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This interpretation creates what would have been considered a comical disconnect between poem and image.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_315":403,"_317":404},{"_315":401,"_317":402},{"_315":399,"_317":400},{"_315":397,"_317":398},{"_315":395,"_317":396},"#514b4d",0.1003,"#7a716a",0.109,"#b8a896",0.2538,"#9c9187",0.2615,"#d6c8b6",0.2754,"Katsushika Hokusai","katsushika-hokusai","Japanese, 1760–1849","Japanese",1760,1849,"Hokusai trained in the studio of the actor-portraitist Katsukawa Shunshō and went on to work under more than thirty names across a career of some seventy years.","a-view-of-the-large-new-room-at-sakurai-cma-123463","A View of the Large New Room at Sakurai",{"_42":459,"_226":460,"_329":461,"_331":408,"_333":462,"_335":463,"_337":-5,"_338":-5,"_339":464,"_140":93},"early or mid 1830s","color woodblock print","Sheet: 35.8 x 24.6 cm (14 1/8 x 9 11/16 in.)",24.6,35.8,0.7061764705882353,[444,445,446,447,448],{"_225":386,"_226":387,"_42":388,"_308":389},"1943.7.a","Utagawa Kunisada designed this in the early or mid 1830s, aged about 44. It is now at the Cleveland Museum of Art.","A View of the Large New Room at Sakurai, by Utagawa Kunisada, early or mid 1830s",{"_299":441,"_301":442,"_303":443},"https://img.ochreeditions.com/m/563.jpg?dl=1","/art/a-view-of-the-large-new-room-at-sakurai-cma-123463","/galleries/style/print-19/a-view-of-the-large-new-room-at-sakurai-cma-123463",{"_295":296,"_297":298},{"_229":436,"_125":437,"_289":438},{"_280":433,"_282":434,"_284":435,"_286":419},49.28111764705882,59.8,25.28111764705882,{"_291":229,"_123":439,"_154":440,"_140":93},{"_291":125,"_123":374,"_154":375,"_140":376},{"_291":289,"_123":371,"_154":372,"_140":373},"artist/utagawa-kunisada","More by Utagawa Kunisada","https://img.ochreeditions.com/a/563/480.jpg","https://img.ochreeditions.com/a/563/960.jpg","https://img.ochreeditions.com/a/563/1920.jpg",{"_315":457,"_317":458},{"_315":455,"_317":456},{"_315":453,"_317":454},{"_315":451,"_317":452},{"_315":449,"_317":450},"#312f2a",0.0688,"#ccbea8",0.1896,"#7b776b",0.2073,"#9b9065",0.2333,"#a7775d",0.301,"Utagawa Kunisada","utagawa-kunisada","Japanese, 1786–1865",1786,1865,"Kunisada entered Utagawa Toyokuni’s studio as a teenager and became the most prolific and commercially successful designer of his age, producing tens of thousands of designs.","in-my-dream-i-saw-in-the-sky-a-face-of-mystery-cma-109191","In My Dream I Saw in the Sky a Face of Mystery",{"_42":522,"_226":523,"_329":524,"_331":525,"_333":526,"_335":527,"_337":528,"_338":529,"_339":530,"_140":91},"1885","france","post-impressionism","lithograph on China paper laid on wove paper","Image: 29.1 x 23.9 cm (11 7/16 x 9 7/16 in.)",23.9,29.1,0.788235294117647,[507,508,509,510,511],{"_225":386,"_226":387,"_42":388,"_308":389},"1927.344.1","Odilon Redon made this in 1885, aged 45. It is now at the Cleveland Museum of Art.",{"_118":506,"_384":385},"In My Dream I Saw in the Sky a Face of Mystery, by Odilon Redon, 