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It is now at the Cleveland Museum of Art.",{"_118":382,"_301":302},"The Power of Women: Samson and Delilah, by Lucas van Leyden, c. 1512",{"_294":379,"_296":380,"_298":381},"https://img.ochreeditions.com/m/531.jpg?dl=1","/art/the-power-of-women-samson-and-delilah-cma-114942","/galleries/style/renaissance/the-power-of-women-samson-and-delilah-cma-114942",{"_290":377,"_292":378},{"_224":366,"_125":367,"_284":368},{"_275":363,"_277":364,"_279":365,"_281":348},53.205176470588235,65.1,29.205176470588235,{"_286":224,"_123":375,"_154":376,"_140":89},{"_286":125,"_123":372,"_154":373,"_140":374},{"_286":284,"_123":369,"_154":370,"_140":371},"era/16-netherlands","16th-century Netherlands",35,"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-lucas-van-leyden","Lucas van Leyden's contemporaries","white","snow","https://img.ochreeditions.com/a/531/480.jpg","https://img.ochreeditions.com/a/531/960.jpg","https://img.ochreeditions.com/a/531/1920.jpg","The publication of Albrecht Dürer's three impressive woodcut series in 1511— The Large Passion , The Apocalypse , and The Life of the Virgin —had an immediate impact on Northern painters such as Lucas.",{"_313":396,"_315":397},{"_313":394,"_315":395},{"_313":392,"_315":393},{"_313":390,"_315":391},{"_313":388,"_315":389},"#d5cec7",0.1488,"#484743",0.1552,"#6a6761",0.1787,"#aea79d",0.2456,"#8c877f",0.2717,"Lucas van Leyden","lucas-van-leyden","Netherlandish, 1494–about 1533","Netherlandish",1494,1533,"saint-sebastian-cma-135407","Saint Sebastian",{"_42":460,"_221":461,"_327":462,"_329":330,"_331":463,"_333":464,"_335":-5,"_336":-5,"_337":465,"_140":95},"c. 1493","drawing","Drawing","metalpoint","Sheet: 25.6 x 14.6 cm (10 1/16 x 5 3/4 in.)",14.6,25.6,0.5744117647058824,[445,446,447,448,449],{"_220":303,"_221":304,"_42":305,"_306":307},"1958.411","Perugino drew this in about 1493, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":444,"_301":302},"Saint Sebastian, by Perugino, c. 1493",{"_294":441,"_296":442,"_298":443},"https://img.ochreeditions.com/m/629.jpg?dl=1","/art/saint-sebastian-cma-135407","/galleries/style/renaissance/saint-sebastian-cma-135407",{"_290":377,"_292":378},{"_224":431,"_125":432,"_284":433},{"_275":428,"_277":429,"_279":430,"_281":413},38.70494117647059,49.6,14.70494117647059,{"_286":224,"_123":439,"_154":440,"_140":95},{"_286":125,"_123":437,"_154":438,"_140":91},{"_286":284,"_123":434,"_154":435,"_140":436},"era/15-italy","15th-century Italy",57,"style/drawing-15","More drawings of the 15th century","artist/perugino","More by Perugino","https://img.ochreeditions.com/a/629/480.jpg","https://img.ochreeditions.com/a/629/960.jpg","https://img.ochreeditions.com/a/629/1920.jpg","The Florentine painter Perugino made drawings to record figural types and poses that could be repeated throughout his finished paintings.",{"_313":458,"_315":459},{"_313":456,"_315":457},{"_313":454,"_315":455},{"_313":452,"_315":453},{"_313":450,"_315":451},"#d9ccb7",0.0722,"#837057",0.0946,"#b29b7e",0.1119,"#a08c72",0.3041,"#958066",0.4172,"Perugino","perugino","Italian, c. 1450/55–1523",1450,1523,"Pietro Vannucci took the name Perugino from Perugia, the chief city of his native Umbria, and