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It is now at the Art Institute of Chicago.","A work made of tempera on panel, transferred to canvas.",{"_293":423,"_295":424,"_297":425},"https://img.ochreeditions.com/m/47.jpg?dl=1","/art/noli-me-tangere-aic-16207","/galleries/style/renaissance/noli-me-tangere-aic-16207",{"_289":290,"_291":292},{"_224":418,"_125":419,"_283":420},{"_274":415,"_276":416,"_278":197,"_279":417},61,41.74075769715005,26.740757697150052,{"_285":224,"_123":421,"_154":422,"_140":95},{"_285":125,"_123":363,"_154":364,"_140":275},{"_285":283,"_123":360,"_154":361,"_140":362},"artist/perugino","More by Perugino","https://img.ochreeditions.com/a/47/480.jpg","https://img.ochreeditions.com/a/47/960.jpg","https://img.ochreeditions.com/a/47/1920.jpg",{"_309":439,"_311":440},{"_309":437,"_311":438},{"_309":435,"_311":436},{"_309":433,"_311":434},{"_309":431,"_311":432},"#7b7f70",0.0938,"#75442e",0.1022,"#835020",0.1681,"#47402e",0.2141,"#796841",0.4218,"Perugino","perugino","Italian, c. 1450/55–1523",1450,1523,"Pietro Vannucci took the name Perugino from Perugia, the chief city of his native Umbria, and trained in Florence, probably alongside Leonardo in Verrocchio’s studio.","the-flight-into-egypt-aic-248304","The Flight into Egypt",{"_42":503,"_221":504,"_323":505,"_325":392,"_326":506,"_327":507,"_329":-5,"_330":-5,"_331":-5,"_140":103},"c. 1540","watercolour","Drawing and Watercolor","Pen and brown ink on dark cream laid paper, laid down on laid paper, with pen and ink and gold ruled lines","Primary support: 18.7 × 25 cm (7 3/8 × 9 7/8 in.); Secondary support: 24.1 × 30.2 cm (9 1/2 × 11 15/16 in.)",25,18,1.3208387942332895,[488,489,490,491,492],{"_220":299,"_221":300,"_42":301,"_302":303},"2019.874","Domenico Campagnola painted this in about 1540, aged 40. It is now at the Art Institute of Chicago.","A work made of pen and brown ink on dark cream laid paper, laid down on laid paper, with pen and ink and gold ruled lines.",{"_293":485,"_295":486,"_297":487},"https://img.ochreeditions.com/m/372.jpg?dl=1","/art/the-flight-into-egypt-aic-248304","/galleries/style/renaissance/the-flight-into-egypt-aic-248304",{"_289":483,"_291":484},{"_224":473,"_125":474,"_283":475},{"_274":470,"_276":471,"_278":455,"_279":472},49,42.92736654098036,18.927366540980355,{"_285":224,"_123":481,"_154":482,"_140":89},{"_285":125,"_123":479,"_154":480,"_140":89},{"_285":283,"_123":476,"_154":477,"_140":478},"era/16-italy","16th-century Italy",66,"style/watercolour-16","More watercolours of the 16th century","artist/contemporaries-of-domenico-campagnola","Domenico Campagnola's contemporaries","white","snow","https://img.ochreeditions.com/a/372/480.jpg","https://img.ochreeditions.com/a/372/960.jpg","https://img.ochreeditions.com/a/372/1920.jpg",{"_309":501,"_311":502},{"_309":499,"_311":500},{"_309":497,"_311":498},{"_309":495,"_311":496},{"_309":493,"_311":494},"#cf9e5a",0.0606,"#a77c5a",0.1024,"#dfb995",0.2357,"#bd916c",0.2449,"#cfa57f",0.3564,"Domenico Campagnola","domenico-campagnola","Italian, c. 1500–1564",1500,1564,"virgin-and-child-with-saints-peter-and-john-the-baptist-rect-aic-112613","Virgin and Child with Saints Peter and John the Baptist (recto); Saint John the Baptist (verso)",{"_42":555,"_221":556,"_323":557,"_325":392,"_326":558,"_327":559,"_329":-5,"_330":-5,"_331":-5,"_140":103},"n.d.","Black chalk (recto), and black