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It is now at the Cleveland Museum of Art.",{"_118":379,"_298":299},"Saint Sebastian, by Perugino, c. 1493",{"_291":376,"_293":377,"_295":378},"https://img.ochreeditions.com/m/629.jpg?dl=1","/art/saint-sebastian-cma-135407","/galleries/style/renaissance/saint-sebastian-cma-135407",{"_287":288,"_289":290},{"_224":366,"_125":367,"_282":368},{"_272":363,"_274":364,"_276":365,"_278":348},38.70494117647059,49.6,14.70494117647059,{"_284":224,"_123":374,"_154":375,"_140":95},{"_284":125,"_123":372,"_154":373,"_140":91},{"_284":282,"_123":369,"_154":370,"_140":371},"era/15-italy","15th-century Italy",57,"style/drawing-15","More drawings of the 15th century","artist/perugino","More by Perugino","https://img.ochreeditions.com/a/629/480.jpg","https://img.ochreeditions.com/a/629/960.jpg","https://img.ochreeditions.com/a/629/1920.jpg","The Florentine painter Perugino made drawings to record figural types and poses that could be repeated throughout his finished paintings.",{"_310":393,"_312":394},{"_310":391,"_312":392},{"_310":389,"_312":390},{"_310":387,"_312":388},{"_310":385,"_312":386},"#d9ccb7",0.0722,"#837057",0.0946,"#b29b7e",0.1119,"#a08c72",0.3041,"#958066",0.4172,"Perugino","perugino","Italian, c. 1450/55–1523","Italian",1523,"Pietro Vannucci took the name Perugino from Perugia, the chief city of his native Umbria, and trained in Florence, probably alongside Leonardo in Verrocchio’s studio.","virgin-and-child-aic-16295","Virgin and Child",{"_42":463,"_221":464,"_324":465,"_326":466,"_328":467,"_330":468,"_332":-5,"_334":469,"_336":470,"_140":97},"c. 1485","netherlands","painting","Painting","Oil on panel","Framed: 41.1 × 33.4 cm (16 3/16 × 13 1/8 in.); Framed: 63.9 × 91.8 × 7.4 cm (25 1/8 × 36 1/8 × 2 7/8 in.)",33,41,0.7746083703530512,[448,449,450,451,452],{"_220":444,"_221":445,"_42":446,"_303":447},"Courtesy of the Art Institute of Chicago","1933.1050","Hans Memling painted this in about 1485, aged about 50. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_291":441,"_293":442,"_295":443},"https://img.ochreeditions.com/m/48.jpg?dl=1","/art/virgin-and-child-aic-16295","/galleries/style/renaissance/virgin-and-child-aic-16295",{"_287":439,"_289":440},{"_224":429,"_125":430,"_282":431},{"_272":426,"_274":427,"_276":428,"_278":411},46.7589431844751,56,31.7589431844751,{"_284":224,"_123":437,"_154":438,"_140":97},{"_284":125,"_123":434,"_154":435,"_140":436},{"_284":282,"_123":432,"_154":433,"_140":81},"era/15-netherlands","15th-century Netherlands","style/painting-15","More paintings of the 15th century",73,"artist/hans-memling","More by Hans Memling","natural","ivory","https://img.ochreeditions.com/a/48/480.jpg","https://img.ochreeditions.com/a/48/960.jpg","https://img.ochreeditions.com/a/48/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":461,"_312":462},{"_310":459,"_312":460},{"_310":457,"_312":458},{"_310":455,"_312":456},{"_310":453,"_312":454},"#b1ada0",0.0922,"#730913",0.1722,"#604636",0.2188,"#bd8a6c",0.2537,"#22110f",0.2631,"Hans Memling","hans-memling","Netherlandish, c. 1430–1494","Netherlandish",1430,1494,"Bruges","Memling, born in Germany, probably trained in Brussels