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Thompson, 1858",{"_295":424,"_297":425,"_299":426},"https://img.ochreeditions.com/m/857.jpg?dl=1","/art/the-belated-party-on-mansfield-mountain-met-12800","/galleries/style/realism/the-belated-party-on-mansfield-mountain-met-12800",{"_291":292,"_293":294},{"_225":419,"_125":420,"_285":421},{"_276":416,"_278":417,"_280":401,"_281":418},175.3,111.91188664392548,96.91188664392548,{"_287":225,"_123":422,"_154":423,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jerome-b-thompson","Jerome B. Thompson's contemporaries","https://img.ochreeditions.com/a/857/480.jpg","https://img.ochreeditions.com/a/857/960.jpg","https://img.ochreeditions.com/a/857/1920.jpg",{"_311":440,"_313":441},{"_311":438,"_313":439},{"_311":436,"_313":437},{"_311":434,"_313":435},{"_311":432,"_313":433},"#e2d3bf",0.1278,"#988974",0.1575,"#675541",0.1987,"#39302b",0.246,"#cabeb6",0.27,"Jerome B. Thompson","jerome-b-thompson","1814–1886",1886,"the-dancing-lesson-met-10821","The Dancing Lesson",{"_42":501,"_222":502,"_324":503,"_326":327,"_328":504,"_330":505,"_332":506,"_334":506,"_336":507,"_140":87},"1878","watercolour","Watercolor","Watercolor on off-white wove paper","18 1/16 x 22 9/16 in. (45.9 x 57.3 cm)",57.3,45.9,1.2442050277505714,[486,487,488,489,490],{"_221":371,"_222":372,"_42":373,"_304":374},"25.97.1","Thomas Eakins painted this in 1878, aged 34. It is now at The Met in New York.","In a plain interior, an elderly man sits watching as a young man plays the banjo and a small boy dances, his face set in concentration.","The Dancing Lesson, by Thomas Eakins, 1878",{"_295":483,"_297":484,"_299":485},"https://img.ochreeditions.com/m/822.jpg?dl=1","/art/the-dancing-lesson-met-10821","/galleries/style/realism/the-dancing-lesson-met-10821",{"_291":481,"_293":482},{"_225":473,"_125":474,"_285":475},{"_276":470,"_278":471,"_280":454,"_281":472},81.3,70.05350301758068,46.05350301758068,{"_287":225,"_123":479,"_154":480,"_140":87},{"_287":125,"_123":476,"_154":477,"_140":478},{"_287":285,"_123":167,"_154":166,"_140":169},"style/watercolour-19","More watercolours of the 19th century",40,"artist/thomas-eakins","More by Thomas Eakins","black","snow","https://img.ochreeditions.com/a/822/480.jpg","https://img.ochreeditions.com/a/822/960.jpg","https://img.ochreeditions.com/a/822/1920.jpg",{"_311":499,"_313":500},{"_311":497,"_313":498},{"_311":495,"_313":496},{"_311":493,"_313":494},{"_311":491,"_313":492},"#8d603d",0.0539,"#4d3c30",0.1605,"#766148",0.2402,"#d5c3a9",0.2687,"#ab9474",0.2767,"Thomas Eakins","thomas-eakins","American, 1844–1916",1844,1916,"Philadelphia, Pennsylvania","Eakins studied in Paris under Jean-Léon Gérôme and was impressed in Spain by Velázquez and Ribera, then returned to Philadelphia, where he spent his life.","harmony-in-green-and-rose-the-music-room-si-fsg-f1917-234a-b","Harmony in Green and Rose: The Music Room",{"_42":559,"_222":560,"_324":561,"_326":327,"_328":562,"_330":563,"_332":564,"_334":565,"_336":566,"_140":231},"1860-1861","H x W: 96.3 x 71.7 cm (37 15/16 x 28 1/4 in)",71.7,96.3,0.8108888888888889,[544,545,546,547,548],{"_221":301,"_222":302,"_42":303,"_304":305},"Courtesy