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The initial work was painted on a single slab of wood, with strips left unpainted along the top and bottom.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","city","Cleveland",{"_315":325,"_317":326},{"_315":323,"_317":324},{"_315":321,"_317":322},{"_315":319,"_317":320},{"_315":316,"_317":318},"hex","#9b957f","weight",0.0554,"#593825",0.1129,"#5d553c",0.1286,"#382f21",0.2607,"#211e16",0.4424,"the-sacrifice-of-isaac-cma-117032","The Sacrifice of Isaac",{"_42":375,"_222":376,"_377":378,"_379":380,"_381":382,"_383":384,"_385":386,"_387":386,"_388":389,"_140":97},"c. 1527","Framed: 208 x 171 x 12.5 cm (81 7/8 x 67 5/16 x 4 15/16 in.); Unframed: 178 x 138 cm (70 1/16 x 54 5/16 in.)",138,178,0.7744117647058824,[360,361,362,363,364],{"_221":305,"_222":306,"_42":307,"_308":309},"1937.577","Andrea del Sarto painted this in about 1527, aged about 36. 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It is now at the Art Institute of Chicago.","A work made of engraving in black on cream laid paper.",{"_296":427,"_298":428,"_300":429},"https://img.ochreeditions.com/m/442.jpg?dl=1","/art/the-academy-of-baccio-bandinelli-aic-273081","/galleries/style/renaissance/the-academy-of-baccio-bandinelli-aic-273081",{"_292":425,"_294":426},{"_225":417,"_125":418,"_286":419},{"_276":414,"_278":415,"_280":398,"_282":416},135,96.43541685901579,72.43541685901579,{"_288":225,"_123":423,"_154":424,"_140":89},{"_288":125,"_123":420,"_154":421,"_140":422},{"_288":286,"_123":167,"_154":166,"_140":169},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-enea-vico","Enea Vico's contemporaries","white","snow","https://img.ochreeditions.com/a/442/480.jpg","https://img.ochreeditions.com/a/442/960.jpg","https://img.ochreeditions.com/a/442/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_315":447,"_317":448},{"_315":445,"_317":446},{"_315":443,"_317":444},{"_315":441,"_317":442},{"_315":439,"_317":440},"#e2d0c0",0.0759,"#af9e8f",0.1376,"#897c6f",0.2188,"#554d45",0.279,"#6e6459",0.2887,"Enea Vico","enea-vico","Italian, 1523–1567",1523,1567,"angelica-and-medoro-aic-21314","Angelica and Medoro",{"_42":501,"_222":502,"_377":503,"_379":380,"_381":504,"_383":505,"_385":-5,"_387":-5,"_388":506,"_140":99},"c. 1570","Engraving in black on ivory laid paper","29.9 × 20.9 cm (11 13/16 × 8 1/4 in.)",20,29,0.6897777777777778,[486,487,488,489,490],{"_221":430,"_222":431,"_42":432,"_308":433},"1935.119","Giorgio Ghisi made this in about 1570, aged about 45. It is now at the Art Institute of Chicago.","A work made of engraving in black on ivory laid paper.",{"_296":483,"_298":484,"_300":485},"https://img.ochreeditions.com/m/83.jpg?dl=1","/art/angelica-and-medoro-aic-21314","/galleries/style/renaissance/angelica-and-medoro-aic-21314",{"_292":425,"_294":426},{"_225":478,"_125":479,"_286":480},{"_276":475,"_278":476,"_280":477,"_282":461},44.00355555555556,53,20.003555555555558,{"_288":225,"_123":481,"_154":482,"_140":99},{"_288":125,"_123":420,"_154":421,"_140":422},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/giorgio-ghisi","More by Giorgio Ghisi","https://img.ochreeditions.com/a/83/480.jpg","https://img.ochreeditions.com/a/83/960.jpg","https://img.ochreeditions.com/a/83/1920.jpg",{"_315":499,"_317":500},{"_315":497,"_317":498},{"_315":495,"_317":496},{"_315":493,"_317":494},{"_315":491,"_317":492},"#e0d7c5",0.1325,"#b5aa96",0.1761,"#918774",0.2163,"#524d3f",0.2322,"#6f6757",0.2429,"Giorgio Ghisi","giorgio-ghisi","Italian, 