[{"_1":2,"_3":4},"root",{"_5":1152},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","Renaissance, in the galleries · Ochre Editions","description","European art from about 1400 to 1600, when painters rediscovered perspective and the classical past. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/renaissance","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/renaissance.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","Renaissance, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/portrait-of-vincenzo-guarignoni-cma-137135",15,"https://www.ochreeditions.com/art/virgin-and-child-with-saints-peter-and-john-the-baptist-rect-aic-112613",14,"https://www.ochreeditions.com/art/lucrezia-di-lippo-di-iacopo-guidi-aic-22270",13,"https://www.ochreeditions.com/art/virgin-and-child-with-the-young-saint-john-the-baptist-aic-109323",12,"https://www.ochreeditions.com/art/the-baptism-of-christ-aic-16197",11,"https://www.ochreeditions.com/art/venus-reclining-in-a-landscape-cma-112586",10,"https://www.ochreeditions.com/art/samson-and-the-lion-from-the-story-of-samson-met-393723",9,"https://www.ochreeditions.com/art/death-of-the-virgin-cma-97159",8,"https://www.ochreeditions.com/art/italian-joust-of-peace-nga-216058",7,"https://www.ochreeditions.com/art/virgin-and-child-with-the-young-saint-john-the-baptist-aic-23972",6,"https://www.ochreeditions.com/art/portrait-of-an-old-man-cma-97156",5,"https://www.ochreeditions.com/art/st-catherine-of-siena-and-the-beggar-cma-142559",4,"https://www.ochreeditions.com/art/battle-of-the-nudes-cma-143142",3,"https://www.ochreeditions.com/art/the-holy-family-with-saint-elizabeth-cma-112099",2,"https://www.ochreeditions.com/art/adoration-of-the-shepherds-cma-97143",1,"https://www.ochreeditions.com/art/portrait-of-a-woman-as-saint-catherine-cma-97191","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~renaissance.d891093445.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~renaissance.d891093445.jpg","alt","Renaissance, a room in the galleries: three of its 78 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk Renaissance: 78 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~renaissance.jpg","key","style/renaissance","style","Renaissance","intro","European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.","wing","Style galleries","floor","layout","enfilade","hang",3523,"/galleries/style/renaissance","total",78,"page","works",[202,203,204,205,206,207,208,209,210,211,212,213,214,215,216,217],"walls",[173,174,175,176],"doors",[164,165],"next_cursor","eyJvIjoxNiwiaCI6MzUyMywiaSI6bnVsbCwiZyI6Ing0bGxHaTZsIn0","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/renaissance?hang=3523&cursor=eyJvIjoxNiwiaCI6MzUyMywiaSI6bnVsbCwiZyI6Ing0bGxHaTZsIn0&via=continue","label","Renaissance, room 2","move","doorway","first_wall_images",[160,161,162,163],"https://img.ochreeditions.com/a/373/480.jpg","https://img.ochreeditions.com/a/489/480.jpg","https://img.ochreeditions.com/a/539/480.jpg","https://img.ochreeditions.com/a/473/480.jpg",{"_154":170,"_123":171,"_44":172,"_140":89},{"_154":166,"_123":167,"_44":168,"_140":169},"16th-century Italy","era/16-italy","/galleries/era/16-italy?hang=3523&via=continue",66,"Giovanni Battista Moroni's contemporaries","artist/contemporaries-of-giovanni-battista-moroni","/galleries/artist/contemporaries-of-giovanni-battista-moroni?hang=3523&via=continue",{"_42":196,"_178":197},{"_42":190,"_178":191},{"_42":184,"_178":185},{"_42":177,"_178":179},"Second room, north wall","work_ids",[180,181,182,183],271,92,292,644,"Second room, south wall",[186,187,188,189],481,1054,527,44,"First room, south wall",[192,193,194,195],661,479,100,1700,"First room, north wall",[198,199,200,201],490,472,526,663,{"_218":198,"_219":1100,"_20":1101,"_222":1102,"_224":-5,"_225":1103,"_227":53,"_228":229,"_230":231,"_125":-5,"_28":232,"_233":234,"_235":684,"_237":1104,"_239":1105,"_241":286,"_243":1106,"_245":1107,"_247":1108,"_249":250,"_251":1109,"_253":254,"_255":1110,"_154":1111,"_258":-5,"_111":1112,"_260":1113,"_262":1114,"_264":1115,"_266":1116,"_268":1117,"_144":1118,"_271":1119},{"_218":199,"_219":1057,"_20":1058,"_222":-5,"_224":682,"_225":1059,"_227":75,"_228":229,"_230":231,"_125":-5,"_28":232,"_233":234,"_235":684,"_237":1060,"_239":1061,"_241":1062,"_243":1063,"_245":1064,"_247":1065,"_249":250,"_251":1066,"_253":254,"_255":1067,"_154":-5,"_258":-5,"_111":1068,"_260":1069,"_262":1070,"_264":1071,"_266":1072,"_268":1073,"_144":1074,"_271":1075},{"_218":200,"_219":1005,"_20":1006,"_222":1007,"_224":-5,"_225":1008,"_227":75,"_228":229,"_230":231,"_125":-5,"_28":569,"_233":570,"_235":571,"_237":1009,"_239":1010,"_241":1011,"_243":1012,"_245":1013,"_247":1014,"_249":250,"_251":1015,"_253":254,"_255":1016,"_154":1017,"_258":-5,"_111":1018,"_260":1019,"_262":1020,"_264":1021,"_266":1022,"_268":1023,"_144":1024,"_271":1025},{"_218":201,"_219":949,"_20":950,"_222