1885",{"_299":503,"_301":504,"_303":505},"https://img.ochreeditions.com/m/520.jpg?dl=1","/art/in-my-dream-i-saw-in-the-sky-a-face-of-mystery-cma-109191","/galleries/style/print-19/in-my-dream-i-saw-in-the-sky-a-face-of-mystery-cma-109191",{"_295":296,"_297":298},{"_229":492,"_125":493,"_289":494},{"_280":489,"_282":490,"_284":491,"_286":474},46.93764705882353,53.1,22.93764705882353,{"_291":229,"_123":501,"_154":502,"_140":91},{"_291":125,"_123":498,"_154":499,"_140":500},{"_291":289,"_123":495,"_154":496,"_140":497},"era/19-france","19th-century France",237,"style/post-impressionism","More Post-Impressionism",62,"artist/odilon-redon","More by Odilon Redon","https://img.ochreeditions.com/a/520/480.jpg","https://img.ochreeditions.com/a/520/960.jpg","https://img.ochreeditions.com/a/520/1920.jpg","This series is one of many that Odilon Redon created throughout his career. Nearly two-thirds of his lithographs took the form of portfolios—prints connected conceptually by a theme or narrative and physically by a folder or binding.",{"_315":520,"_317":521},{"_315":518,"_317":519},{"_315":516,"_317":517},{"_315":514,"_317":515},{"_315":512,"_317":513},"#b0ada7",0.0913,"#73726d",0.1327,"#f3efe8",0.1924,"#4e4e4b",0.2328,"#323230",0.3508,"Odilon Redon","odilon-redon","French, 1840–1916","French",1840,1916,"Bordeaux","Paris","Redon spent three decades working almost entirely in black: charcoal drawings he called his “noirs” and albums of lithographs peopled with floating eyes, strange plants and dreamlike heads, which made him a hero of the Symbolist writers.","mevisto-from-le-cafe-concert-aic-125988","Mévisto, from Le Café-Concert",{"_42":587,"_226":588,"_329":589,"_331":525,"_333":590,"_335":591,"_337":-5,"_338":-5,"_339":-5,"_140":101},"1893","etching-revival","Lithograph in dark green on cream wove paper","Image: 35 × 20.3 cm (13 13/16 × 8 in.); Sheet: 44.3 × 31.7 cm (17 1/2 × 12 1/2 in.)",35,0.7197901591895803,[572,573,574,575,576],{"_225":568,"_226":569,"_42":570,"_308":571},"Courtesy of the Art Institute of Chicago","1938.1148","Henri-Gabriel Ibels made this in 1893, aged 26. It is now at the Art Institute of Chicago.","A work made of lithograph in dark green on cream wove paper.",{"_299":565,"_301":566,"_303":567},"https://img.ochreeditions.com/m/303.jpg?dl=1","/art/mevisto-from-le-cafe-concert-aic-125988","/galleries/style/print-19/mevisto-from-le-cafe-concert-aic-125988",{"_295":296,"_297":298},{"_229":557,"_125":558,"_289":559},{"_280":553,"_282":554,"_284":555,"_286":556},46.44667261383536,55.18502292266445,22.446672613835357,31.18502292266445,{"_291":229,"_123":563,"_154":564,"_140":89},{"_291":125,"_123":560,"_154":561,"_140":562},{"_291":289,"_123":495,"_154":496,"_140":497},"style/etching-revival","More Etching Revival",50,"artist/contemporaries-of-henri-gabriel-ibels","Henri-Gabriel Ibels's contemporaries","https://img.ochreeditions.com/a/303/480.jpg","https://img.ochreeditions.com/a/303/960.jpg","https://img.ochreeditions.com/a/303/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_315":585,"_317":586},{"_315":583,"_317":584},{"_315":581,"_317":582},{"_315":579,"_317":580},{"_315":577,"_317":578},"#727b7b",0.0401,"#adada3",0.0513,"#8a8f8b",0.0802,"#cac5b7",0.0839,"#e1d5c4",0.7445,"Henri-Gabriel Ibels","henri-gabriel-ibels","French, 1867–1936",1867,1936,"numazu-ki-kure-met-36934","Numazu Ki Kure",{"_42":646,"_226":647,"_329":648,"_331":408,"_333":649,"_335":650,"_337":-5,"_338":-5,"_339":651,"_140":235},"ca. 1834","Prints","Woodblock print; ink and color on paper","9 15/32 x 14 in. (24.1 