chalk and pen and black ink (verso), on ivory laid paper","31.4 × 21.1 cm (12 3/8 × 8 5/16 in.)",21,31,0.6771270718232044,[540,541,542,543,544],{"_220":299,"_221":300,"_42":301,"_302":303},"1922.3493","Pietro d' Asaro painted this (n.d.). It is now at the Art Institute of Chicago.","A work made of black chalk (recto), and black chalk and pen and black ink (verso), on ivory laid paper.",{"_293":537,"_295":538,"_297":539},"https://img.ochreeditions.com/m/292.jpg?dl=1","/art/virgin-and-child-with-saints-peter-and-john-the-baptist-rect-aic-112613","/galleries/style/renaissance/virgin-and-child-with-saints-peter-and-john-the-baptist-rect-aic-112613",{"_289":483,"_291":484},{"_224":532,"_125":533,"_283":534},{"_274":529,"_276":530,"_278":531,"_279":515},44.99093922651934,55,20.990939226519338,{"_285":224,"_123":535,"_154":536,"_140":89},{"_285":125,"_123":479,"_154":480,"_140":89},{"_285":283,"_123":476,"_154":477,"_140":478},"artist/contemporaries-of-pietro-d-asaro","Pietro d' Asaro's contemporaries","https://img.ochreeditions.com/a/292/480.jpg","https://img.ochreeditions.com/a/292/960.jpg","https://img.ochreeditions.com/a/292/1920.jpg",{"_309":553,"_311":554},{"_309":551,"_311":552},{"_309":549,"_311":550},{"_309":547,"_311":548},{"_309":545,"_311":546},"#91673f",0.0089,"#a48b6f",0.0163,"#b09f89",0.1857,"#bfb2a0",0.3935,"#b8a995",0.3956,"Pietro d' Asaro","pietro-d-asaro","Italian, 1597–1647",1597,1647,"the-last-supper-pair-cma-119621","The Last Supper (pair)",{"_42":613,"_221":614,"_323":392,"_325":392,"_326":-5,"_327":-5,"_329":-5,"_330":-5,"_331":-5,"_140":99},"c. 1500","print","Print","engraving on two sheets printed from two plates",2.6275115919629055,[598,599,600,601,602],{"_220":370,"_221":371,"_42":372,"_302":373},"1940.473","Lucantonio degli Uberti made this in about 1500. It is now at the Cleveland Museum of Art.",{"_118":595,"_596":597},"The Last Supper (pair), by Lucantonio degli Uberti, c. 1500",{"_293":592,"_295":593,"_297":594},"https://img.ochreeditions.com/m/537.jpg?dl=1","/art/the-last-supper-pair-cma-119621","/galleries/style/renaissance/the-last-supper-pair-cma-119621",{"_289":483,"_291":484},{"_224":585,"_125":586,"_283":587},{"_274":581,"_276":582,"_278":583,"_279":584},84,46.83529411764706,60,22.83529411764706,{"_285":224,"_123":590,"_154":591,"_140":99},{"_285":125,"_123":588,"_154":589,"_140":53},{"_285":283,"_123":360,"_154":361,"_140":362},"style/print-15","More prints of the 15th century","artist/lucantonio-degli-uberti","More by Lucantonio degli Uberti","https://img.ochreeditions.com/a/537/480.jpg","https://img.ochreeditions.com/a/537/960.jpg","https://img.ochreeditions.com/a/537/1920.jpg","Because large prints were often displayed on a wall, they were susceptible to damage and often have not survived. This large print of the Last Supper , however, is in excellent condition. It was engraved on two plates and printed on two separate sheets of paper.","source","Text from the Cleveland Museum of Art.",{"_309":611,"_311":612},{"_309":609,"_311":610},{"_309":607,"_311":608},{"_309":605,"_311":606},{"_309":603,"_311":604},"#d1c2ac",0.0833,"#ad9d86",0.1406,"#695e4e",0.1686,"#958670",0.2943,"#807360",0.3132,"Lucantonio degli Uberti","lucantonio-degli-uberti","the-submersion-of-pharaoh-s-army-in-the-red-sea-cma-129875","The Submersion of Pharaoh's Army in the Red