[{"_1":2,"_3":4},"root",{"_5":1133},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","Renaissance, in the galleries · Ochre Editions","description","European art from about 1400 to 1600, when painters rediscovered perspective and the classical past. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/renaissance","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/renaissance.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","Renaissance, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303",15,"https://www.ochreeditions.com/art/portrait-of-a-young-man-cma-97167",14,"https://www.ochreeditions.com/art/the-nativity-cma-153271",13,"https://www.ochreeditions.com/art/the-baptism-of-christ-aic-16197",12,"https://www.ochreeditions.com/art/group-of-nine-standing-figures-aic-52668",11,"https://www.ochreeditions.com/art/the-passion-christ-before-annas-cma-104608",10,"https://www.ochreeditions.com/art/the-sacrifice-of-isaac-cma-117032",9,"https://www.ochreeditions.com/art/noli-me-tangere-aic-16207",8,"https://www.ochreeditions.com/art/study-of-a-standing-male-nude-aic-248306",7,"https://www.ochreeditions.com/art/lucrezia-di-lippo-di-iacopo-guidi-aic-22270",6,"https://www.ochreeditions.com/art/alessandro-de-medici-aic-110759",5,"https://www.ochreeditions.com/art/portrait-of-vincenzo-guarignoni-cma-137135",4,"https://www.ochreeditions.com/art/virgin-and-child-with-saints-cma-97158",3,"https://www.ochreeditions.com/art/italian-joust-of-peace-nga-216058",2,"https://www.ochreeditions.com/art/arm-of-eve-cma-141931",1,"https://www.ochreeditions.com/art/the-holy-family-with-saint-elizabeth-cma-112099","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~renaissance.d891093445.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~renaissance.d891093445.jpg","alt","Renaissance, a room in the galleries: three of its 78 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk Renaissance: 78 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~renaissance.jpg","key","style/renaissance","style","Renaissance","intro","European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.","wing","Style galleries","floor","layout","enfilade","hang",1469,"/galleries/style/renaissance","total",78,"page","works",[203,204,205,206,207,208,209,210,211,212,213,214,215,216,217,218],"walls",[171,172,173,174,175],"doors",[162,163],"next_cursor","eyJvIjoxNiwiaCI6MTQ2OSwiaSI6bnVsbCwiZyI6Ing0bGxHaTZsIn0","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/renaissance?hang=1469&cursor=eyJvIjoxNiwiaCI6MTQ2OSwiaSI6bnVsbCwiZyI6Ing0bGxHaTZsIn0&via=continue","label","Renaissance, room 2","move","doorway","first_wall_images",[160,161],"https://img.ochreeditions.com/a/598/480.jpg","https://img.ochreeditions.com/a/587/480.jpg",{"_154":168,"_123":169,"_44":170,"_140":89},{"_154":164,"_123":165,"_44":166,"_140":167},"16th-century Italy","era/16-italy","/galleries/era/16-italy?hang=1469&via=continue",66,"Giovanni Antonio di Francesco Sogliani's contemporaries","artist/contemporaries-of-giovanni-antonio-di-francesco-sogliani","/galleries/artist/contemporaries-of-giovanni-antonio-di-francesco-sogliani?hang=1469&via=continue",{"_42":197,"_177":198},{"_42":191,"_177":192},{"_42":186,"_177":187},{"_42":181,"_177":182},{"_42":176,"_177":178},"Third room, north wall","work_ids",[179,180],482,371,"Second room, north wall",[183,184,185],164,44,738,"Second room, south wall",[188,189,190],47,533,508,"First room, south wall",[193,194,195,196],644,274,92,373,"First room, north wall",[199,200,201,202],526,659,1700,480,{"_219":199,"_220":1082,"_20":1083,"_223":1084,"_225":-5,"_226":1085,"_228":75,"_229":230,"_231":232,"_125":-5,"_28":403,"_234":404,"_236":405,"_238":1086,"_240":1087,"_241":1088,"_242":1089,"_244":1090,"_246":1091,"_248":344,"_250":1092,"_252":253,"_254":1093,"_154":1094,"_256":-5,"_111":1095,"_258":1096,"_260":1097,"_262":1098,"_264":1099,"_266":1100,"_144":1101,"_269":1102},{"_219":200,"_220":1026,"_20":1027,"_223":1028,"_225":-5,"_226":1029,"_228":53,"_229":572,"_231":232,"_125":-5,"_28":972,"_234":973,"_236":1030,"_238":1031,"_240":1032,"_241":1033,"_242":1034,"_244":1035,"_246":1036,"_248":344,"_250":1037,"_252":253,"_254":1038,"_154":1039,"_256":-5,"_111":1040,"_258":1041,"_260":1042,"_262":1043,"_264":1044,"_266":1045,"_144":1046,"_269":1047},{"_219":201,"_220":968,"_20":969,"_223":-5,"_225":970,"_226":971,"_228":53,"_229":572,"_231":232,"_125":-5,"_28":972,"_234":973,"_236":974,"_238":975,"_240":976,"_241":977,"_242":978,"_244":979,"_246":980,"_248":981,"_250":982,"_252":253,"_254":983,"_154":-5,"_256":-5,"_111":984,"_258":985,"_260":986,"_262":987,"_264":988,"_266":989,"_144":990,"_269":991},{"_219":202,"_220":920,"_20":921,"_223":-5,"_225":922,"_226":923,"_228":53,"_229":230,"_231":232,"_125":-5,"_28":335,"_234":336,"_236":631,"_238":924,"_240":925,"_241":926,"_242":927