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It is now at the Cleveland Museum of Art.","Adoration of the Shepherds, c. 1500",{"_291":441,"_293":442,"_295":443},"https://img.ochreeditions.com/m/472.jpg?dl=1","/art/adoration-of-the-shepherds-cma-97143","/galleries/style/renaissance/adoration-of-the-shepherds-cma-97143",{"_287":376,"_289":377},{"_224":433,"_125":434,"_282":435},{"_272":430,"_274":431,"_276":432,"_278":416},44.41617647058824,56.5,29.416176470588237,{"_284":224,"_123":439,"_154":440,"_140":77},{"_284":125,"_123":371,"_154":372,"_140":373},{"_284":282,"_123":436,"_154":437,"_140":438},"era/15-italy","15th-century Italy",57,"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/472/480.jpg","https://img.ochreeditions.com/a/472/960.jpg","https://img.ochreeditions.com/a/472/1920.jpg",{"_310":457,"_312":458},{"_310":455,"_312":456},{"_310":453,"_312":454},{"_310":451,"_312":452},{"_310":449,"_312":450},"#433828",0.1522,"#a09a7b",0.1814,"#a18554",0.2028,"#7f643f",0.2201,"#614e34",0.2435,"portrait-of-vincenzo-guarignoni-cma-137135","Portrait of Vincenzo Guarignoni",{"_42":513,"_221":514,"_324":515,"_326":516,"_328":517,"_330":518,"_332":-5,"_334":-5,"_336":-5,"_140":103},"c. 1572","oil on canvas","Framed: 91 x 80 x 8 cm (35 13/16 x 31 1/2 x 3 1/8 in.); Unframed: 63 x 50.8 cm (24 13/16 x 20 in.)",50.8,63,0.8155882352941176,[498,499,500,501,502],{"_220":300,"_221":301,"_42":302,"_303":304},"1962.1","Giovanni Battista Moroni painted this in about 1572, aged about 42. It is now at the Cleveland Museum of Art.",{"_118":497,"_298":299},"Portrait of Vincenzo Guarignoni, by Giovanni Battista Moroni, c. 1572",{"_291":494,"_293":495,"_295":496},"https://img.ochreeditions.com/m/644.jpg?dl=1","/art/portrait-of-vincenzo-guarignoni-cma-137135","/galleries/style/renaissance/portrait-of-vincenzo-guarignoni-cma-137135",{"_287":376,"_289":377},{"_224":483,"_125":484,"_282":485},{"_272":481,"_274":138,"_276":482,"_278":466},66.3820588235294,51.38205882352941,{"_284":224,"_123":492,"_154":493,"_140":89},{"_284":125,"_123":489,"_154":490,"_140":491},{"_284":282,"_123":486,"_154":487,"_140":488},"era/16-italy","16th-century Italy",66,"style/painting-16","More paintings of the 16th century",95,"artist/contemporaries-of-giovanni-battista-moroni","Giovanni Battista Moroni's contemporaries","https://img.ochreeditions.com/a/644/480.jpg","https://img.ochreeditions.com/a/644/960.jpg","https://img.ochreeditions.com/a/644/1920.jpg","The Latin inscription gives the sitter's name and age (45), as well as the painting's date. Guarignoni came from a prominent family in the northern Italian city of Bergamo.",{"_310":511,"_312":512},{"_310":509,"_312":510},{"_310":507,"_312":508},{"_310":505,"_312":506},{"_310":503,"_312":504},"#a09483",0.0592,"#7a6556",0.0601,"#27231e",0.2431,"#484139",0.2695,"#141210",0.3681,"Giovanni Battista Moroni","giovanni-battista-moroni","Italian, 1525–1578","Italian",1525,1578,"the-power-of-women-samson-and-delilah-cma-114942","The Power of Women: Samson and