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It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.","Thomas Anshutz",{"_297":423,"_299":424,"_301":425},"https://img.ochreeditions.com/m/1827.jpg?dl=1","/art/factory-study-for-ironworkers-noontime-verso-still-life-with-si-hmsg-66-55-a-b","/galleries/style/realism/factory-study-for-ironworkers-noontime-verso-still-life-with-si-hmsg-66-55-a-b",{"_293":294,"_295":296},{"_226":418,"_125":419,"_287":420},{"_278":415,"_280":416,"_282":399,"_283":417},47.7,36.178700000000006,21.178700000000003,{"_289":226,"_123":421,"_154":422,"_140":99},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":165,"_154":164,"_140":167},"artist/thomas-anshutz","More by Thomas Anshutz","https://img.ochreeditions.com/a/1827/480.jpg","https://img.ochreeditions.com/a/1827/960.jpg","https://img.ochreeditions.com/a/1827/1920.jpg","si","smithsonian","Smithsonian Institution","Washington, DC",{"_313":443,"_315":444},{"_313":441,"_315":442},{"_313":439,"_315":440},{"_313":437,"_315":438},{"_313":435,"_315":436},"#55524b",0.0278,"#483623",0.0617,"#261f17",0.1425,"#393427",0.2611,"#0a090a",0.5069,"thomas-anshutz","American, 1851–1912",1851,1912,"Newport, Kentucky","Fort Washington, Pennsylvania","Anshutz studied at the Pennsylvania Academy of the Fine Arts under Thomas Eakins, assisting his photographic and anatomical studies, and succeeded him as a teacher there after Eakins was forced out in 1886.","a-village-square-si-chndm-1912-16-118","A Village Square",{"_42":514,"_223":515,"_327":516,"_329":-5,"_331":517,"_333":518,"_335":-5,"_336":-5,"_337":-5,"_140":101},"1875–80","drawing","Drawing","Graphite and black crayon on rough grey paper","22.5 × 38.3 cm (8 7/8 × 15 1/16 in.)",38.3,22.5,1.6611830591529577,[499,500,501,502,503],{"_222":426,"_223":427,"_42":428,"_306":307},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1912-16-118","Walter Shirlaw drew this in 1875–80, aged 37. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":496,"_497":498},"A VILLAGE SQUARE",{"_297":493,"_299":494,"_301":495},"https://img.ochreeditions.com/m/1716.jpg?dl=1","/art/a-village-square-si-chndm-1912-16-118","/galleries/style/realism/a-village-square-si-chndm-1912-16-118",{"_293":491,"_295":492},{"_226":480,"_125":481,"_287":482},{"_278":477,"_280":478,"_282":460,"_283":479},62.3,47.05585756426464,23.05585756426464,{"_289":226,"_123":489,"_154":490,"_140":89},{"_289":125,"_123":486,"_154":487,"_140":488},{"_289":287,"_123":483,"_154":484,"_140":485},"era/19","The 19th century",731,"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-walter-shirlaw","Walter Shirlaw's contemporaries","black","snow","https://img.ochreeditions.com/a/1716/480.jpg","https://img.ochreeditions.com/a/1716/960.jpg","https://img.ochreeditions.com/a/1716/1920.jpg","A square is bordered at left and at the back by houses, at right by a garden wall. A tree is shown in the center. An oxcart and a plain wagon are near it.","source","Text from Cooper Hewitt, Smithsonian Design Museum.",{"_313":512,"_315":513},{"_313":510,"_315":511},{"_313":508,"_315":509},{"_313":506,"_315":507},{"_313":504,"_315":505},"#878275",0.0687,"#e1d6bf",0.0765,"#9c9685",0.1501,"#b0a894",0.16,"#c1b8a2",0.5447,"Walter