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It is also one of the few surviving drawings by the artist made on Venetian blue paper, a support he began to use for his chiaroscuro studies while visiting Venice in the winter of 1506–7.",{"_306":447,"_308":448},{"_306":445,"_308":446},{"_306":443,"_308":444},{"_306":441,"_308":442},{"_306":439,"_308":440},"#82857f",0.0518,"#f7f6f4",0.0695,"#b1b8b5",0.0833,"#969d97",0.2353,"#9fa9a4",0.5601,"Albrecht Dürer","albrecht-durer","German, 1471–1528","German",1471,1528,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","the-last-supper-pair-cma-119621","The Last Supper (pair)",{"_42":508,"_219":509,"_320":323,"_322":323,"_324":-5,"_326":-5,"_328":-5,"_329":-5,"_330":-5,"_140":99},"c. 1500","engraving on two sheets printed from two plates",2.6275115919629055,[494,495,496,497,498],{"_218":367,"_219":368,"_42":369,"_299":370},"1940.473","Lucantonio degli Uberti made this in about 1500. It is now at the Cleveland Museum of Art.",{"_118":493,"_365":366},"The Last Supper (pair), by Lucantonio degli Uberti, c. 1500",{"_290":490,"_292":491,"_294":492},"https://img.ochreeditions.com/m/537.jpg?dl=1","/art/the-last-supper-pair-cma-119621","/galleries/style/renaissance/the-last-supper-pair-cma-119621",{"_286":287,"_288":289},{"_222":480,"_125":481,"_280":482},{"_270":476,"_272":477,"_274":478,"_276":479},84,46.83529411764706,60,22.83529411764706,{"_282":222,"_123":488,"_154":489,"_140":99},{"_282":125,"_123":486,"_154":487,"_140":53},{"_282":280,"_123":483,"_154":484,"_140":485},"era/15-italy","15th-century Italy",57,"style/print-15","More prints of the 15th century","artist/lucantonio-degli-uberti","More by Lucantonio degli Uberti","https://img.ochreeditions.com/a/537/480.jpg","https://img.ochreeditions.com/a/537/960.jpg","https://img.ochreeditions.com/a/537/1920.jpg","Because large prints were often displayed on a wall, they were susceptible to damage and often have not survived. This large print of the Last Supper , however, is in excellent condition. It was engraved on two plates and printed on two separate sheets of paper.",{"_306":506,"_308":507},{"_306":504,"_308":505},{"_306":502,"_308":503},{"_306":500,"_308":501},{"_306":499,"_308":444},"#d1c2ac","#ad9d86",0.1406,"#695e4e",0.1686,"#958670",0.2943,"#807360",0.3132,"Lucantonio degli Uberti","lucantonio-degli-uberti","christ-and-the-woman-of-samaria-aic-16200","Christ and the Woman of Samaria",{"_42":564,"_219":565,"_320":566,"_322":323,"_324":567,"_326":568,"_328":-5,"_329":-5,"_330":569,"_140":95},"1500–05","painting","Painting","Tempera on panel, transferred to canvas","27.3 × 46.3 cm (10 3/4 × 18 1/4 in.)",46,27,1.6930673896204493,[549,550,551,552,553],{"_218":296,"_219":297,"_42":298,"_299":300},"1933.1024","Perugino painted this in 1500–05, aged about 50. It is now at the Art Institute of Chicago.","A work made of tempera on panel, transferred to canvas.",{"_290":546,"_292":547,"_294":548},"https://img.ochreeditions.com/m/45.jpg?dl=1","/art/christ-and-the-woman-of-samaria-aic-16200","/galleries/style/renaissance/christ-and-the-woman-of-samaria-aic-16200",{"_286":544,"_288":545},{"_222":536,"_125":537,"_280":538},{"_270":533,"_272":534,"_274":518,"_276":535},61,42.169621411414845,27.169621411414845,{"_282":222,"_123":542,"_154":543,"_140":95},{"_282":125,"_123":539,"_154":540,"_140":541},{"_282":280,"_123":483,"_154":484,"_140":485},"style/painting-15","More