x 35.6 cm)",35.6,24.1,1.4619860356865788,[631,632,633,634,635],{"_225":627,"_226":628,"_42":629,"_308":630},"Courtesy of The Metropolitan Museum of Art","JP483","Utagawa Hiroshige designed this in about 1834, aged about 27. It is now at The Met in New York.","In the gathering dusk at Numazu, a full moon rises over the river as travellers walk towards the town, among them a pilgrim carrying a large red tengu mask on his back, the sign of a journey to the Konpira shrine.","Numazu Ki Kure, by Utagawa Hiroshige, ca. 1834",{"_299":624,"_301":625,"_303":626},"https://img.ochreeditions.com/m/873.jpg?dl=1","/art/numazu-ki-kure-met-36934","/galleries/style/print-19/numazu-ki-kure-met-36934",{"_295":296,"_297":298},{"_229":619,"_125":620,"_289":621},{"_280":616,"_282":617,"_284":599,"_286":618},59.6,48.350437781905015,24.350437781905015,{"_291":229,"_123":622,"_154":623,"_140":235},{"_291":125,"_123":374,"_154":375,"_140":376},{"_291":289,"_123":371,"_154":372,"_140":373},"artist/utagawa-hiroshige","More by Utagawa Hiroshige","https://img.ochreeditions.com/a/873/480.jpg","https://img.ochreeditions.com/a/873/960.jpg","https://img.ochreeditions.com/a/873/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_315":644,"_317":645},{"_315":642,"_317":643},{"_315":640,"_317":641},{"_315":638,"_317":639},{"_315":636,"_317":637},"#3a617b",0.0813,"#cdb99c",0.1566,"#8a7d71",0.206,"#665e5a",0.2621,"#6e9598",0.294,"Utagawa Hiroshige","utagawa-hiroshige","Japanese, 1797–1858",1797,1858,"Hiroshige was born into a family of Edo fire wardens and trained under Utagawa Toyohiro. His breakthrough came in the early 1830s with The Fifty-three Stations of the Tōkaidō, scenes along the highway between Edo and Kyoto.","french-woman-and-girl-from-the-series-foreign-merchants-in-y-met-73409","French Woman and Girl, from the series Foreign Merchants in Yokohama (Yokohama shōka ijin no zu)",{"_42":699,"_226":700,"_329":701,"_331":408,"_333":702,"_335":703,"_337":-5,"_338":-5,"_339":704,"_140":93},"1st month, 1861","Woodblock print (nishiki-e); ink and color on paper","Image: 14 1/2 x 9 7/8 in. (36.8 x 25.1 cm)",25.1,36.8,0.69575,[684,685,686,687,688],{"_225":627,"_226":628,"_42":629,"_308":630},"2007.49.123","Utagawa (Gountei) Sadahide designed this in 1st month, 1861, aged 54. It is now at The Met in New York.","French Woman and Girl, from the series Foreign Merchants in Yokohama (Yokohama shōka ijin no zu), by Utagawa (Gountei) Sadahide, 1st month, 1861",{"_299":681,"_301":682,"_303":683},"https://img.ochreeditions.com/m/972.jpg?dl=1","/art/french-woman-and-girl-from-the-series-foreign-merchants-in-y-met-73409","/galleries/style/print-19/french-woman-and-girl-from-the-series-foreign-merchants-in-y-met-73409",{"_295":296,"_297":298},{"_229":676,"_125":677,"_289":678},{"_280":673,"_282":674,"_284":675,"_286":659},49.6036,60.8,25.603599999999997,{"_291":229,"_123":679,"_154":680,"_140":93},{"_291":125,"_123":374,"_154":375,"_140":376},{"_291":289,"_123":371,"_154":372,"_140":373},"artist/utagawa-gountei-sadahide","More by Utagawa (Gountei) Sadahide","https://img.ochreeditions.com/a/972/480.jpg","https://img.ochreeditions.com/a/972/960.jpg","https://img.ochreeditions.com/a/972/1920.jpg",{"_315":697,"_317":698},{"_315":695,"_317":696},{"_315":693,"_317":694},{"_315":691,"_317":692},{"_315":689,"_317":690},"#c67b65",0.0792,"#ecdfca",0.1374,"#7e9a8f",0.1392,"#857a6e",0.3058,"#bba17f",0.3384,"Utagawa (Gountei) Sadahide","utagawa-gountei-sadahide","Japanese, 1807–1873",1807,1873,"Sadahide trained under Utagawa Kunisada and became the leading designer of Yokohama-e, pictures of foreigners and their customs made after the port of Yokohama opened to Western trade in 1859.","shrewsbury-river-nga-148431","Shrewsbury River",{"_42":755,"_226":756,"_329":757,"_331":758,"_333":336,"_335":759,"_337":-5,"_338":-5,"_339":-5,"_140":103},"1887","united-states","etching","image: 290 x 432 mm sheet: 439 x 582 mm",1.3835616438356164,[740,741,742,743,744],{"_225":305,"_226":306,"_42":307,"_308":309},"2008.115.3542","John Hill Millspaugh made this in 1887, aged 65. It is now at the National Gallery of Art in Washington, DC.","The image depicts a landscape with a river flowing through it. In the foreground, there is a small boat on the water, and in the background, sailboats are docked near a strip of land. Tall trees with sparse foliage are on the right side, with a structure nestled among them near the water. The horizon is slightly above the center of the image, with a calm sky above it. The brushstrokes vary in texture, with fine strokes for the sky and water and more detailed strokes for the trees. The color palette is muted, with sepia and gray tones creating a peaceful atmosphere. Birds are scattered in the sky.",{"_299":737,"_301":738,"_303":739},"https://img.ochreeditions.com/m/1678.jpg?dl=1","/art/shrewsbury-river-nga-148431","/galleries/style/print-19/shrewsbury-river-nga-148431",{"_295":296,"_297":298},{"_229":729,"_125":730,"_289":731},{"_280":725,"_282":726,"_284":727,"_286":728},84,67.36633663366337,60,43.366336633663366,{"_291":229,"_123":735,"_154":736,"_140":89},{"_291":125,"_123":560,"_154":561,"_140":562},{"_291":289,"_123":732,"_154":733,"_140":734},"era/19-united-states","19th-century United States",198,"artist/contemporaries-of-john-hill-millspaugh","John Hill Millspaugh's contemporaries","https://img.ochreeditions.com/a/1678/480.jpg","https://img.ochreeditions.com/a/1678/960.jpg","https://img.ochreeditions.com/a/1678/1920.jpg",{"_315":753,"_317":754},{"_315":751,"_317":752},{"_315":749,"_317":750},{"_315":747,"_317":748},{"_315":745,"_317":746},"#887e73",0.0768,"#5e5650",0.0965,"#c8c0b1",0.198,"#e1ded4",0.285,"#b4aa9b",0.3437,"John Hill Millspaugh","john-hill-millspaugh","American, 1822–1894","American",1894,"interior-of-the-lemercier-lithographic-printing-house-aic-77617","Interior of the Lemercier Lithographic Printing House",{"_42":810,"_226":811,"_329":812,"_331":525,"_333":813,"_335":814,"_337":-5,"_338":-5,"_339":-5,"_140":103},"n.d.","Lithograph from two stones on off-white wove paper","Image: 34 × 42.5 cm (13 7/16 × 16 3/4 in.); Sheet: 41.5 × 49 cm (16 3/8 × 19 5/16 in.)",42,34,1.178951140843388,[795,796,797,798,799],{"_225":568,"_226":569,"_42":570,"_308":571},"1952.513","Charles Villemin made this (n.d.), aged about 34. It is now at the Art Institute of Chicago.","A work made of lithograph from two stones on off-white wove