Shirlaw","walter-shirlaw","1838–1909",1838,1909,"still-life-violin-and-music-met-10997","Still Life—Violin and Music",{"_42":565,"_223":566,"_327":567,"_329":568,"_331":569,"_333":570,"_335":-5,"_336":-5,"_337":-5,"_140":101},"1888","40 x 30 in. (101.6 x 76.2 cm)",76.2,101.6,0.7608812466415905,[550,551,552,553,554],{"_222":303,"_223":304,"_42":305,"_306":307},"63.85","William Michael Harnett painted this in 1888, aged 40. It is now at The Met in New York.","Still Life—Violin and Music, by William Michael Harnett, 1888",{"_297":547,"_299":548,"_301":549},"https://img.ochreeditions.com/m/826.jpg?dl=1","/art/still-life-violin-and-music-met-10997","/galleries/style/realism/still-life-violin-and-music-met-10997",{"_293":294,"_295":296},{"_226":542,"_125":543,"_287":544},{"_278":539,"_280":540,"_282":541,"_283":525},92.30553465878559,116.6,77.30553465878559,{"_289":226,"_123":545,"_154":546,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-william-michael-harnett","William Michael Harnett's contemporaries","https://img.ochreeditions.com/a/826/480.jpg","https://img.ochreeditions.com/a/826/960.jpg","https://img.ochreeditions.com/a/826/1920.jpg",{"_313":563,"_315":564},{"_313":561,"_315":562},{"_313":559,"_315":560},{"_313":557,"_315":558},{"_313":555,"_315":556},"#74441e",0.0345,"#2d2a1e",0.1087,"#786546",0.1764,"#9b8662",0.3063,"#55452c",0.3741,"William Michael Harnett","william-michael-harnett","after William M. Harnett (American, 1848–1892)","after William M. Harnett (American",1848,1892,"roses-in-a-vase-nga-52260","Roses in a Vase","Unrecorded French maker","1880/1900","france","oil on wood","overall: 8.7 x 14.9 cm (3 7/16 x 5 7/8 in.) framed: 19.3 x 25.4 x 4.7 cm (7 5/8 x 10 x 1 7/8 in.)",14.9,8.7,1.7116590054325116,[612,613,614,615,616],{"_222":609,"_223":610,"_42":611,"_306":429},"Courtesy National Gallery of Art, Washington","1970.17.116","An unrecorded French artist painted this in 1880/1900. It is now at the National Gallery of Art in Washington, DC.","Roses in a Vase, 1880/1900",{"_297":606,"_299":607,"_301":608},"https://img.ochreeditions.com/m/1548.jpg?dl=1","/art/roses-in-a-vase-nga-52260","/galleries/style/realism/roses-in-a-vase-nga-52260",{"_293":294,"_295":296},{"_226":598,"_125":599,"_287":600},{"_278":594,"_280":595,"_282":596,"_283":597},40,29.605712890625,25,14.605712890625,{"_289":226,"_123":604,"_154":605,"_140":87},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":601,"_154":602,"_140":603},"era/19-france","19th-century France",237,"artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/1548/480.jpg","https://img.ochreeditions.com/a/1548/960.jpg","https://img.ochreeditions.com/a/1548/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_313":625,"_315":626},{"_313":623,"_315":624},{"_313":621,"_315":622},{"_313":619,"_315":620},{"_313":617,"_315":618},"#7c4821",0.0828,"#d2928e",0.1254,"#d5c1a1",0.133,"#857231",0.1672,"#332d12",0.4916,"plums-met-11096","Plums",{"_42":678,"_223":679,"_327":680,"_329":681,"_331":682,"_333":683,"_335":684,"_336":685,"_337":-5,"_140":103},"1870","watercolour","Watercolor","Watercolor, graphite, and gouache on off-white Bristol board","7 1/8 x 12 in. (18.1 x 30.5 