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It is now at The Met in New York.","The most famous image in Japanese art pits human fragility against the force of nature: boatmen bend to their oars beneath a wall of water whose fingers of foam reach down towards them, while Mount Fuji, the sacred mountain, sits calm and tiny in the distance.","Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), by Katsushika Hokusai, ca. 1830–32",{"_297":379,"_299":380,"_301":381},"https://img.ochreeditions.com/m/918.jpg?dl=1","/art/under-the-wave-off-kanagawa-kanagawa-oki-nami-ura-also-known-met-45434","/galleries/style/print-19/under-the-wave-off-kanagawa-kanagawa-oki-nami-ura-also-known-met-45434",{"_293":294,"_295":296},{"_227":367,"_125":368,"_287":369},{"_278":364,"_280":365,"_282":347,"_283":366},61.9,49.47618554029542,25.476185540295415,{"_289":227,"_123":376,"_154":377,"_140":378},{"_289":125,"_123":373,"_154":374,"_140":375},{"_289":287,"_123":370,"_154":371,"_140":372},"era/19-japan","19th-century Japan",99,"style/ukiyo-e","More Ukiyo-e",172,"artist/katsushika-hokusai","More by Katsushika Hokusai",20,"https://img.ochreeditions.com/a/918/480.jpg","https://img.ochreeditions.com/a/918/960.jpg","https://img.ochreeditions.com/a/918/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_313":399,"_315":400},{"_313":397,"_315":398},{"_313":395,"_315":396},{"_313":393,"_315":394},{"_313":391,"_315":392},"#768691",0.0963,"#a8ada8",0.1261,"#3a5976",0.1265,"#ced2c7",0.1839,"#f3e8cd",0.4672,"Katsushika Hokusai","katsushika-hokusai","Japanese, 1760–1849","Japanese",1760,1849,"Hokusai trained in the studio of the actor-portraitist Katsukawa Shunshō and went on to work under more than thirty names across a career of some seventy years.","a-view-of-the-large-new-room-at-sakurai-cma-123463","A View of the Large New Room at Sakurai",{"_42":460,"_224":461,"_327":462,"_329":404,"_331":463,"_333":464,"_335":-5,"_336":-5,"_337":465,"_140":93},"early or mid 1830s","color woodblock print","Sheet: 35.8 x 24.6 cm (14 1/8 x 9 11/16 in.)",24.6,35.8,0.7061764705882353,[445,446,447,448,449],{"_223":441,"_224":442,"_42":443,"_306":444},"Courtesy of the Cleveland Museum of Art","1943.7.a","Utagawa Kunisada designed this in the early or mid 1830s, aged about 44. It is now at the Cleveland Museum of Art.","A View of the Large New Room at Sakurai, by Utagawa Kunisada, early or mid 1830s",{"_297":438,"_299":439,"_301":440},"https://img.ochreeditions.com/m/563.jpg?dl=1","/art/a-view-of-the-large-new-room-at-sakurai-cma-123463","/galleries/style/print-19/a-view-of-the-large-new-room-at-sakurai-cma-123463",{"_293":294,"_295":296},{"_227":433,"_125":434,"_287":435},{"_278":430,"_280":431,"_282":432,"_283":415},49.28111764705882,59.8,25.28111764705882,{"_289":227,"_123":436,"_154":437,"_140":93},{"_289":125,"_123":373,"_154":374,"_140":375},{"_289":287,"_123":370,"_154":371,"_140":372},"artist/utagawa-kunisada","More by Utagawa Kunisada","https://img.ochreeditions.com/a/563/480.jpg","https://img.ochreeditions.com/a/563/960.jpg","https://img.ochreeditions.com/a/563/1920.jpg","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_313":458,"_315":459},{"_313":456,"_315":457},{"_313":454,"_315":455},{"_313":452,"_315":453},{"_313":450,"_315":451},"#312f2a",0.0688,"#ccbea8",0.1896,"#7b776b",0.2073,"#9b9065",0.2333,"#a7775d",0.301,"Utagawa Kunisada","utagawa-kunisada","Japanese, 1786–1865",1786,1865,"Kunisada entered Utagawa Toyokuni’s studio as a teenager and became the most prolific and commercially successful