trained in Florence, probably alongside Leonardo in Verrocchio’s studio.","virgin-and-child-with-john-the-baptist-and-angels-cma-97154","Virgin and Child with John the Baptist and Angels",{"_42":514,"_221":515,"_327":516,"_329":330,"_331":517,"_333":518,"_335":-5,"_336":-5,"_337":-5,"_140":103},"c. 1500","Framed: 120 x 120 x 7 cm (47 1/4 x 47 1/4 x 2 3/4 in.); Diameter: 95.2 x 92.8 cm (37 1/2 x 36 9/16 in.)",120,0.9655882352941176,[499,500,501,502,503],{"_220":303,"_221":304,"_42":305,"_306":307},"1916.792","Pietro del Donzello painted this in about 1500, aged about 43. It is now at the Cleveland Museum of Art.","Virgin and Child with John the Baptist and Angels, by Pietro del Donzello, c. 1500",{"_294":496,"_296":497,"_298":498},"https://img.ochreeditions.com/m/477.jpg?dl=1","/art/virgin-and-child-with-john-the-baptist-and-angels-cma-97154","/galleries/style/renaissance/virgin-and-child-with-john-the-baptist-and-angels-cma-97154",{"_290":291,"_292":293},{"_224":488,"_125":489,"_284":490},{"_275":485,"_277":486,"_279":487,"_281":471},130.87058823529412,135,115.87058823529412,{"_286":224,"_123":494,"_154":495,"_140":89},{"_286":125,"_123":491,"_154":492,"_140":493},{"_286":284,"_123":434,"_154":435,"_140":436},"style/painting-15","More paintings of the 15th century",73,"artist/contemporaries-of-pietro-del-donzello","Pietro del Donzello's contemporaries","https://img.ochreeditions.com/a/477/480.jpg","https://img.ochreeditions.com/a/477/960.jpg","https://img.ochreeditions.com/a/477/1920.jpg",{"_313":512,"_315":513},{"_313":510,"_315":511},{"_313":508,"_315":509},{"_313":506,"_315":507},{"_313":504,"_315":505},"#785939",0.1447,"#b79666",0.1494,"#61755d",0.1681,"#3c382b",0.2553,"#949494",0.2825,"Pietro del Donzello","pietro-del-donzello","Italian, 1452–1509",1452,1509,"the-last-supper-cma-119622","The Last Supper",{"_42":567,"_221":568,"_327":330,"_329":330,"_331":-5,"_333":-5,"_335":-5,"_336":-5,"_337":-5,"_140":99},"engraving on two sheets printed from two plates",1.3137557959814528,[552,553,554,555,556],{"_220":303,"_221":304,"_42":305,"_306":307},"1940.473.a","Lucantonio degli Uberti made this in about 1500. It is now at the Cleveland Museum of Art.",{"_118":551,"_301":302},"The Last Supper, by Lucantonio degli Uberti, c. 1500",{"_294":548,"_296":549,"_298":550},"https://img.ochreeditions.com/m/538.jpg?dl=1","/art/the-last-supper-cma-119622","/galleries/style/renaissance/the-last-supper-cma-119622",{"_290":377,"_292":378},{"_224":541,"_125":542,"_284":543},{"_275":537,"_277":538,"_279":539,"_281":540},84,69.67058823529412,60,45.67058823529412,{"_286":224,"_123":546,"_154":547,"_140":99},{"_286":125,"_123":544,"_154":545,"_140":53},{"_286":284,"_123":434,"_154":435,"_140":436},"style/print-15","More prints of the 15th century","artist/lucantonio-degli-uberti","More by Lucantonio degli Uberti","https://img.ochreeditions.com/a/538/480.jpg","https://img.ochreeditions.com/a/538/960.jpg","https://img.ochreeditions.com/a/538/1920.jpg","Because large prints were often displayed on a wall, they were susceptible to damage and often have not survived. This large print of the Last Supper , however, is in excellent condition. It was engraved on two plates and printed on two separate sheets of