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It is now at The Met in New York.","Ōtsu, from the series The Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi, Ōtsu), 1847–52",{"_301":427,"_303":428,"_305":429},"https://img.ochreeditions.com/m/880.jpg?dl=1","/art/otsu-from-the-series-the-fifty-three-stations-of-the-tokaido-met-37248","/galleries/style/print-19/otsu-from-the-series-the-fifty-three-stations-of-the-tokaido-met-37248",{"_297":298,"_299":300},{"_230":421,"_125":422,"_291":423},{"_281":418,"_283":419,"_285":403,"_287":420},58.9,47.08034099715836,23.080340997158356,{"_293":230,"_123":424,"_154":425,"_140":426},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":166,"_154":165,"_140":168},"artist/unrecorded-japan","More by unrecorded makers of Japan",18,"https://img.ochreeditions.com/a/880/480.jpg","https://img.ochreeditions.com/a/880/960.jpg","https://img.ochreeditions.com/a/880/1920.jpg",{"_317":443,"_319":444},{"_317":441,"_319":442},{"_317":439,"_319":440},{"_317":437,"_319":438},{"_317":435,"_319":436},"#a18775",0.1295,"#6f817c",0.1347,"#cca989",0.1417,"#c0b9a2",0.2746,"#e1d8c0",0.3195,"shrewsbury-river-nga-148431","Shrewsbury River",{"_42":505,"_227":506,"_331":507,"_333":508,"_335":509,"_337":510,"_339":-5,"_340":-5,"_341":-5,"_140":103},"1887","united-states","etching-revival","Print","etching","image: 290 x 432 mm sheet: 439 x 582 mm",1.3835616438356164,[490,491,492,493,494],{"_226":486,"_227":487,"_42":488,"_310":489},"Courtesy National Gallery of Art, Washington","2008.115.3542","John Hill Millspaugh made this in 1887, aged 65. It is now at the National Gallery of Art in Washington, DC.","The image depicts a landscape with a river flowing through it. In the foreground, there is a small boat on the water, and in the background, sailboats are docked near a strip of land. Tall trees with sparse foliage are on the right side, with a structure nestled among them near the water. The horizon is slightly above the center of the image, with a calm sky above it. The brushstrokes vary in texture, with fine strokes for the sky and water and more detailed strokes for the trees. The color palette is muted, with sepia and gray tones creating a peaceful atmosphere. Birds are scattered in the sky.",{"_301":483,"_303":484,"_305":485},"https://img.ochreeditions.com/m/1678.jpg?dl=1","/art/shrewsbury-river-nga-148431","/galleries/style/print-19/shrewsbury-river-nga-148431",{"_297":298,"_299":300},{"_230":472,"_125":473,"_291":474},{"_281":468,"_283":469,"_285":470,"_287":471},84,67.36633663366337,60,43.366336633663366,{"_293":230,"_123":481,"_154":482,"_140":89},{"_293":125,"_123":478,"_154":479,"_140":480},{"_293":291,"_123":475,"_154":476,"_140":477},"era/19-united-states","19th-century United States",198,"style/etching-revival","More Etching Revival",50,"artist/contemporaries-of-john-hill-millspaugh","John Hill Millspaugh's contemporaries","https://img.ochreeditions.com/a/1678/480.jpg","https://img.ochreeditions.com/a/1678/960.jpg","https://img.ochreeditions.com/a/1678/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_317":503,"_319":504},{"_317":501,"_319":502},{"_317":499,"_319":500},{"_317":497,"_319":498},{"_317":495,"_319":496},"#887e73",0.0768,"#5e5650",0.0965,"#c8c0b1",0.198,"#e1ded4",0.285,"#b4aa9b",0.3437,"John