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It is also one of the few surviving drawings by the artist made on Venetian blue paper, a support he began to use for his chiaroscuro studies while visiting Venice in the winter of 1506–7.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","city","Cleveland",{"_313":323,"_315":324},{"_313":321,"_315":322},{"_313":319,"_315":320},{"_313":317,"_315":318},{"_313":314,"_315":316},"hex","#82857f","weight",0.0518,"#f7f6f4",0.0695,"#b1b8b5",0.0833,"#969d97",0.2353,"#9fa9a4",0.5601,"Albrecht Dürer","albrecht-durer","bio","German, 1471–1528","nationality","German","birth_year",1471,"death_year",1528,"birth_place","Nuremberg","death_place","about_excerpt","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","madonna-and-child-in-a-niche-cma-97178","Madonna and Child in a Niche",{"_42":400,"_221":401,"_327":402,"_329":402,"_331":-5,"_333":-5,"_335":-5,"_337":-5,"_338":-5,"_140":103},"c. 1520s","italy","painting","Painting","oil on wood","Framed: 87 x 72 x 5.5 cm (34 1/4 x 28 3/8 x 2 3/16 in.); Unframed: 59.5 x 43.9 cm (23 7/16 x 17 5/16 in.)",43.9,59.5,0.7326470588235294,[385,386,387,388,389],{"_220":303,"_221":304,"_42":305,"_306":307},"1916.813","Antonio del Ceraiolo painted this in about 1520s. 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This large print of the Last Supper , however, is in excellent condition. It was engraved on two plates and printed on two separate sheets of paper.",{"_313":455,"_315":456},{"_313":453,"_315":454},{"_313":451,"_315":452},{"_313":449,"_315":450},{"_313":447,"_315":448},"#e6d9c4",0.0485,"#b8a78f",0.1356,"#625848",0.2111,"#968772",0.2673,"#7c6f5d",0.3375,"Lucantonio degli Uberti","lucantonio-degli-uberti","portrait-of-a-couple-cma-97155","Portrait of a Couple","Unrecorded Italian maker","c. 1580–88","oil on canvas","Framed: 132 x 173 x 10.5 cm (51 15/16 x 68 1/8 x 4 1/8 in.); Unframed: 99.8 x 140.5 cm (39 5/16 x 55 5/16 in.)",140.5,99.8,1.4078674948240166,[493,494,495,496,497],{"_220":303,"_221":304,"_42":305,"_306":307},"1916.793","An unrecorded Northern Italy, late 16th century artist painted this in about 1580–88. It is now at the Cleveland Museum of Art.",{"_118":492,"_301":302},"Portrait of a Couple, c. 1580–88",{"_294":489,"_296":490,"_298":491},"https://img.ochreeditions.com/m/478.jpg?dl=1","/art/portrait-of-a-couple-cma-97155","/galleries/style/renaissance/portrait-of-a-couple-cma-97155",{"_290":379,"_292":380},{"_224":484,"_125":485,"_284":486},{"_275":481,"_277":482,"_279":465,"_281":483},155.5,114.79632352941177,99.79632352941177,{"_286":224,"_123":487,"_154":488,"_140":77},{"_286":125,"_123":374,"_154":375,"_140":376},{"_286":284,"_123":371,"_154":372,"_140":373},"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/478/480.jpg","https://img.ochreeditions.com/a/478/960.jpg","https://img.ochreeditions.com/a/478/1920.jpg","While the attribution remains hotly debated, this work exemplifies how Italian portraiture of the 1500s could articulate family alliances through marriage. The inscription gives the sitters’ ages as 35 and 28, and their elaborate jewelry, weapons, and garments, made of expensive materials, convey their