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It is now at the Art Institute of Chicago.","A work made of black chalk (recto), and black chalk and pen and black ink (verso), on ivory laid paper.",{"_295":374,"_297":375,"_299":376},"https://img.ochreeditions.com/m/292.jpg?dl=1","/art/virgin-and-child-with-saints-peter-and-john-the-baptist-rect-aic-112613","/galleries/style/renaissance/virgin-and-child-with-saints-peter-and-john-the-baptist-rect-aic-112613",{"_291":372,"_293":373},{"_225":365,"_125":366,"_285":367},{"_276":362,"_278":363,"_280":364,"_282":348},44.99093922651934,55,20.990939226519338,{"_287":225,"_123":370,"_154":371,"_140":89},{"_287":125,"_123":368,"_154":369,"_140":89},{"_287":285,"_123":167,"_154":166,"_140":169},"style/watercolour-16","More watercolours of the 16th century","artist/contemporaries-of-pietro-d-asaro","Pietro d' Asaro's contemporaries","white","snow","https://img.ochreeditions.com/a/292/480.jpg","https://img.ochreeditions.com/a/292/960.jpg","https://img.ochreeditions.com/a/292/1920.jpg",{"_314":390,"_316":391},{"_314":388,"_316":389},{"_314":386,"_316":387},{"_314":384,"_316":385},{"_314":382,"_316":383},"#91673f",0.0089,"#a48b6f",0.0163,"#b09f89",0.1857,"#bfb2a0",0.3935,"#b8a995",0.3956,"Pietro d' Asaro","pietro-d-asaro","Italian, 1597–1647",1597,1647,"equestrian-portrait-of-the-emperor-maximilian-cma-128048","Equestrian Portrait of the Emperor Maximilian",{"_42":461,"_222":462,"_328":463,"_330":464,"_332":465,"_334":466,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1508","germany","print","Print","woodcut, in black and white on paper washed blue","Sheet: 32.3 x 22.7 cm (12 11/16 x 8 15/16 in.)",22.7,32.3,0.7070588235294117,[446,447,448,449,450],{"_221":442,"_222":443,"_42":444,"_307":445},"Courtesy of the Cleveland Museum of Art","1950.72","Hans Burgkmair made this in 1508, aged 35. It is now at the Cleveland Museum of Art.",{"_118":440,"_302":441},"Equestrian Portrait of the Emperor Maximilian, by Hans Burgkmair, 1508",{"_295":437,"_297":438,"_299":439},"https://img.ochreeditions.com/m/590.jpg?dl=1","/art/equestrian-portrait-of-the-emperor-maximilian-cma-128048","/galleries/style/renaissance/equestrian-portrait-of-the-emperor-maximilian-cma-128048",{"_291":372,"_293":373},{"_225":426,"_125":427,"_285":428},{"_276":423,"_278":424,"_280":425,"_282":407},46.837999999999994,56.3,22.837999999999997,{"_287":225,"_123":435,"_154":436,"_140":89},{"_287":125,"_123":432,"_154":433,"_140":434},{"_287":285,"_123":429,"_154":430,"_140":431},"era/16-germany","16th-century Germany",28,"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-hans-burgkmair","Hans Burgkmair's contemporaries","https://img.ochreeditions.com/a/590/480.jpg","https://img.ochreeditions.com/a/590/960.jpg","https://img.ochreeditions.com/a/590/1920.jpg","Presented in full profile, the Holy Roman Emperor Maximilian I (reigned 1486–1519) and his mount emulate a classical equestrian portrait statue.