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It is now at the Cleveland Museum of Art.","The Crucifixion, by Sodoma, 1500s",{"_291":431,"_293":432,"_295":433},"https://img.ochreeditions.com/m/475.jpg?dl=1","/art/the-crucifixion-cma-97147","/galleries/style/renaissance/the-crucifixion-cma-97147",{"_287":429,"_289":430},{"_224":421,"_125":422,"_282":423},{"_272":418,"_274":419,"_276":420,"_278":404},61.38441176470588,74,46.38441176470588,{"_284":224,"_123":427,"_154":428,"_140":89},{"_284":125,"_123":424,"_154":425,"_140":426},{"_284":282,"_123":166,"_154":165,"_140":168},"style/painting-15","More paintings of the 15th century",73,"artist/contemporaries-of-sodoma","Sodoma's contemporaries","natural","ivory","https://img.ochreeditions.com/a/475/480.jpg","https://img.ochreeditions.com/a/475/960.jpg","https://img.ochreeditions.com/a/475/1920.jpg",{"_310":446,"_312":447},{"_310":445,"_312":383},{"_310":443,"_312":444},{"_310":441,"_312":442},{"_310":439,"_312":440},"#603124",0.1238,"#534a30",0.1984,"#85774f",0.2034,"#2e3a30","#7d8f74",0.2697,"Sodoma","sodoma","Italian, 1477–1549",1477,1549,"salome-with-the-head-of-saint-john-the-baptist-cma-97190","Salome with the Head of Saint John the Baptist",{"_42":501,"_221":502,"_324":503,"_326":325,"_327":504,"_328":505,"_329":-5,"_330":-5,"_331":-5,"_140":101},"1500s or later","Framed: 72.1 x 87 x 5.7 cm (28 3/8 x 34 1/4 x 2 1/4 in.); Unframed: 46.6 x 59.7 cm (18 3/8 x 23 1/2 in.)",59.7,46.6,1.2903225806451613,[486,487,488,489,490],{"_220":300,"_221":301,"_42":302,"_303":304},"1916.824","Bernardino Luini painted this in the 1500s or later, aged about 20. It is now at the Cleveland Museum of Art.",{"_118":485,"_298":299},"Salome with the Head of Saint John the Baptist, by Bernardino Luini, 1500s or later",{"_291":482,"_293":483,"_295":484},"https://img.ochreeditions.com/m/489.jpg?dl=1","/art/salome-with-the-head-of-saint-john-the-baptist-cma-97190","/galleries/style/renaissance/salome-with-the-head-of-saint-john-the-baptist-cma-97190",{"_287":429,"_289":430},{"_224":477,"_125":478,"_282":479},{"_272":474,"_274":475,"_276":458,"_278":476},74.7,61.267500000000005,46.267500000000005,{"_284":224,"_123":480,"_154":481,"_140":89},{"_284":125,"_123":424,"_154":425,"_140":426},{"_284":282,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-bernardino-luini","Bernardino Luini's contemporaries","https://img.ochreeditions.com/a/489/480.jpg","https://img.ochreeditions.com/a/489/960.jpg","https://img.ochreeditions.com/a/489/1920.jpg","Salome’s dancing so pleased her stepfather Herod that he offered her anything she wanted. Her mother advised Salome to demand John the Baptist’s head, which Salome presented to her family on an elaborate dish.",{"_310":499,"_312":500},{"_310":497,"_312":498},{"_310":495,"_312":496},{"_310":493,"_312":494},{"_310":491,"_312":492},"#948776",0.0872,"#635141",0.1138,"#633125",0.1166,"#36231c",0.2263,"#15100e",0.4561,"Bernardino Luini","bernardino-luini","Italian, c. 1480-c. 