":951,"_224":-5,"_225":952,"_227":75,"_228":229,"_230":231,"_125":-5,"_28":569,"_233":570,"_235":571,"_237":953,"_239":954,"_241":955,"_243":956,"_245":957,"_247":958,"_249":250,"_251":959,"_253":254,"_255":960,"_154":961,"_258":-5,"_111":962,"_260":963,"_262":964,"_264":965,"_266":966,"_268":967,"_144":968,"_271":969},{"_218":192,"_219":894,"_20":895,"_222":896,"_224":-5,"_225":897,"_227":75,"_228":229,"_230":231,"_125":-5,"_28":232,"_233":234,"_235":898,"_237":899,"_239":900,"_241":901,"_243":902,"_245":903,"_247":904,"_249":250,"_251":905,"_253":254,"_255":906,"_154":907,"_258":-5,"_111":908,"_260":909,"_262":910,"_264":911,"_266":912,"_268":913,"_144":914,"_271":915},{"_218":193,"_219":842,"_20":843,"_222":844,"_224":-5,"_225":683,"_227":53,"_228":229,"_230":231,"_125":-5,"_28":232,"_233":234,"_235":684,"_237":845,"_239":846,"_241":847,"_243":848,"_245":849,"_247":850,"_249":250,"_251":851,"_253":254,"_255":852,"_154":853,"_258":-5,"_111":854,"_260":855,"_262":856,"_264":857,"_266":858,"_268":859,"_144":860,"_271":861},{"_218":194,"_219":789,"_20":453,"_222":790,"_224":-5,"_225":791,"_227":53,"_228":229,"_230":231,"_125":-5,"_28":232,"_233":234,"_235":402,"_237":792,"_239":793,"_241":794,"_243":795,"_245":796,"_247":797,"_249":348,"_251":798,"_253":254,"_255":799,"_154":800,"_258":-5,"_111":801,"_260":802,"_262":803,"_264":804,"_266":805,"_268":806,"_144":807,"_271":808},{"_218":195,"_219":729,"_20":730,"_222":-5,"_224":731,"_225":732,"_227":53,"_228":733,"_230":231,"_125":-5,"_28":734,"_233":735,"_235":736,"_237":737,"_239":738,"_241":739,"_243":740,"_245":741,"_247":742,"_249":743,"_251":744,"_253":254,"_255":745,"_154":-5,"_258":-5,"_111":746,"_260":747,"_262":748,"_264":749,"_266":750,"_268":751,"_144":752,"_271":753},{"_218":186,"_219":680,"_20":681,"_222":-5,"_224":682,"_225":683,"_227":53,"_228":229,"_230":231,"_125":-5,"_28":232,"_233":234,"_235":684,"_237":685,"_239":686,"_241":420,"_243":687,"_245":688,"_247":689,"_249":250,"_251":690,"_253":254,"_255":691,"_154":692,"_258":-5,"_111":693,"_260":694,"_262":695,"_264":696,"_266":697,"_268":698,"_144":699,"_271":700},{"_218":187,"_219":624,"_20":625,"_222":-5,"_224":626,"_225":627,"_227":53,"_228":628,"_230":231,"_125":-5,"_28":569,"_233":629,"_235":630,"_237":631,"_239":632,"_241":633,"_243":634,"_245":635,"_247":636,"_249":637,"_251":638,"_253":254,"_255":639,"_154":-5,"_258":-5,"_111":640,"_260":641,"_262":642,"_264":643,"_266":644,"_268":645,"_144":646,"_271":647},{"_218":188,"_219":565,"_20":566,"_222":567,"_224":-5,"_225":568,"_227":53,"_228":229,"_230":231,"_125":-5,"_28":569,"_233":570,"_235":571,"_237":572,"_239":573,"_241":574,"_243":575,"_245":576,"_247":577,"_249":250,"_251":578,"_253":254,"_255":579,"_154":580,"_258":-5,"_111":581,"_260":582,"_262":583,"_264":584,"_266":585,"_268":586,"_144":587,"_271":588},{"_218":189,"_219":505,"_20":506,"_222":507,"_224":-5,"_225":508,"_227":75,"_228":229,"_230":231,"_125":-5,"_28":232,"_233":234,"_235":509,"_237":510,"_239":511,"_241":512,"_243":513,"_245":514,"_247":515,"_249":348,"_251":516,"_253":254,"_255":517,"_154":-5,"_258":518,"_111":519,"_260":520,"_262":521,"_264":522,"_266":523,"_268":524,"_144":525,"_271":526},{"_218":180,"_219":452,"_20":453,"_222":454,"_224":-5,"_225":455,"_227":53,"_228":229,"_230":231,"_125":-5,"_28":232,"_233":234,"_235":456,"_237":457,"_239":458,"_241":459,"_243":460,"_245":461,"_247":462,"_249":348,"_251":463,"_253":254,"_255":464,"_154":-5,"_258":-5,"_111":465,"_260":466,"_262":467,"_264":468,"_266":469,"_268":470,"_144":471,"_271":472},{"_218":181,"_219":398,"_20":399,"_222":400,"_224":-5,"_225":401,"_227":53,"_228":229,"_230":231,"_125":-5,"_28":232,"_233":234,"_235":402,"_237":403,"_239":75,"_241":404,"_243":405,"_245":406,"_247":407,"_249":348,"_251":408,"_253":254,"_255":409,"_154":-5,"_258":-5,"_111":410,"_260":411,"_262":412,"_264":413,"_266":414,"_268":415,"_144":416,"_271":417},{"_218":182,"_219":335,"_20":336,"_222":337,"_224":-5,"_225":338,"_227":53,"_228":229,"_230":231,"_125":-5,"_28":339,"_233":340,"_235":341,"_237":342,"_239":343,"_241":344,"_243":345,"_245":346,"_247":347,"_249":348,"_251":349,"_253":254,"_255":350,"_154":-5,"_258":-5,"_111":351,"_260":352,"_262":353,"_264":354,"_266":355,"_268":356,"_144":357,"_271":358},{"_218":183,"_219":220,"_20":221,"_222":223,"_224":-5,"_225":226,"_227":53,"_228":229,"_230":231,"_125":-5,"_28":232,"_233":234,"_235":236,"_237":238,"_239":240,"_241":242,"_243":244,"_245":246,"_247":248,"_249":250,"_251":252,"_253":254,"_255":256,"_154":257,"_258":-5,"_111":259,"_260":261,"_262":263,"_264":265,"_266":267,"_268":269,"_144":270,"_271":272},"id","slug","portrait-of-vincenzo-guarignoni-cma-137135","Portrait of Vincenzo Guarignoni","artist",{"_42":322,"_219":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":-5,"_333":-5,"_334":-5,"_140":103},"unrecorded","date","c. 