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The inscription gives the sitters’ ages as 35 and 28, and their elaborate jewelry, weapons, and garments, made of expensive materials, convey their elite status.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","city","Cleveland",{"_312":322,"_314":323},{"_312":320,"_314":321},{"_312":318,"_314":319},{"_312":316,"_314":317},{"_312":313,"_314":315},"hex","#a96957","weight",0.0181,"#7b6954",0.0615,"#b9a489",0.0646,"#171812",0.3358,"#3c3629",0.52,"virgin-and-child-with-saints-peter-and-john-the-baptist-rect-aic-112613","Virgin and Child with Saints Peter and John the Baptist (recto); Saint John the Baptist (verso)",{"_42":382,"_220":383,"_384":385,"_386":387,"_388":389,"_390":391,"_392":-5,"_393":-5,"_394":-5,"_140":103},"n.d.","watercolour","Drawing and Watercolor","Black chalk (recto), and black chalk and pen and black ink (verso), on ivory laid paper","31.4 × 21.1 cm (12 3/8 × 8 5/16 in.)",21,31,0.6771270718232044,[367,368,369,370,371],{"_219":363,"_220":364,"_42":365,"_305":366},"Courtesy of the Art Institute of Chicago","1922.3493","Pietro d' Asaro painted this (n.d.). 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It is now at the Cleveland Museum of Art.",{"_118":427,"_300":301},"The Dead Christ with Angels, by Leandro Bassano, c. 1580",{"_293":424,"_295":425,"_297":426},"https://img.ochreeditions.com/m/485.jpg?dl=1","/art/the-dead-christ-with-angels-cma-97170","/galleries/style/renaissance/the-dead-christ-with-angels-cma-97170",{"_289":290,"_291":292},{"_223":419,"_125":420,"_283":421},{"_274":416,"_276":417,"_278":418,"_279":401},111.35532352941176,138.3,96.35532352941176,{"_285":223,"_123":422,"_154":423,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-leandro-bassano","Leandro Bassano's contemporaries","https://img.ochreeditions.com/a/485/480.jpg","https://img.ochreeditions.com/a/485/960.jpg","https://img.ochreeditions.com/a/485/1920.jpg","In this scene, two angels are shown attending to the body of Christ after his death. The artist, Leandro Bassano, came from a family of painters—both his father and grandfather were artists, as were his brothers, Francesco and Gerolamo.",{"_312":441,"_314":442},{"_312":439,"_314":440},{"_312":437,"_314":438},{"_312":435,"_314":436},{"_312":433,"_314":434},"#8f7156",0.1206,"#c2ac8f",0.1303,"#747d73",0.1528,"#564a3c",0.1756,"#2f2820",0.4207,"Leandro Bassano","leandro-bassano","Italian, 1557–1623",1557,1623,"the-nativity-aic-16205","The Nativity",{"_42":501,"_220":502,"_384":503,"_386":387,"_388":504,"_390":505,"_392":-5,"_393":-5,"_394":506,"_140":95},"1500–05","Tempera on panel, transferred to canvas","26.2 × 46.3 cm (10 5/16 × 18 1/4 in.)",26,1.7069840031213421,[486,487,488,489,490],{"_219":363,"_220":364,"_42":365,"_305":366},"1933.1025","Perugino painted this in 1500–05, aged about 50. It is now at the Art Institute of Chicago.","Mary and Joseph adore the newborn Christ Child in a simple shelter, with the ox nearby and a quiet landscape beyond.","A work made of tempera on panel, transferred to