paintings of the 15th century",73,"artist/perugino","More by Perugino","natural","ivory","https://img.ochreeditions.com/a/45/480.jpg","https://img.ochreeditions.com/a/45/960.jpg","https://img.ochreeditions.com/a/45/1920.jpg",{"_306":562,"_308":563},{"_306":560,"_308":561},{"_306":558,"_308":559},{"_306":556,"_308":557},{"_306":554,"_308":555},"#60695c",0.1238,"#92826b",0.1558,"#7e4e24",0.1785,"#5a442c",0.2171,"#73603a",0.3248,"Perugino","perugino","Italian, c. 1450/55–1523",1450,1523,"Pietro Vannucci took the name Perugino from Perugia, the chief city of his native Umbria, and trained in Florence, probably alongside Leonardo in Verrocchio’s studio.","the-baptism-of-christ-aic-16197","The Baptism of Christ",{"_42":564,"_219":565,"_320":566,"_322":323,"_324":567,"_326":568,"_328":-5,"_329":-5,"_330":569,"_140":95},"27.3 × 46.4 cm (10 3/4 × 18 1/4 in.)",1.70421710269426,[594,595,596,597,598],{"_218":296,"_219":297,"_42":298,"_299":300},"1933.1023","Christ stands in the river Jordan as John the Baptist pours water over his head, with angels in attendance and a serene landscape of feathery trees stretching into the distance.",{"_290":591,"_292":592,"_294":593},"https://img.ochreeditions.com/m/44.jpg?dl=1","/art/the-baptism-of-christ-aic-16197","/galleries/style/renaissance/the-baptism-of-christ-aic-16197",{"_286":544,"_288":545},{"_222":588,"_125":589,"_280":590},{"_270":533,"_272":586,"_274":518,"_276":587},41.99186619314927,26.99186619314927,{"_282":222,"_123":542,"_154":543,"_140":95},{"_282":125,"_123":539,"_154":540,"_140":541},{"_282":280,"_123":483,"_154":484,"_140":485},"https://img.ochreeditions.com/a/44/480.jpg","https://img.ochreeditions.com/a/44/960.jpg","https://img.ochreeditions.com/a/44/1920.jpg",{"_306":607,"_308":608},{"_306":605,"_308":606},{"_306":603,"_308":604},{"_306":601,"_308":602},{"_306":599,"_308":600},"#804c41",0.0407,"#754a1e",0.1394,"#5b6a5f",0.234,"#807253",0.2632,"#57462d",0.3227,"the-flight-into-egypt-aic-248304","The Flight into Egypt",{"_42":658,"_219":659,"_320":660,"_322":323,"_324":661,"_326":662,"_328":-5,"_329":-5,"_330":-5,"_140":103},"c. 1540","watercolour","Drawing and Watercolor","Pen and brown ink on dark cream laid paper, laid down on laid paper, with pen and ink and gold ruled lines","Primary support: 18.7 × 25 cm (7 3/8 × 9 7/8 in.); Secondary support: 24.1 × 30.2 cm (9 1/2 × 11 15/16 in.)",18,1.3208387942332895,[643,644,645,646,647],{"_218":296,"_219":297,"_42":298,"_299":300},"2019.874","Domenico Campagnola painted this in about 1540, aged 40. It is now at the Art Institute of Chicago.","A work made of pen and brown ink on dark cream laid paper, laid down on laid paper, with pen and ink and gold ruled lines.",{"_290":640,"_292":641,"_294":642},"https://img.ochreeditions.com/m/372.jpg?dl=1","/art/the-flight-into-egypt-aic-248304","/galleries/style/renaissance/the-flight-into-egypt-aic-248304",{"_286":287,"_288":289},{"_222":633,"_125":634,"_280":635},{"_270":273,"_272":631,"_274":277,"_276":632},42.92736654098036,18.927366540980355,{"_282":222,"_123":638,"_154":639,"_140":89},{"_282":125,"_123":636,"_154":637,"_140":89},{"_282":280,"_123":167,"_154":166,"_140":169},"style/watercolour-16","More watercolours of the 16th century","artist/contemporaries-of-domenico-campagnola","Domenico Campagnola's