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It is now at the Cleveland Museum of Art.","A View of the Large New Room at Sakurai, by Utagawa Kunisada, early or mid 1830s",{"_297":439,"_299":440,"_301":441},"https://img.ochreeditions.com/m/562.jpg?dl=1","/art/a-view-of-the-large-new-room-at-sakurai-cma-123462","/galleries/style/print-19/a-view-of-the-large-new-room-at-sakurai-cma-123462",{"_293":294,"_295":296},{"_227":428,"_125":429,"_287":430},{"_278":424,"_280":425,"_282":426,"_284":427},66.29322458595627,44.82319351673259,42.29322458595627,20.823193516732587,{"_289":227,"_123":437,"_154":438,"_140":93},{"_289":125,"_123":434,"_154":435,"_140":436},{"_289":287,"_123":431,"_154":432,"_140":433},"era/19-japan","19th-century Japan",99,"style/ukiyo-e","More Ukiyo-e",172,"artist/utagawa-kunisada","More by Utagawa Kunisada","https://img.ochreeditions.com/a/562/480.jpg","https://img.ochreeditions.com/a/562/960.jpg","https://img.ochreeditions.com/a/562/1920.jpg","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_313":459,"_315":460},{"_313":457,"_315":458},{"_313":455,"_315":456},{"_313":453,"_315":454},{"_313":451,"_315":452},"#383533",0.06,"#685f59",0.1724,"#898271",0.1845,"#ae7e64",0.2535,"#b0a17b",0.3296,"Utagawa Kunisada","utagawa-kunisada","Japanese, 1786–1865","Japanese",1786,1865,"Kunisada entered Utagawa Toyokuni’s studio as a teenager and became the most prolific and commercially successful designer of his age, producing tens of thousands of designs.","vehicles-on-the-streets-of-tokyo-met-55545","Vehicles on the Streets of Tokyo",{"_42":522,"_224":523,"_327":524,"_329":464,"_331":525,"_333":526,"_335":-5,"_336":-5,"_337":-5,"_140":93},"1870","Prints","Triptych of woodblock prints; ink and color on paper","13 3/4 x 27 1/2 in. (34.9 x 69.9 cm)",69.9,34.9,1.9292123629112663,[507,508,509,510,511],{"_223":503,"_224":504,"_42":505,"_306":506},"Courtesy of The Metropolitan Museum of Art","JP3378","Utagawa Yoshitora designed this in 1870, aged 25. It is now at The Met in New York.","Rickshaws, horse-drawn carriages and even early bicycles crowd a Tokyo street in this triptych of 1870, only two years after the city, formerly Edo, had become the imperial capital.","Vehicles on the Streets of Tokyo, by Utagawa Yoshitora, 1870",{"_297":500,"_299":501,"_301":502},"https://img.ochreeditions.com/m/947.jpg?dl=1","/art/vehicles-on-the-streets-of-tokyo-met-55545","/galleries/style/print-19/vehicles-on-the-streets-of-tokyo-met-55545",{"_293":294,"_295":296},{"_227":495,"_125":496,"_287":497},{"_278":492,"_280":493,"_282":475,"_284":494},93.9,60.232403100775194,36.232403100775194,{"_289":227,"_123":498,"_154":499,"_140":93},{"_289":125,"_123":434,"_154":435,"_140":436},{"_289":287,"_123":431,"_154":432,"_140":433},"artist/utagawa-yoshitora","More by Utagawa Yoshitora","https://img.ochreeditions.com/a/947/480.jpg","https://img.ochreeditions.com/a/947/960.jpg","https://img.ochreeditions.com/a/947/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_313":520,"_315":521},{"_313":518,"_315":519},{"_313":516,"_315":517},{"_313":514,"_315":515},{"_313":512,"_315":513},"#c2636d",0.0884,"#9b7473",0.1147,"#747370",0.2334,"#d7c0aa",0.25,"#8c9d88",0.3135,"Utagawa Yoshitora","utagawa-yoshitora","Japanese, active