Hill Millspaugh","john-hill-millspaugh","American, 1822–1894","American",1822,1894,"french-woman-and-girl-from-the-series-foreign-merchants-in-y-met-73409","French Woman and Girl, from the series Foreign Merchants in Yokohama (Yokohama shōka ijin no zu)",{"_42":557,"_227":558,"_331":559,"_333":334,"_335":560,"_337":561,"_339":-5,"_340":-5,"_341":562,"_140":93},"1st month, 1861","Image: 14 1/2 x 9 7/8 in. (36.8 x 25.1 cm)",25.1,36.8,0.69575,[542,543,544,545,546],{"_226":307,"_227":308,"_42":309,"_310":311},"2007.49.123","Utagawa (Gountei) Sadahide designed this in 1st month, 1861, aged 54. It is now at The Met in New York.","French Woman and Girl, from the series Foreign Merchants in Yokohama (Yokohama shōka ijin no zu), by Utagawa (Gountei) Sadahide, 1st month, 1861",{"_301":539,"_303":540,"_305":541},"https://img.ochreeditions.com/m/972.jpg?dl=1","/art/french-woman-and-girl-from-the-series-foreign-merchants-in-y-met-73409","/galleries/style/print-19/french-woman-and-girl-from-the-series-foreign-merchants-in-y-met-73409",{"_297":298,"_299":300},{"_230":534,"_125":535,"_291":536},{"_281":531,"_283":532,"_285":533,"_287":517},49.6036,60.8,25.603599999999997,{"_293":230,"_123":537,"_154":538,"_140":93},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":166,"_154":165,"_140":168},"artist/utagawa-gountei-sadahide","More by Utagawa (Gountei) Sadahide","https://img.ochreeditions.com/a/972/480.jpg","https://img.ochreeditions.com/a/972/960.jpg","https://img.ochreeditions.com/a/972/1920.jpg",{"_317":555,"_319":556},{"_317":553,"_319":554},{"_317":551,"_319":552},{"_317":549,"_319":550},{"_317":547,"_319":548},"#c67b65",0.0792,"#ecdfca",0.1374,"#7e9a8f",0.1392,"#857a6e",0.3058,"#bba17f",0.3384,"Utagawa (Gountei) Sadahide","utagawa-gountei-sadahide","Japanese, 1807–1873",1807,1873,"Sadahide trained under Utagawa Kunisada and became the leading designer of Yokohama-e, pictures of foreigners and their customs made after the port of Yokohama opened to Western trade in 1859.","san-giorgio-nga-11030","San Giorgio",{"_42":607,"_227":608,"_331":609,"_333":508,"_335":338,"_337":610,"_339":611,"_340":612,"_341":613,"_140":236},"1880","etching and drypoint on Asian laid paper",1.4246956521739131,[592,593,594,595,596],{"_226":486,"_227":487,"_42":488,"_310":489},"1943.3.8533","James McNeill Whistler made this in 1880, aged 46. It is now at the National Gallery of Art in Washington, DC.","Masted ships ride at anchor in the foreground, their reflections trembling in the water, while across the lagoon the church of San Giorgio Maggiore and its neighbours lie in a faint line along the horizon.","The image displays a harbor filled with boats and ships. The perspective is slightly elevated, likely from a dock, with a partially visible boat and dock at the forefront. The horizon is in the upper third of the image, showing a distant cityscape with spires and structures. The brushwork is delicate, with fine, linear strokes typical of etching. The color palette is monochromatic, sepia tones creating a vintage and serene mood. The ships with tall masts populate the water, with reflections giving a sense of