designer of his age, producing tens of thousands of designs.","plum-garden-at-kameido-kameido-umeyashiki-from-the-series-on-aic-26577","Plum Garden at Kameido (Kameido Umeyashiki), from the series \"One Hundred Famous Views of Edo (Meisho Edo hyakkei)\"",{"_42":519,"_224":520,"_327":521,"_329":404,"_331":522,"_333":523,"_335":-5,"_336":-5,"_337":524,"_140":233},"1857","Color woodblock print; ōban","36 × 24.4 cm (14 3/16 × 9 9/16 in.)",24,36,0.6789745243469848,[504,505,506,507,508],{"_223":500,"_224":501,"_42":502,"_306":503},"Courtesy of the Art Institute of Chicago","1925.3752","Utagawa Hiroshige designed this in 1857, aged about 59. It is now at the Art Institute of Chicago.","The gnarled trunk of a plum tree, cut off by the edges of the print, fills the foreground, its branches dotted with white blossom, while visitors stroll among the trees beyond a low fence, against a sky shading from red to white.","A work made of color woodblock print; ōban.",{"_297":497,"_299":498,"_301":499},"https://img.ochreeditions.com/m/110.jpg?dl=1","/art/plum-garden-at-kameido-kameido-umeyashiki-from-the-series-on-aic-26577","/galleries/style/print-19/plum-garden-at-kameido-kameido-umeyashiki-from-the-series-on-aic-26577",{"_293":294,"_295":296},{"_227":492,"_125":493,"_287":494},{"_278":489,"_280":490,"_282":491,"_283":473},48.44308287649145,60,24.443082876491452,{"_289":227,"_123":495,"_154":496,"_140":233},{"_289":125,"_123":373,"_154":374,"_140":375},{"_289":287,"_123":370,"_154":371,"_140":372},"artist/utagawa-hiroshige","More by Utagawa Hiroshige","https://img.ochreeditions.com/a/110/480.jpg","https://img.ochreeditions.com/a/110/960.jpg","https://img.ochreeditions.com/a/110/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_313":517,"_315":518},{"_313":515,"_315":516},{"_313":513,"_315":514},{"_313":511,"_315":512},{"_313":509,"_315":510},"#5b7e6c",0.1388,"#dd9172",0.1942,"#ab967e",0.196,"#f0d8bb",0.2031,"#56524a",0.2679,"Utagawa Hiroshige","utagawa-hiroshige","Japanese, 1797–1858",1797,1858,"Hiroshige was born into a family of Edo fire wardens and trained under Utagawa Toyohiro. His breakthrough came in the early 1830s with The Fifty-three Stations of the Tōkaidō, scenes along the highway between Edo and Kyoto.","picture-of-men-and-women-from-many-countries-bankoku-danjo-j-aic-32372","Picture of Men and Women from Many Countries (Bankoku danjo jinbutsu zue)",{"_42":571,"_224":572,"_327":573,"_329":404,"_331":574,"_333":575,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1861","Color woodblock print; oban triptych","36.6 × 72.5 cm (14 7/16 × 28 9/16 in.)",72,1.9770547945205479,[556,557,558,559,560],{"_223":500,"_224":501,"_42":502,"_306":503},"1926.1764","Utagawa Yoshiiku designed this in 1861, aged 28. It is now at the Art Institute of Chicago.","A work made of color woodblock print; oban triptych.",{"_297":553,"_299":554,"_301":555},"https://img.ochreeditions.com/m/128.jpg?dl=1","/art/picture-of-men-and-women-from-many-countries-bankoku-danjo-j-aic-32372","/galleries/style/print-19/picture-of-men-and-women-from-many-countries-bankoku-danjo-j-aic-32372",{"_293":294,"_295":296},{"_227":548,"_125":549,"_287":550},{"_278":545,"_280":546,"_282":531,"_283":547},96,60.417807032738615,36.417807032738615,{"_289":227,"_123":551,"_154":552,"_140":89},{"_289":125,"_123":373,"_154":374,"_140":375},{"_289":287,"_123":370,"_154":371,"_140":372},"artist/contemporaries-of-utagawa-yoshiiku","Utagawa Yoshiiku's