"_328":329,"_330":617,"_332":618,"_334":-5,"_335":-5,"_336":-5,"_140":103},"early 1520s","oil on canvas","Unframed: 38.7 x 32 cm (15 1/4 x 12 5/8 in.)",32,38.7,0.8385294117647059,[599,600,601,602,603],{"_223":382,"_224":383,"_42":384,"_305":385},"1949.185","Battista Dossi painted this in the early 1520s, aged about 30. It is now at the Cleveland Museum of Art.",{"_118":598,"_380":381},"Holy Family with a Shepherd, by Battista Dossi, early 1520s",{"_296":595,"_298":596,"_300":597},"https://img.ochreeditions.com/m/582.jpg?dl=1","/art/holy-family-with-a-shepherd-cma-126768","/galleries/style/renaissance/holy-family-with-a-shepherd-cma-126768",{"_292":293,"_294":295},{"_227":587,"_125":588,"_286":589},{"_277":584,"_279":585,"_281":586,"_282":569},47.45108823529412,53.7,32.45108823529412,{"_288":227,"_123":593,"_154":594,"_140":89},{"_288":125,"_123":590,"_154":591,"_140":592},{"_288":286,"_123":531,"_154":532,"_140":533},"style/painting-16","More paintings of the 16th century",95,"artist/contemporaries-of-battista-dossi","Battista Dossi's contemporaries","https://img.ochreeditions.com/a/582/480.jpg","https://img.ochreeditions.com/a/582/960.jpg","https://img.ochreeditions.com/a/582/1920.jpg","In this image of the Holy Family, Joseph and Mary lean in to admire the Christ Child while a shepherd looks on, leaning on his staff. Before executing this painting, Battista visited Rome, including an extensive study of Raphael's works.",{"_312":612,"_314":613},{"_312":610,"_314":611},{"_312":608,"_314":609},{"_312":606,"_314":607},{"_312":604,"_314":605},"#967d52",0.0431,"#7f472c",0.059,"#5c553b",0.1128,"#473523",0.215,"#2b281f",0.5701,"Battista Dossi","battista-dossi","Italian, c. 1490–1548",1490,1548,"portrait-of-a-young-man-cma-97167","Portrait of a Young Man",{"_42":668,"_224":669,"_326":670,"_328":329,"_330":617,"_332":671,"_334":-5,"_335":-5,"_336":-5,"_140":103},"c. 1530","oil and gold on wood","Framed: 128.2 x 102.2 x 11.5 cm (50 1/2 x 40 1/4 x 4 1/2 in.); Unframed: 97.2 x 77.5 cm (38 1/4 x 30 1/2 in.)",77.5,97.2,0.788235294117647,[653,654,655,656,657],{"_223":382,"_224":383,"_42":384,"_305":385},"1916.803","Dosso Dossi painted this in about 1530, aged about 35. It is now at the Cleveland Museum of Art.",{"_118":652,"_380":381},"Portrait of a Young Man, by Dosso Dossi, c. 1530",{"_296":649,"_298":650,"_300":651},"https://img.ochreeditions.com/m/482.jpg?dl=1","/art/portrait-of-a-young-man-cma-97167","/galleries/style/renaissance/portrait-of-a-young-man-cma-97167",{"_292":293,"_294":295},{"_227":644,"_125":645,"_286":646},{"_277":641,"_279":642,"_281":643,"_282":626},91.61647058823529,112.2,76.61647058823529,{"_288":227,"_123":647,"_154":648,"_140":89},{"_288":125,"_123":590,"_154":591,"_140":592},{"_288":286,"_123":531,"_154":532,"_140":533},"artist/contemporaries-of-dosso-dossi","Dosso Dossi's contemporaries","https://img.ochreeditions.com/a/482/480.jpg","https://img.ochreeditions.com/a/482/960.jpg","https://img.ochreeditions.com/a/482/1920.jpg","Like other paintings from the Dossi workshop, this work conveys the sitter's social status and self-confidence. He holds a crumpled letter written in Italian. The words Asto , meaning \"ship mast,\" and mare , meaning \"sea,\" suggest that trade was a topic of this letter.",{"_312":666,"_314":667},{"_312":664,"_314":665},{"_312":662,"_314":663},{"_312":660,"_314":661},{"_312":658,"_314":659},"#801603",0.0539,"#7f5d2d",0.0708,"#524d2f",0.0821,"#3d240f",0.136,"#1d180f",0.6572,"Dosso Dossi","dosso-dossi","Italian, c. 1490–after 1541",1541,"alessandro-de-medici-aic-110759","Alessandro de' Medici",{"_42":718,"_224":719,"_326":720,"_328":721,"_330":722,"_332":723,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1534–35","Oil on panel","35.3 × 25.8 cm (13 7/8 × 10 1/8 in.); Framed: 47.7 × 42 × 6.1 cm (18 3/4 × 16 1/2 × 2 3/8 in.)",35,0.7897363905786928,[703,704,705,706,707],{"_223":302,"_224":303,"_42":304,"_305":306},"1933.1002","Pontormo, (Jacopo Carrucci) painted this in 1534–35, aged about 40. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_296":700,"_298":701,"_300":702},"https://img.ochreeditions.com/m/274.jpg?dl=1","/art/alessandro-de-medici-aic-110759","/galleries/style/renaissance/alessandro-de-medici-aic-110759",{"_292":293,"_294":295},{"_227":695,"_125":696,"_286":697},{"_277":692,"_279":693,"_281":694,"_282":678},42.64077367025425,50,27.640773670254248,{"_288":227,"_123":698,"_154":699,"_140":89},{"_288":125,"_123":590,"_154":591,"_140":592},{"_288":286,"_123":531,"_154":532,"_140":533},"artist/contemporaries-of-pontormo-jacopo-carrucci","Pontormo, (Jacopo Carrucci)'s contemporaries","https://img.ochreeditions.com/a/274/480.jpg","https://img.ochreeditions.com/a/274/960.jpg","https://img.ochreeditions.com/a/274/1920.jpg",{"_312":716,"_314":717},{"_312":714,"_314":715},{"_312":712,"_314":713},{"_312":710,"_314":711},{"_312":708,"_314":709},"#d7986f",0.0689,"#58311d",0.0987,"#8b5438",0.1109,"#262116",0.3168,"#15110b",0.4047,"Pontormo, (Jacopo Carrucci)","pontormo-jacopo-carrucci","Jacopo Carrucci; Italian, 1494–1557","Jacopo Carrucci; Italian",1494,1557,"battle-of-the-nudes-cma-143142","Battle of the Nudes",{"_42":772,"_224":773,"_326":774,"_328":329,"_330":775,"_332":776,"_334":777,"_335":778,"_336":-5,"_140":101},"1470s–80s","Platemark: 42 x 60.4 cm (16 9/16 x 23 3/4 in.); Sheet: 42.4 x 60.9 cm (16 11/16 x 24 in.)",60.4,42,1.4358108108108107,[757,758,759,760,761],{"_223":382,"_224":383,"_42":384,"_305":385},"1967.127","Antonio Pollaiuolo made this in the 1470s–80s, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":756,"_380":381},"Battle of the Nudes, by Antonio Pollaiuolo, 1470s–80s",{"_296":753,"_298":754,"_300":755},"https://img.ochreeditions.com/m/663.jpg?dl=1","/art/battle-of-the-nudes-cma-143142","/galleries/style/renaissance/battle-of-the-nudes-cma-143142",{"_292":374,"_294":375},{"_227":748,"_125":749,"_286":750},{"_277":745,"_279":746,"_281":729,"_282":747},84.4,66.06682352941176,42.066823529411764,{"_288":227,"_123":751,"_154":752,"_140":89},{"_288":125,"_123":370,"_154":371,"_140":53},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-antonio-pollaiuolo","Antonio Pollaiuolo's contemporaries","https://img.ochreeditions.com/a/663/480.jpg","https://img.ochreeditions.com/a/663/960.jpg","https://img.ochreeditions.com/a/663/1920.jpg","This engraving is one of the earliest Renaissance prints to portray the nude male body in action. Antonio del