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_314":459,"_316":460},{"_314":457,"_316":458},{"_314":455,"_316":456},{"_314":453,"_316":454},{"_314":451,"_316":452},"#798687",0.0993,"#606f71",0.1747,"#313d40",0.208,"#4d5d62",0.2424,"#3f4d51",0.2756,"Hans Burgkmair","hans-burgkmair","German, 1473–1531","German",1473,1531,"saint-catherine-of-siena-receiving-the-stigmata-aic-262135","Saint Catherine of Siena Receiving the Stigmata",{"_42":513,"_222":514,"_328":515,"_330":331,"_332":516,"_334":517,"_336":-5,"_337":-5,"_338":-5,"_140":103},"c. 1595","Etching in black on cream laid paper","Plate/sheet: 11.9 × 7.7 cm (4 11/16 × 3 1/16 in.)",0.6651543977755012,[498,499,500,501,502],{"_221":304,"_222":305,"_42":306,"_307":308},"2022.52","Francesco Vanni made this in about 1595, aged about 27. It is now at the Art Institute of Chicago.","A work made of etching in black on cream laid paper.",{"_295":495,"_297":496,"_299":497},"https://img.ochreeditions.com/m/408.jpg?dl=1","/art/saint-catherine-of-siena-receiving-the-stigmata-aic-262135","/galleries/style/renaissance/saint-catherine-of-siena-receiving-the-stigmata-aic-262135",{"_291":372,"_293":373},{"_225":490,"_125":491,"_285":492},{"_276":486,"_278":487,"_280":488,"_282":489},40.62885994438753,49,16.628859944387532,25,{"_287":225,"_123":493,"_154":494,"_140":89},{"_287":125,"_123":432,"_154":433,"_140":434},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-francesco-vanni","Francesco Vanni's contemporaries","https://img.ochreeditions.com/a/408/480.jpg","https://img.ochreeditions.com/a/408/960.jpg","https://img.ochreeditions.com/a/408/1920.jpg",{"_314":511,"_316":512},{"_314":509,"_316":510},{"_314":507,"_316":508},{"_314":505,"_316":506},{"_314":503,"_316":504},"#f9e9d8",0.0985,"#756b61",0.1326,"#d3c1af",0.198,"#988b7e",0.2144,"#b5a595",0.3565,"Francesco Vanni","francesco-vanni","Italian, 1563–1610",1563,1610,"scenes-from-the-life-of-saint-john-the-baptist-aic-25740","Scenes from the Life of Saint John the Baptist",{"_42":571,"_222":572,"_328":331,"_330":331,"_332":-5,"_334":573,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1490/95","Tempera on panel (poplar)","74 × 150.4 cm (29 3/16 × 59 3/16 in.); Framed: 88 × 164 cm (34 5/8 × 64 9/16 in.)",150,74,2.0355891572930114,[556,557,558,559,560],{"_221":304,"_222":305,"_42":306,"_307":308},"1937.996","Bartolomeo di Giovanni painted this in 1490/95. It is now at the Art Institute of Chicago.","Outdoors, distinct groupings of adult men and women, some with halos, gather near a building. The front-facing wall of the building is not depicted, allowing for a view inside, where a woman sits in bed with two women nearby and two other women dress a baby. A bearded man sits near the bed.",{"_295":553,"_297":554,"_299":555},"https://img.ochreeditions.com/m/107.jpg?dl=1","/art/scenes-from-the-life-of-saint-john-the-baptist-aic-25740","/galleries/style/renaissance/scenes-from-the-life-of-saint-john-the-baptist-aic-25740",{"_291":292,"_293":294},{"_225":542,"_125":543,"_285":544},{"_276":539,"_278":540,"_280":524,"_282":541},165,88.68873992209438,73.68873992209438,{"_287":225,"_123":551,"_154":552,"_140":89},{"_287":125,"_123":548,"_154":549,"_140":550},{"_287":285,"_123":545,"_154":546,"_140":547},"era/15-italy","15th-century Italy",57,"style/painting-15","More paintings of the 15th century",73,"artist/contemporaries-of-bartolomeo-di-giovanni","Bartolomeo di Giovanni's