cm)",30.5,18.1,1.6952846975088969,[663,664,665,666,667],{"_222":303,"_223":304,"_42":305,"_306":307},"82.9.1","John William Hill painted this in 1870, aged 58. It is now at The Met in New York.","Plums, by John William Hill, 1870",{"_297":660,"_299":661,"_301":662},"https://img.ochreeditions.com/m/831.jpg?dl=1","/art/plums-met-11096","/galleries/style/realism/plums-met-11096",{"_293":491,"_295":492},{"_226":653,"_125":654,"_287":655},{"_278":650,"_280":651,"_282":635,"_283":652},54.5,41.99107845709787,17.991078457097874,{"_289":226,"_123":658,"_154":659,"_140":89},{"_289":125,"_123":656,"_154":657,"_140":594},{"_289":287,"_123":165,"_154":164,"_140":167},"style/watercolour-19","More watercolours of the 19th century","artist/contemporaries-of-john-william-hill","John William Hill's contemporaries","https://img.ochreeditions.com/a/831/480.jpg","https://img.ochreeditions.com/a/831/960.jpg","https://img.ochreeditions.com/a/831/1920.jpg",{"_313":676,"_315":677},{"_313":674,"_315":675},{"_313":672,"_315":673},{"_313":670,"_315":671},{"_313":668,"_315":669},"#7a6c7d",0.0633,"#6e7953",0.0892,"#a29c77",0.1065,"#906d45",0.2307,"#caa36f",0.5103,"John William Hill","john-william-hill","American, born England, 1812–1879","American, born England",1812,1879,"London","West Nyack, New York","at-the-seaside-met-10464","At the Seaside",{"_42":733,"_223":734,"_327":735,"_329":330,"_331":736,"_333":390,"_335":737,"_336":307,"_337":738,"_140":93},"ca. 1892","20 × 34 in. (50.8 × 86.4 cm)",86.4,50.8,1.6656468531468531,[718,719,720,721,722],{"_222":303,"_223":304,"_42":305,"_306":307},"67.187.123","William Merritt Chase painted this in about 1892, aged about 40. It is now at The Met in New York.","Figures in summer dress relax on the sand beside a wide, glittering sea in one of the beach scenes William Merritt Chase painted in the early 1890s.","At the Seaside, by William Merritt Chase, ca. 1892",{"_297":715,"_299":716,"_301":717},"https://img.ochreeditions.com/m/808.jpg?dl=1","/art/at-the-seaside-met-10464","/galleries/style/realism/at-the-seaside-met-10464",{"_293":294,"_295":296},{"_226":710,"_125":711,"_287":712},{"_278":707,"_280":708,"_282":691,"_283":709},101.4,66.87173970086592,51.871739700865916,{"_289":226,"_123":713,"_154":714,"_140":93},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":165,"_154":164,"_140":167},"artist/william-merritt-chase","More by William Merritt Chase","https://img.ochreeditions.com/a/808/480.jpg","https://img.ochreeditions.com/a/808/960.jpg","https://img.ochreeditions.com/a/808/1920.jpg",{"_313":731,"_315":732},{"_313":729,"_315":730},{"_313":727,"_315":728},{"_313":725,"_315":726},{"_313":723,"_315":724},"#9e5744",0.0292,"#62647a",0.1345,"#7d9dc7",0.1941,"#9c8f89",0.2734,"#babdc6",0.3688,"William Merritt Chase","william-merritt-chase","American, 1849–1916",1849,"Williamsburg, Indiana","Chase studied at the Royal Academy in Munich, then returned to New York in 1878 to teach at the Art Students League, setting up a lavish Tenth Street studio that became a showcase.","the-veteran-in-a-new-field-met-11145","The Veteran in a New Field",{"_42":785,"_223":786,"_327":787,"_329":330,"_331":788,"_333":789,"_335":790,"_336":791,"_337":792,"_140":53},"1865","24 1/8 x 38 