canvas.",{"_293":483,"_295":484,"_297":485},"https://img.ochreeditions.com/m/46.jpg?dl=1","/art/the-nativity-aic-16205","/galleries/style/renaissance/the-nativity-aic-16205",{"_289":290,"_291":292},{"_223":472,"_125":473,"_283":474},{"_274":469,"_276":470,"_278":185,"_279":471},61,41.94811428571428,26.948114285714286,{"_285":223,"_123":481,"_154":482,"_140":95},{"_285":125,"_123":478,"_154":479,"_140":480},{"_285":283,"_123":475,"_154":476,"_140":477},"era/15-italy","15th-century Italy",57,"style/painting-15","More paintings of the 15th century",73,"artist/perugino","More by Perugino","https://img.ochreeditions.com/a/46/480.jpg","https://img.ochreeditions.com/a/46/960.jpg","https://img.ochreeditions.com/a/46/1920.jpg",{"_312":499,"_314":500},{"_312":497,"_314":498},{"_312":495,"_314":496},{"_312":493,"_314":494},{"_312":491,"_314":492},"#7f8373",0.1351,"#465a54",0.1372,"#51402b",0.1867,"#7d4f24",0.2644,"#77643d",0.2766,"Perugino","perugino","Italian, c. 1450/55–1523",1450,1523,"Pietro Vannucci took the name Perugino from Perugia, the chief city of his native Umbria, and trained in Florence, probably alongside Leonardo in Verrocchio’s studio.","view-of-venice-cma-127250","View of Venice",{"_42":561,"_220":562,"_384":563,"_386":387,"_388":564,"_390":565,"_392":-5,"_393":-5,"_394":-5,"_140":101},"1500","print","Print","woodcut from six blocks on six sheets of paper","Overall: 132.7 x 277.5 cm (52 1/4 x 109 1/4 in.)",277.5,132.7,2.0769700671960902,[546,547,548,549,550],{"_219":302,"_220":303,"_42":304,"_305":306},"1949.565","Jacopo de' Barbari made this in 1500, aged 45. It is now at the Cleveland Museum of Art.",{"_118":545,"_300":301},"View of Venice, by Jacopo de' Barbari, 1500",{"_293":542,"_295":543,"_297":544},"https://img.ochreeditions.com/m/587.jpg?dl=1","/art/view-of-venice-cma-127250","/galleries/style/renaissance/view-of-venice-cma-127250",{"_289":358,"_291":359},{"_223":535,"_125":536,"_283":537},{"_274":531,"_276":532,"_278":533,"_279":534},264,139.5529411764706,240,115.5529411764706,{"_285":223,"_123":540,"_154":541,"_140":89},{"_285":125,"_123":538,"_154":539,"_140":53},{"_285":283,"_123":475,"_154":476,"_140":477},"style/print-15","More prints of the 15th century","artist/contemporaries-of-jacopo-de-barbari","Jacopo de' Barbari's contemporaries","https://img.ochreeditions.com/a/587/480.jpg","https://img.ochreeditions.com/a/587/960.jpg","https://img.ochreeditions.com/a/587/1920.jpg","By the end of the 1400s, Venice had emerged as the major printing center in Europe, where books were printed in various languages to be shipped around the world.",{"_312":559,"_314":560},{"_312":557,"_314":558},{"_312":555,"_314":556},{"_312":553,"_314":554},{"_312":551,"_314":552},"#7b7163",0.1134,"#8d8271",0.1966,"#a19483",0.2087,"#c6b8a3",0.2329,"#b4a694",0.2484,"Jacopo de' Barbari","jacopo-de-barbari","Italian, c. 1460/70–c. 1516",1455,1520,"a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303","A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)",{"_42":612,"_220":613,"_384":614,"_386":387,"_388":615,"_390":616,"_392":-5,"_393":-5,"_394":-5,"_140":103},"1520/30","Red chalk and brush and red chalk wash (recto) and black chalk, with black chalk grid lines, (verso) on cream laid paper","11.6 × 12.7 cm (4 5/8 × 5 in.)",1.0949932341001354,[597,598,599,600,601],{"_219":363,"_220":364,"_42":365,"_305":366},"2019.888","Giovanni Antonio di Francesco Sogliani painted this in 1520/30, aged about 28. It is now at the Art Institute of Chicago.","A work made of