contemporaries","https://img.ochreeditions.com/a/372/480.jpg","https://img.ochreeditions.com/a/372/960.jpg","https://img.ochreeditions.com/a/372/1920.jpg",{"_306":656,"_308":657},{"_306":654,"_308":655},{"_306":652,"_308":653},{"_306":650,"_308":651},{"_306":648,"_308":649},"#cf9e5a",0.0606,"#a77c5a",0.1024,"#dfb995",0.2357,"#bd916c",0.2449,"#cfa57f",0.3564,"Domenico Campagnola","domenico-campagnola","Italian, c. 1500–1564",1500,1564,"virgin-and-child-with-saints-peter-and-john-the-baptist-rect-aic-112613","Virgin and Child with Saints Peter and John the Baptist (recto); Saint John the Baptist (verso)",{"_42":710,"_219":711,"_320":712,"_322":323,"_324":713,"_326":714,"_328":-5,"_329":-5,"_330":-5,"_140":103},"n.d.","Black chalk (recto), and black chalk and pen and black ink (verso), on ivory laid paper","31.4 × 21.1 cm (12 3/8 × 8 5/16 in.)",21,31,0.6771270718232044,[695,696,697,698,699],{"_218":296,"_219":297,"_42":298,"_299":300},"1922.3493","Pietro d' Asaro painted this (n.d.). It is now at the Art Institute of Chicago.","A work made of black chalk (recto), and black chalk and pen and black ink (verso), on ivory laid paper.",{"_290":692,"_292":693,"_294":694},"https://img.ochreeditions.com/m/292.jpg?dl=1","/art/virgin-and-child-with-saints-peter-and-john-the-baptist-rect-aic-112613","/galleries/style/renaissance/virgin-and-child-with-saints-peter-and-john-the-baptist-rect-aic-112613",{"_286":287,"_288":289},{"_222":687,"_125":688,"_280":689},{"_270":684,"_272":685,"_274":686,"_276":670},44.99093922651934,55,20.990939226519338,{"_282":222,"_123":690,"_154":691,"_140":89},{"_282":125,"_123":636,"_154":637,"_140":89},{"_282":280,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-pietro-d-asaro","Pietro d' Asaro's contemporaries","https://img.ochreeditions.com/a/292/480.jpg","https://img.ochreeditions.com/a/292/960.jpg","https://img.ochreeditions.com/a/292/1920.jpg",{"_306":708,"_308":709},{"_306":706,"_308":707},{"_306":704,"_308":705},{"_306":702,"_308":703},{"_306":700,"_308":701},"#91673f",0.0089,"#a48b6f",0.0163,"#b09f89",0.1857,"#bfb2a0",0.3935,"#b8a995",0.3956,"Pietro d' Asaro","pietro-d-asaro","Italian, 1597–1647",1597,1647,"portrait-of-a-young-man-cma-97167","Portrait of a Young Man",{"_42":767,"_219":768,"_320":769,"_322":323,"_324":770,"_326":771,"_328":-5,"_329":-5,"_330":-5,"_140":103},"c. 1530","oil and gold on wood","Framed: 128.2 x 102.2 x 11.5 cm (50 1/2 x 40 1/4 x 4 1/2 in.); Unframed: 97.2 x 77.5 cm (38 1/4 x 30 1/2 in.)",77.5,97.2,0.788235294117647,[752,753,754,755,756],{"_218":367,"_219":368,"_42":369,"_299":370},"1916.803","Dosso Dossi painted this in about 1530, aged about 35. It is now at the Cleveland Museum of Art.",{"_118":751,"_365":366},"Portrait of a Young Man, by Dosso Dossi, c. 1530",{"_290":748,"_292":749,"_294":750},"https://img.ochreeditions.com/m/482.jpg?dl=1","/art/portrait-of-a-young-man-cma-97167","/galleries/style/renaissance/portrait-of-a-young-man-cma-97167",{"_286":544,"_288":545},{"_222":740,"_125":741,"_280":742},{"_270":737,"_272":738,"_274":739,"_276":722},91.61647058823529,112.2,76.61647058823529,{"_282":222,"_123":746,"_154":747,"_140":89},{"_282":125,"_123":743,"_154":744,"_140":745},{"_282":280,"_123":167,"_154":166,"_140":169},"style/painting-16","More paintings of the 16th century",95,"artist/contemporaries-of-dosso-dossi","Dosso Dossi's contemporaries","https://img.ochreeditions.com/a/482/480.jpg","https://img.ochreeditions.com/a/482/960.jpg","https://img.ochreeditions.com/a/482/1920.jpg","Like