1/8in. (61.3 x 96.8cm) Framed: 37 3/8 × 51 1/4 × 5 1/4 in. (94.9 × 130.2 × 13.3 cm)",96.8,61.3,1.5779874213836478,[770,771,772,773,774],{"_222":303,"_223":304,"_42":305,"_306":307},"67.187.131","Winslow Homer painted this in 1865, aged 29. It is now at The Met in New York.","A Union veteran, his army jacket and canteen thrown down at the lower right, swings a scythe through a vast field of ripe wheat, his back to us. Winslow Homer painted the picture in 1865, the year the Civil War ended, and it captures the hope that soldiers could return to peaceful work.","The Veteran in a New Field, by Winslow Homer, 1865",{"_297":767,"_299":768,"_301":769},"https://img.ochreeditions.com/m/834.jpg?dl=1","/art/the-veteran-in-a-new-field-met-11145","/galleries/style/realism/the-veteran-in-a-new-field-met-11145",{"_293":294,"_295":296},{"_226":762,"_125":763,"_287":764},{"_278":245,"_280":760,"_282":744,"_283":761},76.34396173774411,61.34396173774412,{"_289":226,"_123":765,"_154":766,"_140":53},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":165,"_154":164,"_140":167},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/834/480.jpg","https://img.ochreeditions.com/a/834/960.jpg","https://img.ochreeditions.com/a/834/1920.jpg",{"_313":783,"_315":784},{"_313":781,"_315":782},{"_313":779,"_315":780},{"_313":777,"_315":778},{"_313":775,"_315":776},"#ab7012",0.1555,"#46341d",0.166,"#845618",0.1926,"#66411a",0.2328,"#92cbca",0.2531,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","pink-note-shelling-peas-si-fsg-f1902-166a-c","Pink Note–Shelling Peas",{"_42":842,"_223":843,"_327":844,"_329":330,"_331":845,"_333":846,"_335":847,"_336":684,"_337":848,"_140":232},"1882-1884","Watercolor on paper","H x W: 24.3 x 14.6 cm (9 9/16 x 5 3/4 in)",14.6,24.3,0.6109779482262704,[827,828,829,830,831],{"_222":426,"_223":427,"_42":428,"_306":429},"Courtesy of the National Museum of Asian Art, Smithsonian Institution","F1902.166a-c","James McNeill Whistler painted this in 1882-1884, aged about 48. It is now at the National Museum of Asian Art in Washington, DC.",{"_118":825,"_497":826},{"_297":822,"_299":823,"_301":824},"https://img.ochreeditions.com/m/1766.jpg?dl=1","/art/pink-note-shelling-peas-si-fsg-f1902-166a-c","/galleries/style/realism/pink-note-shelling-peas-si-fsg-f1902-166a-c",{"_293":294,"_295":296},{"_226":817,"_125":818,"_287":819},{"_278":815,"_280":594,"_282":816,"_283":596},30.27444870565676,15.27444870565676,{"_289":226,"_123":820,"_154":821,"_140":232},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":165,"_154":164,"_140":167},"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/1766/480.jpg","https://img.ochreeditions.com/a/1766/960.jpg","https://img.ochreeditions.com/a/1766/1920.jpg","An open door at the back of a kitchen frames a woman sitting in a garden; signed with the butterfly at left, on tablecloth.","Text from the National Museum of Asian Art.",{"_313":840,"_315":841},{"_313":838,"_315":839},{"_313":836,"_315":837},{"_313":834,"_315":835},{"_313":832,"_315":833},"#f2f0f1",0.1182,"#9c865e",0.1707,"#b3a58d",0.2043,"#72634a",0.2131,"#8c7f64",0.2937,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,1903,"Lowell, Massachusetts","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","young-husband-first-marketing-met-21126","Young