Delilah",{"_42":574,"_221":575,"_324":576,"_326":405,"_328":577,"_330":578,"_332":-5,"_334":-5,"_336":-5,"_140":101},"c. 1512","woodcut","Image: 41.1 x 28.7 cm (16 3/16 x 11 5/16 in.)",28.7,41.1,0.7105882352941176,[559,560,561,562,563],{"_220":300,"_221":301,"_42":302,"_303":304},"1935.117","Lucas van Leyden made this in about 1512, aged about 13. It is now at the Cleveland Museum of Art.",{"_118":558,"_298":299},"The Power of Women: Samson and Delilah, by Lucas van Leyden, c. 1512",{"_291":555,"_293":556,"_295":557},"https://img.ochreeditions.com/m/531.jpg?dl=1","/art/the-power-of-women-samson-and-delilah-cma-114942","/galleries/style/renaissance/the-power-of-women-samson-and-delilah-cma-114942",{"_287":288,"_289":290},{"_224":544,"_125":545,"_282":546},{"_272":541,"_274":542,"_276":543,"_278":526},53.205176470588235,65.1,29.205176470588235,{"_284":224,"_123":553,"_154":554,"_140":89},{"_284":125,"_123":550,"_154":551,"_140":552},{"_284":282,"_123":547,"_154":548,"_140":549},"era/16-netherlands","16th-century Netherlands",35,"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-lucas-van-leyden","Lucas van Leyden's contemporaries","https://img.ochreeditions.com/a/531/480.jpg","https://img.ochreeditions.com/a/531/960.jpg","https://img.ochreeditions.com/a/531/1920.jpg","The publication of Albrecht Dürer's three impressive woodcut series in 1511— The Large Passion , The Apocalypse , and The Life of the Virgin —had an immediate impact on Northern painters such as Lucas.",{"_310":572,"_312":573},{"_310":570,"_312":571},{"_310":568,"_312":569},{"_310":566,"_312":567},{"_310":564,"_312":565},"#d5cec7",0.1488,"#484743",0.1552,"#6a6761",0.1787,"#aea79d",0.2456,"#8c877f",0.2717,"Lucas van Leyden","lucas-van-leyden","Netherlandish, 1494–about 1533",1494,1533,"the-last-supper-pair-cma-119621","The Last Supper (pair)",{"_42":623,"_221":624,"_324":516,"_326":516,"_328":-5,"_330":-5,"_332":-5,"_334":-5,"_336":-5,"_140":99},"engraving on two sheets printed from two plates",2.6275115919629055,[608,609,610,611,612],{"_220":300,"_221":301,"_42":302,"_303":304},"1940.473","Lucantonio degli Uberti made this in about 1500. It is now at the Cleveland Museum of Art.",{"_118":607,"_298":299},"The Last Supper (pair), by Lucantonio degli Uberti, c. 1500",{"_291":604,"_293":605,"_295":606},"https://img.ochreeditions.com/m/537.jpg?dl=1","/art/the-last-supper-pair-cma-119621","/galleries/style/renaissance/the-last-supper-pair-cma-119621",{"_287":288,"_289":290},{"_224":599,"_125":600,"_282":601},{"_272":275,"_274":597,"_276":279,"_278":598},46.83529411764706,22.83529411764706,{"_284":224,"_123":602,"_154":603,"_140":99},{"_284":125,"_123":285,"_154":286,"_140":53},{"_284":282,"_123":436,"_154":437,"_140":438},"artist/lucantonio-degli-uberti","More by Lucantonio degli Uberti","https://img.ochreeditions.com/a/537/480.jpg","https://img.ochreeditions.com/a/537/960.jpg","https://img.ochreeditions.com/a/537/1920.jpg","Because large prints were often displayed on a wall, they were susceptible to damage and often have