1572","century","place","italy","movement","renaissance","painting","classification","Painting","medium","oil on canvas","dimensions","Framed: 91 x 80 x 8 cm (35 13/16 x 31 1/2 x 3 1/8 in.); Unframed: 63 x 50.8 cm (24 13/16 x 20 in.)","width_cm",50.8,"height_cm",63,"aspect",0.8155882352941176,"palette",[305,306,307,308,309],"museum",{"_218":300,"_219":301,"_42":302,"_303":304},"credit","Courtesy of the Cleveland Museum of Art","accession","1962.1","licence","CC0","story","Giovanni Battista Moroni painted this in about 1572, aged about 42. It is now at the Cleveland Museum of Art.",{"_118":297,"_298":299},"note","Portrait of Vincenzo Guarignoni, by Giovanni Battista Moroni, c. 1572","images",{"_291":292,"_293":294,"_295":296},"download_url","https://img.ochreeditions.com/m/644.jpg?dl=1","page_url","/art/portrait-of-vincenzo-guarignoni-cma-137135","walk_url","/galleries/style/renaissance/portrait-of-vincenzo-guarignoni-cma-137135","frame",{"_287":288,"_289":290},{"_222":279,"_125":280,"_281":282},"size",{"_273":274,"_275":138,"_276":277,"_278":242},"w",66.3820588235294,"h","image_w",51.38205882352941,"image_h",{"_283":222,"_123":171,"_154":170,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":286},"era",{"_283":281,"_123":167,"_154":166,"_140":169},"facet","style/painting-16","More paintings of the 16th century",95,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/644/480.jpg","960","https://img.ochreeditions.com/a/644/960.jpg","1920","https://img.ochreeditions.com/a/644/1920.jpg","The Latin inscription gives the sitter's name and age (45), as well as the painting's date. Guarignoni came from a prominent family in the northern Italian city of Bergamo.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","city","Cleveland",{"_310":320,"_312":321},{"_310":318,"_312":319},{"_310":316,"_312":317},{"_310":314,"_312":315},{"_310":311,"_312":313},"hex","#a09483","weight",0.0592,"#7a6556",0.0601,"#27231e",0.2431,"#484139",0.2695,"#141210",0.3681,"Giovanni Battista Moroni","giovanni-battista-moroni","bio","Italian, 1525–1578","nationality","Italian","birth_year",1525,"death_year",1578,"birth_place","death_place","about_excerpt","virgin-and-child-with-saints-peter-and-john-the-baptist-rect-aic-112613","Virgin and Child with Saints Peter and John the Baptist (recto); Saint John the Baptist (verso)",{"_42":393,"_219":394,"_324":395,"_326":327,"_328":396,"_330":397,"_332":-5,"_333":-5,"_334":-5,"_140":103},"n.d.","watercolour","Drawing and Watercolor","Black chalk (recto), and black chalk and pen and black ink (verso), on ivory laid paper","31.4 × 21.1 cm (12 3/8 × 8 5/16 in.)",21,31,0.6771270718232044,[378,379,380,381,382],{"_218":374,"_219":375,"_42":376,"_303":377},"Courtesy of the Art Institute of Chicago","1922.3493","Pietro d' Asaro painted this (n.d.). It is now at the Art Institute of Chicago.","A work made of black chalk (recto), and black chalk and pen and black ink (verso), on ivory laid paper.",{"_291":371,"_293":372,"_295":373},"https://img.ochreeditions.com/m/292.jpg?dl=1","/art/virgin-and-child-with-saints-peter-and-john-the-baptist-rect-aic-112613","/galleries/style/renaissance/virgin-and-child-with-saints-peter-and-john-the-baptist-rect-aic-112613",{"_287":369,"_289":370},{"_222":362,"_125":363,"_281":364},{"_273":359,"_275":360,"_276":361,"_278":344},44.99093922651934,55,20.990939226519338,{"_283":222,"_123":367,"_154":368,"_140":89},{"_283":125,"_123":365,"_154":366,"_140":89},{"_283":281,"_123":167,"_154":166,"_140":169},"style/watercolour-16","More watercolours of the 16th century","artist/contemporaries-of-pietro-d-asaro","Pietro d' Asaro's contemporaries","white","snow","https://img.ochreeditions.com/a/292/480.jpg","https://img.ochreeditions.com/a/292/960.jpg","https://img.ochreeditions.com/a/292/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":391,"_312":392},{"_310":389,"_312":390},{"_310":387,"_312":388},{"_310":385,"_312":386},{"_310":383,"_312":384},"#91673f",0.0089,"#a48b6f",0.0163,"#b09f89",0.1857,"#bfb2a0",0.3935,"#b8a995",0.3956,"Pietro d' Asaro","pietro-d-asaro","Italian, 1597–1647",1597,1647,"lucrezia-di-lippo-di-iacopo-guidi-aic-22270","Lucrezia di Lippo di Iacopo Guidi",{"_42":445,"_219":446,"_324":447,"_326":327,"_328":448,"_330":449,"_332":450,"_333":450,"_334":451,"_140":97},"1525–28","Oil on panel","22.5 × 15.9 cm (8 7/8 × 6 1/4 in.)",22,1.2782629218786878,[430,431,432,433,434],{"_218":374,"_219":375,"_42":376,"_303":377},"1964.1097b","Andrea del Sarto painted this in 1525–28, aged about 39. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_291":427,"_293":428,"_295":429},"https://img.ochreeditions.com/m/92.jpg?dl=1","/art/lucrezia-di-lippo-di-iacopo-guidi-aic-22270","/galleries/style/renaissance/lucrezia-di-lippo-di-iacopo-guidi-aic-22270",{"_287":288,"_289":290},{"_222":422,"_125":423,"_281":424},{"_273":418,"_275":419,"_276":420,"_278":421},40,34.557791728212706,25,19.557791728212703,{"_283":222,"_123":425,"_154":426,"_140":97},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":167,"_154":166,"_140":169},"artist/andrea-del-sarto","More by Andrea del Sarto","https://img.ochreeditions.com/a/92/480.jpg","https://img.ochreeditions.com/a/92/960.jpg","https://img.ochreeditions.com/a/92/1920.jpg",{"_310":443,"_312":444},{"_310":441,"_312":442},{"_310":439,"_312":440},{"_310":437,"_312":438},{"_310":435,"_312":436},"#2f1d18",0.07,"#6f5446",0.1291,"#a47659",0.1659,"#4d3819",0.2609,"#4f1615",0.3741,"Andrea del Sarto","andrea-del-sarto","Italian, 1486–1530",1486,1530,"Florence","Andrea del Sarto, the son of a tailor, or sarto, spent almost his whole career in Florence and became its leading painter after Leonardo, Michelangelo and Raphael had left.","virgin-and-child-with-the-young-saint-john-the-baptist-aic-109323","Virgin and Child with the Young Saint John the Baptist",{"_42":499,"_219":500,"_324":501,"_326":327,"_328":502,"_330":503,"_332":504,"_333":504,"_334":-5,"_140":101},"1560–65","Oil on canvas","79.5 × 90.5 cm (31 1/4 × 35 5/8 in.); Framed: 103.2 × 115.3 × 13.7 cm (40 5/8 × 45 3/8 × 5 3/8 in.)",90,79,1.1670577193805725,[484,485,486,487,488],{"_218":374,"_219":375,"_42":376,"_303":377},"1968.320","Jacopo Bassano painted this in 1560–65, aged about 50. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_291":481,"_293":482,"_295":483},"https://img.ochreeditions.com/m/271.jpg?dl=1","/art/virgin-and-child-with-the-young-saint-john-the-baptist-aic-109323","/galleries/style/renaissance/virgin-and-child-with-the-young-saint-john-the-baptist-aic-109323",{"_287":288,"_289":290},{"_222":476,"_125":477,"_281":478},{"_273":473,"_275":474,"_276":458,"_278":475},105,92.11700844390833,77.11700844390833,{"_283":222,"_123":479,"_154":480,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jacopo-bassano","Jacopo Bassano's contemporaries","https://img.ochreeditions.com/a/271/480.jpg","https://img.ochreeditions.com/a/271/960.jpg","https://img.ochreeditions.com/a/271/1920.jpg",{"_310":497,"_312":498},{"_310":495,"_312":496},{"_310":493,"_312":494},{"_310":491,"_312":492},{"_310":489,"_312":490},"#937d6a",0.1351,"#605146",0.1432,"#c7a991",0.1481,"#43281e",0.2326,"#2a2320",0.341,"Jacopo Bassano","jacopo-bassano","Italian, c. 1510–1592",1510,1592,"Bassano del Grappa","the-baptism-of-christ-aic-16197","The Baptism of Christ",{"_42":559,"_219":560,"_324":561,"_326":327,"_328":562,"_330":563,"_332":-5,"_333":-5,"_334":564,"_140":95},"1500–05","Tempera on panel, transferred to canvas","27.3 × 46.4 cm (10 3/4 × 18 1/4 in.)",46,27,1.70421710269426,[544,545,546,547,548],{"_218":374,"_219":375,"_42":376,"_303":377},"1933.1023","Perugino painted this in 1500–05, aged about 50. It is now at the Art Institute of Chicago.","Christ stands in the river Jordan as John the Baptist pours water over his head, with angels in attendance and a serene landscape of feathery trees stretching into the distance.","A work made of tempera on panel, transferred to canvas.",{"_291":541,"_293":542,"_295":543},"https://img.ochreeditions.com/m/44.jpg?dl=1","/art/the-baptism-of-christ-aic-16197","/galleries/style/renaissance/the-baptism-of-christ-aic-16197",{"_287":288,"_289":290},{"_222":530,"_125":531,"_281":532},{"_273":527,"_275":528,"_276":511,"_278":529},61,41.99186619314927,26.99186619314927,{"_283":222,"_123":539,"_154":540,"_140":95},{"_283":125,"_123":536,"_154":537,"_140":538},{"_283":281,"_123":533,"_154":534,"_140":535},"era/15-italy","15th-century Italy",57,"style/painting-15","More paintings of the 15th century",73,"artist/perugino","More by Perugino","https://img.ochreeditions.com/a/44/480.jpg","https://img.ochreeditions.com/a/44/960.jpg","https://img.ochreeditions.com/a/44/1920.jpg",{"_310":557,"_312":558},{"_310":555,"_312":556},{"_310":553,"_312":554},{"_310":551,"_312":552},{"_310":549,"_312":550},"#804c41",0.0407,"#754a1e",0.1394,"#5b6a5f",0.234,"#807253",0.2632,"#57462d",0.3227,"Perugino","perugino","Italian, c. 1450/55–1523",1450,1523,"Pietro Vannucci took the name Perugino from Perugia, the chief city of his native Umbria, and trained in Florence, probably alongside Leonardo in Verrocchio’s studio.","venus-reclining-in-a-landscape-cma-112586","Venus Reclining in a Landscape",{"_42":619,"_219":620,"_324":621,"_326":327,"_328":622,"_330":623,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1508–9","print","Print","engraving","Platemark: 11.9 x 18.3 cm (4 11/16 x 7 3/16 in.); Sheet: 11.9 x 18.3 cm (4 11/16 x 7 3/16 in.)",18.3,11.9,1.4873140857392826,[604,605,606,607,608],{"_218":300,"_219":301,"_42":302,"_303":304},"1931.205","Giulio Campagnola made this in about 1508–9, aged about 26. It is now at the Cleveland Museum of Art.",{"_118":603,"_298":299},"Venus Reclining in a Landscape, by Giulio Campagnola, c. 