red chalk and brush and red chalk wash (recto) and black chalk, with black chalk grid lines, (verso) on cream laid paper.",{"_293":594,"_295":595,"_297":596},"https://img.ochreeditions.com/m/371.jpg?dl=1","/art/a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303","/galleries/style/renaissance/a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303",{"_289":358,"_291":359},{"_223":589,"_125":590,"_283":591},{"_274":585,"_276":586,"_278":587,"_279":588},49,46.831191300049426,25,22.83119130004943,{"_285":223,"_123":592,"_154":593,"_140":89},{"_285":125,"_123":354,"_154":355,"_140":89},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-giovanni-antonio-di-francesco-sogliani","Giovanni Antonio di Francesco Sogliani's contemporaries","https://img.ochreeditions.com/a/371/480.jpg","https://img.ochreeditions.com/a/371/960.jpg","https://img.ochreeditions.com/a/371/1920.jpg",{"_312":610,"_314":611},{"_312":608,"_314":609},{"_312":606,"_314":607},{"_312":604,"_314":605},{"_312":602,"_314":603},"#503e35",0.0633,"#e0ab87",0.2047,"#db9068",0.2293,"#c7724b",0.2449,"#e4c5a7",0.2578,"Giovanni Antonio di Francesco Sogliani","giovanni-antonio-di-francesco-sogliani","Italian, 1492–1544",1492,1544,"portrait-of-a-young-man-cma-97167","Portrait of a Young Man",{"_42":666,"_220":667,"_384":668,"_386":387,"_388":669,"_390":670,"_392":-5,"_393":-5,"_394":-5,"_140":103},"c. 1530","oil and gold on wood","Framed: 128.2 x 102.2 x 11.5 cm (50 1/2 x 40 1/4 x 4 1/2 in.); Unframed: 97.2 x 77.5 cm (38 1/4 x 30 1/2 in.)",77.5,97.2,0.788235294117647,[651,652,653,654,655],{"_219":302,"_220":303,"_42":304,"_305":306},"1916.803","Dosso Dossi painted this in about 1530, aged about 35. It is now at the Cleveland Museum of Art.",{"_118":650,"_300":301},"Portrait of a Young Man, by Dosso Dossi, c. 1530",{"_293":647,"_295":648,"_297":649},"https://img.ochreeditions.com/m/482.jpg?dl=1","/art/portrait-of-a-young-man-cma-97167","/galleries/style/renaissance/portrait-of-a-young-man-cma-97167",{"_289":290,"_291":292},{"_223":642,"_125":643,"_283":644},{"_274":639,"_276":640,"_278":641,"_279":624},91.61647058823529,112.2,76.61647058823529,{"_285":223,"_123":645,"_154":646,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-dosso-dossi","Dosso Dossi's contemporaries","https://img.ochreeditions.com/a/482/480.jpg","https://img.ochreeditions.com/a/482/960.jpg","https://img.ochreeditions.com/a/482/1920.jpg","Like other paintings from the Dossi workshop, this work conveys the sitter's social status and self-confidence. He holds a crumpled letter written in Italian. The words Asto , meaning \"ship mast,\" and mare , meaning \"sea,\" suggest that trade was a topic of this letter.",{"_312":664,"_314":665},{"_312":662,"_314":663},{"_312":660,"_314":661},{"_312":658,"_314":659},{"_312":656,"_314":657},"#801603",0.0539,"#7f5d2d",0.0708,"#524d2f",0.0821,"#3d240f",0.136,"#1d180f",0.6572,"Dosso Dossi","dosso-dossi","Italian, c. 1490–after 1541",1490,1541,"christ-carrying-the-cross-aic-234781","Christ Carrying the Cross",{"_42":721,"_220":722,"_384":723,"_386":387,"_388":724,"_390":725,"_392":-5,"_393":-5,"_394":-5,"_140":101},"c. 1515–17","Oil on panel","118 × 92 cm (46 7/16 × 36 1/4 in.); Framed: 143.6 × 117.5 × 8.3 cm (56 1/2 × 46 1/4 × 3 1/4 