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It is now at the National Gallery of Art in Washington, DC.","Roses in a Vase, 1880/1900",{"_298":473,"_300":474,"_302":475},"https://img.ochreeditions.com/m/1548.jpg?dl=1","/art/roses-in-a-vase-nga-52260","/galleries/style/realism/roses-in-a-vase-nga-52260",{"_294":295,"_296":297},{"_227":465,"_125":466,"_288":467},{"_279":461,"_281":462,"_283":463,"_285":464},40,29.605712890625,25,14.605712890625,{"_290":227,"_123":471,"_154":472,"_140":87},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":468,"_154":469,"_140":470},"era/19-france","19th-century France",237,"artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/1548/480.jpg","https://img.ochreeditions.com/a/1548/960.jpg","https://img.ochreeditions.com/a/1548/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_314":493,"_316":494},{"_314":491,"_316":492},{"_314":489,"_316":490},{"_314":487,"_316":488},{"_314":485,"_316":486},"#7c4821",0.0828,"#d2928e",0.1254,"#d5c1a1",0.133,"#857231",0.1672,"#332d12",0.4916,"newburyport-meadows-met-11053","Newburyport Meadows",{"_42":542,"_224":543,"_328":544,"_330":331,"_332":545,"_334":546,"_336":-5,"_338":-5,"_340":547,"_140":97},"ca. 1876–81","10 1/2 x 22 in. (26.7 x 55.9 cm)",55.9,26.7,2.1579841449603623,[527,528,529,530,531],{"_223":304,"_224":305,"_42":306,"_307":308},"1985.117","Martin Johnson Heade painted this in about 1876–81, aged about 54. It is now at The Met in New York.","Haystacks dot the flat salt marshes near Newburyport, Massachusetts, beneath a broad sky. Martin Johnson Heade painted the marshes of the northeastern coast more than a hundred times, fascinated by the way light and weather transformed their level horizons from hour to hour.","Newburyport Meadows, by Martin Johnson Heade, ca. 1876–81",{"_298":524,"_300":525,"_302":526},"https://img.ochreeditions.com/m/828.jpg?dl=1","/art/newburyport-meadows-met-11053","/galleries/style/realism/newburyport-meadows-met-11053",{"_294":295,"_296":297},{"_227":519,"_125":520,"_288":521},{"_279":516,"_281":517,"_283":500,"_285":518},70.9,40.903804775649434,25.903804775649437,{"_290":227,"_123":522,"_154":523,"_140":97},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/martin-johnson-heade","More by Martin Johnson Heade","https://img.ochreeditions.com/a/828/480.jpg","https://img.ochreeditions.com/a/828/960.jpg","https://img.ochreeditions.com/a/828/1920.jpg",{"_314":540,"_316":541},{"_314":538,"_316":539},{"_314":536,"_316":537},{"_314":534,"_316":535},{"_314":532,"_316":533},"#2f2e1d",0.1018,"#54512a",0.1169,"#897d38",0.1428,"#5f6250",0.2446,"#a49f85",0.3939,"Martin Johnson Heade","martin-johnson-heade","1819–1904",1819,1904,"Heade travelled restlessly and worked in many genres, but is best known for three subjects: the salt marshes of New England and New Jersey, with haystacks under changing skies; hummingbirds and orchids, which he studied on journeys to Brazil and Central America; and, in later…","rookwood-pottery-si-chndm-1950-56-2","Rookwood Pottery",{"_42":613,"_224":614,"_328":615,"_330":-5,"_332":616,"_334":617,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1886","drawing","Drawing","Pen and ink, brush and black and brown watercolor, grey gouache, graphite on illustration board","53.6 × 36.6 cm (21 1/8 × 14 7/16 in.)",36.6,53.6,0.6903466500854967,[598,599,600,601,602],{"_223":595,"_224":596,"_42":597,"_307":308},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1950-56-2","George Gibson painted this in 1886, aged 66. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":592,"_593":594},"ROOKWOOD POTTERY",{"_298":589,"_300":590,"_302":591},"https://img.ochreeditions.com/m/1750.jpg?dl=1","/art/rookwood-pottery-si-chndm-1950-56-2","/galleries/style/realism/rookwood-pottery-si-chndm-1950-56-2",{"_294":587,"_296":588},{"_227":576,"_125":577,"_288":578},{"_279":573,"_281":574,"_283":575,"_285":557},61.00258044458262,77.6,37.00258044458262,{"_290":227,"_123":585,"_154":586,"_140":89},{"_290":125,"_123":582,"_154":583,"_140":584},{"_290":288,"_123":579,"_154":580,"_140":581},"era/19","The 19th century",731,"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-george-gibson","George Gibson's contemporaries","black","snow","https://img.ochreeditions.com/a/1750/480.jpg","https://img.ochreeditions.com/a/1750/960.jpg","https://img.ochreeditions.com/a/1750/1920.jpg","Groups of pottery arranged on four shelves, along the top of the page and to the left.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_314":611,"_316":612},{"_314":609,"_316":610},{"_314":607,"_316":608},{"_314":605,"_316":606},{"_314":603,"_316":604},"#454540",0.0412,"#757166",0.081,"#a49989",0.0973,"#cebca8",0.1357,"#e7d1bc",0.6448,"George Gibson","george-gibson","1820–1896",1820,1896,"inside-the-bar-met-11125","Inside the Bar",{"_42":670,"_224":671,"_328":672,"_330":331,"_332":673,"_334":674,"_336":675,"_338":676,"_340":677,"_140":53},"1883","watercolour","Watercolor","Watercolor and graphite on off-white wove paper","16 x 29 in. (40.6 x 73.7 cm) Framed: 28 1/2 x 41 3/8 in. (72.4 x 105.1 cm)",73.7,40.6,1.8731290092658588,[655,656,657,658,659],{"_223":304,"_224":305,"_42":306,"_307":308},"54.183","Winslow Homer painted this in 1883, aged 47. It is now at The Met in New York.","A fisherwoman stands braced against the wind on the shore, while boats struggle to cross the sandbar beyond and storm clouds gather.","Inside the Bar, by Winslow Homer, 1883",{"_298":652,"_300":653,"_302":654},"https://img.ochreeditions.com/m/833.jpg?dl=1","/art/inside-the-bar-met-11125","/galleries/style/realism/inside-the-bar-met-11125",{"_294":587,"_296":588},{"_227":645,"_125":646,"_288":647},{"_279":642,"_281":643,"_283":626,"_285":644},97.7,63.34592846270929,39.34592846270929,{"_290":227,"_123":650,"_154":651,"_140":53},{"_290":125,"_123":648,"_154":649,"_140":461},{"_290":288,"_123":166,"_154":165,"_140":168},"style/watercolour-19","More watercolours of the 19th century","artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/833/480.jpg","https://img.ochreeditions.com/a/833/960.jpg","https://img.ochreeditions.com/a/833/1920.jpg",{"_314":668,"_316":669},{"_314":666,"_316":667},{"_314":664,"_316":665},{"_314":662,"_316":663},{"_314":660,"_316":661},"#645640",0.1071,"#463d31",0.1781,"#afab96",0.1969,"#5e6055",0.229,"#858373",0.2889,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","nocturne-met-11380","Nocturne",{"_42":725,"_224":726,"_328":727,"_330":331,"_332":728,"_334":674,"_336":308,"_338":729,"_340":-5,"_140":101},"ca. 1885","Watercolor, gouache, and charcoal on off-white wove paper adhered to wove paper","8 1/4 x 7 in. (21 x 17.8 cm)",17.8,21,0.8305495689655172,[710,711,712,713,714],{"_223":304,"_224":305,"_42":306,"_307":308},"37.104","John La Farge painted this in about 1885, aged about 47. It is now at The Met in New York.","Nocturne, by John La Farge, ca. 1885",{"_298":707,"_300":708,"_302":709},"https://img.ochreeditions.com/m/844.jpg?dl=1","/art/nocturne-met-11380","/galleries/style/realism/nocturne-met-11380",{"_294":587,"_296":588},{"_227":702,"_125":703,"_288":704},{"_279":699,"_281":700,"_283":701,"_285":463},44.763739224137936,49,20.763739224137932,{"_290":227,"_123":705,"_154":706,"_140":89},{"_290":125,"_123":648,"_154":649,"_140":461},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-la-farge","John