Husband: First Marketing",{"_42":895,"_223":896,"_327":897,"_329":330,"_331":898,"_333":899,"_335":-5,"_336":-5,"_337":-5,"_140":101},"1854","29 1/2 x 24 3/4 in. (74.9 x 62.9 cm)",62.9,74.9,0.8345825794779013,[880,881,882,883,884],{"_222":303,"_223":304,"_42":305,"_306":307},"2015.401","Lilly Martin Spencer painted this in 1854, aged 32. It is now at The Met in New York.","Young Husband: First Marketing, by Lilly Martin Spencer, 1854",{"_297":877,"_299":878,"_301":879},"https://img.ochreeditions.com/m/870.jpg?dl=1","/art/young-husband-first-marketing-met-21126","/galleries/style/realism/young-husband-first-marketing-met-21126",{"_293":294,"_295":296},{"_226":872,"_125":873,"_287":874},{"_278":869,"_280":870,"_282":871,"_283":855},77.51023520289482,89.9,62.51023520289481,{"_289":226,"_123":875,"_154":876,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-lilly-martin-spencer","Lilly Martin Spencer's contemporaries","https://img.ochreeditions.com/a/870/480.jpg","https://img.ochreeditions.com/a/870/960.jpg","https://img.ochreeditions.com/a/870/1920.jpg",{"_313":893,"_315":894},{"_313":891,"_315":892},{"_313":889,"_315":890},{"_313":887,"_315":888},{"_313":885,"_315":886},"#8f633d",0.0796,"#1a1613",0.1527,"#6b4c34",0.2202,"#38251c",0.2594,"#4e3727",0.2881,"Lilly Martin Spencer","lilly-martin-spencer","1822–1902",1822,1902,"wild-roses-and-irises-met-11376","Wild Roses and Irises",{"_42":947,"_223":948,"_327":949,"_329":330,"_331":950,"_333":789,"_335":307,"_336":951,"_337":-5,"_140":101},"1887","Gouache and watercolor on white wove paper","14 1/2 x 10 7/16 in. (36.8 x 26.5 cm)",26.5,36.8,0.746031746031746,[932,933,934,935,936],{"_222":303,"_223":304,"_42":305,"_306":307},"50.113.3","John La Farge painted this in 1887, aged 52. It is now at The Met in New York.","Wild Roses and Irises, by John La Farge, 1887",{"_297":929,"_299":930,"_301":931},"https://img.ochreeditions.com/m/843.jpg?dl=1","/art/wild-roses-and-irises-met-11376","/galleries/style/realism/wild-roses-and-irises-met-11376",{"_293":491,"_295":492},{"_226":924,"_125":925,"_287":926},{"_278":921,"_280":922,"_282":923,"_283":907},51.453968253968256,60.8,27.453968253968252,{"_289":226,"_123":927,"_154":928,"_140":89},{"_289":125,"_123":656,"_154":657,"_140":594},{"_289":287,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-john-la-farge","John La Farge's contemporaries","https://img.ochreeditions.com/a/843/480.jpg","https://img.ochreeditions.com/a/843/960.jpg","https://img.ochreeditions.com/a/843/1920.jpg",{"_313":945,"_315":946},{"_313":943,"_315":944},{"_313":941,"_315":942},{"_313":939,"_315":940},{"_313":937,"_315":938},"#596484",0.0531,"#a89c8d",0.1038,"#f2eade",0.2269,"#5d6a4b",0.2874,"#4e554c",0.3288,"John La Farge","john-la-farge","American, 1835–1910",1835,"Providence, Rhode Island","washington-crossing-the-delaware-met-11417","Washington Crossing the Delaware",{"_42":999,"_223":1000,"_327":1001,"_329":1002,"_331":1003,"_333":1004,"_335":1005,"_336":1006,"_337":-5,"_140":103},"1851","149 x 255 in. (378.5 x 647.7 cm)",647.7,378.5,1.7066079295154184,[984,985,986,987,988],{"_222":303,"_223":304,"_42":305,"_306":307},"97.34","Emanuel