of the National Museum of Asian Art, Smithsonian Institution","F1917.234a-b","James McNeill Whistler painted this in 1860-1861, aged about 26. It is now at the National Museum of Asian Art in Washington, DC.",{"_118":541,"_542":543},"Oil painting",{"_295":538,"_297":539,"_299":540},"https://img.ochreeditions.com/m/1814.jpg?dl=1","/art/harmony-in-green-and-rose-the-music-room-si-fsg-f1917-234a-b","/galleries/style/realism/harmony-in-green-and-rose-the-music-room-si-fsg-f1917-234a-b",{"_291":292,"_293":294},{"_225":533,"_125":534,"_285":535},{"_276":530,"_278":531,"_280":532,"_281":514},93.0886,111.3,78.0886,{"_287":225,"_123":536,"_154":537,"_140":231},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/1814/480.jpg","https://img.ochreeditions.com/a/1814/960.jpg","https://img.ochreeditions.com/a/1814/1920.jpg","Set in the London home of Whistler's brother-in-law Seymour Haden, this painting was originally titled The Morning Call. The woman reflected in the mirror at the left is Whistler's half sister Deborah Haden. The seated girl is his niece, Annie Haden.","source","Text from the National Museum of Asian Art.",{"_311":557,"_313":558},{"_311":555,"_313":556},{"_311":553,"_313":554},{"_311":551,"_313":552},{"_311":549,"_313":550},"#341616",0.0565,"#1d1c1d",0.0913,"#685b48",0.134,"#a1967a",0.1842,"#b99a60",0.534,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","reapers-resting-in-a-wheat-field-met-12162","Reapers Resting in a Wheat Field",{"_42":614,"_222":615,"_324":616,"_326":327,"_328":617,"_330":618,"_332":619,"_334":565,"_336":620,"_140":97},"1885","28 x 36 in. (71.1 x 91.4 cm)",91.4,71.1,1.2861964225447182,[599,600,601,602,603],{"_221":371,"_222":372,"_42":373,"_304":374},"50.130.14","John Singer Sargent painted this in 1885, aged 29. It is now at The Met in New York.","Farm workers rest among the sheaves at the edge of a wheat field, painted with quick, broad strokes and high-keyed colour.","Reapers Resting in a Wheat Field, by John Singer Sargent, 1885",{"_295":596,"_297":597,"_299":598},"https://img.ochreeditions.com/m/854.jpg?dl=1","/art/reapers-resting-in-a-wheat-field-met-12162","/galleries/style/realism/reapers-resting-in-a-wheat-field-met-12162",{"_291":292,"_293":294},{"_225":591,"_125":592,"_285":593},{"_276":588,"_278":589,"_280":572,"_281":590},106.4,86.06224088165835,71.06224088165835,{"_287":225,"_123":594,"_154":595,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/john-singer-sargent","More by John Singer Sargent","https://img.ochreeditions.com/a/854/480.jpg","https://img.ochreeditions.com/a/854/960.jpg","https://img.ochreeditions.com/a/854/1920.jpg",{"_311":612,"_313":613},{"_311":610,"_313":611},{"_311":608,"_313":609},{"_311":606,"_313":607},{"_311":604,"_313":605},"#706a65",0.0706,"#3a342f",0.1328,"#90774e",0.2488,"#b5b5c1",0.2506,"#ac8c4d",0.2972,"John Singer Sargent","john-singer-sargent","American, 1856–1925",1856,1925,"Florence","Sargent was born in Florence to American parents and grew up travelling across Europe.","the-pleiades-met-13070","The Pleiades",{"_42":666,"_222":667,"_324":668,"_326":327,"_328":669,"_330":670,"_332":374,"_334":671,"_336":-5,"_140":101},"24 1/8 x 37 5/8 in. (61.3 