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It is now at the National Museum of Asian Art in Washington, DC.",{"_118":442,"_382":443},"Watercolor",{"_294":439,"_296":440,"_298":441},"https://img.ochreeditions.com/m/1766.jpg?dl=1","/art/pink-note-shelling-peas-si-fsg-f1902-166a-c","/galleries/style/realism/pink-note-shelling-peas-si-fsg-f1902-166a-c",{"_290":291,"_292":293},{"_223":434,"_125":435,"_284":436},{"_275":430,"_277":431,"_279":432,"_280":433},30.27444870565676,40,15.27444870565676,25,{"_286":223,"_123":437,"_154":438,"_140":229},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":165,"_154":164,"_140":167},"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/1766/480.jpg","https://img.ochreeditions.com/a/1766/960.jpg","https://img.ochreeditions.com/a/1766/1920.jpg","An open door at the back of a kitchen frames a woman sitting in a garden; signed with the butterfly at left, on tablecloth.","Text from the National Museum of Asian Art.","Washington, DC",{"_310":458,"_312":459},{"_310":456,"_312":457},{"_310":454,"_312":455},{"_310":452,"_312":453},{"_310":450,"_312":451},"#f2f0f1",0.1182,"#9c865e",0.1707,"#b3a58d",0.2043,"#72634a",0.2131,"#8c7f64",0.2937,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","arrangement-in-flesh-colour-and-black-portrait-of-theodore-d-met-13211","Arrangement in Flesh Colour and Black: Portrait of Theodore Duret",{"_42":460,"_220":461,"_324":462,"_326":327,"_328":463,"_330":464,"_332":465,"_334":466,"_335":467,"_140":229},"1883","76 1/8 x 35 3/4 in. (193.4 x 90.8 cm)",90.8,193.4,0.4744760881246642,[498,499,500,501,502],{"_219":300,"_220":301,"_42":302,"_303":304},"13.20","James McNeill Whistler painted this in 1883, aged 49. It is now at The Met in New York.","The critic Théodore Duret stands at full length in formal evening dress, a pink domino, the cloak worn to masked balls, draped over his arm and a fan in his hand, against a background of pale, warm flesh tones.","Arrangement in Flesh Colour and Black: Portrait of Theodore Duret, by James McNeill Whistler, 1883",{"_294":495,"_296":496,"_298":497},"https://img.ochreeditions.com/m/862.jpg?dl=1","/art/arrangement-in-flesh-colour-and-black-portrait-of-theodore-d-met-13211","/galleries/style/realism/arrangement-in-flesh-colour-and-black-portrait-of-theodore-d-met-13211",{"_290":291,"_292":293},{"_223":492,"_125":493,"_284":494},{"_275":489,"_277":490,"_279":491,"_280":474},106.76367544331005,208.4,91.76367544331005,{"_286":223,"_123":437,"_154":438,"_140":229},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/862/480.jpg","https://img.ochreeditions.com/a/862/960.jpg","https://img.ochreeditions.com/a/862/1920.jpg",{"_310":511,"_312":512},{"_310":509,"_312":510},{"_310":507,"_312":508},{"_310":505,"_312":506},{"_310":503,"_312":504},"#695d46",0.1453,"#908164",0.1531,"#22231c",0.1578,"#51442a",0.2505,"#b1a388",0.2933,"plums-met-11096","Plums",{"_42":563,"_220":564,"_324":565,"_326":566,"_328":567,"_330":568,"_332":466,"_334":569,"_335":-5,"_140":103},"1870","watercolour","Watercolor, graphite, and gouache on off-white Bristol board","7 1/8 x 12 in. (18.1 x 30.5 cm)",30.5,18.1,1.6952846975088969,[548,549,550,551,552],{"_219":300,"_220":301,"_42":302,"_303":304},"82.9.1","John William Hill painted this in 1870, aged 58. It is now at The Met in New