ca. 1850–80",1845,1880,"view-in-normandy-vue-prise-en-normandie-nga-61213","View in Normandy (Vue prise en Normandie)",{"_42":575,"_224":576,"_327":577,"_329":397,"_331":578,"_333":579,"_335":-5,"_336":-5,"_337":-5,"_140":101},"1835","lithograph",1.3544973544973544,[560,561,562,563,564],{"_223":303,"_224":304,"_42":305,"_306":307},"1982.52.1","Jules Dupré made this in 1835, aged 24. It is now at the National Gallery of Art in Washington, DC.","This image shows a rural landscape with a pond in the foreground where cattle are being herded by a person on horseback. There are low buildings with smoking chimneys in the middle ground. Trees on the horizon separate the land from the sky, which is filled with clouds. The painting is detailed with a consistent brushwork, capturing foliage and buildings. The color palette is primarily sepia, giving a vintage and serene feel to the scene.",{"_297":557,"_299":558,"_301":559},"https://img.ochreeditions.com/m/1603.jpg?dl=1","/art/view-in-normandy-vue-prise-en-normandie-nga-61213","/galleries/style/print-19/view-in-normandy-vue-prise-en-normandie-nga-61213",{"_293":294,"_295":296},{"_227":549,"_125":550,"_287":551},{"_278":545,"_280":546,"_282":547,"_284":548},84,68.296875,60,44.296875,{"_289":227,"_123":555,"_154":556,"_140":89},{"_289":125,"_123":552,"_154":553,"_140":554},{"_289":287,"_123":367,"_154":368,"_140":369},"style/print","More prints",433,"artist/contemporaries-of-jules-dupre","Jules Dupré's contemporaries","https://img.ochreeditions.com/a/1603/480.jpg","https://img.ochreeditions.com/a/1603/960.jpg","https://img.ochreeditions.com/a/1603/1920.jpg",{"_313":573,"_315":574},{"_313":571,"_315":572},{"_313":569,"_315":570},{"_313":567,"_315":568},{"_313":565,"_315":566},"#c5b69f",0.1247,"#8e8273",0.1297,"#675c54",0.1812,"#e7d9bf",0.2287,"#faf5eb",0.3357,"Jules Dupré","jules-dupre","French, 1811–1889",1811,1889,"apple-trees-along-the-side-of-a-ditch-nga-208413","Apple Trees along the Side of a Ditch",{"_42":631,"_224":632,"_327":633,"_329":634,"_331":635,"_333":636,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1894","netherlands","etching on wove paper","plate: 29.3 × 24.2 cm (11 9/16 × 9 1/2 in.) sheet: 40.7 × 31.6 cm (16 × 12 7/16 in.)",24.2,29.3,0.769287109375,[616,617,618,619,620],{"_223":303,"_224":304,"_42":305,"_306":307},"2016.157.3","Pieter Dupont made this in 1894, aged 24. It is now at the National Gallery of Art in Washington, DC.","The image shows a small body of water with grass-covered banks on either side. The viewpoint is slightly elevated, looking down at the scene. The horizon is in the upper third of the composition, separating the sky from the land. The artwork features intricate linework and stippling to create texture and detail, particularly in the tree branches. The color palette is monochrome, with shades of sepia and brown. A tree dominates the right side of the scene, leaning over the water. In the distance, more trees and fields are visible with minimal detail in the far