1532",1480,1532,"the-last-supper-cma-119622",{"_42":322,"_221":323,"_324":325,"_326":325,"_327":-5,"_328":-5,"_329":-5,"_330":-5,"_331":-5,"_140":99},1.3137557959814528,[528,529,530,531,532],{"_220":300,"_221":301,"_42":302,"_303":304},"1940.473.a",{"_118":297,"_298":299},{"_291":525,"_293":526,"_295":527},"https://img.ochreeditions.com/m/538.jpg?dl=1","/art/the-last-supper-cma-119622","/galleries/style/renaissance/the-last-supper-cma-119622",{"_287":288,"_289":290},{"_224":522,"_125":523,"_282":524},{"_272":273,"_274":520,"_276":277,"_278":521},69.67058823529412,45.67058823529412,{"_284":224,"_123":170,"_154":169,"_140":99},{"_284":125,"_123":285,"_154":286,"_140":53},{"_284":282,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/538/480.jpg","https://img.ochreeditions.com/a/538/960.jpg","https://img.ochreeditions.com/a/538/1920.jpg",{"_310":541,"_312":542},{"_310":539,"_312":540},{"_310":537,"_312":538},{"_310":535,"_312":536},{"_310":533,"_312":534},"#f0e3cf",0.0574,"#c0af98",0.1441,"#6f6353",0.206,"#9f907a",0.2813,"#887966",0.3112,"portrait-of-vincenzo-guarignoni-cma-137135","Portrait of Vincenzo Guarignoni",{"_42":593,"_221":594,"_324":595,"_326":325,"_327":596,"_328":597,"_329":-5,"_330":-5,"_331":-5,"_140":103},"c. 1572","Framed: 91 x 80 x 8 cm (35 13/16 x 31 1/2 x 3 1/8 in.); Unframed: 63 x 50.8 cm (24 13/16 x 20 in.)",50.8,63,0.8155882352941176,[578,579,580,581,582],{"_220":300,"_221":301,"_42":302,"_303":304},"1962.1","Giovanni Battista Moroni painted this in about 1572, aged about 42. It is now at the Cleveland Museum of Art.",{"_118":577,"_298":299},"Portrait of Vincenzo Guarignoni, by Giovanni Battista Moroni, c. 1572",{"_291":574,"_293":575,"_295":576},"https://img.ochreeditions.com/m/644.jpg?dl=1","/art/portrait-of-vincenzo-guarignoni-cma-137135","/galleries/style/renaissance/portrait-of-vincenzo-guarignoni-cma-137135",{"_287":429,"_289":430},{"_224":566,"_125":567,"_282":568},{"_272":564,"_274":138,"_276":565,"_278":549},66.3820588235294,51.38205882352941,{"_284":224,"_123":572,"_154":573,"_140":89},{"_284":125,"_123":569,"_154":570,"_140":571},{"_284":282,"_123":361,"_154":362,"_140":363},"style/painting-16","More paintings of the 16th century",95,"artist/contemporaries-of-giovanni-battista-moroni","Giovanni Battista Moroni's contemporaries","https://img.ochreeditions.com/a/644/480.jpg","https://img.ochreeditions.com/a/644/960.jpg","https://img.ochreeditions.com/a/644/1920.jpg","The Latin inscription gives the sitter's name and age (45), as well as the painting's date. Guarignoni came from a prominent family in the northern Italian city of Bergamo.",{"_310":591,"_312":592},{"_310":589,"_312":590},{"_310":587,"_312":588},{"_310":585,"_312":586},{"_310":583,"_312":584},"#a09483",0.0592,"#7a6556",0.0601,"#27231e",0.2431,"#484139",0.2695,"#141210",0.3681,"Giovanni Battista Moroni","giovanni-battista-moroni","Italian, 1525–1578",1525,1578,"the-flight-into-egypt-aic-248304","The Flight into Egypt",{"_42":642,"_221":643,"_324":644,"_326":325,"_327":645,"_328":646,"_329":-5,"_330":-5,"_331":-5,"_140":103},"c. 