contemporaries","https://img.ochreeditions.com/a/107/480.jpg","https://img.ochreeditions.com/a/107/960.jpg","https://img.ochreeditions.com/a/107/1920.jpg",{"_314":569,"_316":570},{"_314":567,"_316":568},{"_314":565,"_316":566},{"_314":563,"_316":564},{"_314":561,"_316":562},"#1c1916",0.1048,"#9e836c",0.1532,"#694a33",0.2112,"#6a665a",0.2167,"#3d362e",0.3141,"Bartolomeo di Giovanni","bartolomeo-di-giovanni",1501,"the-last-supper-cma-119622","The Last Supper",{"_42":623,"_222":624,"_328":331,"_330":331,"_332":-5,"_334":-5,"_336":-5,"_337":-5,"_338":-5,"_140":99},"c. 1500","engraving on two sheets printed from two plates",1.3137557959814528,[608,609,610,611,612],{"_221":442,"_222":443,"_42":444,"_307":445},"1940.473.a","Lucantonio degli Uberti made this in about 1500. It is now at the Cleveland Museum of Art.",{"_118":607,"_302":441},"The Last Supper, by Lucantonio degli Uberti, c. 1500",{"_295":604,"_297":605,"_299":606},"https://img.ochreeditions.com/m/538.jpg?dl=1","/art/the-last-supper-cma-119622","/galleries/style/renaissance/the-last-supper-cma-119622",{"_291":372,"_293":373},{"_225":597,"_125":598,"_285":599},{"_276":593,"_278":594,"_280":595,"_282":596},84,69.67058823529412,60,45.67058823529412,{"_287":225,"_123":602,"_154":603,"_140":99},{"_287":125,"_123":600,"_154":601,"_140":53},{"_287":285,"_123":545,"_154":546,"_140":547},"style/print-15","More prints of the 15th century","artist/lucantonio-degli-uberti","More by Lucantonio degli Uberti","https://img.ochreeditions.com/a/538/480.jpg","https://img.ochreeditions.com/a/538/960.jpg","https://img.ochreeditions.com/a/538/1920.jpg","Because large prints were often displayed on a wall, they were susceptible to damage and often have not survived. This large print of the Last Supper , however, is in excellent condition. It was engraved on two plates and printed on two separate sheets of paper.",{"_314":621,"_316":622},{"_314":619,"_316":620},{"_314":617,"_316":618},{"_314":615,"_316":616},{"_314":613,"_316":614},"#f0e3cf",0.0574,"#c0af98",0.1441,"#6f6353",0.206,"#9f907a",0.2813,"#887966",0.3112,"Lucantonio degli Uberti","lucantonio-degli-uberti","saint-john-the-baptist-entering-the-wilderness-aic-16156","Saint John the Baptist Entering the Wilderness",{"_42":673,"_222":674,"_328":675,"_330":331,"_332":676,"_334":677,"_336":678,"_337":678,"_338":679,"_140":97},"1455–60","Tempera on panel","68.5 × 36.2 cm (27 × 14 1/4 in.); Framed: 79.4 × 47.7 × 8 cm (31 1/4 × 18 3/4 × 3 1/8 in.)",36,68,0.508898885194602,[658,659,660,661,662],{"_221":304,"_222":305,"_42":306,"_307":308},"1933.1010","Giovanni di Paolo painted this in 1455–60, aged about 57. It is now at the Art Institute of Chicago.","The young John the Baptist leaves his home through a city gate at the lower left and reappears higher up, climbing a winding path into fantastical, folded mountains, so that one panel tells a whole journey. Below him spreads a patchwork of fields laid out like a map.","A work made of tempera on panel.",{"_295":655,"_297":656,"_299":657},"https://img.ochreeditions.com/m/43.jpg?dl=1","/art/saint-john-the-baptist-entering-the-wilderness-aic-16156","/galleries/style/renaissance/saint-john-the-baptist-entering-the-wilderness-aic-16156",{"_291":292,"_293":294},{"_225":650,"_125":651,"_285":652},{"_276":647,"_278":648,"_280":649,"_282":632},49.60512419323294,83,34.60512419323294,{"_287":225,"_123":653,"_154":654,"_140":97},{"_287":125,"_123":548,"_154":549,"_140":550},{"_287":285,"_123":545,"_154":546,"_140":547},"artist/giovanni-di-paolo","More