elite status.",{"_313":506,"_315":507},{"_313":504,"_315":505},{"_313":502,"_315":503},{"_313":500,"_315":501},{"_313":498,"_315":499},"#a96957",0.0181,"#7b6954",0.0615,"#b9a489",0.0646,"#171812",0.3358,"#3c3629",0.52,"virgin-and-child-with-john-the-baptist-and-angels-cma-97154","Virgin and Child with John the Baptist and Angels",{"_42":555,"_221":556,"_327":557,"_329":402,"_331":558,"_333":559,"_335":-5,"_337":-5,"_338":-5,"_140":103},"Framed: 120 x 120 x 7 cm (47 1/4 x 47 1/4 x 2 3/4 in.); Diameter: 95.2 x 92.8 cm (37 1/2 x 36 9/16 in.)",120,0.9655882352941176,[540,541,542,543,544],{"_220":303,"_221":304,"_42":305,"_306":307},"1916.792","Pietro del Donzello painted this in about 1500, aged about 43. It is now at the Cleveland Museum of Art.","Virgin and Child with John the Baptist and Angels, by Pietro del Donzello, c. 1500",{"_294":537,"_296":538,"_298":539},"https://img.ochreeditions.com/m/477.jpg?dl=1","/art/virgin-and-child-with-john-the-baptist-and-angels-cma-97154","/galleries/style/renaissance/virgin-and-child-with-john-the-baptist-and-angels-cma-97154",{"_290":379,"_292":380},{"_224":529,"_125":530,"_284":531},{"_275":526,"_277":527,"_279":528,"_281":512},130.87058823529412,135,115.87058823529412,{"_286":224,"_123":535,"_154":536,"_140":89},{"_286":125,"_123":532,"_154":533,"_140":534},{"_286":284,"_123":431,"_154":432,"_140":433},"style/painting-15","More paintings of the 15th century",73,"artist/contemporaries-of-pietro-del-donzello","Pietro del Donzello's contemporaries","https://img.ochreeditions.com/a/477/480.jpg","https://img.ochreeditions.com/a/477/960.jpg","https://img.ochreeditions.com/a/477/1920.jpg",{"_313":553,"_315":554},{"_313":551,"_315":552},{"_313":549,"_315":550},{"_313":547,"_315":548},{"_313":545,"_315":546},"#785939",0.1447,"#b79666",0.1494,"#61755d",0.1681,"#3c382b",0.2553,"#949494",0.2825,"Pietro del Donzello","pietro-del-donzello","Italian, 1452–1509",1452,1509,"christ-crowned-with-thorns-cma-104610","Christ Crowned with Thorns",{"_42":607,"_221":608,"_327":609,"_329":330,"_331":610,"_333":611,"_335":612,"_337":613,"_338":614,"_140":97},"1470–82","engraving",0.7158823529411765,[592,593,594,595,596],{"_220":303,"_221":304,"_42":305,"_306":307},"1922.89","Martin Schongauer made this in 1470–82, aged about 25. It is now at the Cleveland Museum of Art.",{"_118":591,"_301":302},"Christ Crowned with Thorns, by Martin Schongauer, 1470–82",{"_294":588,"_296":589,"_298":590},"https://img.ochreeditions.com/m/509.jpg?dl=1","/art/christ-crowned-with-thorns-cma-104610","/galleries/style/renaissance/christ-crowned-with-thorns-cma-104610",{"_290":291,"_292":293},{"_224":581,"_125":582,"_284":583},{"_275":579,"_277":424,"_279":580,"_281":426},66.95294117647059,42.95294117647059,{"_286":224,"_123":586,"_154":587,"_140":97},{"_286":125,"_123":434,"_154":435,"_140":53},{"_286":284,"_123":584,"_154":585,"_140":91},"era/15-germany","15th-century Germany","artist/martin-schongauer","More by Martin Schongauer","https://img.ochreeditions.com/a/509/480.jpg","https://img.ochreeditions.com/a/509/960.jpg","https://img.ochreeditions.com/a/509/1920.jpg","Martin Schonaguer's series of the Passion of Christ was his