1520–1582",1520,1582,"Ghisi was a Mantuan engraver who worked in Antwerp for the publisher Hieronymus Cock, engraving large plates after Raphael’s Vatican frescoes, and later in France.","equestrian-portrait-of-the-emperor-maximilian-cma-128048","Equestrian Portrait of the Emperor Maximilian",{"_42":559,"_222":560,"_377":561,"_379":562,"_381":563,"_383":564,"_385":-5,"_387":-5,"_388":-5,"_140":103},"1508","germany","woodcut, in black and white on paper washed blue","Sheet: 32.3 x 22.7 cm (12 11/16 x 8 15/16 in.)",22.7,32.3,0.7070588235294117,[545,546,547,548,549],{"_221":305,"_222":306,"_42":307,"_308":309},"1950.72","Hans Burgkmair made this in 1508, aged 35. It is now at the Cleveland Museum of Art.",{"_118":544,"_303":304},"Equestrian Portrait of the Emperor Maximilian, by Hans Burgkmair, 1508",{"_296":541,"_298":542,"_300":543},"https://img.ochreeditions.com/m/590.jpg?dl=1","/art/equestrian-portrait-of-the-emperor-maximilian-cma-128048","/galleries/style/renaissance/equestrian-portrait-of-the-emperor-maximilian-cma-128048",{"_292":425,"_294":426},{"_225":533,"_125":534,"_286":535},{"_276":530,"_278":531,"_280":532,"_282":515},46.837999999999994,56.3,22.837999999999997,{"_288":225,"_123":539,"_154":540,"_140":89},{"_288":125,"_123":420,"_154":421,"_140":422},{"_288":286,"_123":536,"_154":537,"_140":538},"era/16-germany","16th-century Germany",28,"artist/contemporaries-of-hans-burgkmair","Hans Burgkmair's contemporaries","https://img.ochreeditions.com/a/590/480.jpg","https://img.ochreeditions.com/a/590/960.jpg","https://img.ochreeditions.com/a/590/1920.jpg","Presented in full profile, the Holy Roman Emperor Maximilian I (reigned 1486–1519) and his mount emulate a classical equestrian portrait statue.",{"_315":557,"_317":558},{"_315":555,"_317":556},{"_315":553,"_317":554},{"_315":552,"_317":370},{"_315":550,"_317":551},"#798687",0.0993,"#606f71","#313d40",0.208,"#4d5d62",0.2424,"#3f4d51",0.2756,"Hans Burgkmair","hans-burgkmair","German, 1473–1531","German",1473,1531,"study-of-a-standing-male-nude-aic-248306","Study of a Standing Male Nude",{"_42":616,"_222":617,"_377":618,"_379":380,"_381":619,"_383":620,"_385":-5,"_387":-5,"_388":-5,"_140":103},"1595/96","watercolour","Drawing and Watercolor","Black chalk on laid paper, laid down on tan laid pulp board","43.2 × 17.3 cm (17 1/16 × 6 13/16 in.)",17,43,0.46583344654258935,[601,602,603,604,605],{"_221":430,"_222":431,"_42":432,"_308":433},"2019.876","Giuseppe Cesari, called Cavaliere d'Arpino painted this in 1595/96, aged about 27. It is now at the Art Institute of Chicago.","A work made of black chalk on laid paper, laid down on tan laid pulp board.",{"_296":598,"_298":599,"_300":600},"https://img.ochreeditions.com/m/373.jpg?dl=1","/art/study-of-a-standing-male-nude-aic-248306","/galleries/style/renaissance/study-of-a-standing-male-nude-aic-248306",{"_292":425,"_294":426},{"_225":591,"_125":592,"_286":593},{"_276":588,"_278":589,"_280":590,"_282":574},44.03083820133134,67,20.030838201331342,{"_288":225,"_123":596,"_154":597,"_140":89},{"_288":125,"_123":594,"_154":595,"_140":89},{"_288":286,"_123":167,"_154":166,"_140":169},"style/watercolour-16","More watercolours of the 16th century","artist/contemporaries-of-giuseppe-cesari-called-cavaliere-d-arpino","Giuseppe Cesari, called Cavaliere d'Arpino's contemporaries","https://img.ochreeditions.com/a/373/480.jpg","https://img.ochreeditions.com/a/373/960.jpg","https://img.ochreeditions.com/a/373/1920.jpg",{"_315":614,"_317":615},{"_315":612,"_317":613},{"_315":610,"_317":611},{"_315":608,"_317":609},{"_315":606,"_317":607},"#867564",0.0776,"#a9927c",0.1693,"#c99f78",0.199,"#b89173",0.2052,"#cdb096",0.3489,"Giuseppe