York.","Plums, by John William Hill, 1870",{"_294":545,"_296":546,"_298":547},"https://img.ochreeditions.com/m/831.jpg?dl=1","/art/plums-met-11096","/galleries/style/realism/plums-met-11096",{"_290":376,"_292":377},{"_223":538,"_125":539,"_284":540},{"_275":535,"_277":536,"_279":520,"_280":537},54.5,41.99107845709787,17.991078457097874,{"_286":223,"_123":543,"_154":544,"_140":89},{"_286":125,"_123":541,"_154":542,"_140":431},{"_286":284,"_123":165,"_154":164,"_140":167},"style/watercolour-19","More watercolours of the 19th century","artist/contemporaries-of-john-william-hill","John William Hill's contemporaries","https://img.ochreeditions.com/a/831/480.jpg","https://img.ochreeditions.com/a/831/960.jpg","https://img.ochreeditions.com/a/831/1920.jpg",{"_310":561,"_312":562},{"_310":559,"_312":560},{"_310":557,"_312":558},{"_310":555,"_312":556},{"_310":553,"_312":554},"#7a6c7d",0.0633,"#6e7953",0.0892,"#a29c77",0.1065,"#906d45",0.2307,"#caa36f",0.5103,"John William Hill","john-william-hill","American, born England, 1812–1879","American, born England",1812,1879,"West Nyack, New York","talking-it-over-met-11758","Talking It Over",{"_42":616,"_220":617,"_324":618,"_326":327,"_328":619,"_330":620,"_332":-5,"_334":-5,"_335":-5,"_140":103},"1872","22 1/4 x 29 1/4 in. (56.5 x 74.3 cm)",74.3,56.5,1.3195983379501386,[601,602,603,604,605],{"_219":300,"_220":301,"_42":302,"_303":304},"1980.361","Enoch Wood Perry painted this in 1872, aged 41. It is now at The Met in New York.","Talking It Over, by Enoch Wood Perry, 1872",{"_294":598,"_296":599,"_298":600},"https://img.ochreeditions.com/m/849.jpg?dl=1","/art/talking-it-over-met-11758","/galleries/style/realism/talking-it-over-met-11758",{"_290":291,"_292":293},{"_223":593,"_125":594,"_284":595},{"_275":590,"_277":591,"_279":575,"_280":592},89.3,71.30501180792442,56.30501180792442,{"_286":223,"_123":596,"_154":597,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-enoch-wood-perry","Enoch Wood Perry's contemporaries","https://img.ochreeditions.com/a/849/480.jpg","https://img.ochreeditions.com/a/849/960.jpg","https://img.ochreeditions.com/a/849/1920.jpg",{"_310":614,"_312":615},{"_310":612,"_312":613},{"_310":610,"_312":611},{"_310":608,"_312":609},{"_310":606,"_312":607},"#a08662",0.0492,"#7e5425",0.1517,"#281713",0.221,"#5a381b",0.2855,"#402516",0.2926,"Enoch Wood Perry","enoch-wood-perry","1831–1915",1831,1915,"variations-in-violet-and-grey-market-place-dieppe-met-16863","Variations in Violet and Grey—Market Place, Dieppe",{"_42":460,"_220":461,"_324":462,"_326":327,"_328":463,"_330":464,"_332":465,"_334":466,"_335":467,"_140":229},"1885","Gouache and watercolor on off-white wove paper, mounted on academy board","7 15/16 x 5 in. (20.2 x 12.7 cm)",12.7,20.2,0.593498119290704,[652,653,654,655,656],{"_219":300,"_220":301,"_42":302,"_303":304},"2000.512","James McNeill Whistler painted this in 1885, aged 51. It is now at The Met in New York.","A market square in the Normandy port of Dieppe is laid in with fluid washes of watercolour and gouache in violet and grey, figures and stalls suggested rather than described.","Variations in Violet and Grey—Market Place, Dieppe, by James McNeill Whistler, 