other paintings from the Dossi workshop, this work conveys the sitter's social status and self-confidence. He holds a crumpled letter written in Italian. The words Asto , meaning \"ship mast,\" and mare , meaning \"sea,\" suggest that trade was a topic of this letter.",{"_306":765,"_308":766},{"_306":763,"_308":764},{"_306":761,"_308":762},{"_306":759,"_308":760},{"_306":757,"_308":758},"#801603",0.0539,"#7f5d2d",0.0708,"#524d2f",0.0821,"#3d240f",0.136,"#1d180f",0.6572,"Dosso Dossi","dosso-dossi","Italian, c. 1490–after 1541",1490,1541,"the-passion-christ-before-annas-cma-104608","The Passion: Christ Before Annas",{"_42":818,"_219":819,"_320":820,"_322":452,"_324":567,"_326":821,"_328":822,"_329":823,"_330":824,"_140":97},"c. 1480",0.7288235294117648,[803,804,805,806,807],{"_218":367,"_219":368,"_42":369,"_299":370},"1922.87","Martin Schongauer made this in about 1480, aged about 25. It is now at the Cleveland Museum of Art.",{"_118":802,"_365":366},"The Passion: Christ Before Annas, by Martin Schongauer, c. 1480",{"_290":799,"_292":800,"_294":801},"https://img.ochreeditions.com/m/508.jpg?dl=1","/art/the-passion-christ-before-annas-cma-104608","/galleries/style/renaissance/the-passion-christ-before-annas-cma-104608",{"_286":287,"_288":289},{"_222":792,"_125":793,"_280":794},{"_270":790,"_272":476,"_274":791,"_276":478},67.72941176470589,43.72941176470589,{"_282":222,"_123":797,"_154":798,"_140":97},{"_282":125,"_123":486,"_154":487,"_140":53},{"_282":280,"_123":795,"_154":796,"_140":91},"era/15-germany","15th-century Germany","artist/martin-schongauer","More by Martin Schongauer","https://img.ochreeditions.com/a/508/480.jpg","https://img.ochreeditions.com/a/508/960.jpg","https://img.ochreeditions.com/a/508/1920.jpg","Martin Schongauer's series of the Passion of Christ was his largest set of engravings, made around 1480, and extensively copied across Europe. It consists of twelve prints detailing the suffering of Christ in the last days of his life.",{"_306":816,"_308":817},{"_306":814,"_308":815},{"_306":812,"_308":813},{"_306":810,"_308":811},{"_306":808,"_308":809},"#524e48",0.1213,"#9d968d",0.1832,"#78726a",0.2064,"#c8bfb5",0.239,"#ede4d8",0.2501,"Martin Schongauer","martin-schongauer","German, c. 1450–1491",1491,"Colmar","Breisach","Schongauer, the son of a goldsmith, worked in Colmar in Alsace and was both a painter and the most accomplished engraver of fifteenth-century northern Europe.","samson-and-the-lion-from-the-story-of-samson-met-393723","Samson and the Lion, from \"The Story of Samson\"","Unrecorded French maker","ca. 1560–80","france","Prints","Woodcut with pochoir (stencil) and hand coloring","sheet: 14 3/4 x 19 1/2 in. (37.4 x 49.5 cm)",49.5,37.4,1.2985699337286363,[866,867,868,869,870],{"_218":862,"_219":863,"_42":864,"_299":865},"Courtesy of The Metropolitan Museum of Art","2010.27.2","An unrecorded French artist made this in about 1560–80. It is now at The Met in New York.","Samson and the Lion, from \"The Story of Samson\", ca. 1560–80",{"_290":859,"_292":860,"_294":861},"https://img.ochreeditions.com/m/1054.jpg?dl=1","/art/samson-and-the-lion-from-the-story-of-samson-met-393723","/galleries/style/renaissance/samson-and-the-lion-from-the-story-of-samson-met-393723",{"_286":287,"_288":289},{"_222":852,"_125":853,"_280":854},{"_270":849,"_272":850,"_274":833,"_276":851},73.5,62.11885576148267,38.11885576148267,{"_282":222,"_123":857,"_154":858,"_140":87},{"_282":125,"_123":283,"_154":284,"_140":285},{"_282":280,"_123":855,"_154":856,"_140":89},"era/16-france","16th-century