paper.",{"_299":792,"_301":793,"_303":794},"https://img.ochreeditions.com/m/202.jpg?dl=1","/art/interior-of-the-lemercier-lithographic-printing-house-aic-77617","/galleries/style/print-19/interior-of-the-lemercier-lithographic-printing-house-aic-77617",{"_295":296,"_297":298},{"_229":784,"_125":785,"_289":786},{"_280":781,"_282":782,"_284":766,"_286":783},66,59.6248860066876,35.6248860066876,{"_291":229,"_123":790,"_154":791,"_140":89},{"_291":125,"_123":787,"_154":788,"_140":789},{"_291":289,"_123":495,"_154":496,"_140":497},"style/print","More prints",433,"artist/contemporaries-of-charles-villemin","Charles Villemin's contemporaries","https://img.ochreeditions.com/a/202/480.jpg","https://img.ochreeditions.com/a/202/960.jpg","https://img.ochreeditions.com/a/202/1920.jpg",{"_315":808,"_317":809},{"_315":806,"_317":807},{"_315":804,"_317":805},{"_315":802,"_317":803},{"_315":800,"_317":801},"#f6e6d3",0.0706,"#685c53",0.184,"#b7a18e",0.2173,"#918071",0.2462,"#eddacd",0.2819,"Charles Villemin","charles-villemin","French, 1801–1866",1801,1866,"foreigners-in-the-drawing-room-of-foreign-merchant-s-house-i-met-73416","Foreigners in the Drawing Room of Foreign Merchant's House in Yokohama",{"_42":699,"_226":700,"_329":701,"_331":408,"_333":702,"_335":703,"_337":-5,"_338":-5,"_339":704,"_140":93},"9th month, 1861","Triptych of woodblock prints; ink and color on paper","Image (a): 14 x 9 3/4 in. (35.6 x 24.8 cm) Image (b): 14 x 9 3/8 in. (35.6 x 23.8 cm) Image (c): 14 x 10 7/8 in. (35.6 x 27.6 cm)",1.9979736575481257,[844,845,846,847,848],{"_225":627,"_226":628,"_42":629,"_308":630},"2007.49.131a–c","Utagawa (Gountei) Sadahide designed this in 9th month, 1861, aged 54. It is now at The Met in New York.","Foreigners in the Drawing Room of Foreign Merchant's House in Yokohama, by Utagawa (Gountei) Sadahide, 9th month, 1861",{"_299":841,"_301":842,"_303":843},"https://img.ochreeditions.com/m/975.jpg?dl=1","/art/foreigners-in-the-drawing-room-of-foreign-merchant-s-house-i-met-73416","/galleries/style/print-19/foreigners-in-the-drawing-room-of-foreign-merchant-s-house-i-met-73416",{"_295":296,"_297":298},{"_229":838,"_125":839,"_289":840},{"_280":834,"_282":835,"_284":836,"_286":837},68.30721156832696,46.17607394418799,44.30721156832696,22.176073944187987,{"_291":229,"_123":679,"_154":680,"_140":93},{"_291":125,"_123":374,"_154":375,"_140":376},{"_291":289,"_123":371,"_154":372,"_140":373},"https://img.ochreeditions.com/a/975/480.jpg","https://img.ochreeditions.com/a/975/960.jpg","https://img.ochreeditions.com/a/975/1920.jpg",{"_315":857,"_317":858},{"_315":855,"_317":856},{"_315":853,"_317":854},{"_315":851,"_317":852},{"_315":849,"_317":850},"#bd7c71",0.0918,"#535962",0.1367,"#ddd1b3",0.228,"#a9aa95",0.2617,"#7e8a79",0.2818,"landscape-nga-40059","Landscape",{"_42":900,"_226":901,"_329":902,"_331":332,"_333":903,"_335":904,"_337":-5,"_338":-5,"_339":-5,"_140":103},1.2591454042422379,[885,886,887,888,889],{"_225":305,"_226":306,"_42":307,"_308":309},"1951.10.262","Theo von Brockhusen made this. It is now at the National Gallery of Art in Washington, DC.","The image shows a residential area with barren trees, rooftops of houses, and people walking along fences. The trees sway in the wind, their branches extending in various directions. The scene is depicted in a monochromatic black and white style, with expressive lines creating a sense of movement and a sketch-like quality. The horizon is high, showing rooftops and the sun above