background.",{"_297":613,"_299":614,"_301":615},"https://img.ochreeditions.com/m/1693.jpg?dl=1","/art/apple-trees-along-the-side-of-a-ditch-nga-208413","/galleries/style/print-19/apple-trees-along-the-side-of-a-ditch-nga-208413",{"_293":294,"_295":296},{"_227":605,"_125":606,"_287":607},{"_278":602,"_280":603,"_282":604,"_284":588},46.5401123046875,53.3,22.5401123046875,{"_289":227,"_123":611,"_154":612,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":608,"_154":609,"_140":610},"era/19-netherlands","19th-century Netherlands",21,"artist/contemporaries-of-pieter-dupont","Pieter Dupont's contemporaries","https://img.ochreeditions.com/a/1693/480.jpg","https://img.ochreeditions.com/a/1693/960.jpg","https://img.ochreeditions.com/a/1693/1920.jpg",{"_313":629,"_315":630},{"_313":627,"_315":628},{"_313":625,"_315":626},{"_313":623,"_315":624},{"_313":621,"_315":622},"#695b50",0.08,"#a18974",0.1122,"#887464",0.162,"#c7aa8e",0.1888,"#e5c7a7",0.457,"Pieter Dupont","pieter-dupont","Dutch, 1870–1911","Dutch",1870,1911,"five-pieces-of-china-nga-58580","Five Pieces of China",{"_42":679,"_224":680,"_327":681,"_329":397,"_331":682,"_333":526,"_335":-5,"_336":-5,"_337":-5,"_140":103},"etching",0.7369068109171379,[664,665,666,667,668],{"_223":303,"_224":304,"_42":305,"_306":307},"1980.45.868","Jules-Ferdinand Jacquemart made this. It is now at the National Gallery of Art in Washington, DC.","The image features a collection of ceramics, including two bowls, a plate, a mug, and a lidded cup. The color palette is sepia-toned, with shades of brown. The plate has an intricate illustration of a rooster and floral patterns. Two bowls with different designs are above the plate. A mug with floral and bird illustrations sits on the left, and a lidded cup with fish and aquatic plants is on the right.",{"_297":661,"_299":662,"_301":663},"https://img.ochreeditions.com/m/1593.jpg?dl=1","/art/five-pieces-of-china-nga-58580","/galleries/style/print-19/five-pieces-of-china-nga-58580",{"_293":294,"_295":296},{"_227":656,"_125":657,"_287":658},{"_278":654,"_280":545,"_282":655,"_284":547},68.21440865502828,44.21440865502828,{"_289":227,"_123":659,"_154":660,"_140":89},{"_289":125,"_123":552,"_154":553,"_140":554},{"_289":287,"_123":367,"_154":368,"_140":369},"artist/contemporaries-of-jules-ferdinand-jacquemart","Jules-Ferdinand Jacquemart's contemporaries","https://img.ochreeditions.com/a/1593/480.jpg","https://img.ochreeditions.com/a/1593/960.jpg","https://img.ochreeditions.com/a/1593/1920.jpg",{"_313":677,"_315":678},{"_313":675,"_315":676},{"_313":673,"_315":674},{"_313":671,"_315":672},{"_313":669,"_315":670},"#806851",0.0253,"#a98d6d",0.0791,"#c9ad88",0.133,"#e3c9a3",0.1689,"#f7e3c2",0.5937,"Jules-Ferdinand Jacquemart","jules-ferdinand-jacquemart","French, 1837–1880",1837,"under-the-wave-off-kanagawa-kanagawa-oki-nami-ura-also-known-aic-89503","Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series \"Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)\"",{"_42":731,"_224":732,"_327":733,"_329":464,"_331":734,"_333":735,"_335":-5,"_336":-5,"_337":736,"_140":712},"1830/33","Color woodblock print; oban","25.4 × 37.6 cm (10 × 14 3/4 in.)",37,1.445507939960844,[716,717,718,719,720],{"_223":375,"_224":376,"_42":377,"_306":378},"1928.1086","Katsushika Hokusai designed this in 1830/33, aged about 65. It is now at the Art Institute of Chicago.","A towering wave curls over slender boats packed with rowers, its foaming crest breaking into claw-like fingers, while far beyond, Mount