not survived. This large print of the Last Supper , however, is in excellent condition. It was engraved on two plates and printed on two separate sheets of paper.",{"_310":621,"_312":622},{"_310":619,"_312":620},{"_310":617,"_312":618},{"_310":615,"_312":616},{"_310":613,"_312":614},"#d1c2ac",0.0833,"#ad9d86",0.1406,"#695e4e",0.1686,"#958670",0.2943,"#807360",0.3132,"Lucantonio degli Uberti","lucantonio-degli-uberti","study-for-the-nude-youth-over-the-prophet-daniel-recto-figur-cma-119614","Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)",{"_42":679,"_221":680,"_324":681,"_326":516,"_328":406,"_330":682,"_332":683,"_334":684,"_336":-5,"_140":101},"1510–11","drawing","Drawing","red chalk over black chalk or charcoal","Sheet: 34.3 x 24.3 cm (13 1/2 x 9 9/16 in.); Secondary Support: 34.4 x 24.4 cm (13 9/16 x 9 5/8 in.)",24.3,34.3,0.5841176470588235,[664,665,666,667,668],{"_220":300,"_221":301,"_42":302,"_303":304},"1940.465","Michelangelo Buonarroti drew this in 1510–11, aged about 35. It is now at the Cleveland Museum of Art.",{"_118":663,"_298":299},"Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso), by Michelangelo Buonarroti, 1510–11",{"_291":660,"_293":661,"_295":662},"https://img.ochreeditions.com/m/536.jpg?dl=1","/art/study-for-the-nude-youth-over-the-prophet-daniel-recto-figur-cma-119614","/galleries/style/renaissance/study-for-the-nude-youth-over-the-prophet-daniel-recto-figur-cma-119614",{"_287":288,"_289":290},{"_224":653,"_125":654,"_282":655},{"_272":649,"_274":650,"_276":651,"_278":652},46.064818550059705,61.774613831924974,22.064818550059705,37.774613831924974,{"_284":224,"_123":658,"_154":659,"_140":89},{"_284":125,"_123":656,"_154":657,"_140":549},{"_284":282,"_123":486,"_154":487,"_140":488},"style/drawing-16","More drawings of the 16th century","artist/contemporaries-of-michelangelo-buonarroti","Michelangelo Buonarroti's contemporaries","https://img.ochreeditions.com/a/536/480.jpg","https://img.ochreeditions.com/a/536/960.jpg","https://img.ochreeditions.com/a/536/1920.jpg","Universally considered one of the greatest artists of the Italian Renaissance, Michelangelo devoted four years to painting the vast ceiling fresco in the Sistine Chapel.",{"_310":677,"_312":678},{"_310":675,"_312":676},{"_310":673,"_312":674},{"_310":671,"_312":672},{"_310":669,"_312":670},"#e3d7c5",0.0528,"#cd926c",0.0752,"#d0ab85",0.1769,"#fcfcfa",0.1981,"#d4bb98",0.497,"Michelangelo Buonarroti","michelangelo-buonarroti","Italian, 1475–1564",1564,"Caprese","Rome","battle-of-the-nudes-cma-143142","Battle of the Nudes",{"_42":733,"_221":734,"_324":735,"_326":516,"_328":736,"_330":737,"_332":738,"_334":684,"_336":-5,"_140":101},"1470s–80s","Platemark: 42 x 60.4 cm (16 9/16 x 23 3/4 in.); Sheet: 42.4 x 60.9 cm (16 11/16 x 24 in.)",60.4,42,1.4358108108108107,[718,719,720,721,722],{"_220":300,"_221":301,"_42":302,"_303":304},"1967.127","Antonio Pollaiuolo made this in the 1470s–80s, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":717,"_298":299},"Battle of the Nudes, by