Sea",{"_42":667,"_221":668,"_323":669,"_325":392,"_326":670,"_327":671,"_329":672,"_330":673,"_331":-5,"_140":101},"1514–15, printed 1549","woodcut","Unframed: 40 x 55 cm (15 3/4 x 21 5/8 in.)",40,1.7580144777662874,[652,653,654,655,656],{"_220":370,"_221":371,"_42":372,"_302":373},"1952.296","Titian made this in 1514–15, printed 1549, aged about 26. It is now at the Cleveland Museum of Art.",{"_118":651,"_596":597},"The Submersion of Pharaoh's Army in the Red Sea, by Titian, 1514–15, printed 1549",{"_293":648,"_295":649,"_297":650},"https://img.ochreeditions.com/m/598.jpg?dl=1","/art/the-submersion-of-pharaoh-s-army-in-the-red-sea-cma-129875","/galleries/style/renaissance/the-submersion-of-pharaoh-s-army-in-the-red-sea-cma-129875",{"_289":483,"_291":484},{"_224":640,"_125":641,"_283":642},{"_274":636,"_276":637,"_278":638,"_279":639},86.19028743369685,59.375298793167566,62.19028743369685,35.375298793167566,{"_285":224,"_123":646,"_154":647,"_140":89},{"_285":125,"_123":643,"_154":644,"_140":645},{"_285":283,"_123":476,"_154":477,"_140":478},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-titian","Titian's contemporaries","https://img.ochreeditions.com/a/598/480.jpg","https://img.ochreeditions.com/a/598/960.jpg","https://img.ochreeditions.com/a/598/1920.jpg","This composition is made up of 12 separately printed woodcuts to create one image in grand scale. The size rivals that of a history painting, and, unlike most prints, the composition would have been hung on the wall.",{"_309":665,"_311":666},{"_309":663,"_311":664},{"_309":661,"_311":662},{"_309":659,"_311":660},{"_309":657,"_311":658},"#ddcfc5",0.0916,"#7b6c60",0.128,"#bcaa9a",0.2183,"#928274",0.2327,"#a79586",0.3294,"Titian","titian","Italian, c. 1488–1576",1488,1576,"Pieve di Cadore","Venice","the-passion-the-agony-in-the-garden-cma-104613","The Passion: The Agony in the Garden",{"_42":721,"_221":722,"_323":723,"_325":324,"_326":444,"_327":724,"_329":725,"_330":726,"_331":727,"_140":97},"c. 1480","engraving",0.7132352941176471,[706,707,708,709,710],{"_220":370,"_221":371,"_42":372,"_302":373},"1922.91","Martin Schongauer made this in about 1480, aged about 25. It is now at the Cleveland Museum of Art.",{"_118":705,"_596":597},"The Passion: The Agony in the Garden, by Martin Schongauer, c. 1480",{"_293":702,"_295":703,"_297":704},"https://img.ochreeditions.com/m/510.jpg?dl=1","/art/the-passion-the-agony-in-the-garden-cma-104613","/galleries/style/renaissance/the-passion-the-agony-in-the-garden-cma-104613",{"_289":483,"_291":484},{"_224":695,"_125":696,"_283":697},{"_274":693,"_276":581,"_278":694,"_279":583},66.79411764705883,42.794117647058826,{"_285":224,"_123":700,"_154":701,"_140":97},{"_285":125,"_123":588,"_154":589,"_140":53},{"_285":283,"_123":698,"_154":699,"_140":91},"era/15-germany","15th-century Germany","artist/martin-schongauer","More by Martin Schongauer","https://img.ochreeditions.com/a/510/480.jpg","https://img.ochreeditions.com/a/510/960.jpg","https://img.ochreeditions.com/a/510/1920.jpg","Martin Schongauer's series of the Passion of Christ was his largest set of engravings, made around 1480, and extensively copied across Europe. It consists of twelve prints detailing the suffering of Christ in the last days of his life.",{"_309":719,"_311":720},{"_309":717,"_311":718},{"_309":715,"_311":716},{"_309":713,"_311":714},{"_309":711,"_311":712},"#46433d",0.1396,"#6c665e",0.1678,"#b7aea2",0.2035,"#90897e",0.2072,"#ded5c8",0.2819,"Martin