1885",{"_294":649,"_296":650,"_298":651},"https://img.ochreeditions.com/m/868.jpg?dl=1","/art/variations-in-violet-and-grey-market-place-dieppe-met-16863","/galleries/style/realism/variations-in-violet-and-grey-market-place-dieppe-met-16863",{"_290":376,"_292":377},{"_223":646,"_125":647,"_284":648},{"_275":643,"_277":644,"_279":645,"_280":433},38.8374529822676,49,14.8374529822676,{"_286":223,"_123":437,"_154":438,"_140":229},{"_286":125,"_123":541,"_154":542,"_140":431},{"_286":284,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/868/480.jpg","https://img.ochreeditions.com/a/868/960.jpg","https://img.ochreeditions.com/a/868/1920.jpg",{"_310":665,"_312":666},{"_310":663,"_312":664},{"_310":661,"_312":662},{"_310":659,"_312":660},{"_310":657,"_312":658},"#83817a",0.0921,"#ac9978",0.1135,"#a69f93",0.1875,"#d9caaf",0.2829,"#c2b5a0",0.324,"the-music-lesson-met-10240","The Music Lesson",{"_42":711,"_220":712,"_324":713,"_326":566,"_328":619,"_330":714,"_332":715,"_334":304,"_335":-5,"_140":103},"24 x 20 in. (61 x 50.8 cm)",61,0.8471604292070138,[696,697,698,699,700],{"_219":300,"_220":301,"_42":302,"_303":304},"21.115.3","John George Brown painted this in 1870, aged 39. It is now at The Met in New York.","The Music Lesson, by John George Brown, 1870",{"_294":693,"_296":694,"_298":695},"https://img.ochreeditions.com/m/807.jpg?dl=1","/art/the-music-lesson-met-10240","/galleries/style/realism/the-music-lesson-met-10240",{"_290":291,"_292":293},{"_223":688,"_125":689,"_284":690},{"_275":685,"_277":686,"_279":687,"_280":671},66.67678618162785,76,51.67678618162785,{"_286":223,"_123":691,"_154":692,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-john-george-brown","John George Brown's contemporaries","https://img.ochreeditions.com/a/807/480.jpg","https://img.ochreeditions.com/a/807/960.jpg","https://img.ochreeditions.com/a/807/1920.jpg",{"_310":709,"_312":710},{"_310":707,"_312":708},{"_310":705,"_312":706},{"_310":703,"_312":704},{"_310":701,"_312":702},"#5e472d",0.1273,"#491e19",0.134,"#3f3223",0.1968,"#302119",0.2662,"#1b1b17",0.2757,"John George Brown","john-george-brown","American, born England, 1831–1913",1913,"Durham","the-veteran-in-a-new-field-met-11145","The Veteran in a New Field",{"_42":763,"_220":764,"_324":765,"_326":327,"_328":766,"_330":767,"_332":768,"_334":769,"_335":770,"_140":53},"1865","24 1/8 x 38 1/8in. (61.3 x 96.8cm) Framed: 37 3/8 × 51 1/4 × 5 1/4 in. (94.9 × 130.2 × 13.3 cm)",96.8,61.3,1.5779874213836478,[748,749,750,751,752],{"_219":300,"_220":301,"_42":302,"_303":304},"67.187.131","Winslow Homer painted this in 1865, aged 29. It is now at The Met in New York.","A Union veteran, his army jacket and canteen thrown down at the lower right, swings a scythe through a vast field of ripe wheat, his back to us. Winslow Homer painted the picture in 1865, the year the Civil War ended, and it captures the hope that soldiers could return to peaceful work.","The Veteran in a New Field, by Winslow Homer, 