largest set of engravings, made around 1480, and extensively copied across Europe. It consists of twelve prints detailing the suffering of Christ in the last days of his life.",{"_313":605,"_315":606},{"_313":603,"_315":604},{"_313":601,"_315":602},{"_313":599,"_315":600},{"_313":597,"_315":598},"#ece7df",0.1332,"#4a4641",0.1923,"#9b948a",0.2075,"#c8c0b5",0.2218,"#716c64",0.2452,"Martin Schongauer","martin-schongauer","German, c. 1450–1491",1450,1491,"Colmar","Breisach","Schongauer, the son of a goldsmith, worked in Colmar in Alsace and was both a painter and the most accomplished engraver of fifteenth-century northern Europe.","judith-aic-4575","Judith",{"_42":673,"_221":674,"_327":675,"_329":675,"_331":-5,"_333":676,"_335":-5,"_337":-5,"_338":-5,"_140":103},"c. 1540","netherlands","Oil on panel","99.1 × 77.2 cm (39 × 30 3/8 in.); Framed: 119.7 × 97.8 × 6.4 cm (47 1/8 × 38 1/2 × 2 1/2 in.)",77,99,0.7735655737704918,[658,659,660,661,662],{"_220":654,"_221":655,"_42":656,"_306":657},"Courtesy of the Art Institute of Chicago","1956.1109","Jan Sanders van Hemessen painted this in about 1540. It is now at the Art Institute of Chicago.",{"_118":652,"_301":653},"Painting of Judith, naked, holding sword, with head of Holophernes.",{"_294":649,"_296":650,"_298":651},"https://img.ochreeditions.com/m/6.jpg?dl=1","/art/judith-aic-4575","/galleries/style/renaissance/judith-aic-4575",{"_290":379,"_292":380},{"_224":642,"_125":643,"_284":644},{"_275":639,"_277":640,"_279":641,"_281":623},91.58299180327869,114,76.58299180327869,{"_286":224,"_123":647,"_154":648,"_140":89},{"_286":125,"_123":374,"_154":375,"_140":376},{"_286":284,"_123":645,"_154":646,"_140":289},"era/16-netherlands","16th-century Netherlands","artist/contemporaries-of-jan-sanders-van-hemessen","Jan Sanders van Hemessen's contemporaries","https://img.ochreeditions.com/a/6/480.jpg","https://img.ochreeditions.com/a/6/960.jpg","https://img.ochreeditions.com/a/6/1920.jpg","According to the biblical story, the widow Judith saved her people from being slaughtered by the Assyrian army by infiltrating the tent of the enemy general, Holofernes. She then seduced and beheaded him.","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_313":671,"_315":672},{"_313":669,"_315":670},{"_313":667,"_315":668},{"_313":665,"_315":666},{"_313":663,"_315":664},"#976a4b",0.0788,"#b68b6d",0.1028,"#684b35",0.1266,"#48382a",0.1922,"#2f2c28",0.4996,"Jan Sanders van Hemessen","jan-sanders-van-hemessen","Netherlandish",1556,"a-naval-battle-aic-273340","A Naval Battle",{"_42":726,"_221":727,"_327":402,"_329":402,"_331":-5,"_333":728,"_335":-5,"_337":-5,"_338":-5,"_140":103},"c. 1550","Engraving and etching in black on cream laid paper","22 × 36.1 cm (8 11/16 × 14 1/4 in.)",36,22,1.3656927426955703,[711,712,713,714,715],{"_220":654,"_221":655,"_42":656,"_306":657},"2024.163","Michele Lucchese made this in about 1550. It is now at the Art Institute of Chicago.","A work made of engraving and etching in black on cream laid