La Farge's contemporaries","https://img.ochreeditions.com/a/844/480.jpg","https://img.ochreeditions.com/a/844/960.jpg","https://img.ochreeditions.com/a/844/1920.jpg",{"_314":723,"_316":724},{"_314":721,"_316":722},{"_314":719,"_316":720},{"_314":717,"_316":718},{"_314":715,"_316":716},"#385465",0.0769,"#405d85",0.1008,"#909ba7",0.1542,"#5f7d9b",0.1993,"#eadece",0.4688,"John La Farge","john-la-farge","American, 1835–1910",1835,"Providence, Rhode Island","factory-study-for-ironworkers-noontime-verso-still-life-with-si-hmsg-66-55-a-b","Factory--Study for \"Ironworkers, Noontime\"/Verso: Still Life with Orange",{"_42":744,"_224":778,"_328":779,"_330":331,"_332":780,"_334":781,"_336":782,"_338":783,"_340":784,"_140":99},"(1880)","Oil on paperboard","8 1/2 x 12 7/8 in. (21.4 x 32.7 cm)",32.7,21.4,1.5440041173443129,[763,764,765,766,767],{"_223":595,"_224":596,"_42":597,"_307":479},"Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution","66.55.A-B","Thomas Anshutz painted this ((1880)), aged 29. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.","Thomas Anshutz",{"_298":760,"_300":761,"_302":762},"https://img.ochreeditions.com/m/1827.jpg?dl=1","/art/factory-study-for-ironworkers-noontime-verso-still-life-with-si-hmsg-66-55-a-b","/galleries/style/realism/factory-study-for-ironworkers-noontime-verso-still-life-with-si-hmsg-66-55-a-b",{"_294":295,"_296":297},{"_227":755,"_125":756,"_288":757},{"_279":752,"_281":753,"_283":736,"_285":754},47.7,36.178700000000006,21.178700000000003,{"_290":227,"_123":758,"_154":759,"_140":99},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/thomas-anshutz","More by Thomas Anshutz","https://img.ochreeditions.com/a/1827/480.jpg","https://img.ochreeditions.com/a/1827/960.jpg","https://img.ochreeditions.com/a/1827/1920.jpg",{"_314":776,"_316":777},{"_314":774,"_316":775},{"_314":772,"_316":773},{"_314":770,"_316":771},{"_314":768,"_316":769},"#55524b",0.0278,"#483623",0.0617,"#261f17",0.1425,"#393427",0.2611,"#0a090a",0.5069,"thomas-anshutz","American, 1851–1912",1851,1912,"Newport, Kentucky","Fort Washington, Pennsylvania","Anshutz studied at the Pennsylvania Academy of the Fine Arts under Thomas Eakins, assisting his photographic and anatomical studies, and succeeded him as a teacher there after Eakins was forced out in 1886.","garden-view-brooklyn-met-853646","Garden View, Brooklyn",{"_42":830,"_224":831,"_328":832,"_330":331,"_332":833,"_334":437,"_336":834,"_338":835,"_340":-5,"_140":101},"ca. 1867","Watercolor and gouache, with traces of graphite underdrawing, on tan hot-pressed wove paper","8 × 5 1/8 in. (20.3 × 13 cm)",20.3,0.657,[815,816,817,818,819],{"_223":304,"_224":305,"_42":306,"_307":308},"2021.161.1","Fidelia Bridges painted this in about 1867, aged about 28. It is now at The Met in New York.","Garden View, Brooklyn, by Fidelia Bridges, ca. 1867",{"_298":812,"_300":813,"_302":814},"https://img.ochreeditions.com/m/1294.jpg?dl=1","/art/garden-view-brooklyn-met-853646","/galleries/style/realism/garden-view-brooklyn-met-853646",{"_294":587,"_296":588},{"_227":807,"_125":808,"_288":809},{"_279":805,"_281":700,"_283":806,"_285":463},40.425,16.425,{"_290":227,"_123":810,"_154":811,"_140":89},{"_290":125,"_123":648,"_154":649,"_140":461},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-fidelia-bridges","Fidelia Bridges's contemporaries","https://img.ochreeditions.com/a/1294/480.jpg","https://img.ochreeditions.com/a/1294/960.jpg","https://img.ochreeditions.com/a/1294/1920.jpg",{"_314":828,"_316":829},{"_314":826,"_316":827},{"_314":824,"_316":825},{"_314":822,"_316":823},{"_314":820,"_316":821},"#c0b980",0.1004,"#ece2d2",0.1097,"#7f7257",0.1957,"#aa957e",0.2362,"#c5af99",0.358,"Fidelia