paper.",{"_313":565,"_315":566},{"_313":563,"_315":564},{"_313":561,"_315":562},{"_313":559,"_315":560},{"_313":557,"_315":558},"#f0e3cf",0.0574,"#c0af98",0.1441,"#6f6353",0.206,"#9f907a",0.2813,"#887966",0.3112,"Lucantonio degli Uberti","lucantonio-degli-uberti","view-of-venice-cma-127250","View of Venice",{"_42":619,"_221":620,"_327":621,"_329":330,"_331":622,"_333":623,"_335":-5,"_336":-5,"_337":-5,"_140":101},"1500","woodcut from six blocks on six sheets of paper","Overall: 132.7 x 277.5 cm (52 1/4 x 109 1/4 in.)",277.5,132.7,2.0769700671960902,[604,605,606,607,608],{"_220":303,"_221":304,"_42":305,"_306":307},"1949.565","Jacopo de' Barbari made this in 1500, aged 45. It is now at the Cleveland Museum of Art.",{"_118":603,"_301":302},"View of Venice, by Jacopo de' Barbari, 1500",{"_294":600,"_296":601,"_298":602},"https://img.ochreeditions.com/m/587.jpg?dl=1","/art/view-of-venice-cma-127250","/galleries/style/renaissance/view-of-venice-cma-127250",{"_290":377,"_292":378},{"_224":595,"_125":596,"_284":597},{"_275":591,"_277":592,"_279":593,"_281":594},264,139.5529411764706,240,115.5529411764706,{"_286":224,"_123":598,"_154":599,"_140":89},{"_286":125,"_123":544,"_154":545,"_140":53},{"_286":284,"_123":434,"_154":435,"_140":436},"artist/contemporaries-of-jacopo-de-barbari","Jacopo de' Barbari's contemporaries","https://img.ochreeditions.com/a/587/480.jpg","https://img.ochreeditions.com/a/587/960.jpg","https://img.ochreeditions.com/a/587/1920.jpg","By the end of the 1400s, Venice had emerged as the major printing center in Europe, where books were printed in various languages to be shipped around the world.",{"_313":617,"_315":618},{"_313":615,"_315":616},{"_313":613,"_315":614},{"_313":611,"_315":612},{"_313":609,"_315":610},"#7b7163",0.1134,"#8d8271",0.1966,"#a19483",0.2087,"#c6b8a3",0.2329,"#b4a694",0.2484,"Jacopo de' Barbari","jacopo-de-barbari","Italian, c. 1460/70–c. 1516",1455,1520,"the-holy-family-with-saint-elizabeth-cma-112099","The Holy Family with Saint Elizabeth",{"_42":619,"_221":620,"_327":621,"_329":330,"_331":622,"_333":623,"_335":-5,"_336":-5,"_337":-5,"_140":101},"c. 1503","engraving","Platemark: 12.8 x 16.3 cm (5 1/16 x 6 7/16 in.); Sheet: 13.3 x 16.6 cm (5 1/4 x 6 9/16 in.)",16.3,12.8,1.2336719883889695,[657,658,659,660,661],{"_220":303,"_221":304,"_42":305,"_306":307},"1930.575","Jacopo de' Barbari made this in about 1503, aged about 43. It is now at the Cleveland Museum of Art.",{"_118":656,"_301":302},"The Holy Family with Saint Elizabeth, by Jacopo de' Barbari, c. 1503",{"_294":653,"_296":654,"_298":655},"https://img.ochreeditions.com/m/526.jpg?dl=1","/art/the-holy-family-with-saint-elizabeth-cma-112099","/galleries/style/renaissance/the-holy-family-with-saint-elizabeth-cma-112099",{"_290":377,"_292":378},{"_224":650,"_125":651,"_284":652},{"_275":646,"_277":647,"_279":648,"_281":649},49,44.26470588235294,25,20.264705882352942,{"_286":224,"_123":598,"_154":599,"_140":89},{"_286":125,"_123":544,"_154":545,"_140":53},{"_286":284,"_123":434,"_154":435,"_140":436},"https://img.ochreeditions.com/a/526/480.jpg","https://img.ochreeditions.com/a/526/960.jpg","https://img.ochreeditions.com/a/526/1920.jpg","While this landscape might seem desolate and strange, it is