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(81.9 x 117.5 cm)",117.5,81.9,1.4289463817022872,[378,379,380,381,382],{"_223":374,"_224":375,"_42":376,"_306":377},"Courtesy of The Metropolitan Museum of Art","34.92","Thomas Eakins painted this in 1871, aged 27. It is now at The Met in New York.","Max Schmitt, a champion rower and boyhood friend of the painter, rests on his oars on the Schuylkill River in Philadelphia, turning towards us in low autumn light, while behind him Eakins himself pulls away in another scull, his name inscribed on its stern. 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(71.1 x 91.4 cm)",91.4,71.1,1.2861964225447182,[487,488,489,490,491],{"_223":374,"_224":375,"_42":376,"_306":377},"50.130.14","John Singer Sargent painted this in 1885, aged 29. It is now at The Met in New York.","Farm workers rest among the sheaves at the edge of a wheat field, painted with quick, broad strokes and high-keyed colour.","Reapers Resting in a Wheat Field, by John Singer Sargent, 1885",{"_297":484,"_299":485,"_301":486},"https://img.ochreeditions.com/m/854.jpg?dl=1","/art/reapers-resting-in-a-wheat-field-met-12162","/galleries/style/realism/reapers-resting-in-a-wheat-field-met-12162",{"_293":294,"_295":296},{"_227":479,"_125":480,"_287":481},{"_278":476,"_280":477,"_282":460,"_283":478},106.4,86.06224088165835,71.06224088165835,{"_289":227,"_123":482,"_154":483,"_140":97},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/john-singer-sargent","More by John Singer Sargent","https://img.ochreeditions.com/a/854/480.jpg","https://img.ochreeditions.com/a/854/960.jpg","https://img.ochreeditions.com/a/854/1920.jpg",{"_313":500,"_315":501},{"_313":498,"_315":499},{"_313":496,"_315":497},{"_313":494,"_315":495},{"_313":492,"_315":493},"#706a65",0.0706,"#3a342f",0.1328,"#90774e",0.2488,"#b5b5c1",0.2506,"#ac8c4d",0.2972,"John Singer Sargent","john-singer-sargent","American, 1856–1925",1856,1925,"Florence","London","Sargent was born in Florence to American parents and grew up travelling across Europe.","sunrise-met-11235","Sunrise",{"_42":556,"_224":557,"_326":558,"_328":329,"_330":559,"_332":560,"_334":561,"_336":562,"_338":563,"_140":95},"1887","30 x 45 1/4 in. (76.2 x 114.9 cm)",114.9,76.2,1.505380476556495,[541,542,543,544,545],{"_223":374,"_224":375,"_42":376,"_306":377},"54.156","George Inness painted this in 1887, aged 62. It is now at The Met in New York.","Sunrise, by George Inness, 1887",{"_297":538,"_299":539,"_301":540},"https://img.ochreeditions.com/m/837.jpg?dl=1","/art/sunrise-met-11235","/galleries/style/realism/sunrise-met-11235",{"_293":294,"_295":296},{"_227":533,"_125":534,"_287":535},{"_278":530,"_280":531,"_282":515,"_283":532},129.9,91.32621904518764,76.32621904518764,{"_289":227,"_123":536,"_154":537,"_140":95},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/george-inness","More by George Inness","https://img.ochreeditions.com/a/837/480.jpg","https://img.ochreeditions.com/a/837/960.jpg","https://img.ochreeditions.com/a/837/1920.jpg",{"_313":554,"_315":555},{"_313":552,"_315":553},{"_313":550,"_315":551},{"_313":548,"_315":549},{"_313":546,"_315":547},"#8f6a25",0.0967,"#362e0c",0.1682,"#795b23",0.186,"#5d4719",0.1908,"#47390e",0.3583,"George Inness","george-inness","American, 1825–1894",1825,1894,"Newburgh, New York","Bridge of Allan, Scotland","Inness was largely self-taught and began in the manner of the Hudson River School, but journeys to Italy and France, where he admired the Barbizon painters, led him towards broader, more atmospheric