contemporaries","https://img.ochreeditions.com/a/128/480.jpg","https://img.ochreeditions.com/a/128/960.jpg","https://img.ochreeditions.com/a/128/1920.jpg",{"_313":569,"_315":570},{"_313":567,"_315":568},{"_313":565,"_315":566},{"_313":563,"_315":564},{"_313":561,"_315":562},"#58504c",0.0884,"#3c5a5e",0.1621,"#a78a78",0.2124,"#7c867d",0.2588,"#c8b396",0.2783,"Utagawa Yoshiiku","utagawa-yoshiiku","Japanese, 1833–1904",1833,1904,"mount-fuji-rising-beyond-miho-beach-aic-18379","Mount Fuji Rising beyond Miho Beach",{"_42":519,"_224":520,"_327":521,"_329":404,"_331":522,"_333":523,"_335":-5,"_336":-5,"_337":524,"_140":233},"c. 1838/42","Color woodblock print; uchiwa-e, aizuri-e","23 × 29.7 cm (9 1/16 × 11 3/4 in.)",29,23,1.3190883190883191,[607,608,609,610,611],{"_223":500,"_224":501,"_42":502,"_306":503},"1963.707","Utagawa Hiroshige designed this in about 1838/42, aged about 36. It is now at the Art Institute of Chicago.","Mount Fuji rises beyond the pine-covered beach of Miho, one of Japan’s most celebrated views, printed almost entirely in shades of blue in a style known as aizuri-e. The print is an uchiwa-e, designed to be cut out and mounted on a rigid round fan, so relatively few survive in good condition.","A work made of color woodblock print; uchiwa-e, aizuri-e.",{"_297":604,"_299":605,"_301":606},"https://img.ochreeditions.com/m/68.jpg?dl=1","/art/mount-fuji-rising-beyond-miho-beach-aic-18379","/galleries/style/print-19/mount-fuji-rising-beyond-miho-beach-aic-18379",{"_293":294,"_295":296},{"_227":601,"_125":602,"_287":603},{"_278":598,"_280":599,"_282":582,"_283":600},53,45.98488120950324,21.98488120950324,{"_289":227,"_123":495,"_154":496,"_140":233},{"_289":125,"_123":373,"_154":374,"_140":375},{"_289":287,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/68/480.jpg","https://img.ochreeditions.com/a/68/960.jpg","https://img.ochreeditions.com/a/68/1920.jpg",{"_313":620,"_315":621},{"_313":618,"_315":619},{"_313":616,"_315":617},{"_313":614,"_315":615},{"_313":612,"_315":613},"#90aaaa",0.1159,"#487189",0.1491,"#ebe1c5",0.2077,"#f4f1e4",0.2327,"#c6d2c0",0.2946,"head-of-a-raven-in-profile-from-the-raven-le-corbeau-aic-111362","Head of a Raven in Profile, from The Raven (Le Corbeau)",{"_42":673,"_224":674,"_327":675,"_329":676,"_331":677,"_333":678,"_335":679,"_336":679,"_337":680,"_140":53},"1875","france","Transfer lithograph in black on tan simili-parchment paper","Image: 16.3 × 15.9 cm (6 7/16 × 6 5/16 in.); Sheet folded: 55 × 41.2 cm (21 11/16 × 16 1/4 in.)",0.7573613330289888,[658,659,660,661,662],{"_223":500,"_224":501,"_42":502,"_306":503},"1945.52.1","Édouard Manet made this in 1875, aged 43. It is now at the Art Institute of Chicago.","A raven’s head in profile, set down in a few bold brushstrokes, belongs to the edition of Edgar Allan Poe’s The Raven that Stéphane Mallarmé translated and Manet illustrated in 1875.","A work made of transfer lithograph in black on tan simili-parchment paper.",{"_297":655,"_299":656,"_301":657},"https://img.ochreeditions.com/m/279.jpg?dl=1","/art/head-of-a-raven-in-profile-from-the-raven-le-corbeau-aic-111362","/galleries/style/print-19/head-of-a-raven-in-profile-from-the-raven-le-corbeau-aic-111362",{"_293":294,"_295":296},{"_227":647,"_125":648,"_287":649},{"_278":643,"_280":644,"_282":645,"_283":646},42.93403332572472,49,18.93403332572472,25,{"_289":227,"_123":653,"_154":654,"_140":53},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":650,"_154":651,"_140":652},"era/19-france","19th-century France",237,"artist/edouard-manet","More by Édouard