Leutze painted this in 1851, aged 35. It is now at The Met in New York.","Washington Crossing the Delaware, by Emanuel Leutze, 1851",{"_297":981,"_299":982,"_301":983},"https://img.ochreeditions.com/m/846.jpg?dl=1","/art/washington-crossing-the-delaware-met-11417","/galleries/style/realism/washington-crossing-the-delaware-met-11417",{"_293":294,"_295":296},{"_226":976,"_125":977,"_287":978},{"_278":972,"_280":973,"_282":974,"_283":975},255,155.62983995869902,240,140.62983995869902,{"_289":226,"_123":979,"_154":980,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-emanuel-leutze","Emanuel Leutze's contemporaries","https://img.ochreeditions.com/a/846/480.jpg","https://img.ochreeditions.com/a/846/960.jpg","https://img.ochreeditions.com/a/846/1920.jpg",{"_313":997,"_315":998},{"_313":995,"_315":996},{"_313":993,"_315":994},{"_313":991,"_315":992},{"_313":989,"_315":990},"#cfbf9a",0.1347,"#95886d",0.1622,"#5b4a36",0.1959,"#3d3329",0.2466,"#6c6757",0.2606,"Emanuel Leutze","emanuel-leutze","German American, 1816–1868","German American",1816,1868,"Schwäbisch Gmünd","Washington, D.C.","arrangement-in-flesh-colour-and-black-portrait-of-theodore-d-met-13211","Arrangement in Flesh Colour and Black: Portrait of Theodore Duret",{"_42":842,"_223":843,"_327":844,"_329":330,"_331":845,"_333":846,"_335":847,"_336":684,"_337":848,"_140":232},"1883","76 1/8 x 35 3/4 in. (193.4 x 90.8 cm)",90.8,193.4,0.4744760881246642,[1037,1038,1039,1040,1041],{"_222":303,"_223":304,"_42":305,"_306":307},"13.20","James McNeill Whistler painted this in 1883, aged 49. It is now at The Met in New York.","The critic Théodore Duret stands at full length in formal evening dress, a pink domino, the cloak worn to masked balls, draped over his arm and a fan in his hand, against a background of pale, warm flesh tones.","Arrangement in Flesh Colour and Black: Portrait of Theodore Duret, by James McNeill Whistler, 1883",{"_297":1034,"_299":1035,"_301":1036},"https://img.ochreeditions.com/m/862.jpg?dl=1","/art/arrangement-in-flesh-colour-and-black-portrait-of-theodore-d-met-13211","/galleries/style/realism/arrangement-in-flesh-colour-and-black-portrait-of-theodore-d-met-13211",{"_293":294,"_295":296},{"_226":1031,"_125":1032,"_287":1033},{"_278":1028,"_280":1029,"_282":1030,"_283":1013},106.76367544331005,208.4,91.76367544331005,{"_289":226,"_123":820,"_154":821,"_140":232},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/862/480.jpg","https://img.ochreeditions.com/a/862/960.jpg","https://img.ochreeditions.com/a/862/1920.jpg",{"_313":1050,"_315":1051},{"_313":1048,"_315":1049},{"_313":1046,"_315":1047},{"_313":1044,"_315":1045},{"_313":1042,"_315":1043},"#695d46",0.1453,"#908164",0.1531,"#22231c",0.1578,"#51442a",0.2505,"#b1a388",0.2933,"garden-view-brooklyn-met-853646","Garden View, Brooklyn",{"_42":1098,"_223":1099,"_327":1100,"_329":330,"_331":845,"_333":1101,"_335":1102,"_336":1103,"_337":-5,"_140":101},"ca. 1867","Watercolor and gouache, with traces of graphite underdrawing, on tan hot-pressed wove paper","8 × 5 1/8 in. (20.3 × 13 cm)",20.3,0.657,[1083,1084,1085,1086,1087],{"_222":303,"_223":304,"_42":305,"_306":307},"2021.161.1","Fidelia Bridges painted this in