Antonio Pollaiuolo, 1470s–80s",{"_291":714,"_293":715,"_295":716},"https://img.ochreeditions.com/m/663.jpg?dl=1","/art/battle-of-the-nudes-cma-143142","/galleries/style/renaissance/battle-of-the-nudes-cma-143142",{"_287":288,"_289":290},{"_224":709,"_125":710,"_282":711},{"_272":706,"_274":707,"_276":690,"_278":708},84.4,66.06682352941176,42.066823529411764,{"_284":224,"_123":712,"_154":713,"_140":89},{"_284":125,"_123":285,"_154":286,"_140":53},{"_284":282,"_123":436,"_154":437,"_140":438},"artist/contemporaries-of-antonio-pollaiuolo","Antonio Pollaiuolo's contemporaries","https://img.ochreeditions.com/a/663/480.jpg","https://img.ochreeditions.com/a/663/960.jpg","https://img.ochreeditions.com/a/663/1920.jpg","This engraving is one of the earliest Renaissance prints to portray the nude male body in action. Antonio del Pollaiuolo’s grimacing warriors appear like clones in different poses.",{"_310":731,"_312":732},{"_310":729,"_312":730},{"_310":727,"_312":728},{"_310":725,"_312":726},{"_310":723,"_312":724},"#dbcebb",0.0587,"#bcac97",0.1708,"#847764",0.2076,"#968874",0.2747,"#a99984",0.2882,"Antonio Pollaiuolo","antonio-pollaiuolo","Italian, 1431/32–1498",1432,1498,"Florence","a-naval-battle-aic-273340","A Naval Battle",{"_42":785,"_221":786,"_324":516,"_326":516,"_328":-5,"_330":682,"_332":-5,"_334":-5,"_336":-5,"_140":103},"c. 1550","Engraving and etching in black on cream laid paper","22 × 36.1 cm (8 11/16 × 14 1/4 in.)",36,22,1.3656927426955703,[770,771,772,773,774],{"_220":383,"_221":384,"_42":385,"_303":386},"2024.163","Michele Lucchese made this in about 1550. It is now at the Art Institute of Chicago.","A work made of engraving and etching in black on cream laid paper.",{"_291":767,"_293":768,"_295":769},"https://img.ochreeditions.com/m/445.jpg?dl=1","/art/a-naval-battle-aic-273340","/galleries/style/renaissance/a-naval-battle-aic-273340",{"_287":288,"_289":290},{"_224":762,"_125":763,"_282":764},{"_272":279,"_274":760,"_276":745,"_278":761},50.36024844720497,26.360248447204967,{"_284":224,"_123":765,"_154":766,"_140":89},{"_284":125,"_123":550,"_154":551,"_140":552},{"_284":282,"_123":486,"_154":487,"_140":488},"artist/contemporaries-of-michele-lucchese","Michele Lucchese's contemporaries","https://img.ochreeditions.com/a/445/480.jpg","https://img.ochreeditions.com/a/445/960.jpg","https://img.ochreeditions.com/a/445/1920.jpg",{"_310":783,"_312":784},{"_310":781,"_312":782},{"_310":779,"_312":780},{"_310":777,"_312":778},{"_310":775,"_312":776},"#635a51",0.0771,"#c0b0a3",0.0798,"#a09388",0.0864,"#80756c",0.0884,"#eddacc",0.6683,"Michele Lucchese","michele-lucchese","virgin-and-child-aic-16295","Virgin and Child",{"_42":833,"_221":834,"_324":835,"_326":405,"_328":836,"_330":577,"_332":-5,"_334":837,"_336":838,"_140":97},"c. 1485","Framed: 41.1 × 33.4 cm (16 3/16 × 13 1/8 in.); Framed: 63.9 × 91.8 × 7.4 cm (25 1/8 × 36 1/8 × 2 7/8 in.)",33,41,0.7746083703530512,[818,819,820,821,822],{"_220":383,"_221":384,"_42":385,"_303":386},"1933.1050","Hans Memling painted this in about 1485, aged about 50. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_291":815,"_293":816,"_295":817},"https://img.ochreeditions.com/m/48.jpg?dl=1","/art/virgin-and-child-aic-16295","/galleries/style/renaissance/virgin-and-child-aic-16295",{"_287":376,"_289":377},{"_224":810,"_125":811,"_282":812},{"_272":807,"_274":808,"_276":809,"_278":793},46.7589431844751,56,31.7589431844751,{"_284":224,"_123":813,"_154":814,"_140":97},{"_284":125,"_123":371,"_154":372,"_140":373},{"_284":282,"_123":369,"_154":370,"_140":81},"artist/hans-memling","More by Hans Memling","https://img.ochreeditions.com/a/48/480.jpg","https://img.ochreeditions.com/a/48/960.jpg","https://img.ochreeditions.com/a/48/1920.jpg",{"_310":831,"_312":832},{"_310":829,"_312":830},{"_310":827,"_312":828},{"_310":825,"_312":826},{"_310":823,"_312":824},"#b1ada0",0.0922,"#730913",0.1722,"#604636",0.2188,"#bd8a6c",0.2537,"#22110f",0.2631,"Hans Memling","hans-memling","Netherlandish, c. 1430–1494",1430,"Bruges","Memling, born in Germany, probably trained in Brussels with Rogier van der Weyden before settling in Bruges in 1465, where he became the city’s leading painter.","virgin-and-child-with-the-young-saint-john-the-baptist-aic-109323","Virgin and Child with the Young Saint John the Baptist",{"_42":886,"_221":887,"_324":888,"_326":516,"_328":889,"_330":890,"_332":891,"_334":891,"_336":-5,"_140":101},"1560–65","Oil on canvas","79.5 × 90.5 cm (31 1/4 × 35 5/8 in.); Framed: 103.2 × 115.3 × 13.7 cm (40 5/8 × 45 3/8 × 5 3/8 in.)",90,79,1.1670577193805725,[871,872,873,874,875],{"_220":383,"_221":384,"_42":385,"_303":386},"1968.320","Jacopo Bassano painted this in 1560–65, aged about 50. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_291":868,"_293":869,"_295":870},"https://img.ochreeditions.com/m/271.jpg?dl=1","/art/virgin-and-child-with-the-young-saint-john-the-baptist-aic-109323","/galleries/style/renaissance/virgin-and-child-with-the-young-saint-john-the-baptist-aic-109323",{"_287":376,"_289":377},{"_224":863,"_125":864,"_282":865},{"_272":860,"_274":861,"_276":845,"_278":862},105,92.11700844390833,77.11700844390833,{"_284":224,"_123":866,"_154":867,"_140":89},{"_284":125,"_123":489,"_154":490,"_140":491},{"_284":282,"_123":486,"_154":487,"_140":488},"artist/contemporaries-of-jacopo-bassano","Jacopo Bassano's contemporaries","https://img.ochreeditions.com/a/271/480.jpg","https://img.ochreeditions.com/a/271/960.jpg","https://img.ochreeditions.com/a/271/1920.jpg",{"_310":884,"_312":885},{"_310":882,"_312":883},{"_310":880,"_312":881},{"_310":878,"_312":879},{"_310":876,"_312":877},"#937d6a",0.1351,"#605146",0.1432,"#c7a991",0.1481,"#43281e",0.2326,"#2a2320",0.341,"Jacopo Bassano","jacopo-bassano","Italian, c. 1510–1592",1510,1592,"Bassano del Grappa","christ-and-the-woman-of-samaria-aic-16200","Christ and the Woman of Samaria",{"_42":939,"_221":940,"_324":941,"_326":516,"_328":329,"_330":942,"_332":-5,"_334":-5,"_336":943,"_140":95},"1500–05","Tempera on panel, transferred to canvas","27.3 × 46.3 cm (10 3/4 × 