in.)",92,118,0.7772108843537415,[706,707,708,709,710],{"_219":363,"_220":364,"_42":365,"_305":366},"2016.15","Sebastiano del Piombo painted this in about 1515–17, aged about 30. It is now at the Art Institute of Chicago.",{"_118":704,"_300":705},"A work made of oil on panel.",{"_293":701,"_295":702,"_297":703},"https://img.ochreeditions.com/m/367.jpg?dl=1","/art/christ-carrying-the-cross-aic-234781","/galleries/style/renaissance/christ-carrying-the-cross-aic-234781",{"_289":290,"_291":292},{"_223":696,"_125":697,"_283":698},{"_274":693,"_276":694,"_278":695,"_279":678},106.7108843537415,133,91.7108843537415,{"_285":223,"_123":699,"_154":700,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-sebastiano-del-piombo","Sebastiano del Piombo's contemporaries","https://img.ochreeditions.com/a/367/480.jpg","https://img.ochreeditions.com/a/367/960.jpg","https://img.ochreeditions.com/a/367/1920.jpg","In the 1510s, Sebastiano del Piombo traveled to Rome, where he was drawn into the lively competition between the period's two great luminaries, Michelangelo and Raphael. Michelangelo took Sebastiano under his wing, teaching him his monumental style and providing drawings for commissions.","Text from the Art Institute of Chicago.",{"_312":719,"_314":720},{"_312":717,"_314":718},{"_312":715,"_314":716},{"_312":713,"_314":714},{"_312":711,"_314":712},"#896140",0.0731,"#8c958f",0.1081,"#563b24",0.1516,"#362b22",0.28,"#17120c",0.3872,"Sebastiano del Piombo","sebastiano-del-piombo","Italian, c. 1485–1547",1485,1547,"francesco-sforza-nga-1141","Francesco Sforza","probably c. 1480/1500","oil on panel","painted surface: 69.5 x 59.5 cm (27 3/8 x 23 7/16 in.) overall (with backing, collar, and cradle): 72.4 x 62.1 cm (28 1/2 x 24 7/16 in.) framed: 103.5 x 92.7 x 8.9 cm (40 3/4 x 36 1/2 x 3 1/2 in.)",59.5,69.5,0.8447265625,[760,761,762,763,764],{"_219":756,"_220":757,"_42":758,"_305":759},"Courtesy National Gallery of Art, Washington","1942.9.4","An unrecorded North Italian artist painted this (probably c. 1480/1500). It is now at the National Gallery of Art in Washington, DC.","This painting shows an upper-body portrait of a man in a three-quarter view, turned to the left. He has a prominent double chin, a slightly furrowed brow, thin lips, and a serious expression. He has pale yellow skin and short, dark hair, and he wears a large, red hat. He is clad in silver armor with red straps on his shoulder and chest. The background is a simple, dark green color.",{"_293":753,"_295":754,"_297":755},"https://img.ochreeditions.com/m/1321.jpg?dl=1","/art/francesco-sforza-nga-1141","/galleries/style/renaissance/francesco-sforza-nga-1141",{"_289":290,"_291":292},{"_223":750,"_125":751,"_283":752},{"_274":747,"_276":748,"_278":749,"_279":732},73.70849609375,84.5,58.70849609375,{"_285":223,"_123":169,"_154":168,"_140":77},{"_285":125,"_123":478,"_154":479,"_140":480},{"_285":283,"_123":475,"_154":476,"_140":477},"https://img.ochreeditions.com/a/1321/480.jpg","https://img.ochreeditions.com/a/1321/960.jpg","https://img.ochreeditions.com/a/1321/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_312":773,"_314":774},{"_312":771,"_314":772},{"_312":769,"_314":770},{"_312":767,"_314":768},{"_312":765,"_314":766},"#b53305",0.0883,"#c38116",0.1007,"#866917",0.1432,"#524418",0.1453,"#243021",0.5225,"portrait-of-roberto-castiglione-cma-97168","Portrait