with Rogier van der Weyden before settling in Bruges in 1465, where he became the city’s leading painter.","the-farnese-hercules-aic-264799","The Farnese Hercules",{"_42":523,"_221":524,"_324":525,"_326":398,"_328":526,"_330":527,"_332":-5,"_334":-5,"_336":528,"_140":99},"c. 1577","Engraving in black on cream laid paper","Plate: 36.4 × 22 cm (14 3/8 × 8 11/16 in.); Sheet: 50 × 35.8 cm (19 11/16 × 14 1/8 in.)",22,36,0.711064993868503,[508,509,510,511,512],{"_220":444,"_221":445,"_42":446,"_303":447},"2022.150","Giorgio Ghisi made this in about 1577, aged about 52. It is now at the Art Institute of Chicago.","A work made of engraving in black on cream laid paper.",{"_291":505,"_293":506,"_295":507},"https://img.ochreeditions.com/m/420.jpg?dl=1","/art/the-farnese-hercules-aic-264799","/galleries/style/renaissance/the-farnese-hercules-aic-264799",{"_287":288,"_289":290},{"_224":494,"_125":495,"_282":496},{"_272":492,"_274":279,"_276":493,"_278":478},49.598339779266105,25.598339779266105,{"_284":224,"_123":503,"_154":504,"_140":99},{"_284":125,"_123":500,"_154":501,"_140":502},{"_284":282,"_123":497,"_154":498,"_140":499},"era/16-italy","16th-century Italy",66,"style/print-16","More prints of the 16th century",54,"artist/giorgio-ghisi","More by Giorgio Ghisi","https://img.ochreeditions.com/a/420/480.jpg","https://img.ochreeditions.com/a/420/960.jpg","https://img.ochreeditions.com/a/420/1920.jpg",{"_310":521,"_312":522},{"_310":519,"_312":520},{"_310":517,"_312":518},{"_310":515,"_312":516},{"_310":513,"_312":514},"#f2e3d8",0.0679,"#b2a193",0.0839,"#83786d",0.0907,"#5e574f",0.0971,"#e1ccbb",0.6604,"Giorgio Ghisi","giorgio-ghisi","Italian, 1520–1582",1520,1582,"Ghisi was a Mantuan engraver who worked in Antwerp for the publisher Hieronymus Cock, engraving large plates after Raphael’s Vatican frescoes, and later in France.","portrait-of-a-couple-cma-97155","Portrait of a Couple","Unrecorded Italian maker","c. 1580–88","oil on canvas","Framed: 132 x 173 x 10.5 cm (51 15/16 x 68 1/8 x 4 1/8 in.); Unframed: 99.8 x 140.5 cm (39 5/16 x 55 5/16 in.)",140.5,99.8,1.4078674948240166,[566,567,568,569,570],{"_220":300,"_221":301,"_42":302,"_303":304},"1916.793","An unrecorded Northern Italy, late 16th century artist painted this in about 1580–88. It is now at the Cleveland Museum of Art.",{"_118":565,"_298":299},"Portrait of a Couple, c. 1580–88",{"_291":562,"_293":563,"_295":564},"https://img.ochreeditions.com/m/478.jpg?dl=1","/art/portrait-of-a-couple-cma-97155","/galleries/style/renaissance/portrait-of-a-couple-cma-97155",{"_287":439,"_289":440},{"_224":554,"_125":555,"_282":556},{"_272":551,"_274":552,"_276":535,"_278":553},155.5,114.79632352941177,99.79632352941177,{"_284":224,"_123":560,"_154":561,"_140":77},{"_284":125,"_123":557,"_154":558,"_140":559},{"_284":282,"_123":497,"_154":498,"_140":499},"style/painting-16","More paintings of the 16th century",95,"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/478/480.jpg","https://img.ochreeditions.com/a/478/960.jpg","https://img.ochreeditions.com/a/478/1920.jpg","While the attribution remains hotly debated, this work exemplifies how Italian portraiture of the 1500s could articulate family