x 95.6 cm)",95.6,61.3,1.5268429487179487,[651,652,653,654,655],{"_221":371,"_222":372,"_42":373,"_304":374},"10.64.13","Elihu Vedder painted this in 1885, aged 49. It is now at The Met in New York.","The Pleiades, by Elihu Vedder, 1885",{"_295":648,"_297":649,"_299":650},"https://img.ochreeditions.com/m/860.jpg?dl=1","/art/the-pleiades-met-13070","/galleries/style/realism/the-pleiades-met-13070",{"_291":292,"_293":294},{"_225":643,"_125":644,"_285":645},{"_276":640,"_278":641,"_280":625,"_281":642},110.6,77.61285751771189,62.61285751771189,{"_287":225,"_123":646,"_154":647,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-elihu-vedder","Elihu Vedder's contemporaries","https://img.ochreeditions.com/a/860/480.jpg","https://img.ochreeditions.com/a/860/960.jpg","https://img.ochreeditions.com/a/860/1920.jpg",{"_311":664,"_313":665},{"_311":662,"_313":663},{"_311":660,"_313":661},{"_311":658,"_313":659},{"_311":656,"_313":657},"#3c3023",0.1711,"#6e5c4e",0.1823,"#634b32",0.1927,"#ae977a",0.1975,"#8c7259",0.2564,"Elihu Vedder","elihu-vedder","American, 1836–1923",1836,1923,"Rome","the-veteran-in-a-new-field-met-11145","The Veteran in a New Field",{"_42":718,"_222":719,"_324":720,"_326":327,"_328":669,"_330":721,"_332":722,"_334":723,"_336":724,"_140":53},"1865","24 1/8 x 38 1/8in. (61.3 x 96.8cm) Framed: 37 3/8 × 51 1/4 × 5 1/4 in. (94.9 × 130.2 × 13.3 cm)",96.8,1.5779874213836478,[703,704,705,706,707],{"_221":371,"_222":372,"_42":373,"_304":374},"67.187.131","Winslow Homer painted this in 1865, aged 29. It is now at The Met in New York.","A Union veteran, his army jacket and canteen thrown down at the lower right, swings a scythe through a vast field of ripe wheat, his back to us. Winslow Homer painted the picture in 1865, the year the Civil War ended, and it captures the hope that soldiers could return to peaceful work.","The Veteran in a New Field, by Winslow Homer, 1865",{"_295":700,"_297":701,"_299":702},"https://img.ochreeditions.com/m/834.jpg?dl=1","/art/the-veteran-in-a-new-field-met-11145","/galleries/style/realism/the-veteran-in-a-new-field-met-11145",{"_291":292,"_293":294},{"_225":695,"_125":696,"_285":697},{"_276":692,"_278":693,"_280":677,"_281":694},111.8,76.34396173774411,61.34396173774412,{"_287":225,"_123":698,"_154":699,"_140":53},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/834/480.jpg","https://img.ochreeditions.com/a/834/960.jpg","https://img.ochreeditions.com/a/834/1920.jpg",{"_311":716,"_313":717},{"_311":714,"_313":715},{"_311":712,"_313":713},{"_311":710,"_313":711},{"_311":708,"_313":709},"#ab7012",0.1555,"#46341d",0.166,"#845618",0.1926,"#66411a",0.2328,"#92cbca",0.2531,"Winslow Homer","winslow-homer","American, 1836–1910",1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","the-music-lesson-met-10240","The Music Lesson",{"_42":770,"_222":771,"_324":772,"_326":773,"_328":774,"_330":775,"_332":776,"_334":374,"_336":-5,"_140":103},"1870","24 x 20 in. (61 x 50.8 cm)",50.8,61,0.8471604292070138,[756,757,758,759,760],{"_221":371,"_222":372,"_42":373,"_304":374},"21.115.3","John George Brown painted this in 1870, aged 39. It is now at The Met in New York.","The Music Lesson, by John George