Fuji sits small and still beneath a pale sky, almost like another wave.","A color woodblock print of a large crashing wave, looms over two narrow boats full of people. Mt Fuji in the background. There is a faint peach colored sky.",{"_297":713,"_299":714,"_301":715},"https://img.ochreeditions.com/m/246.jpg?dl=1","/art/under-the-wave-off-kanagawa-kanagawa-oki-nami-ura-also-known-aic-89503","/galleries/style/print-19/under-the-wave-off-kanagawa-kanagawa-oki-nami-ura-also-known-aic-89503",{"_293":294,"_295":296},{"_227":707,"_125":708,"_287":709},{"_278":704,"_280":705,"_282":689,"_284":706},61,49.59653875094056,25.59653875094056,{"_289":227,"_123":710,"_154":711,"_140":712},{"_289":125,"_123":434,"_154":435,"_140":436},{"_289":287,"_123":431,"_154":432,"_140":433},"artist/katsushika-hokusai","More by Katsushika Hokusai",20,"https://img.ochreeditions.com/a/246/480.jpg","https://img.ochreeditions.com/a/246/960.jpg","https://img.ochreeditions.com/a/246/1920.jpg",{"_313":729,"_315":730},{"_313":727,"_315":728},{"_313":725,"_315":726},{"_313":723,"_315":724},{"_313":721,"_315":722},"#6b7275",0.1112,"#344862",0.1275,"#e4d6be",0.1367,"#a3a497",0.1967,"#cdb692",0.4279,"Katsushika Hokusai","katsushika-hokusai","Japanese, 1760–1849",1760,1849,"Hokusai trained in the studio of the actor-portraitist Katsukawa Shunshō and went on to work under more than thirty names across a career of some seventy years.","foreign-family-with-wife-making-clothes-gaikokujin-ifuku-shi-met-73442","Foreign Family with Wife Making Clothes (Gaikokujin ifuku shitate no zu)",{"_42":784,"_224":785,"_327":464,"_329":464,"_331":-5,"_333":635,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1860","Woodblock print (nishiki-e); ink and color on paper","Image: 13 1/4 x 8 7/8 in. (33.7 x 22.5 cm)",22.5,33.7,0.6888714733542319,[769,770,771,772,773],{"_223":503,"_224":504,"_42":505,"_306":506},"2007.49.156","Utagawa Yoshikazu designed this in 1860. It is now at The Met in New York.","Foreign Family with Wife Making Clothes (Gaikokujin ifuku shitate no zu), by Utagawa Yoshikazu, 1860",{"_297":766,"_299":767,"_301":768},"https://img.ochreeditions.com/m/977.jpg?dl=1","/art/foreign-family-with-wife-making-clothes-gaikokujin-ifuku-shi-met-73442","/galleries/style/print-19/foreign-family-with-wife-making-clothes-gaikokujin-ifuku-shi-met-73442",{"_293":294,"_295":296},{"_227":761,"_125":762,"_287":763},{"_278":758,"_280":759,"_282":760,"_284":744},47.21496865203762,57.7,23.21496865203762,{"_289":227,"_123":764,"_154":765,"_140":89},{"_289":125,"_123":434,"_154":435,"_140":436},{"_289":287,"_123":431,"_154":432,"_140":433},"artist/contemporaries-of-utagawa-yoshikazu","Utagawa Yoshikazu's contemporaries","https://img.ochreeditions.com/a/977/480.jpg","https://img.ochreeditions.com/a/977/960.jpg","https://img.ochreeditions.com/a/977/1920.jpg",{"_313":782,"_315":783},{"_313":780,"_315":781},{"_313":778,"_315":779},{"_313":776,"_315":777},{"_313":774,"_315":775},"#a65f55",0.0291,"#595d64",0.1777,"#b3a991",0.2177,"#7b857b",0.2533,"#ecd7ba",0.3222,"Utagawa Yoshikazu","utagawa-yoshikazu","plum-garden-at-kameido-kameido-umeyashiki-from-the-series-on-aic-26577","Plum Garden at Kameido (Kameido Umeyashiki), from the series \"One Hundred Famous Views of Edo (Meisho