of Roberto Castiglione","early 1600s","Framed: 147.3 x 120.6 x 10.2 cm (58 x 47 1/2 x 4 in.); Unframed: 121.2 x 98.7 cm (47 11/16 x 38 7/8 in.)",98.7,121.2,0.8088235294117647,[805,806,807,808,809],{"_219":302,"_220":303,"_42":304,"_305":306},"1916.804","An unrecorded Italy, Cremona artist painted this in the early 1600s. It is now at the Cleveland Museum of Art.",{"_118":804,"_300":301},"Portrait of Roberto Castiglione, early 1600s",{"_293":801,"_295":802,"_297":803},"https://img.ochreeditions.com/m/483.jpg?dl=1","/art/portrait-of-roberto-castiglione-cma-97168","/galleries/style/renaissance/portrait-of-roberto-castiglione-cma-97168",{"_289":290,"_291":292},{"_223":798,"_125":799,"_283":800},{"_274":795,"_276":796,"_278":797,"_279":780},113.02941176470588,136.2,98.02941176470588,{"_285":223,"_123":169,"_154":168,"_140":77},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/483/480.jpg","https://img.ochreeditions.com/a/483/960.jpg","https://img.ochreeditions.com/a/483/1920.jpg","The inscription on the bottom of this painting identifies the sitter of this commemorative portrait as Roberto Castiglione, a magistrate and imperial vicar for the Spanish empire in the 1200s. His identity is further supported by the coat of arms in the upper left.",{"_312":818,"_314":819},{"_312":816,"_314":817},{"_312":814,"_314":815},{"_312":812,"_314":813},{"_312":810,"_314":811},"#5d3921",0.0376,"#947340",0.0526,"#5c4d33",0.0983,"#272017",0.366,"#1f1c15",0.4455,"saint-john-the-baptist-entering-the-wilderness-aic-16156","Saint John the Baptist Entering the Wilderness",{"_42":868,"_220":869,"_384":870,"_386":387,"_388":871,"_390":872,"_392":873,"_393":873,"_394":874,"_140":97},"1455–60","Tempera on panel","68.5 × 36.2 cm (27 × 14 1/4 in.); Framed: 79.4 × 47.7 × 8 cm (31 1/4 × 18 3/4 × 3 1/8 in.)",36,68,0.508898885194602,[853,854,855,856,857],{"_219":363,"_220":364,"_42":365,"_305":366},"1933.1010","Giovanni di Paolo painted this in 1455–60, aged about 57. It is now at the Art Institute of Chicago.","The young John the Baptist leaves his home through a city gate at the lower left and reappears higher up, climbing a winding path into fantastical, folded mountains, so that one panel tells a whole journey. Below him spreads a patchwork of fields laid out like a map.","A work made of tempera on panel.",{"_293":850,"_295":851,"_297":852},"https://img.ochreeditions.com/m/43.jpg?dl=1","/art/saint-john-the-baptist-entering-the-wilderness-aic-16156","/galleries/style/renaissance/saint-john-the-baptist-entering-the-wilderness-aic-16156",{"_289":290,"_291":292},{"_223":845,"_125":846,"_283":847},{"_274":842,"_276":843,"_278":844,"_279":827},49.60512419323294,83,34.60512419323294,{"_285":223,"_123":848,"_154":849,"_140":97},{"_285":125,"_123":478,"_154":479,"_140":480},{"_285":283,"_123":475,"_154":476,"_140":477},"artist/giovanni-di-paolo","More by Giovanni di Paolo","https://img.ochreeditions.com/a/43/480.jpg","https://img.ochreeditions.com/a/43/960.jpg","https://img.ochreeditions.com/a/43/1920.jpg",{"_312":866,"_314":867},{"_312":864,"_314":865},{"_312":862,"_314":863},{"_312":860,"_314":861},{"_312":858,"_314":859},"#453420",0.1567,"#65512e",0.1652,"#82775a",0.2064,"#555b4a",0.2093,"#2e3027",0.2624,"Giovanni di