France","artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/1054/480.jpg","https://img.ochreeditions.com/a/1054/960.jpg","https://img.ochreeditions.com/a/1054/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_306":879,"_308":880},{"_306":877,"_308":878},{"_306":875,"_308":876},{"_306":873,"_308":874},{"_306":871,"_308":872},"#eadecc",0.0548,"#a67150",0.1314,"#b0957a",0.1849,"#7a6559",0.2423,"#8c6f56",0.3866,"lucrezia-di-lippo-di-iacopo-guidi-aic-22270","Lucrezia di Lippo di Iacopo Guidi",{"_42":927,"_219":928,"_320":929,"_322":323,"_324":930,"_326":931,"_328":932,"_329":932,"_330":933,"_140":97},"1525–28","Oil on panel","22.5 × 15.9 cm (8 7/8 × 6 1/4 in.)",22,1.2782629218786878,[912,913,914,915,916],{"_218":296,"_219":297,"_42":298,"_299":300},"1964.1097b","Andrea del Sarto painted this in 1525–28, aged about 39. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_290":909,"_292":910,"_294":911},"https://img.ochreeditions.com/m/92.jpg?dl=1","/art/lucrezia-di-lippo-di-iacopo-guidi-aic-22270","/galleries/style/renaissance/lucrezia-di-lippo-di-iacopo-guidi-aic-22270",{"_286":544,"_288":545},{"_222":904,"_125":905,"_280":906},{"_270":901,"_272":902,"_274":277,"_276":903},40,34.557791728212706,19.557791728212703,{"_282":222,"_123":907,"_154":908,"_140":97},{"_282":125,"_123":743,"_154":744,"_140":745},{"_282":280,"_123":167,"_154":166,"_140":169},"artist/andrea-del-sarto","More by Andrea del Sarto","https://img.ochreeditions.com/a/92/480.jpg","https://img.ochreeditions.com/a/92/960.jpg","https://img.ochreeditions.com/a/92/1920.jpg",{"_306":925,"_308":926},{"_306":923,"_308":924},{"_306":921,"_308":922},{"_306":919,"_308":920},{"_306":917,"_308":918},"#2f1d18",0.07,"#6f5446",0.1291,"#a47659",0.1659,"#4d3819",0.2609,"#4f1615",0.3741,"Andrea del Sarto","andrea-del-sarto","Italian, 1486–1530",1486,1530,"Florence","Andrea del Sarto, the son of a tailor, or sarto, spent almost his whole career in Florence and became its leading painter after Leonardo, Michelangelo and Raphael had left.","drapery-study-of-a-standing-figure-facing-right-in-profile-aic-259345","Drapery Study of a Standing Figure Facing Right, in Profile",{"_42":982,"_219":983,"_320":984,"_322":323,"_324":985,"_326":986,"_328":-5,"_329":-5,"_330":-5,"_140":103},"late 1460s–early 1470s","Brush and opaque watercolor, on linen prepared with a gray ground, mounted to cream laid paper","Primary support: 28.3 × 18.3 cm (11 3/16 × 7 1/4 in.); Secondary support: 30 × 20 cm (11 13/16 × 7 7/8 in.)",0.6784424379232505,[967,968,969,970,971],{"_218":296,"_219":297,"_42":298,"_299":300},"2020.255","Andrea del Verrocchio painted this in the late 1460s–early 1470s, aged about 30. It is now at the Art Institute of Chicago.","A work made of brush and opaque watercolor, on linen prepared with a gray ground, mounted to cream laid paper.",{"_290":964,"_292":965,"_294":966},"https://img.ochreeditions.com/m/400.jpg?dl=1","/art/drapery-study-of-a-standing-figure-facing-right-in-profile-aic-259345","/galleries/style/renaissance/drapery-study-of-a-standing-figure-facing-right-in-profile-aic-259345",{"_286":287,"_288":289},{"_222":956,"_125":957,"_280":958},{"_270":953,"_272":954,"_274":955,"_276":424},42.99638826185102,52,18.996388261851017,{"_282":222,"_123":962,"_154":963,"_140":89},{"_282":125,"_123":959,"_154":960,"_140":961},{"_282":280,"_123":483,"_154":484,"_140":485},"style/watercolour","More