1508–9",{"_291":600,"_293":601,"_295":602},"https://img.ochreeditions.com/m/527.jpg?dl=1","/art/venus-reclining-in-a-landscape-cma-112586","/galleries/style/renaissance/venus-reclining-in-a-landscape-cma-112586",{"_287":369,"_289":370},{"_222":592,"_125":593,"_281":594},{"_273":589,"_275":590,"_276":420,"_278":591},49,40.80882352941177,16.808823529411764,{"_283":222,"_123":598,"_154":599,"_140":89},{"_283":125,"_123":595,"_154":596,"_140":597},{"_283":281,"_123":167,"_154":166,"_140":169},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-giulio-campagnola","Giulio Campagnola's contemporaries","https://img.ochreeditions.com/a/527/480.jpg","https://img.ochreeditions.com/a/527/960.jpg","https://img.ochreeditions.com/a/527/1920.jpg","The Venetian artist Giulio Campagnola introduced the \"dot manner,\" an engraving technique by which shading is created with dots and flicks produced with the point of the burin. This innovation allowed for a much greater range of tone and subtler gradations from dark to light.",{"_310":617,"_312":618},{"_310":615,"_312":616},{"_310":613,"_312":614},{"_310":611,"_312":612},{"_310":609,"_312":610},"#ede7dc",0.0694,"#a2978c",0.1959,"#615b55",0.2009,"#7e766d",0.23,"#c7baaa",0.3038,"Giulio Campagnola","giulio-campagnola","Italian, 1482–1515",1482,1515,"samson-and-the-lion-from-the-story-of-samson-met-393723","Samson and the Lion, from \"The Story of Samson\"","Unrecorded French maker","ca. 1560–80","france","Prints","Woodcut with pochoir (stencil) and hand coloring","sheet: 14 3/4 x 19 1/2 in. (37.4 x 49.5 cm)",49.5,37.4,1.2985699337286363,[665,666,667,668,669],{"_218":661,"_219":662,"_42":663,"_303":664},"Courtesy of The Metropolitan Museum of Art","2010.27.2","An unrecorded French artist made this in about 1560–80. It is now at The Met in New York.","Samson and the Lion, from \"The Story of Samson\", ca. 1560–80",{"_291":658,"_293":659,"_295":660},"https://img.ochreeditions.com/m/1054.jpg?dl=1","/art/samson-and-the-lion-from-the-story-of-samson-met-393723","/galleries/style/renaissance/samson-and-the-lion-from-the-story-of-samson-met-393723",{"_287":369,"_289":370},{"_222":651,"_125":652,"_281":653},{"_273":648,"_275":649,"_276":632,"_278":650},73.5,62.11885576148267,38.11885576148267,{"_283":222,"_123":656,"_154":657,"_140":87},{"_283":125,"_123":595,"_154":596,"_140":597},{"_283":281,"_123":654,"_154":655,"_140":89},"era/16-france","16th-century France","artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/1054/480.jpg","https://img.ochreeditions.com/a/1054/960.jpg","https://img.ochreeditions.com/a/1054/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":678,"_312":679},{"_310":676,"_312":677},{"_310":674,"_312":675},{"_310":672,"_312":673},{"_310":670,"_312":671},"#eadecc",0.0548,"#a67150",0.1314,"#b0957a",0.1849,"#7a6559",0.2423,"#8c6f56",0.3866,"death-of-the-virgin-cma-97159","Death of the Virgin","Unrecorded Italian maker","mid-1500s","oil on wood","Framed: 78.8 x 130.9 cm (31 x 51 9/16 in.); Unframed: 25 x 103.5 cm (9 13/16 x 40 3/4 in.)",103.5,2.9437229437229435,[714,715,716,717,718],{"_218":300,"_219":301,"_42":302,"_303":304},"1916.797","An unrecorded Italy, Venice artist painted this in the mid-1500s. It is now at the Cleveland Museum of Art.",{"_118":713,"_298":299},"Death of the Virgin, mid-1500s",{"_291":710,"_293":711,"_295":712},"https://img.ochreeditions.com/m/481.jpg?dl=1","/art/death-of-the-virgin-cma-97159","/galleries/style/renaissance/death-of-the-virgin-cma-97159",{"_287":288,"_289":290},{"_222":705,"_125":706,"_281":707},{"_273":701,"_275":702,"_276":703,"_278":704},102.27475646991584,44.647748153750825,87.27475646991584,29.647748153750825,{"_283":222,"_123":708,"_154":709,"_140":77},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":167,"_154":166,"_140":169},"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/481/480.jpg","https://img.ochreeditions.com/a/481/960.jpg","https://img.ochreeditions.com/a/481/1920.jpg","This panel reveals a long history of changes. The initial work was painted on a single slab of wood, with strips left unpainted along the top and bottom.",{"_310":727,"_312":728},{"_310":725,"_312":726},{"_310":723,"_312":724},{"_310":721,"_312":722},{"_310":719,"_312":720},"#9b957f",0.0554,"#593825",0.1129,"#5d553c",0.1286,"#382f21",0.2607,"#211e16",0.4424,"italian-joust-of-peace-nga-216058","Italian Joust of Peace","Unrecorded German maker","c.1512-1515","germany","drawing","Drawing","pen and brown ink with watercolor over leadpoint on laid paper","sheet: 33 × 26.3 cm (13 × 10 3/8 in.)",26.3,33,0.802734375,[774,775,776,777,778],{"_218":770,"_219":771,"_42":772,"_303":773},"Courtesy National Gallery of Art, Washington","1943.3.4502","An unrecorded German artist painted this in about 1512-1515. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of two armored figures on horseback engaged in a joust. Both knights are clad in ornate armor and mounted on horses as they participate in the match. The scene captures the moment of impact, with splintered lances flying in the air. One knight in silver armor with blue accents is being unseated from his horse, while the other knight in red and silver armor remains mounted. Both horses are draped in colors matching their riders' armors. The focus is on the dynamic action and energy of the joust, with fine details showing the armor's shine and the movement of the horses. The drawing is bordered, and there is some script at the top and bottom.",{"_291":767,"_293":768,"_295":769},"https://img.ochreeditions.com/m/1700.jpg?dl=1","/art/italian-joust-of-peace-nga-216058","/galleries/style/renaissance/italian-joust-of-peace-nga-216058",{"_287":369,"_289":370},{"_222":756,"_125":757,"_281":758},{"_273":754,"_275":535,"_276":755,"_278":739},50.490234375,26.490234375,{"_283":222,"_123":765,"_154":766,"_140":97},{"_283":125,"_123":762,"_154":763,"_140":764},{"_283":281,"_123":759,"_154":760,"_140":761},"era/16-germany","16th-century Germany",28,"style/drawing-16","More drawings of the 16th century",35,"artist/unrecorded-germany","More by unrecorded makers of Germany","https://img.ochreeditions.com/a/1700/480.jpg","https://img.ochreeditions.com/a/1700/960.jpg","https://img.ochreeditions.com/a/1700/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_310":787,"_312":788},{"_310":785,"_312":786},{"_310":783,"_312":784},{"_310":781,"_312":782},{"_310":779,"_312":780},"#a2846e",0.0362,"#a15240",0.042,"#ecddce",0.0542,"#c8b195",0.08,"#e9d3b7",0.7876,"virgin-and-child-with-the-young-saint-john-the-baptist-aic-23972",{"_42":836,"_219":837,"_324":838,"_326":839,"_328":840,"_330":841,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1515","64.2 × 50.2 cm (25 1/4 × 19 3/4 in.); Framed: 79.4 × 63.9 × 8.3 cm (31 1/4 × 25 1/8 × 3 1/4 in.)",50,64,0.7786499215070644,[821,822,823,824,825],{"_218":374,"_219":375,"_42":376,"_303":377},"1965.688","Antonio da Correggio painted this in about 1515, aged about 21. It is now at the Art Institute of Chicago.",{"_118":819,"_298":820},"Vividly colored painting of Virgin Mary with baby Jesus and baby John the Baptist.",{"_291":816,"_293":817,"_295":818},"https://img.ochreeditions.com/m/100.jpg?dl=1","/art/virgin-and-child-with-the-young-saint-john-the-baptist-aic-23972","/galleries/style/renaissance/virgin-and-child-with-the-young-saint-john-the-baptist-aic-23972",{"_287":288,"_289":290},{"_222":811,"_125":812,"_281":813},{"_273":809,"_275":459,"_276":810,"_278":794},64.83359497645212,49.83359497645212,{"_283":222,"_123":814,"_154":815,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-antonio-da-correggio","Antonio da Correggio's contemporaries","https://img.ochreeditions.com/a/100/480.jpg","https://img.ochreeditions.com/a/100/960.jpg","https://img.ochreeditions.com/a/100/1920.jpg","This intimate devotional panel, an early work by Antonio da Correggio, reveals the young artist's evolving style. The distant landscape demonstrates his awareness of Northern European precedents, and the figural composition references the manner of Raphael, while its soft outlines recall Da Vinci.","Text from the Art Institute of Chicago.",{"_310":834,"_312":835},{"_310":832,"_312":833},{"_310":830,"_312":831},{"_310":828,"_312":829},{"_310":826,"_312":827},"#892f1f",0.0784,"#3c636a",0.0806,"#a8a49c",0.1931,"#6d5e37",0.255,"#2a2217",0.3929,"Antonio da Correggio","antonio-da-correggio","Antonio Allegri; Italian, 1489–1534","Antonio Allegri; Italian",1489,1534,"portrait-of-an-old-man-cma-97156","Portrait of an Old Man",{"_42":889,"_219":890,"_324":891,"_326":327,"_328":892,"_330":893,"_332":-5,"_333":-5,"_334":-5,"_140":103},"Framed: 120.7 x 91.4 x 11.4 cm (47 1/2 x 36 x 4 1/2 in.); Unframed: 92.4 x 63.5 cm (36 3/8 x 25 in.)",63.5,92.4,0.6820588235294117,[874,875,876,877,878],{"_218":300,"_219":301,"_42":302,"_303":304},"1916.794","Giulio Campi painted this in the mid-1500s, aged about 25. It is now at the Cleveland Museum of Art.",{"_118":873,"_298":299},"Portrait of an Old Man, by Giulio Campi, mid-1500s",{"_291":870,"_293":871,"_295":872},"https://img.ochreeditions.com/m/479.jpg?dl=1","/art/portrait-of-an-old-man-cma-97156","/galleries/style/renaissance/portrait-of-an-old-man-cma-97156",{"_287":288,"_289":290},{"_222":865,"_125":866,"_281":867},{"_273":862,"_275":863,"_276":864,"_278":847},78.02223529411765,107.4,63.02223529411765,{"_283":222,"_123":868,"_154":869,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-giulio-campi","Giulio Campi's contemporaries","https://img.ochreeditions.com/a/479/480.jpg","https://img.ochreeditions.com/a/479/960.jpg","https://img.ochreeditions.com/a/479/1920.jpg","Part of a distinguished family of Northern northern Italian painters, Campi depicts his sitter with an unidealized face dominated by carefully observed wrinkles. He stares out intently while grasping what may be a letter with its paper seal broken in his right