paper.",{"_294":708,"_296":709,"_298":710},"https://img.ochreeditions.com/m/445.jpg?dl=1","/art/a-naval-battle-aic-273340","/galleries/style/renaissance/a-naval-battle-aic-273340",{"_290":291,"_292":293},{"_224":700,"_125":701,"_284":702},{"_275":426,"_277":698,"_279":683,"_281":699},50.36024844720497,26.360248447204967,{"_286":224,"_123":706,"_154":707,"_140":89},{"_286":125,"_123":703,"_154":704,"_140":705},{"_286":284,"_123":371,"_154":372,"_140":373},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-michele-lucchese","Michele Lucchese's contemporaries","https://img.ochreeditions.com/a/445/480.jpg","https://img.ochreeditions.com/a/445/960.jpg","https://img.ochreeditions.com/a/445/1920.jpg",{"_313":724,"_315":725},{"_313":722,"_315":723},{"_313":720,"_315":721},{"_313":718,"_315":719},{"_313":716,"_315":717},"#635a51",0.0771,"#c0b0a3",0.0798,"#a09388",0.0864,"#80756c",0.0884,"#eddacc",0.6683,"Michele Lucchese","michele-lucchese",1564,"the-holy-family-with-saint-elizabeth-cma-112099","The Holy Family with Saint Elizabeth",{"_42":778,"_221":779,"_327":780,"_329":402,"_331":781,"_333":782,"_335":-5,"_337":-5,"_338":-5,"_140":101},"c. 1503","Platemark: 12.8 x 16.3 cm (5 1/16 x 6 7/16 in.); Sheet: 13.3 x 16.6 cm (5 1/4 x 6 9/16 in.)",16.3,12.8,1.2336719883889695,[763,764,765,766,767],{"_220":303,"_221":304,"_42":305,"_306":307},"1930.575","Jacopo de' Barbari made this in about 1503, aged about 43. It is now at the Cleveland Museum of Art.",{"_118":762,"_301":302},"The Holy Family with Saint Elizabeth, by Jacopo de' Barbari, c. 1503",{"_294":759,"_296":760,"_298":761},"https://img.ochreeditions.com/m/526.jpg?dl=1","/art/the-holy-family-with-saint-elizabeth-cma-112099","/galleries/style/renaissance/the-holy-family-with-saint-elizabeth-cma-112099",{"_290":291,"_292":293},{"_224":754,"_125":755,"_284":756},{"_275":750,"_277":751,"_279":752,"_281":753},49,44.26470588235294,25,20.264705882352942,{"_286":224,"_123":757,"_154":758,"_140":89},{"_286":125,"_123":434,"_154":435,"_140":53},{"_286":284,"_123":431,"_154":432,"_140":433},"artist/contemporaries-of-jacopo-de-barbari","Jacopo de' Barbari's contemporaries","https://img.ochreeditions.com/a/526/480.jpg","https://img.ochreeditions.com/a/526/960.jpg","https://img.ochreeditions.com/a/526/1920.jpg","While this landscape might seem desolate and strange, it is rife with religious symbolism. The Virgin Mary and Christ on the right sit with Mary’s cousin, Saint Elizabeth, and her son, Saint John the Baptist. The Bible describes Elizabeth as past childbearing age; both she and Mary were granted virgin births by God.",{"_313":776,"_315":777},{"_313":774,"_315":775},{"_313":772,"_315":773},{"_313":770,"_315":771},{"_313":768,"_315":769},"#d3d0c3",0.0571,"#4a4840",0.1487,"#a39d8e",0.22,"#676359",0.2572,"#837e71",0.317,"Jacopo de' Barbari","jacopo-de-barbari","Italian, c. 1460/70–c. 1516",1455,1520,"salome-with-the-head-of-saint-john-the-baptist-cma-97190","Salome with the Head of Saint John the Baptist",{"_42":831,"_221":832,"_327":833,"_329":402,"_331":834,"_333":835,"_335":-5,"_337":-5,"_338":-5,"_140":101},"1500s or later","Framed: 72.1 x 87 x 5.7 cm (28 3/8 x 34 1/4 x 2 1/4 in.); Unframed: 46.6 x 59.7 cm (18 3/8 x 23 1/2 in.)",59.7,46.6,1.2903225806451613,[816,817,818,819,820],{"_220":303,"_221":304,"_42":305,"_306":307},"1916.824","Bernardino Luini painted this in