watercolours",85,"artist/contemporaries-of-andrea-del-verrocchio","Andrea del Verrocchio's contemporaries","https://img.ochreeditions.com/a/400/480.jpg","https://img.ochreeditions.com/a/400/960.jpg","https://img.ochreeditions.com/a/400/1920.jpg",{"_306":980,"_308":981},{"_306":978,"_308":979},{"_306":976,"_308":977},{"_306":974,"_308":975},{"_306":972,"_308":973},"#dec9b3",0.0849,"#857360",0.1048,"#bc9d83",0.1325,"#544b44",0.1836,"#6c5f51",0.4942,"Andrea del Verrocchio","andrea-del-verrocchio","Italian, c. 1435–1488",1435,1488,"portrait-of-roberto-castiglione-cma-97168","Portrait of Roberto Castiglione","Unrecorded Italian maker","early 1600s","oil on canvas","Framed: 147.3 x 120.6 x 10.2 cm (58 x 47 1/2 x 4 in.); Unframed: 121.2 x 98.7 cm (47 11/16 x 38 7/8 in.)",98.7,121.2,0.8088235294117647,[1021,1022,1023,1024,1025],{"_218":367,"_219":368,"_42":369,"_299":370},"1916.804","An unrecorded Italy, Cremona artist painted this in the early 1600s. It is now at the Cleveland Museum of Art.",{"_118":1020,"_365":366},"Portrait of Roberto Castiglione, early 1600s",{"_290":1017,"_292":1018,"_294":1019},"https://img.ochreeditions.com/m/483.jpg?dl=1","/art/portrait-of-roberto-castiglione-cma-97168","/galleries/style/renaissance/portrait-of-roberto-castiglione-cma-97168",{"_286":544,"_288":545},{"_222":1012,"_125":1013,"_280":1014},{"_270":1009,"_272":1010,"_274":1011,"_276":994},113.02941176470588,136.2,98.02941176470588,{"_282":222,"_123":1015,"_154":1016,"_140":77},{"_282":125,"_123":743,"_154":744,"_140":745},{"_282":280,"_123":167,"_154":166,"_140":169},"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/483/480.jpg","https://img.ochreeditions.com/a/483/960.jpg","https://img.ochreeditions.com/a/483/1920.jpg","The inscription on the bottom of this painting identifies the sitter of this commemorative portrait as Roberto Castiglione, a magistrate and imperial vicar for the Spanish empire in the 1200s. His identity is further supported by the coat of arms in the upper left.",{"_306":1034,"_308":1035},{"_306":1032,"_308":1033},{"_306":1030,"_308":1031},{"_306":1028,"_308":1029},{"_306":1026,"_308":1027},"#5d3921",0.0376,"#947340",0.0526,"#5c4d33",0.0983,"#272017",0.366,"#1f1c15",0.4455,"dead-blue-roller-cma-124733","Dead Blue Roller",{"_42":1085,"_219":1086,"_320":1087,"_322":452,"_324":1088,"_326":1089,"_328":-5,"_329":-5,"_330":-5,"_140":103},"1583","watercolor and gouache with touches of gold","Sheet: 29.2 x 16.9 cm (11 1/2 x 6 5/8 in.); Secondary Support: 29.2 x 16.9 cm (11 1/2 x 6 5/8 in.)",16.9,29.2,0.5935294117647059,[1070,1071,1072,1073,1074],{"_218":367,"_219":368,"_42":369,"_299":370},"1946.217","Hans Hoffmann painted this in 1583, aged 38. It is now at the Cleveland Museum of Art.",{"_118":1069,"_365":366},"Dead Blue Roller, by Hans Hoffmann, 1583",{"_290":1066,"_292":1067,"_294":1068},"https://img.ochreeditions.com/m/573.jpg?dl=1","/art/dead-blue-roller-cma-124733","/galleries/style/renaissance/dead-blue-roller-cma-124733",{"_286":287,"_288":289},{"_222":1061,"_125":1062,"_280":1063},{"_270":1058,"_272":1059,"_274":1060,"_276":1043},41.33105882352941,53.2,17.33105882352941,{"_282":222,"_123":1064,"_154":1065,"_140":89},{"_282":125,"_123":425,"_154":426,"_140":427},{"_282":280,"_123":422,"_154":423,"_140":424},"artist/contemporaries-of-hans-hoffmann","Hans