,"_244":928,"_246":929,"_248":344,"_250":930,"_252":253,"_254":931,"_154":932,"_256":-5,"_111":933,"_258":934,"_260":935,"_262":936,"_264":937,"_266":938,"_144":939,"_269":940},{"_219":193,"_220":867,"_20":868,"_223":869,"_225":-5,"_226":870,"_228":53,"_229":230,"_231":232,"_125":-5,"_28":335,"_234":336,"_236":871,"_238":872,"_240":873,"_241":874,"_242":875,"_244":876,"_246":877,"_248":344,"_250":878,"_252":253,"_254":879,"_154":880,"_256":-5,"_111":881,"_258":882,"_260":883,"_262":884,"_264":885,"_266":886,"_144":887,"_269":888},{"_219":194,"_220":817,"_20":818,"_223":819,"_225":-5,"_226":820,"_228":53,"_229":230,"_231":232,"_125":-5,"_28":335,"_234":336,"_236":777,"_238":821,"_240":276,"_241":822,"_242":823,"_244":824,"_246":825,"_248":249,"_250":826,"_252":253,"_254":827,"_154":-5,"_256":-5,"_111":785,"_258":828,"_260":829,"_262":830,"_264":831,"_266":832,"_144":833,"_269":834},{"_219":195,"_220":773,"_20":774,"_223":775,"_225":-5,"_226":776,"_228":53,"_229":230,"_231":232,"_125":-5,"_28":335,"_234":336,"_236":777,"_238":778,"_240":75,"_241":779,"_242":780,"_244":781,"_246":782,"_248":249,"_250":783,"_252":253,"_254":784,"_154":-5,"_256":-5,"_111":785,"_258":786,"_260":787,"_262":788,"_264":789,"_266":790,"_144":791,"_269":792},{"_219":196,"_220":721,"_20":722,"_223":723,"_225":-5,"_226":724,"_228":53,"_229":230,"_231":232,"_125":-5,"_28":233,"_234":235,"_236":725,"_238":726,"_240":727,"_241":728,"_242":729,"_244":730,"_246":731,"_248":249,"_250":732,"_252":253,"_254":733,"_154":-5,"_256":-5,"_111":734,"_258":735,"_260":736,"_262":737,"_264":738,"_266":739,"_144":740,"_269":741},{"_219":188,"_220":683,"_20":684,"_223":685,"_225":-5,"_226":462,"_228":75,"_229":230,"_231":232,"_125":-5,"_28":335,"_234":336,"_236":463,"_238":686,"_240":465,"_241":466,"_242":687,"_244":688,"_246":689,"_248":249,"_250":690,"_252":253,"_254":471,"_154":-5,"_256":-5,"_111":473,"_258":691,"_260":692,"_262":693,"_264":694,"_266":695,"_144":696,"_269":697},{"_219":189,"_220":627,"_20":628,"_223":629,"_225":-5,"_226":630,"_228":53,"_229":230,"_231":232,"_125":-5,"_28":335,"_234":336,"_236":631,"_238":632,"_240":633,"_241":634,"_242":635,"_244":636,"_246":637,"_248":344,"_250":638,"_252":253,"_254":639,"_154":640,"_256":-5,"_111":641,"_258":642,"_260":643,"_262":644,"_264":645,"_266":646,"_144":647,"_269":648},{"_219":190,"_220":568,"_20":569,"_223":570,"_225":-5,"_226":571,"_228":75,"_229":572,"_231":232,"_125":-5,"_28":403,"_234":404,"_236":405,"_238":-5,"_240":-5,"_241":-5,"_242":573,"_244":574,"_246":575,"_248":344,"_250":576,"_252":253,"_254":577,"_154":578,"_256":-5,"_111":579,"_258":580,"_260":581,"_262":582,"_264":583,"_266":584,"_144":585,"_269":586},{"_219":183,"_220":519,"_20":520,"_223":521,"_225":-5,"_226":522,"_228":53,"_229":230,"_231":232,"_125":-5,"_28":233,"_234":235,"_236":523,"_238":524,"_240":79,"_241":81,"_242":525,"_244":526,"_246":527,"_248":249,"_250":528,"_252":253,"_254":529,"_154":-5,"_256":-5,"_111":530,"_258":531,"_260":532,"_262":533,"_264":534,"_266":535,"_144":536,"_269":537},{"_219":184,"_220":459,"_20":460,"_223":461,"_225":-5,"_226":462,"_228":75,"_229":230,"_231":232,"_125":-5,"_28":335,"_234":336,"_236":463,"_238":464,"_240":465,"_241":466,"_242":467,"_244":468,"_246":469,"_248":249,"_250":470,"_252":253,"_254":471,"_154":-5,"_256":472,"_111":473,"_258":474,"_260":475,"_262":476,"_264":477,"_266":478,"_144":479,"_269":480},{"_219":185,"_220":399,"_20":400,"_223":401,"_225":-5,"_226":402,"_228":53,"_229":230,"_231":232,"_125":-5,"_28":403,"_234":404,"_236":405,"_238":406,"_240":407,"_241":408,"_242":409,"_244":410,"_246":411,"_248":344,"_250":412,"_252":253,"_254":413,"_154":414,"_256":-5,"_111":415,"_258":416,"_260":417,"_262":418,"_264":419,"_266":420,"_144":421,"_269":422},{"_219":179,"_220":331,"_20":332,"_223":333,"_225":-5,"_226":334,"_228":53,"_229":230,"_231":232,"_125":-5,"_28":335,"_234":336,"_236":337,"_238":338,"_240":339,"_241":340,"_242":341,"_244":342,"_246":343,"_248":344,"_250":345,"_252":253,"_254":346,"_154":347,"_256":-5,"_111":348,"_258":349,"_260":350,"_262":351,"_264":352,"_266":353,"_144":354,"_269":355},{"_219":180,"_220":221,"_20":222,"_223":224,"_225":-5,"_226":227,"_228":53,"_229":230,"_231":232,"_125":-5,"_28":233,"_234":235,"_236":237,"_238":239,"_240":81,"_241":83,"_242":243,"_244":245,"_246":247,"_248":249,"_250":251,"_252":253,"_254":255,"_154":-5,"_256":-5,"_111":257,"_258":259,"_260":261,"_262":263,"_264":265,"_266":267,"_144":268,"_269":270},"id","slug","a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303","A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)","artist",{"_42":318,"_220":319,"_320":321,"_322":323,"_324":325,"_326":327,"_328":-5,"_329":-5,"_330":-5,"_140":103},"unrecorded","date","1520/30","century","place","italy","movement","renaissance","watercolour","classification","Drawing