1540","Pen and brown ink on dark cream laid paper, laid down on laid paper, with pen and ink and gold ruled lines","Primary support: 18.7 × 25 cm (7 3/8 × 9 7/8 in.); Secondary support: 24.1 × 30.2 cm (9 1/2 × 11 15/16 in.)",18,1.3208387942332895,[628,629,630,631,632],{"_220":371,"_221":372,"_42":373,"_303":374},"2019.874","Domenico Campagnola painted this in about 1540, aged 40. It is now at the Art Institute of Chicago.","A work made of pen and brown ink on dark cream laid paper, laid down on laid paper, with pen and ink and gold ruled lines.",{"_291":625,"_293":626,"_295":627},"https://img.ochreeditions.com/m/372.jpg?dl=1","/art/the-flight-into-egypt-aic-248304","/galleries/style/renaissance/the-flight-into-egypt-aic-248304",{"_287":288,"_289":290},{"_224":620,"_125":621,"_282":622},{"_272":354,"_274":618,"_276":356,"_278":619},42.92736654098036,18.927366540980355,{"_284":224,"_123":623,"_154":624,"_140":89},{"_284":125,"_123":364,"_154":365,"_140":89},{"_284":282,"_123":361,"_154":362,"_140":363},"artist/contemporaries-of-domenico-campagnola","Domenico Campagnola's contemporaries","https://img.ochreeditions.com/a/372/480.jpg","https://img.ochreeditions.com/a/372/960.jpg","https://img.ochreeditions.com/a/372/1920.jpg",{"_310":640,"_312":641},{"_310":639,"_312":387},{"_310":637,"_312":638},{"_310":635,"_312":636},{"_310":633,"_312":634},"#cf9e5a",0.0606,"#a77c5a",0.1024,"#dfb995",0.2357,"#bd916c","#cfa57f",0.3564,"Domenico Campagnola","domenico-campagnola","Italian, c. 1500–1564",1500,1564,"the-academy-of-baccio-bandinelli-aic-273081","The Academy of Baccio Bandinelli",{"_42":697,"_221":698,"_324":699,"_326":325,"_327":700,"_328":701,"_329":-5,"_330":-5,"_331":-5,"_140":103},"1544/50, printed c. 1560s","Engraving in black on cream laid paper","Sheet: 77.8 × 111.3 cm (30 5/8 × 43 13/16 in.)",111,77,1.5323995472552348,[682,683,684,685,686],{"_220":371,"_221":372,"_42":373,"_303":374},"2024.154","Enea Vico made this in 1544/50, printed c. 1560s, aged about 21. It is now at the Art Institute of Chicago.","A work made of engraving in black on cream laid paper.",{"_291":679,"_293":680,"_295":681},"https://img.ochreeditions.com/m/442.jpg?dl=1","/art/the-academy-of-baccio-bandinelli-aic-273081","/galleries/style/renaissance/the-academy-of-baccio-bandinelli-aic-273081",{"_287":288,"_289":290},{"_224":671,"_125":672,"_282":673},{"_272":668,"_274":669,"_276":653,"_278":670},135,96.43541685901579,72.43541685901579,{"_284":224,"_123":677,"_154":678,"_140":89},{"_284":125,"_123":674,"_154":675,"_140":676},{"_284":282,"_123":361,"_154":362,"_140":363},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-enea-vico","Enea Vico's contemporaries","https://img.ochreeditions.com/a/442/480.jpg","https://img.ochreeditions.com/a/442/960.jpg","https://img.ochreeditions.com/a/442/1920.jpg",{"_310":695,"_312":696},{"_310":693,"_312":694},{"_310":691,"_312":692},{"_310":689,"_312":690},{"_310":687,"_312":688},"#e2d0c0",0.0759,"#af9e8f",0.1376,"#897c6f",0.2188,"#554d45",0.279,"#6e6459",0.2887,"Enea