alliances through marriage. The inscription gives the sitters’ ages as 35 and 28, and their elaborate jewelry, weapons, and garments, made of expensive materials, convey their elite status.",{"_310":579,"_312":580},{"_310":577,"_312":578},{"_310":575,"_312":576},{"_310":573,"_312":574},{"_310":571,"_312":572},"#a96957",0.0181,"#7b6954",0.0615,"#b9a489",0.0646,"#171812",0.3358,"#3c3629",0.52,"the-power-of-women-samson-and-delilah-cma-114942","The Power of Women: Samson and Delilah",{"_42":633,"_221":634,"_324":635,"_326":466,"_328":468,"_330":636,"_332":-5,"_334":-5,"_336":-5,"_140":101},"c. 1512","woodcut","Image: 41.1 x 28.7 cm (16 3/16 x 11 5/16 in.)",28.7,41.1,0.7105882352941176,[618,619,620,621,622],{"_220":300,"_221":301,"_42":302,"_303":304},"1935.117","Lucas van Leyden made this in about 1512, aged about 13. It is now at the Cleveland Museum of Art.",{"_118":617,"_298":299},"The Power of Women: Samson and Delilah, by Lucas van Leyden, c. 1512",{"_291":614,"_293":615,"_295":616},"https://img.ochreeditions.com/m/531.jpg?dl=1","/art/the-power-of-women-samson-and-delilah-cma-114942","/galleries/style/renaissance/the-power-of-women-samson-and-delilah-cma-114942",{"_287":288,"_289":290},{"_224":606,"_125":607,"_282":608},{"_272":603,"_274":604,"_276":605,"_278":588},53.205176470588235,65.1,29.205176470588235,{"_284":224,"_123":612,"_154":613,"_140":89},{"_284":125,"_123":500,"_154":501,"_140":502},{"_284":282,"_123":609,"_154":610,"_140":611},"era/16-netherlands","16th-century Netherlands",35,"artist/contemporaries-of-lucas-van-leyden","Lucas van Leyden's contemporaries","https://img.ochreeditions.com/a/531/480.jpg","https://img.ochreeditions.com/a/531/960.jpg","https://img.ochreeditions.com/a/531/1920.jpg","The publication of Albrecht Dürer's three impressive woodcut series in 1511— The Large Passion , The Apocalypse , and The Life of the Virgin —had an immediate impact on Northern painters such as Lucas.",{"_310":631,"_312":632},{"_310":629,"_312":630},{"_310":627,"_312":628},{"_310":625,"_312":626},{"_310":623,"_312":624},"#d5cec7",0.1488,"#484743",0.1552,"#6a6761",0.1787,"#aea79d",0.2456,"#8c877f",0.2717,"Lucas van Leyden","lucas-van-leyden","Netherlandish, 1494–about 1533",1533,"the-crucifixion-cma-97147","The Crucifixion",{"_42":683,"_221":684,"_324":685,"_326":398,"_328":686,"_330":687,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1500s","Framed: 72 x 59 x 4 cm (28 3/8 x 23 1/4 x 1 9/16 in.); Unframed: 59 x 47 cm (23 1/4 x 18 1/2 in.)",47,59,0.7861764705882353,[668,669,670,671,672],{"_220":300,"_221":301,"_42":302,"_303":304},"1916.786","Sodoma painted this in the 1500s, aged about 23. It is now at the Cleveland Museum of Art.","The Crucifixion, by Sodoma, 1500s",{"_291":665,"_293":666,"_295":667},"https://img.ochreeditions.com/m/475.jpg?dl=1","/art/the-crucifixion-cma-97147","/galleries/style/renaissance/the-crucifixion-cma-97147",{"_287":439,"_289":440},{"_224":660,"_125":661,"_282":662},{"_272":657,"_274":658,"_276":659,"_278":643},61.38441176470588,74,46.38441176470588,{"_284":224,"_123":663,"_154":664,"_140":89},{"_284":125,"_123":434,"_154":435,"_140":436},{"_284":282,"_123":369,"_154":370,"_140":371},"artist/contemporaries-of-sodoma","Sodoma's