18 1/4 in.)",46,27,1.6930673896204493,[924,925,926,927,928],{"_220":383,"_221":384,"_42":385,"_303":386},"1933.1024","Perugino painted this in 1500–05, aged about 50. It is now at the Art Institute of Chicago.","A work made of tempera on panel, transferred to canvas.",{"_291":921,"_293":922,"_295":923},"https://img.ochreeditions.com/m/45.jpg?dl=1","/art/christ-and-the-woman-of-samaria-aic-16200","/galleries/style/renaissance/christ-and-the-woman-of-samaria-aic-16200",{"_287":376,"_289":377},{"_224":916,"_125":917,"_282":918},{"_272":913,"_274":914,"_276":898,"_278":915},61,42.169621411414845,27.169621411414845,{"_284":224,"_123":919,"_154":920,"_140":95},{"_284":125,"_123":371,"_154":372,"_140":373},{"_284":282,"_123":436,"_154":437,"_140":438},"artist/perugino","More by Perugino","https://img.ochreeditions.com/a/45/480.jpg","https://img.ochreeditions.com/a/45/960.jpg","https://img.ochreeditions.com/a/45/1920.jpg",{"_310":937,"_312":938},{"_310":935,"_312":936},{"_310":933,"_312":934},{"_310":931,"_312":932},{"_310":929,"_312":930},"#60695c",0.1238,"#92826b",0.1558,"#7e4e24",0.1785,"#5a442c",0.2171,"#73603a",0.3248,"Perugino","perugino","Italian, c. 1450/55–1523",1523,"Pietro Vannucci took the name Perugino from Perugia, the chief city of his native Umbria, and trained in Florence, probably alongside Leonardo in Verrocchio’s studio.","martyrdom-of-saint-andrew-cma-97145","Martyrdom of Saint Andrew",{"_42":992,"_221":993,"_324":994,"_326":516,"_328":995,"_330":996,"_332":997,"_334":997,"_336":998,"_140":93},"1600s","Framed: 55.3 x 47 x 7.7 cm (21 3/4 x 18 1/2 x 3 1/16 in.); Unframed: 40.7 x 34.6 cm (16 x 13 5/8 in.)",34.6,40.7,0.8347058823529412,[977,978,979,980,981],{"_220":300,"_221":301,"_42":302,"_303":304},"1916.784","Guido Reni painted this in the 1600s, aged about 25. It is now at the Cleveland Museum of Art.",{"_118":976,"_298":299},"Martyrdom of Saint Andrew, by Guido Reni, 1600s",{"_291":973,"_293":974,"_295":975},"https://img.ochreeditions.com/m/473.jpg?dl=1","/art/martyrdom-of-saint-andrew-cma-97145","/galleries/style/renaissance/martyrdom-of-saint-andrew-cma-97145",{"_287":376,"_289":377},{"_224":968,"_125":969,"_282":970},{"_272":965,"_274":966,"_276":967,"_278":950},48.97252941176471,55.7,33.97252941176471,{"_284":224,"_123":971,"_154":972,"_140":93},{"_284":125,"_123":489,"_154":490,"_140":491},{"_284":282,"_123":486,"_154":487,"_140":488},"artist/guido-reni","More by Guido Reni","https://img.ochreeditions.com/a/473/480.jpg","https://img.ochreeditions.com/a/473/960.jpg","https://img.ochreeditions.com/a/473/1920.jpg","This small devotional picture by an anonymous 17th-century Venetian artist drew his composition from Guido Reni's large St. Andrew Led to Martyrdom fresco in Rome's Church of San Gregorio al Celio. The CMA painting portrays the central image of Reni's 1608 fresco by Reni. St.",{"_310":990,"_312":991},{"_310":988,"_312":989},{"_310":986,"_312":987},{"_310":984,"_312":985},{"_310":982,"_312":983},"#684f38",0.0631,"#9b7d51",0.0703,"#6b684c",0.1563,"#423f33",0.2182,"#2d2d29",0.4921,"Guido