Pollaiuolo’s grimacing warriors appear like clones in different poses.",{"_312":770,"_314":771},{"_312":768,"_314":769},{"_312":766,"_314":767},{"_312":764,"_314":765},{"_312":762,"_314":763},"#dbcebb",0.0587,"#bcac97",0.1708,"#847764",0.2076,"#968874",0.2747,"#a99984",0.2882,"Antonio Pollaiuolo","antonio-pollaiuolo","Italian, 1431/32–1498",1432,1498,"Florence","Rome","martyrdom-of-saint-andrew-cma-97145","Martyrdom of Saint Andrew",{"_42":827,"_224":828,"_326":829,"_328":329,"_330":830,"_332":831,"_334":832,"_335":832,"_336":833,"_140":93},"1600s","Framed: 55.3 x 47 x 7.7 cm (21 3/4 x 18 1/2 x 3 1/16 in.); Unframed: 40.7 x 34.6 cm (16 x 13 5/8 in.)",34.6,40.7,0.8347058823529412,[812,813,814,815,816],{"_223":382,"_224":383,"_42":384,"_305":385},"1916.784","Guido Reni painted this in the 1600s, aged about 25. It is now at the Cleveland Museum of Art.",{"_118":811,"_380":381},"Martyrdom of Saint Andrew, by Guido Reni, 1600s",{"_296":808,"_298":809,"_300":810},"https://img.ochreeditions.com/m/473.jpg?dl=1","/art/martyrdom-of-saint-andrew-cma-97145","/galleries/style/renaissance/martyrdom-of-saint-andrew-cma-97145",{"_292":293,"_294":295},{"_227":803,"_125":804,"_286":805},{"_277":800,"_279":801,"_281":802,"_282":785},48.97252941176471,55.7,33.97252941176471,{"_288":227,"_123":806,"_154":807,"_140":93},{"_288":125,"_123":590,"_154":591,"_140":592},{"_288":286,"_123":531,"_154":532,"_140":533},"artist/guido-reni","More by Guido Reni","https://img.ochreeditions.com/a/473/480.jpg","https://img.ochreeditions.com/a/473/960.jpg","https://img.ochreeditions.com/a/473/1920.jpg","This small devotional picture by an anonymous 17th-century Venetian artist drew his composition from Guido Reni's large St. Andrew Led to Martyrdom fresco in Rome's Church of San Gregorio al Celio. The CMA painting portrays the central image of Reni's 1608 fresco by Reni. St.",{"_312":825,"_314":826},{"_312":823,"_314":824},{"_312":821,"_314":822},{"_312":819,"_314":820},{"_312":817,"_314":818},"#684f38",0.0631,"#9b7d51",0.0703,"#6b684c",0.1563,"#423f33",0.2182,"#2d2d29",0.4921,"Guido Reni","guido-reni","Italian, 1575–1642",1575,1642,"Bologna","Reni trained in Bologna, first with Denys Calvaert and then at the Carracci academy, and spent the early 1600s in Rome, where his fresco Aurora won wide fame.","view-of-venice-cma-127250","View of Venice",{"_42":884,"_224":885,"_326":886,"_328":329,"_330":887,"_332":888,"_334":-5,"_335":-5,"_336":-5,"_140":101},"1500","woodcut from six blocks on six sheets of paper","Overall: 132.7 x 277.5 cm (52 1/4 x 109 1/4 in.)",277.5,132.7,2.0769700671960902,[869,870,871,872,873],{"_223":382,"_224":383,"_42":384,"_305":385},"1949.565","Jacopo de' Barbari made this in 1500, aged 45. It is now at the Cleveland Museum of Art.",{"_118":868,"_380":381},"View of Venice, by Jacopo de' Barbari, 1500",{"_296":865,"_298":866,"_300":867},"https://img.ochreeditions.com/m/587.jpg?dl=1","/art/view-of-venice-cma-127250","/galleries/style/renaissance/view-of-venice-cma-127250",{"_292":374,"_294":375},{"_227":860,"_125":861,"_286":862},{"_277":856,"_279":857,"_281":858,"_282":859},264,139.5529411764706,240,115.5529411764706,{"_288":227,"_123":863,"_154":864,"_140":89},{"_288":125,"_123":370,"_154":371,"_140":53},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jacopo-de-barbari","Jacopo