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(71.1 x 111.8cm) Framed: 42 1/2 × 58 3/8 × 5 in. (108 × 148.3 × 12.7 cm)",111.8,71.1,1.5734939759036144,[480,481,482,483,484],{"_223":303,"_224":304,"_42":305,"_306":307},"1975.160","Martin Johnson Heade painted this in 1859, aged 40. It is now at The Met in New York.","An inky storm cloud spreads over still, black water, while a fisherman sits on the shore with his dog, watching, and a single white sail glows against the darkness.","Approaching Thunder Storm, by Martin Johnson Heade, 1859",{"_297":477,"_299":478,"_301":479},"https://img.ochreeditions.com/m/827.jpg?dl=1","/art/approaching-thunder-storm-met-11050","/galleries/style/realism/approaching-thunder-storm-met-11050",{"_293":294,"_295":296},{"_227":472,"_125":473,"_287":474},{"_278":469,"_280":470,"_282":453,"_283":471},126.8,86.052067381317,71.052067381317,{"_289":227,"_123":475,"_154":476,"_140":97},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/martin-johnson-heade","More by Martin Johnson Heade","https://img.ochreeditions.com/a/827/480.jpg","https://img.ochreeditions.com/a/827/960.jpg","https://img.ochreeditions.com/a/827/1920.jpg",{"_313":493,"_315":494},{"_313":491,"_315":492},{"_313":489,"_315":490},{"_313":487,"_315":488},{"_313":485,"_315":486},"#a57e52",0.0852,"#705631",0.0988,"#241e19",0.2023,"#544e40",0.2973,"#35322a",0.3164,"Martin Johnson Heade","martin-johnson-heade","1819–1904",1819,1904,"Heade travelled restlessly and worked in many genres, but is best known for three subjects: the salt marshes of New England and New Jersey, with haystacks under changing skies; hummingbirds and orchids, which he studied on journeys to Brazil and Central America; and, in later…","the-contest-for-the-bouquet-the-family-of-robert-gordon-in-t-met-14472","The Contest for the Bouquet: The Family of Robert Gordon in Their New York Dining-Room",{"_42":547,"_224":548,"_327":549,"_329":550,"_331":551,"_333":552,"_335":403,"_337":307,"_339":-5,"_140":103},"1866","24 5/8 x 29 1/2 in. (62.5 x 74.9 cm)",74.9,62.5,1.1962881409248192,[532,533,534,535,536],{"_223":303,"_224":304,"_42":305,"_306":307},"1992.128","Seymour Joseph Guy painted this in 1866, aged 42. It is now at The Met in New York.","The Contest for the Bouquet: The Family of Robert Gordon in Their New York Dining-Room, by Seymour Joseph Guy, 1866",{"_297":529,"_299":530,"_301":531},"https://img.ochreeditions.com/m/863.jpg?dl=1","/art/the-contest-for-the-bouquet-the-family-of-robert-gordon-in-t-met-14472","/galleries/style/realism/the-contest-for-the-bouquet-the-family-of-robert-gordon-in-t-met-14472",{"_293":294,"_295":296},{"_227":524,"_125":525,"_287":526},{"_278":521,"_280":522,"_282":506,"_283":523},89.9,77.61033394688404,62.61033394688404,{"_289":227,"_123":527,"_154":528,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-seymour-joseph-guy","Seymour Joseph Guy's contemporaries","https://img.ochreeditions.com/a/863/480.jpg","https://img.ochreeditions.com/a/863/960.jpg","https://img.ochreeditions.com/a/863/1920.jpg",{"_313":545,"_315":546},{"_313":543,"_315":544},{"_313":541,"_315":542},{"_313":539,"_315":540},{"_313":537,"_315":538},"#928a77",0.0613,"#846939",0.151,"#635034",0.2454,"#47301f",0.2682,"#2c261f",0.2741,"Seymour Joseph Guy","seymour-joseph-guy","American, born England, 1824–1910","American, born England",1824,1910,"the-dancing-lesson-met-10821","The Dancing Lesson",{"_42":601,"_224":602,"_327":603,"_329":330,"_331":604,"_333":605,"_335":606,"_337":606,"_339":607,"_140":87},"1878","Watercolor on off-white wove