Edo hyakkei)\"",{"_42":833,"_224":834,"_327":835,"_329":464,"_331":836,"_333":837,"_335":-5,"_336":-5,"_337":838,"_140":233},"1857","Color woodblock print; ōban","36 × 24.4 cm (14 3/16 × 9 9/16 in.)",24,36,0.6789745243469848,[818,819,820,821,822],{"_223":375,"_224":376,"_42":377,"_306":378},"1925.3752","Utagawa Hiroshige designed this in 1857, aged about 59. It is now at the Art Institute of Chicago.","The gnarled trunk of a plum tree, cut off by the edges of the print, fills the foreground, its branches dotted with white blossom, while visitors stroll among the trees beyond a low fence, against a sky shading from red to white.","A work made of color woodblock print; ōban.",{"_297":815,"_299":816,"_301":817},"https://img.ochreeditions.com/m/110.jpg?dl=1","/art/plum-garden-at-kameido-kameido-umeyashiki-from-the-series-on-aic-26577","/galleries/style/print-19/plum-garden-at-kameido-kameido-umeyashiki-from-the-series-on-aic-26577",{"_293":294,"_295":296},{"_227":810,"_125":811,"_287":812},{"_278":808,"_280":547,"_282":809,"_284":793},48.44308287649145,24.443082876491452,{"_289":227,"_123":813,"_154":814,"_140":233},{"_289":125,"_123":434,"_154":435,"_140":436},{"_289":287,"_123":431,"_154":432,"_140":433},"artist/utagawa-hiroshige","More by Utagawa Hiroshige","https://img.ochreeditions.com/a/110/480.jpg","https://img.ochreeditions.com/a/110/960.jpg","https://img.ochreeditions.com/a/110/1920.jpg",{"_313":831,"_315":832},{"_313":829,"_315":830},{"_313":827,"_315":828},{"_313":825,"_315":826},{"_313":823,"_315":824},"#5b7e6c",0.1388,"#dd9172",0.1942,"#ab967e",0.196,"#f0d8bb",0.2031,"#56524a",0.2679,"Utagawa Hiroshige","utagawa-hiroshige","Japanese, 1797–1858",1797,1858,"Hiroshige was born into a family of Edo fire wardens and trained under Utagawa Toyohiro. His breakthrough came in the early 1830s with The Fifty-three Stations of the Tōkaidō, scenes along the highway between Edo and Kyoto.","shimosuwa-from-sixty-nine-stations-of-the-kisokaido-cma-152501","Shimosuwa, from Sixty-Nine Stations of the Kisokaidō",{"_42":833,"_224":834,"_327":835,"_329":464,"_331":836,"_333":837,"_335":-5,"_336":-5,"_337":838,"_140":233},"1835–38","Color woodblock print","25.3 x 37.7 cm (9 15/16 x 14 13/16 in.)",37.7,25.3,1.4567266495287061,[873,874,875,876,877],{"_223":442,"_224":443,"_42":444,"_306":445},"1985.322","Utagawa Hiroshige designed this in 1835–38, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":870,"_871":872},"Shimosuwa, from Sixty-Nine Stations of the Kisokaidō, by Utagawa Hiroshige, 1835–38",{"_297":867,"_299":868,"_301":869},"https://img.ochreeditions.com/m/728.jpg?dl=1","/art/shimosuwa-from-sixty-nine-stations-of-the-kisokaido-cma-152501","/galleries/style/print-19/shimosuwa-from-sixty-nine-stations-of-the-kisokaido-cma-152501",{"_293":294,"_295":296},{"_227":864,"_125":865,"_287":866},{"_278":861,"_280":862,"_282":845,"_284":863},61.7,49.87994117647059,25.879941176470588,{"_289":227,"_123":813,"_154":814,"_140":233},{"_289":125,"_123":434,"_154":435,"_140":436},{"_289":287,"_123":431,"_154":432,"_140":433},"https://img.ochreeditions.com/a/728/480.jpg","https://img.ochreeditions.com/a/728/960.jpg","https://img.ochreeditions.com/a/728/1920.jpg","This print shows travelers enjoying a meal at an inn, with