by Giovanni di Paolo","https://img.ochreeditions.com/a/43/480.jpg","https://img.ochreeditions.com/a/43/960.jpg","https://img.ochreeditions.com/a/43/1920.jpg",{"_314":671,"_316":672},{"_314":669,"_316":670},{"_314":667,"_316":668},{"_314":665,"_316":666},{"_314":663,"_316":664},"#453420",0.1567,"#65512e",0.1652,"#82775a",0.2064,"#555b4a",0.2093,"#2e3027",0.2624,"Giovanni di Paolo","giovanni-di-paolo","Italian, 1398–1482",1398,1482,"Siena","Giovanni di Paolo spent his long career in Siena, where he was one of the city’s leading painters through the fifteenth century.","holy-family-with-a-shepherd-cma-126768","Holy Family with a Shepherd",{"_42":729,"_222":730,"_328":731,"_330":331,"_332":732,"_334":733,"_336":-5,"_337":-5,"_338":-5,"_140":103},"early 1520s","oil on canvas","Unframed: 38.7 x 32 cm (15 1/4 x 12 5/8 in.)",32,38.7,0.8385294117647059,[714,715,716,717,718],{"_221":442,"_222":443,"_42":444,"_307":445},"1949.185","Battista Dossi painted this in the early 1520s, aged about 30. It is now at the Cleveland Museum of Art.",{"_118":713,"_302":441},"Holy Family with a Shepherd, by Battista Dossi, early 1520s",{"_295":710,"_297":711,"_299":712},"https://img.ochreeditions.com/m/582.jpg?dl=1","/art/holy-family-with-a-shepherd-cma-126768","/galleries/style/renaissance/holy-family-with-a-shepherd-cma-126768",{"_291":292,"_293":294},{"_225":705,"_125":706,"_285":707},{"_276":702,"_278":703,"_280":704,"_282":687},47.45108823529412,53.7,32.45108823529412,{"_287":225,"_123":708,"_154":709,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-battista-dossi","Battista Dossi's contemporaries","https://img.ochreeditions.com/a/582/480.jpg","https://img.ochreeditions.com/a/582/960.jpg","https://img.ochreeditions.com/a/582/1920.jpg","In this image of the Holy Family, Joseph and Mary lean in to admire the Christ Child while a shepherd looks on, leaning on his staff. Before executing this painting, Battista visited Rome, including an extensive study of Raphael's works.",{"_314":727,"_316":728},{"_314":725,"_316":726},{"_314":723,"_316":724},{"_314":721,"_316":722},{"_314":719,"_316":720},"#967d52",0.0431,"#7f472c",0.059,"#5c553b",0.1128,"#473523",0.215,"#2b281f",0.5701,"Battista Dossi","battista-dossi","Italian, c. 1490–1548",1490,1548,"view-of-venice-cma-127250","View of Venice",{"_42":784,"_222":785,"_328":786,"_330":331,"_332":787,"_334":788,"_336":-5,"_337":-5,"_338":-5,"_140":101},"1500","woodcut from six blocks on six sheets of paper","Overall: 132.7 x 277.5 cm (52 1/4 x 109 1/4 in.)",277.5,132.7,2.0769700671960902,[769,770,771,772,773],{"_221":442,"_222":443,"_42":444,"_307":445},"1949.565","Jacopo de' Barbari made this in 1500, aged 45. It is now at the Cleveland Museum of Art.",{"_118":768,"_302":441},"View of Venice, by Jacopo de' Barbari, 