Bridges","fidelia-bridges","American, 1834–1923",1834,"Salem, Massachusetts","Canaan, Connecticut","the-veteran-in-a-new-field-met-11145","The Veteran in a New Field",{"_42":670,"_224":671,"_328":672,"_330":331,"_332":673,"_334":674,"_336":675,"_338":676,"_340":677,"_140":53},"1865","24 1/8 x 38 1/8in. (61.3 x 96.8cm) Framed: 37 3/8 × 51 1/4 × 5 1/4 in. (94.9 × 130.2 × 13.3 cm)",96.8,61.3,1.5779874213836478,[866,867,868,869,870],{"_223":304,"_224":305,"_42":306,"_307":308},"67.187.131","Winslow Homer painted this in 1865, aged 29. It is now at The Met in New York.","A Union veteran, his army jacket and canteen thrown down at the lower right, swings a scythe through a vast field of ripe wheat, his back to us. Winslow Homer painted the picture in 1865, the year the Civil War ended, and it captures the hope that soldiers could return to peaceful work.","The Veteran in a New Field, by Winslow Homer, 1865",{"_298":863,"_300":864,"_302":865},"https://img.ochreeditions.com/m/834.jpg?dl=1","/art/the-veteran-in-a-new-field-met-11145","/galleries/style/realism/the-veteran-in-a-new-field-met-11145",{"_294":295,"_296":297},{"_227":860,"_125":861,"_288":862},{"_279":857,"_281":858,"_283":841,"_285":859},111.8,76.34396173774411,61.34396173774412,{"_290":227,"_123":650,"_154":651,"_140":53},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/834/480.jpg","https://img.ochreeditions.com/a/834/960.jpg","https://img.ochreeditions.com/a/834/1920.jpg",{"_314":879,"_316":880},{"_314":877,"_316":878},{"_314":875,"_316":876},{"_314":873,"_316":874},{"_314":871,"_316":872},"#ab7012",0.1555,"#46341d",0.166,"#845618",0.1926,"#66411a",0.2328,"#92cbca",0.2531,"harmony-in-green-and-rose-the-music-room-si-fsg-f1917-234a-b","Harmony in Green and Rose: The Music Room",{"_42":931,"_224":932,"_328":933,"_330":331,"_332":833,"_334":934,"_336":935,"_338":339,"_340":936,"_140":233},"1860-1861","H x W: 96.3 x 71.7 cm (37 15/16 x 28 1/4 in)",71.7,96.3,0.8108888888888889,[916,917,918,919,920],{"_223":595,"_224":596,"_42":597,"_307":479},"Courtesy of the National Museum of Asian Art, Smithsonian Institution","F1917.234a-b","James McNeill Whistler painted this in 1860-1861, aged about 26. It is now at the National Museum of Asian Art in Washington, DC.",{"_118":914,"_593":915},"Oil painting",{"_298":911,"_300":912,"_302":913},"https://img.ochreeditions.com/m/1814.jpg?dl=1","/art/harmony-in-green-and-rose-the-music-room-si-fsg-f1917-234a-b","/galleries/style/realism/harmony-in-green-and-rose-the-music-room-si-fsg-f1917-234a-b",{"_294":295,"_296":297},{"_227":906,"_125":907,"_288":908},{"_279":903,"_281":904,"_283":905,"_285":887},93.0886,111.3,78.0886,{"_290":227,"_123":909,"_154":910,"_140":233},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/1814/480.jpg","https://img.ochreeditions.com/a/1814/960.jpg","https://img.ochreeditions.com/a/1814/1920.jpg","Set in the London home of Whistler's brother-in-law Seymour Haden, this painting was originally titled The Morning Call. The woman reflected in the mirror at the left is Whistler's half sister Deborah Haden. The seated girl is his niece, Annie Haden.","Text from the National Museum of Asian Art.",{"_314":929,"_316":930},{"_314":927,"_316":928},{"_314":925,"_316":926},{"_314":923,"_316":924},{"_314":921,"_316":922},"#341616",0.0565,"#1d1c1d",0.0913,"#685b48",0.134,"#a1967a",0.1842,"#b99a60",0.534,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1903,"Lowell, Massachusetts","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","dance-in-a-subterranean-roundhouse-at-clear-lake-california-met-698529","Dance in a