and Watercolor","medium","Red chalk and brush and red chalk wash (recto) and black chalk, with black chalk grid lines, (verso) on cream laid paper","dimensions","11.6 × 12.7 cm (4 5/8 × 5 in.)","width_cm","height_cm","aspect",1.0949932341001354,"palette",[301,302,303,304,305],"museum",{"_219":296,"_220":297,"_42":298,"_299":300},"credit","Courtesy of the Art Institute of Chicago","accession","2019.888","licence","CC0","story","Giovanni Antonio di Francesco Sogliani painted this in 1520/30, aged about 28. It is now at the Art Institute of Chicago.","note","A work made of red chalk and brush and red chalk wash (recto) and black chalk, with black chalk grid lines, (verso) on cream laid paper.","images",{"_290":291,"_292":293,"_294":295},"download_url","https://img.ochreeditions.com/m/371.jpg?dl=1","page_url","/art/a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303","walk_url","/galleries/style/renaissance/a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303","frame",{"_286":287,"_288":289},{"_223":279,"_125":280,"_281":282},"size",{"_271":272,"_273":274,"_275":276,"_277":278},"w",49,"h",46.831191300049426,"image_w",25,"image_h",22.83119130004943,{"_283":223,"_123":169,"_154":168,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":89},"era",{"_283":281,"_123":165,"_154":164,"_140":167},"facet","style/watercolour-16","More watercolours of the 16th century","moulding","white","mount","snow","480","https://img.ochreeditions.com/a/371/480.jpg","960","https://img.ochreeditions.com/a/371/960.jpg","1920","https://img.ochreeditions.com/a/371/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","city","Chicago",{"_306":316,"_308":317},{"_306":314,"_308":315},{"_306":312,"_308":313},{"_306":310,"_308":311},{"_306":307,"_308":309},"hex","#503e35","weight",0.0633,"#e0ab87",0.2047,"#db9068",0.2293,"#c7724b",0.2449,"#e4c5a7",0.2578,"Giovanni Antonio di Francesco Sogliani","giovanni-antonio-di-francesco-sogliani","bio","Italian, 1492–1544","nationality","Italian","birth_year",1492,"death_year",1544,"birth_place","death_place","about_excerpt","portrait-of-a-young-man-cma-97167","Portrait of a Young Man",{"_42":394,"_220":395,"_320":396,"_322":323,"_324":397,"_326":398,"_328":-5,"_329":-5,"_330":-5,"_140":103},"c. 1530","painting","Painting","oil and gold on wood","Framed: 128.2 x 102.2 x 11.5 cm (50 1/2 x 40 1/4 x 4 1/2 in.); Unframed: 97.2 x 77.5 cm (38 1/4 x 30 1/2 in.)",77.5,97.2,0.788235294117647,[379,380,381,382,383],{"_219":375,"_220":376,"_42":377,"_299":378},"Courtesy of the Cleveland Museum of Art","1916.803","Dosso Dossi painted this in about 1530, aged about 35. It is now at the Cleveland Museum of Art.",{"_118":372,"_373":374},"Portrait of a Young Man, by Dosso Dossi, c. 1530",{"_290":369,"_292":370,"_294":371},"https://img.ochreeditions.com/m/482.jpg?dl=1","/art/portrait-of-a-young-man-cma-97167","/galleries/style/renaissance/portrait-of-a-young-man-cma-97167",{"_286":367,"_288":368},{"_223":359,"_125":360,"_281":361},{"_271":356,"_273":357,"_275":358,"_277":340},91.61647058823529,112.2,76.61647058823529,{"_283":223,"_123":365,"_154":366,"_140":89},{"_283":125,"_123":362,"_154":363,"_140":364},{"_283":281,"_123":165,"_154":164,"_140":167},"style/painting-16","More paintings of the 16th century",95,"artist/contemporaries-of-dosso-dossi","Dosso Dossi's contemporaries","natural","ivory","https://img.ochreeditions.com/a/482/480.jpg","https://img.ochreeditions.com/a/482/960.jpg","https://img.ochreeditions.com/a/482/1920.jpg","Like other paintings from the Dossi workshop, this work conveys the sitter's social status and self-confidence. He holds a crumpled letter written in Italian. The words Asto , meaning \"ship mast,\" and mare , meaning \"sea,\" suggest that trade was a topic of this letter.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_306":392,"_308":393},{"_306":390,"_308":391},{"_306":388,"_308":389},{"_306":386,"_308":387},{"_306":384,"_308":385},"#801603",0.0539,"#7f5d2d",0.0708,"#524d2f",0.0821,"#3d240f",0.136,"#1d180f",0.6572,"Dosso Dossi","dosso-dossi","Italian, c. 1490–after 1541",1490,1541,"the-nativity-cma-153271","The Nativity",{"_42":453,"_220":454,"_320":455,"_322":323,"_324":456,"_326":457,"_328":-5,"_329":-5,"_330":458,"_140":99},"1553","print","Print","engraving","Overall: 67.5 x 45.6 cm (26 9/16 x 17 15/16 in.); Part 1: 32.9 x 45 cm (12 15/16 x 17 11/16 in.); Part 2: 34 x 45.6 cm (13 3/8 x 17 15/16 in.)",45.6,67.5,0.6994117647058824,[438,439,440,441,442],{"_219":375,"_220":376,"_42":377,"_299":378},"1986.233","Giorgio Ghisi made this in 1553, aged 33. It is now at the Cleveland Museum of Art.",{"_118":437,"_373":374},"The Nativity, by Giorgio Ghisi, 