about 1867, aged about 28. It is now at The Met in New York.","Garden View, Brooklyn, by Fidelia Bridges, ca. 1867",{"_297":1080,"_299":1081,"_301":1082},"https://img.ochreeditions.com/m/1294.jpg?dl=1","/art/garden-view-brooklyn-met-853646","/galleries/style/realism/garden-view-brooklyn-met-853646",{"_293":491,"_295":492},{"_226":1075,"_125":1076,"_287":1077},{"_278":1072,"_280":1073,"_282":1074,"_283":596},40.425,49,16.425,{"_289":226,"_123":1078,"_154":1079,"_140":89},{"_289":125,"_123":656,"_154":657,"_140":594},{"_289":287,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-fidelia-bridges","Fidelia Bridges's contemporaries","https://img.ochreeditions.com/a/1294/480.jpg","https://img.ochreeditions.com/a/1294/960.jpg","https://img.ochreeditions.com/a/1294/1920.jpg",{"_313":1096,"_315":1097},{"_313":1094,"_315":1095},{"_313":1092,"_315":1093},{"_313":1090,"_315":1091},{"_313":1088,"_315":1089},"#c0b980",0.1004,"#ece2d2",0.1097,"#7f7257",0.1957,"#aa957e",0.2362,"#c5af99",0.358,"Fidelia Bridges","fidelia-bridges","American, 1834–1923",1923,"Salem, Massachusetts","Canaan, Connecticut","newburyport-meadows-met-11053","Newburyport Meadows",{"_42":325,"_223":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":-5,"_336":-5,"_337":338,"_140":97},"ca. 1876–81","10 1/2 x 22 in. (26.7 x 55.9 cm)",55.9,26.7,2.1579841449603623,[1134,1135,1136,1137,1138],{"_222":303,"_223":304,"_42":305,"_306":307},"1985.117","Martin Johnson Heade painted this in about 1876–81, aged about 54. It is now at The Met in New York.","Haystacks dot the flat salt marshes near Newburyport, Massachusetts, beneath a broad sky. Martin Johnson Heade painted the marshes of the northeastern coast more than a hundred times, fascinated by the way light and weather transformed their level horizons from hour to hour.","Newburyport Meadows, by Martin Johnson Heade, ca. 1876–81",{"_297":1131,"_299":1132,"_301":1133},"https://img.ochreeditions.com/m/828.jpg?dl=1","/art/newburyport-meadows-met-11053","/galleries/style/realism/newburyport-meadows-met-11053",{"_293":294,"_295":296},{"_226":1128,"_125":1129,"_287":1130},{"_278":1125,"_280":1126,"_282":1109,"_283":1127},70.9,40.903804775649434,25.903804775649437,{"_289":226,"_123":169,"_154":168,"_140":97},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/828/480.jpg","https://img.ochreeditions.com/a/828/960.jpg","https://img.ochreeditions.com/a/828/1920.jpg",{"_313":1147,"_315":1148},{"_313":1145,"_315":1146},{"_313":1143,"_315":1144},{"_313":1141,"_315":1142},{"_313":1139,"_315":1140},"#2f2e1d",0.1018,"#54512a",0.1169,"#897d38",0.1428,"#5f6250",0.2446,"#a49f85",0.3939,{"_1150":-5,"_1151":1152,"_1153":1154,"_1155":8,"_1156":1157,"_1158":8},"user","csrf","82e2e5217586a6df05b39a349b0c5064e2b24eab","cartCount",0,"dropLive","legal",[1159,1160,1161,1162,1163,1164,1165,1166,1167,1168,1169,1170],"uploadsEnabled",{"_223":1193,"_20":1194},{"_223":1191,"_20":1192},{"_223":1189,"_20":1190},{"_223":1187,"_20":1188},{"_223":1185,"_20":1186},{"_223":1183,"_20":1184},{"_223":1181,"_20":1182},{"_223":1179,"_20":1180},{"_223":1177,"_20":1178},{"_223":1175,"_20":1176},{"_223":1173,"_20":1174},{"_223":1171,"_20":1172},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]