Vico","enea-vico","Italian, 1523–1567",1523,1567,"the-submersion-of-pharaoh-s-army-in-the-red-sea-cma-129875","The Submersion of Pharaoh's Army in the Red Sea",{"_42":752,"_221":753,"_324":754,"_326":325,"_327":755,"_328":756,"_329":757,"_330":758,"_331":-5,"_140":101},"1514–15, printed 1549","woodcut","Unframed: 40 x 55 cm (15 3/4 x 21 5/8 in.)",55,40,1.7580144777662874,[737,738,739,740,741],{"_220":300,"_221":301,"_42":302,"_303":304},"1952.296","Titian made this in 1514–15, printed 1549, aged about 26. It is now at the Cleveland Museum of Art.",{"_118":736,"_298":299},"The Submersion of Pharaoh's Army in the Red Sea, by Titian, 1514–15, printed 1549",{"_291":733,"_293":734,"_295":735},"https://img.ochreeditions.com/m/598.jpg?dl=1","/art/the-submersion-of-pharaoh-s-army-in-the-red-sea-cma-129875","/galleries/style/renaissance/the-submersion-of-pharaoh-s-army-in-the-red-sea-cma-129875",{"_287":288,"_289":290},{"_224":728,"_125":729,"_282":730},{"_272":724,"_274":725,"_276":726,"_278":727},86.19028743369685,59.375298793167566,62.19028743369685,35.375298793167566,{"_284":224,"_123":731,"_154":732,"_140":89},{"_284":125,"_123":674,"_154":675,"_140":676},{"_284":282,"_123":361,"_154":362,"_140":363},"artist/contemporaries-of-titian","Titian's contemporaries","https://img.ochreeditions.com/a/598/480.jpg","https://img.ochreeditions.com/a/598/960.jpg","https://img.ochreeditions.com/a/598/1920.jpg","This composition is made up of 12 separately printed woodcuts to create one image in grand scale. The size rivals that of a history painting, and, unlike most prints, the composition would have been hung on the wall.",{"_310":750,"_312":751},{"_310":748,"_312":749},{"_310":746,"_312":747},{"_310":744,"_312":745},{"_310":742,"_312":743},"#ddcfc5",0.0916,"#7b6c60",0.128,"#bcaa9a",0.2183,"#928274",0.2327,"#a79586",0.3294,"Titian","titian","Italian, c. 1488–1576",1488,1576,"Pieve di Cadore","Venice","saint-sebastian-cma-135407","Saint Sebastian",{"_42":812,"_221":813,"_324":814,"_326":325,"_327":815,"_328":700,"_329":-5,"_330":-5,"_331":816,"_140":95},"c. 1493","drawing","Drawing","metalpoint","Sheet: 25.6 x 14.6 cm (10 1/16 x 5 3/4 in.)",14.6,25.6,0.5744117647058824,[797,798,799,800,801],{"_220":300,"_221":301,"_42":302,"_303":304},"1958.411","Perugino drew this in about 1493, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":796,"_298":299},"Saint Sebastian, by Perugino, c. 1493",{"_291":793,"_293":794,"_295":795},"https://img.ochreeditions.com/m/629.jpg?dl=1","/art/saint-sebastian-cma-135407","/galleries/style/renaissance/saint-sebastian-cma-135407",{"_287":288,"_289":290},{"_224":786,"_125":787,"_282":788},{"_272":783,"_274":784,"_276":785,"_278":768},38.70494117647059,49.6,14.70494117647059,{"_284":224,"_123":791,"_154":792,"_140":95},{"_284":125,"_123":789,"_154":790,"_140":91},{"_284":282,"_123":166,"_154":165,"_140":168},"style/drawing-15","More drawings of the 15th century","artist/perugino","More by