Reni","guido-reni","Italian, 1575–1642",1575,1642,"Bologna","Reni trained in Bologna, first with Denys Calvaert and then at the Carracci academy, and spent the early 1600s in Rome, where his fresco Aurora won wide fame.","virgin-and-child-with-saints-cma-97158","Virgin and Child with Saints","c. 1510","Framed: 109.5 x 149.9 x 9.5 cm (43 1/8 x 59 x 3 3/4 in.); Unframed: 77.8 x 118.7 cm (30 5/8 x 46 3/4 in.)",118.7,77.8,1.5461573442473853,[1029,1030,1031,1032,1033],{"_220":300,"_221":301,"_42":302,"_303":304},"1916.796","An unrecorded Italy, Venice artist painted this in about 1510. It is now at the Cleveland Museum of Art.",{"_118":1028,"_298":299},"Virgin and Child with Saints, c. 1510",{"_291":1025,"_293":1026,"_295":1027},"https://img.ochreeditions.com/m/480.jpg?dl=1","/art/virgin-and-child-with-saints-cma-97158","/galleries/style/renaissance/virgin-and-child-with-saints-cma-97158",{"_287":376,"_289":377},{"_224":1022,"_125":1023,"_282":1024},{"_272":1019,"_274":1020,"_276":1003,"_278":1021},133.7,91.77097058823529,76.77097058823529,{"_284":224,"_123":439,"_154":440,"_140":77},{"_284":125,"_123":489,"_154":490,"_140":491},{"_284":282,"_123":486,"_154":487,"_140":488},"https://img.ochreeditions.com/a/480/480.jpg","https://img.ochreeditions.com/a/480/960.jpg","https://img.ochreeditions.com/a/480/1920.jpg","What are some of the key steps in conserving this picture? While it may seem disturbing, the condition of this work is not unusual for a 16th-century panel painting. Treatment was abandoned decades ago when the conservator who was cleaning the work left the museum.",{"_310":1041,"_312":1042},{"_310":1039,"_312":1040},{"_310":1038,"_312":397},{"_310":1036,"_312":1037},{"_310":1034,"_312":1035},"#7c402d",0.0956,"#99a499",0.1097,"#2c421e","#6a5740",0.269,"#2d2823",0.3226,"portrait-of-a-man-possibly-girolamo-rosati-cma-127571","Portrait of a Man, Possibly Girolamo Rosati",{"_42":1091,"_221":1092,"_324":1093,"_326":516,"_328":406,"_330":1094,"_332":1095,"_334":1096,"_336":1097,"_140":99},"1533–34","Framed: 135.9 x 128 x 8.6 cm (53 1/2 x 50 3/8 x 3 3/8 in.); Unframed: 108.2 x 100.5 cm (42 5/8 x 39 9/16 in.)",100.5,108.2,0.923235294117647,[1076,1077,1078,1079,1080],{"_220":300,"_221":301,"_42":302,"_303":304},"1950.250","Lorenzo Lotto painted this in 1533–34, aged about 58. It is now at the Cleveland Museum of Art.",{"_118":1075,"_298":299},"Portrait of a Man, Possibly Girolamo Rosati, by Lorenzo Lotto, 1533–34",{"_291":1072,"_293":1073,"_295":1074},"https://img.ochreeditions.com/m/589.jpg?dl=1","/art/portrait-of-a-man-possibly-girolamo-rosati-cma-127571","/galleries/style/renaissance/portrait-of-a-man-possibly-girolamo-rosati-cma-127571",{"_287":376,"_289":377},{"_224":1067,"_125":1068,"_282":1069},{"_272":1064,"_274":1065,"_276":1066,"_278":1049},114.8940588235294,123.2,99.8940588235294,{"_284":224,"_123":1070,"_154":1071,"_140":99},{"_284":125,"_123":489,"_154":490,"_140":491},{"_284":282,"_123":486,"_154":487,"_140":488},"artist/lorenzo-lotto","More