Brown, 1870",{"_295":753,"_297":754,"_299":755},"https://img.ochreeditions.com/m/807.jpg?dl=1","/art/the-music-lesson-met-10240","/galleries/style/realism/the-music-lesson-met-10240",{"_291":292,"_293":294},{"_225":748,"_125":749,"_285":750},{"_276":745,"_278":746,"_280":747,"_281":731},66.67678618162785,76,51.67678618162785,{"_287":225,"_123":751,"_154":752,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-george-brown","John George Brown's contemporaries","https://img.ochreeditions.com/a/807/480.jpg","https://img.ochreeditions.com/a/807/960.jpg","https://img.ochreeditions.com/a/807/1920.jpg",{"_311":768,"_313":769},{"_311":766,"_313":767},{"_311":764,"_313":765},{"_311":763,"_313":554},{"_311":761,"_313":762},"#5e472d",0.1273,"#491e19","#3f3223",0.1968,"#302119",0.2662,"#1b1b17",0.2757,"John George Brown","john-george-brown","American, born England, 1831–1913","American, born England",1831,1913,"Durham","madame-x-virginie-amelie-avegno-gautreau-met-12127","Madame X (Virginie Amélie Avegno Gautreau)",{"_42":614,"_222":615,"_324":616,"_326":327,"_328":617,"_330":618,"_332":619,"_334":565,"_336":620,"_140":97},"1883–84","82 1/8 × 43 1/4 in. (208.6 × 109.9 cm) Framed: 95 3/4 × 56 5/8 × 5 in. (243.2 × 143.8 × 12.7 cm)",109.9,208.6,0.584,[807,808,809,810,811],{"_221":371,"_222":372,"_42":373,"_304":374},"16.53","John Singer Sargent painted this in 1883–84, aged about 27. It is now at The Met in New York.","Virginie Amélie Avegno Gautreau, an American-born beauty married to a French banker, stands in profile in a sleek black satin gown, one hand resting on a table, her skin powdered to a pale lavender.","Madame X (Virginie Amélie Avegno Gautreau), by John Singer Sargent, 1883–84",{"_295":804,"_297":805,"_299":806},"https://img.ochreeditions.com/m/853.jpg?dl=1","/art/madame-x-virginie-amelie-avegno-gautreau-met-12127","/galleries/style/realism/madame-x-virginie-amelie-avegno-gautreau-met-12127",{"_291":292,"_293":294},{"_225":801,"_125":802,"_285":803},{"_276":798,"_278":799,"_280":800,"_281":783},136.8224,223.6,121.82239999999999,{"_287":225,"_123":594,"_154":595,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/853/480.jpg","https://img.ochreeditions.com/a/853/960.jpg","https://img.ochreeditions.com/a/853/1920.jpg",{"_311":820,"_313":821},{"_311":818,"_313":819},{"_311":816,"_313":817},{"_311":814,"_313":815},{"_311":812,"_313":813},"#6b5f54",0.0232,"#a9998b",0.027,"#2d251f",0.2361,"#0a0909",0.3222,"#4c3f31",0.3915,"approaching-thunder-storm-met-11050","Approaching Thunder Storm",{"_42":867,"_222":868,"_324":869,"_326":327,"_328":870,"_330":871,"_332":-5,"_334":-5,"_336":872,"_140":97},"1859","28 x 44in. (71.1 x 111.8cm) Framed: 42 1/2 × 58 3/8 × 5 in. (108 × 148.3 × 12.7 cm)",1.5734939759036144,[852,853,854,855,856],{"_221":371,"_222":372,"_42":373,"_304":374},"1975.160","Martin Johnson Heade painted this in 1859, aged 40. It is now at The Met in New York.","An inky storm cloud spreads over still, black water, while a fisherman sits on the shore with his dog, watching, and a single white sail glows against the darkness.","Approaching Thunder Storm, by Martin Johnson Heade, 