Manet","https://img.ochreeditions.com/a/279/480.jpg","https://img.ochreeditions.com/a/279/960.jpg","https://img.ochreeditions.com/a/279/1920.jpg",{"_313":671,"_315":672},{"_313":669,"_315":670},{"_313":667,"_315":668},{"_313":665,"_315":666},{"_313":663,"_315":664},"#8a8171",0.013,"#403d37",0.0374,"#e8ddc9",0.0824,"#d0bda2",0.2246,"#e2d2b8",0.6426,"Édouard Manet","edouard-manet","French, 1832–1883","French",1832,1883,"Paris","Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.","sugatano-of-sugata-ebisuya-in-the-morning-hour-of-the-rabbit-cma-152480","Sugatano of Sugata Ebisuya in the Morning, Hour of the Rabbit, from the series The Twelve Hours in the Pleasure Quarters",{"_42":728,"_224":729,"_327":730,"_329":404,"_331":731,"_333":732,"_335":-5,"_336":-5,"_337":-5,"_140":101},"1812","Color woodblock print; ink and color on paper","Sheet: 37.8 x 25.3 cm (14 7/8 x 9 15/16 in.)",25.3,37.8,0.6711764705882353,[713,714,715,716,717],{"_223":441,"_224":442,"_42":443,"_306":444},"1985.303","Kikukawa Eizan designed this in 1812, aged 25. It is now at the Cleveland Museum of Art.","Sugatano of Sugata Ebisuya in the Morning, Hour of the Rabbit, from the series The Twelve Hours in the Pleasure Quarters, by Kikukawa Eizan, 1812",{"_297":710,"_299":711,"_301":712},"https://img.ochreeditions.com/m/725.jpg?dl=1","/art/sugatano-of-sugata-ebisuya-in-the-morning-hour-of-the-rabbit-cma-152480","/galleries/style/print-19/sugatano-of-sugata-ebisuya-in-the-morning-hour-of-the-rabbit-cma-152480",{"_293":294,"_295":296},{"_227":705,"_125":706,"_287":707},{"_278":702,"_280":703,"_282":704,"_283":688},49.37047058823529,61.8,25.370470588235293,{"_289":227,"_123":708,"_154":709,"_140":89},{"_289":125,"_123":373,"_154":374,"_140":375},{"_289":287,"_123":370,"_154":371,"_140":372},"artist/contemporaries-of-kikukawa-eizan","Kikukawa Eizan's contemporaries","https://img.ochreeditions.com/a/725/480.jpg","https://img.ochreeditions.com/a/725/960.jpg","https://img.ochreeditions.com/a/725/1920.jpg",{"_313":726,"_315":727},{"_313":724,"_315":725},{"_313":722,"_315":723},{"_313":720,"_315":721},{"_313":718,"_315":719},"#af695d",0.069,"#9a8870",0.1094,"#665b4b",0.1105,"#1f2019",0.1853,"#bfaf96",0.5258,"Kikukawa Eizan","kikukawa-eizan","Japanese, 1787–1867",1787,1867,"self-portrait-cma-163547","Self-Portrait",{"_42":784,"_224":785,"_327":786,"_329":676,"_331":787,"_333":788,"_335":679,"_336":679,"_337":789,"_140":75},"impressionism","etching and drypoint","Platemark: 23 x 14.5 cm (9 1/16 x 5 11/16 in.); Sheet: 31.5 x 22.6 cm (12 3/8 x 8 7/8 in.)",14.5,0.5829411764705882,[769,770,771,772,773],{"_223":441,"_224":442,"_42":443,"_306":444},"2004.87","Edgar Degas made this in 1857, aged 23. It is now at the Cleveland Museum of Art.",{"_118":766,"_767":768},"Self-Portrait, by Edgar Degas, 1857",{"_297":763,"_299":764,"_301":765},"https://img.ochreeditions.com/m/765.jpg?dl=1","/art/self-portrait-cma-163547","/galleries/style/print-19/self-portrait-cma-163547",{"_293":294,"_295":296},{"_227":756,"_125":757,"_287":758},{"_278":754,"_280":644,"_282":755,"_283":646},38.5735294117647,14.573529411764705,{"_289":227,"_123":761,"_154":762,"_140":75},{"_289":125,"_123":759,"_154":760,"_140":598},{"_289":287,"_123":650,"_154":651,"_140":652},"style/impressionism","More Impressionism","artist/edgar-degas","More by Edgar Degas","https://img.ochreeditions.com/a/765/480.jpg","https://img.ochreeditions.com/a/765/960.jpg","https://img.ochreeditions.com/a/765/1920.jpg","In the 1850s Degas frequently used himself as a model, but he made only one printed self-portrait. Through