1500",{"_295":765,"_297":766,"_299":767},"https://img.ochreeditions.com/m/587.jpg?dl=1","/art/view-of-venice-cma-127250","/galleries/style/renaissance/view-of-venice-cma-127250",{"_291":372,"_293":373},{"_225":760,"_125":761,"_285":762},{"_276":756,"_278":757,"_280":758,"_282":759},264,139.5529411764706,240,115.5529411764706,{"_287":225,"_123":763,"_154":764,"_140":89},{"_287":125,"_123":600,"_154":601,"_140":53},{"_287":285,"_123":545,"_154":546,"_140":547},"artist/contemporaries-of-jacopo-de-barbari","Jacopo de' Barbari's contemporaries","https://img.ochreeditions.com/a/587/480.jpg","https://img.ochreeditions.com/a/587/960.jpg","https://img.ochreeditions.com/a/587/1920.jpg","By the end of the 1400s, Venice had emerged as the major printing center in Europe, where books were printed in various languages to be shipped around the world.",{"_314":782,"_316":783},{"_314":780,"_316":781},{"_314":778,"_316":779},{"_314":776,"_316":777},{"_314":774,"_316":775},"#7b7163",0.1134,"#8d8271",0.1966,"#a19483",0.2087,"#c6b8a3",0.2329,"#b4a694",0.2484,"Jacopo de' Barbari","jacopo-de-barbari","Italian, c. 1460/70–c. 1516",1455,1520,"the-flight-into-egypt-aic-248304","The Flight into Egypt",{"_42":834,"_222":835,"_328":836,"_330":331,"_332":837,"_334":838,"_336":-5,"_337":-5,"_338":-5,"_140":103},"c. 1540","Pen and brown ink on dark cream laid paper, laid down on laid paper, with pen and ink and gold ruled lines","Primary support: 18.7 × 25 cm (7 3/8 × 9 7/8 in.); Secondary support: 24.1 × 30.2 cm (9 1/2 × 11 15/16 in.)",18,1.3208387942332895,[819,820,821,822,823],{"_221":304,"_222":305,"_42":306,"_307":308},"2019.874","Domenico Campagnola painted this in about 1540, aged 40. It is now at the Art Institute of Chicago.","A work made of pen and brown ink on dark cream laid paper, laid down on laid paper, with pen and ink and gold ruled lines.",{"_295":816,"_297":817,"_299":818},"https://img.ochreeditions.com/m/372.jpg?dl=1","/art/the-flight-into-egypt-aic-248304","/galleries/style/renaissance/the-flight-into-egypt-aic-248304",{"_291":372,"_293":373},{"_225":811,"_125":812,"_285":813},{"_276":487,"_278":809,"_280":489,"_282":810},42.92736654098036,18.927366540980355,{"_287":225,"_123":814,"_154":815,"_140":89},{"_287":125,"_123":368,"_154":369,"_140":89},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-domenico-campagnola","Domenico Campagnola's contemporaries","https://img.ochreeditions.com/a/372/480.jpg","https://img.ochreeditions.com/a/372/960.jpg","https://img.ochreeditions.com/a/372/1920.jpg",{"_314":832,"_316":833},{"_314":830,"_316":831},{"_314":828,"_316":829},{"_314":826,"_316":827},{"_314":824,"_316":825},"#cf9e5a",0.0606,"#a77c5a",0.1024,"#dfb995",0.2357,"#bd916c",0.2449,"#cfa57f",0.3564,"Domenico Campagnola","domenico-campagnola","Italian, c. 1500–1564",1500,1564,"the-circumcision-of-christ-from-the-life-of-the-virgin-aic-43925","The Circumcision of Christ, from The Life of the Virgin",{"_42":887,"_222":888,"_328":889,"_330":464,"_332":890,"_334":891,"_336":892,"_337":892,"_338":893,"_140":89},"c. 1505, published 1511","Woodcut in black on tan laid paper","Image: 29.8 × 20.9 cm (11 3/4 × 8 1/4 in.); Sheet: 43.3 × 30.2 cm (17 1/16 × 11 15/16 in.)",20,29,0.7032694690687256,[872,873,874,875,876],{"_221":304,"_222":305,"_42":306,"_307":308},"1927.2895","Albrecht Dürer made this in about 1505, published 1511, aged 34. It is now at the Art Institute of Chicago.","The infant Christ is brought for circumcision, the