Perugino","https://img.ochreeditions.com/a/629/480.jpg","https://img.ochreeditions.com/a/629/960.jpg","https://img.ochreeditions.com/a/629/1920.jpg","The Florentine painter Perugino made drawings to record figural types and poses that could be repeated throughout his finished paintings.",{"_310":810,"_312":811},{"_310":808,"_312":809},{"_310":806,"_312":807},{"_310":804,"_312":805},{"_310":802,"_312":803},"#d9ccb7",0.0722,"#837057",0.0946,"#b29b7e",0.1119,"#a08c72",0.3041,"#958066",0.4172,"Perugino","perugino","Italian, c. 1450/55–1523",1450,"Pietro Vannucci took the name Perugino from Perugia, the chief city of his native Umbria, and trained in Florence, probably alongside Leonardo in Verrocchio’s studio.","the-dead-christ-with-angels-cma-97170","The Dead Christ with Angels",{"_42":865,"_221":866,"_324":867,"_326":325,"_327":868,"_328":869,"_329":-5,"_330":-5,"_331":-5,"_140":103},"c. 1580","Framed: 157 x 129.5 x 13 cm (61 13/16 x 51 x 5 1/8 in.); Unframed: 123.3 x 96.5 cm (48 9/16 x 38 in.)",96.5,123.3,0.7814705882352941,[850,851,852,853,854],{"_220":300,"_221":301,"_42":302,"_303":304},"1916.806","Leandro Bassano painted this in about 1580, aged about 18. It is now at the Cleveland Museum of Art.",{"_118":849,"_298":299},"The Dead Christ with Angels, by Leandro Bassano, c. 1580",{"_291":846,"_293":847,"_295":848},"https://img.ochreeditions.com/m/485.jpg?dl=1","/art/the-dead-christ-with-angels-cma-97170","/galleries/style/renaissance/the-dead-christ-with-angels-cma-97170",{"_287":429,"_289":430},{"_224":841,"_125":842,"_282":843},{"_272":838,"_274":839,"_276":840,"_278":823},111.35532352941176,138.3,96.35532352941176,{"_284":224,"_123":844,"_154":845,"_140":89},{"_284":125,"_123":569,"_154":570,"_140":571},{"_284":282,"_123":361,"_154":362,"_140":363},"artist/contemporaries-of-leandro-bassano","Leandro Bassano's contemporaries","https://img.ochreeditions.com/a/485/480.jpg","https://img.ochreeditions.com/a/485/960.jpg","https://img.ochreeditions.com/a/485/1920.jpg","In this scene, two angels are shown attending to the body of Christ after his death. The artist, Leandro Bassano, came from a family of painters—both his father and grandfather were artists, as were his brothers, Francesco and Gerolamo.",{"_310":863,"_312":864},{"_310":861,"_312":862},{"_310":859,"_312":860},{"_310":857,"_312":858},{"_310":855,"_312":856},"#8f7156",0.1206,"#c2ac8f",0.1303,"#747d73",0.1528,"#564a3c",0.1756,"#2f2820",0.4207,"Leandro Bassano","leandro-bassano","Italian, 1557–1623",1557,1623,"the-power-of-women-samson-and-delilah-cma-114942","The Power of Women: Samson and Delilah",{"_42":922,"_221":923,"_324":924,"_326":925,"_327":926,"_328":927,"_329":-5,"_330":-5,"_331":-5,"_140":101},"c. 1512","netherlands","Image: 41.1 x 28.7 cm (16 3/16 x 11 5/16 in.)",28.7,41.1,0.7105882352941176,[907,908,909,910,911],{"_220":300,"_221":301,"_42":302,"_303":304},"1935.117","Lucas van Leyden made this in about 1512, aged about 13. It is now at the Cleveland Museum of Art.",{"_118":906,"_298":299},"The Power of Women: Samson and Delilah, by Lucas van Leyden, c. 