it.",{"_299":882,"_301":883,"_303":884},"https://img.ochreeditions.com/m/1497.jpg?dl=1","/art/landscape-nga-40059","/galleries/style/print-19/landscape-nga-40059",{"_295":296,"_297":298},{"_229":877,"_125":878,"_289":879},{"_280":725,"_282":875,"_284":727,"_286":876},71.6513671875,47.6513671875,{"_291":229,"_123":880,"_154":881,"_140":89},{"_291":125,"_123":560,"_154":561,"_140":562},{"_291":289,"_123":166,"_154":165,"_140":77},"artist/contemporaries-of-theo-von-brockhusen","Theo von Brockhusen's contemporaries","https://img.ochreeditions.com/a/1497/480.jpg","https://img.ochreeditions.com/a/1497/960.jpg","https://img.ochreeditions.com/a/1497/1920.jpg",{"_315":898,"_317":899},{"_315":896,"_317":897},{"_315":894,"_317":895},{"_315":892,"_317":893},{"_315":890,"_317":891},"#706862",0.046,"#92877b",0.1759,"#dbcdba",0.2396,"#c2b4a2",0.2506,"#ab9f8f",0.2879,"Theo von Brockhusen","theo-von-brockhusen","German, 1882–1919",1882,1919,"sculptress-cma-153129","Sculptress",{"_42":953,"_226":954,"_329":955,"_331":525,"_333":956,"_335":957,"_337":-5,"_338":-5,"_339":-5,"_140":103},"1897","lithograph with watercolor added by hand","Sheet: 64.5 x 49.5 cm (25 3/8 x 19 1/2 in.); Image: 53.1 x 37 cm (20 7/8 x 14 9/16 in.)",49.5,64.5,0.7047058823529412,[939,940,941,942,943],{"_225":386,"_226":387,"_42":388,"_308":389},"1986.136","Eugène Grasset painted this in 1897, aged 56. It is now at the Cleveland Museum of Art.",{"_118":938,"_384":385},"Sculptress, by Eugène Grasset, 1897",{"_299":935,"_301":936,"_303":937},"https://img.ochreeditions.com/m/737.jpg?dl=1","/art/sculptress-cma-153129","/galleries/style/print-19/sculptress-cma-153129",{"_295":296,"_297":298},{"_229":930,"_125":931,"_289":932},{"_280":927,"_282":928,"_284":929,"_286":912},69.4535294117647,88.5,45.453529411764706,{"_291":229,"_123":933,"_154":934,"_140":89},{"_291":125,"_123":560,"_154":561,"_140":562},{"_291":289,"_123":495,"_154":496,"_140":497},"artist/contemporaries-of-eugene-grasset","Eugène Grasset's contemporaries","https://img.ochreeditions.com/a/737/480.jpg","https://img.ochreeditions.com/a/737/960.jpg","https://img.ochreeditions.com/a/737/1920.jpg","Grasset, greatly influenced by the art of Japan, Persia, and Egypt, created designs for stained glass windows, furniture, tapestries, and fabrics. This female allegory of Sculpture was meant for an 1898 exhibition poster. Only the black areas and lines were printed.",{"_315":951,"_317":952},{"_315":949,"_317":950},{"_315":947,"_317":948},{"_315":945,"_317":946},{"_315":944,"_317":513},"#e5b078","#c17752",0.1854,"#8c7c6c",0.1969,"#bfac97",0.2601,"#534a43",0.2663,"Eugène Grasset","eugene-grasset","French, 1841–1917",1841,1917,"amida-falls-in-the-far-reaches-of-the-kisokaido-kisoji-no-ok-aic-25201","Amida Falls in the Far Reaches of the Kisokaido (Kisoji no oku Amidagataki), from the series \"A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)\"",{"_42":405,"_226":406,"_329":407,"_331":408,"_333":409,"_335":410,"_337":-5,"_338":-5,"_339":411,"_140":379},"About 1833","Color woodblock print; ōban","Approx: 38.2 × 25.4 cm (15 × 10 in.)",25,38,0.6976744186046512,[988,989,990,991,992],{"_225":568,"_226":569,"_42":570,"_308":571},"1925.3394","Katsushika Hokusai designed this in about 1833, aged about 68. It is now at the Art Institute of