1553",{"_290":434,"_292":435,"_294":436},"https://img.ochreeditions.com/m/738.jpg?dl=1","/art/the-nativity-cma-153271","/galleries/style/renaissance/the-nativity-cma-153271",{"_286":287,"_288":289},{"_223":426,"_125":427,"_281":428},{"_271":423,"_273":424,"_275":425,"_277":408},71.21029411764707,91.5,47.21029411764706,{"_283":223,"_123":432,"_154":433,"_140":99},{"_283":125,"_123":429,"_154":430,"_140":431},{"_283":281,"_123":165,"_154":164,"_140":167},"style/print-16","More prints of the 16th century",54,"artist/giorgio-ghisi","More by Giorgio Ghisi","https://img.ochreeditions.com/a/738/480.jpg","https://img.ochreeditions.com/a/738/960.jpg","https://img.ochreeditions.com/a/738/1920.jpg","The inscriptions praise Mary, the mother of Jesus Christ, emphasizing the great joys and inevitable sorrows that she is to endure in witnessing her son's life and death. After spending about five years in Rome, Ghisi left Italy around 1550 for Antwerp, the major commercial center in the Netherlands.",{"_306":451,"_308":452},{"_306":449,"_308":450},{"_306":447,"_308":448},{"_306":445,"_308":446},{"_306":443,"_308":444},"#ded5c3",0.0767,"#575247",0.1757,"#b2a899",0.2142,"#948b7e",0.2601,"#766f63",0.2733,"Giorgio Ghisi","giorgio-ghisi","Italian, 1520–1582",1520,1582,"Ghisi was a Mantuan engraver who worked in Antwerp for the publisher Hieronymus Cock, engraving large plates after Raphael’s Vatican frescoes, and later in France.","the-baptism-of-christ-aic-16197","The Baptism of Christ",{"_42":513,"_220":514,"_320":515,"_322":323,"_324":516,"_326":517,"_328":-5,"_329":-5,"_330":518,"_140":95},"1500–05","Tempera on panel, transferred to canvas","27.3 × 46.4 cm (10 3/4 × 18 1/4 in.)",46,27,1.70421710269426,[498,499,500,501,502],{"_219":296,"_220":297,"_42":298,"_299":300},"1933.1023","Perugino painted this in 1500–05, aged about 50. It is now at the Art Institute of Chicago.","Christ stands in the river Jordan as John the Baptist pours water over his head, with angels in attendance and a serene landscape of feathery trees stretching into the distance.","A work made of tempera on panel, transferred to canvas.",{"_290":495,"_292":496,"_294":497},"https://img.ochreeditions.com/m/44.jpg?dl=1","/art/the-baptism-of-christ-aic-16197","/galleries/style/renaissance/the-baptism-of-christ-aic-16197",{"_286":367,"_288":368},{"_223":484,"_125":485,"_281":486},{"_271":481,"_273":482,"_275":465,"_277":483},61,41.99186619314927,26.99186619314927,{"_283":223,"_123":493,"_154":494,"_140":95},{"_283":125,"_123":490,"_154":491,"_140":492},{"_283":281,"_123":487,"_154":488,"_140":489},"era/15-italy","15th-century Italy",57,"style/painting-15","More paintings of the 15th century",73,"artist/perugino","More by Perugino","https://img.ochreeditions.com/a/44/480.jpg","https://img.ochreeditions.com/a/44/960.jpg","https://img.ochreeditions.com/a/44/1920.jpg",{"_306":511,"_308":512},{"_306":509,"_308":510},{"_306":507,"_308":508},{"_306":505,"_308":506},{"_306":503,"_308":504},"#804c41",0.0407,"#754a1e",0.1394,"#5b6a5f",0.234,"#807253",0.2632,"#57462d",0.3227,"Perugino","perugino","Italian, c. 1450/55–1523",1450,1523,"Pietro Vannucci took the name Perugino from Perugia, the chief city of his native Umbria, and trained in Florence, probably alongside Leonardo in Verrocchio’s studio.","group-of-nine-standing-figures-aic-52668","Group of Nine Standing Figures",{"_42":563,"_220":564,"_320":565,"_322":323,"_324":566,"_326":567,"_328":-5,"_329":-5,"_330":-5,"_140":103},"1524/27","Pen and brown ink and brush and brown wash, on tan laid paper, laid down on tan laid card","12.4 × 13.1 cm (4 15/16 × 5 3/16 in.)",1.0559045226130652,[548,549,550,551,552],{"_219":296,"_220":297,"_42":298,"_299":300},"1978.275","Parmigianino painted this in 1524/27, aged about 21. It is now at the Art Institute of Chicago.","A work made of pen and brown ink and brush and brown wash, on tan laid paper, laid down on tan laid card.",{"_290":545,"_292":546,"_294":547},"https://img.ochreeditions.com/m/164.jpg?dl=1","/art/group-of-nine-standing-figures-aic-52668","/galleries/style/renaissance/group-of-nine-standing-figures-aic-52668",{"_286":287,"_288":289},{"_223":540,"_125":541,"_281":542},{"_271":272,"_273":538,"_275":276,"_277":539},47.67638310529447,23.67638310529447,{"_283":223,"_123":543,"_154":544,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":89},{"_283":281,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-parmigianino","Parmigianino's contemporaries","https://img.ochreeditions.com/a/164/480.jpg","https://img.ochreeditions.com/a/164/960.jpg","https://img.ochreeditions.com/a/164/1920.jpg",{"_306":561,"_308":562},{"_306":559,"_308":560},{"_306":557,"_308":558},{"_306":555,"_308":556},{"_306":553,"_308":554},"#a29b92",0.0635,"#b08969",0.1815,"#9d7758",0.1862,"#c19c7d",0.2742,"#cead8e",0.2946,"Parmigianino","parmigianino","Italian, 1503–1540",1503,1540,"the-passion-christ-before-annas-cma-104608","The Passion: Christ Before