de' Barbari's contemporaries","https://img.ochreeditions.com/a/587/480.jpg","https://img.ochreeditions.com/a/587/960.jpg","https://img.ochreeditions.com/a/587/1920.jpg","By the end of the 1400s, Venice had emerged as the major printing center in Europe, where books were printed in various languages to be shipped around the world.",{"_312":882,"_314":883},{"_312":880,"_314":881},{"_312":878,"_314":879},{"_312":876,"_314":877},{"_312":874,"_314":875},"#7b7163",0.1134,"#8d8271",0.1966,"#a19483",0.2087,"#c6b8a3",0.2329,"#b4a694",0.2484,"Jacopo de' Barbari","jacopo-de-barbari","Italian, c. 1460/70–c. 1516",1455,1520,"the-last-supper-pair-cma-119621","The Last Supper (pair)",{"_42":933,"_224":934,"_326":329,"_328":329,"_330":-5,"_332":-5,"_334":-5,"_335":-5,"_336":-5,"_140":99},"engraving on two sheets printed from two plates",2.6275115919629055,[918,919,920,921,922],{"_223":382,"_224":383,"_42":384,"_305":385},"1940.473","Lucantonio degli Uberti made this in about 1500. It is now at the Cleveland Museum of Art.",{"_118":917,"_380":381},"The Last Supper (pair), by Lucantonio degli Uberti, c. 1500",{"_296":914,"_298":915,"_300":916},"https://img.ochreeditions.com/m/537.jpg?dl=1","/art/the-last-supper-pair-cma-119621","/galleries/style/renaissance/the-last-supper-pair-cma-119621",{"_292":374,"_294":375},{"_227":909,"_125":910,"_286":911},{"_277":362,"_279":907,"_281":364,"_282":908},46.83529411764706,22.83529411764706,{"_288":227,"_123":912,"_154":913,"_140":99},{"_288":125,"_123":370,"_154":371,"_140":53},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/lucantonio-degli-uberti","More by Lucantonio degli Uberti","https://img.ochreeditions.com/a/537/480.jpg","https://img.ochreeditions.com/a/537/960.jpg","https://img.ochreeditions.com/a/537/1920.jpg","Because large prints were often displayed on a wall, they were susceptible to damage and often have not survived. This large print of the Last Supper , however, is in excellent condition. It was engraved on two plates and printed on two separate sheets of paper.",{"_312":931,"_314":932},{"_312":929,"_314":930},{"_312":927,"_314":928},{"_312":925,"_314":926},{"_312":923,"_314":924},"#d1c2ac",0.0833,"#ad9d86",0.1406,"#695e4e",0.1686,"#958670",0.2943,"#807360",0.3132,"Lucantonio degli Uberti","lucantonio-degli-uberti","portrait-of-a-man-possibly-girolamo-rosati-cma-127571","Portrait of a Man, Possibly Girolamo Rosati",{"_42":983,"_224":984,"_326":985,"_328":329,"_330":986,"_332":987,"_334":988,"_335":989,"_336":990,"_140":99},"1533–34","Framed: 135.9 x 128 x 8.6 cm (53 1/2 x 50 3/8 x 3 3/8 in.); Unframed: 108.2 x 100.5 cm (42 5/8 x 39 9/16 in.)",100.5,108.2,0.923235294117647,[968,969,970,971,972],{"_223":382,"_224":383,"_42":384,"_305":385},"1950.250","Lorenzo Lotto painted this in 1533–34, aged about 58. It is now at the Cleveland Museum of Art.",{"_118":967,"_380":381},"Portrait of a Man, Possibly Girolamo Rosati, by Lorenzo Lotto, 