contemporaries","https://img.ochreeditions.com/a/475/480.jpg","https://img.ochreeditions.com/a/475/960.jpg","https://img.ochreeditions.com/a/475/1920.jpg",{"_310":681,"_312":682},{"_310":679,"_312":680},{"_310":677,"_312":678},{"_310":675,"_312":676},{"_310":673,"_312":674},"#603124",0.1238,"#534a30",0.1984,"#85774f",0.2034,"#2e3a30",0.2047,"#7d8f74",0.2697,"Sodoma","sodoma","Italian, 1477–1549",1477,1549,"virgin-and-child-with-angels-cma-97153","Virgin and Child with Angels",{"_42":735,"_221":736,"_324":398,"_326":398,"_328":-5,"_330":-5,"_332":-5,"_334":-5,"_336":-5,"_140":103},"early 1500s","oil on wood","Framed: 115 x 115 x 8 cm (45 1/4 x 45 1/4 x 3 1/8 in.); Unframed: 86 x 83.5 cm (33 7/8 x 32 7/8 in.)",83.5,86,0.9791176470588235,[720,721,722,723,724],{"_220":300,"_221":301,"_42":302,"_303":304},"1916.791","Master of the Holden Tondo painted this in the early 1500s. It is now at the Cleveland Museum of Art.","Virgin and Child with Angels, by Master of the Holden Tondo, early 1500s",{"_291":717,"_293":718,"_295":719},"https://img.ochreeditions.com/m/476.jpg?dl=1","/art/virgin-and-child-with-angels-cma-97153","/galleries/style/renaissance/virgin-and-child-with-angels-cma-97153",{"_287":439,"_289":440},{"_224":712,"_125":713,"_282":714},{"_272":709,"_274":710,"_276":711,"_278":695},99.20411764705882,101,84.20411764705882,{"_284":224,"_123":715,"_154":716,"_140":89},{"_284":125,"_123":434,"_154":435,"_140":436},{"_284":282,"_123":369,"_154":370,"_140":371},"artist/contemporaries-of-master-of-the-holden-tondo","Master of the Holden Tondo's contemporaries","https://img.ochreeditions.com/a/476/480.jpg","https://img.ochreeditions.com/a/476/960.jpg","https://img.ochreeditions.com/a/476/1920.jpg",{"_310":733,"_312":734},{"_310":731,"_312":732},{"_310":729,"_312":730},{"_310":727,"_312":728},{"_310":725,"_312":726},"#b4814e",0.1324,"#594d37",0.1399,"#5f2b19",0.1607,"#242217",0.2795,"#868785",0.2875,"Master of the Holden Tondo","master-of-the-holden-tondo","studies-of-a-seated-female-child-s-head-and-three-studies-of-cma-149377","Studies of a Seated Female, Child's Head, and Three Studies of a Baby",{"_42":786,"_221":787,"_324":788,"_326":398,"_328":789,"_330":526,"_332":790,"_334":791,"_336":792,"_140":99},"c. 1507–8","Sheet: 12 x 15.3 cm (4 3/4 x 6 in.)",15.3,1.2587930396149574,[772,773,774,775,776],{"_220":300,"_221":301,"_42":302,"_303":304},"1978.37","Raphael drew this in about 1507–8, aged about 24. It is now at the Cleveland Museum of Art.",{"_118":771,"_298":299},"Studies of a Seated Female, Child's Head, and Three Studies of a Baby, by Raphael, c. 1507–8",{"_291":768,"_293":769,"_295":770},"https://img.ochreeditions.com/m/707.jpg?dl=1","/art/studies-of-a-seated-female-child-s-head-and-three-studies-of-cma-149377","/galleries/style/renaissance/studies-of-a-seated-female-child-s-head-and-three-studies-of-cma-149377",{"_287":288,"_289":290},{"_224":761,"_125":762,"_282":763},{"_272":757,"_274":758,"_276":759,"_278":760},49,43.86029411764706,25,19.860294117647058,{"_284":224,"_123":766,"_154":767,"_140":99},{"_284":125,"_123":764,"_154":765,"_140":611},{"_284":282,"_123":497,"_154":498,"_140":499},"style/drawing-16","More