rife with religious symbolism. The Virgin Mary and Christ on the right sit with Mary’s cousin, Saint Elizabeth, and her son, Saint John the Baptist. The Bible describes Elizabeth as past childbearing age; both she and Mary were granted virgin births by God.",{"_313":670,"_315":671},{"_313":668,"_315":669},{"_313":666,"_315":667},{"_313":664,"_315":665},{"_313":662,"_315":663},"#d3d0c3",0.0571,"#4a4840",0.1487,"#a39d8e",0.22,"#676359",0.2572,"#837e71",0.317,"martyrdom-of-saint-andrew-cma-97145","Martyrdom of Saint Andrew",{"_42":721,"_221":722,"_327":723,"_329":330,"_331":724,"_333":725,"_335":726,"_336":726,"_337":727,"_140":93},"1600s","oil on canvas","Framed: 55.3 x 47 x 7.7 cm (21 3/4 x 18 1/2 x 3 1/16 in.); Unframed: 40.7 x 34.6 cm (16 x 13 5/8 in.)",34.6,40.7,0.8347058823529412,[706,707,708,709,710],{"_220":303,"_221":304,"_42":305,"_306":307},"1916.784","Guido Reni painted this in the 1600s, aged about 25. It is now at the Cleveland Museum of Art.",{"_118":705,"_301":302},"Martyrdom of Saint Andrew, by Guido Reni, 1600s",{"_294":702,"_296":703,"_298":704},"https://img.ochreeditions.com/m/473.jpg?dl=1","/art/martyrdom-of-saint-andrew-cma-97145","/galleries/style/renaissance/martyrdom-of-saint-andrew-cma-97145",{"_290":291,"_292":293},{"_224":697,"_125":698,"_284":699},{"_275":694,"_277":695,"_279":696,"_281":679},48.97252941176471,55.7,33.97252941176471,{"_286":224,"_123":700,"_154":701,"_140":93},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/guido-reni","More by Guido Reni","https://img.ochreeditions.com/a/473/480.jpg","https://img.ochreeditions.com/a/473/960.jpg","https://img.ochreeditions.com/a/473/1920.jpg","This small devotional picture by an anonymous 17th-century Venetian artist drew his composition from Guido Reni's large St. Andrew Led to Martyrdom fresco in Rome's Church of San Gregorio al Celio. The CMA painting portrays the central image of Reni's 1608 fresco by Reni. St.",{"_313":719,"_315":720},{"_313":717,"_315":718},{"_313":715,"_315":716},{"_313":713,"_315":714},{"_313":711,"_315":712},"#684f38",0.0631,"#9b7d51",0.0703,"#6b684c",0.1563,"#423f33",0.2182,"#2d2d29",0.4921,"Guido Reni","guido-reni","Italian, 1575–1642",1575,1642,"Bologna","Reni trained in Bologna, first with Denys Calvaert and then at the Carracci academy, and spent the early 1600s in Rome, where his fresco Aurora won wide fame.","alessandro-de-medici-aic-110759","Alessandro de' Medici",{"_42":778,"_221":779,"_327":780,"_329":781,"_331":402,"_333":782,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1534–35","Oil on panel","35.3 × 25.8 cm (13 7/8 × 10 1/8 in.); Framed: 47.7 × 42 × 6.1 cm (18 3/4 × 16 1/2 × 2 3/8 in.)",0.7897363905786928,[763,764,765,766,767],{"_220":759,"_221":760,"_42":761,"_306":762},"Courtesy of the Art Institute of Chicago","1933.1002","Pontormo, (Jacopo Carrucci) painted this in 1534–35, aged about 40. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_294":756,"_296":757,"_298":758},"https://img.ochreeditions.com/m/274.jpg?dl=1","/art/alessandro-de-medici-aic-110759","/galleries/style/renaissance/alessandro-de-medici-aic-110759",{"_290":291,"_292":293},{"_224":751,"_125":752,"_284":753},{"_275":748,"_277":749,"_279":750,"_281":371},42.64077367025425,50,27.640773670254248,{"_286":224,"_123":754,"_154":755,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-pontormo-jacopo-carrucci","Pontormo, (Jacopo Carrucci)'s contemporaries","https://img.ochreeditions.com/a/274/480.jpg","https://img.ochreeditions.com/a/274/960.jpg","https://img.ochreeditions.com/a/274/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_313":776,"_315":777},{"_313":774,"_315":775},{"_313":772,"_315":773},{"_313":770,"_315":771},{"_313":768,"_315":769},"#d7986f",0.0689,"#58311d",0.0987,"#8b5438",0.1109,"#262116",0.3168,"#15110b",0.4047,"Pontormo, (Jacopo Carrucci)","pontormo-jacopo-carrucci","Jacopo Carrucci; Italian, 1494–1557","Jacopo Carrucci; Italian",1557,"sinan-reis-and-hayreddin-barbarossa-aic-90060","Sinan Reis and Hayreddin Barbarossa",{"_42":330,"_221":828,"_327":-5,"_329":-5,"_331":-5,"_333":-5,"_335":-5,"_336":-5,"_337":-5,"_140":103},"c. 1535","Tempera on canvas","66.5 × 63.7 cm (26 3/16 × 25 1/16 in.); Framed: 73.7 × 71.2 × 5.1 cm (29 × 28 × 2 in.)",63,0.9557105163965323,[814,815,816,817,818],{"_220":759,"_221":760,"_42":761,"_306":762},"1947.53","Italian painted this in about 1535. It is now at the Art Institute of Chicago.","A work made of tempera on canvas.",{"_294":811,"_296":812,"_298":813},"https://img.ochreeditions.com/m/247.jpg?dl=1","/art/sinan-reis-and-hayreddin-barbarossa-aic-90060","/galleries/style/renaissance/sinan-reis-and-hayreddin-barbarossa-aic-90060",{"_290":291,"_292":293},{"_224":806,"_125":807,"_284":808},{"_275":803,"_277":804,"_279":805,"_281":168},78.07689408217112,81,63.07689408217113,{"_286":224,"_123":809,"_154":810,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-italian","Italian's contemporaries","https://img.ochreeditions.com/a/247/480.jpg","https://img.ochreeditions.com/a/247/960.jpg","https://img.ochreeditions.com/a/247/1920.jpg",{"_313":826,"_315":827},{"_313":825,"_315":667},{"_313":823,"_315":824},{"_313":821,"_315":822},{"_313":819,"_315":820},"#baa581",0.1565,"#82643f",0.1862,"#887c60",0.1973,"#a07c4c","#5c513d",0.24,"italian","the-flight-into-egypt-aic-248304","The Flight into Egypt",{"_42":878,"_221":879,"_327":880,"_329":330,"_331":332,"_333":881,"_335":-5,"_336":-5,"_337":-5,"_140":103},"c. 1540","watercolour","Drawing and Watercolor","Pen and brown ink on dark cream laid paper, laid down on laid paper, with pen and ink and gold ruled lines","Primary support: 18.7 × 25 cm (7 3/8 × 9 7/8 in.); Secondary support: 24.1 × 30.2 cm (9 1/2 × 11 15/16 in.)",18,1.3208387942332895,[863,864,865,866,867],{"_220":759,"_221":760,"_42":761,"_306":762},"2019.874","Domenico Campagnola painted this in about 1540, aged 40. It is now at the Art Institute of Chicago.","A work made of pen and brown ink on dark cream laid paper, laid down on laid paper, with pen and ink and gold ruled lines.",{"_294":860,"_296":861,"_298":862},"https://img.ochreeditions.com/m/372.jpg?dl=1","/art/the-flight-into-egypt-aic-248304","/galleries/style/renaissance/the-flight-into-egypt-aic-248304",{"_290":377,"_292":378},{"_224":853,"_125":854,"_284":855},{"_275":646,"_277":851,"_279":648,"_281":852},42.92736654098036,18.927366540980355,{"_286":224,"_123":858,"_154":859,"_140":89},{"_286":125,"_123":856,"_154":857,"_140":89},{"_286":284,"_123":166,"_154":165,"_140":168},"style/watercolour-16","More