Paolo","giovanni-di-paolo","Italian, 1398–1482",1398,1482,"Siena","Giovanni di Paolo spent his long career in Siena, where he was one of the city’s leading painters through the fifteenth century.","portrait-of-an-old-man-cma-97156","Portrait of an Old Man",{"_42":924,"_220":925,"_384":926,"_386":387,"_388":927,"_390":928,"_392":-5,"_393":-5,"_394":-5,"_140":103},"mid-1500s","oil on wood","Framed: 120.7 x 91.4 x 11.4 cm (47 1/2 x 36 x 4 1/2 in.); Unframed: 92.4 x 63.5 cm (36 3/8 x 25 in.)",63.5,92.4,0.6820588235294117,[909,910,911,912,913],{"_219":302,"_220":303,"_42":304,"_305":306},"1916.794","Giulio Campi painted this in the mid-1500s, aged about 25. It is now at the Cleveland Museum of Art.",{"_118":908,"_300":301},"Portrait of an Old Man, by Giulio Campi, mid-1500s",{"_293":905,"_295":906,"_297":907},"https://img.ochreeditions.com/m/479.jpg?dl=1","/art/portrait-of-an-old-man-cma-97156","/galleries/style/renaissance/portrait-of-an-old-man-cma-97156",{"_289":290,"_291":292},{"_223":900,"_125":901,"_283":902},{"_274":897,"_276":898,"_278":899,"_279":882},78.02223529411765,107.4,63.02223529411765,{"_285":223,"_123":903,"_154":904,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-giulio-campi","Giulio Campi's contemporaries","https://img.ochreeditions.com/a/479/480.jpg","https://img.ochreeditions.com/a/479/960.jpg","https://img.ochreeditions.com/a/479/1920.jpg","Part of a distinguished family of Northern northern Italian painters, Campi depicts his sitter with an unidealized face dominated by carefully observed wrinkles. He stares out intently while grasping what may be a letter with its paper seal broken in his right hand.",{"_312":922,"_314":923},{"_312":920,"_314":921},{"_312":918,"_314":919},{"_312":916,"_314":917},{"_312":914,"_314":915},"#5a4739",0.0483,"#916e59",0.0533,"#2a2b1f",0.146,"#1b1c17",0.3729,"#11120e",0.3795,"Giulio Campi","giulio-campi","Italian, c. 1500–1572",1500,1572,"the-nativity-cma-153271",{"_42":980,"_220":981,"_384":982,"_386":387,"_388":565,"_390":983,"_392":-5,"_393":-5,"_394":984,"_140":99},"1553","engraving","Overall: 67.5 x 45.6 cm (26 9/16 x 17 15/16 in.); Part 1: 32.9 x 45 cm (12 15/16 x 17 11/16 in.); Part 2: 34 x 45.6 cm (13 3/8 x 17 15/16 in.)",45.6,67.5,0.6994117647058824,[965,966,967,968,969],{"_219":302,"_220":303,"_42":304,"_305":306},"1986.233","Giorgio Ghisi made this in 1553, aged 33. It is now at the Cleveland Museum of Art.",{"_118":964,"_300":301},"The Nativity, by Giorgio Ghisi, 1553",{"_293":961,"_295":962,"_297":963},"https://img.ochreeditions.com/m/738.jpg?dl=1","/art/the-nativity-cma-153271","/galleries/style/renaissance/the-nativity-cma-153271",{"_289":358,"_291":359},{"_223":953,"_125":954,"_283":955},{"_274":950,"_276":951,"_278":952,"_279":935},71.21029411764707,91.5,47.21029411764706,{"_285":223,"_123":959,"_154":960,"_140":99},{"_285":125,"_123":956,"_154":957,"_140":958},{"_285":283,"_123":165,"_154":164,"_140":167},"style/print-16","More prints of the 16th century",54,"artist/giorgio-ghisi","More by Giorgio Ghisi","https://img.ochreeditions.com/a/738/480.jpg","https://img.ochreeditions.com/a/738/960.jpg","https://img.ochreeditions.com/a/738/1920.jpg","The inscriptions praise Mary, the mother of Jesus Christ, emphasizing the great joys and inevitable sorrows that she is