Schongauer","martin-schongauer","German, c. 1450–1491",1491,"Colmar","Breisach","Schongauer, the son of a goldsmith, worked in Colmar in Alsace and was both a painter and the most accomplished engraver of fifteenth-century northern Europe.","sinan-reis-and-hayreddin-barbarossa-aic-90060","Sinan Reis and Hayreddin Barbarossa",{"_42":392,"_221":774,"_323":-5,"_325":-5,"_326":-5,"_327":-5,"_329":-5,"_330":-5,"_331":-5,"_140":103},"c. 1535","Tempera on canvas","66.5 × 63.7 cm (26 3/16 × 25 1/16 in.); Framed: 73.7 × 71.2 × 5.1 cm (29 × 28 × 2 in.)",63,0.9557105163965323,[759,760,761,762,763],{"_220":299,"_221":300,"_42":301,"_302":303},"1947.53","Italian painted this in about 1535. It is now at the Art Institute of Chicago.","A work made of tempera on canvas.",{"_293":756,"_295":757,"_297":758},"https://img.ochreeditions.com/m/247.jpg?dl=1","/art/sinan-reis-and-hayreddin-barbarossa-aic-90060","/galleries/style/renaissance/sinan-reis-and-hayreddin-barbarossa-aic-90060",{"_289":290,"_291":292},{"_224":751,"_125":752,"_283":753},{"_274":748,"_276":749,"_278":750,"_279":478},78.07689408217112,81,63.07689408217113,{"_285":224,"_123":754,"_154":755,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":476,"_154":477,"_140":478},"artist/contemporaries-of-italian","Italian's contemporaries","https://img.ochreeditions.com/a/247/480.jpg","https://img.ochreeditions.com/a/247/960.jpg","https://img.ochreeditions.com/a/247/1920.jpg",{"_309":772,"_311":773},{"_309":770,"_311":771},{"_309":768,"_311":769},{"_309":766,"_311":767},{"_309":764,"_311":765},"#baa581",0.1565,"#82643f",0.1862,"#887c60",0.1973,"#a07c4c",0.22,"#5c513d",0.24,"italian","alessandro-de-medici-aic-110759","Alessandro de' Medici",{"_42":818,"_221":819,"_323":820,"_325":821,"_326":822,"_327":823,"_329":-5,"_330":-5,"_331":-5,"_140":103},"1534–35","35.3 × 25.8 cm (13 7/8 × 10 1/8 in.); Framed: 47.7 × 42 × 6.1 cm (18 3/4 × 16 1/2 × 2 3/8 in.)",35,0.7897363905786928,[803,804,805,806,807],{"_220":299,"_221":300,"_42":301,"_302":303},"1933.1002","Pontormo, (Jacopo Carrucci) painted this in 1534–35, aged about 40. It is now at the Art Institute of Chicago.",{"_293":800,"_295":801,"_297":802},"https://img.ochreeditions.com/m/274.jpg?dl=1","/art/alessandro-de-medici-aic-110759","/galleries/style/renaissance/alessandro-de-medici-aic-110759",{"_289":290,"_291":292},{"_224":795,"_125":796,"_283":797},{"_274":793,"_276":202,"_278":794,"_279":780},42.64077367025425,27.640773670254248,{"_285":224,"_123":798,"_154":799,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":476,"_154":477,"_140":478},"artist/contemporaries-of-pontormo-jacopo-carrucci","Pontormo, (Jacopo Carrucci)'s contemporaries","https://img.ochreeditions.com/a/274/480.jpg","https://img.ochreeditions.com/a/274/960.jpg","https://img.ochreeditions.com/a/274/1920.jpg",{"_309":816,"_311":817},{"_309":814,"_311":815},{"_309":812,"_311":813},{"_309":810,"_311":811},{"_309":808,"_311":809},"#d7986f",0.0689,"#58311d",0.0987,"#8b5438",0.1109,"#262116",0.3168,"#15110b",0.4047,"Pontormo, (Jacopo Carrucci)","pontormo-jacopo-carrucci","Jacopo Carrucci; Italian, 1494–1557","Jacopo Carrucci; Italian",1494,1557,"angelica-and-medoro-aic-21314","Angelica and Medoro",{"_42":871,"_221":872,"_323":873,"_325":392,"_326":874,"_327":875,"_329":-5,"_330":-5,"_331":876,"_140":99},"c. 1570","Engraving in black