paper","18 1/16 x 22 9/16 in. (45.9 x 57.3 cm)",57.3,45.9,1.2442050277505714,[586,587,588,589,590],{"_223":303,"_224":304,"_42":305,"_306":307},"25.97.1","Thomas Eakins painted this in 1878, aged 34. It is now at The Met in New York.","In a plain interior, an elderly man sits watching as a young man plays the banjo and a small boy dances, his face set in concentration.","The Dancing Lesson, by Thomas Eakins, 1878",{"_297":583,"_299":584,"_301":585},"https://img.ochreeditions.com/m/822.jpg?dl=1","/art/the-dancing-lesson-met-10821","/galleries/style/realism/the-dancing-lesson-met-10821",{"_293":377,"_295":378},{"_227":578,"_125":579,"_287":580},{"_278":575,"_280":576,"_282":559,"_283":577},81.3,70.05350301758068,46.05350301758068,{"_289":227,"_123":581,"_154":582,"_140":87},{"_289":125,"_123":372,"_154":373,"_140":374},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/thomas-eakins","More by Thomas Eakins","https://img.ochreeditions.com/a/822/480.jpg","https://img.ochreeditions.com/a/822/960.jpg","https://img.ochreeditions.com/a/822/1920.jpg",{"_313":599,"_315":600},{"_313":597,"_315":598},{"_313":595,"_315":596},{"_313":593,"_315":594},{"_313":591,"_315":592},"#8d603d",0.0539,"#4d3c30",0.1605,"#766148",0.2402,"#d5c3a9",0.2687,"#ab9474",0.2767,"Thomas Eakins","thomas-eakins","American, 1844–1916",1844,1916,"Philadelphia, Pennsylvania","Eakins studied in Paris under Jean-Léon Gérôme and was impressed in Spain by Velázquez and Ribera, then returned to Philadelphia, where he spent his life.","madame-x-virginie-amelie-avegno-gautreau-met-12127","Madame X (Virginie Amélie Avegno Gautreau)",{"_42":655,"_224":656,"_327":657,"_329":330,"_331":658,"_333":659,"_335":660,"_337":403,"_339":661,"_140":97},"1883–84","82 1/8 × 43 1/4 in. (208.6 × 109.9 cm) Framed: 95 3/4 × 56 5/8 × 5 in. (243.2 × 143.8 × 12.7 cm)",109.9,208.6,0.584,[640,641,642,643,644],{"_223":303,"_224":304,"_42":305,"_306":307},"16.53","John Singer Sargent painted this in 1883–84, aged about 27. It is now at The Met in New York.","Virginie Amélie Avegno Gautreau, an American-born beauty married to a French banker, stands in profile in a sleek black satin gown, one hand resting on a table, her skin powdered to a pale lavender.","Madame X (Virginie Amélie Avegno Gautreau), by John Singer Sargent, 1883–84",{"_297":637,"_299":638,"_301":639},"https://img.ochreeditions.com/m/853.jpg?dl=1","/art/madame-x-virginie-amelie-avegno-gautreau-met-12127","/galleries/style/realism/madame-x-virginie-amelie-avegno-gautreau-met-12127",{"_293":294,"_295":296},{"_227":632,"_125":633,"_287":634},{"_278":629,"_280":630,"_282":631,"_283":614},136.8224,223.6,121.82239999999999,{"_289":227,"_123":635,"_154":636,"_140":97},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/john-singer-sargent","More by John Singer Sargent","https://img.ochreeditions.com/a/853/480.jpg","https://img.ochreeditions.com/a/853/960.jpg","https://img.ochreeditions.com/a/853/1920.jpg",{"_313":653,"_315":654},{"_313":651,"_315":652},{"_313":649,"_315":650},{"_313":647,"_315":648},{"_313":645,"_315":646},"#6b5f54",0.0232,"#a9998b",0.027,"#2d251f",0.2361,"#0a0909",0.3222,"#4c3f31",0.3915,"John Singer Sargent","john-singer-sargent","American, 1856–1925",1856,1925,"Florence","Sargent was born in Florence to American parents and grew up travelling across Europe.","still-life-violin-and-music-met-10997","Still Life—Violin and Music",{"_42":707,"_224":708,"_327":709,"_329":710,"_331":711,"_333":712,"_335":-5,"_337":-5,"_339":-5,"_140":101},"1888","40 x 30 in. (101.6 x 76.2 