successive stages of biting the plate and layers of crosshatching, Degas gradually built areas of dark tone.","source","Text from the Cleveland Museum of Art.",{"_313":782,"_315":783},{"_313":780,"_315":781},{"_313":778,"_315":779},{"_313":776,"_315":777},{"_313":774,"_315":775},"#6b6257",0.087,"#958877",0.1199,"#f6e2cd",0.1841,"#bfae99",0.247,"#48423d",0.362,"Edgar Degas","edgar-degas","French, 1834–1917",1834,1917,"Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers.","l-eau-est-delicieuse-je-t-assure-nga-56893","L'Eau est délicieuse... je t'assure...",{"_42":838,"_224":839,"_327":840,"_329":676,"_331":841,"_333":842,"_335":843,"_336":844,"_337":845,"_140":95},"1845","lithograph",0.845947265625,[823,824,825,826,827],{"_223":303,"_224":304,"_42":305,"_306":307},"1978.104.5","Honoré Daumier made this in 1845, aged 37. It is now at the National Gallery of Art in Washington, DC.","A woman sits fully dressed on the bank beneath a tree, her bonnet at her side, while a man up to his shoulders in the water assures her that it is delicious.","The image shows a woman sitting beside a body of water, under a tree. She is wearing a long dress and holding a bonnet by her side. In the water, a person is visible from the shoulders up with short hair. The background includes a landscape with trees, water, and a distant structure that resembles a house or castle.",{"_297":820,"_299":821,"_301":822},"https://img.ochreeditions.com/m/1589.jpg?dl=1","/art/l-eau-est-delicieuse-je-t-assure-nga-56893","/galleries/style/print-19/l-eau-est-delicieuse-je-t-assure-nga-56893",{"_293":294,"_295":296},{"_227":812,"_125":813,"_287":814},{"_278":809,"_280":810,"_282":811,"_283":490},74.7568359375,84,50.7568359375,{"_289":227,"_123":818,"_154":819,"_140":95},{"_289":125,"_123":815,"_154":816,"_140":817},{"_289":287,"_123":650,"_154":651,"_140":652},"style/print","More prints",433,"artist/honore-daumier","More by Honoré Daumier","https://img.ochreeditions.com/a/1589/480.jpg","https://img.ochreeditions.com/a/1589/960.jpg","https://img.ochreeditions.com/a/1589/1920.jpg",{"_313":836,"_315":837},{"_313":834,"_315":835},{"_313":832,"_315":833},{"_313":830,"_315":831},{"_313":828,"_315":829},"#4d4645",0.0761,"#898079",0.1111,"#b6ada3",0.1568,"#dad3c7",0.2543,"#f7f2e8",0.4017,"Honoré Daumier","honore-daumier","French, 1808–1879",1808,1879,"Marseilles","Valmondois","Daumier grew up in Paris after his family left Marseilles, and learned lithography as a young man.","modern-masks-aic-49384","Modern Masks",{"_42":895,"_224":896,"_327":897,"_329":898,"_331":574,"_333":899,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1889","flanders","Photogravure in dark brown retouched with soft varnish (vernis mou), roulette and blue handcoloring on thick cream wove paper","Image: 29 × 17.3 cm (11 7/16 × 6 13/16 in.); Plate: 34.9 × 24 cm (13 3/4 × 9 1/2 in.); Sheet, folded: 45.8 × 34.6 cm (18 1/16 × 13 5/8 in.)",17,0.618788452437293,[880,881,882,883,884],{"_223":500,"_224":501,"_42":502,"_306":503},"1927.5282","Félicien Rops made this in 1889, aged 56. It is now at the Art Institute of Chicago.","A work made of photogravure in dark brown retouched with soft varnish (vernis mou), roulette and blue handcoloring on thick cream wove paper.",{"_297":877,"_299":878,"_301":879},"https://img.ochreeditions.com/m/158.jpg?dl=1","/art/modern-masks-aic-49384","/galleries/style/print-19/modern-masks-aic-49384",{"_293":294,"_295":296},{"_227":869,"_125":870,"_287":871},{"_278":867,"_280":598,"_282":868,"_283":582},41.9448651206815,17.944865120681495,{"_289":227,"_123":875,"_154":876,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":872,"_154":873,"_140":874},"era/19","The 