the 1500s or later, aged about 20. It is now at the Cleveland Museum of Art.",{"_118":815,"_301":302},"Salome with the Head of Saint John the Baptist, by Bernardino Luini, 1500s or later",{"_294":812,"_296":813,"_298":814},"https://img.ochreeditions.com/m/489.jpg?dl=1","/art/salome-with-the-head-of-saint-john-the-baptist-cma-97190","/galleries/style/renaissance/salome-with-the-head-of-saint-john-the-baptist-cma-97190",{"_290":379,"_292":380},{"_224":807,"_125":808,"_284":809},{"_275":804,"_277":805,"_279":788,"_281":806},74.7,61.267500000000005,46.267500000000005,{"_286":224,"_123":810,"_154":811,"_140":89},{"_286":125,"_123":532,"_154":533,"_140":534},{"_286":284,"_123":431,"_154":432,"_140":433},"artist/contemporaries-of-bernardino-luini","Bernardino Luini's contemporaries","https://img.ochreeditions.com/a/489/480.jpg","https://img.ochreeditions.com/a/489/960.jpg","https://img.ochreeditions.com/a/489/1920.jpg","Salome’s dancing so pleased her stepfather Herod that he offered her anything she wanted. Her mother advised Salome to demand John the Baptist’s head, which Salome presented to her family on an elaborate dish.",{"_313":829,"_315":830},{"_313":827,"_315":828},{"_313":825,"_315":826},{"_313":823,"_315":824},{"_313":821,"_315":822},"#948776",0.0872,"#635141",0.1138,"#633125",0.1166,"#36231c",0.2263,"#15100e",0.4561,"Bernardino Luini","bernardino-luini","Italian, c. 1480-c. 1532",1480,1532,"portrait-of-roberto-castiglione-cma-97168","Portrait of Roberto Castiglione","early 1600s","Framed: 147.3 x 120.6 x 10.2 cm (58 x 47 1/2 x 4 in.); Unframed: 121.2 x 98.7 cm (47 11/16 x 38 7/8 in.)",98.7,121.2,0.8088235294117647,[866,867,868,869,870],{"_220":303,"_221":304,"_42":305,"_306":307},"1916.804","An unrecorded Italy, Cremona artist painted this in the early 1600s. It is now at the Cleveland Museum of Art.",{"_118":865,"_301":302},"Portrait of Roberto Castiglione, early 1600s",{"_294":862,"_296":863,"_298":864},"https://img.ochreeditions.com/m/483.jpg?dl=1","/art/portrait-of-roberto-castiglione-cma-97168","/galleries/style/renaissance/portrait-of-roberto-castiglione-cma-97168",{"_290":379,"_292":380},{"_224":859,"_125":860,"_284":861},{"_275":856,"_277":857,"_279":858,"_281":841},113.02941176470588,136.2,98.02941176470588,{"_286":224,"_123":487,"_154":488,"_140":77},{"_286":125,"_123":374,"_154":375,"_140":376},{"_286":284,"_123":371,"_154":372,"_140":373},"https://img.ochreeditions.com/a/483/480.jpg","https://img.ochreeditions.com/a/483/960.jpg","https://img.ochreeditions.com/a/483/1920.jpg","The inscription on the bottom of this painting identifies the sitter of this commemorative portrait as Roberto Castiglione, a magistrate and imperial vicar for the Spanish empire in the 1200s. His identity is further supported by the coat of arms in the upper left.",{"_313":879,"_315":880},{"_313":877,"_315":878},{"_313":875,"_315":876},{"_313":873,"_315":874},{"_313":871,"_315":872},"#5d3921",0.0376,"#947340",0.0526,"#5c4d33",0.0983,"#272017",0.366,"#1f1c15",0.4455,"drapery-study-of-a-standing-figure-facing-right-in-profile-aic-259345","Drapery Study of a Standing Figure Facing Right, in