landscapes.","variations-in-violet-and-grey-market-place-dieppe-met-16863","Variations in Violet and Grey—Market Place, Dieppe",{"_42":619,"_224":620,"_326":621,"_328":329,"_330":622,"_332":623,"_334":624,"_336":508,"_338":625,"_140":233},"watercolour","Watercolor","Gouache and watercolor on off-white wove paper, mounted on academy board","7 15/16 x 5 in. (20.2 x 12.7 cm)",12.7,20.2,0.593498119290704,[604,605,606,607,608],{"_223":374,"_224":375,"_42":376,"_306":377},"2000.512","James McNeill Whistler painted this in 1885, aged 51. It is now at The Met in New York.","A market square in the Normandy port of Dieppe is laid in with fluid washes of watercolour and gouache in violet and grey, figures and stalls suggested rather than described.","Variations in Violet and Grey—Market Place, Dieppe, by James McNeill Whistler, 1885",{"_297":601,"_299":602,"_301":603},"https://img.ochreeditions.com/m/868.jpg?dl=1","/art/variations-in-violet-and-grey-market-place-dieppe-met-16863","/galleries/style/realism/variations-in-violet-and-grey-market-place-dieppe-met-16863",{"_293":599,"_295":600},{"_227":591,"_125":592,"_287":593},{"_278":587,"_280":588,"_282":589,"_283":590},38.8374529822676,49,14.8374529822676,25,{"_289":227,"_123":597,"_154":598,"_140":233},{"_289":125,"_123":594,"_154":595,"_140":596},{"_289":287,"_123":166,"_154":165,"_140":168},"style/watercolour-19","More watercolours of the 19th century",40,"artist/james-mcneill-whistler","More by James McNeill Whistler","black","snow","https://img.ochreeditions.com/a/868/480.jpg","https://img.ochreeditions.com/a/868/960.jpg","https://img.ochreeditions.com/a/868/1920.jpg",{"_313":617,"_315":618},{"_313":615,"_315":616},{"_313":613,"_315":614},{"_313":611,"_315":612},{"_313":609,"_315":610},"#83817a",0.0921,"#ac9978",0.1135,"#a69f93",0.1875,"#d9caaf",0.2829,"#c2b5a0",0.324,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,1903,"Lowell, Massachusetts","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","at-the-seaside-met-10464","At the Seaside",{"_42":673,"_224":674,"_326":675,"_328":329,"_330":676,"_332":397,"_334":677,"_336":377,"_338":678,"_140":93},"ca. 1892","20 × 34 in. (50.8 × 86.4 cm)",86.4,50.8,1.6656468531468531,[658,659,660,661,662],{"_223":374,"_224":375,"_42":376,"_306":377},"67.187.123","William Merritt Chase painted this in about 1892, aged about 40. It is now at The Met in New York.","Figures in summer dress relax on the sand beside a wide, glittering sea in one of the beach scenes William Merritt Chase painted in the early 1890s.","At the Seaside, by William Merritt Chase, ca. 1892",{"_297":655,"_299":656,"_301":657},"https://img.ochreeditions.com/m/808.jpg?dl=1","/art/at-the-seaside-met-10464","/galleries/style/realism/at-the-seaside-met-10464",{"_293":294,"_295":296},{"_227":650,"_125":651,"_287":652},{"_278":647,"_280":648,"_282":631,"_283":649},101.4,66.87173970086592,51.871739700865916,{"_289":227,"_123":653,"_154":654,"_140":93},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/william-merritt-chase","More by William Merritt Chase","https://img.ochreeditions.com/a/808/480.jpg","https://img.ochreeditions.com/a/808/960.jpg","https://img.ochreeditions.com/a/808/1920.jpg",{"_313":671,"_315":672},{"_313":669,"_315":670},{"_313":667,"_315":668},{"_313":665,"_315":666},{"_313":663,"_315":664},"#9e5744",0.0292,"#62647a",0.1345,"#7d9dc7",0.1941,"#9c8f89",0.2734,"#babdc6",0.3688,"William Merritt Chase","william-merritt-chase","American, 1849–1916",1849,"Williamsburg, Indiana","Chase studied at the Royal Academy in