19th century",731,"artist/contemporaries-of-felicien-rops","Félicien Rops's contemporaries","https://img.ochreeditions.com/a/158/480.jpg","https://img.ochreeditions.com/a/158/960.jpg","https://img.ochreeditions.com/a/158/1920.jpg",{"_313":893,"_315":894},{"_313":891,"_315":892},{"_313":889,"_315":890},{"_313":887,"_315":888},{"_313":885,"_315":886},"#aa9c88",0.1215,"#eae2d1",0.1723,"#40362d",0.223,"#81715e",0.2414,"#625445",0.2418,"Félicien Rops","felicien-rops","Belgian, 1833–1898","Belgian",1898,"ajax-front-view-from-oeuvre-de-canova-aic-260561","Ajax, Front View, from Oeuvre de Canova",{"_42":952,"_224":953,"_327":954,"_329":955,"_331":956,"_333":957,"_335":-5,"_336":-5,"_337":-5,"_140":99},"1817","italy","neoclassicism","Engraving and etching in black on ivory wove paper","Plate: 60.5 × 41.2 cm (23 7/8 × 16 1/4 in.); Sheet: 86 × 62 cm (33 7/8 × 24 7/16 in.)",41,0.7232285312060066,[937,938,939,940,941],{"_223":500,"_224":501,"_42":502,"_306":503},"2021.48","Antonio Canova made this in 1817, aged 52. It is now at the Art Institute of Chicago.","A work made of engraving and etching in black on ivory wove paper.",{"_297":934,"_299":935,"_301":936},"https://img.ochreeditions.com/m/403.jpg?dl=1","/art/ajax-front-view-from-oeuvre-de-canova-aic-260561","/galleries/style/print-19/ajax-front-view-from-oeuvre-de-canova-aic-260561",{"_293":294,"_295":296},{"_227":924,"_125":925,"_287":926},{"_278":922,"_280":810,"_282":923,"_283":490},67.3937118723604,43.3937118723604,{"_289":227,"_123":932,"_154":933,"_140":99},{"_289":125,"_123":929,"_154":930,"_140":931},{"_289":287,"_123":927,"_154":928,"_140":79},"era/19-italy","19th-century Italy","style/neoclassicism","More Neoclassicism",109,"artist/antonio-canova","More by Antonio Canova","https://img.ochreeditions.com/a/403/480.jpg","https://img.ochreeditions.com/a/403/960.jpg","https://img.ochreeditions.com/a/403/1920.jpg",{"_313":950,"_315":951},{"_313":948,"_315":949},{"_313":946,"_315":947},{"_313":944,"_315":945},{"_313":942,"_315":943},"#867e74",0.0187,"#afa79e",0.0435,"#e6dad3",0.0445,"#d1c8c1",0.0904,"#faede6",0.8029,"Antonio Canova","antonio-canova","Italian, 1765–1820","Italian",1765,1820,"arbres-et-bateaux-trees-and-boats-nga-135583","Arbres et Bateaux (Trees and Boats)",{"_42":1003,"_224":1004,"_327":1005,"_329":676,"_331":1006,"_333":899,"_335":-5,"_336":-5,"_337":1007,"_140":99},"etching on laid paper","plate: 6.9 x 23.1 cm (2 11/16 x 9 1/8 in.) sheet: 21.5 x 31.2 cm (8 7/16 x 12 5/16 in.)",23.1,6.9,1.369441658308258,[988,989,990,991,992],{"_223":303,"_224":304,"_42":305,"_306":307},"2006.68.1","Félix-Hilaire Buhot made this. It is now at the National Gallery of Art in Washington, DC.","The image shows a sparse drawing of a landscape. A tree with elongated branches is on the left side, with a twist in its trunk. Near the horizon, there are several sailing boats on calm water. The composition suggests a vast openness and distance. The sketching is subtle and precise, focusing on gentle contouring and minimal detail. The color palette is monochromatic, dominated by a muted brown tone. The overall impact is serene and understated, inviting the viewer to focus on the hints of narrative within the