hand.",{"_310":887,"_312":888},{"_310":885,"_312":886},{"_310":883,"_312":884},{"_310":881,"_312":882},{"_310":879,"_312":880},"#5a4739",0.0483,"#916e59",0.0533,"#2a2b1f",0.146,"#1b1c17",0.3729,"#11120e",0.3795,"Giulio Campi","giulio-campi","Italian, c. 1500–1572",1500,1572,"st-catherine-of-siena-and-the-beggar-cma-142559","St. Catherine of Siena and the Beggar",{"_42":943,"_219":944,"_324":945,"_326":327,"_328":946,"_330":622,"_332":947,"_333":947,"_334":948,"_140":97},"1460s","tempera and gold on wood","Framed: 35.6 x 35.7 x 4.5 cm (14 x 14 1/16 x 1 3/4 in.); Unframed: 28.7 x 28.9 cm (11 5/16 x 11 3/8 in.)",28.9,28.7,1.0083036773428233,[928,929,930,931,932],{"_218":300,"_219":301,"_42":302,"_303":304},"1966.3","Giovanni di Paolo painted this in the 1460s, aged about 62. It is now at the Cleveland Museum of Art.",{"_118":927,"_298":299},"St. Catherine of Siena and the Beggar, by Giovanni di Paolo, 1460s",{"_291":924,"_293":925,"_295":926},"https://img.ochreeditions.com/m/661.jpg?dl=1","/art/st-catherine-of-siena-and-the-beggar-cma-142559","/galleries/style/renaissance/st-catherine-of-siena-and-the-beggar-cma-142559",{"_287":288,"_289":290},{"_222":919,"_125":920,"_281":921},{"_273":916,"_275":917,"_276":900,"_278":918},43.9,43.66199999999999,28.661999999999995,{"_283":222,"_123":922,"_154":923,"_140":97},{"_283":125,"_123":536,"_154":537,"_140":538},{"_283":281,"_123":533,"_154":534,"_140":535},"artist/giovanni-di-paolo","More by Giovanni di Paolo","https://img.ochreeditions.com/a/661/480.jpg","https://img.ochreeditions.com/a/661/960.jpg","https://img.ochreeditions.com/a/661/1920.jpg","Saint Catherine (1347-1380) was the daughter of a prosperous Sienese cloth dyer. At the age of six, she saw a vision of Christ and thereafter dedicated herself to chastity, penance, and good works. She became much beloved in Siena for selflessly caring for victims of the Black Death. This panel, with 1966.",{"_310":941,"_312":942},{"_310":939,"_312":940},{"_310":937,"_312":938},{"_310":935,"_312":936},{"_310":933,"_312":934},"#98764e",0.1138,"#292621",0.135,"#5d5347",0.1401,"#847c6e",0.1958,"#b0a795",0.4153,"Giovanni di Paolo","giovanni-di-paolo","Italian, 1398–1482",1398,"Siena","Giovanni di Paolo spent his long career in Siena, where he was one of the city’s leading painters through the fifteenth century.","battle-of-the-nudes-cma-143142","Battle of the Nudes",{"_42":999,"_219":1000,"_324":1001,"_326":327,"_328":1002,"_330":1003,"_332":450,"_333":1004,"_334":-5,"_140":101},"1470s–80s","Platemark: 42 x 60.4 cm (16 9/16 x 23 3/4 in.); Sheet: 42.4 x 60.9 cm (16 11/16 x 24 in.)",60.4,42,1.4358108108108107,[984,985,986,987,988],{"_218":300,"_219":301,"_42":302,"_303":304},"1967.127","Antonio Pollaiuolo made this in the 1470s–80s, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":983,"_298":299},"Battle of the Nudes, by Antonio Pollaiuolo, 1470s–80s",{"_291":980,"_293":981,"_295":982},"https://img.ochreeditions.com/m/663.jpg?dl=1","/art/battle-of-the-nudes-cma-143142","/galleries/style/renaissance/battle-of-the-nudes-cma-143142",{"_287":369,"_289":370},{"_222":973,"_125":974,"_281":975},{"_273":970,"_275":971,"_276":954,"_278":972},84.4,66.06682352941176,42.066823529411764,{"_283":222,"_123":978,"_154":979,"_140":89},{"_283":125,"_123":976,"_154":977,"_140":53},{"_283":281,"_123":533,"_154":534,"_140":535},"style/print-15","More prints of the 15th century","artist/contemporaries-of-antonio-pollaiuolo","Antonio Pollaiuolo's contemporaries","https://img.ochreeditions.com/a/663/480.jpg","https://img.ochreeditions.com/a/663/960.jpg","https://img.ochreeditions.com/a/663/1920.jpg","This engraving is one of the earliest Renaissance prints to portray the nude male body in action. Antonio del Pollaiuolo’s grimacing warriors appear like clones in different poses.",{"_310":997,"_312":998},{"_310":995,"_312":996},{"_310":993,"_312":994},{"_310":991,"_312":992},{"_310":989,"_312":990},"#dbcebb",0.0587,"#bcac97",0.1708,"#847764",0.2076,"#968874",0.2747,"#a99984",0.2882,"Antonio Pollaiuolo","antonio-pollaiuolo","Italian, 1431/32–1498",1432,1498,"Rome","the-holy-family-with-saint-elizabeth-cma-112099","The Holy Family with Saint Elizabeth",{"_42":1052,"_219":1053,"_324":1054,"_326":327,"_328":1055,"_330":1056,"_332":-5,"_333":-5,"_334":-5,"_140":101},"c. 1503","Platemark: 12.8 x 16.3 cm (5 1/16 x 6 7/16 in.); Sheet: 13.3 x 16.6 cm (5 1/4 x 6 9/16 in.)",16.3,12.8,1.2336719883889695,[1037,1038,1039,1040,1041],{"_218":300,"_219":301,"_42":302,"_303":304},"1930.575","Jacopo de' Barbari made this in about 1503, aged about 43. It is now at the Cleveland Museum of Art.",{"_118":1036,"_298":299},"The Holy Family with Saint Elizabeth, by Jacopo de' Barbari, c. 