Profile",{"_42":932,"_221":933,"_327":934,"_329":402,"_331":935,"_333":936,"_335":-5,"_337":-5,"_338":-5,"_140":103},"late 1460s–early 1470s","watercolour","Drawing and Watercolor","Brush and opaque watercolor, on linen prepared with a gray ground, mounted to cream laid paper","Primary support: 28.3 × 18.3 cm (11 3/16 × 7 1/4 in.); Secondary support: 30 × 20 cm (11 13/16 × 7 7/8 in.)",18,0.6784424379232505,[917,918,919,920,921],{"_220":654,"_221":655,"_42":656,"_306":657},"2020.255","Andrea del Verrocchio painted this in the late 1460s–early 1470s, aged about 30. It is now at the Art Institute of Chicago.","A work made of brush and opaque watercolor, on linen prepared with a gray ground, mounted to cream laid paper.",{"_294":914,"_296":915,"_298":916},"https://img.ochreeditions.com/m/400.jpg?dl=1","/art/drapery-study-of-a-standing-figure-facing-right-in-profile-aic-259345","/galleries/style/renaissance/drapery-study-of-a-standing-figure-facing-right-in-profile-aic-259345",{"_290":291,"_292":293},{"_224":906,"_125":907,"_284":908},{"_275":903,"_277":904,"_279":905,"_281":169},42.99638826185102,52,18.996388261851017,{"_286":224,"_123":912,"_154":913,"_140":89},{"_286":125,"_123":909,"_154":910,"_140":911},{"_286":284,"_123":431,"_154":432,"_140":433},"style/watercolour","More watercolours",85,"artist/contemporaries-of-andrea-del-verrocchio","Andrea del Verrocchio's contemporaries","https://img.ochreeditions.com/a/400/480.jpg","https://img.ochreeditions.com/a/400/960.jpg","https://img.ochreeditions.com/a/400/1920.jpg",{"_313":930,"_315":931},{"_313":928,"_315":929},{"_313":926,"_315":927},{"_313":924,"_315":925},{"_313":922,"_315":923},"#dec9b3",0.0849,"#857360",0.1048,"#bc9d83",0.1325,"#544b44",0.1836,"#6c5f51",0.4942,"Andrea del Verrocchio","andrea-del-verrocchio","Italian, c. 1435–1488",1435,1488,"portrait-of-a-young-man-cma-97167","Portrait of a Young Man",{"_42":986,"_221":987,"_327":988,"_329":402,"_331":989,"_333":990,"_335":-5,"_337":-5,"_338":-5,"_140":103},"c. 1530","oil and gold on wood","Framed: 128.2 x 102.2 x 11.5 cm (50 1/2 x 40 1/4 x 4 1/2 in.); Unframed: 97.2 x 77.5 cm (38 1/4 x 30 1/2 in.)",77.5,97.2,0.788235294117647,[971,972,973,974,975],{"_220":303,"_221":304,"_42":305,"_306":307},"1916.803","Dosso Dossi painted this in about 1530, aged about 35. It is now at the Cleveland Museum of Art.",{"_118":970,"_301":302},"Portrait of a Young Man, by Dosso Dossi, c. 1530",{"_294":967,"_296":968,"_298":969},"https://img.ochreeditions.com/m/482.jpg?dl=1","/art/portrait-of-a-young-man-cma-97167","/galleries/style/renaissance/portrait-of-a-young-man-cma-97167",{"_290":379,"_292":380},{"_224":962,"_125":963,"_284":964},{"_275":959,"_277":960,"_279":961,"_281":944},91.61647058823529,112.2,76.61647058823529,{"_286":224,"_123":965,"_154":966,"_140":89},{"_286":125,"_123":374,"_154":375,"_140":376},{"_286":284,"_123":371,"_154":372,"_140":373},"artist/contemporaries-of-dosso-dossi","Dosso Dossi's contemporaries","https://img.ochreeditions.com/a/482/480.jpg","https://img.ochreeditions.com/a/482/960.jpg","https://img.ochreeditions.com/a/482/1920.jpg","Like other paintings from the Dossi workshop, this work conveys the sitter's social status and self-confidence. He holds