on ivory laid paper","29.9 × 20.9 cm (11 13/16 × 8 1/4 in.)",20,29,0.6897777777777778,[856,857,858,859,860],{"_220":299,"_221":300,"_42":301,"_302":303},"1935.119","Giorgio Ghisi made this in about 1570, aged about 45. It is now at the Art Institute of Chicago.","A work made of engraving in black on ivory laid paper.",{"_293":853,"_295":854,"_297":855},"https://img.ochreeditions.com/m/83.jpg?dl=1","/art/angelica-and-medoro-aic-21314","/galleries/style/renaissance/angelica-and-medoro-aic-21314",{"_289":483,"_291":484},{"_224":848,"_125":849,"_283":850},{"_274":845,"_276":846,"_278":847,"_279":831},44.00355555555556,53,20.003555555555558,{"_285":224,"_123":851,"_154":852,"_140":99},{"_285":125,"_123":643,"_154":644,"_140":645},{"_285":283,"_123":476,"_154":477,"_140":478},"artist/giorgio-ghisi","More by Giorgio Ghisi","https://img.ochreeditions.com/a/83/480.jpg","https://img.ochreeditions.com/a/83/960.jpg","https://img.ochreeditions.com/a/83/1920.jpg",{"_309":869,"_311":870},{"_309":867,"_311":868},{"_309":865,"_311":866},{"_309":863,"_311":864},{"_309":861,"_311":862},"#e0d7c5",0.1325,"#b5aa96",0.1761,"#918774",0.2163,"#524d3f",0.2322,"#6f6757",0.2429,"Giorgio Ghisi","giorgio-ghisi","Italian, 1520–1582",1520,1582,"Ghisi was a Mantuan engraver who worked in Antwerp for the publisher Hieronymus Cock, engraving large plates after Raphael’s Vatican frescoes, and later in France.","the-nativity-aic-16205","The Nativity",{"_42":441,"_221":442,"_323":443,"_325":392,"_326":444,"_327":445,"_329":-5,"_330":-5,"_331":446,"_140":95},"26.2 × 46.3 cm (10 5/16 × 18 1/4 in.)",26,1.7069840031213421,[902,903,904,905,906],{"_220":299,"_221":300,"_42":301,"_302":303},"1933.1025","Mary and Joseph adore the newborn Christ Child in a simple shelter, with the ox nearby and a quiet landscape beyond.",{"_293":899,"_295":900,"_297":901},"https://img.ochreeditions.com/m/46.jpg?dl=1","/art/the-nativity-aic-16205","/galleries/style/renaissance/the-nativity-aic-16205",{"_289":290,"_291":292},{"_224":896,"_125":897,"_283":898},{"_274":415,"_276":894,"_278":197,"_279":895},41.94811428571428,26.948114285714286,{"_285":224,"_123":421,"_154":422,"_140":95},{"_285":125,"_123":363,"_154":364,"_140":275},{"_285":283,"_123":360,"_154":361,"_140":362},"https://img.ochreeditions.com/a/46/480.jpg","https://img.ochreeditions.com/a/46/960.jpg","https://img.ochreeditions.com/a/46/1920.jpg",{"_309":915,"_311":916},{"_309":913,"_311":914},{"_309":911,"_311":912},{"_309":909,"_311":910},{"_309":907,"_311":908},"#7f8373",0.1351,"#465a54",0.1372,"#51402b",0.1867,"#7d4f24",0.2644,"#77643d",0.2766,"the-dead-christ-with-angels-cma-97170","The Dead Christ with Angels",{"_42":965,"_221":966,"_323":967,"_325":392,"_326":823,"_327":968,"_329":-5,"_330":-5,"_331":-5,"_140":103},"c. 1580","Framed: 157 x 129.5 x 13 cm (61 13/16 x 51 x 5 1/8 in.); Unframed: 123.3 x 96.5 cm (48 9/16 x 38 in.)",96.5,123.3,0.7814705882352941,[950,951,952,953,954],{"_220":370,"_221":371,"_42":372,"_302":373},"1916.806","Leandro Bassano painted this in about 1580, aged about 18. It is now at the Cleveland Museum of Art.",{"_118":949,"_596":597},"The Dead Christ with Angels, by Leandro Bassano, c. 