cm)",101.6,0.7608812466415905,[692,693,694,695,696],{"_223":303,"_224":304,"_42":305,"_306":307},"63.85","William Michael Harnett painted this in 1888, aged 40. It is now at The Met in New York.","Still Life—Violin and Music, by William Michael Harnett, 1888",{"_297":689,"_299":690,"_301":691},"https://img.ochreeditions.com/m/826.jpg?dl=1","/art/still-life-violin-and-music-met-10997","/galleries/style/realism/still-life-violin-and-music-met-10997",{"_293":294,"_295":296},{"_227":684,"_125":685,"_287":686},{"_278":681,"_280":682,"_282":683,"_283":667},92.30553465878559,116.6,77.30553465878559,{"_289":227,"_123":687,"_154":688,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-william-michael-harnett","William Michael Harnett's contemporaries","https://img.ochreeditions.com/a/826/480.jpg","https://img.ochreeditions.com/a/826/960.jpg","https://img.ochreeditions.com/a/826/1920.jpg",{"_313":705,"_315":706},{"_313":703,"_315":704},{"_313":701,"_315":702},{"_313":699,"_315":700},{"_313":697,"_315":698},"#74441e",0.0345,"#2d2a1e",0.1087,"#786546",0.1764,"#9b8662",0.3063,"#55452c",0.3741,"William Michael Harnett","william-michael-harnett","after William M. Harnett (American, 1848–1892)","after William M. Harnett (American",1848,1892,"washington-crossing-the-delaware-met-11417","Washington Crossing the Delaware",{"_42":760,"_224":761,"_327":762,"_329":763,"_331":764,"_333":765,"_335":766,"_337":767,"_339":-5,"_140":103},"1851","149 x 255 in. (378.5 x 647.7 cm)",647.7,378.5,1.7066079295154184,[745,746,747,748,749],{"_223":303,"_224":304,"_42":305,"_306":307},"97.34","Emanuel Leutze painted this in 1851, aged 35. It is now at The Met in New York.","Washington Crossing the Delaware, by Emanuel Leutze, 1851",{"_297":742,"_299":743,"_301":744},"https://img.ochreeditions.com/m/846.jpg?dl=1","/art/washington-crossing-the-delaware-met-11417","/galleries/style/realism/washington-crossing-the-delaware-met-11417",{"_293":294,"_295":296},{"_227":737,"_125":738,"_287":739},{"_278":733,"_280":734,"_282":735,"_283":736},255,155.62983995869902,240,140.62983995869902,{"_289":227,"_123":740,"_154":741,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-emanuel-leutze","Emanuel Leutze's contemporaries","https://img.ochreeditions.com/a/846/480.jpg","https://img.ochreeditions.com/a/846/960.jpg","https://img.ochreeditions.com/a/846/1920.jpg",{"_313":758,"_315":759},{"_313":756,"_315":757},{"_313":754,"_315":755},{"_313":752,"_315":753},{"_313":750,"_315":751},"#cfbf9a",0.1347,"#95886d",0.1622,"#5b4a36",0.1959,"#3d3329",0.2466,"#6c6757",0.2606,"Emanuel Leutze","emanuel-leutze","German American, 1816–1868","German American",1816,1868,"Schwäbisch Gmünd","Washington, D.C.","seventh-regiment-on-review-washington-square-new-york-met-10194","Seventh Regiment on Review, Washington Square, New York",{"_42":813,"_224":814,"_327":815,"_329":816,"_331":764,"_333":817,"_335":-5,"_337":-5,"_339":-5,"_140":103},"24 x 36 in. (61 x 91.4 cm)",91.4,61,1.5021679148600708,[798,799,800,801,802],{"_223":303,"_224":304,"_42":305,"_306":307},"54.90.295","Otto Boetticher painted this in 1851, aged 35. It is now at The Met in New York.","Seventh Regiment on Review, Washington Square, New York, by Otto Boetticher, 1851",{"_297":795,"_299":796,"_301":797},"https://img.ochreeditions.com/m/806.jpg?dl=1","/art/seventh-regiment-on-review-washington-square-new-york-met-10194","/galleries/style/realism/seventh-regiment-on-review-washington-square-new-york-met-10194",{"_293":294,"_295":296},{"_227":790,"_125":791,"_287":792},{"_278":787,"_280":788,"_282":772,"_283":789},106.4,75.84539490947259,60.84539490947259,{"_289":227,"_123":793,"_154":794,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-otto-boetticher","Otto