a crumpled letter written in Italian. The words Asto , meaning \"ship mast,\" and mare , meaning \"sea,\" suggest that trade was a topic of this letter.",{"_313":984,"_315":985},{"_313":982,"_315":983},{"_313":980,"_315":981},{"_313":978,"_315":979},{"_313":976,"_315":977},"#801603",0.0539,"#7f5d2d",0.0708,"#524d2f",0.0821,"#3d240f",0.136,"#1d180f",0.6572,"Dosso Dossi","dosso-dossi","Italian, c. 1490–after 1541",1490,1541,"saint-sebastian-cma-135407","Saint Sebastian",{"_42":1042,"_221":1043,"_327":1044,"_329":402,"_331":610,"_333":1045,"_335":-5,"_337":-5,"_338":1046,"_140":95},"c. 1493","metalpoint","Sheet: 25.6 x 14.6 cm (10 1/16 x 5 3/4 in.)",14.6,25.6,0.5744117647058824,[1027,1028,1029,1030,1031],{"_220":303,"_221":304,"_42":305,"_306":307},"1958.411","Perugino drew this in about 1493, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":1026,"_301":302},"Saint Sebastian, by Perugino, c. 1493",{"_294":1023,"_296":1024,"_298":1025},"https://img.ochreeditions.com/m/629.jpg?dl=1","/art/saint-sebastian-cma-135407","/galleries/style/renaissance/saint-sebastian-cma-135407",{"_290":291,"_292":293},{"_224":1016,"_125":1017,"_284":1018},{"_275":1013,"_277":1014,"_279":1015,"_281":998},38.70494117647059,49.6,14.70494117647059,{"_286":224,"_123":1021,"_154":1022,"_140":95},{"_286":125,"_123":1019,"_154":1020,"_140":91},{"_286":284,"_123":431,"_154":432,"_140":433},"style/drawing-15","More drawings of the 15th century","artist/perugino","More by Perugino","https://img.ochreeditions.com/a/629/480.jpg","https://img.ochreeditions.com/a/629/960.jpg","https://img.ochreeditions.com/a/629/1920.jpg","The Florentine painter Perugino made drawings to record figural types and poses that could be repeated throughout his finished paintings.",{"_313":1040,"_315":1041},{"_313":1038,"_315":1039},{"_313":1036,"_315":1037},{"_313":1034,"_315":1035},{"_313":1032,"_315":1033},"#d9ccb7",0.0722,"#837057",0.0946,"#b29b7e",0.1119,"#a08c72",0.3041,"#958066",0.4172,"Perugino","perugino","Italian, c. 1450/55–1523",1523,"Pietro Vannucci took the name Perugino from Perugia, the chief city of his native Umbria, and trained in Florence, probably alongside Leonardo in Verrocchio’s studio.","the-dead-christ-with-angels-cma-97170","The Dead Christ with Angels",{"_42":1095,"_221":1096,"_327":1097,"_329":402,"_331":1098,"_333":1099,"_335":-5,"_337":-5,"_338":-5,"_140":103},"c. 1580","Framed: 157 x 129.5 x 13 cm (61 13/16 x 51 x 5 1/8 in.); Unframed: 123.3 x 96.5 cm (48 9/16 x 38 in.)",96.5,123.3,0.7814705882352941,[1080,1081,1082,1083,1084],{"_220":303,"_221":304,"_42":305,"_306":307},"1916.806","Leandro Bassano painted this in about 1580, aged about 18. It is now at the Cleveland Museum of Art.",{"_118":1079,"_301":302},"The Dead Christ with Angels, by Leandro Bassano, c. 1580",{"_294":1076,"_296":1077,"_298":1078},"https://img.ochreeditions.com/m/485.jpg?dl=1","/art/the-dead-christ-with-angels-cma-97170","/galleries/style/renaissance/the-dead-christ-with-angels-cma-97170",{"_290":379,"_292":380},{"_224":1071,"_125":1072,"_284":1073},{"_275":1068,"_277":1069,"_279":1070,"_281":1053},111.35532352941176,138.3,96.35532352941176,{"_286":224,"_123":1074,"_154":1075,"_140":89},{"_286":125,"_123":374,"_154":375,"_140":376},{"_286":284,"_123":371,"_154":372,"_140":373},"artist/contemporaries-of-leandro-bassano","Leandro