to endure in witnessing her son's life and death. After spending about five years in Rome, Ghisi left Italy around 1550 for Antwerp, the major commercial center in the Netherlands.",{"_312":978,"_314":979},{"_312":976,"_314":977},{"_312":974,"_314":975},{"_312":972,"_314":973},{"_312":970,"_314":971},"#ded5c3",0.0767,"#575247",0.1757,"#b2a899",0.2142,"#948b7e",0.2601,"#766f63",0.2733,"Giorgio Ghisi","giorgio-ghisi","Italian, 1520–1582",1582,"Ghisi was a Mantuan engraver who worked in Antwerp for the publisher Hieronymus Cock, engraving large plates after Raphael’s Vatican frescoes, and later in France.","holy-family-with-a-shepherd-cma-126768","Holy Family with a Shepherd",{"_42":1033,"_220":1034,"_384":1035,"_386":387,"_388":669,"_390":1036,"_392":-5,"_393":-5,"_394":-5,"_140":103},"early 1520s","Unframed: 38.7 x 32 cm (15 1/4 x 12 5/8 in.)",32,38.7,0.8385294117647059,[1018,1019,1020,1021,1022],{"_219":302,"_220":303,"_42":304,"_305":306},"1949.185","Battista Dossi painted this in the early 1520s, aged about 30. It is now at the Cleveland Museum of Art.",{"_118":1017,"_300":301},"Holy Family with a Shepherd, by Battista Dossi, early 1520s",{"_293":1014,"_295":1015,"_297":1016},"https://img.ochreeditions.com/m/582.jpg?dl=1","/art/holy-family-with-a-shepherd-cma-126768","/galleries/style/renaissance/holy-family-with-a-shepherd-cma-126768",{"_289":290,"_291":292},{"_223":1009,"_125":1010,"_283":1011},{"_274":1006,"_276":1007,"_278":1008,"_279":991},47.45108823529412,53.7,32.45108823529412,{"_285":223,"_123":1012,"_154":1013,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-battista-dossi","Battista Dossi's contemporaries","https://img.ochreeditions.com/a/582/480.jpg","https://img.ochreeditions.com/a/582/960.jpg","https://img.ochreeditions.com/a/582/1920.jpg","In this image of the Holy Family, Joseph and Mary lean in to admire the Christ Child while a shepherd looks on, leaning on his staff. Before executing this painting, Battista visited Rome, including an extensive study of Raphael's works.",{"_312":1031,"_314":1032},{"_312":1029,"_314":1030},{"_312":1027,"_314":1028},{"_312":1025,"_314":1026},{"_312":1023,"_314":1024},"#967d52",0.0431,"#7f472c",0.059,"#5c553b",0.1128,"#473523",0.215,"#2b281f",0.5701,"Battista Dossi","battista-dossi","Italian, c. 1490–1548",1548,"italian-joust-of-peace-nga-216058","Italian Joust of Peace","Unrecorded German maker","c.1512-1515","germany","drawing","Drawing","pen and brown ink with watercolor over leadpoint on laid paper","sheet: 33 × 26.3 cm (13 × 10 3/8 in.)",26.3,33,0.802734375,[1077,1078,1079,1080,1081],{"_219":756,"_220":757,"_42":758,"_305":759},"1943.3.4502","An unrecorded German artist painted this in about 1512-1515. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of two armored figures on horseback engaged in a joust. Both knights are clad in ornate armor and mounted on horses as they participate in the match. The scene captures the moment of impact, with splintered lances flying in the air. One knight in silver armor with blue accents is being unseated from his horse, while the other knight in red and silver armor remains mounted. Both horses are draped in colors matching their riders' armors. The focus is on the dynamic action and energy of the joust, with fine details showing