Munich, then returned to New York in 1878 to teach at the Art Students League, setting up a lavish Tenth Street studio that became a showcase.","the-belated-party-on-mansfield-mountain-met-12800","The Belated Party on Mansfield Mountain",{"_42":725,"_224":726,"_326":727,"_328":329,"_330":728,"_332":729,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1858","38 x 63 1/8 in. (96.5 x 160.3 cm)",160.3,96.5,1.6540798611111112,[710,711,712,713,714],{"_223":374,"_224":375,"_42":376,"_306":377},"69.182","Jerome B. Thompson painted this in 1858, aged 44. It is now at The Met in New York.","The Belated Party on Mansfield Mountain, by Jerome B. Thompson, 1858",{"_297":707,"_299":708,"_301":709},"https://img.ochreeditions.com/m/857.jpg?dl=1","/art/the-belated-party-on-mansfield-mountain-met-12800","/galleries/style/realism/the-belated-party-on-mansfield-mountain-met-12800",{"_293":294,"_295":296},{"_227":702,"_125":703,"_287":704},{"_278":699,"_280":700,"_282":684,"_283":701},175.3,111.91188664392548,96.91188664392548,{"_289":227,"_123":705,"_154":706,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jerome-b-thompson","Jerome B. Thompson's contemporaries","https://img.ochreeditions.com/a/857/480.jpg","https://img.ochreeditions.com/a/857/960.jpg","https://img.ochreeditions.com/a/857/1920.jpg",{"_313":723,"_315":724},{"_313":721,"_315":722},{"_313":719,"_315":720},{"_313":717,"_315":718},{"_313":715,"_315":716},"#e2d3bf",0.1278,"#988974",0.1575,"#675541",0.1987,"#39302b",0.246,"#cabeb6",0.27,"Jerome B. Thompson","jerome-b-thompson","1814–1886",1814,1886,"a-village-square-si-chndm-1912-16-118","A Village Square",{"_42":790,"_224":791,"_326":792,"_328":-5,"_330":793,"_332":794,"_334":-5,"_336":-5,"_338":-5,"_140":101},"1875–80","drawing","Drawing","Graphite and black crayon on rough grey paper","22.5 × 38.3 cm (8 7/8 × 15 1/16 in.)",38.3,22.5,1.6611830591529577,[775,776,777,778,779],{"_223":303,"_224":304,"_42":305,"_306":377},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1912-16-118","Walter Shirlaw drew this in 1875–80, aged 37. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":772,"_773":774},"A VILLAGE SQUARE",{"_297":769,"_299":770,"_301":771},"https://img.ochreeditions.com/m/1716.jpg?dl=1","/art/a-village-square-si-chndm-1912-16-118","/galleries/style/realism/a-village-square-si-chndm-1912-16-118",{"_293":599,"_295":600},{"_227":758,"_125":759,"_287":760},{"_278":755,"_280":756,"_282":738,"_283":757},62.3,47.05585756426464,23.05585756426464,{"_289":227,"_123":767,"_154":768,"_140":89},{"_289":125,"_123":764,"_154":765,"_140":766},{"_289":287,"_123":761,"_154":762,"_140":763},"era/19","The 19th century",731,"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-walter-shirlaw","Walter Shirlaw's contemporaries","https://img.ochreeditions.com/a/1716/480.jpg","https://img.ochreeditions.com/a/1716/960.jpg","https://img.ochreeditions.com/a/1716/1920.jpg","A square is bordered at left and at the back by houses, at right by a garden wall. A tree is shown in the center. An oxcart and a plain wagon are near it.","source","Text from Cooper Hewitt, Smithsonian Design Museum.",{"_313":788,"_315":789},{"_313":786,"_315":787},{"_313":784,"_315":785},{"_313":782,"_315":783},{"_313":780,"_315":781},"#878275",0.0687,"#e1d6bf",0.0765,"#9c9685",0.1501,"#b0a894",0.16,"#c1b8a2",0.5447,"Walter Shirlaw","walter-shirlaw","1838–1909",1838,1909,"newburyport-meadows-met-11053","Newburyport Meadows",{"_42":842,"_224":843,"_326":844,"_328":329,"_330":845,"_332":846,"_334":-5,"_336":-5,"_338":847,"_140":97},"ca. 