watercolours of the 16th century","artist/contemporaries-of-domenico-campagnola","Domenico Campagnola's contemporaries","https://img.ochreeditions.com/a/372/480.jpg","https://img.ochreeditions.com/a/372/960.jpg","https://img.ochreeditions.com/a/372/1920.jpg",{"_313":876,"_315":877},{"_313":874,"_315":875},{"_313":872,"_315":873},{"_313":870,"_315":871},{"_313":868,"_315":869},"#cf9e5a",0.0606,"#a77c5a",0.1024,"#dfb995",0.2357,"#bd916c",0.2449,"#cfa57f",0.3564,"Domenico Campagnola","domenico-campagnola","Italian, c. 1500–1564",1564,"venus-reclining-in-a-landscape-cma-112586","Venus Reclining in a Landscape",{"_42":929,"_221":930,"_327":931,"_329":330,"_331":932,"_333":933,"_335":-5,"_336":-5,"_337":-5,"_140":103},"c. 1508–9","Platemark: 11.9 x 18.3 cm (4 11/16 x 7 3/16 in.); Sheet: 11.9 x 18.3 cm (4 11/16 x 7 3/16 in.)",18.3,11.9,1.4873140857392826,[914,915,916,917,918],{"_220":303,"_221":304,"_42":305,"_306":307},"1931.205","Giulio Campagnola made this in about 1508–9, aged about 26. It is now at the Cleveland Museum of Art.",{"_118":913,"_301":302},"Venus Reclining in a Landscape, by Giulio Campagnola, c. 1508–9",{"_294":910,"_296":911,"_298":912},"https://img.ochreeditions.com/m/527.jpg?dl=1","/art/venus-reclining-in-a-landscape-cma-112586","/galleries/style/renaissance/venus-reclining-in-a-landscape-cma-112586",{"_290":377,"_292":378},{"_224":905,"_125":906,"_284":907},{"_275":646,"_277":903,"_279":648,"_281":904},40.80882352941177,16.808823529411764,{"_286":224,"_123":908,"_154":909,"_140":89},{"_286":125,"_123":372,"_154":373,"_140":374},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-giulio-campagnola","Giulio Campagnola's contemporaries","https://img.ochreeditions.com/a/527/480.jpg","https://img.ochreeditions.com/a/527/960.jpg","https://img.ochreeditions.com/a/527/1920.jpg","The Venetian artist Giulio Campagnola introduced the \"dot manner,\" an engraving technique by which shading is created with dots and flicks produced with the point of the burin. This innovation allowed for a much greater range of tone and subtler gradations from dark to light.",{"_313":927,"_315":928},{"_313":925,"_315":926},{"_313":923,"_315":924},{"_313":921,"_315":922},{"_313":919,"_315":920},"#ede7dc",0.0694,"#a2978c",0.1959,"#615b55",0.2009,"#7e766d",0.23,"#c7baaa",0.3038,"Giulio Campagnola","giulio-campagnola","Italian, 1482–1515",1482,1515,"portrait-of-roberto-castiglione-cma-97168","Portrait of Roberto Castiglione","Unrecorded Italian maker","early 1600s","Framed: 147.3 x 120.6 x 10.2 cm (58 x 47 1/2 x 4 in.); Unframed: 121.2 x 98.7 cm (47 11/16 x 38 7/8 in.)",98.7,121.2,0.8088235294117647,[967,968,969,970,971],{"_220":303,"_221":304,"_42":305,"_306":307},"1916.804","An unrecorded Italy, Cremona artist painted this in the early 1600s. It is now at the Cleveland Museum of Art.",{"_118":966,"_301":302},"Portrait of Roberto Castiglione, early 1600s",{"_294":963,"_296":964,"_298":965},"https://img.ochreeditions.com/m/483.jpg?dl=1","/art/portrait-of-roberto-castiglione-cma-97168","/galleries/style/renaissance/portrait-of-roberto-castiglione-cma-97168",{"_290":291,"_292":293},{"_224":958,"_125":959,"_284":960},{"_275":955,"_277":956,"_279":957,"_281":940},113.02941176470588,136.2,98.02941176470588,{"_286":224,"_123":961,"_154":962,"_140":77},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/483/480.jpg","https://img.ochreeditions.com/a/483/960.jpg","https://img.ochreeditions.com/a/483/1920.jpg","The