Chicago.","The Amida Falls, deep in the mountains along the Kiso Road, pour from the top of a sheer cliff, their name evoking the Buddha Amida.","A work made of color woodblock print; ōban.",{"_299":985,"_301":986,"_303":987},"https://img.ochreeditions.com/m/106.jpg?dl=1","/art/amida-falls-in-the-far-reaches-of-the-kisokaido-kisoji-no-ok-aic-25201","/galleries/style/print-19/amida-falls-in-the-far-reaches-of-the-kisokaido-kisoji-no-ok-aic-25201",{"_295":296,"_297":298},{"_229":982,"_125":983,"_289":984},{"_280":980,"_282":500,"_284":981,"_286":965},50.51162790697674,26.511627906976745,{"_291":229,"_123":377,"_154":378,"_140":379},{"_291":125,"_123":374,"_154":375,"_140":376},{"_291":289,"_123":371,"_154":372,"_140":373},"https://img.ochreeditions.com/a/106/480.jpg","https://img.ochreeditions.com/a/106/960.jpg","https://img.ochreeditions.com/a/106/1920.jpg",{"_315":1001,"_317":1002},{"_315":999,"_317":1000},{"_315":997,"_317":998},{"_315":995,"_317":996},{"_315":993,"_317":994},"#8c9f9d",0.1299,"#6a8769",0.1372,"#dbd3ba",0.1448,"#39596b",0.2306,"#cbbc83",0.3575,"self-portrait-cma-163547","Self-Portrait",{"_42":1056,"_226":1057,"_329":1058,"_331":525,"_333":1059,"_335":957,"_337":529,"_338":529,"_339":1060,"_140":75},"1857","impressionism","etching and drypoint","Platemark: 23 x 14.5 cm (9 1/16 x 5 11/16 in.); Sheet: 31.5 x 22.6 cm (12 3/8 x 8 7/8 in.)",14.5,23,0.5829411764705882,[1041,1042,1043,1044,1045],{"_225":386,"_226":387,"_42":388,"_308":389},"2004.87","Edgar Degas made this in 1857, aged 23. It is now at the Cleveland Museum of Art.",{"_118":1040,"_384":385},"Self-Portrait, by Edgar Degas, 1857",{"_299":1037,"_301":1038,"_303":1039},"https://img.ochreeditions.com/m/765.jpg?dl=1","/art/self-portrait-cma-163547","/galleries/style/print-19/self-portrait-cma-163547",{"_295":296,"_297":298},{"_229":1029,"_125":1030,"_289":1031},{"_280":1026,"_282":1027,"_284":1028,"_286":964},38.5735294117647,49,14.573529411764705,{"_291":229,"_123":1035,"_154":1036,"_140":75},{"_291":125,"_123":1032,"_154":1033,"_140":1034},{"_291":289,"_123":495,"_154":496,"_140":497},"style/impressionism","More Impressionism",53,"artist/edgar-degas","More by Edgar Degas","https://img.ochreeditions.com/a/765/480.jpg","https://img.ochreeditions.com/a/765/960.jpg","https://img.ochreeditions.com/a/765/1920.jpg","In the 1850s Degas frequently used himself as a model, but he made only one printed self-portrait. Through successive stages of biting the plate and layers of crosshatching, Degas gradually built areas of dark tone.",{"_315":1054,"_317":1055},{"_315":1052,"_317":1053},{"_315":1050,"_317":1051},{"_315":1048,"_317":1049},{"_315":1046,"_317":1047},"#6b6257",0.087,"#958877",0.1199,"#f6e2cd",0.1841,"#bfae99",0.247,"#48423d",0.362,"Edgar Degas","edgar-degas","French, 1834–1917",1834,"Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers.","miyako-shell-met-54195","Miyako Shell",{"_42":405,"_226":406,"_329":407,"_331":408,"_333":409,"_335":410,"_337":-5,"_338":-5,"_339":411,"_140":379},"probably 1821","Woodblock print (surimono); ink and color on paper","7 7/8 x 7 in. (20 x 17.8 cm)",17.8,0.8908321579689704,[1089,1090,1091,1092,1093],{"_225":627,"_226":628,"_42":629,"_308":630},"JP2579","Katsushika Hokusai designed this (probably 1821), aged 61. It is now at The Met in New