1503",{"_291":1033,"_293":1034,"_295":1035},"https://img.ochreeditions.com/m/526.jpg?dl=1","/art/the-holy-family-with-saint-elizabeth-cma-112099","/galleries/style/renaissance/the-holy-family-with-saint-elizabeth-cma-112099",{"_287":369,"_289":370},{"_222":1028,"_125":1029,"_281":1030},{"_273":589,"_275":1026,"_276":420,"_278":1027},44.26470588235294,20.264705882352942,{"_283":222,"_123":1031,"_154":1032,"_140":89},{"_283":125,"_123":976,"_154":977,"_140":53},{"_283":281,"_123":533,"_154":534,"_140":535},"artist/contemporaries-of-jacopo-de-barbari","Jacopo de' Barbari's contemporaries","https://img.ochreeditions.com/a/526/480.jpg","https://img.ochreeditions.com/a/526/960.jpg","https://img.ochreeditions.com/a/526/1920.jpg","While this landscape might seem desolate and strange, it is rife with religious symbolism. The Virgin Mary and Christ on the right sit with Mary’s cousin, Saint Elizabeth, and her son, Saint John the Baptist. The Bible describes Elizabeth as past childbearing age; both she and Mary were granted virgin births by God.",{"_310":1050,"_312":1051},{"_310":1048,"_312":1049},{"_310":1046,"_312":1047},{"_310":1044,"_312":1045},{"_310":1042,"_312":1043},"#d3d0c3",0.0571,"#4a4840",0.1487,"#a39d8e",0.22,"#676359",0.2572,"#837e71",0.317,"Jacopo de' Barbari","jacopo-de-barbari","Italian, c. 1460/70–c. 1516",1455,1520,"adoration-of-the-shepherds-cma-97143","Adoration of the Shepherds","c. 1500","Framed: 63 x 51 x 7.8 cm (24 13/16 x 20 1/16 x 3 1/16 in.); Unframed: 41.5 x 29.8 cm (16 5/16 x 11 3/4 in.)",29.8,41.5,0.7088235294117647,[1085,1086,1087,1088,1089],{"_218":300,"_219":301,"_42":302,"_303":304},"1916.782","An unrecorded Northern Italy, late 15th-early 16th Century artist painted this in about 1500. It is now at the Cleveland Museum of Art.","Adoration of the Shepherds, c. 1500",{"_291":1082,"_293":1083,"_295":1084},"https://img.ochreeditions.com/m/472.jpg?dl=1","/art/adoration-of-the-shepherds-cma-97143","/galleries/style/renaissance/adoration-of-the-shepherds-cma-97143",{"_287":288,"_289":290},{"_222":1079,"_125":1080,"_281":1081},{"_273":1076,"_275":1077,"_276":1078,"_278":1062},44.41617647058824,56.5,29.416176470588237,{"_283":222,"_123":708,"_154":709,"_140":77},{"_283":125,"_123":536,"_154":537,"_140":538},{"_283":281,"_123":533,"_154":534,"_140":535},"https://img.ochreeditions.com/a/472/480.jpg","https://img.ochreeditions.com/a/472/960.jpg","https://img.ochreeditions.com/a/472/1920.jpg",{"_310":1098,"_312":1099},{"_310":1096,"_312":1097},{"_310":1094,"_312":1095},{"_310":1092,"_312":1093},{"_310":1090,"_312":1091},"#433828",0.1522,"#a09a7b",0.1814,"#a18554",0.2028,"#7f643f",0.2201,"#614e34",0.2435,"portrait-of-a-woman-as-saint-catherine-cma-97191","Portrait of a Woman as Saint Catherine",{"_42":1147,"_219":1148,"_324":1149,"_326":327,"_328":1150,"_330":1151,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1560","Framed: 116 x 93 x 11 cm (45 11/16 x 36 5/8 x 4 5/16 in.); Unframed: 95 x 71.3 cm (37 3/8 x 28 1/16 in.)",71.3,0.7479411764705882,[1132,1133,1134,1135,1136],{"_218":300,"_219":301,"_42":302,"_303":304},"1916.825","Pier Francesco Foschi painted this in about 1560, aged about 53. It is now at the Cleveland Museum of Art.",{"_118":1131,"_298":299},"Portrait of a Woman as Saint Catherine, by Pier Francesco Foschi, c. 1560",{"_291":1128,"_293":1129,"_295":1130},"https://img.ochreeditions.com/m/490.jpg?dl=1","/art/portrait-of-a-woman-as-saint-catherine-cma-97191","/galleries/style/renaissance/portrait-of-a-woman-as-saint-catherine-cma-97191",{"_287":288,"_289":290},{"_222":1123,"_125":1124,"_281":1125},{"_273":1120,"_275":1121,"_276":1122,"_278":286},86.05441176470588,110,71.05441176470588,{"_283":222,"_123":1126,"_154":1127,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-pier-francesco-foschi","Pier Francesco Foschi's contemporaries","https://img.ochreeditions.com/a/490/480.jpg","https://img.ochreeditions.com/a/490/960.jpg","https://img.ochreeditions.com/a/490/1920.jpg","Saint Catherine of Alexandria, a Christian, was martyred for refusing to make sacrifices to idols as decreed by the pagan Roman emperor Maxentius. While Maxentius first attempted to slay Catherine with spiked wheels, the machine broke when she prayed for salvation, and the emperor subsequently beheaded her.",{"_310":1145,"_312":1146},{"_310":1143,"_312":1144},{"_310":1141,"_312":1142},{"_310":1139,"_312":1140},{"_310":1137,"_312":1138},"#624a38",0.0768,"#69181e",0.0879,"#9b7472",0.1312,"#311d11",0.2191,"#190e09",0.485,"Pier Francesco Foschi","pier-francesco-foschi","Italian, 1502–1567",1502,1567,{"_1153":-5,"_1154":1155,"_1156":1157,"_1158":8,"_1159":1160,"_1161":8},"user","csrf","4884ff77e1b59de7446b4784c6423120a3e49f42","cartCount",0,"dropLive","legal",[1162,1163,1164,1165,1166,1167,1168,1169,1170,1171,1172,1173],"uploadsEnabled",{"_219":1196,"_20":1197},{"_219":1194,"_20":1195},{"_219":1192,"_20":1193},{"_219":1190,"_20":1191},{"_219":1188,"_20":1189},{"_219":1186,"_20":1187},{"_219":1184,"_20":1185},{"_219":1182,"_20":1183},{"_219":1180,"_20":1181},{"_219":1178,"_20":1179},{"_219":1176,"_20":1177},{"_219":1174,"_20":1175},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]