stillness. In the distance, faint impressions of buildings line the harbor, blending into the horizon.",{"_301":589,"_303":590,"_305":591},"https://img.ochreeditions.com/m/1356.jpg?dl=1","/art/san-giorgio-nga-11030","/galleries/style/print-19/san-giorgio-nga-11030",{"_297":298,"_299":300},{"_230":584,"_125":585,"_291":586},{"_281":468,"_283":582,"_285":470,"_287":583},66.1142578125,42.1142578125,{"_293":230,"_123":587,"_154":588,"_140":236},{"_293":125,"_123":478,"_154":479,"_140":480},{"_293":291,"_123":475,"_154":476,"_140":477},"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/1356/480.jpg","https://img.ochreeditions.com/a/1356/960.jpg","https://img.ochreeditions.com/a/1356/1920.jpg",{"_317":605,"_319":606},{"_317":603,"_319":604},{"_317":601,"_319":602},{"_317":599,"_319":600},{"_317":597,"_319":598},"#a68a6d",0.0462,"#c3a583",0.1167,"#d7b893",0.201,"#e4c8a5",0.2458,"#edd5b6",0.3903,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","landscape-met-359362","Landscape",{"_42":669,"_227":670,"_331":671,"_333":672,"_335":338,"_337":673,"_339":674,"_340":674,"_341":675,"_140":75},"1892","france","impressionism","Monotype in oil colors, heightened with pastel","sheet: 10 x 13 3/8 in. (25.4 x 34 cm)",34,25.4,1.3359806629834254,[654,655,656,657,658],{"_226":307,"_227":308,"_42":309,"_310":311},"1972.636","Edgar Degas painted this in 1892, aged 58. It is now at The Met in New York.","Landscape, by Edgar Degas, 1892",{"_301":651,"_303":652,"_305":653},"https://img.ochreeditions.com/m/1047.jpg?dl=1","/art/landscape-met-359362","/galleries/style/print-19/landscape-met-359362",{"_297":298,"_299":300},{"_230":640,"_125":641,"_291":642},{"_281":637,"_283":638,"_285":622,"_287":639},58,49.44947014732489,25.449470147324888,{"_293":230,"_123":649,"_154":650,"_140":75},{"_293":125,"_123":646,"_154":647,"_140":648},{"_293":291,"_123":643,"_154":644,"_140":645},"era/19-france","19th-century France",237,"style/impressionism","More Impressionism",53,"artist/edgar-degas","More by Edgar Degas","https://img.ochreeditions.com/a/1047/480.jpg","https://img.ochreeditions.com/a/1047/960.jpg","https://img.ochreeditions.com/a/1047/1920.jpg",{"_317":667,"_319":668},{"_317":665,"_319":666},{"_317":663,"_319":664},{"_317":661,"_319":662},{"_317":659,"_319":660},"#908d74",0.125,"#aebb91",0.1305,"#cab389",0.1686,"#e4dbc2",0.2816,"#bcbda7",0.2943,"Edgar Degas","edgar-degas","French, 1834–1917","French",1917,"Paris","Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers.","tingletangle-aic-17236","Tingletangle",{"_42":731,"_227":732,"_331":733,"_333":734,"_335":735,"_337":736,"_339":-5,"_340":-5,"_341":737,"_140":99},"1895","scandinavia","Lithograph in black ink, with additions in brush and red, blue, yellow, green, orange-brown and gray watercolor on ivory wove paper","Image: 41.5 × 63.9 cm (16 3/8 × 25 3/16 in.); Sheet: 48.7 × 69.8 cm (19 3/16 × 27 1/2 in.)",63,41,1.4171472510572856,[716,717,718,719,720],{"_226":712,"_227":713,"_42":714,"_310":715},"Courtesy of the Art Institute of Chicago","1963.285","Edvard Munch painted this in 1895, aged 32. It is now at the Art Institute of Chicago.","A work made of lithograph in black ink, with additions in brush and red, blue, yellow, green, orange-brown