1859",{"_295":849,"_297":850,"_299":851},"https://img.ochreeditions.com/m/827.jpg?dl=1","/art/approaching-thunder-storm-met-11050","/galleries/style/realism/approaching-thunder-storm-met-11050",{"_291":292,"_293":294},{"_225":844,"_125":845,"_285":846},{"_276":841,"_278":842,"_280":692,"_281":843},126.8,86.052067381317,71.052067381317,{"_287":225,"_123":847,"_154":848,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/martin-johnson-heade","More by Martin Johnson Heade","https://img.ochreeditions.com/a/827/480.jpg","https://img.ochreeditions.com/a/827/960.jpg","https://img.ochreeditions.com/a/827/1920.jpg",{"_311":865,"_313":866},{"_311":863,"_313":864},{"_311":861,"_313":862},{"_311":859,"_313":860},{"_311":857,"_313":858},"#a57e52",0.0852,"#705631",0.0988,"#241e19",0.2023,"#544e40",0.2973,"#35322a",0.3164,"Martin Johnson Heade","martin-johnson-heade","1819–1904",1819,1904,"Heade travelled restlessly and worked in many genres, but is best known for three subjects: the salt marshes of New England and New Jersey, with haystacks under changing skies; hummingbirds and orchids, which he studied on journeys to Brazil and Central America; and, in later…","variations-in-violet-and-grey-market-place-dieppe-met-16863","Variations in Violet and Grey—Market Place, Dieppe",{"_42":559,"_222":560,"_324":561,"_326":327,"_328":562,"_330":563,"_332":564,"_334":565,"_336":566,"_140":231},"Gouache and watercolor on off-white wove paper, mounted on academy board","7 15/16 x 5 in. (20.2 x 12.7 cm)",12.7,20.2,0.593498119290704,[904,905,906,907,908],{"_221":371,"_222":372,"_42":373,"_304":374},"2000.512","James McNeill Whistler painted this in 1885, aged 51. It is now at The Met in New York.","A market square in the Normandy port of Dieppe is laid in with fluid washes of watercolour and gouache in violet and grey, figures and stalls suggested rather than described.","Variations in Violet and Grey—Market Place, Dieppe, by James McNeill Whistler, 1885",{"_295":901,"_297":902,"_299":903},"https://img.ochreeditions.com/m/868.jpg?dl=1","/art/variations-in-violet-and-grey-market-place-dieppe-met-16863","/galleries/style/realism/variations-in-violet-and-grey-market-place-dieppe-met-16863",{"_291":481,"_293":482},{"_225":898,"_125":899,"_285":900},{"_276":894,"_278":895,"_280":896,"_281":897},38.8374529822676,49,14.8374529822676,25,{"_287":225,"_123":536,"_154":537,"_140":231},{"_287":125,"_123":476,"_154":477,"_140":478},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/868/480.jpg","https://img.ochreeditions.com/a/868/960.jpg","https://img.ochreeditions.com/a/868/1920.jpg",{"_311":917,"_313":918},{"_311":915,"_313":916},{"_311":913,"_313":914},{"_311":911,"_313":912},{"_311":909,"_313":910},"#83817a",0.0921,"#ac9978",0.1135,"#a69f93",0.1875,"#d9caaf",0.2829,"#c2b5a0",0.324,"john-quincy-adams-ward-met-11448","John Quincy Adams Ward",{"_42":965,"_222":966,"_324":967,"_326":-5,"_328":774,"_330":968,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1863","Oil on panel","7 3/8 × 6 1/8 in. (18.7 × 15.6 cm)",15.6,18.7,0.8183663115169965,[950,951,952,953,954],{"_221":371,"_222":372,"_42":373,"_304":374},"1992.407","Henry Augustus Loop painted this in 1863, aged 32. It is now at The Met in New York.","John