inscription on the bottom of this painting identifies the sitter of this commemorative portrait as Roberto Castiglione, a magistrate and imperial vicar for the Spanish empire in the 1200s. His identity is further supported by the coat of arms in the upper left.",{"_313":980,"_315":981},{"_313":978,"_315":979},{"_313":976,"_315":977},{"_313":974,"_315":975},{"_313":972,"_315":973},"#5d3921",0.0376,"#947340",0.0526,"#5c4d33",0.0983,"#272017",0.366,"#1f1c15",0.4455,"salome-with-the-head-of-saint-john-the-baptist-cma-97190","Salome with the Head of Saint John the Baptist",{"_42":1030,"_221":1031,"_327":1032,"_329":330,"_331":1033,"_333":1034,"_335":-5,"_336":-5,"_337":-5,"_140":101},"1500s or later","Framed: 72.1 x 87 x 5.7 cm (28 3/8 x 34 1/4 x 2 1/4 in.); Unframed: 46.6 x 59.7 cm (18 3/8 x 23 1/2 in.)",59.7,46.6,1.2903225806451613,[1015,1016,1017,1018,1019],{"_220":303,"_221":304,"_42":305,"_306":307},"1916.824","Bernardino Luini painted this in the 1500s or later, aged about 20. It is now at the Cleveland Museum of Art.",{"_118":1014,"_301":302},"Salome with the Head of Saint John the Baptist, by Bernardino Luini, 1500s or later",{"_294":1011,"_296":1012,"_298":1013},"https://img.ochreeditions.com/m/489.jpg?dl=1","/art/salome-with-the-head-of-saint-john-the-baptist-cma-97190","/galleries/style/renaissance/salome-with-the-head-of-saint-john-the-baptist-cma-97190",{"_290":291,"_292":293},{"_224":1006,"_125":1007,"_284":1008},{"_275":1003,"_277":1004,"_279":987,"_281":1005},74.7,61.267500000000005,46.267500000000005,{"_286":224,"_123":1009,"_154":1010,"_140":89},{"_286":125,"_123":491,"_154":492,"_140":493},{"_286":284,"_123":434,"_154":435,"_140":436},"artist/contemporaries-of-bernardino-luini","Bernardino Luini's contemporaries","https://img.ochreeditions.com/a/489/480.jpg","https://img.ochreeditions.com/a/489/960.jpg","https://img.ochreeditions.com/a/489/1920.jpg","Salome’s dancing so pleased her stepfather Herod that he offered her anything she wanted. Her mother advised Salome to demand John the Baptist’s head, which Salome presented to her family on an elaborate dish.",{"_313":1028,"_315":1029},{"_313":1026,"_315":1027},{"_313":1024,"_315":1025},{"_313":1022,"_315":1023},{"_313":1020,"_315":1021},"#948776",0.0872,"#635141",0.1138,"#633125",0.1166,"#36231c",0.2263,"#15100e",0.4561,"Bernardino Luini","bernardino-luini","Italian, c. 1480-c. 1532",1480,1532,"the-circumcision-of-christ-from-the-life-of-the-virgin-aic-43925","The Circumcision of Christ, from The Life of the Virgin",{"_42":1087,"_221":1088,"_327":1089,"_329":1090,"_331":1091,"_333":1092,"_335":1093,"_336":1093,"_337":1094,"_140":89},"c. 1505, published 1511","germany","Woodcut in black on tan laid paper","Image: 29.8 × 20.9 cm (11 3/4 × 8 1/4 in.); Sheet: 43.3 × 30.2 cm (17 1/16 × 11 15/16 in.)",20,29,0.7032694690687256,[1072,1073,1074,1075,1076],{"_220":759,"_221":760,"_42":761,"_306":762},"1927.2895","Albrecht Dürer made this in about 1505, published 