1580",{"_293":946,"_295":947,"_297":948},"https://img.ochreeditions.com/m/485.jpg?dl=1","/art/the-dead-christ-with-angels-cma-97170","/galleries/style/renaissance/the-dead-christ-with-angels-cma-97170",{"_289":290,"_291":292},{"_224":941,"_125":942,"_283":943},{"_274":938,"_276":939,"_278":940,"_279":923},111.35532352941176,138.3,96.35532352941176,{"_285":224,"_123":944,"_154":945,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":476,"_154":477,"_140":478},"artist/contemporaries-of-leandro-bassano","Leandro Bassano's contemporaries","https://img.ochreeditions.com/a/485/480.jpg","https://img.ochreeditions.com/a/485/960.jpg","https://img.ochreeditions.com/a/485/1920.jpg","In this scene, two angels are shown attending to the body of Christ after his death. The artist, Leandro Bassano, came from a family of painters—both his father and grandfather were artists, as were his brothers, Francesco and Gerolamo.",{"_309":963,"_311":964},{"_309":961,"_311":962},{"_309":959,"_311":960},{"_309":957,"_311":958},{"_309":955,"_311":956},"#8f7156",0.1206,"#c2ac8f",0.1303,"#747d73",0.1528,"#564a3c",0.1756,"#2f2820",0.4207,"Leandro Bassano","leandro-bassano","Italian, 1557–1623",1623,"the-academy-of-baccio-bandinelli-aic-273081","The Academy of Baccio Bandinelli",{"_42":1016,"_221":1017,"_323":1018,"_325":392,"_326":445,"_327":1019,"_329":-5,"_330":-5,"_331":-5,"_140":103},"1544/50, printed c. 1560s","Engraving in black on cream laid paper","Sheet: 77.8 × 111.3 cm (30 5/8 × 43 13/16 in.)",111,77,1.5323995472552348,[1001,1002,1003,1004,1005],{"_220":299,"_221":300,"_42":301,"_302":303},"2024.154","Enea Vico made this in 1544/50, printed c. 1560s, aged about 21. It is now at the Art Institute of Chicago.","A work made of engraving in black on cream laid paper.",{"_293":998,"_295":999,"_297":1000},"https://img.ochreeditions.com/m/442.jpg?dl=1","/art/the-academy-of-baccio-bandinelli-aic-273081","/galleries/style/renaissance/the-academy-of-baccio-bandinelli-aic-273081",{"_289":483,"_291":484},{"_224":993,"_125":994,"_283":995},{"_274":990,"_276":991,"_278":975,"_279":992},135,96.43541685901579,72.43541685901579,{"_285":224,"_123":996,"_154":997,"_140":89},{"_285":125,"_123":643,"_154":644,"_140":645},{"_285":283,"_123":476,"_154":477,"_140":478},"artist/contemporaries-of-enea-vico","Enea Vico's contemporaries","https://img.ochreeditions.com/a/442/480.jpg","https://img.ochreeditions.com/a/442/960.jpg","https://img.ochreeditions.com/a/442/1920.jpg",{"_309":1014,"_311":1015},{"_309":1012,"_311":1013},{"_309":1010,"_311":1011},{"_309":1008,"_311":1009},{"_309":1006,"_311":1007},"#e2d0c0",0.0759,"#af9e8f",0.1376,"#897c6f",0.2188,"#554d45",0.279,"#6e6459",0.2887,"Enea Vico","enea-vico","Italian, 1523–1567",1567,"judith-aic-4575","Judith",{"_42":1070,"_221":1071,"_323":1072,"_325":1072,"_326":-5,"_327":1073,"_329":-5,"_330":-5,"_331":-5,"_140":103},"netherlands","99.1 × 77.2 cm (39 × 30 3/8 in.); Framed: 119.7 × 97.8 × 6.4 cm (47 1/8 × 38 1/2 × 2 1/2 in.)",99,0.7735655737704918,[1055,1056,1057,1058,1059],{"_220":299,"_221":300,"_42":301,"_302":303},"1956.1109","Jan Sanders van Hemessen painted this in about 1540. It is now at the Art Institute of Chicago.",{"_118":1053,"_596":1054},"Painting of Judith, naked, holding sword, with head of Holophernes.",{"_293":1050,"_295":1051,"_297":1052},"https://img.ochreeditions.com/m/6.jpg?dl=1","/art/judith-aic-4575","/galleries/style/renaissance/judith-aic-4575",{"_289":290,"_291":292},{"_224":1043,"_125":1044,"_283":1045},{"_274":1040,"_276":1041,"_278":1042,"_279":1025},91.58299180327869,114,76.58299180327869,{"_285":224,"_123":1048,"_154":1049,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":1046,"_154":1047,"_140":780},"era/16-netherlands","16th-century