drawings of the 16th century","artist/raphael","More by Raphael","https://img.ochreeditions.com/a/707/480.jpg","https://img.ochreeditions.com/a/707/960.jpg","https://img.ochreeditions.com/a/707/1920.jpg","This drawing is from Raphael’s \"pink sketchbook,\" comprised of ten sheets of roughly equal size that each portray variations of a mother and child. Today, six of the drawings at the Palais des Beaux-Arts, Lille; two are at the British Museum; one is in a private collection; and one is in Cleveland.",{"_310":784,"_312":785},{"_310":783,"_312":578},{"_310":781,"_312":782},{"_310":779,"_312":780},{"_310":777,"_312":778},"#b19a89",0.0392,"#f7ebde",0.1032,"#cbad9a",0.1844,"#d6b8a8","#dec2b3",0.3374,"Raphael","raphael","Italian, 1483–1520",1483,"Urbino","Rome","Raphael trained in Urbino and in Perugino’s orbit, absorbed the lessons of Leonardo and Michelangelo in Florence from 1504, and in 1508 was called to Rome by Pope Julius II.","alessandro-de-medici-aic-110759","Alessandro de' Medici",{"_42":836,"_221":837,"_324":838,"_326":839,"_328":468,"_330":840,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1534–35","35.3 × 25.8 cm (13 7/8 × 10 1/8 in.); Framed: 47.7 × 42 × 6.1 cm (18 3/4 × 16 1/2 × 2 3/8 in.)",0.7897363905786928,[821,822,823,824,825],{"_220":444,"_221":445,"_42":446,"_303":447},"1933.1002","Pontormo, (Jacopo Carrucci) painted this in 1534–35, aged about 40. It is now at the Art Institute of Chicago.",{"_291":818,"_293":819,"_295":820},"https://img.ochreeditions.com/m/274.jpg?dl=1","/art/alessandro-de-medici-aic-110759","/galleries/style/renaissance/alessandro-de-medici-aic-110759",{"_287":439,"_289":440},{"_224":813,"_125":814,"_282":815},{"_272":810,"_274":811,"_276":812,"_278":611},42.64077367025425,50,27.640773670254248,{"_284":224,"_123":816,"_154":817,"_140":89},{"_284":125,"_123":557,"_154":558,"_140":559},{"_284":282,"_123":497,"_154":498,"_140":499},"artist/contemporaries-of-pontormo-jacopo-carrucci","Pontormo, (Jacopo Carrucci)'s contemporaries","https://img.ochreeditions.com/a/274/480.jpg","https://img.ochreeditions.com/a/274/960.jpg","https://img.ochreeditions.com/a/274/1920.jpg",{"_310":834,"_312":835},{"_310":832,"_312":833},{"_310":830,"_312":831},{"_310":828,"_312":829},{"_310":826,"_312":827},"#d7986f",0.0689,"#58311d",0.0987,"#8b5438",0.1109,"#262116",0.3168,"#15110b",0.4047,"Pontormo, (Jacopo Carrucci)","pontormo-jacopo-carrucci","Jacopo Carrucci; Italian, 1494–1557","Jacopo Carrucci; Italian",1557,"angelica-and-medoro-aic-21314","Angelica and Medoro",{"_42":523,"_221":524,"_324":525,"_326":398,"_328":526,"_330":527,"_332":-5,"_334":-5,"_336":528,"_140":99},"c. 1570","Engraving in black on ivory laid paper","29.9 × 20.9 cm (11 13/16 × 8 1/4 in.)",20,29,0.6897777777777778,[871,872,873,874,875],{"_220":444,"_221":445,"_42":446,"_303":447},"1935.119","Giorgio Ghisi made this in about 1570, aged about 45. It is now at the Art Institute of Chicago.","A work made of engraving in black on ivory laid