and gray watercolor on ivory wove paper.",{"_301":709,"_303":710,"_305":711},"https://img.ochreeditions.com/m/67.jpg?dl=1","/art/tingletangle-aic-17236","/galleries/style/print-19/tingletangle-aic-17236",{"_297":298,"_299":300},{"_230":702,"_125":703,"_291":704},{"_281":699,"_283":700,"_285":683,"_287":701},87,68.45550732501357,44.45550732501357,{"_293":230,"_123":707,"_154":708,"_140":99},{"_293":125,"_123":478,"_154":479,"_140":480},{"_293":291,"_123":705,"_154":706,"_140":95},"era/19-scandinavia","19th-century Scandinavia","artist/edvard-munch","More by Edvard Munch","https://img.ochreeditions.com/a/67/480.jpg","https://img.ochreeditions.com/a/67/960.jpg","https://img.ochreeditions.com/a/67/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_317":729,"_319":730},{"_317":727,"_319":728},{"_317":725,"_319":726},{"_317":723,"_319":724},{"_317":721,"_319":722},"#c0564c",0.0288,"#59514e",0.1587,"#928478",0.1618,"#e3d6cb",0.2972,"#bcb19f",0.3535,"Edvard Munch","edvard-munch","Norwegian, 1863–1944","Norwegian",1863,1944,"Munch trained in Kristiania, now Oslo, and spent long periods in Paris and Berlin in the 1890s, where he developed The Frieze of Life, a cycle on love, anxiety and death that includes The Scream.","conversation-ludovic-halevy-and-madame-cardinal-the-conversa-cma-143203","Conversation: Ludovic Halévy and Madame Cardinal (The Conversation) for \"La Famille Cardinal\" by Ludovic Halévy",{"_42":669,"_227":670,"_331":671,"_333":672,"_335":338,"_337":673,"_339":674,"_340":674,"_341":675,"_140":75},"c. 1880–83","monotype","Platemark: 21.3 x 16 cm (8 3/8 x 6 5/16 in.); Sheet: 25.5 x 17.8 cm (10 1/16 x 7 in.)",0.7573529411764706,[776,777,778,779,780],{"_226":772,"_227":773,"_42":774,"_310":775},"Courtesy of the Cleveland Museum of Art","1967.167","Edgar Degas made this in about 1880–83, aged about 46. It is now at the Cleveland Museum of Art.",{"_118":769,"_770":771},"Conversation: Ludovic Halévy and Madame Cardinal (The Conversation) for \"La Famille Cardinal\" by Ludovic Halévy, by Edgar Degas, c. 1880–83",{"_301":766,"_303":767,"_305":768},"https://img.ochreeditions.com/m/664.jpg?dl=1","/art/conversation-ludovic-halevy-and-madame-cardinal-the-conversa-cma-143203","/galleries/style/print-19/conversation-ludovic-halevy-and-madame-cardinal-the-conversa-cma-143203",{"_297":298,"_299":300},{"_230":763,"_125":764,"_291":765},{"_281":759,"_283":760,"_285":761,"_287":762},42.93382352941177,49,18.933823529411764,25,{"_293":230,"_123":649,"_154":650,"_140":75},{"_293":125,"_123":646,"_154":647,"_140":648},{"_293":291,"_123":643,"_154":644,"_140":645},"https://img.ochreeditions.com/a/664/480.jpg","https://img.ochreeditions.com/a/664/960.jpg","https://img.ochreeditions.com/a/664/1920.jpg","This print comes from a series of more than 30 monotypes that Degas planned as illustrations for La Famille Cardinal by the artist’s friend Ludovic Halévy. The satirical stories revolve around two young dancers at the Opéra, Pauline and Virginie Cardinal, and their procuress mother.