Annas",{"_42":619,"_220":620,"_320":621,"_322":622,"_324":516,"_326":623,"_328":624,"_329":625,"_330":626,"_140":97},"c. 1480","germany",0.7288235294117648,[604,605,606,607,608],{"_219":375,"_220":376,"_42":377,"_299":378},"1922.87","Martin Schongauer made this in about 1480, aged about 25. It is now at the Cleveland Museum of Art.",{"_118":603,"_373":374},"The Passion: Christ Before Annas, by Martin Schongauer, c. 1480",{"_290":600,"_292":601,"_294":602},"https://img.ochreeditions.com/m/508.jpg?dl=1","/art/the-passion-christ-before-annas-cma-104608","/galleries/style/renaissance/the-passion-christ-before-annas-cma-104608",{"_286":287,"_288":289},{"_223":591,"_125":592,"_281":593},{"_271":587,"_273":588,"_275":589,"_277":590},67.72941176470589,84,43.72941176470589,60,{"_283":223,"_123":598,"_154":599,"_140":97},{"_283":125,"_123":596,"_154":597,"_140":53},{"_283":281,"_123":594,"_154":595,"_140":91},"era/15-germany","15th-century Germany","style/print-15","More prints of the 15th century","artist/martin-schongauer","More by Martin Schongauer","https://img.ochreeditions.com/a/508/480.jpg","https://img.ochreeditions.com/a/508/960.jpg","https://img.ochreeditions.com/a/508/1920.jpg","Martin Schongauer's series of the Passion of Christ was his largest set of engravings, made around 1480, and extensively copied across Europe. It consists of twelve prints detailing the suffering of Christ in the last days of his life.",{"_306":617,"_308":618},{"_306":615,"_308":616},{"_306":613,"_308":614},{"_306":611,"_308":612},{"_306":609,"_308":610},"#524e48",0.1213,"#9d968d",0.1832,"#78726a",0.2064,"#c8bfb5",0.239,"#ede4d8",0.2501,"Martin Schongauer","martin-schongauer","German, c. 1450–1491","German",1491,"Colmar","Breisach","Schongauer, the son of a goldsmith, worked in Colmar in Alsace and was both a painter and the most accomplished engraver of fifteenth-century northern Europe.","the-sacrifice-of-isaac-cma-117032","The Sacrifice of Isaac",{"_42":676,"_220":677,"_320":678,"_322":323,"_324":679,"_326":680,"_328":681,"_329":681,"_330":682,"_140":97},"c. 1527","oil on wood","Framed: 208 x 171 x 12.5 cm (81 7/8 x 67 5/16 x 4 15/16 in.); Unframed: 178 x 138 cm (70 1/16 x 54 5/16 in.)",138,178,0.7744117647058824,[661,662,663,664,665],{"_219":375,"_220":376,"_42":377,"_299":378},"1937.577","Andrea del Sarto painted this in about 1527, aged about 36. It is now at the Cleveland Museum of Art.",{"_118":660,"_373":374},"The Sacrifice of Isaac, by Andrea del Sarto, c. 1527",{"_290":657,"_292":658,"_294":659},"https://img.ochreeditions.com/m/533.jpg?dl=1","/art/the-sacrifice-of-isaac-cma-117032","/galleries/style/renaissance/the-sacrifice-of-isaac-cma-117032",{"_286":367,"_288":368},{"_223":652,"_125":653,"_281":654},{"_271":649,"_273":650,"_275":651,"_277":634},152.84529411764706,193,137.84529411764706,{"_283":223,"_123":655,"_154":656,"_140":97},{"_283":125,"_123":362,"_154":363,"_140":364},{"_283":281,"_123":165,"_154":164,"_140":167},"artist/andrea-del-sarto","More by Andrea del Sarto","https://img.ochreeditions.com/a/533/480.jpg","https://img.ochreeditions.com/a/533/960.jpg","https://img.ochreeditions.com/a/533/1920.jpg","In this dramatic test of faith from the Old Testament book of Genesis, Abraham agrees to slay his son Isaac on God’s command. As Abraham raises the knife, an angel suddenly appears to halt the sacrifice.",{"_306":674,"_308":675},{"_306":672,"_308":673},{"_306":670,"_308":671},{"_306":668,"_308":669},{"_306":666,"_308":667},"#702f18",0.0603,"#927255",0.1684,"#565747",0.1747,"#654628",0.2888,"#402f1e",0.3078,"Andrea del Sarto","andrea-del-sarto","Italian, 1486–1530",1486,1530,"Florence","Andrea del Sarto, the son of a tailor, or sarto, spent almost his whole career in Florence and became its leading painter after Leonardo, Michelangelo and Raphael had left.","noli-me-tangere-aic-16207","Noli Me Tangere",{"_42":513,"_220":514,"_320":515,"_322":323,"_324":516,"_326":517,"_328":-5,"_329":-5,"_330":518,"_140":95},"27.3 × 46.3 cm (10 3/4 × 18 1/4 in.)",1.7202205158495767,[706,707,708,709,710],{"_219":296,"_220":297,"_42":298,"_299":300},"1933.1026",{"_290":703,"_292":704,"_294":705},"https://img.ochreeditions.com/m/47.jpg?dl=1","/art/noli-me-tangere-aic-16207","/galleries/style/renaissance/noli-me-tangere-aic-16207",{"_286":367,"_288":368},{"_223":700,"_125":701,"_281":702},{"_271":481,"_273":698,"_275":465,"_277":699},41.74075769715005,26.740757697150052,{"_283":223,"_123":493,"_154":494,"_140":95},{"_283":125,"_123":490,"_154":491,"_140":492},{"_283":281,"_123":487,"_154":488,"_140":489},"https://img.ochreeditions.com/a/47/480.jpg","https://img.ochreeditions.com/a/47/960.jpg","https://img.ochreeditions.com/a/47/1920.jpg",{"_306":719,"_308":720},{"_306":717,"_308":718},{"_306":715,"_308":716},{"_306":713,"_308":714},{"_306":711,"_308":712},"#7b7f70",0.0938,"#75442e",0.1022,"#835020",0.1681,"#47402e",0.2141,"#796841",0.4218,"study-of-a-standing-male-nude-aic-248306","Study