Quincy Adams Ward, by Henry Augustus Loop, 1863",{"_295":947,"_297":948,"_299":949},"https://img.ochreeditions.com/m/847.jpg?dl=1","/art/john-quincy-adams-ward-met-11448","/galleries/style/realism/john-quincy-adams-ward-met-11448",{"_291":292,"_293":294},{"_225":942,"_125":943,"_285":944},{"_276":940,"_278":478,"_280":941,"_281":897},35.45915778792491,20.459157787924912,{"_287":225,"_123":945,"_154":946,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-henry-augustus-loop","Henry Augustus Loop's contemporaries","https://img.ochreeditions.com/a/847/480.jpg","https://img.ochreeditions.com/a/847/960.jpg","https://img.ochreeditions.com/a/847/1920.jpg",{"_311":963,"_313":964},{"_311":961,"_313":962},{"_311":959,"_313":960},{"_311":957,"_313":958},{"_311":955,"_313":956},"#ddc4a1",0.0355,"#815032",0.0418,"#aa7f4c",0.0655,"#3b352f",0.3657,"#6a5a41",0.4915,"Henry Augustus Loop","henry-augustus-loop","1831–1895",1895,"newburyport-meadows-met-11053","Newburyport Meadows",{"_42":867,"_222":868,"_324":869,"_326":327,"_328":870,"_330":871,"_332":-5,"_334":-5,"_336":872,"_140":97},"ca. 1876–81","10 1/2 x 22 in. (26.7 x 55.9 cm)",55.9,26.7,2.1579841449603623,[999,1000,1001,1002,1003],{"_221":371,"_222":372,"_42":373,"_304":374},"1985.117","Martin Johnson Heade painted this in about 1876–81, aged about 54. It is now at The Met in New York.","Haystacks dot the flat salt marshes near Newburyport, Massachusetts, beneath a broad sky. Martin Johnson Heade painted the marshes of the northeastern coast more than a hundred times, fascinated by the way light and weather transformed their level horizons from hour to hour.","Newburyport Meadows, by Martin Johnson Heade, ca. 1876–81",{"_295":996,"_297":997,"_299":998},"https://img.ochreeditions.com/m/828.jpg?dl=1","/art/newburyport-meadows-met-11053","/galleries/style/realism/newburyport-meadows-met-11053",{"_291":292,"_293":294},{"_225":993,"_125":994,"_285":995},{"_276":990,"_278":991,"_280":974,"_281":992},70.9,40.903804775649434,25.903804775649437,{"_287":225,"_123":847,"_154":848,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/828/480.jpg","https://img.ochreeditions.com/a/828/960.jpg","https://img.ochreeditions.com/a/828/1920.jpg",{"_311":1012,"_313":1013},{"_311":1010,"_313":1011},{"_311":1008,"_313":1009},{"_311":1006,"_313":1007},{"_311":1004,"_313":1005},"#2f2e1d",0.1018,"#54512a",0.1169,"#897d38",0.1428,"#5f6250",0.2446,"#a49f85",0.3939,"an-orange-note-sweet-shop-si-fsg-f1904-315a-c","An Orange Note: Sweet Shop",{"_42":559,"_222":560,"_324":561,"_326":327,"_328":562,"_330":563,"_332":564,"_334":565,"_336":566,"_140":231},"1883 or 1884","Oil on wood panel","H x W: 12.2 x 21.5 cm (4 13/16 x 8 7/16 in)",21.5,12.2,1.706102117061021,[1044,1045,1046,1047,1048],{"_221":301,"_222":302,"_42":303,"_304":305},"F1904.315a-c","James McNeill Whistler painted this in 1883 or 1884, aged about 49. It is now at the National Museum of Asian Art in