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_317":789,"_319":790},{"_317":787,"_319":788},{"_317":785,"_319":786},{"_317":783,"_319":784},{"_317":781,"_319":782},"#a89f88",0.1693,"#3c3c34",0.1764,"#d3c7ac",0.181,"#605e50",0.2161,"#827d6b",0.2572,"thirty-six-views-of-mt-fuji-the-surface-of-lake-misaka-in-ka-cma-152504","Thirty-Six Views of Mt. Fuji: The Surface of Lake Misaka in Kai Province",{"_42":391,"_227":392,"_331":393,"_333":334,"_335":394,"_337":395,"_339":-5,"_340":-5,"_341":396,"_140":372},"early 1830s","color woodblock print","Overall: 25.6 x 37.6 cm (10 1/16 x 14 13/16 in.)",37.6,25.6,1.370415155179363,[822,823,824,825,826],{"_226":772,"_227":773,"_42":774,"_310":775},"1985.325","Katsushika Hokusai designed this in the early 1830s, aged about 70. It is now at the Cleveland Museum of Art.","Mount Fuji rises beyond the still waters of Lake Kawaguchi in Kai Province, and its reflection appears in the lake below, but look closely: the reflected peak is capped with snow while the real one is not, and it sits where no true reflection could fall.","Thirty-Six Views of Mt. Fuji: The Surface of Lake Misaka in Kai Province, by Katsushika Hokusai, early 1830s",{"_301":819,"_303":820,"_305":821},"https://img.ochreeditions.com/m/731.jpg?dl=1","/art/thirty-six-views-of-mt-fuji-the-surface-of-lake-misaka-in-ka-cma-152504","/galleries/style/print-19/thirty-six-views-of-mt-fuji-the-surface-of-lake-misaka-in-ka-cma-152504",{"_297":298,"_299":300},{"_230":816,"_125":817,"_291":818},{"_281":813,"_283":814,"_285":797,"_287":815},61.6,51.43694117647059,27.43694117647059,{"_293":230,"_123":370,"_154":371,"_140":372},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/731/480.jpg","https://img.ochreeditions.com/a/731/960.jpg","https://img.ochreeditions.com/a/731/1920.jpg",{"_317":835,"_319":836},{"_317":833,"_319":834},{"_317":831,"_319":832},{"_317":829,"_319":830},{"_317":827,"_319":828},"#cdaf81",0.0363,"#3d3a43",0.1219,"#8c9a83",0.1681,"#677771",0.2082,"#bebdae",0.4655,"illustration-of-a-balloon-ascending-fusen-shoyo-no-zu-met-73514","Illustration of a Balloon Ascending (Fūsen shōyō no zu)",{"_42":883,"_227":884,"_331":885,"_333":334,"_335":886,"_337":887,"_339":-5,"_340":-5,"_341":-5,"_140":93},"November, 1872","Triptych of woodblock prints; ink and color on paper","Image (a): 14 1/2 x 9 7/8 in. (36.8 x 25.1 cm) Image (b): 14 5/8 x 9 7/8 in. (37.1 x 25.1 cm) Image (c): 14 3/8 x 9 3/4 in. (36.5 x 24.8 cm)",1.9474196689386563,[868,869,870,871,872],{"_226":307,"_227":308,"_42":309,"_310":311},"2007.49.223a–c","Utagawa Yoshitora designed this (November, 1872), aged 27. It is now at The Met in New York.","Illustration of a Balloon Ascending (Fūsen shōyō no zu), by Utagawa Yoshitora, November, 1872",{"_301":865,"_303":866,"_305":867},"https://img.ochreeditions.com/m/982.jpg?dl=1","/art/illustration-of-a-balloon-ascending-fusen-shoyo-no-zu-met-73514","/galleries/style/print-19/illustration-of-a-balloon-ascending-fusen-shoyo-no-zu-met-73514",{"_297":298,"_299":300},{"_230":860,"_125":861,"_291":862},{"_281":856,"_283":857,"_285":858,"_287":859},66.41217513645412,45.7786519325692,42.41217513645413,21.778651932569197,{"_293":230,"_123":863,"_154":864,"_140":93},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":166,"_154":165,"_140":168},"artist/utagawa-yoshitora","More by Utagawa