of a Standing Male Nude",{"_42":768,"_220":769,"_320":770,"_322":323,"_324":771,"_326":772,"_328":-5,"_329":-5,"_330":-5,"_140":103},"1595/96","Black chalk on laid paper, laid down on tan laid pulp board","43.2 × 17.3 cm (17 1/16 × 6 13/16 in.)",17,43,0.46583344654258935,[753,754,755,756,757],{"_219":296,"_220":297,"_42":298,"_299":300},"2019.876","Giuseppe Cesari, called Cavaliere d'Arpino painted this in 1595/96, aged about 27. It is now at the Art Institute of Chicago.","A work made of black chalk on laid paper, laid down on tan laid pulp board.",{"_290":750,"_292":751,"_294":752},"https://img.ochreeditions.com/m/373.jpg?dl=1","/art/study-of-a-standing-male-nude-aic-248306","/galleries/style/renaissance/study-of-a-standing-male-nude-aic-248306",{"_286":287,"_288":289},{"_223":745,"_125":746,"_281":747},{"_271":742,"_273":743,"_275":744,"_277":728},44.03083820133134,67,20.030838201331342,{"_283":223,"_123":748,"_154":749,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":89},{"_283":281,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-giuseppe-cesari-called-cavaliere-d-arpino","Giuseppe Cesari, called Cavaliere d'Arpino's contemporaries","https://img.ochreeditions.com/a/373/480.jpg","https://img.ochreeditions.com/a/373/960.jpg","https://img.ochreeditions.com/a/373/1920.jpg",{"_306":766,"_308":767},{"_306":764,"_308":765},{"_306":762,"_308":763},{"_306":760,"_308":761},{"_306":758,"_308":759},"#867564",0.0776,"#a9927c",0.1693,"#c99f78",0.199,"#b89173",0.2052,"#cdb096",0.3489,"Giuseppe Cesari, called Cavaliere d'Arpino","giuseppe-cesari-called-cavaliere-d-arpino","Italian, 1568–1640",1568,1640,"lucrezia-di-lippo-di-iacopo-guidi-aic-22270","Lucrezia di Lippo di Iacopo Guidi",{"_42":676,"_220":677,"_320":678,"_322":323,"_324":679,"_326":680,"_328":681,"_329":681,"_330":682,"_140":97},"1525–28","Oil on panel","22.5 × 15.9 cm (8 7/8 × 6 1/4 in.)",22,1.2782629218786878,[802,803,804,805,806],{"_219":296,"_220":297,"_42":298,"_299":300},"1964.1097b","Andrea del Sarto painted this in 1525–28, aged about 39. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_290":799,"_292":800,"_294":801},"https://img.ochreeditions.com/m/92.jpg?dl=1","/art/lucrezia-di-lippo-di-iacopo-guidi-aic-22270","/galleries/style/renaissance/lucrezia-di-lippo-di-iacopo-guidi-aic-22270",{"_286":367,"_288":368},{"_223":796,"_125":797,"_281":798},{"_271":793,"_273":794,"_275":276,"_277":795},40,34.557791728212706,19.557791728212703,{"_283":223,"_123":655,"_154":656,"_140":97},{"_283":125,"_123":362,"_154":363,"_140":364},{"_283":281,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/92/480.jpg","https://img.ochreeditions.com/a/92/960.jpg","https://img.ochreeditions.com/a/92/1920.jpg",{"_306":815,"_308":816},{"_306":813,"_308":814},{"_306":811,"_308":812},{"_306":809,"_308":810},{"_306":807,"_308":808},"#2f1d18",0.07,"#6f5446",0.1291,"#a47659",0.1659,"#4d3819",0.2609,"#4f1615",0.3741,"alessandro-de-medici-aic-110759","Alessandro de' Medici",{"_42":861,"_220":862,"_320":863,"_322":864,"_324":865,"_326":866,"_328":-5,"_329":-5,"_330":-5,"_140":103},"1534–35","35.3 × 25.8 cm (13 7/8 × 10 1/8 in.); Framed: 47.7 × 42 × 6.1 cm (18 3/4 × 16 1/2 × 2 3/8 in.)",35,0.7897363905786928,[846,847,848,849,850],{"_219":296,"_220":297,"_42":298,"_299":300},"1933.1002","Pontormo, (Jacopo Carrucci) painted this in 1534–35, aged about 40. It is now at the Art Institute of Chicago.",{"_290":843,"_292":844,"_294":845},"https://img.ochreeditions.com/m/274.jpg?dl=1","/art/alessandro-de-medici-aic-110759","/galleries/style/renaissance/alessandro-de-medici-aic-110759",{"_286":367,"_288":368},{"_223":838,"_125":839,"_281":840},{"_271":835,"_273":836,"_275":837,"_277":822},42.64077367025425,50,27.640773670254248,{"_283":223,"_123":841,"_154":842,"_140":89},{"_283":125,"_123":362,"_154":363,"_140":364},{"_283":281,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-pontormo-jacopo-carrucci","Pontormo, (Jacopo Carrucci)'s contemporaries","https://img.ochreeditions.com/a/274/480.jpg","https://img.ochreeditions.com/a/274/960.jpg","https://img.ochreeditions.com/a/274/1920.jpg",{"_306":859,"_308":860},{"_306":857,"_308":858},{"_306":855,"_308":856},{"_306":853,"_308":854},{"_306":851,"_308":852},"#d7986f",0.0689,"#58311d",0.0987,"#8b5438",0.1109,"#262116",0.3168,"#15110b",0.4047,"Pontormo, (Jacopo Carrucci)","pontormo-jacopo-carrucci","Jacopo Carrucci; Italian, 1494–1557","Jacopo Carrucci; Italian",1494,1557,"portrait-of-vincenzo-guarignoni-cma-137135","Portrait of Vincenzo Guarignoni",{"_42":915,"_220":916,"_320":917,"_322":323,"_324":918,"_326":919,"_328":-5,"_329":-5,"_330":-5,"_140":103},"c. 1572","oil on canvas","Framed: 91 x 80 x 8 cm (35 13/16 x 31 1/2 x 3 1/8 in.); Unframed: 63 x 50.8 cm (24 13/16 x 20 