Washington, DC.",{"_118":1043,"_542":543},{"_295":1040,"_297":1041,"_299":1042},"https://img.ochreeditions.com/m/1779.jpg?dl=1","/art/an-orange-note-sweet-shop-si-fsg-f1904-315a-c","/galleries/style/realism/an-orange-note-sweet-shop-si-fsg-f1904-315a-c",{"_291":292,"_293":294},{"_225":1037,"_125":1038,"_285":1039},{"_276":478,"_278":1035,"_280":897,"_281":1036},29.653284671532845,14.653284671532846,{"_287":225,"_123":536,"_154":537,"_140":231},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1779/480.jpg","https://img.ochreeditions.com/a/1779/960.jpg","https://img.ochreeditions.com/a/1779/1920.jpg","This is one of several paintings of shop fronts that Whistler completed while in St. Ives. Sympathetic critics singled it out for enthusiastic praise when Whistler exhibited it in London in 1884.",{"_311":1057,"_313":1058},{"_311":1055,"_313":1056},{"_311":1053,"_313":1054},{"_311":1051,"_313":1052},{"_311":1049,"_313":1050},"#cac6c8",0.084,"#2e2a24",0.1596,"#5d5242",0.2247,"#746a57",0.2618,"#453a2b",0.2699,"rookwood-pottery-si-chndm-1950-56-2","Rookwood Pottery",{"_42":1118,"_222":1119,"_324":1120,"_326":-5,"_328":1121,"_330":1122,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1886","drawing","Drawing","Pen and ink, brush and black and brown watercolor, grey gouache, graphite on illustration board","53.6 × 36.6 cm (21 1/8 × 14 7/16 in.)",36.6,53.6,0.6903466500854967,[1103,1104,1105,1106,1107],{"_221":301,"_222":302,"_42":303,"_304":374},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1950-56-2","George Gibson painted this in 1886, aged 66. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1101,"_542":1102},"ROOKWOOD POTTERY",{"_295":1098,"_297":1099,"_299":1100},"https://img.ochreeditions.com/m/1750.jpg?dl=1","/art/rookwood-pottery-si-chndm-1950-56-2","/galleries/style/realism/rookwood-pottery-si-chndm-1950-56-2",{"_291":481,"_293":482},{"_225":1087,"_125":1088,"_285":1089},{"_276":1084,"_278":1085,"_280":1086,"_281":1068},61.00258044458262,77.6,37.00258044458262,{"_287":225,"_123":1096,"_154":1097,"_140":89},{"_287":125,"_123":1093,"_154":1094,"_140":1095},{"_287":285,"_123":1090,"_154":1091,"_140":1092},"era/19","The 19th century",731,"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-george-gibson","George Gibson's contemporaries","https://img.ochreeditions.com/a/1750/480.jpg","https://img.ochreeditions.com/a/1750/960.jpg","https://img.ochreeditions.com/a/1750/1920.jpg","Groups of pottery arranged on four shelves, along the top of the page and to the left.","Text from Cooper Hewitt, Smithsonian Design Museum.",{"_311":1116,"_313":1117},{"_311":1114,"_313":1115},{"_311":1112,"_313":1113},{"_311":1110,"_313":1111},{"_311":1108,"_313":1109},"#454540",0.0412,"#757166",0.081,"#a49989",0.0973,"#cebca8",0.1357,"#e7d1bc",0.6448,"George Gibson","george-gibson","1820–1896",1820,1896,{"_1124":-5,"_1125":1126,"_1127":1128,"_1129":8,"_1130":1131,"_1132":8},"user","csrf","aaae050cd2a34248296b08771a64c3547d329acc","cartCount",0,"dropLive","legal",[1133,1134,1135,1136,1137,1138,1139,1140,1141,1142,1143,1144],"uploadsEnabled",{"_222":1167,"_20":1168},{"_222":1165,"_20":1166},{"_222":1163,"_20":1164},{"_222":1161,"_20":1162},{"_222":1159,"_20":1160},{"_222":1157,"_20":1158},{"_222":1155,"_20":1156},{"_222":1153,"_20":1154},{"_222":1151,"_20":1152},{"_222":1149,"_20":1150},{"_222":1147,"_20":1148},{"_222":1145,"_20":1146},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]