1533–34",{"_296":964,"_298":965,"_300":966},"https://img.ochreeditions.com/m/589.jpg?dl=1","/art/portrait-of-a-man-possibly-girolamo-rosati-cma-127571","/galleries/style/renaissance/portrait-of-a-man-possibly-girolamo-rosati-cma-127571",{"_292":293,"_294":295},{"_227":959,"_125":960,"_286":961},{"_277":956,"_279":957,"_281":958,"_282":941},114.8940588235294,123.2,99.8940588235294,{"_288":227,"_123":962,"_154":963,"_140":99},{"_288":125,"_123":590,"_154":591,"_140":592},{"_288":286,"_123":531,"_154":532,"_140":533},"artist/lorenzo-lotto","More by Lorenzo Lotto","https://img.ochreeditions.com/a/589/480.jpg","https://img.ochreeditions.com/a/589/960.jpg","https://img.ochreeditions.com/a/589/1920.jpg","The gesture of the elegantly dressed man is a mystery. Is he rising from his chair to address someone or is he pointing to something outside the frame? His right hand rests on a piece of paper (a letter?)",{"_312":981,"_314":982},{"_312":979,"_314":980},{"_312":977,"_314":978},{"_312":975,"_314":976},{"_312":973,"_314":974},"#927e66",0.1091,"#538a99",0.1131,"#403124",0.1472,"#2b5766",0.2296,"#1b1716",0.401,"Lorenzo Lotto","lorenzo-lotto","Italian, 1475–1556",1475,1556,"Venice","Loreto","Lotto was born in Venice but spent much of his restless career elsewhere: in Treviso, Bergamo and the towns of the Marches, with a stay in Rome.","the-last-supper-cma-119623","The Last Supper",{"_42":933,"_224":934,"_326":329,"_328":329,"_330":-5,"_332":-5,"_334":-5,"_335":-5,"_336":-5,"_140":99},1.3444049031237644,[1015,1016,1017,1018,1019],{"_223":382,"_224":383,"_42":384,"_305":385},"1940.473.b",{"_118":917,"_380":381},"The Last Supper, by Lucantonio degli Uberti, c. 1500",{"_296":1012,"_298":1013,"_300":1014},"https://img.ochreeditions.com/m/539.jpg?dl=1","/art/the-last-supper-cma-119623","/galleries/style/renaissance/the-last-supper-cma-119623",{"_292":374,"_294":375},{"_227":1009,"_125":1010,"_286":1011},{"_277":362,"_279":1007,"_281":364,"_282":1008},68.62941176470588,44.62941176470588,{"_288":227,"_123":912,"_154":913,"_140":99},{"_288":125,"_123":370,"_154":371,"_140":53},{"_288":286,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/539/480.jpg","https://img.ochreeditions.com/a/539/960.jpg","https://img.ochreeditions.com/a/539/1920.jpg",{"_312":1028,"_314":1029},{"_312":1026,"_314":1027},{"_312":1024,"_314":1025},{"_312":1022,"_314":1023},{"_312":1020,"_314":1021},"#e6d9c4",0.0485,"#b8a78f",0.1356,"#625848",0.2111,"#968772",0.2673,"#7c6f5d",0.3375,"the-power-of-women-the-poet-virgil-suspended-in-a-basket-cma-114941","The Power of Women: The Poet Virgil Suspended in a Basket",{"_42":1077,"_224":1078,"_326":1079,"_328":1080,"_330":722,"_332":1081,"_334":-5,"_335":-5,"_336":-5,"_140":101},"c. 1512","netherlands","woodcut",0.6988235294117647,[1063,1064,1065,1066,1067],{"_223":382,"_224":383,"_42":384,"_305":385},"1935.116","Lucas van Leyden made this in about 1512, aged about 13. It is now at the Cleveland Museum of Art.",{"_118":1062,"_380":381},"The Power of Women: The Poet Virgil Suspended in a Basket, by Lucas van Leyden, c. 1512",{"_296":1059,"_298":1060,"_300":1061},"https://img.ochreeditions.com/m/530.jpg?dl=1","/art/the-power-of-women-the-poet-virgil-suspended-in-a-basket-cma-114941","/galleries/style/renaissance/the-power-of-women-the-poet-virgil-suspended-in-a-basket-cma-114941",{"_292":374,"_294":375},{"_227":1052,"_125":1053,"_286":1054},{"_277":1050,"_279":362,"_281":1051,"_282":364},65.92941176470589,41.92941176470588,{"_288":227,"_123":1057,"_154":1058,"_140":89},{"_288":125,"_123":534,"_154":535,"_140":536},{"_288":286,"_123":1055,"_154":1056,"_140":678},"era/16-netherlands","16th-century