Boetticher's contemporaries","https://img.ochreeditions.com/a/806/480.jpg","https://img.ochreeditions.com/a/806/960.jpg","https://img.ochreeditions.com/a/806/1920.jpg",{"_313":811,"_315":812},{"_313":809,"_315":810},{"_313":807,"_315":808},{"_313":805,"_315":806},{"_313":803,"_315":804},"#1b2424",0.1507,"#403c2c",0.1797,"#7f663c",0.2001,"#a7a680",0.2247,"#5c5234",0.2448,"Otto Boetticher","otto-boetticher","ca. 1816–after 1864","German",1865,"dance-in-a-subterranean-roundhouse-at-clear-lake-california-met-698529","Dance in a Subterranean Roundhouse at Clear Lake, California",{"_42":863,"_224":864,"_327":865,"_329":866,"_331":604,"_333":867,"_335":868,"_337":869,"_339":870,"_140":103},"48 × 72 1/4 in. (121.9 × 183.5 cm)",183.5,121.9,1.6585852823730747,[848,849,850,851,852],{"_223":303,"_224":304,"_42":305,"_306":307},"2016.135","Jules Tavernier painted this in 1878, aged 34. It is now at The Met in New York.","Dance in a Subterranean Roundhouse at Clear Lake, California, by Jules Tavernier, 1878",{"_297":845,"_299":846,"_301":847},"https://img.ochreeditions.com/m/1281.jpg?dl=1","/art/dance-in-a-subterranean-roundhouse-at-clear-lake-california-met-698529","/galleries/style/realism/dance-in-a-subterranean-roundhouse-at-clear-lake-california-met-698529",{"_293":294,"_295":296},{"_227":840,"_125":841,"_287":842},{"_278":837,"_280":838,"_282":822,"_283":839},198.5,125.63645743766122,110.63645743766122,{"_289":227,"_123":843,"_154":844,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jules-tavernier","Jules Tavernier's contemporaries","https://img.ochreeditions.com/a/1281/480.jpg","https://img.ochreeditions.com/a/1281/960.jpg","https://img.ochreeditions.com/a/1281/1920.jpg",{"_313":861,"_315":862},{"_313":859,"_315":860},{"_313":857,"_315":858},{"_313":855,"_315":856},{"_313":853,"_315":854},"#bd9865",0.0204,"#825132",0.0337,"#4f3925",0.1374,"#342516",0.3205,"#201f12",0.488,"Jules Tavernier","jules-tavernier","American, born France, 1844–1889","American, born France",1889,"Paris","Honolulu, Hawaii","Tavernier trained in Paris and moved to the United States in the early 1870s, travelling west for Harper’s Weekly to record frontier life. Settling in San Francisco, he painted the landscapes of California and Native American ceremonies, and was a member of the Bohemian Club.","newburyport-meadows-met-11053","Newburyport Meadows",{"_42":495,"_224":496,"_327":497,"_329":330,"_331":498,"_333":499,"_335":-5,"_337":-5,"_339":500,"_140":97},"ca. 1876–81","10 1/2 x 22 in. (26.7 x 55.9 cm)",55.9,26.7,2.1579841449603623,[901,902,903,904,905],{"_223":303,"_224":304,"_42":305,"_306":307},"1985.117","Martin Johnson Heade painted this in about 1876–81, aged about 54. It is now at The Met in New York.","Haystacks dot the flat salt marshes near Newburyport, Massachusetts, beneath a broad sky. Martin Johnson Heade painted the marshes of the northeastern coast more than a hundred times, fascinated by the way light and weather transformed their level horizons from hour to hour.","Newburyport Meadows, by Martin Johnson Heade, ca. 