in.)",50.8,63,0.8155882352941176,[900,901,902,903,904],{"_219":375,"_220":376,"_42":377,"_299":378},"1962.1","Giovanni Battista Moroni painted this in about 1572, aged about 42. It is now at the Cleveland Museum of Art.",{"_118":899,"_373":374},"Portrait of Vincenzo Guarignoni, by Giovanni Battista Moroni, c. 1572",{"_290":896,"_292":897,"_294":898},"https://img.ochreeditions.com/m/644.jpg?dl=1","/art/portrait-of-vincenzo-guarignoni-cma-137135","/galleries/style/renaissance/portrait-of-vincenzo-guarignoni-cma-137135",{"_286":367,"_288":368},{"_223":891,"_125":892,"_281":893},{"_271":889,"_273":138,"_275":890,"_277":874},66.3820588235294,51.38205882352941,{"_283":223,"_123":894,"_154":895,"_140":89},{"_283":125,"_123":362,"_154":363,"_140":364},{"_283":281,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-giovanni-battista-moroni","Giovanni Battista Moroni's contemporaries","https://img.ochreeditions.com/a/644/480.jpg","https://img.ochreeditions.com/a/644/960.jpg","https://img.ochreeditions.com/a/644/1920.jpg","The Latin inscription gives the sitter's name and age (45), as well as the painting's date. Guarignoni came from a prominent family in the northern Italian city of Bergamo.",{"_306":913,"_308":914},{"_306":911,"_308":912},{"_306":909,"_308":910},{"_306":907,"_308":908},{"_306":905,"_308":906},"#a09483",0.0592,"#7a6556",0.0601,"#27231e",0.2431,"#484139",0.2695,"#141210",0.3681,"Giovanni Battista Moroni","giovanni-battista-moroni","Italian, 1525–1578",1525,1578,"virgin-and-child-with-saints-cma-97158","Virgin and Child with Saints","Unrecorded Italian maker","c. 1510","Framed: 109.5 x 149.9 x 9.5 cm (43 1/8 x 59 x 3 3/4 in.); Unframed: 77.8 x 118.7 cm (30 5/8 x 46 3/4 in.)",118.7,77.8,1.5461573442473853,[953,954,955,956,957],{"_219":375,"_220":376,"_42":377,"_299":378},"1916.796","An unrecorded Italy, Venice artist painted this in about 1510. It is now at the Cleveland Museum of Art.",{"_118":952,"_373":374},"Virgin and Child with Saints, c. 1510",{"_290":949,"_292":950,"_294":951},"https://img.ochreeditions.com/m/480.jpg?dl=1","/art/virgin-and-child-with-saints-cma-97158","/galleries/style/renaissance/virgin-and-child-with-saints-cma-97158",{"_286":367,"_288":368},{"_223":944,"_125":945,"_281":946},{"_271":941,"_273":942,"_275":925,"_277":943},133.7,91.77097058823529,76.77097058823529,{"_283":223,"_123":947,"_154":948,"_140":77},{"_283":125,"_123":362,"_154":363,"_140":364},{"_283":281,"_123":165,"_154":164,"_140":167},"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/480/480.jpg","https://img.ochreeditions.com/a/480/960.jpg","https://img.ochreeditions.com/a/480/1920.jpg","What are some of the key steps in conserving this picture? While it may seem disturbing, the condition of this work is not unusual for a 16th-century panel painting. Treatment was abandoned decades ago when the conservator who was cleaning the work left the museum.",{"_306":966,"_308":967},{"_306":964,"_308":965},{"_306":962,"_308":963},{"_306":960,"_308":961},{"_306":958,"_308":959},"#7c402d",0.0956,"#99a499",0.1097,"#2c421e",0.2031,"#6a5740",0.269,"#2d2823",0.3226,"italian-joust-of-peace-nga-216058","Italian Joust of Peace","Unrecorded German maker","c.1512-1515","drawing","Drawing","pen and brown ink with watercolor over leadpoint on laid paper","sheet: 33 × 26.3 cm (13 × 10 3/8 in.)",26.3,33,0.802734375,[1011,1012,1013,1014,1015],{"_219":1007,"_220":1008,"_42":1009,"_299":1010},"Courtesy National Gallery of Art, Washington","1943.3.4502","An unrecorded German artist painted this in about 1512-1515. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of two armored figures on horseback engaged in a joust. Both knights are clad in ornate armor and mounted on horses as they participate in the match. The scene captures the moment of impact, with splintered lances flying in the air. One knight in silver armor with blue accents is being unseated from his horse, while the other knight in red and silver armor remains mounted. Both horses are draped in colors matching their riders' armors. The focus is on the dynamic action and energy of the joust, with fine details showing the armor's shine and the movement of the horses. The drawing is bordered, and there is some script at the top and bottom.",{"_290":1004,"_292":1005,"_294":1006},"https://img.ochreeditions.com/m/1700.jpg?dl=1","/art/italian-joust-of-peace-nga-216058","/galleries/style/renaissance/italian-joust-of-peace-nga-216058",{"_286":287,"_288":289},{"_223":994,"_125":995,"_281":996},{"_271":992,"_273":489,"_275":993,"_277":977},50.490234375,26.490234375,{"_283":223,"_123":1002,"_154":1003,"_140":97},{"_283":125,"_123":1000,"_154":1001,"_140":822},{"_283":281,"_123":997,"_154":998,"_140":999},"era/16-germany","16th-century Germany",28,"style/drawing-16","More drawings of the 16th century","artist/unrecorded-germany","More