1512",{"_291":903,"_293":904,"_295":905},"https://img.ochreeditions.com/m/531.jpg?dl=1","/art/the-power-of-women-samson-and-delilah-cma-114942","/galleries/style/renaissance/the-power-of-women-samson-and-delilah-cma-114942",{"_287":288,"_289":290},{"_224":895,"_125":896,"_282":897},{"_272":892,"_274":893,"_276":894,"_278":877},53.205176470588235,65.1,29.205176470588235,{"_284":224,"_123":901,"_154":902,"_140":89},{"_284":125,"_123":674,"_154":675,"_140":676},{"_284":282,"_123":898,"_154":899,"_140":900},"era/16-netherlands","16th-century Netherlands",35,"artist/contemporaries-of-lucas-van-leyden","Lucas van Leyden's contemporaries","https://img.ochreeditions.com/a/531/480.jpg","https://img.ochreeditions.com/a/531/960.jpg","https://img.ochreeditions.com/a/531/1920.jpg","The publication of Albrecht Dürer's three impressive woodcut series in 1511— The Large Passion , The Apocalypse , and The Life of the Virgin —had an immediate impact on Northern painters such as Lucas.",{"_310":920,"_312":921},{"_310":918,"_312":919},{"_310":916,"_312":917},{"_310":914,"_312":915},{"_310":912,"_312":913},"#d5cec7",0.1488,"#484743",0.1552,"#6a6761",0.1787,"#aea79d",0.2456,"#8c877f",0.2717,"Lucas van Leyden","lucas-van-leyden","Netherlandish, 1494–about 1533","Netherlandish",1494,1533,"the-sacrifice-of-isaac-cma-117032","The Sacrifice of Isaac",{"_42":977,"_221":978,"_324":979,"_326":325,"_327":980,"_328":981,"_329":982,"_330":982,"_331":983,"_140":97},"c. 1527","oil on wood","Framed: 208 x 171 x 12.5 cm (81 7/8 x 67 5/16 x 4 15/16 in.); Unframed: 178 x 138 cm (70 1/16 x 54 5/16 in.)",138,178,0.7744117647058824,[962,963,964,965,966],{"_220":300,"_221":301,"_42":302,"_303":304},"1937.577","Andrea del Sarto painted this in about 1527, aged about 36. It is now at the Cleveland Museum of Art.",{"_118":961,"_298":299},"The Sacrifice of Isaac, by Andrea del Sarto, c. 1527",{"_291":958,"_293":959,"_295":960},"https://img.ochreeditions.com/m/533.jpg?dl=1","/art/the-sacrifice-of-isaac-cma-117032","/galleries/style/renaissance/the-sacrifice-of-isaac-cma-117032",{"_287":429,"_289":430},{"_224":953,"_125":954,"_282":955},{"_272":950,"_274":951,"_276":952,"_278":935},152.84529411764706,193,137.84529411764706,{"_284":224,"_123":956,"_154":957,"_140":97},{"_284":125,"_123":569,"_154":570,"_140":571},{"_284":282,"_123":361,"_154":362,"_140":363},"artist/andrea-del-sarto","More by Andrea del Sarto","https://img.ochreeditions.com/a/533/480.jpg","https://img.ochreeditions.com/a/533/960.jpg","https://img.ochreeditions.com/a/533/1920.jpg","In this dramatic test of faith from the Old Testament book of Genesis, Abraham agrees to slay his son Isaac on God’s command. As Abraham raises the knife, an angel suddenly appears to halt the sacrifice.",{"_310":975,"_312":976},{"_310":973,"_312":974},{"_310":971,"_312":972},{"_310":969,"_312":970},{"_310":967,"_312":968},"#702f18",0.0603,"#927255",0.1684,"#565747",0.1747,"#654628",0.2888,"#402f1e",0.3078,"Andrea del Sarto","andrea-del-sarto","Italian, 1486–1530",1486,1530,"Florence","Andrea