rite performed on the eighth day after birth, in a scene from Dürer’s Life of the Virgin, a series of twenty woodcuts.","A work made of woodcut in black on tan laid paper.",{"_295":869,"_297":870,"_299":871},"https://img.ochreeditions.com/m/145.jpg?dl=1","/art/the-circumcision-of-christ-from-the-life-of-the-virgin-aic-43925","/galleries/style/renaissance/the-circumcision-of-christ-from-the-life-of-the-virgin-aic-43925",{"_291":372,"_293":373},{"_225":864,"_125":865,"_285":866},{"_276":861,"_278":862,"_280":863,"_282":846},44.39481460299304,53,20.39481460299304,{"_287":225,"_123":867,"_154":868,"_140":89},{"_287":125,"_123":432,"_154":433,"_140":434},{"_287":285,"_123":429,"_154":430,"_140":431},"artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/145/480.jpg","https://img.ochreeditions.com/a/145/960.jpg","https://img.ochreeditions.com/a/145/1920.jpg",{"_314":885,"_316":886},{"_314":883,"_316":884},{"_314":881,"_316":882},{"_314":879,"_316":880},{"_314":877,"_316":878},"#5d544b",0.0802,"#9b8977",0.1226,"#c0a78e",0.1486,"#7d6f62",0.159,"#d8bea4",0.4896,"Albrecht Dürer","albrecht-durer","German, 1471–1528",1471,1528,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","battle-of-the-nudes-cma-143142","Battle of the Nudes",{"_42":943,"_222":944,"_328":945,"_330":331,"_332":946,"_334":947,"_336":948,"_337":949,"_338":-5,"_140":101},"1470s–80s","engraving","Platemark: 42 x 60.4 cm (16 9/16 x 23 3/4 in.); Sheet: 42.4 x 60.9 cm (16 11/16 x 24 in.)",60.4,42,1.4358108108108107,[928,929,930,931,932],{"_221":442,"_222":443,"_42":444,"_307":445},"1967.127","Antonio Pollaiuolo made this in the 1470s–80s, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":927,"_302":441},"Battle of the Nudes, by Antonio Pollaiuolo, 1470s–80s",{"_295":924,"_297":925,"_299":926},"https://img.ochreeditions.com/m/663.jpg?dl=1","/art/battle-of-the-nudes-cma-143142","/galleries/style/renaissance/battle-of-the-nudes-cma-143142",{"_291":372,"_293":373},{"_225":919,"_125":920,"_285":921},{"_276":916,"_278":917,"_280":900,"_282":918},84.4,66.06682352941176,42.066823529411764,{"_287":225,"_123":922,"_154":923,"_140":89},{"_287":125,"_123":600,"_154":601,"_140":53},{"_287":285,"_123":545,"_154":546,"_140":547},"artist/contemporaries-of-antonio-pollaiuolo","Antonio Pollaiuolo's contemporaries","https://img.ochreeditions.com/a/663/480.jpg","https://img.ochreeditions.com/a/663/960.jpg","https://img.ochreeditions.com/a/663/1920.jpg","This engraving is one of the earliest Renaissance prints to portray the nude male body in action. Antonio del Pollaiuolo’s grimacing warriors appear like clones in different poses.",{"_314":941,"_316":942},{"_314":939,"_316":940},{"_314":937,"_316":938},{"_314":935,"_316":936},{"_314":933,"_316":934},"#dbcebb",0.0587,"#bcac97",0.1708,"#847764",0.2076,"#968874",0.2747,"#a99984",0.2882,"Antonio Pollaiuolo","antonio-pollaiuolo","Italian, 1431/32–1498",1432,1498,"Florence","Rome","death-of-the-virgin-cma-97159","Death of the Virgin","Unrecorded Italian maker","mid-1500s","oil on wood","Framed: 78.8 x 130.9 cm (31 x 51 9/16 in.); Unframed: 25 x 103.5 cm (9 13/16 x 40 3/4 in.)",103.5,2.9437229437229435,[984,985,986,987,988],{"_221":442,"_222":443,"_42":444,"_307":445},"1916.797","An