1876–81",{"_297":898,"_299":899,"_301":900},"https://img.ochreeditions.com/m/828.jpg?dl=1","/art/newburyport-meadows-met-11053","/galleries/style/realism/newburyport-meadows-met-11053",{"_293":294,"_295":296},{"_227":895,"_125":896,"_287":897},{"_278":892,"_280":893,"_282":876,"_283":894},70.9,40.903804775649434,25.903804775649437,{"_289":227,"_123":475,"_154":476,"_140":97},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/828/480.jpg","https://img.ochreeditions.com/a/828/960.jpg","https://img.ochreeditions.com/a/828/1920.jpg",{"_313":914,"_315":915},{"_313":912,"_315":913},{"_313":910,"_315":911},{"_313":908,"_315":909},{"_313":906,"_315":907},"#2f2e1d",0.1018,"#54512a",0.1169,"#897d38",0.1428,"#5f6250",0.2446,"#a49f85",0.3939,"the-pleiades-met-13070","The Pleiades",{"_42":961,"_224":962,"_327":963,"_329":330,"_331":964,"_333":965,"_335":307,"_337":966,"_339":-5,"_140":101},"24 1/8 x 37 5/8 in. (61.3 x 95.6 cm)",95.6,61.3,1.5268429487179487,[946,947,948,949,950],{"_223":303,"_224":304,"_42":305,"_306":307},"10.64.13","Elihu Vedder painted this in 1885, aged 49. It is now at The Met in New York.","The Pleiades, by Elihu Vedder, 1885",{"_297":943,"_299":944,"_301":945},"https://img.ochreeditions.com/m/860.jpg?dl=1","/art/the-pleiades-met-13070","/galleries/style/realism/the-pleiades-met-13070",{"_293":294,"_295":296},{"_227":938,"_125":939,"_287":940},{"_278":935,"_280":936,"_282":920,"_283":937},110.6,77.61285751771189,62.61285751771189,{"_289":227,"_123":941,"_154":942,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-elihu-vedder","Elihu Vedder's contemporaries","https://img.ochreeditions.com/a/860/480.jpg","https://img.ochreeditions.com/a/860/960.jpg","https://img.ochreeditions.com/a/860/1920.jpg",{"_313":959,"_315":960},{"_313":957,"_315":958},{"_313":955,"_315":956},{"_313":953,"_315":954},{"_313":951,"_315":952},"#3c3023",0.1711,"#6e5c4e",0.1823,"#634b32",0.1927,"#ae977a",0.1975,"#8c7259",0.2564,"Elihu Vedder","elihu-vedder","American, 1836–1923",1836,1923,"Rome","arrangement-in-flesh-colour-and-black-portrait-of-theodore-d-met-13211","Arrangement in Flesh Colour and Black: Portrait of Theodore Duret",{"_42":397,"_224":398,"_327":399,"_329":330,"_331":400,"_333":401,"_335":402,"_337":403,"_339":404,"_140":233},"1883","76 1/8 x 35 3/4 in. (193.4 x 90.8 cm)",90.8,193.4,0.4744760881246642,[997,998,999,1000,1001],{"_223":303,"_224":304,"_42":305,"_306":307},"13.20","James McNeill Whistler painted this in 1883, aged 49. It is now at The Met in New York.","The critic Théodore Duret stands at full length in formal evening dress, a pink domino, the cloak worn to masked balls, draped over his arm and a fan in his hand, against a background of pale, warm flesh tones.","Arrangement in Flesh Colour and Black: Portrait of Theodore Duret, by James McNeill Whistler, 1883",{"_297":994,"_299":995,"_301":996},"https://img.ochreeditions.com/m/862.jpg?dl=1","/art/arrangement-in-flesh-colour-and-black-portrait-of-theodore-d-met-13211","/galleries/style/realism/arrangement-in-flesh-colour-and-black-portrait-of-theodore-d-met-13211",{"_293":294,"_295":296},{"_227":991,"_125":992,"_287":993},{"_278":988,"_280":989,"_282":990,"_283":973},106.76367544331005,208.4,91.76367544331005,{"_289":227,"_123":375,"_154":376,"_140":233},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/862/480.jpg","https://img.ochreeditions.com/a/862/960.jpg","https://img.ochreeditions.com/a/862/1920.jpg",{"_313":1010,"_315":1011},{"_313":1008,"_315":1009},{"_313":1006,"_315":1007},{"_313":1004,"_315":1005},{"_313":1002,"_315":1003},"#695d46",0.1453,"#908164",0.1531,"#22231c",0.1578,"#51442a",0.2505,"#b1a388",0.2933,"plums-met-11096","Plums",{"_42":1059,"_224":1060,"_327":1061,"_329":550,"_331":1062,"_333":1063,"_335":403,"_337":1064,"_339":-5,"_140":103},"1870","Watercolor, graphite, and gouache on off-white Bristol board","7 1/8 x 12 in. (18.1 x 30.5 