Netherlands","artist/contemporaries-of-lucas-van-leyden","Lucas van Leyden's contemporaries","https://img.ochreeditions.com/a/530/480.jpg","https://img.ochreeditions.com/a/530/960.jpg","https://img.ochreeditions.com/a/530/1920.jpg","This woodcut is from a series depicting the power of women, a popular early 16th-century theme. The series highlights a woman’s capacity to use beauty, charm, and ruse to thwart even the cleverest men. Here, Van Leyden illustrated the cunning of the Roman emperor’s daughter.",{"_312":1076,"_314":1027},{"_312":1074,"_314":1075},{"_312":1072,"_314":1073},{"_312":1070,"_314":1071},{"_312":1068,"_314":1069},"#615e55",0.1094,"#d1c7b8",0.1323,"#817b6f",0.2264,"#b3aa9b",0.2646,"#9c9486","Lucas van Leyden","lucas-van-leyden","Netherlandish, 1494–about 1533","Netherlandish",1533,"the-fall-of-man-with-scenes-of-the-creation-aic-35184","The Fall of Man with Scenes of the Creation",{"_42":1129,"_224":1130,"_326":404,"_328":404,"_330":-5,"_332":1131,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1544","48.6 × 58.4 cm (19 1/8 × 23 in.); Framed: 57.5 × 66.7 × 5.1 cm (22 5/8 × 26 1/4 × 2 in.)",58,48,1.206162990771156,[1114,1115,1116,1117,1118],{"_223":302,"_224":303,"_42":304,"_305":306},"1970.1009","Augustus Cordus painted this in 1544. It is now at the Art Institute of Chicago.",{"_296":1111,"_298":1112,"_300":1113},"https://img.ochreeditions.com/m/133.jpg?dl=1","/art/the-fall-of-man-with-scenes-of-the-creation-aic-35184","/galleries/style/renaissance/the-fall-of-man-with-scenes-of-the-creation-aic-35184",{"_292":293,"_294":295},{"_227":1103,"_125":1104,"_286":1105},{"_277":291,"_279":1101,"_281":1087,"_282":1102},63.08637012060692,48.08637012060692,{"_288":227,"_123":1109,"_154":1110,"_140":89},{"_288":125,"_123":590,"_154":591,"_140":592},{"_288":286,"_123":1106,"_154":1107,"_140":1108},"era/16-germany","16th-century Germany",28,"artist/contemporaries-of-augustus-cordus","Augustus Cordus's contemporaries","https://img.ochreeditions.com/a/133/480.jpg","https://img.ochreeditions.com/a/133/960.jpg","https://img.ochreeditions.com/a/133/1920.jpg",{"_312":1127,"_314":1128},{"_312":1125,"_314":1126},{"_312":1123,"_314":1124},{"_312":1121,"_314":1122},{"_312":1119,"_314":1120},"#896b4b",0.1501,"#58706a",0.1504,"#b0967d",0.1627,"#544a2d",0.1963,"#312f23",0.3405,"Augustus Cordus","augustus-cordus",1553,{"_1133":-5,"_1134":1135,"_1136":1137,"_1138":8,"_1139":1140,"_1141":8},"user","csrf","25bab8945a634b1b15bf1072806d2781c5a5ff53","cartCount",0,"dropLive","legal",[1142,1143,1144,1145,1146,1147,1148,1149,1150,1151,1152,1153],"uploadsEnabled",{"_224":1176,"_20":1177},{"_224":1174,"_20":1175},{"_224":1172,"_20":1173},{"_224":1170,"_20":1171},{"_224":1168,"_20":1169},{"_224":1166,"_20":1167},{"_224":1164,"_20":1165},{"_224":1162,"_20":1163},{"_224":1160,"_20":1161},{"_224":1158,"_20":1159},{"_224":1156,"_20":1157},{"_224":1154,"_20":1155},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]