1876–81","10 1/2 x 22 in. (26.7 x 55.9 cm)",55.9,26.7,2.1579841449603623,[827,828,829,830,831],{"_223":374,"_224":375,"_42":376,"_306":377},"1985.117","Martin Johnson Heade painted this in about 1876–81, aged about 54. It is now at The Met in New York.","Haystacks dot the flat salt marshes near Newburyport, Massachusetts, beneath a broad sky. Martin Johnson Heade painted the marshes of the northeastern coast more than a hundred times, fascinated by the way light and weather transformed their level horizons from hour to hour.","Newburyport Meadows, by Martin Johnson Heade, ca. 1876–81",{"_297":824,"_299":825,"_301":826},"https://img.ochreeditions.com/m/828.jpg?dl=1","/art/newburyport-meadows-met-11053","/galleries/style/realism/newburyport-meadows-met-11053",{"_293":294,"_295":296},{"_227":819,"_125":820,"_287":821},{"_278":816,"_280":817,"_282":800,"_283":818},70.9,40.903804775649434,25.903804775649437,{"_289":227,"_123":822,"_154":823,"_140":97},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/martin-johnson-heade","More by Martin Johnson Heade","https://img.ochreeditions.com/a/828/480.jpg","https://img.ochreeditions.com/a/828/960.jpg","https://img.ochreeditions.com/a/828/1920.jpg",{"_313":840,"_315":841},{"_313":838,"_315":839},{"_313":836,"_315":837},{"_313":834,"_315":835},{"_313":832,"_315":833},"#2f2e1d",0.1018,"#54512a",0.1169,"#897d38",0.1428,"#5f6250",0.2446,"#a49f85",0.3939,"Martin Johnson Heade","martin-johnson-heade","1819–1904",1819,1904,"Heade travelled restlessly and worked in many genres, but is best known for three subjects: the salt marshes of New England and New Jersey, with haystacks under changing skies; hummingbirds and orchids, which he studied on journeys to Brazil and Central America; and, in later…","madame-x-virginie-amelie-avegno-gautreau-met-12127","Madame X (Virginie Amélie Avegno Gautreau)",{"_42":502,"_224":503,"_326":504,"_328":329,"_330":505,"_332":506,"_334":507,"_336":508,"_338":509,"_140":97},"1883–84","82 1/8 × 43 1/4 in. (208.6 × 109.9 cm) Framed: 95 3/4 × 56 5/8 × 5 in. (243.2 × 143.8 × 12.7 cm)",109.9,208.6,0.584,[878,879,880,881,882],{"_223":374,"_224":375,"_42":376,"_306":377},"16.53","John Singer Sargent painted this in 1883–84, aged about 27. It is now at The Met in New York.","Virginie Amélie Avegno Gautreau, an American-born beauty married to a French banker, stands in profile in a sleek black satin gown, one hand resting on a table, her skin powdered to a pale lavender.","Madame X (Virginie Amélie Avegno Gautreau), by John Singer Sargent, 1883–84",{"_297":875,"_299":876,"_301":877},"https://img.ochreeditions.com/m/853.jpg?dl=1","/art/madame-x-virginie-amelie-avegno-gautreau-met-12127","/galleries/style/realism/madame-x-virginie-amelie-avegno-gautreau-met-12127",{"_293":294,"_295":296},{"_227":872,"_125":873,"_287":874},{"_278":869,"_280":870,"_282":871,"_283":854},136.8224,223.6,121.82239999999999,{"_289":227,"_123":482,"_154":483,"_140":97},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/853/480.jpg","https://img.ochreeditions.com/a/853/960.jpg","https://img.ochreeditions.com/a/853/1920.jpg",{"_313":891,"_315":892},{"_313":889,"_315":890},{"_313":887,"_315":888},{"_313":885,"_315":886},{"_313":883,"_315":884},"#6b5f54",0.0232,"#a9998b",0.027,"#2d251f",0.2361,"#0a0909",0.3222,"#4c3f31",0.3915,"young-husband-first-marketing-met-21126","Young Husband: First Marketing",{"_42":939,"_224":940,"_326":941,"_328":329,"_330":942,"_332":943,"_334":-5,"_336":-5,"_338":-5,"_140":101},"1854","29 1/2 x 24 3/4 in. (74.9 x 