1511, aged 34. It is now at the Art Institute of Chicago.","The infant Christ is brought for circumcision, the rite performed on the eighth day after birth, in a scene from Dürer’s Life of the Virgin, a series of twenty woodcuts.","A work made of woodcut in black on tan laid paper.",{"_294":1069,"_296":1070,"_298":1071},"https://img.ochreeditions.com/m/145.jpg?dl=1","/art/the-circumcision-of-christ-from-the-life-of-the-virgin-aic-43925","/galleries/style/renaissance/the-circumcision-of-christ-from-the-life-of-the-virgin-aic-43925",{"_290":377,"_292":378},{"_224":1061,"_125":1062,"_284":1063},{"_275":1058,"_277":1059,"_279":1060,"_281":1043},44.39481460299304,53,20.39481460299304,{"_286":224,"_123":1067,"_154":1068,"_140":89},{"_286":125,"_123":372,"_154":373,"_140":374},{"_286":284,"_123":1064,"_154":1065,"_140":1066},"era/16-germany","16th-century Germany",28,"artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/145/480.jpg","https://img.ochreeditions.com/a/145/960.jpg","https://img.ochreeditions.com/a/145/1920.jpg",{"_313":1085,"_315":1086},{"_313":1083,"_315":1084},{"_313":1081,"_315":1082},{"_313":1079,"_315":1080},{"_313":1077,"_315":1078},"#5d544b",0.0802,"#9b8977",0.1226,"#c0a78e",0.1486,"#7d6f62",0.159,"#d8bea4",0.4896,"Albrecht Dürer","albrecht-durer","German, 1471–1528","German",1471,1528,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","christ-and-the-woman-of-samaria-aic-16200","Christ and the Woman of Samaria",{"_42":460,"_221":461,"_327":462,"_329":330,"_331":463,"_333":464,"_335":-5,"_336":-5,"_337":465,"_140":95},"1500–05","Tempera on panel, transferred to canvas","27.3 × 46.3 cm (10 3/4 × 18 1/4 in.)",46,27,1.6930673896204493,[1125,1126,1127,1128,1129],{"_220":759,"_221":760,"_42":761,"_306":762},"1933.1024","Perugino painted this in 1500–05, aged about 50. It is now at the Art Institute of Chicago.","A work made of tempera on panel, transferred to canvas.",{"_294":1122,"_296":1123,"_298":1124},"https://img.ochreeditions.com/m/45.jpg?dl=1","/art/christ-and-the-woman-of-samaria-aic-16200","/galleries/style/renaissance/christ-and-the-woman-of-samaria-aic-16200",{"_290":291,"_292":293},{"_224":1119,"_125":1120,"_284":1121},{"_275":1116,"_277":1117,"_279":1101,"_281":1118},61,42.169621411414845,27.169621411414845,{"_286":224,"_123":439,"_154":440,"_140":95},{"_286":125,"_123":491,"_154":492,"_140":493},{"_286":284,"_123":434,"_154":435,"_140":436},"https://img.ochreeditions.com/a/45/480.jpg","https://img.ochreeditions.com/a/45/960.jpg","https://img.ochreeditions.com/a/45/1920.jpg",{"_313":1138,"_315":1139},{"_313":1136,"_315":1137},{"_313":1134,"_315":1135},{"_313":1132,"_315":1133},{"_313":1130,"_315":1131},"#60695c",0.1238,"#92826b",0.1558,"#7e4e24",0.1785,"#5a442c",0.2171,"#73603a",0.3248,{"_1141":-5,"_1142":1143,"_1144":1145,"_1146":8,"_1147":1148,"_1149":8},"user","csrf","3c00a946a9169ff66157d3c7f93ca069b03e7d72","cartCount",0,"dropLive","legal",[1150,1151,1152,1153,1154,1155,1156,1157,1158,1159,1160,1161],"uploadsEnabled",{"_221":1184,"_20":1185},{"_221":1182,"_20":1183},{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},{"_221":1166,"_20":1167},{"_221":1164,"_20":1165},{"_221":1162,"_20":1163},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]