Yoshitora","https://img.ochreeditions.com/a/982/480.jpg","https://img.ochreeditions.com/a/982/960.jpg","https://img.ochreeditions.com/a/982/1920.jpg",{"_317":881,"_319":882},{"_317":879,"_319":880},{"_317":877,"_319":878},{"_317":875,"_319":876},{"_317":873,"_319":874},"#cb6568",0.0513,"#899763",0.1235,"#f2e0bf",0.2534,"#aab6a1",0.2563,"#898373",0.3155,"Utagawa Yoshitora","utagawa-yoshitora","Japanese, active ca. 1850–80",1845,1880,"beggar-with-hat-in-hand-mendiant-avec-son-chapeau-a-la-main-nga-8385","Beggar with Hat in Hand (Mendiant avec son chapeau a la main)",{"_42":934,"_227":935,"_331":936,"_333":672,"_335":937,"_337":938,"_339":-5,"_340":-5,"_341":939,"_140":95},"etching and drypoint",0.7611861265554674,[919,920,921,922,923],{"_226":486,"_227":487,"_42":488,"_310":489},"1943.3.5463","Alphonse Legros made this. It is now at the National Gallery of Art in Washington, DC.","An old man with a long beard sits with his head bowed, his hat held in one hand and resting on his knee, before a bare tree trunk. Alphonse Legros returned again and again to beggars, vagrants and the rural poor, drawing them with sober sympathy rather than sentiment.","The image depicts the upper half of a man's body, seated with his head tilted downwards. He has a pronounced brow and a long beard. His hair is sparse and closely cropped. He is wearing a textured cloak or robe, holding a hat in one hand and resting it on his knee. In the background, there is a large, bare tree trunk with bare branches.",{"_301":916,"_303":917,"_305":918},"https://img.ochreeditions.com/m/1348.jpg?dl=1","/art/beggar-with-hat-in-hand-mendiant-avec-son-chapeau-a-la-main-nga-8385","/galleries/style/print-19/beggar-with-hat-in-hand-mendiant-avec-son-chapeau-a-la-main-nga-8385",{"_297":298,"_299":300},{"_230":908,"_125":909,"_291":910},{"_281":906,"_283":468,"_285":907,"_287":470},69.67116759332805,45.67116759332804,{"_293":230,"_123":914,"_154":915,"_140":95},{"_293":125,"_123":911,"_154":912,"_140":913},{"_293":291,"_123":643,"_154":644,"_140":645},"style/print","More prints",433,"artist/alphonse-legros","More by Alphonse Legros","https://img.ochreeditions.com/a/1348/480.jpg","https://img.ochreeditions.com/a/1348/960.jpg","https://img.ochreeditions.com/a/1348/1920.jpg",{"_317":932,"_319":933},{"_317":930,"_319":931},{"_317":928,"_319":929},{"_317":926,"_319":927},{"_317":924,"_319":925},"#5c4f45",0.155,"#85735d",0.1626,"#ab9575",0.1808,"#ebd6b2",0.2242,"#cdb48d",0.2774,"Alphonse Legros","alphonse-legros","French, 1837–1911",1837,1911,"Legros trained in Dijon and Paris, where he befriended Whistler and Fantin-Latour, and in 1863 he settled in London at Whistler’s suggestion. His etchings and paintings of peasants, beggars, monks and forests carry the sober realism of his French training.","vehicles-on-the-streets-of-tokyo-met-55545","Vehicles on the Streets of Tokyo",{"_42":883,"_227":884,"_331":885,"_333":334,"_335":886,"_337":887,"_339":-5,"_340":-5,"_341":-5,"_140":93},"1870","13 3/4 x 27 1/2 in. (34.9 x 69.9 cm)",69.9,1.9292123629112663,[969,970,971,972,973],{"_226":307,"_227":308,"_42":309,"_310":311},"JP3378","Utagawa Yoshitora designed this in 1870, aged 25. It is now at The Met in New York.","Rickshaws, horse-drawn carriages and even early bicycles crowd a Tokyo street