del Sarto, the son of a tailor, or sarto, spent almost his whole career in Florence and became its leading painter after Leonardo, Michelangelo and Raphael had left.","battle-of-the-nudes-cma-143142","Battle of the Nudes",{"_42":1033,"_221":1034,"_324":1035,"_326":325,"_327":1036,"_328":1037,"_329":982,"_330":1038,"_331":-5,"_140":101},"1470s–80s","engraving","Platemark: 42 x 60.4 cm (16 9/16 x 23 3/4 in.); Sheet: 42.4 x 60.9 cm (16 11/16 x 24 in.)",60.4,42,1.4358108108108107,[1018,1019,1020,1021,1022],{"_220":300,"_221":301,"_42":302,"_303":304},"1967.127","Antonio Pollaiuolo made this in the 1470s–80s, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":1017,"_298":299},"Battle of the Nudes, by Antonio Pollaiuolo, 1470s–80s",{"_291":1014,"_293":1015,"_295":1016},"https://img.ochreeditions.com/m/663.jpg?dl=1","/art/battle-of-the-nudes-cma-143142","/galleries/style/renaissance/battle-of-the-nudes-cma-143142",{"_287":288,"_289":290},{"_224":1009,"_125":1010,"_282":1011},{"_272":1006,"_274":1007,"_276":990,"_278":1008},84.4,66.06682352941176,42.066823529411764,{"_284":224,"_123":1012,"_154":1013,"_140":89},{"_284":125,"_123":285,"_154":286,"_140":53},{"_284":282,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-antonio-pollaiuolo","Antonio Pollaiuolo's contemporaries","https://img.ochreeditions.com/a/663/480.jpg","https://img.ochreeditions.com/a/663/960.jpg","https://img.ochreeditions.com/a/663/1920.jpg","This engraving is one of the earliest Renaissance prints to portray the nude male body in action. Antonio del Pollaiuolo’s grimacing warriors appear like clones in different poses.",{"_310":1031,"_312":1032},{"_310":1029,"_312":1030},{"_310":1027,"_312":1028},{"_310":1025,"_312":1026},{"_310":1023,"_312":1024},"#dbcebb",0.0587,"#bcac97",0.1708,"#847764",0.2076,"#968874",0.2747,"#a99984",0.2882,"Antonio Pollaiuolo","antonio-pollaiuolo","Italian, 1431/32–1498",1432,1498,"Rome","virgin-and-child-with-john-the-baptist-and-angels-cma-97154","Virgin and Child with John the Baptist and Angels",{"_42":1082,"_221":1083,"_324":1084,"_326":325,"_327":1085,"_328":1086,"_329":-5,"_330":-5,"_331":-5,"_140":103},"Framed: 120 x 120 x 7 cm (47 1/4 x 47 1/4 x 2 3/4 in.); Diameter: 95.2 x 92.8 cm (37 1/2 x 36 9/16 in.)",120,0.9655882352941176,[1067,1068,1069,1070,1071],{"_220":300,"_221":301,"_42":302,"_303":304},"1916.792","Pietro del Donzello painted this in about 1500, aged about 43. It is now at the Cleveland Museum of Art.","Virgin and Child with John the Baptist and Angels, by Pietro del Donzello, c. 1500",{"_291":1064,"_293":1065,"_295":1066},"https://img.ochreeditions.com/m/477.jpg?dl=1","/art/virgin-and-child-with-john-the-baptist-and-angels-cma-97154","/galleries/style/renaissance/virgin-and-child-with-john-the-baptist-and-angels-cma-97154",{"_287":429,"_289":430},{"_224":1059,"_125":1060,"_282":1061},{"_272":1057,"_274":668,"_276":1058,"_278":1043},130.87058823529412,115.87058823529412,{"_284":224,"_123":1062,"_154":1063,"_140":89},{"_284":125,"_123":424,"_154":425,"_140":426},{"_284":282,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-pietro-del-donzello","Pietro