paper.",{"_291":868,"_293":869,"_295":870},"https://img.ochreeditions.com/m/83.jpg?dl=1","/art/angelica-and-medoro-aic-21314","/galleries/style/renaissance/angelica-and-medoro-aic-21314",{"_287":288,"_289":290},{"_224":865,"_125":866,"_282":867},{"_272":862,"_274":863,"_276":864,"_278":848},44.00355555555556,53,20.003555555555558,{"_284":224,"_123":503,"_154":504,"_140":99},{"_284":125,"_123":500,"_154":501,"_140":502},{"_284":282,"_123":497,"_154":498,"_140":499},"https://img.ochreeditions.com/a/83/480.jpg","https://img.ochreeditions.com/a/83/960.jpg","https://img.ochreeditions.com/a/83/1920.jpg",{"_310":884,"_312":885},{"_310":882,"_312":883},{"_310":880,"_312":881},{"_310":878,"_312":879},{"_310":876,"_312":877},"#e0d7c5",0.1325,"#b5aa96",0.1761,"#918774",0.2163,"#524d3f",0.2322,"#6f6757",0.2429,"the-nativity-cma-153271","The Nativity",{"_42":523,"_221":524,"_324":525,"_326":398,"_328":526,"_330":527,"_332":-5,"_334":-5,"_336":528,"_140":99},"1553","Overall: 67.5 x 45.6 cm (26 9/16 x 17 15/16 in.); Part 1: 32.9 x 45 cm (12 15/16 x 17 11/16 in.); Part 2: 34 x 45.6 cm (13 3/8 x 17 15/16 in.)",45.6,67.5,0.6994117647058824,[917,918,919,920,921],{"_220":300,"_221":301,"_42":302,"_303":304},"1986.233","Giorgio Ghisi made this in 1553, aged 33. It is now at the Cleveland Museum of Art.",{"_118":916,"_298":299},"The Nativity, by Giorgio Ghisi, 1553",{"_291":913,"_293":914,"_295":915},"https://img.ochreeditions.com/m/738.jpg?dl=1","/art/the-nativity-cma-153271","/galleries/style/renaissance/the-nativity-cma-153271",{"_287":288,"_289":290},{"_224":910,"_125":911,"_282":912},{"_272":907,"_274":908,"_276":909,"_278":892},71.21029411764707,91.5,47.21029411764706,{"_284":224,"_123":503,"_154":504,"_140":99},{"_284":125,"_123":500,"_154":501,"_140":502},{"_284":282,"_123":497,"_154":498,"_140":499},"https://img.ochreeditions.com/a/738/480.jpg","https://img.ochreeditions.com/a/738/960.jpg","https://img.ochreeditions.com/a/738/1920.jpg","The inscriptions praise Mary, the mother of Jesus Christ, emphasizing the great joys and inevitable sorrows that she is to endure in witnessing her son's life and death. After spending about five years in Rome, Ghisi left Italy around 1550 for Antwerp, the major commercial center in the Netherlands.",{"_310":930,"_312":931},{"_310":928,"_312":929},{"_310":926,"_312":927},{"_310":924,"_312":925},{"_310":922,"_312":923},"#ded5c3",0.0767,"#575247",0.1757,"#b2a899",0.2142,"#948b7e",0.2601,"#766f63",0.2733,"virgin-and-child-with-the-young-saint-john-the-baptist-aic-109323","Virgin and Child with the Young Saint John the Baptist",{"_42":979,"_221":980,"_324":981,"_326":398,"_328":982,"_330":983,"_332":984,"_334":984,"_336":-5,"_140":101},"1560–65","Oil on canvas","79.5 × 90.5 cm (31 1/4 × 35 5/8 in.); Framed: 103.2 × 115.3 × 13.7 cm (40 5/8 × 45 3/8 × 5 3/8 in.)",90,79,1.1670577193805725,[964,965,966,967,968],{"_220":444,"_221":445,"_42":446,"_303":447},"1968.320","Jacopo Bassano painted this in 1560–65, aged about 50. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_291":961,"_293":962,"_295":963},"https://img.ochreeditions.com/m/271.jpg?dl=1","/art/virgin-and-child-with-the-young-saint-john-the-baptist-aic-109323","/galleries/style/renaissance/virgin-and-child-with-the-young-saint-john-the-baptist-aic-109323",{"_287":439,"_289":440},{"_224":956,"_125":957,"_282":958},{"_272":953,"_274":954,"_276":938,"_278":955},105,92.11700844390833,77.11700844390833,{"_284":224,"_123":959,"_154":960,"_140":89},{"_284":125,"_123":557,"_154":558,"_140":559},{"_284":282,"_123":497,"_154":498,"_140":499},"artist/contemporaries-of-jacopo-bassano","Jacopo Bassano's contemporaries","https://img.ochreeditions.com/a/271/480.jpg","https://img.ochreeditions.com/a/271/960.jpg","https://img.ochreeditions.com/a/271/1920.jpg",{"_310":977,"_312":978},{"_310":975,"_312":976},{"_310":973,"_312":974},{"_310":971,"_312":972},{"_310":969,"_312":970},"#937d6a",0.1351,"#605146",0.1432,"#c7a991",0.1481,"#43281e",0.2326,"#2a2320",0.341,"Jacopo Bassano","jacopo-bassano","Italian, c. 1510–1592",1510,1592,"Bassano del Grappa","the-passion-the-agony-in-the-garden-cma-104613","The Passion: The Agony in the Garden",{"_42":322,"_221":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_140":97},"c. 1480",0.7132352941176471,[1012,1013,1014,1015,1016],{"_220":300,"_221":301,"_42":302,"_303":304},"1922.91","Martin Schongauer made this in about 1480, aged about 25. It is now at the Cleveland Museum of Art.",{"_118":1011,"_298":299},"The Passion: The Agony in the Garden, by Martin Schongauer, c. 1480",{"_291":1008,"_293":1009,"_295":1010},"https://img.ochreeditions.com/m/510.jpg?dl=1","/art/the-passion-the-agony-in-the-garden-cma-104613","/galleries/style/renaissance/the-passion-the-agony-in-the-garden-cma-104613",{"_287":288,"_289":290},{"_224":1005,"_125":1006,"_282":1007},{"_272":1003,"_274":275,"_276":1004,"_278":279},66.79411764705883,42.794117647058826,{"_284":224,"_123":170,"_154":169,"_140":97},{"_284":125,"_123":285,"_154":286,"_140":53},{"_284":282,"_123":167,"_154":166,"_140":91},"https://img.ochreeditions.com/a/510/480.jpg","https://img.ochreeditions.com/a/510/960.jpg","https://img.ochreeditions.com/a/510/1920.jpg","Martin Schongauer's series of the Passion of Christ was his largest set of engravings, made around 1480, and extensively copied across Europe. It consists of twelve prints detailing the suffering of Christ in the last days of his life.",{"_310":1025,"_312":1026},{"_310":1023,"_312":1024},{"_310":1021,"_312":1022},{"_310":1019,"_312":1020},{"_310":1017,"_312":1018},"#46433d",0.1396,"#6c665e",0.1678,"#b7aea2",0.2035,"#90897e",0.2072,"#ded5c8",0.2819,"portrait-of-vincenzo-guarignoni-cma-137135","Portrait of Vincenzo Guarignoni",{"_42":1074,"_221":1075,"_324":1076,"_326":398,"_328":1077,"_330":1078,"_332":-5,"_334":-5,"_336":-5,"_140":103},"c. 1572","Framed: 91 x 80 x 8 cm (35 13/16 x 31 1/2 x 3 1/8 in.); Unframed: 63 x 50.8 cm (24 13/16 x 20 in.)",50.8,63,0.8155882352941176,[1059,1060,1061,1062,1063],{"_220":300,"_221":301,"_42":302,"_303":304},"1962.1","Giovanni Battista Moroni painted this in about 1572, aged about 42. It is now at the Cleveland Museum of Art.",{"_118":1058,"_298":299},"Portrait of Vincenzo Guarignoni, by Giovanni Battista Moroni, c. 1572",{"_291":1055,"_293":1056,"_295":1057},"https://img.ochreeditions.com/m/644.jpg?dl=1","/art/portrait-of-vincenzo-guarignoni-cma-137135","/galleries/style/renaissance/portrait-of-vincenzo-guarignoni-cma-137135",{"_287":439,"_289":440},{"_224":1050,"_125":1051,"_282":1052},{"_272":1048,"_274":138,"_276":1049,"_278":1033},66.3820588235294,51.38205882352941,{"_284":224,"_123":1053,"_154":1054,"_140":89},{"_284":125,"_123":557,"_154":558,"_140":559},{"_284":282,"_123":497,"_154":498,"_140":499},"artist/contemporaries-of-giovanni-battista-moroni","Giovanni