Subterranean Roundhouse at Clear Lake, California",{"_42":983,"_224":984,"_328":985,"_330":986,"_332":987,"_334":988,"_336":989,"_338":990,"_340":991,"_140":103},"1878","48 × 72 1/4 in. (121.9 × 183.5 cm)",183.5,121.9,1.6585852823730747,[968,969,970,971,972],{"_223":304,"_224":305,"_42":306,"_307":308},"2016.135","Jules Tavernier painted this in 1878, aged 34. It is now at The Met in New York.","Dance in a Subterranean Roundhouse at Clear Lake, California, by Jules Tavernier, 1878",{"_298":965,"_300":966,"_302":967},"https://img.ochreeditions.com/m/1281.jpg?dl=1","/art/dance-in-a-subterranean-roundhouse-at-clear-lake-california-met-698529","/galleries/style/realism/dance-in-a-subterranean-roundhouse-at-clear-lake-california-met-698529",{"_294":295,"_296":297},{"_227":960,"_125":961,"_288":962},{"_279":957,"_281":958,"_283":942,"_285":959},198.5,125.63645743766122,110.63645743766122,{"_290":227,"_123":963,"_154":964,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jules-tavernier","Jules Tavernier's contemporaries","https://img.ochreeditions.com/a/1281/480.jpg","https://img.ochreeditions.com/a/1281/960.jpg","https://img.ochreeditions.com/a/1281/1920.jpg",{"_314":981,"_316":982},{"_314":979,"_316":980},{"_314":977,"_316":978},{"_314":975,"_316":976},{"_314":973,"_316":974},"#bd9865",0.0204,"#825132",0.0337,"#4f3925",0.1374,"#342516",0.3205,"#201f12",0.488,"Jules Tavernier","jules-tavernier","American, born France, 1844–1889","American, born France",1844,1889,"Paris","Honolulu, Hawaii","Tavernier trained in Paris and moved to the United States in the early 1870s, travelling west for Harper’s Weekly to record frontier life. Settling in San Francisco, he painted the landscapes of California and Native American ceremonies, and was a member of the Bohemian Club.","the-champion-single-sculls-max-schmitt-in-a-single-scull-met-10819","The Champion Single Sculls (Max Schmitt in a Single Scull)",{"_42":1039,"_224":1040,"_328":1041,"_330":331,"_332":987,"_334":1042,"_336":1043,"_338":1043,"_340":1044,"_140":87},"1871","32 1/4 x 46 1/4 in. (81.9 x 117.5 cm)",117.5,81.9,1.4289463817022872,[1024,1025,1026,1027,1028],{"_223":304,"_224":305,"_42":306,"_307":308},"34.92","Thomas Eakins painted this in 1871, aged 27. It is now at The Met in New York.","Max Schmitt, a champion rower and boyhood friend of the painter, rests on his oars on the Schuylkill River in Philadelphia, turning towards us in low autumn light, while behind him Eakins himself pulls away in another scull, his name inscribed on its stern. Bridges span the river in the distance.","The Champion Single Sculls (Max Schmitt in a Single Scull), by Thomas Eakins, 1871",{"_298":1021,"_300":1022,"_302":1023},"https://img.ochreeditions.com/m/821.jpg?dl=1","/art/the-champion-single-sculls-max-schmitt-in-a-single-scull-met-10819","/galleries/style/realism/the-champion-single-sculls-max-schmitt-in-a-single-scull-met-10819",{"_294":295,"_296":297},{"_227":1016,"_125":1017,"_288":1018},{"_279":1013,"_281":1014,"_283":997,"_285":1015},132.5,97.22841773812648,82.22841773812648,{"_290":227,"_123":1019,"_154":1020,"_140":87},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/thomas-eakins","More by Thomas Eakins","https://img.ochreeditions.com/a/821/480.jpg","https://img.ochreeditions.com/a/821/960.jpg","https://img.ochreeditions.com/a/821/1920.jpg",{"_314":1037,"_316":1038},{"_314":1035,"_316":1036},{"_314":1033,"_316":1034},{"_314":1031,"_316":1032},{"_314":1029,"_316":1030},"#866941",0.0733,"#39302c",0.1323,"#5f4a38",0.1701,"#758499",0.3024,"#5a5e64",0.3219,"Thomas Eakins","thomas-eakins","American, 1844–1916",1916,"Philadelphia, Pennsylvania","Eakins