Cesari, called Cavaliere d'Arpino","giuseppe-cesari-called-cavaliere-d-arpino","Italian, 1568–1640",1568,1640,"the-circumcision-of-christ-from-the-life-of-the-virgin-aic-43925","The Circumcision of Christ, from The Life of the Virgin",{"_42":666,"_222":667,"_377":668,"_379":562,"_381":669,"_383":670,"_385":671,"_387":671,"_388":672,"_140":89},"c. 1505, published 1511","Woodcut in black on tan laid paper","Image: 29.8 × 20.9 cm (11 3/4 × 8 1/4 in.); Sheet: 43.3 × 30.2 cm (17 1/16 × 11 15/16 in.)",0.7032694690687256,[651,652,653,654,655],{"_221":430,"_222":431,"_42":432,"_308":433},"1927.2895","Albrecht Dürer made this in about 1505, published 1511, aged 34. It is now at the Art Institute of Chicago.","The infant Christ is brought for circumcision, the rite performed on the eighth day after birth, in a scene from Dürer’s Life of the Virgin, a series of twenty woodcuts.","A work made of woodcut in black on tan laid paper.",{"_296":648,"_298":649,"_300":650},"https://img.ochreeditions.com/m/145.jpg?dl=1","/art/the-circumcision-of-christ-from-the-life-of-the-virgin-aic-43925","/galleries/style/renaissance/the-circumcision-of-christ-from-the-life-of-the-virgin-aic-43925",{"_292":425,"_294":426},{"_225":643,"_125":644,"_286":645},{"_276":641,"_278":476,"_280":642,"_282":461},44.39481460299304,20.39481460299304,{"_288":225,"_123":646,"_154":647,"_140":89},{"_288":125,"_123":420,"_154":421,"_140":422},{"_288":286,"_123":536,"_154":537,"_140":538},"artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/145/480.jpg","https://img.ochreeditions.com/a/145/960.jpg","https://img.ochreeditions.com/a/145/1920.jpg",{"_315":664,"_317":665},{"_315":662,"_317":663},{"_315":660,"_317":661},{"_315":658,"_317":659},{"_315":656,"_317":657},"#5d544b",0.0802,"#9b8977",0.1226,"#c0a78e",0.1486,"#7d6f62",0.159,"#d8bea4",0.4896,"Albrecht Dürer","albrecht-durer","German, 1471–1528",1471,1528,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","the-annunciation-aic-16327","The Annunciation",{"_42":728,"_222":729,"_377":730,"_379":731,"_381":732,"_383":733,"_385":-5,"_387":-5,"_388":-5,"_140":101},"1490–95","netherlands","Oil on panel","72.5 × 50.1 cm (28 1/2 × 19 11/16 in.); Framed: 86.3 × 65.4 cm (34 × 25 3/4 in.)",72,0.6841548053170216,[713,714,715,716,717],{"_221":430,"_222":431,"_42":432,"_308":433},"1933.1062","Jean Hey (called Master of Moulins) painted this in 1490–95, aged about 15. It is now at the Art Institute of Chicago.",{"_118":711,"_303":712},"Painting of the Annunciation, dove flying above Mary with angel.",{"_296":708,"_298":709,"_300":710},"https://img.ochreeditions.com/m/50.jpg?dl=1","/art/the-annunciation-aic-16327","/galleries/style/renaissance/the-annunciation-aic-16327",{"_292":293,"_294":295},{"_225":698,"_125":699,"_286":700},{"_276":695,"_278":696,"_280":697,"_282":680},64.25914598282554,87,49.25914598282555,{"_288":225,"_123":706,"_154":707,"_140":89},{"_288":125,"_123":703,"_154":704,"_140":705},{"_288":286,"_123":701,"_154":702,"_140":81},"era/15-netherlands","15th-century Netherlands","style/painting-15","More paintings of the 15th century",73,"artist/contemporaries-of-jean-hey-called-master-of-moulins","Jean Hey (called Master of Moulins)'s contemporaries","https://img.ochreeditions.com/a/50/480.jpg","https://img.ochreeditions.com/a/50/960.jpg","https://img.ochreeditions.com/a/50/1920.jpg","Jean Hey, known