del Donzello's contemporaries","https://img.ochreeditions.com/a/477/480.jpg","https://img.ochreeditions.com/a/477/960.jpg","https://img.ochreeditions.com/a/477/1920.jpg",{"_310":1080,"_312":1081},{"_310":1078,"_312":1079},{"_310":1076,"_312":1077},{"_310":1074,"_312":1075},{"_310":1072,"_312":1073},"#785939",0.1447,"#b79666",0.1494,"#61755d",0.1681,"#3c382b",0.2553,"#949494",0.2825,"Pietro del Donzello","pietro-del-donzello","Italian, 1452–1509",1452,1509,"portrait-of-a-young-man-cma-97167","Portrait of a Young Man",{"_42":1136,"_221":1137,"_324":1138,"_326":325,"_327":1139,"_328":1140,"_329":-5,"_330":-5,"_331":-5,"_140":103},"c. 1530","oil and gold on wood","Framed: 128.2 x 102.2 x 11.5 cm (50 1/2 x 40 1/4 x 4 1/2 in.); Unframed: 97.2 x 77.5 cm (38 1/4 x 30 1/2 in.)",77.5,97.2,0.788235294117647,[1121,1122,1123,1124,1125],{"_220":300,"_221":301,"_42":302,"_303":304},"1916.803","Dosso Dossi painted this in about 1530, aged about 35. It is now at the Cleveland Museum of Art.",{"_118":1120,"_298":299},"Portrait of a Young Man, by Dosso Dossi, c. 1530",{"_291":1117,"_293":1118,"_295":1119},"https://img.ochreeditions.com/m/482.jpg?dl=1","/art/portrait-of-a-young-man-cma-97167","/galleries/style/renaissance/portrait-of-a-young-man-cma-97167",{"_287":429,"_289":430},{"_224":1112,"_125":1113,"_282":1114},{"_272":1109,"_274":1110,"_276":1111,"_278":1094},91.61647058823529,112.2,76.61647058823529,{"_284":224,"_123":1115,"_154":1116,"_140":89},{"_284":125,"_123":569,"_154":570,"_140":571},{"_284":282,"_123":361,"_154":362,"_140":363},"artist/contemporaries-of-dosso-dossi","Dosso Dossi's contemporaries","https://img.ochreeditions.com/a/482/480.jpg","https://img.ochreeditions.com/a/482/960.jpg","https://img.ochreeditions.com/a/482/1920.jpg","Like other paintings from the Dossi workshop, this work conveys the sitter's social status and self-confidence. He holds a crumpled letter written in Italian. The words Asto , meaning \"ship mast,\" and mare , meaning \"sea,\" suggest that trade was a topic of this letter.",{"_310":1134,"_312":1135},{"_310":1132,"_312":1133},{"_310":1130,"_312":1131},{"_310":1128,"_312":1129},{"_310":1126,"_312":1127},"#801603",0.0539,"#7f5d2d",0.0708,"#524d2f",0.0821,"#3d240f",0.136,"#1d180f",0.6572,"Dosso Dossi","dosso-dossi","Italian, c. 1490–after 1541",1490,1541,{"_1142":-5,"_1143":1144,"_1145":1146,"_1147":8,"_1148":1149,"_1150":8},"user","csrf","300442e693b73f50ec6e3a1ad2f1ce1b22e91d6e","cartCount",0,"dropLive","legal",[1151,1152,1153,1154,1155,1156,1157,1158,1159,1160,1161,1162],"uploadsEnabled",{"_221":1185,"_20":1186},{"_221":1183,"_20":1184},{"_221":1181,"_20":1182},{"_221":1179,"_20":1180},{"_221":1177,"_20":1178},{"_221":1175,"_20":1176},{"_221":1173,"_20":1174},{"_221":1171,"_20":1172},{"_221":1169,"_20":1170},{"_221":1167,"_20":1168},{"_221":1165,"_20":1166},{"_221":1163,"_20":1164},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]