Bassano's contemporaries","https://img.ochreeditions.com/a/485/480.jpg","https://img.ochreeditions.com/a/485/960.jpg","https://img.ochreeditions.com/a/485/1920.jpg","In this scene, two angels are shown attending to the body of Christ after his death. The artist, Leandro Bassano, came from a family of painters—both his father and grandfather were artists, as were his brothers, Francesco and Gerolamo.",{"_313":1093,"_315":1094},{"_313":1091,"_315":1092},{"_313":1089,"_315":1090},{"_313":1087,"_315":1088},{"_313":1085,"_315":1086},"#8f7156",0.1206,"#c2ac8f",0.1303,"#747d73",0.1528,"#564a3c",0.1756,"#2f2820",0.4207,"Leandro Bassano","leandro-bassano","Italian, 1557–1623",1557,1623,"the-power-of-women-samson-and-delilah-cma-114942","The Power of Women: Samson and Delilah",{"_42":1149,"_221":1150,"_327":1151,"_329":675,"_331":1152,"_333":1153,"_335":-5,"_337":-5,"_338":-5,"_140":101},"c. 1512","woodcut","Image: 41.1 x 28.7 cm (16 3/16 x 11 5/16 in.)",28.7,41.1,0.7105882352941176,[1134,1135,1136,1137,1138],{"_220":303,"_221":304,"_42":305,"_306":307},"1935.117","Lucas van Leyden made this in about 1512, aged about 13. It is now at the Cleveland Museum of Art.",{"_118":1133,"_301":302},"The Power of Women: Samson and Delilah, by Lucas van Leyden, c. 1512",{"_294":1130,"_296":1131,"_298":1132},"https://img.ochreeditions.com/m/531.jpg?dl=1","/art/the-power-of-women-samson-and-delilah-cma-114942","/galleries/style/renaissance/the-power-of-women-samson-and-delilah-cma-114942",{"_290":291,"_292":293},{"_224":1125,"_125":1126,"_284":1127},{"_275":1122,"_277":1123,"_279":1124,"_281":1107},53.205176470588235,65.1,29.205176470588235,{"_286":224,"_123":1128,"_154":1129,"_140":89},{"_286":125,"_123":703,"_154":704,"_140":705},{"_286":284,"_123":645,"_154":646,"_140":289},"artist/contemporaries-of-lucas-van-leyden","Lucas van Leyden's contemporaries","https://img.ochreeditions.com/a/531/480.jpg","https://img.ochreeditions.com/a/531/960.jpg","https://img.ochreeditions.com/a/531/1920.jpg","The publication of Albrecht Dürer's three impressive woodcut series in 1511— The Large Passion , The Apocalypse , and The Life of the Virgin —had an immediate impact on Northern painters such as Lucas.",{"_313":1147,"_315":1148},{"_313":1145,"_315":1146},{"_313":1143,"_315":1144},{"_313":1141,"_315":1142},{"_313":1139,"_315":1140},"#d5cec7",0.1488,"#484743",0.1552,"#6a6761",0.1787,"#aea79d",0.2456,"#8c877f",0.2717,"Lucas van Leyden","lucas-van-leyden","Netherlandish, 1494–about 1533",1494,1533,{"_1155":-5,"_1156":1157,"_1158":1159,"_1160":8,"_1161":1162,"_1163":8},"user","csrf","7f72286f929a263ad6ac5eb8b904895f07a15fd3","cartCount",0,"dropLive","legal",[1164,1165,1166,1167,1168,1169,1170,1171,1172,1173,1174,1175],"uploadsEnabled",{"_221":1198,"_20":1199},{"_221":1196,"_20":1197},{"_221":1194,"_20":1195},{"_221":1192,"_20":1193},{"_221":1190,"_20":1191},{"_221":1188,"_20":1189},{"_221":1186,"_20":1187},{"_221":1184,"_20":1185},{"_221":1182,"_20":1183},{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]