1865",{"_294":745,"_296":746,"_298":747},"https://img.ochreeditions.com/m/834.jpg?dl=1","/art/the-veteran-in-a-new-field-met-11145","/galleries/style/realism/the-veteran-in-a-new-field-met-11145",{"_290":291,"_292":293},{"_223":740,"_125":741,"_284":742},{"_275":737,"_277":738,"_279":721,"_280":739},111.8,76.34396173774411,61.34396173774412,{"_286":223,"_123":743,"_154":744,"_140":53},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":165,"_154":164,"_140":167},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/834/480.jpg","https://img.ochreeditions.com/a/834/960.jpg","https://img.ochreeditions.com/a/834/1920.jpg",{"_310":761,"_312":762},{"_310":759,"_312":760},{"_310":757,"_312":758},{"_310":755,"_312":756},{"_310":753,"_312":754},"#ab7012",0.1555,"#46341d",0.166,"#845618",0.1926,"#66411a",0.2328,"#92cbca",0.2531,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","the-contest-for-the-bouquet-the-family-of-robert-gordon-in-t-met-14472","The Contest for the Bouquet: The Family of Robert Gordon in Their New York Dining-Room",{"_42":817,"_220":818,"_324":819,"_326":566,"_328":820,"_330":767,"_332":466,"_334":304,"_335":-5,"_140":103},"1866","24 5/8 x 29 1/2 in. (62.5 x 74.9 cm)",74.9,62.5,1.1962881409248192,[802,803,804,805,806],{"_219":300,"_220":301,"_42":302,"_303":304},"1992.128","Seymour Joseph Guy painted this in 1866, aged 42. It is now at The Met in New York.","The Contest for the Bouquet: The Family of Robert Gordon in Their New York Dining-Room, by Seymour Joseph Guy, 1866",{"_294":799,"_296":800,"_298":801},"https://img.ochreeditions.com/m/863.jpg?dl=1","/art/the-contest-for-the-bouquet-the-family-of-robert-gordon-in-t-met-14472","/galleries/style/realism/the-contest-for-the-bouquet-the-family-of-robert-gordon-in-t-met-14472",{"_290":291,"_292":293},{"_223":794,"_125":795,"_284":796},{"_275":791,"_277":792,"_279":776,"_280":793},89.9,77.61033394688404,62.61033394688404,{"_286":223,"_123":797,"_154":798,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-seymour-joseph-guy","Seymour Joseph Guy's contemporaries","https://img.ochreeditions.com/a/863/480.jpg","https://img.ochreeditions.com/a/863/960.jpg","https://img.ochreeditions.com/a/863/1920.jpg",{"_310":815,"_312":816},{"_310":813,"_312":814},{"_310":811,"_312":812},{"_310":809,"_312":810},{"_310":807,"_312":808},"#928a77",0.0613,"#846939",0.151,"#635034",0.2454,"#47301f",0.2682,"#2c261f",0.2741,"Seymour Joseph Guy","seymour-joseph-guy","American, born England, 1824–1910",1824,"newburyport-meadows-met-11053","Newburyport Meadows",{"_42":868,"_220":869,"_324":870,"_326":327,"_328":871,"_330":872,"_332":-5,"_334":-5,"_335":873,"_140":97},"ca. 1876–81","10 1/2 x 22 in. (26.7 x 55.9 cm)",55.9,26.7,2.1579841449603623,[853,854,855,856,857],{"_219":300,"_220":301,"_42":302,"_303":304},"1985.117","Martin Johnson Heade painted this in about 1876–81, aged about 54. It is now at The Met in New York.","Haystacks dot the flat salt marshes near Newburyport, Massachusetts, beneath a broad sky. Martin Johnson Heade painted the marshes of the northeastern coast more than a hundred times, fascinated by the way light and weather transformed their level horizons from hour to hour.","Newburyport Meadows, by Martin Johnson Heade, ca. 1876–81",{"_294":850,"_296":851,"_298":852},"https://img.ochreeditions.com/m/828.jpg?dl=1","/art/newburyport-meadows-met-11053","/galleries/style/realism/newburyport-meadows-met-11053",{"_290":291,"_292":293},{"_223":845,"_125":846,"_284":847},{"_275":842,"_277":843,"_279":826,"_280":844},70.9,40.903804775649434,25.903804775649437,{"_286":223,"_123":848,"_154":849,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":165,"_154":164,"_140":167},"artist/martin-johnson-heade","More by Martin Johnson