Hoffmann's contemporaries","https://img.ochreeditions.com/a/573/480.jpg","https://img.ochreeditions.com/a/573/960.jpg","https://img.ochreeditions.com/a/573/1920.jpg","Half a century after the death of the German Renaissance artist Albrecht Dürer, his work continued to inspire artists and collectors.",{"_306":1083,"_308":1084},{"_306":1081,"_308":1082},{"_306":1079,"_308":1080},{"_306":1077,"_308":1078},{"_306":1075,"_308":1076},"#9f7f63",0.0428,"#8b8e87",0.0617,"#53473e",0.0748,"#5e6165",0.0826,"#ded1bf",0.7381,"Hans Hoffmann","hans-hoffmann","German, 1545/50–1591/92",1545,1592,"italian-joust-of-peace-nga-216058","Italian Joust of Peace","Unrecorded German maker","c.1512-1515","pen and brown ink with watercolor over leadpoint on laid paper","sheet: 33 × 26.3 cm (13 × 10 3/8 in.)",26.3,33,0.802734375,[1126,1127,1128,1129,1130],{"_218":1122,"_219":1123,"_42":1124,"_299":1125},"Courtesy National Gallery of Art, Washington","1943.3.4502","An unrecorded German artist painted this in about 1512-1515. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of two armored figures on horseback engaged in a joust. Both knights are clad in ornate armor and mounted on horses as they participate in the match. The scene captures the moment of impact, with splintered lances flying in the air. One knight in silver armor with blue accents is being unseated from his horse, while the other knight in red and silver armor remains mounted. Both horses are draped in colors matching their riders' armors. The focus is on the dynamic action and energy of the joust, with fine details showing the armor's shine and the movement of the horses. The drawing is bordered, and there is some script at the top and bottom.",{"_290":1119,"_292":1120,"_294":1121},"https://img.ochreeditions.com/m/1700.jpg?dl=1","/art/italian-joust-of-peace-nga-216058","/galleries/style/renaissance/italian-joust-of-peace-nga-216058",{"_286":287,"_288":289},{"_222":1114,"_125":1115,"_280":1116},{"_270":1112,"_272":485,"_274":1113,"_276":1097},50.490234375,26.490234375,{"_282":222,"_123":1117,"_154":1118,"_140":97},{"_282":125,"_123":425,"_154":426,"_140":427},{"_282":280,"_123":422,"_154":423,"_140":424},"artist/unrecorded-germany","More by unrecorded makers of Germany","https://img.ochreeditions.com/a/1700/480.jpg","https://img.ochreeditions.com/a/1700/960.jpg","https://img.ochreeditions.com/a/1700/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_306":1139,"_308":1140},{"_306":1137,"_308":1138},{"_306":1135,"_308":1136},{"_306":1133,"_308":1134},{"_306":1131,"_308":1132},"#a2846e",0.0362,"#a15240",0.042,"#ecddce",0.0542,"#c8b195",0.08,"#e9d3b7",0.7876,{"_1142":-5,"_1143":1144,"_1145":1146,"_1147":8,"_1148":1149,"_1150":8},"user","csrf","a75329d10aad06c3722f062c907abb62238bf232","cartCount",0,"dropLive","legal",[1151,1152,1153,1154,1155,1156,1157,1158,1159,1160,1161,1162],"uploadsEnabled",{"_219":1185,"_20":1186},{"_219":1183,"_20":1184},{"_219":1181,"_20":1182},{"_219":1179,"_20":1180},{"_219":1177,"_20":1178},{"_219":1175,"_20":1176},{"_219":1173,"_20":1174},{"_219":1171,"_20":1172},{"_219":1169,"_20":1170},{"_219":1167,"_20":1168},{"_219":1165,"_20":1166},{"_219":1163,"_20":1164},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]