unrecorded Italy, Venice artist painted this in the mid-1500s. It is now at the Cleveland Museum of Art.",{"_118":983,"_302":441},"Death of the Virgin, mid-1500s",{"_295":980,"_297":981,"_299":982},"https://img.ochreeditions.com/m/481.jpg?dl=1","/art/death-of-the-virgin-cma-97159","/galleries/style/renaissance/death-of-the-virgin-cma-97159",{"_291":292,"_293":294},{"_225":975,"_125":976,"_285":977},{"_276":971,"_278":972,"_280":973,"_282":974},102.27475646991584,44.647748153750825,87.27475646991584,29.647748153750825,{"_287":225,"_123":978,"_154":979,"_140":77},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/481/480.jpg","https://img.ochreeditions.com/a/481/960.jpg","https://img.ochreeditions.com/a/481/1920.jpg","This panel reveals a long history of changes. The initial work was painted on a single slab of wood, with strips left unpainted along the top and bottom.",{"_314":997,"_316":998},{"_314":995,"_316":996},{"_314":993,"_316":994},{"_314":991,"_316":992},{"_314":989,"_316":990},"#9b957f",0.0554,"#593825",0.1129,"#5d553c",0.1286,"#382f21",0.2607,"#211e16",0.4424,"christ-and-the-woman-of-samaria-aic-16200","Christ and the Woman of Samaria",{"_42":1046,"_222":1047,"_328":1048,"_330":331,"_332":1049,"_334":1050,"_336":-5,"_337":-5,"_338":1051,"_140":95},"1500–05","Tempera on panel, transferred to canvas","27.3 × 46.3 cm (10 3/4 × 18 1/4 in.)",46,27,1.6930673896204493,[1031,1032,1033,1034,1035],{"_221":304,"_222":305,"_42":306,"_307":308},"1933.1024","Perugino painted this in 1500–05, aged about 50. It is now at the Art Institute of Chicago.","A work made of tempera on panel, transferred to canvas.",{"_295":1028,"_297":1029,"_299":1030},"https://img.ochreeditions.com/m/45.jpg?dl=1","/art/christ-and-the-woman-of-samaria-aic-16200","/galleries/style/renaissance/christ-and-the-woman-of-samaria-aic-16200",{"_291":292,"_293":294},{"_225":1023,"_125":1024,"_285":1025},{"_276":1020,"_278":1021,"_280":1005,"_282":1022},61,42.169621411414845,27.169621411414845,{"_287":225,"_123":1026,"_154":1027,"_140":95},{"_287":125,"_123":548,"_154":549,"_140":550},{"_287":285,"_123":545,"_154":546,"_140":547},"artist/perugino","More by Perugino","https://img.ochreeditions.com/a/45/480.jpg","https://img.ochreeditions.com/a/45/960.jpg","https://img.ochreeditions.com/a/45/1920.jpg",{"_314":1044,"_316":1045},{"_314":1042,"_316":1043},{"_314":1040,"_316":1041},{"_314":1038,"_316":1039},{"_314":1036,"_316":1037},"#60695c",0.1238,"#92826b",0.1558,"#7e4e24",0.1785,"#5a442c",0.2171,"#73603a",0.3248,"Perugino","perugino","Italian, c. 1450/55–1523",1450,1523,"Pietro Vannucci took the name Perugino from Perugia, the chief city of his native Umbria, and trained in Florence, probably alongside Leonardo in Verrocchio’s studio.","samson-and-the-lion-from-the-story-of-samson-met-393723","Samson and the Lion, from \"The Story of Samson\"","Unrecorded French maker","ca. 1560–80","france","Prints","Woodcut with pochoir (stencil) and hand coloring","sheet: 14 3/4 x 19 1/2 in. (37.4 x 49.5 cm)",49.5,37.4,1.2985699337286363,[1093,1094,1095,1096,1097],{"_221":1089,"_222":1090,"_42":1091,"_307":1092},"Courtesy of The Metropolitan Museum of Art","2010.27.2","An unrecorded French artist made this in about 1560–80. It