62.9 cm)",62.9,74.9,0.8345825794779013,[924,925,926,927,928],{"_223":374,"_224":375,"_42":376,"_306":377},"2015.401","Lilly Martin Spencer painted this in 1854, aged 32. It is now at The Met in New York.","Young Husband: First Marketing, by Lilly Martin Spencer, 1854",{"_297":921,"_299":922,"_301":923},"https://img.ochreeditions.com/m/870.jpg?dl=1","/art/young-husband-first-marketing-met-21126","/galleries/style/realism/young-husband-first-marketing-met-21126",{"_293":294,"_295":296},{"_227":916,"_125":917,"_287":918},{"_278":913,"_280":914,"_282":915,"_283":899},77.51023520289482,89.9,62.51023520289481,{"_289":227,"_123":919,"_154":920,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-lilly-martin-spencer","Lilly Martin Spencer's contemporaries","https://img.ochreeditions.com/a/870/480.jpg","https://img.ochreeditions.com/a/870/960.jpg","https://img.ochreeditions.com/a/870/1920.jpg",{"_313":937,"_315":938},{"_313":935,"_315":936},{"_313":933,"_315":934},{"_313":931,"_315":932},{"_313":929,"_315":930},"#8f633d",0.0796,"#1a1613",0.1527,"#6b4c34",0.2202,"#38251c",0.2594,"#4e3727",0.2881,"Lilly Martin Spencer","lilly-martin-spencer","1822–1902",1822,1902,"stage-fort-across-gloucester-harbor-met-11396","Stage Fort across Gloucester Harbor",{"_42":989,"_224":990,"_326":991,"_328":329,"_330":992,"_332":993,"_334":-5,"_336":-5,"_338":-5,"_140":101},"1862","38 x 60 in. (96.5 x 152.4 cm)",152.4,1.670758439281017,[974,975,976,977,978],{"_223":374,"_224":375,"_42":376,"_306":377},"1978.203","Fitz Henry Lane painted this in 1862, aged 58. It is now at The Met in New York.","Stage Fort across Gloucester Harbor, by Fitz Henry Lane, 1862",{"_297":971,"_299":972,"_301":973},"https://img.ochreeditions.com/m/845.jpg?dl=1","/art/stage-fort-across-gloucester-harbor-met-11396","/galleries/style/realism/stage-fort-across-gloucester-harbor-met-11396",{"_293":294,"_295":296},{"_227":966,"_125":967,"_287":968},{"_278":963,"_280":964,"_282":949,"_283":965},167.4,106.21605877722384,91.21605877722384,{"_289":227,"_123":969,"_154":970,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-fitz-henry-lane","Fitz Henry Lane's contemporaries","https://img.ochreeditions.com/a/845/480.jpg","https://img.ochreeditions.com/a/845/960.jpg","https://img.ochreeditions.com/a/845/1920.jpg",{"_313":987,"_315":988},{"_313":985,"_315":986},{"_313":983,"_315":984},{"_313":981,"_315":982},{"_313":979,"_315":980},"#7b747b",0.116,"#27160c",0.1188,"#744b24",0.1583,"#b0997a",0.2418,"#d5ad6d",0.3651,"Fitz Henry Lane","fitz-henry-lane","1804–1865",1804,1865,"autumn-oaks-met-11227","Autumn Oaks",{"_42":556,"_224":557,"_326":558,"_328":329,"_330":559,"_332":560,"_334":561,"_336":562,"_338":563,"_140":95},"ca. 1878","20 3/8 x 30 1/8 in. (54.3 x 76.5 cm)",76.5,51.8,1.4988198269079465,[1023,1024,1025,1026,1027],{"_223":374,"_224":375,"_42":376,"_306":377},"87.8.8","George Inness painted this in about 1878, aged about 50. It is now at The Met in New York.","Autumn Oaks, by George Inness, ca. 1878",{"_297":1020,"_299":1021,"_301":1022},"https://img.ochreeditions.com/m/835.jpg?dl=1","/art/autumn-oaks-met-11227","/galleries/style/realism/autumn-oaks-met-11227",{"_293":294,"_295":296},{"_227":1017,"_125":1018,"_287":1019},{"_278":1014,"_280":1015,"_282":999,"_283":1016},91.5,66.04015748031496,51.04015748031496,{"_289":227,"_123":536,"_154":537,"_140":95},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/835/480.jpg","https://img.ochreeditions.com/a/835/960.jpg","https://img.ochreeditions.com/a/835/1920.jpg",{"_313":1036,"_315":1037},{"_313":1034,"_315":1035},{"_313":1032,"_315":1033},{"_313":1030,"_315":1031},{"_313":1028,"_315":1029},"#826422",0.1395,"#787a75",0.1432,"#c1bd9e",0.2078,"#2d2119",0.2347,"#573f1e",0.2748,"spring-blossoms-montclair-new-jersey-met-11234","Spring