scene.",{"_297":985,"_299":986,"_301":987},"https://img.ochreeditions.com/m/1663.jpg?dl=1","/art/arbres-et-bateaux-trees-and-boats-nga-135583","/galleries/style/print-19/arbres-et-bateaux-trees-and-boats-nga-135583",{"_293":294,"_295":296},{"_227":980,"_125":981,"_287":982},{"_278":644,"_280":978,"_282":646,"_283":979},42.255615234375,18.255615234375,{"_289":227,"_123":983,"_154":984,"_140":99},{"_289":125,"_123":815,"_154":816,"_140":817},{"_289":287,"_123":650,"_154":651,"_140":652},"artist/felix-hilaire-buhot","More by Félix-Hilaire Buhot","https://img.ochreeditions.com/a/1663/480.jpg","https://img.ochreeditions.com/a/1663/960.jpg","https://img.ochreeditions.com/a/1663/1920.jpg",{"_313":1001,"_315":1002},{"_313":999,"_315":1000},{"_313":997,"_315":998},{"_313":995,"_315":996},{"_313":993,"_315":994},"#746250",0.0203,"#b59f83",0.0565,"#86725b",0.1366,"#978167",0.3098,"#8f7a61",0.4768,"Félix-Hilaire Buhot","felix-hilaire-buhot","French, 1847–1898",1847,"Buhot was a leading figure of the French etching revival of the 1870s and 1880s. He made atmospheric views of Paris, London and Normandy, often in rain, snow or fog, combining etching with drypoint, aquatint and other techniques to suggest weather and light.","seated-giant-met-334002","Seated Giant",{"_42":1059,"_224":1060,"_327":1061,"_329":1062,"_331":1063,"_333":1064,"_335":1065,"_336":1066,"_337":1067,"_140":81},"by 1818 (possibly 1814–18)","spain","Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape)","Plate: 11 3/16 × 8 3/16 in. (28.4 × 20.8 cm) Framed: 21 3/4 × 19 in. (55.2 × 48.3 cm)",20.8,28.4,0.7007743362831859,[1044,1045,1046,1047,1048],{"_223":382,"_224":383,"_42":384,"_306":385},"35.42","Francisco Goya made this (by 1818 (possibly 1814–18)), aged 72. It is now at The Met in New York.","A colossal nude figure sits on the edge of the world, turning to look back over his shoulder, while a tiny landscape lies at his feet. Goya created the image in burnished aquatint, scraping and polishing light out of a dark tonal ground so that the giant seems to emerge from the night.","Seated Giant, by Francisco Goya, by 1818 (possibly 1814–18)",{"_297":1041,"_299":1042,"_301":1043},"https://img.ochreeditions.com/m/989.jpg?dl=1","/art/seated-giant-met-334002","/galleries/style/print-19/seated-giant-met-334002",{"_293":294,"_295":296},{"_227":1034,"_125":1035,"_287":1036},{"_278":1031,"_280":1032,"_282":1033,"_283":1016},43.90199115044248,52.4,19.901991150442477,{"_289":227,"_123":1039,"_154":1040,"_140":81},{"_289":125,"_123":929,"_154":930,"_140":931},{"_289":287,"_123":1037,"_154":1038,"_140":87},"era/19-spain","19th-century Spain","artist/francisco-goya","More by Francisco Goya","https://img.ochreeditions.com/a/989/480.jpg","https://img.ochreeditions.com/a/989/960.jpg","https://img.ochreeditions.com/a/989/1920.jpg",{"_313":1057,"_315":1058},{"_313":1055,"_315":1056},{"_313":1053,"_315":1054},{"_313":1051,"_315":1052},{"_313":1049,"_315":1050},"#584e43",0.1619,"#c2b29c",0.169,"#716352",0.207,"#94846f",0.2088,"#e9dbc1",0.2533,"Francisco Goya","francisco-goya","Spanish, 1746–1828","Spanish",1746,1828,"Fuendetodos","Bordeaux","Goya began with tapestry designs for the royal factory in Madrid and rose to become first painter to the Spanish court under Charles IV. After a serious illness left him deaf in the 1790s, his work grew darker and more personal.","long-lagoon-nga-11033","Long Lagoon",{"_42":1115,"_224":1116,"_327":1117,"_329":330,"_331":787,"_333":1118,"_335":1119,"_336":1120,"_337":1121,"_140":233},"1880","etching and drypoint on Asian laid paper","plate: 15.24 x 22.54 cm (6 x 8 7/8 in.) sheet (includes tab with signature): 15.88 x 22.54 cm (6 1/4 x 8 7/8 