studied in Paris under Jean-Léon Gérôme and was impressed in Spain by Velázquez and Ribera, then returned to Philadelphia, where he spent his life.","washington-crossing-the-delaware-met-11417","Washington Crossing the Delaware",{"_42":1092,"_224":1093,"_328":1094,"_330":1095,"_332":1096,"_334":1097,"_336":1098,"_338":1099,"_340":-5,"_140":103},"1851","149 x 255 in. (378.5 x 647.7 cm)",647.7,378.5,1.7066079295154184,[1077,1078,1079,1080,1081],{"_223":304,"_224":305,"_42":306,"_307":308},"97.34","Emanuel Leutze painted this in 1851, aged 35. It is now at The Met in New York.","Washington Crossing the Delaware, by Emanuel Leutze, 1851",{"_298":1074,"_300":1075,"_302":1076},"https://img.ochreeditions.com/m/846.jpg?dl=1","/art/washington-crossing-the-delaware-met-11417","/galleries/style/realism/washington-crossing-the-delaware-met-11417",{"_294":295,"_296":297},{"_227":1069,"_125":1070,"_288":1071},{"_279":1065,"_281":1066,"_283":1067,"_285":1068},255,155.62983995869902,240,140.62983995869902,{"_290":227,"_123":1072,"_154":1073,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-emanuel-leutze","Emanuel Leutze's contemporaries","https://img.ochreeditions.com/a/846/480.jpg","https://img.ochreeditions.com/a/846/960.jpg","https://img.ochreeditions.com/a/846/1920.jpg",{"_314":1090,"_316":1091},{"_314":1088,"_316":1089},{"_314":1086,"_316":1087},{"_314":1084,"_316":1085},{"_314":1082,"_316":1083},"#cfbf9a",0.1347,"#95886d",0.1622,"#5b4a36",0.1959,"#3d3329",0.2466,"#6c6757",0.2606,"Emanuel Leutze","emanuel-leutze","German American, 1816–1868","German American",1816,1868,"Schwäbisch Gmünd","Washington, D.C.","the-dancing-lesson-met-10821","The Dancing Lesson",{"_42":1039,"_224":1040,"_328":1041,"_330":331,"_332":987,"_334":1042,"_336":1043,"_338":1043,"_340":1044,"_140":87},"Watercolor on off-white wove paper","18 1/16 x 22 9/16 in. (45.9 x 57.3 cm)",57.3,45.9,1.2442050277505714,[1130,1131,1132,1133,1134],{"_223":304,"_224":305,"_42":306,"_307":308},"25.97.1","Thomas Eakins painted this in 1878, aged 34. It is now at The Met in New York.","In a plain interior, an elderly man sits watching as a young man plays the banjo and a small boy dances, his face set in concentration.","The Dancing Lesson, by Thomas Eakins, 1878",{"_298":1127,"_300":1128,"_302":1129},"https://img.ochreeditions.com/m/822.jpg?dl=1","/art/the-dancing-lesson-met-10821","/galleries/style/realism/the-dancing-lesson-met-10821",{"_294":587,"_296":588},{"_227":1124,"_125":1125,"_288":1126},{"_279":1121,"_281":1122,"_283":1105,"_285":1123},81.3,70.05350301758068,46.05350301758068,{"_290":227,"_123":1019,"_154":1020,"_140":87},{"_290":125,"_123":648,"_154":649,"_140":461},{"_290":288,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/822/480.jpg","https://img.ochreeditions.com/a/822/960.jpg","https://img.ochreeditions.com/a/822/1920.jpg",{"_314":1143,"_316":1144},{"_314":1141,"_316":1142},{"_314":1139,"_316":1140},{"_314":1137,"_316":1138},{"_314":1135,"_316":1136},"#8d603d",0.0539,"#4d3c30",0.1605,"#766148",0.2402,"#d5c3a9",0.2687,"#ab9474",0.2767,{"_1146":-5,"_1147":1148,"_1149":1150,"_1151":8,"_1152":1153,"_1154":8},"user","csrf","4d22680c4c0b60f13ad27d4d7af845c8184e7e92","cartCount",0,"dropLive","legal",[1155,1156,1157,1158,1159,1160,1161,1162,1163,1164,1165,1166],"uploadsEnabled",{"_224":1189,"_20":1190},{"_224":1187,"_20":1188},{"_224":1185,"_20":1186},{"_224":1183,"_20":1184},{"_224":1181,"_20":1182},{"_224":1179,"_20":1180},{"_224":1177,"_20":1178},{"_224":1175,"_20":1176},{"_224":1173,"_20":1174},{"_224":1171,"_20":1172},{"_224":1169,"_20":1170},{"_224":1167,"_20":1168},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]