is now at The Met in New York.","Samson and the Lion, from \"The Story of Samson\", ca. 1560–80",{"_295":1086,"_297":1087,"_299":1088},"https://img.ochreeditions.com/m/1054.jpg?dl=1","/art/samson-and-the-lion-from-the-story-of-samson-met-393723","/galleries/style/renaissance/samson-and-the-lion-from-the-story-of-samson-met-393723",{"_291":372,"_293":373},{"_225":1079,"_125":1080,"_285":1081},{"_276":1076,"_278":1077,"_280":1060,"_282":1078},73.5,62.11885576148267,38.11885576148267,{"_287":225,"_123":1084,"_154":1085,"_140":87},{"_287":125,"_123":432,"_154":433,"_140":434},{"_287":285,"_123":1082,"_154":1083,"_140":89},"era/16-france","16th-century France","artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/1054/480.jpg","https://img.ochreeditions.com/a/1054/960.jpg","https://img.ochreeditions.com/a/1054/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_314":1106,"_316":1107},{"_314":1104,"_316":1105},{"_314":1102,"_316":1103},{"_314":1100,"_316":1101},{"_314":1098,"_316":1099},"#eadecc",0.0548,"#a67150",0.1314,"#b0957a",0.1849,"#7a6559",0.2423,"#8c6f56",0.3866,"portrait-of-roberto-castiglione-cma-97168","Portrait of Roberto Castiglione","early 1600s","Framed: 147.3 x 120.6 x 10.2 cm (58 x 47 1/2 x 4 in.); Unframed: 121.2 x 98.7 cm (47 11/16 x 38 7/8 in.)",98.7,121.2,0.8088235294117647,[1138,1139,1140,1141,1142],{"_221":442,"_222":443,"_42":444,"_307":445},"1916.804","An unrecorded Italy, Cremona artist painted this in the early 1600s. It is now at the Cleveland Museum of Art.",{"_118":1137,"_302":441},"Portrait of Roberto Castiglione, early 1600s",{"_295":1134,"_297":1135,"_299":1136},"https://img.ochreeditions.com/m/483.jpg?dl=1","/art/portrait-of-roberto-castiglione-cma-97168","/galleries/style/renaissance/portrait-of-roberto-castiglione-cma-97168",{"_291":292,"_293":294},{"_225":1131,"_125":1132,"_285":1133},{"_276":1128,"_278":1129,"_280":1130,"_282":1113},113.02941176470588,136.2,98.02941176470588,{"_287":225,"_123":978,"_154":979,"_140":77},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/483/480.jpg","https://img.ochreeditions.com/a/483/960.jpg","https://img.ochreeditions.com/a/483/1920.jpg","The inscription on the bottom of this painting identifies the sitter of this commemorative portrait as Roberto Castiglione, a magistrate and imperial vicar for the Spanish empire in the 1200s. His identity is further supported by the coat of arms in the upper left.",{"_314":1151,"_316":1152},{"_314":1149,"_316":1150},{"_314":1147,"_316":1148},{"_314":1145,"_316":1146},{"_314":1143,"_316":1144},"#5d3921",0.0376,"#947340",0.0526,"#5c4d33",0.0983,"#272017",0.366,"#1f1c15",0.4455,{"_1154":-5,"_1155":1156,"_1157":1158,"_1159":8,"_1160":1161,"_1162":8},"user","csrf","23f9b6d7fcc21d57d04f773aa08ab0f87d7becc6","cartCount",0,"dropLive","legal",[1163,1164,1165,1166,1167,1168,1169,1170,1171,1172,1173,1174],"uploadsEnabled",{"_222":1197,"_20":1198},{"_222":1195,"_20":1196},{"_222":1193,"_20":1194},{"_222":1191,"_20":1192},{"_222":1189,"_20":1190},{"_222":1187,"_20":1188},{"_222":1185,"_20":1186},{"_222":1183,"_20":1184},{"_222":1181,"_20":1182},{"_222":1179,"_20":1180},{"_222":1177,"_20":1178},{"_222":1175,"_20":1176},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]