as the Master of Moulins, was a leading painter in 15th-century France. Here, he captured the moment the archangel Gabriel announced to Mary that she would give birth to a son.","Text from the Art Institute of Chicago.",{"_315":726,"_317":727},{"_315":724,"_317":725},{"_315":722,"_317":723},{"_315":720,"_317":721},{"_315":718,"_317":719},"#792423",0.0756,"#84826e",0.1854,"#726727",0.2031,"#393b32",0.2507,"#553624",0.2852,"Jean Hey (called Master of Moulins)","jean-hey-called-master-of-moulins","Netherlandish, active fourth quarter 15th century","Netherlandish",1475,1499,"adoration-of-the-shepherds-cma-97143","Adoration of the Shepherds","c. 1500","Framed: 63 x 51 x 7.8 cm (24 13/16 x 20 1/16 x 3 1/16 in.); Unframed: 41.5 x 29.8 cm (16 5/16 x 11 3/4 in.)",29.8,41.5,0.7088235294117647,[765,766,767,768,769],{"_221":305,"_222":306,"_42":307,"_308":309},"1916.782","An unrecorded Northern Italy, late 15th-early 16th Century artist painted this in about 1500. It is now at the Cleveland Museum of Art.","Adoration of the Shepherds, c. 1500",{"_296":762,"_298":763,"_300":764},"https://img.ochreeditions.com/m/472.jpg?dl=1","/art/adoration-of-the-shepherds-cma-97143","/galleries/style/renaissance/adoration-of-the-shepherds-cma-97143",{"_292":293,"_294":295},{"_225":756,"_125":757,"_286":758},{"_276":753,"_278":754,"_280":755,"_282":739},44.41617647058824,56.5,29.416176470588237,{"_288":225,"_123":171,"_154":170,"_140":77},{"_288":125,"_123":703,"_154":704,"_140":705},{"_288":286,"_123":759,"_154":760,"_140":761},"era/15-italy","15th-century Italy",57,"https://img.ochreeditions.com/a/472/480.jpg","https://img.ochreeditions.com/a/472/960.jpg","https://img.ochreeditions.com/a/472/1920.jpg",{"_315":778,"_317":779},{"_315":776,"_317":777},{"_315":774,"_317":775},{"_315":772,"_317":773},{"_315":770,"_317":771},"#433828",0.1522,"#a09a7b",0.1814,"#a18554",0.2028,"#7f643f",0.2201,"#614e34",0.2435,"ornament-in-hexagonal-shape-nga-9484","Ornament in Hexagonal Shape","c. 1480/1510","niello print","sheet: 2 x 4.3 cm (13/16 x 1 11/16 in.)",4.3,2.1132254995242628,[815,816,817,818,819],{"_221":811,"_222":812,"_42":813,"_308":814},"Courtesy National Gallery of Art, Washington","1943.3.6690","An unrecorded Italian artist made this in about 1480/1510. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of an ornamental floral design. The image shows a central floral motif resembling a flower with radiating petals, surrounded by swirling leaf patterns. The background is dark, contrasting with the lighter line work of the floral design. The drawing's borders are uneven and have an antique appearance.",{"_296":808,"_298":809,"_300":810},"https://img.ochreeditions.com/m/1353.jpg?dl=1","/art/ornament-in-hexagonal-shape-nga-9484","/galleries/style/renaissance/ornament-in-hexagonal-shape-nga-9484",{"_292":425,"_294":426},{"_225":803,"_125":804,"_286":805},{"_276":800,"_278":801,"_280":245,"_282":802},49,35.83025664115263,11.830256641152634,{"_288":225,"_123":171,"_154":170,"_140":77},{"_288":125,"_123":806,"_154":807,"_140":53},{"_288":286,"_123":759,"_154":760,"_140":761},"style/print-15","More prints of the 15th century","https://img.ochreeditions.com/a/1353/480.jpg","https://img.ochreeditions.com/a/1353/960.jpg","https://img.ochreeditions.com/a/1353/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_315":828,"_317":829},{"_315":826,"_317":827},{"_315":824,"_317":825},{"_315":822,"_317":823},{"_315":820,"_317":821},"#786a59",0.1375,"#9f8e76",0.1406,"#5a5146",0.2245,"#433e39",0.2406,"#d4cab5",0.2568,"the-passion-christ-before-annas-cma-104608","The