in this triptych of 1870, only two years after the city, formerly Edo, had become the imperial capital.","Vehicles on the Streets of Tokyo, by Utagawa Yoshitora, 1870",{"_301":966,"_303":967,"_305":968},"https://img.ochreeditions.com/m/947.jpg?dl=1","/art/vehicles-on-the-streets-of-tokyo-met-55545","/galleries/style/print-19/vehicles-on-the-streets-of-tokyo-met-55545",{"_297":298,"_299":300},{"_230":963,"_125":964,"_291":965},{"_281":960,"_283":961,"_285":945,"_287":962},93.9,60.232403100775194,36.232403100775194,{"_293":230,"_123":863,"_154":864,"_140":93},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/947/480.jpg","https://img.ochreeditions.com/a/947/960.jpg","https://img.ochreeditions.com/a/947/1920.jpg",{"_317":982,"_319":983},{"_317":980,"_319":981},{"_317":978,"_319":979},{"_317":976,"_319":977},{"_317":974,"_319":975},"#c2636d",0.0884,"#9b7473",0.1147,"#747370",0.2334,"#d7c0aa",0.25,"#8c9d88",0.3135,"woman-about-to-write-a-poem-aic-80963","Woman About to Write a Poem",{"_42":1029,"_227":1030,"_331":1031,"_333":334,"_335":-5,"_337":-5,"_339":-5,"_340":-5,"_341":-5,"_140":103},"c. 1824","Color woodblock print with metallic pigments; surimono shikishiban","21.3 × 18.3 cm (8 7/16 × 7 1/4 in.)",21,0.8654459703148841,[1014,1015,1016,1017,1018],{"_226":712,"_227":713,"_42":714,"_310":715},"1954.501","Yashima Gakutei designed this in about 1824. It is now at the Art Institute of Chicago.","A work made of color woodblock print with metallic pigments; surimono shikishiban.",{"_301":1011,"_303":1012,"_305":1013},"https://img.ochreeditions.com/m/216.jpg?dl=1","/art/woman-about-to-write-a-poem-aic-80963","/galleries/style/print-19/woman-about-to-write-a-poem-aic-80963",{"_297":298,"_299":300},{"_230":1006,"_125":1007,"_291":1008},{"_281":1004,"_283":760,"_285":1005,"_287":762},45.636149257872106,21.636149257872102,{"_293":230,"_123":1009,"_154":1010,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-yashima-gakutei","Yashima Gakutei's contemporaries","https://img.ochreeditions.com/a/216/480.jpg","https://img.ochreeditions.com/a/216/960.jpg","https://img.ochreeditions.com/a/216/1920.jpg",{"_317":1027,"_319":1028},{"_317":1025,"_319":1026},{"_317":1023,"_319":1024},{"_317":1021,"_319":1022},{"_317":1019,"_319":1020},"#b8644e",0.0901,"#d6c2aa",0.1247,"#a28f7a",0.1699,"#94644f",0.221,"#7d6a50",0.3943,"Yashima Gakutei","yashima-gakutei","Japanese, 1786 (?)-1868","tobacco-pouch-and-pipe-met-54523","Tobacco Pouch and Pipe",{"_42":1077,"_227":1078,"_331":1079,"_333":334,"_335":1080,"_337":1081,"_339":-5,"_340":-5,"_341":1082,"_140":95},"1813","Woodblock print (surimono); ink and color on paper","7 7/8 x 7 1/8 in. (20 x 18.1 cm)",18.1,0.9095408303546879,[1062,1063,1064,1065,1066],{"_226":307,"_227":308,"_42":309,"_310":311},"JP1954","Kubo Shunman designed this in 1813, aged 56. It is now at The Met in New York.","Tobacco Pouch and Pipe, by Kubo Shunman, 1813",{"_301":1059,"_303":1060,"_305":1061},"https://img.ochreeditions.com/m/931.jpg?dl=1","/art/tobacco-pouch-and-pipe-met-54523","/galleries/style/print-19/tobacco-pouch-and-pipe-met-54523",{"_297":298,"_299":300},{"_230":1054,"_125":1055,"_291":1056},{"_281":1052,"_283":760,"_285":1053,"_287":762},46.738520758867196,22.738520758867196,{"_293":230,"_123":1057,"_154":1058,"_140":95},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":166,"_154":165,"_140":168},"artist/kubo-shunman","More