Netherlands","artist/contemporaries-of-jan-sanders-van-hemessen","Jan Sanders van Hemessen's contemporaries","https://img.ochreeditions.com/a/6/480.jpg","https://img.ochreeditions.com/a/6/960.jpg","https://img.ochreeditions.com/a/6/1920.jpg","According to the biblical story, the widow Judith saved her people from being slaughtered by the Assyrian army by infiltrating the tent of the enemy general, Holofernes. She then seduced and beheaded him.","Text from the Art Institute of Chicago.",{"_309":1068,"_311":1069},{"_309":1066,"_311":1067},{"_309":1064,"_311":1065},{"_309":1062,"_311":1063},{"_309":1060,"_311":1061},"#976a4b",0.0788,"#b68b6d",0.1028,"#684b35",0.1266,"#48382a",0.1922,"#2f2c28",0.4996,"Jan Sanders van Hemessen","jan-sanders-van-hemessen","Netherlandish",1556,"the-annunciation-aic-16327","The Annunciation",{"_42":1123,"_221":1124,"_323":1125,"_325":1072,"_326":1126,"_327":1127,"_329":-5,"_330":-5,"_331":-5,"_140":101},"1490–95","72.5 × 50.1 cm (28 1/2 × 19 11/16 in.); Framed: 86.3 × 65.4 cm (34 × 25 3/4 in.)",72,0.6841548053170216,[1108,1109,1110,1111,1112],{"_220":299,"_221":300,"_42":301,"_302":303},"1933.1062","Jean Hey (called Master of Moulins) painted this in 1490–95, aged about 15. It is now at the Art Institute of Chicago.",{"_118":1107,"_596":1054},"Painting of the Annunciation, dove flying above Mary with angel.",{"_293":1104,"_295":1105,"_297":1106},"https://img.ochreeditions.com/m/50.jpg?dl=1","/art/the-annunciation-aic-16327","/galleries/style/renaissance/the-annunciation-aic-16327",{"_289":290,"_291":292},{"_224":1097,"_125":1098,"_283":1099},{"_274":1094,"_276":1095,"_278":1096,"_279":1079},64.25914598282554,87,49.25914598282555,{"_285":224,"_123":1102,"_154":1103,"_140":89},{"_285":125,"_123":363,"_154":364,"_140":275},{"_285":283,"_123":1100,"_154":1101,"_140":81},"era/15-netherlands","15th-century Netherlands","artist/contemporaries-of-jean-hey-called-master-of-moulins","Jean Hey (called Master of Moulins)'s contemporaries","https://img.ochreeditions.com/a/50/480.jpg","https://img.ochreeditions.com/a/50/960.jpg","https://img.ochreeditions.com/a/50/1920.jpg","Jean Hey, known as the Master of Moulins, was a leading painter in 15th-century France. Here, he captured the moment the archangel Gabriel announced to Mary that she would give birth to a son.",{"_309":1121,"_311":1122},{"_309":1119,"_311":1120},{"_309":1117,"_311":1118},{"_309":1115,"_311":1116},{"_309":1113,"_311":1114},"#792423",0.0756,"#84826e",0.1854,"#726727",0.2031,"#393b32",0.2507,"#553624",0.2852,"Jean Hey (called Master of Moulins)","jean-hey-called-master-of-moulins","Netherlandish, active fourth quarter 15th century",1475,1499,{"_1129":-5,"_1130":1131,"_1132":1133,"_1134":8,"_1135":1136,"_1137":8},"user","csrf","c7cfca1cdcb1945e0d481685698bd6a225b01c70","cartCount",0,"dropLive","legal",[1138,1139,1140,1141,1142,1143,1144,1145,1146,1147,1148,1149],"uploadsEnabled",{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},{"_221":1166,"_20":1167},{"_221":1164,"_20":1165},{"_221":1162,"_20":1163},{"_221":1160,"_20":1161},{"_221":1158,"_20":1159},{"_221":1156,"_20":1157},{"_221":1154,"_20":1155},{"_221":1152,"_20":1153},{"_221":1150,"_20":1151},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]