Passion: Christ Before Annas",{"_42":879,"_222":880,"_377":881,"_379":562,"_381":882,"_383":883,"_385":884,"_387":885,"_388":886,"_140":97},"c. 1480","engraving",0.7288235294117648,[864,865,866,867,868],{"_221":305,"_222":306,"_42":307,"_308":309},"1922.87","Martin Schongauer made this in about 1480, aged about 25. It is now at the Cleveland Museum of Art.",{"_118":863,"_303":304},"The Passion: Christ Before Annas, by Martin Schongauer, c. 1480",{"_296":860,"_298":861,"_300":862},"https://img.ochreeditions.com/m/508.jpg?dl=1","/art/the-passion-christ-before-annas-cma-104608","/galleries/style/renaissance/the-passion-christ-before-annas-cma-104608",{"_292":425,"_294":426},{"_225":853,"_125":854,"_286":855},{"_276":849,"_278":850,"_280":851,"_282":852},67.72941176470589,84,43.72941176470589,60,{"_288":225,"_123":858,"_154":859,"_140":97},{"_288":125,"_123":806,"_154":807,"_140":53},{"_288":286,"_123":856,"_154":857,"_140":91},"era/15-germany","15th-century Germany","artist/martin-schongauer","More by Martin Schongauer","https://img.ochreeditions.com/a/508/480.jpg","https://img.ochreeditions.com/a/508/960.jpg","https://img.ochreeditions.com/a/508/1920.jpg","Martin Schongauer's series of the Passion of Christ was his largest set of engravings, made around 1480, and extensively copied across Europe. It consists of twelve prints detailing the suffering of Christ in the last days of his life.",{"_315":877,"_317":878},{"_315":875,"_317":876},{"_315":873,"_317":874},{"_315":871,"_317":872},{"_315":869,"_317":870},"#524e48",0.1213,"#9d968d",0.1832,"#78726a",0.2064,"#c8bfb5",0.239,"#ede4d8",0.2501,"Martin Schongauer","martin-schongauer","German, c. 1450–1491",1450,1491,"Colmar","Breisach","Schongauer, the son of a goldsmith, worked in Colmar in Alsace and was both a painter and the most accomplished engraver of fifteenth-century northern Europe.","virgin-and-child-with-the-young-saint-john-the-baptist-aic-23972","Virgin and Child with the Young Saint John the Baptist",{"_42":934,"_222":935,"_377":936,"_379":937,"_381":938,"_383":939,"_385":-5,"_387":-5,"_388":-5,"_140":103},"c. 1515","64.2 × 50.2 cm (25 1/4 × 19 3/4 in.); Framed: 79.4 × 63.9 × 8.3 cm (31 1/4 × 25 1/8 × 3 1/4 in.)",64,0.7786499215070644,[919,920,921,922,923],{"_221":430,"_222":431,"_42":432,"_308":433},"1965.688","Antonio da Correggio painted this in about 1515, aged about 21. It is now at the Art Institute of Chicago.",{"_118":918,"_303":712},"Vividly colored painting of Virgin Mary with baby Jesus and baby John the Baptist.",{"_296":915,"_298":916,"_300":917},"https://img.ochreeditions.com/m/100.jpg?dl=1","/art/virgin-and-child-with-the-young-saint-john-the-baptist-aic-23972","/galleries/style/renaissance/virgin-and-child-with-the-young-saint-john-the-baptist-aic-23972",{"_292":293,"_294":295},{"_225":910,"_125":911,"_286":912},{"_276":907,"_278":908,"_280":909,"_282":892},64.83359497645212,79,49.83359497645212,{"_288":225,"_123":913,"_154":914,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-antonio-da-correggio","Antonio da Correggio's contemporaries","https://img.ochreeditions.com/a/100/480.jpg","https://img.ochreeditions.com/a/100/960.jpg","https://img.ochreeditions.com/a/100/1920.jpg","This intimate devotional panel, an early work by Antonio da Correggio, reveals the young artist's evolving style. The distant landscape demonstrates his awareness of Northern European precedents, and the figural composition references the