the innkeeper looking pleased at the guests’ enthusiasm. In the background, another traveler is gratefully relaxing in a wooden tub filled with hot natural spring water, having discarded his robe next to the bath.","source","Text from the Cleveland Museum of Art.",{"_313":886,"_315":887},{"_313":884,"_315":885},{"_313":882,"_315":883},{"_313":880,"_315":881},{"_313":878,"_315":879},"#ccaa7b",0.0966,"#b5a594",0.1658,"#62605b",0.1925,"#deceb9",0.2475,"#9c8271",0.2976,"a-view-of-the-large-new-room-at-sakurai-cma-123463",{"_42":461,"_224":462,"_327":463,"_329":464,"_331":465,"_333":466,"_335":-5,"_336":-5,"_337":467,"_140":93},"Sheet: 35.8 x 24.6 cm (14 1/8 x 9 11/16 in.)",0.7061764705882353,[911,912,913,914,915],{"_223":442,"_224":443,"_42":444,"_306":445},"1943.7.a",{"_297":908,"_299":909,"_301":910},"https://img.ochreeditions.com/m/563.jpg?dl=1","/art/a-view-of-the-large-new-room-at-sakurai-cma-123463","/galleries/style/print-19/a-view-of-the-large-new-room-at-sakurai-cma-123463",{"_293":294,"_295":296},{"_227":905,"_125":906,"_287":907},{"_278":902,"_280":903,"_282":904,"_284":409},49.28111764705882,59.8,25.28111764705882,{"_289":227,"_123":437,"_154":438,"_140":93},{"_289":125,"_123":434,"_154":435,"_140":436},{"_289":287,"_123":431,"_154":432,"_140":433},"https://img.ochreeditions.com/a/563/480.jpg","https://img.ochreeditions.com/a/563/960.jpg","https://img.ochreeditions.com/a/563/1920.jpg",{"_313":924,"_315":925},{"_313":922,"_315":923},{"_313":920,"_315":921},{"_313":918,"_315":919},{"_313":916,"_315":917},"#312f2a",0.0688,"#ccbea8",0.1896,"#7b776b",0.2073,"#9b9065",0.2333,"#a7775d",0.301,"lear-and-cordelia-si-saam-1967-54-29","Lear and Cordelia",{"_42":982,"_224":983,"_327":984,"_329":985,"_331":986,"_333":398,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1845","britain","victorian-art","Graphic Arts-Print","engraving","no measurements",0.8123333333333334,[967,968,969,970,971],{"_223":964,"_224":965,"_42":966,"_306":307},"Courtesy of the Smithsonian American Art Museum","1967.54.29","Richard Hatfield made this in 1845, aged 36. It is now at the Smithsonian American Art Museum in Washington, DC.","Lear and Cordelia, by Richard Hatfield, 1845",{"_297":961,"_299":962,"_301":963},"https://img.ochreeditions.com/m/1932.jpg?dl=1","/art/lear-and-cordelia-si-saam-1967-54-29","/galleries/style/print-19/lear-and-cordelia-si-saam-1967-54-29",{"_293":294,"_295":296},{"_227":951,"_125":952,"_287":953},{"_278":949,"_280":545,"_282":950,"_284":547},72.74000000000001,48.74,{"_289":227,"_123":959,"_154":960,"_140":89},{"_289":125,"_123":957,"_154":958,"_140":712},{"_289":287,"_123":954,"_154":955,"_140":956},"era/19-britain","19th-century Britain",40,"style/victorian-art","More Victorian art","artist/contemporaries-of-richard-hatfield","Richard Hatfield's contemporaries","https://img.ochreeditions.com/a/1932/480.jpg","https://img.ochreeditions.com/a/1932/960.jpg","https://img.ochreeditions.com/a/1932/1920.jpg","si","smithsonian","Smithsonian Institution",{"_313":980,"_315":981},{"_313":978,"_315":979},{"_313":976,"_315":977},{"_313":974,"_315":975},{"_313":972,"_315":973},"#9d8b6e",0.0529,"#75664c",0.0962,"#16130b",0.2458,"#322b1c",0.2527,"#4e422f",0.3524,"Richard Hatfield","richard-hatfield","English, born