in.)",22.5,15.2,1.4592091200570003,[1100,1101,1102,1103,1104],{"_223":303,"_224":304,"_42":305,"_306":307},"1943.3.8536","James McNeill Whistler made this in 1880, aged 46. It is now at the National Gallery of Art in Washington, DC.","A long, low line of buildings and the masts of distant ships stretch across the horizon, mirrored in a broad expanse of still water that fills most of the sheet.","The image shows a landscape with a waterscape. The horizon separates the water and the sky. In the distance, there are buildings, structures, and ships with tall masts. Close to us, there are reflections of the ships and structures in the water with fine brushstrokes. The style is impressionistic with thin lines conveying details. The color palette is monochromatic with sepia tones.",{"_297":1097,"_299":1098,"_301":1099},"https://img.ochreeditions.com/m/1357.jpg?dl=1","/art/long-lagoon-nga-11033","/galleries/style/print-19/long-lagoon-nga-11033",{"_293":294,"_295":296},{"_227":1092,"_125":1093,"_287":1094},{"_278":644,"_280":1090,"_282":646,"_283":1091},41.132568359375,17.132568359375,{"_289":227,"_123":1095,"_154":1096,"_140":233},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/1357/480.jpg","https://img.ochreeditions.com/a/1357/960.jpg","https://img.ochreeditions.com/a/1357/1920.jpg",{"_313":1113,"_315":1114},{"_313":1111,"_315":1112},{"_313":1109,"_315":1110},{"_313":1107,"_315":1108},{"_313":1105,"_315":1106},"#fcefdc",0.0213,"#dfbb8f",0.1048,"#e8c69a",0.2095,"#eed0a6",0.2852,"#f2d6af",0.3792,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","danjuro-vii-s-benkei-as-fudo-myoo-met-54383","Danjūrō VII's Benkei as Fudō Myōō",{"_42":460,"_224":461,"_327":462,"_329":404,"_331":463,"_333":464,"_335":-5,"_336":-5,"_337":465,"_140":93},"ca. 1824","Woodblock print (surimono); ink and color on paper","8 7/16 x 7 3/8 in. (21.4 x 18.7 cm)",18.7,21.4,0.8704046548532134,[1151,1152,1153,1154,1155],{"_223":382,"_224":383,"_42":384,"_306":385},"JP1251","Utagawa Kunisada designed this in about 1824, aged about 28. It is now at The Met in New York.","Danjūrō VII's Benkei as Fudō Myōō, by Utagawa Kunisada, ca. 1824",{"_297":1148,"_299":1149,"_301":1150},"https://img.ochreeditions.com/m/930.jpg?dl=1","/art/danjuro-vii-s-benkei-as-fudo-myoo-met-54383","/galleries/style/print-19/danjuro-vii-s-benkei-as-fudo-myoo-met-54383",{"_293":294,"_295":296},{"_227":1145,"_125":1146,"_287":1147},{"_278":1143,"_280":644,"_282":1144,"_283":646},45.760116371330334,21.760116371330334,{"_289":227,"_123":436,"_154":437,"_140":93},{"_289":125,"_123":373,"_154":374,"_140":375},{"_289":287,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/930/480.jpg","https://img.ochreeditions.com/a/930/960.jpg","https://img.ochreeditions.com/a/930/1920.jpg",{"_313":1164,"_315":1165},{"_313":1162,"_315":1163},{"_313":1160,"_315":1161},{"_313":1158,"_315":1159},{"_313":1156,"_315":1157},"#c57a61",0.1281,"#5e5756",0.1387,"#9a9489",0.1705,"#ccb093",0.243,"#e3d5c2",0.3197,{"_1167":-5,"_1168":1169,"_1170":1171,"_1172":8,"_1173":1174,"_1175":8},"user","csrf","00f81e372ef00981a6ca8586407c3eb971d4dbcf","cartCount",0,"dropLive","legal",[1176,1177,1178,1179,1180,1181,1182,1183,1184,1185,1186,1187],"uploadsEnabled",{"_224":1210,"_20":1211},{"_224":1208,"_20":1209},{"_224":1206,"_20":1207},{"_224":1204,"_20":1205},{"_224":1202,"_20":1203},{"_224":1200,"_20":1201},{"_224":1198,"_20":1199},{"_224":1196,"_20":1197},{"_224":1194,"_20":1195},{"_224":1192,"_20":1193},{"_224":1190,"_20":1191},{"_224":1188,"_20":1189},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]