Blossoms, Montclair, New Jersey",{"_42":556,"_224":557,"_326":558,"_328":329,"_330":559,"_332":560,"_334":561,"_336":562,"_338":563,"_140":95},"ca. 1891","Oil and crayon or charcoal on canvas","29 x 45 1/4 in. (73.7 x 114.9 cm)",73.7,1.4950961161239702,[1066,1067,1068,1069,1070],{"_223":374,"_224":375,"_42":376,"_306":377},"11.116.4","George Inness painted this in about 1891, aged about 63. It is now at The Met in New York.","Spring Blossoms, Montclair, New Jersey, by George Inness, ca. 1891",{"_297":1063,"_299":1064,"_301":1065},"https://img.ochreeditions.com/m/836.jpg?dl=1","/art/spring-blossoms-montclair-new-jersey-met-11234","/galleries/style/realism/spring-blossoms-montclair-new-jersey-met-11234",{"_293":294,"_295":296},{"_227":1060,"_125":1061,"_287":1062},{"_278":530,"_280":1058,"_282":515,"_283":1059},91.8512463920231,76.8512463920231,{"_289":227,"_123":536,"_154":537,"_140":95},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/836/480.jpg","https://img.ochreeditions.com/a/836/960.jpg","https://img.ochreeditions.com/a/836/1920.jpg",{"_313":1079,"_315":1080},{"_313":1077,"_315":1078},{"_313":1075,"_315":1076},{"_313":1073,"_315":1074},{"_313":1071,"_315":1072},"#a9a799",0.1348,"#5f5e47",0.1377,"#797c75",0.1642,"#8c9aa2",0.1948,"#374121",0.3685,"roses-in-a-vase-nga-52260","Roses in a Vase","Unrecorded French maker","1880/1900","france","oil on wood","overall: 8.7 x 14.9 cm (3 7/16 x 5 7/8 in.) framed: 19.3 x 25.4 x 4.7 cm (7 5/8 x 10 x 1 7/8 in.)",14.9,8.7,1.7116590054325116,[1120,1121,1122,1123,1124],{"_223":1117,"_224":1118,"_42":1119,"_306":307},"Courtesy National Gallery of Art, Washington","1970.17.116","An unrecorded French artist painted this in 1880/1900. It is now at the National Gallery of Art in Washington, DC.","Roses in a Vase, 1880/1900",{"_297":1114,"_299":1115,"_301":1116},"https://img.ochreeditions.com/m/1548.jpg?dl=1","/art/roses-in-a-vase-nga-52260","/galleries/style/realism/roses-in-a-vase-nga-52260",{"_293":294,"_295":296},{"_227":1106,"_125":1107,"_287":1108},{"_278":596,"_280":1104,"_282":590,"_283":1105},29.605712890625,14.605712890625,{"_289":227,"_123":1112,"_154":1113,"_140":87},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":1109,"_154":1110,"_140":1111},"era/19-france","19th-century France",237,"artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/1548/480.jpg","https://img.ochreeditions.com/a/1548/960.jpg","https://img.ochreeditions.com/a/1548/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_313":1133,"_315":1134},{"_313":1131,"_315":1132},{"_313":1129,"_315":1130},{"_313":1127,"_315":1128},{"_313":1125,"_315":1126},"#7c4821",0.0828,"#d2928e",0.1254,"#d5c1a1",0.133,"#857231",0.1672,"#332d12",0.4916,{"_1136":-5,"_1137":1138,"_1139":1140,"_1141":8,"_1142":1143,"_1144":8},"user","csrf","a887b0628676e0d0bd33d8ab8c2249c1376251f2","cartCount",0,"dropLive","legal",[1145,1146,1147,1148,1149,1150,1151,1152,1153,1154,1155,1156],"uploadsEnabled",{"_224":1179,"_20":1180},{"_224":1177,"_20":1178},{"_224":1175,"_20":1176},{"_224":1173,"_20":1174},{"_224":1171,"_20":1172},{"_224":1169,"_20":1170},{"_224":1167,"_20":1168},{"_224":1165,"_20":1166},{"_224":1163,"_20":1164},{"_224":1161,"_20":1162},{"_224":1159,"_20":1160},{"_224":1157,"_20":1158},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]