London, England 1809-died London, England 1867","English",1809,"in-my-dream-i-saw-in-the-sky-a-face-of-mystery-cma-109191","In My Dream I Saw in the Sky a Face of Mystery",{"_42":1040,"_224":1041,"_327":1042,"_329":397,"_331":1043,"_333":1044,"_335":1045,"_336":1046,"_337":1047,"_140":91},"1885","post-impressionism","lithograph on China paper laid on wove paper","Image: 29.1 x 23.9 cm (11 7/16 x 9 7/16 in.)",23.9,29.1,0.788235294117647,[1025,1026,1027,1028,1029],{"_223":442,"_224":443,"_42":444,"_306":445},"1927.344.1","Odilon Redon made this in 1885, aged 45. It is now at the Cleveland Museum of Art.",{"_118":1024,"_871":872},"In My Dream I Saw in the Sky a Face of Mystery, by Odilon Redon, 1885",{"_297":1021,"_299":1022,"_301":1023},"https://img.ochreeditions.com/m/520.jpg?dl=1","/art/in-my-dream-i-saw-in-the-sky-a-face-of-mystery-cma-109191","/galleries/style/print-19/in-my-dream-i-saw-in-the-sky-a-face-of-mystery-cma-109191",{"_293":294,"_295":296},{"_227":1013,"_125":1014,"_287":1015},{"_278":1010,"_280":1011,"_282":1012,"_284":995},46.93764705882353,53.1,22.93764705882353,{"_289":227,"_123":1019,"_154":1020,"_140":91},{"_289":125,"_123":1016,"_154":1017,"_140":1018},{"_289":287,"_123":367,"_154":368,"_140":369},"style/post-impressionism","More Post-Impressionism",62,"artist/odilon-redon","More by Odilon Redon","https://img.ochreeditions.com/a/520/480.jpg","https://img.ochreeditions.com/a/520/960.jpg","https://img.ochreeditions.com/a/520/1920.jpg","This series is one of many that Odilon Redon created throughout his career. Nearly two-thirds of his lithographs took the form of portfolios—prints connected conceptually by a theme or narrative and physically by a folder or binding.",{"_313":1038,"_315":1039},{"_313":1036,"_315":1037},{"_313":1034,"_315":1035},{"_313":1032,"_315":1033},{"_313":1030,"_315":1031},"#b0ada7",0.0913,"#73726d",0.1327,"#f3efe8",0.1924,"#4e4e4b",0.2328,"#323230",0.3508,"Odilon Redon","odilon-redon","French, 1840–1916",1840,1916,"Bordeaux","Paris","Redon spent three decades working almost entirely in black: charcoal drawings he called his “noirs” and albums of lithographs peopled with floating eyes, strange plants and dreamlike heads, which made him a hero of the Symbolist writers.","ettore-side-view-from-oeuvre-de-canova-aic-260560","Ettore, Side View, from Oeuvre de Canova",{"_42":1101,"_224":1102,"_327":1103,"_329":1104,"_331":1105,"_333":1106,"_335":-5,"_336":-5,"_337":-5,"_140":99},"1817","italy","neoclassicism","Engraving and etching in black on ivory wove paper","Plate: 64 × 40.5 cm (25 1/4 × 16 in.); Sheet: 86 × 62 cm (33 7/8 × 24 7/16 in.)",64,0.7256637168141593,[1086,1087,1088,1089,1090],{"_223":375,"_224":376,"_42":377,"_306":378},"2021.47","Antonio Canova made this in 1817, aged 52. It is now at the Art Institute of Chicago.","A work made of engraving and etching in black on ivory wove paper.",{"_297":1083,"_299":1084,"_301":1085},"https://img.ochreeditions.com/m/402.jpg?dl=1","/art/ettore-side-view-from-oeuvre-de-canova-aic-260560","/galleries/style/print-19/ettore-side-view-from-oeuvre-de-canova-aic-260560",{"_293":294,"_295":296},{"_227":1073,"_125":1074,"_287":1075},{"_278":1070,"_280":1071,"_282":1072,"_284":1056},70.4424778761062,88,46.442477876106196,{"_289":227,"_123":1081,"_154":1082,"_140":99},{"_289":125,"_123":1078,"_154":1079,"_140":1080},{"_289":287,"_123":1076,"_154":1077,"_140":79},"era/19-italy","19th-century