Battista Moroni's contemporaries","https://img.ochreeditions.com/a/644/480.jpg","https://img.ochreeditions.com/a/644/960.jpg","https://img.ochreeditions.com/a/644/1920.jpg","The Latin inscription gives the sitter's name and age (45), as well as the painting's date. Guarignoni came from a prominent family in the northern Italian city of Bergamo.",{"_310":1072,"_312":1073},{"_310":1070,"_312":1071},{"_310":1068,"_312":1069},{"_310":1066,"_312":1067},{"_310":1064,"_312":1065},"#a09483",0.0592,"#7a6556",0.0601,"#27231e",0.2431,"#484139",0.2695,"#141210",0.3681,"Giovanni Battista Moroni","giovanni-battista-moroni","Italian, 1525–1578",1525,1578,"the-last-supper-cma-119623","The Last Supper",{"_42":1124,"_221":1125,"_324":398,"_326":398,"_328":-5,"_330":-5,"_332":-5,"_334":-5,"_336":-5,"_140":99},"c. 1500","engraving on two sheets printed from two plates",1.3444049031237644,[1109,1110,1111,1112,1113],{"_220":300,"_221":301,"_42":302,"_303":304},"1940.473.b","Lucantonio degli Uberti made this in about 1500. It is now at the Cleveland Museum of Art.",{"_118":1108,"_298":299},"The Last Supper, by Lucantonio degli Uberti, c. 1500",{"_291":1105,"_293":1106,"_295":1107},"https://img.ochreeditions.com/m/539.jpg?dl=1","/art/the-last-supper-cma-119623","/galleries/style/renaissance/the-last-supper-cma-119623",{"_287":288,"_289":290},{"_224":1100,"_125":1101,"_282":1102},{"_272":275,"_274":1098,"_276":279,"_278":1099},68.62941176470588,44.62941176470588,{"_284":224,"_123":1103,"_154":1104,"_140":99},{"_284":125,"_123":285,"_154":286,"_140":53},{"_284":282,"_123":369,"_154":370,"_140":371},"artist/lucantonio-degli-uberti","More by Lucantonio degli Uberti","https://img.ochreeditions.com/a/539/480.jpg","https://img.ochreeditions.com/a/539/960.jpg","https://img.ochreeditions.com/a/539/1920.jpg","Because large prints were often displayed on a wall, they were susceptible to damage and often have not survived. This large print of the Last Supper , however, is in excellent condition. It was engraved on two plates and printed on two separate sheets of paper.",{"_310":1122,"_312":1123},{"_310":1120,"_312":1121},{"_310":1118,"_312":1119},{"_310":1116,"_312":1117},{"_310":1114,"_312":1115},"#e6d9c4",0.0485,"#b8a78f",0.1356,"#625848",0.2111,"#968772",0.2673,"#7c6f5d",0.3375,"Lucantonio degli Uberti","lucantonio-degli-uberti",{"_1127":-5,"_1128":1129,"_1130":1131,"_1132":8,"_1133":1134,"_1135":8},"user","csrf","8780ea488c45457432caed2a0acfae15c2b8e5fb","cartCount",0,"dropLive","legal",[1136,1137,1138,1139,1140,1141,1142,1143,1144,1145,1146,1147],"uploadsEnabled",{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},{"_221":1166,"_20":1167},{"_221":1164,"_20":1165},{"_221":1162,"_20":1163},{"_221":1160,"_20":1161},{"_221":1158,"_20":1159},{"_221":1156,"_20":1157},{"_221":1154,"_20":1155},{"_221":1152,"_20":1153},{"_221":1150,"_20":1151},{"_221":1148,"_20":1149},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]