manner of Raphael, while its soft outlines recall Da Vinci.",{"_315":932,"_317":933},{"_315":930,"_317":931},{"_315":928,"_317":929},{"_315":926,"_317":927},{"_315":924,"_317":925},"#892f1f",0.0784,"#3c636a",0.0806,"#a8a49c",0.1931,"#6d5e37",0.255,"#2a2217",0.3929,"Antonio da Correggio","antonio-da-correggio","Antonio Allegri; Italian, 1489–1534","Antonio Allegri; Italian",1489,1534,"a-naval-battle-aic-273340","A Naval Battle",{"_42":986,"_222":987,"_377":380,"_379":380,"_381":-5,"_383":988,"_385":-5,"_387":-5,"_388":-5,"_140":103},"c. 1550","Engraving and etching in black on cream laid paper","22 × 36.1 cm (8 11/16 × 14 1/4 in.)",36,22,1.3656927426955703,[971,972,973,974,975],{"_221":430,"_222":431,"_42":432,"_308":433},"2024.163","Michele Lucchese made this in about 1550. It is now at the Art Institute of Chicago.","A work made of engraving and etching in black on cream laid paper.",{"_296":968,"_298":969,"_300":970},"https://img.ochreeditions.com/m/445.jpg?dl=1","/art/a-naval-battle-aic-273340","/galleries/style/renaissance/a-naval-battle-aic-273340",{"_292":425,"_294":426},{"_225":963,"_125":964,"_286":965},{"_276":852,"_278":961,"_280":946,"_282":962},50.36024844720497,26.360248447204967,{"_288":225,"_123":966,"_154":967,"_140":89},{"_288":125,"_123":420,"_154":421,"_140":422},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-michele-lucchese","Michele Lucchese's contemporaries","https://img.ochreeditions.com/a/445/480.jpg","https://img.ochreeditions.com/a/445/960.jpg","https://img.ochreeditions.com/a/445/1920.jpg",{"_315":984,"_317":985},{"_315":982,"_317":983},{"_315":980,"_317":981},{"_315":978,"_317":979},{"_315":976,"_317":977},"#635a51",0.0771,"#c0b0a3",0.0798,"#a09388",0.0864,"#80756c",0.0884,"#eddacc",0.6683,"Michele Lucchese","michele-lucchese",1564,"the-farnese-hercules-aic-264799","The Farnese Hercules",{"_42":501,"_222":502,"_377":503,"_379":380,"_381":504,"_383":505,"_385":-5,"_387":-5,"_388":506,"_140":99},"c. 1577","Plate: 36.4 × 22 cm (14 3/8 × 8 11/16 in.); Sheet: 50 × 35.8 cm (19 11/16 × 14 1/8 in.)",0.711064993868503,[1014,1015,1016,1017,1018],{"_221":430,"_222":431,"_42":432,"_308":433},"2022.150","Giorgio Ghisi made this in about 1577, aged about 52. It is now at the Art Institute of Chicago.",{"_296":1011,"_298":1012,"_300":1013},"https://img.ochreeditions.com/m/420.jpg?dl=1","/art/the-farnese-hercules-aic-264799","/galleries/style/renaissance/the-farnese-hercules-aic-264799",{"_292":425,"_294":426},{"_225":1008,"_125":1009,"_286":1010},{"_276":1006,"_278":852,"_280":1007,"_282":946},49.598339779266105,25.598339779266105,{"_288":225,"_123":481,"_154":482,"_140":99},{"_288":125,"_123":420,"_154":421,"_140":422},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/420/480.jpg","https://img.ochreeditions.com/a/420/960.jpg","https://img.ochreeditions.com/a/420/1920.jpg",{"_315":1027,"_317":1028},{"_315":1025,"_317":1026},{"_315":1023,"_317":1024},{"_315":1021,"_317":1022},{"_315":1019,"_317":1020},"#f2e3d8",0.0679,"#b2a193",0.0839,"#83786d",0.0907,"#5e574f",0.0971,"#e1ccbb",0.6604,"saint-catherine-of-siena-receiving-the-stigmata-aic-262135","Saint Catherine of Siena Receiving the Stigmata",{"_42":1073,"_222":1074,"_377":1075,"_379":380,"_381":1076,"_383":1077,"_385":-5,"_387":-5,"_388":-5,"_140":103},"c. 1595","Etching in black on cream laid paper","Plate/sheet: 11.9 × 7.7 cm (4 11/16 × 3 1/16 in.)",0.6651543977755012,[1058,1059,1060,1061,1062],{"_221":430,"_222":431,"_42":432,"_308":433},"2022.52","Francesco Vanni made this