Heade","https://img.ochreeditions.com/a/828/480.jpg","https://img.ochreeditions.com/a/828/960.jpg","https://img.ochreeditions.com/a/828/1920.jpg",{"_310":866,"_312":867},{"_310":864,"_312":865},{"_310":862,"_312":863},{"_310":860,"_312":861},{"_310":858,"_312":859},"#2f2e1d",0.1018,"#54512a",0.1169,"#897d38",0.1428,"#5f6250",0.2446,"#a49f85",0.3939,"Martin Johnson Heade","martin-johnson-heade","1819–1904",1819,1904,"Heade travelled restlessly and worked in many genres, but is best known for three subjects: the salt marshes of New England and New Jersey, with haystacks under changing skies; hummingbirds and orchids, which he studied on journeys to Brazil and Central America; and, in later…","madame-x-virginie-amelie-avegno-gautreau-met-12127","Madame X (Virginie Amélie Avegno Gautreau)",{"_42":921,"_220":922,"_324":923,"_326":327,"_328":924,"_330":925,"_332":926,"_334":466,"_335":927,"_140":97},"1883–84","82 1/8 × 43 1/4 in. (208.6 × 109.9 cm) Framed: 95 3/4 × 56 5/8 × 5 in. (243.2 × 143.8 × 12.7 cm)",109.9,208.6,0.584,[906,907,908,909,910],{"_219":300,"_220":301,"_42":302,"_303":304},"16.53","John Singer Sargent painted this in 1883–84, aged about 27. It is now at The Met in New York.","Virginie Amélie Avegno Gautreau, an American-born beauty married to a French banker, stands in profile in a sleek black satin gown, one hand resting on a table, her skin powdered to a pale lavender.","Madame X (Virginie Amélie Avegno Gautreau), by John Singer Sargent, 1883–84",{"_294":903,"_296":904,"_298":905},"https://img.ochreeditions.com/m/853.jpg?dl=1","/art/madame-x-virginie-amelie-avegno-gautreau-met-12127","/galleries/style/realism/madame-x-virginie-amelie-avegno-gautreau-met-12127",{"_290":291,"_292":293},{"_223":898,"_125":899,"_284":900},{"_275":895,"_277":896,"_279":897,"_280":880},136.8224,223.6,121.82239999999999,{"_286":223,"_123":901,"_154":902,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":165,"_154":164,"_140":167},"artist/john-singer-sargent","More by John Singer Sargent","https://img.ochreeditions.com/a/853/480.jpg","https://img.ochreeditions.com/a/853/960.jpg","https://img.ochreeditions.com/a/853/1920.jpg",{"_310":919,"_312":920},{"_310":917,"_312":918},{"_310":915,"_312":916},{"_310":913,"_312":914},{"_310":911,"_312":912},"#6b5f54",0.0232,"#a9998b",0.027,"#2d251f",0.2361,"#0a0909",0.3222,"#4c3f31",0.3915,"John Singer Sargent","john-singer-sargent","American, 1856–1925",1856,1925,"Florence","Sargent was born in Florence to American parents and grew up travelling across Europe.","autumn-oaks-met-11227","Autumn Oaks",{"_42":974,"_220":975,"_324":976,"_326":327,"_328":977,"_330":978,"_332":979,"_334":980,"_335":981,"_140":95},"ca. 1878","20 3/8 x 30 1/8 in. (54.3 x 76.5 cm)",76.5,51.8,1.4988198269079465,[959,960,961,962,963],{"_219":300,"_220":301,"_42":302,"_303":304},"87.8.8","George Inness painted this in about 1878, aged about 50. It is now at The Met in New York.","Autumn Oaks, by George Inness, ca. 1878",{"_294":956,"_296":957,"_298":958},"https://img.ochreeditions.com/m/835.jpg?dl=1","/art/autumn-oaks-met-11227","/galleries/style/realism/autumn-oaks-met-11227",{"_290":291,"_292":293},{"_223":951,"_125":952,"_284":953},{"_275":948,"_277":949,"_279":933,"_280":950},91.5,66.04015748031496,51.04015748031496,{"_286":223,"_123":954,"_154":955,"_140":95},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":165,"_154":164,"_140":167},"artist/george-inness","More