by Kubo Shunman","https://img.ochreeditions.com/a/931/480.jpg","https://img.ochreeditions.com/a/931/960.jpg","https://img.ochreeditions.com/a/931/1920.jpg",{"_317":1075,"_319":1076},{"_317":1073,"_319":1074},{"_317":1071,"_319":1072},{"_317":1069,"_319":1070},{"_317":1067,"_319":1068},"#e0c394",0.0445,"#837468",0.0687,"#a7957e",0.1223,"#d5c6b0",0.2619,"#efe1d0",0.5026,"Kubo Shunman","kubo-shunman","Japanese, 1757–1820",1757,1820,"Shunman was both an artist and a writer of kyōka, or comic verse, and much of his work served the poetry circles of Edo. Their members commissioned surimono, privately issued woodblock sheets pairing poems with images and often finished with metallic pigments and embossing.","long-lagoon-nga-11033","Long Lagoon",{"_42":607,"_227":608,"_331":609,"_333":508,"_335":338,"_337":610,"_339":611,"_340":612,"_341":613,"_140":236},"plate: 15.24 x 22.54 cm (6 x 8 7/8 in.) sheet (includes tab with signature): 15.88 x 22.54 cm (6 1/4 x 8 7/8 in.)",22.5,15.2,1.4592091200570003,[1110,1111,1112,1113,1114],{"_226":486,"_227":487,"_42":488,"_310":489},"1943.3.8536","A long, low line of buildings and the masts of distant ships stretch across the horizon, mirrored in a broad expanse of still water that fills most of the sheet.","The image shows a landscape with a waterscape. The horizon separates the water and the sky. In the distance, there are buildings, structures, and ships with tall masts. Close to us, there are reflections of the ships and structures in the water with fine brushstrokes. The style is impressionistic with thin lines conveying details. The color palette is monochromatic with sepia tones.",{"_301":1107,"_303":1108,"_305":1109},"https://img.ochreeditions.com/m/1357.jpg?dl=1","/art/long-lagoon-nga-11033","/galleries/style/print-19/long-lagoon-nga-11033",{"_297":298,"_299":300},{"_230":1104,"_125":1105,"_291":1106},{"_281":760,"_283":1102,"_285":762,"_287":1103},41.132568359375,17.132568359375,{"_293":230,"_123":587,"_154":588,"_140":236},{"_293":125,"_123":478,"_154":479,"_140":480},{"_293":291,"_123":475,"_154":476,"_140":477},"https://img.ochreeditions.com/a/1357/480.jpg","https://img.ochreeditions.com/a/1357/960.jpg","https://img.ochreeditions.com/a/1357/1920.jpg",{"_317":1123,"_319":1124},{"_317":1121,"_319":1122},{"_317":1119,"_319":1120},{"_317":1117,"_319":1118},{"_317":1115,"_319":1116},"#fcefdc",0.0213,"#dfbb8f",0.1048,"#e8c69a",0.2095,"#eed0a6",0.2852,"#f2d6af",0.3792,{"_1126":-5,"_1127":1128,"_1129":1130,"_1131":8,"_1132":1133,"_1134":8},"user","csrf","e07270b6176b0edfc10efa3ec469a4be8dbc8be4","cartCount",0,"dropLive","legal",[1135,1136,1137,1138,1139,1140,1141,1142,1143,1144,1145,1146],"uploadsEnabled",{"_227":1169,"_20":1170},{"_227":1167,"_20":1168},{"_227":1165,"_20":1166},{"_227":1163,"_20":1164},{"_227":1161,"_20":1162},{"_227":1159,"_20":1160},{"_227":1157,"_20":1158},{"_227":1155,"_20":1156},{"_227":1153,"_20":1154},{"_227":1151,"_20":1152},{"_227":1149,"_20":1150},{"_227":1147,"_20":1148},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]