Italy","style/neoclassicism","More Neoclassicism",109,"artist/antonio-canova","More by Antonio Canova","https://img.ochreeditions.com/a/402/480.jpg","https://img.ochreeditions.com/a/402/960.jpg","https://img.ochreeditions.com/a/402/1920.jpg",{"_313":1099,"_315":1100},{"_313":1097,"_315":1098},{"_313":1095,"_315":1096},{"_313":1093,"_315":1094},{"_313":1091,"_315":1092},"#8e867f",0.0177,"#b2aba5",0.0506,"#cec5bf",0.0917,"#f1e2da",0.1243,"#f4e8e2",0.7157,"Antonio Canova","antonio-canova","Italian, 1765–1820","Italian",1765,1820,"schwabelweiss-nga-184588","Schwabelweiss",{"_42":1152,"_224":1153,"_327":1154,"_329":330,"_331":1155,"_333":1156,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1879","image: 7.78 × 20.8 cm (3 1/16 × 8 3/16 in.) plate: 8.73 × 21.59 cm (3 7/16 × 8 1/2 in.) sheet: 18.26 × 30.32 cm (7 3/16 × 11 15/16 in.)",20.8,7.8,2.4554941682013505,[1137,1138,1139,1140,1141],{"_223":303,"_224":304,"_42":305,"_306":307},"2015.19.2473","Otto Henry Bacher made this in 1879, aged 23. It is now at the National Gallery of Art in Washington, DC.","The image shows a village scene viewed from a low vantage point near a water's edge. A row of small, closely packed buildings and a church with an onion-shaped dome are prominently featured. There are gentle slopes leading towards the structures. The image uses fine, detailed line work to depict texture and depth in the buildings and natural landscape. The lines are delicate and varied, creating a sense of detail and softness. The color palette is monochromatic, with dark ink on a pale background, resulting in a classic and timeless feel.",{"_297":1134,"_299":1135,"_301":1136},"https://img.ochreeditions.com/m/1689.jpg?dl=1","/art/schwabelweiss-nga-184588","/galleries/style/print-19/schwabelweiss-nga-184588",{"_293":294,"_295":296},{"_227":1129,"_125":1130,"_287":1131},{"_278":361,"_280":1127,"_282":363,"_284":1128},34.18125,10.18125,{"_289":227,"_123":1132,"_154":1133,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-otto-henry-bacher","Otto Henry Bacher's contemporaries","https://img.ochreeditions.com/a/1689/480.jpg","https://img.ochreeditions.com/a/1689/960.jpg","https://img.ochreeditions.com/a/1689/1920.jpg",{"_313":1150,"_315":1151},{"_313":1148,"_315":1149},{"_313":1146,"_315":1147},{"_313":1144,"_315":1145},{"_313":1142,"_315":1143},"#67594b",0.0619,"#82715c",0.0673,"#bca682",0.0691,"#9d896d",0.0811,"#dbc39b",0.7206,"Otto Henry Bacher","otto-henry-bacher","American, 1856–1909",1856,1909,{"_1158":-5,"_1159":1160,"_1161":1162,"_1163":8,"_1164":1165,"_1166":8},"user","csrf","39bd007bbc8a3c0adeeda3bbafcf3549c5122fa9","cartCount",0,"dropLive","legal",[1167,1168,1169,1170,1171,1172,1173,1174,1175,1176,1177,1178],"uploadsEnabled",{"_224":1201,"_20":1202},{"_224":1199,"_20":1200},{"_224":1197,"_20":1198},{"_224":1195,"_20":1196},{"_224":1193,"_20":1194},{"_224":1191,"_20":1192},{"_224":1189,"_20":1190},{"_224":1187,"_20":1188},{"_224":1185,"_20":1186},{"_224":1183,"_20":1184},{"_224":1181,"_20":1182},{"_224":1179,"_20":1180},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]