by George Inness","https://img.ochreeditions.com/a/835/480.jpg","https://img.ochreeditions.com/a/835/960.jpg","https://img.ochreeditions.com/a/835/1920.jpg",{"_310":972,"_312":973},{"_310":970,"_312":971},{"_310":968,"_312":969},{"_310":966,"_312":967},{"_310":964,"_312":965},"#826422",0.1395,"#787a75",0.1432,"#c1bd9e",0.2078,"#2d2119",0.2347,"#573f1e",0.2748,"George Inness","george-inness","American, 1825–1894",1825,1894,"Newburgh, New York","Bridge of Allan, Scotland","Inness was largely self-taught and began in the manner of the Hudson River School, but journeys to Italy and France, where he admired the Barbizon painters, led him towards broader, more atmospheric landscapes.","the-champion-single-sculls-max-schmitt-in-a-single-scull-met-10819","The Champion Single Sculls (Max Schmitt in a Single Scull)",{"_42":1029,"_220":1030,"_324":1031,"_326":327,"_328":1032,"_330":331,"_332":1033,"_334":1033,"_335":1034,"_140":87},"1871","32 1/4 x 46 1/4 in. (81.9 x 117.5 cm)",117.5,81.9,1.4289463817022872,[1014,1015,1016,1017,1018],{"_219":300,"_220":301,"_42":302,"_303":304},"34.92","Thomas Eakins painted this in 1871, aged 27. It is now at The Met in New York.","Max Schmitt, a champion rower and boyhood friend of the painter, rests on his oars on the Schuylkill River in Philadelphia, turning towards us in low autumn light, while behind him Eakins himself pulls away in another scull, his name inscribed on its stern. Bridges span the river in the distance.","The Champion Single Sculls (Max Schmitt in a Single Scull), by Thomas Eakins, 1871",{"_294":1011,"_296":1012,"_298":1013},"https://img.ochreeditions.com/m/821.jpg?dl=1","/art/the-champion-single-sculls-max-schmitt-in-a-single-scull-met-10819","/galleries/style/realism/the-champion-single-sculls-max-schmitt-in-a-single-scull-met-10819",{"_290":291,"_292":293},{"_223":1006,"_125":1007,"_284":1008},{"_275":1003,"_277":1004,"_279":987,"_280":1005},132.5,97.22841773812648,82.22841773812648,{"_286":223,"_123":1009,"_154":1010,"_140":87},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":165,"_154":164,"_140":167},"artist/thomas-eakins","More by Thomas Eakins","https://img.ochreeditions.com/a/821/480.jpg","https://img.ochreeditions.com/a/821/960.jpg","https://img.ochreeditions.com/a/821/1920.jpg",{"_310":1027,"_312":1028},{"_310":1025,"_312":1026},{"_310":1023,"_312":1024},{"_310":1021,"_312":1022},{"_310":1019,"_312":1020},"#866941",0.0733,"#39302c",0.1323,"#5f4a38",0.1701,"#758499",0.3024,"#5a5e64",0.3219,"Thomas Eakins","thomas-eakins","American, 1844–1916",1844,"Philadelphia, Pennsylvania","Eakins studied in Paris under Jean-Léon Gérôme and was impressed in Spain by Velázquez and Ribera, then returned to Philadelphia, where he spent his life.","a-village-square-si-chndm-1912-16-118","A Village Square",{"_42":1084,"_220":1085,"_324":1086,"_326":-5,"_328":1087,"_330":1088,"_332":-5,"_334":-5,"_335":-5,"_140":101},"1875–80","Graphite and black crayon on rough grey paper","22.5 × 38.3 cm (8 7/8 × 15 1/16 in.)",38.3,22.5,1.6611830591529577,[1069,1070,1071,1072,1073],{"_219":384,"_220":385,"_42":386,"_303":304},"1912-16-118","Walter Shirlaw drew this in 1875–80, aged 37. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1068,"_382":383},"A VILLAGE SQUARE",{"_294":1065,"_296":1066,"_298":1067},"https://img.ochreeditions.com/m/1716.jpg?dl=1","/art/a-village-square-si-chndm-1912-16-118","/galleries/style/realism/a-village-square-si-chndm-1912-16-118",{"_290":376,"_292":377},{"_223":1060,"_125":1061,"_284":1062},{"_275":1057,"_277":1058,"_279":1041,"_280":1059},62.3,47.05585756426464,23.05585756426464,{"_286":223,"_123":1063,"_154":1064,"_140":89},{"_286":125,"_123":371,"_154":372,"_140":373},{"_286":284,"_123":368,"_154":369,"_140":370},"artist/contemporaries-of-walter-shirlaw","Walter Shirlaw's contemporaries","https://img.ochreeditions.com/a/1716/480.jpg","https://img.ochreeditions.com/a/1716/960.jpg","https://img.ochreeditions.com/a/1716/1920.jpg","A square is bordered at left and at the back by houses, at right by a garden wall. A tree is shown in the center. An oxcart and a plain wagon are near it.",{"_310":1082,"_312":1083},{"_310":1080,"_312":1081},{"_310":1078,"_312":1079},{"_310":1076,"_312":1077},{"_310":1074,"_312":1075},"#878275",0.0687,"#e1d6bf",0.0765,"#9c9685",0.1501,"#b0a894",0.16,"#c1b8a2",0.5447,"Walter Shirlaw","walter-shirlaw","1838–1909",1838,1909,"garden-view-brooklyn-met-853646","Garden View, Brooklyn",{"_42":1134,"_220":1135,"_324":1136,"_326":327,"_328":463,"_330":1137,"_332":1138,"_334":1139,"_335":-5,"_140":101},"ca. 1867","Watercolor and gouache, with traces of graphite underdrawing, on tan hot-pressed wove paper","8 × 5 1/8 in. (20.3 × 13 cm)",20.3,0.657,[1119,1120,1121,1122,1123],{"_219":300,"_220":301,"_42":302,"_303":304},"2021.161.1","Fidelia Bridges painted this in about 1867, aged about 28. It is now at The Met in New York.","Garden View, Brooklyn, by Fidelia Bridges, ca. 1867",{"_294":1116,"_296":1117,"_298":1118},"https://img.ochreeditions.com/m/1294.jpg?dl=1","/art/garden-view-brooklyn-met-853646","/galleries/style/realism/garden-view-brooklyn-met-853646",{"_290":376,"_292":377},{"_223":1111,"_125":1112,"_284":1113},{"_275":1109,"_277":644,"_279":1110,"_280":433},40.425,16.425,{"_286":223,"_123":1114,"_154":1115,"_140":89},{"_286":125,"_123":541,"_154":542,"_140":431},{"_286":284,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-fidelia-bridges","Fidelia Bridges's contemporaries","https://img.ochreeditions.com/a/1294/480.jpg","https://img.ochreeditions.com/a/1294/960.jpg","https://img.ochreeditions.com/a/1294/1920.jpg",{"_310":1132,"_312":1133},{"_310":1130,"_312":1131},{"_310":1128,"_312":1129},{"_310":1126,"_312":1127},{"_310":1124,"_312":1125},"#c0b980",0.1004,"#ece2d2",0.1097,"#7f7257",0.1957,"#aa957e",0.2362,"#c5af99",0.358,"Fidelia Bridges","fidelia-bridges","American, 1834–1923",1923,"Salem, Massachusetts","Canaan, Connecticut",{"_1141":-5,"_1142":1143,"_1144":1145,"_1146":8,"_1147":1148,"_1149":8},"user","csrf","48e71b1d78ccc4f3bd728ab56b623967eab938d1","cartCount",0,"dropLive","legal",[1150,1151,1152,1153,1154,1155,1156,1157,1158,1159,1160,1161],"uploadsEnabled",{"_220":1184,"_20":1185},{"_220":1182,"_20":1183},{"_220":1180,"_20":1181},{"_220":1178,"_20":1179},{"_220":1176,"_20":1177},{"_220":1174,"_20":1175},{"_220":1172,"_20":1173},{"_220":1170,"_20":1171},{"_220":1168,"_20":1169},{"_220":1166,"_20":1167},{"_220":1164,"_20":1165},{"_220":1162,"_20":1163},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]