the armor's shine and the movement of the horses. The drawing is bordered, and there is some script at the top and bottom.",{"_293":1074,"_295":1075,"_297":1076},"https://img.ochreeditions.com/m/1700.jpg?dl=1","/art/italian-joust-of-peace-nga-216058","/galleries/style/renaissance/italian-joust-of-peace-nga-216058",{"_289":358,"_291":359},{"_223":1063,"_125":1064,"_283":1065},{"_274":1061,"_276":477,"_278":1062,"_279":1047},50.490234375,26.490234375,{"_285":223,"_123":1072,"_154":1073,"_140":97},{"_285":125,"_123":1069,"_154":1070,"_140":1071},{"_285":283,"_123":1066,"_154":1067,"_140":1068},"era/16-germany","16th-century Germany",28,"style/drawing-16","More drawings of the 16th century",35,"artist/unrecorded-germany","More by unrecorded makers of Germany","https://img.ochreeditions.com/a/1700/480.jpg","https://img.ochreeditions.com/a/1700/960.jpg","https://img.ochreeditions.com/a/1700/1920.jpg",{"_312":1090,"_314":1091},{"_312":1088,"_314":1089},{"_312":1086,"_314":1087},{"_312":1084,"_314":1085},{"_312":1082,"_314":1083},"#a2846e",0.0362,"#a15240",0.042,"#ecddce",0.0542,"#c8b195",0.08,"#e9d3b7",0.7876,"samson-and-the-lion-from-the-story-of-samson-met-393723","Samson and the Lion, from \"The Story of Samson\"","Unrecorded French maker","ca. 1560–80","france","Prints","Woodcut with pochoir (stencil) and hand coloring","sheet: 14 3/4 x 19 1/2 in. (37.4 x 49.5 cm)",49.5,37.4,1.2985699337286363,[1133,1134,1135,1136,1137],{"_219":1129,"_220":1130,"_42":1131,"_305":1132},"Courtesy of The Metropolitan Museum of Art","2010.27.2","An unrecorded French artist made this in about 1560–80. It is now at The Met in New York.","Samson and the Lion, from \"The Story of Samson\", ca. 1560–80",{"_293":1126,"_295":1127,"_297":1128},"https://img.ochreeditions.com/m/1054.jpg?dl=1","/art/samson-and-the-lion-from-the-story-of-samson-met-393723","/galleries/style/renaissance/samson-and-the-lion-from-the-story-of-samson-met-393723",{"_289":358,"_291":359},{"_223":1119,"_125":1120,"_283":1121},{"_274":1116,"_276":1117,"_278":1100,"_279":1118},73.5,62.11885576148267,38.11885576148267,{"_285":223,"_123":1124,"_154":1125,"_140":87},{"_285":125,"_123":956,"_154":957,"_140":958},{"_285":283,"_123":1122,"_154":1123,"_140":89},"era/16-france","16th-century France","artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/1054/480.jpg","https://img.ochreeditions.com/a/1054/960.jpg","https://img.ochreeditions.com/a/1054/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_312":1146,"_314":1147},{"_312":1144,"_314":1145},{"_312":1142,"_314":1143},{"_312":1140,"_314":1141},{"_312":1138,"_314":1139},"#eadecc",0.0548,"#a67150",0.1314,"#b0957a",0.1849,"#7a6559",0.2423,"#8c6f56",0.3866,{"_1149":-5,"_1150":1151,"_1152":1153,"_1154":8,"_1155":1156,"_1157":8},"user","csrf","9e93b4eb589c3633561dbb4dd9cd194cc41115df","cartCount",0,"dropLive","legal",[1158,1159,1160,1161,1162,1163,1164,1165,1166,1167,1168,1169],"uploadsEnabled",{"_220":1192,"_20":1193},{"_220":1190,"_20":1191},{"_220":1188,"_20":1189},{"_220":1186,"_20":1187},{"_220":1184,"_20":1185},{"_220":1182,"_20":1183},{"_220":1180,"_20":1181},{"_220":1178,"_20":1179},{"_220":1176,"_20":1177},{"_220":1174,"_20":1175},{"_220":1172,"_20":1173},{"_220":1170,"_20":1171},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]