cm)",30.5,18.1,1.6952846975088969,[1044,1045,1046,1047,1048],{"_223":303,"_224":304,"_42":305,"_306":307},"82.9.1","John William Hill painted this in 1870, aged 58. It is now at The Met in New York.","Plums, by John William Hill, 1870",{"_297":1041,"_299":1042,"_301":1043},"https://img.ochreeditions.com/m/831.jpg?dl=1","/art/plums-met-11096","/galleries/style/realism/plums-met-11096",{"_293":377,"_295":378},{"_227":1036,"_125":1037,"_287":1038},{"_278":1033,"_280":1034,"_282":1018,"_283":1035},54.5,41.99107845709787,17.991078457097874,{"_289":227,"_123":1039,"_154":1040,"_140":89},{"_289":125,"_123":372,"_154":373,"_140":374},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-william-hill","John William Hill's contemporaries","https://img.ochreeditions.com/a/831/480.jpg","https://img.ochreeditions.com/a/831/960.jpg","https://img.ochreeditions.com/a/831/1920.jpg",{"_313":1057,"_315":1058},{"_313":1055,"_315":1056},{"_313":1053,"_315":1054},{"_313":1051,"_315":1052},{"_313":1049,"_315":1050},"#7a6c7d",0.0633,"#6e7953",0.0892,"#a29c77",0.1065,"#906d45",0.2307,"#caa36f",0.5103,"John William Hill","john-william-hill","American, born England, 1812–1879",1812,1879,"West Nyack, New York","harmony-in-green-and-rose-the-music-room-si-fsg-f1917-234a-b","Harmony in Green and Rose: The Music Room",{"_42":397,"_224":398,"_327":399,"_329":330,"_331":400,"_333":401,"_335":402,"_337":403,"_339":404,"_140":233},"1860-1861","H x W: 96.3 x 71.7 cm (37 15/16 x 28 1/4 in)",71.7,96.3,0.8108888888888889,[1103,1104,1105,1106,1107],{"_223":1099,"_224":1100,"_42":1101,"_306":1102},"Courtesy of the National Museum of Asian Art, Smithsonian Institution","F1917.234a-b","James McNeill Whistler painted this in 1860-1861, aged about 26. It is now at the National Museum of Asian Art in Washington, DC.",{"_118":1096,"_1097":1098},"Oil painting",{"_297":1093,"_299":1094,"_301":1095},"https://img.ochreeditions.com/m/1814.jpg?dl=1","/art/harmony-in-green-and-rose-the-music-room-si-fsg-f1917-234a-b","/galleries/style/realism/harmony-in-green-and-rose-the-music-room-si-fsg-f1917-234a-b",{"_293":294,"_295":296},{"_227":1090,"_125":1091,"_287":1092},{"_278":1087,"_280":1088,"_282":1089,"_283":1071},93.0886,111.3,78.0886,{"_289":227,"_123":375,"_154":376,"_140":233},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1814/480.jpg","https://img.ochreeditions.com/a/1814/960.jpg","https://img.ochreeditions.com/a/1814/1920.jpg","Set in the London home of Whistler's brother-in-law Seymour Haden, this painting was originally titled The Morning Call. The woman reflected in the mirror at the left is Whistler's half sister Deborah Haden. The seated girl is his niece, Annie Haden.","source","Text from the National Museum of Asian Art.","si","smithsonian","Smithsonian Institution","Washington, DC",{"_313":1116,"_315":1117},{"_313":1114,"_315":1115},{"_313":1112,"_315":1113},{"_313":1110,"_315":1111},{"_313":1108,"_315":1109},"#341616",0.0565,"#1d1c1d",0.0913,"#685b48",0.134,"#a1967a",0.1842,"#b99a60",0.534,{"_1119":-5,"_1120":1121,"_1122":1123,"_1124":8,"_1125":1126,"_1127":8},"user","csrf","d2c0ee69184d4c03f9f8a2dc3961c6f26fa3cf7a","cartCount",0,"dropLive","legal",[1128,1129,1130,1131,1132,1133,1134,1135,1136,1137,1138,1139],"uploadsEnabled",{"_224":1162,"_20":1163},{"_224":1160,"_20":1161},{"_224":1158,"_20":1159},{"_224":1156,"_20":1157},{"_224":1154,"_20":1155},{"_224":1152,"_20":1153},{"_224":1150,"_20":1151},{"_224":1148,"_20":1149},{"_224":1146,"_20":1147},{"_224":1144,"_20":1145},{"_224":1142,"_20":1143},{"_224":1140,"_20":1141},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]