in about 1595, aged about 27. It is now at the Art Institute of Chicago.","A work made of etching in black on cream laid paper.",{"_296":1055,"_298":1056,"_300":1057},"https://img.ochreeditions.com/m/408.jpg?dl=1","/art/saint-catherine-of-siena-receiving-the-stigmata-aic-262135","/galleries/style/renaissance/saint-catherine-of-siena-receiving-the-stigmata-aic-262135",{"_292":425,"_294":426},{"_225":1050,"_125":1051,"_286":1052},{"_276":1048,"_278":800,"_280":1049,"_282":245},40.62885994438753,16.628859944387532,{"_288":225,"_123":1053,"_154":1054,"_140":89},{"_288":125,"_123":420,"_154":421,"_140":422},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-francesco-vanni","Francesco Vanni's contemporaries","https://img.ochreeditions.com/a/408/480.jpg","https://img.ochreeditions.com/a/408/960.jpg","https://img.ochreeditions.com/a/408/1920.jpg",{"_315":1071,"_317":1072},{"_315":1069,"_317":1070},{"_315":1067,"_317":1068},{"_315":1065,"_317":1066},{"_315":1063,"_317":1064},"#f9e9d8",0.0985,"#756b61",0.1326,"#d3c1af",0.198,"#988b7e",0.2144,"#b5a595",0.3565,"Francesco Vanni","francesco-vanni","Italian, 1563–1610",1563,1610,"arm-of-eve-cma-141931","Arm of Eve",{"_42":666,"_222":667,"_377":668,"_379":562,"_381":669,"_383":670,"_385":671,"_387":671,"_388":672,"_140":89},"1507","drawing","Drawing","point of brush and gray and black wash, brush and gray and black wash, heightened with white gouache","Sheet: 34.4 x 26.7 cm (13 9/16 x 10 1/2 in.)",26.7,34.4,0.7997058823529412,[1115,1116,1117,1118,1119],{"_221":305,"_222":306,"_42":307,"_308":309},"1965.470","Albrecht Dürer painted this in 1507, aged 36. It is now at the Cleveland Museum of Art.",{"_118":1114,"_303":304},"Arm of Eve, by Albrecht Dürer, 1507",{"_296":1111,"_298":1112,"_300":1113},"https://img.ochreeditions.com/m/659.jpg?dl=1","/art/arm-of-eve-cma-141931","/galleries/style/renaissance/arm-of-eve-cma-141931",{"_292":425,"_294":426},{"_225":1105,"_125":1106,"_286":1107},{"_276":1102,"_278":1103,"_280":1104,"_282":1087},51.509882352941176,58.4,27.509882352941176,{"_288":225,"_123":646,"_154":647,"_140":89},{"_288":125,"_123":1108,"_154":1109,"_140":1110},{"_288":286,"_123":536,"_154":537,"_140":538},"style/drawing-16","More drawings of the 16th century",35,"https://img.ochreeditions.com/a/659/480.jpg","https://img.ochreeditions.com/a/659/960.jpg","https://img.ochreeditions.com/a/659/1920.jpg","Arm of Eve is the only surviving preparatory drawing for Dürer’s life-size panels of Adam and Eve in the Museo del Prado, Madrid. It is also one of the few surviving drawings by the artist made on Venetian blue paper, a support he began to use for his chiaroscuro studies while visiting Venice in the winter of 1506–7.",{"_315":1128,"_317":1129},{"_315":1126,"_317":1127},{"_315":1124,"_317":1125},{"_315":1122,"_317":1123},{"_315":1120,"_317":1121},"#82857f",0.0518,"#f7f6f4",0.0695,"#b1b8b5",0.0833,"#969d97",0.2353,"#9fa9a4",0.5601,{"_1131":-5,"_1132":1133,"_1134":1135,"_1136":8,"_1137":1138,"_1139":8},"user","csrf","22a19522b9dc4a2fe290e0271ffe71108d872497","cartCount",0,"dropLive","legal",[1140,1141,1142,1143,1144,1145,1146,1147,1148,1149,1150,1151],"uploadsEnabled",{"_222":1174,"_20":1175},{"_222":1172,"_20":1173},{"_222":1170,"_20":1171},{"_222":1168,"_20":1169},{"_222":1166,"_20":1167},{"_222":1164,"_20":1165},{"_222":1162,"_20":1163},{"_222":1160,"_20":1161},{"_222":1158,"_20":1159},{"_222":1156,"_20":1157},{"_222":1154,"_20":1155},{"_222":1152,"_20":1153},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]