by Lorenzo Lotto","https://img.ochreeditions.com/a/589/480.jpg","https://img.ochreeditions.com/a/589/960.jpg","https://img.ochreeditions.com/a/589/1920.jpg","The gesture of the elegantly dressed man is a mystery. Is he rising from his chair to address someone or is he pointing to something outside the frame? His right hand rests on a piece of paper (a letter?)",{"_310":1089,"_312":1090},{"_310":1087,"_312":1088},{"_310":1085,"_312":1086},{"_310":1083,"_312":1084},{"_310":1081,"_312":1082},"#927e66",0.1091,"#538a99",0.1131,"#403124",0.1472,"#2b5766",0.2296,"#1b1716",0.401,"Lorenzo Lotto","lorenzo-lotto","Italian, 1475–1556",1556,"Venice","Loreto","Lotto was born in Venice but spent much of his restless career elsewhere: in Treviso, Bergamo and the towns of the Marches, with a stay in Rome.","saint-catherine-of-siena-receiving-the-stigmata-aic-262135","Saint Catherine of Siena Receiving the Stigmata",{"_42":1144,"_221":1145,"_324":1146,"_326":516,"_328":1147,"_330":1148,"_332":-5,"_334":-5,"_336":-5,"_140":103},"c. 1595","Etching in black on cream laid paper","Plate/sheet: 11.9 × 7.7 cm (4 11/16 × 3 1/16 in.)",0.6651543977755012,[1129,1130,1131,1132,1133],{"_220":383,"_221":384,"_42":385,"_303":386},"2022.52","Francesco Vanni made this in about 1595, aged about 27. It is now at the Art Institute of Chicago.","A work made of etching in black on cream laid paper.",{"_291":1126,"_293":1127,"_295":1128},"https://img.ochreeditions.com/m/408.jpg?dl=1","/art/saint-catherine-of-siena-receiving-the-stigmata-aic-262135","/galleries/style/renaissance/saint-catherine-of-siena-receiving-the-stigmata-aic-262135",{"_287":288,"_289":290},{"_224":1121,"_125":1122,"_282":1123},{"_272":1117,"_274":1118,"_276":1119,"_278":1120},40.62885994438753,49,16.628859944387532,25,{"_284":224,"_123":1124,"_154":1125,"_140":89},{"_284":125,"_123":550,"_154":551,"_140":552},{"_284":282,"_123":486,"_154":487,"_140":488},"artist/contemporaries-of-francesco-vanni","Francesco Vanni's contemporaries","https://img.ochreeditions.com/a/408/480.jpg","https://img.ochreeditions.com/a/408/960.jpg","https://img.ochreeditions.com/a/408/1920.jpg",{"_310":1142,"_312":1143},{"_310":1140,"_312":1141},{"_310":1138,"_312":1139},{"_310":1136,"_312":1137},{"_310":1134,"_312":1135},"#f9e9d8",0.0985,"#756b61",0.1326,"#d3c1af",0.198,"#988b7e",0.2144,"#b5a595",0.3565,"Francesco Vanni","francesco-vanni","Italian, 1563–1610",1563,1610,{"_1150":-5,"_1151":1152,"_1153":1154,"_1155":8,"_1156":1157,"_1158":8},"user","csrf","4f79451d5c2e7aa9095aafb700e3d316beefae60","cartCount",0,"dropLive","legal",[1159,1160,1161,1162,1163,1164,1165,1166,1167,1168,1169,1170],"uploadsEnabled",{"_221":1193,"_20":1194},{"_221":1191,"_20":1192},{"_221":1189,"_20":1190},{"_221":1187,"_20":1188},{"_221":1185,"_20":1186},{"_221":1183,"_20":1184},{"_221":1181,"_20":1182},{"_221":1179,"_20":1180},{"_221":1177,"_20":1178},{"_221":1175,"_20":1176},{"_221":1173,"_20":1174},{"_221":1171,"_20":1172},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]