York.","Miyako Shell, by Katsushika Hokusai, probably 1821",{"_299":1086,"_301":1087,"_303":1088},"https://img.ochreeditions.com/m/929.jpg?dl=1","/art/miyako-shell-met-54195","/galleries/style/print-19/miyako-shell-met-54195",{"_295":296,"_297":298},{"_229":1083,"_125":1084,"_289":1085},{"_280":1081,"_282":1027,"_284":1082,"_286":964},46.27080394922426,22.27080394922426,{"_291":229,"_123":377,"_154":378,"_140":379},{"_291":125,"_123":374,"_154":375,"_140":376},{"_291":289,"_123":371,"_154":372,"_140":373},"https://img.ochreeditions.com/a/929/480.jpg","https://img.ochreeditions.com/a/929/960.jpg","https://img.ochreeditions.com/a/929/1920.jpg",{"_315":1102,"_317":1103},{"_315":1100,"_317":1101},{"_315":1098,"_317":1099},{"_315":1096,"_317":1097},{"_315":1094,"_317":1095},"#cc8e7c",0.0159,"#83857b",0.0694,"#afa692",0.1398,"#d5c4a9",0.1968,"#f3e3cf",0.5781,"sei-shonagon-from-the-series-ancient-patterns-kodai-moyo-aic-150411","Sei Shonagon, from the series Ancient Patterns (Kodai moyo)",{"_42":1151,"_226":1152,"_329":1153,"_331":408,"_333":1154,"_335":1155,"_337":-5,"_338":-5,"_339":-5,"_140":101},"Meiji period (1896–1912), 1896","Color woodblock print, oban triptych","Left: 37.5 × 25 cm (14 13/16 × 9 7/8 in.); Center: 37.5 × 25 cm (14 13/16 × 9 7/8 in.); Right: 38.5 × 25.8 cm (15 3/16 × 10 3/16 in.)",37,1.9022049286640725,[1136,1137,1138,1139,1140],{"_225":568,"_226":569,"_42":570,"_308":571},"1998.163.1-3","Kobayashi Kiyochika designed this in the Meiji period (1896–1912), 1896, aged 49. It is now at the Art Institute of Chicago.","A work made of color woodblock print, oban triptych.",{"_299":1133,"_301":1134,"_303":1135},"https://img.ochreeditions.com/m/330.jpg?dl=1","/art/sei-shonagon-from-the-series-ancient-patterns-kodai-moyo-aic-150411","/galleries/style/print-19/sei-shonagon-from-the-series-ancient-patterns-kodai-moyo-aic-150411",{"_295":296,"_297":298},{"_229":1128,"_125":1129,"_289":1130},{"_280":1124,"_282":1125,"_284":1126,"_286":1127},65.94686590216565,46.05170708480139,41.94686590216565,22.05170708480139,{"_291":229,"_123":1131,"_154":1132,"_140":89},{"_291":125,"_123":374,"_154":375,"_140":376},{"_291":289,"_123":371,"_154":372,"_140":373},"artist/contemporaries-of-kobayashi-kiyochika","Kobayashi Kiyochika's contemporaries","https://img.ochreeditions.com/a/330/480.jpg","https://img.ochreeditions.com/a/330/960.jpg","https://img.ochreeditions.com/a/330/1920.jpg",{"_315":1149,"_317":1150},{"_315":1147,"_317":1148},{"_315":1145,"_317":1146},{"_315":1143,"_317":1144},{"_315":1141,"_317":1142},"#857a68",0.0748,"#c06462",0.089,"#dcbb9e",0.2131,"#c1b398",0.2756,"#ecd2ae",0.3475,"Kobayashi Kiyochika","kobayashi-kiyochika","Japanese, 1847–1915",1847,1915,{"_1157":-5,"_1158":1159,"_1160":1161,"_1162":8,"_1163":1164,"_1165":8},"user","csrf","542db389a9b933aaf3d5bb468cac6dc427a4af20","cartCount",0,"dropLive","legal",[1166,1167,1168,1169,1170,1171,1172,1173,1174,1175,1176,1177],"uploadsEnabled",{"_226":1200,"_20":1201},{"_226":1198,"_20":1199},{"_226":1196,"_20":1197},{"_226":1194,"_20":1195},{"_226":1192,"_20":1193},{"_226":1190,"_20":1191},{"_226":1188,"_20":1189},{"_226":1186,"_20":1187},{"_226":1184,"_20":1185},{"_226":1182,"_20":1183},{"_226":1180,"_20":1181},{"_226":1178,"_20":1179},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]