by unrecorded makers of Germany","https://img.ochreeditions.com/a/1700/480.jpg","https://img.ochreeditions.com/a/1700/960.jpg","https://img.ochreeditions.com/a/1700/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_306":1024,"_308":1025},{"_306":1022,"_308":1023},{"_306":1020,"_308":1021},{"_306":1018,"_308":1019},{"_306":1016,"_308":1017},"#a2846e",0.0362,"#a15240",0.042,"#ecddce",0.0542,"#c8b195",0.08,"#e9d3b7",0.7876,"arm-of-eve-cma-141931","Arm of Eve",{"_42":1075,"_220":1076,"_320":1077,"_322":622,"_324":1078,"_326":1079,"_328":1080,"_329":1080,"_330":1081,"_140":89},"1507","point of brush and gray and black wash, brush and gray and black wash, heightened with white gouache","Sheet: 34.4 x 26.7 cm (13 9/16 x 10 1/2 in.)",26.7,34.4,0.7997058823529412,[1060,1061,1062,1063,1064],{"_219":375,"_220":376,"_42":377,"_299":378},"1965.470","Albrecht Dürer painted this in 1507, aged 36. It is now at the Cleveland Museum of Art.",{"_118":1059,"_373":374},"Arm of Eve, by Albrecht Dürer, 1507",{"_290":1056,"_292":1057,"_294":1058},"https://img.ochreeditions.com/m/659.jpg?dl=1","/art/arm-of-eve-cma-141931","/galleries/style/renaissance/arm-of-eve-cma-141931",{"_286":287,"_288":289},{"_223":1051,"_125":1052,"_281":1053},{"_271":1048,"_273":1049,"_275":1050,"_277":1033},51.509882352941176,58.4,27.509882352941176,{"_283":223,"_123":1054,"_154":1055,"_140":89},{"_283":125,"_123":1000,"_154":1001,"_140":822},{"_283":281,"_123":997,"_154":998,"_140":999},"artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/659/480.jpg","https://img.ochreeditions.com/a/659/960.jpg","https://img.ochreeditions.com/a/659/1920.jpg","Arm of Eve is the only surviving preparatory drawing for Dürer’s life-size panels of Adam and Eve in the Museo del Prado, Madrid. It is also one of the few surviving drawings by the artist made on Venetian blue paper, a support he began to use for his chiaroscuro studies while visiting Venice in the winter of 1506–7.",{"_306":1073,"_308":1074},{"_306":1071,"_308":1072},{"_306":1069,"_308":1070},{"_306":1067,"_308":1068},{"_306":1065,"_308":1066},"#82857f",0.0518,"#f7f6f4",0.0695,"#b1b8b5",0.0833,"#969d97",0.2353,"#9fa9a4",0.5601,"Albrecht Dürer","albrecht-durer","German, 1471–1528",1471,1528,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","the-holy-family-with-saint-elizabeth-cma-112099","The Holy Family with Saint Elizabeth",{"_42":1129,"_220":1130,"_320":1131,"_322":323,"_324":1132,"_326":456,"_328":-5,"_329":-5,"_330":-5,"_140":101},"c. 1503","Platemark: 12.8 x 16.3 cm (5 1/16 x 6 7/16 in.); Sheet: 13.3 x 16.6 cm (5 1/4 x 6 9/16 in.)",16.3,12.8,1.2336719883889695,[1114,1115,1116,1117,1118],{"_219":375,"_220":376,"_42":377,"_299":378},"1930.575","Jacopo de' Barbari made this in about 1503, aged about 43. It is now at the Cleveland Museum of Art.",{"_118":1113,"_373":374},"The Holy Family with Saint Elizabeth, by Jacopo de' Barbari, c. 1503",{"_290":1110,"_292":1111,"_294":1112},"https://img.ochreeditions.com/m/526.jpg?dl=1","/art/the-holy-family-with-saint-elizabeth-cma-112099","/galleries/style/renaissance/the-holy-family-with-saint-elizabeth-cma-112099",{"_286":287,"_288":289},{"_223":1105,"_125":1106,"_281":1107},{"_271":272,"_273":1103,"_275":276,"_277":1104},44.26470588235294,20.264705882352942,{"_283":223,"_123":1108,"_154":1109,"_140":89},{"_283":125,"_123":596,"_154":597,"_140":53},{"_283":281,"_123":487,"_154":488,"_140":489},"artist/contemporaries-of-jacopo-de-barbari","Jacopo de' Barbari's contemporaries","https://img.ochreeditions.com/a/526/480.jpg","https://img.ochreeditions.com/a/526/960.jpg","https://img.ochreeditions.com/a/526/1920.jpg","While this landscape might seem desolate and strange, it is rife with religious symbolism. The Virgin Mary and Christ on the right sit with Mary’s cousin, Saint Elizabeth, and her son, Saint John the Baptist. The Bible describes Elizabeth as past childbearing age; both she and Mary were granted virgin births by God.",{"_306":1127,"_308":1128},{"_306":1125,"_308":1126},{"_306":1123,"_308":1124},{"_306":1121,"_308":1122},{"_306":1119,"_308":1120},"#d3d0c3",0.0571,"#4a4840",0.1487,"#a39d8e",0.22,"#676359",0.2572,"#837e71",0.317,"Jacopo de' Barbari","jacopo-de-barbari","Italian, c. 1460/70–c. 1516",1455,{"_1134":-5,"_1135":1136,"_1137":1138,"_1139":8,"_1140":1141,"_1142":8},"user","csrf","f216323834e2d2a0be81579ef0ccbcd42fe79935","cartCount",0,"dropLive","legal",[1143,1144,1145,1146,1147,1148,1149,1150,1151,1152,1153,1154],"uploadsEnabled",{"_220":1177,"_20":1178},{"_220":1175,"_20":1176},{"_220":1173,"_20":1174},{"_220":1171,"_20":1172},{"_220":1169,"_20":1170},{"_220":1167,"_20":1168},{"_220":1165,"_20":1166},{"_220":1163,"_20":1164},{"_220":1161,"_20":1162},{"_220":1159,"_20":1160},{"_220":1157,"_20":1158},{"_220":1155,"_20":1156},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]