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It is now at the National Gallery of Art in Washington, DC.","The image shows three figures. Two of them are embracing in the foreground, kneeling on the ground and facing each other in a kiss. The person on the left has curly hair and appears to be wearing a coat-like garment, while the person on the right has long hair tied back and is dressed in a long robe. The third figure emerges from the bushes in the background, with shoulder-length hair, wearing a dress with a sash and a light shawl or scarf over their head. The setting includes tall trees, shrubs, and a structure with columns and arches on the right side, suggesting a garden or courtyard. Rolling hills and cloudy skies are in the distant background.",{"_297":429,"_299":430,"_301":431},"https://img.ochreeditions.com/m/1592.jpg?dl=1","/art/the-fortunate-rescue-nga-57440","/galleries/style/print-18/the-fortunate-rescue-nga-57440",{"_293":294,"_295":296},{"_226":419,"_125":420,"_287":421},{"_278":416,"_280":201,"_282":417,"_284":418},61.587890625,37.587890625,60,{"_289":226,"_123":427,"_154":428,"_140":89},{"_289":125,"_123":424,"_154":425,"_140":426},{"_289":287,"_123":422,"_154":423,"_140":85},"era/18-germany","18th-century Germany","style/neoclassicism","More Neoclassicism",109,"artist/contemporaries-of-daniel-nikolaus-chodowiecki","Daniel Nikolaus Chodowiecki's contemporaries","https://img.ochreeditions.com/a/1592/480.jpg","https://img.ochreeditions.com/a/1592/960.jpg","https://img.ochreeditions.com/a/1592/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_313":449,"_315":450},{"_313":447,"_315":448},{"_313":445,"_315":446},{"_313":443,"_315":444},{"_313":441,"_315":442},"#6d635a",0.1609,"#877c6f",0.1781,"#a39686",0.1836,"#c1b4a2",0.202,"#f3e6cf",0.2754,"Daniel Nikolaus Chodowiecki","daniel-nikolaus-chodowiecki","German, 1726–1801","German",1726,1801,"the-ninth-month-from-the-series-five-amorous-festivals-of-lo-aic-36300","The Ninth Month, from the series Five Amorous Festivals of Love (Aibore iro no gosekku)",{"_42":325,"_223":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":-5,"_336":-5,"_337":338,"_140":81},"1801","Color woodblock print; oban","37.9 × 25.3 cm (14 7/8 × 9 7/8 in.)",25,0.677660753880266,[485,486,487,488,489],{"_222":373,"_223":374,"_42":375,"_306":376},"1939.2177","Kitagawa Utamaro designed this in 1801, aged about 43. It is now at the Art Institute of Chicago.","A work made of color woodblock print; oban.",{"_297":482,"_299":483,"_301":484},"https://img.ochreeditions.com/m/136.jpg?dl=1","/art/the-ninth-month-from-the-series-five-amorous-festivals-of-lo-aic-36300","/galleries/style/print-18/the-ninth-month-from-the-series-five-amorous-festivals-of-lo-aic-36300",{"_293":294,"_295":296},{"_226":479,"_125":480,"_287":481},{"_278":477,"_280":363,"_282":478,"_284":347},49.07344789356984,25.073447893569842,{"_289":226,"_123":170,"_154":169,"_140":81},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/136/480.jpg","https://img.ochreeditions.com/a/136/960.jpg","https://img.ochreeditions.com/a/136/1920.jpg",{"_313":498,"_315":499},{"_313":496,"_315":497},{"_313":494,"_315":495},{"_313":492,"_315":493},{"_313":490,"_315":491},"#44423f",0.1357,"#85826f",0.1442,"#e5ddca",0.1967,"#bca68d",0.2024,"#d6cab4",0.321,"view-of-futami-beach-at-ise-met-55234","View of Futami Beach at Ise",{"_42":547,"_223":548,"_327":330,"_329":330,"_331":-5,"_333":549,"_335":-5,"_336":-5,"_337":-5,"_140":103},"ca. 1810–1820","Woodblock print; ink and color on paper","Oban 9 5/8 x 14 1/4 in. (24.4 x 36.2 cm)",36.2,24.4,1.4792626728110598,[532,533,534,535,536],{"_222":303,"_223":304,"_42":305,"_306":307},"JP1292","Shōtei Hokuju designed this in about 1810–1820. It is now at The Met in New York.","View of Futami Beach at Ise, by Shōtei Hokuju, ca. 1810–1820",{"_297":529,"_299":530,"_301":531},"https://img.ochreeditions.com/m/940.jpg?dl=1","/art/view-of-futami-beach-at-ise-met-55234","/galleries/style/print-18/view-of-futami-beach-at-ise-met-55234",{"_293":294,"_295":296},{"_226":524,"_125":525,"_287":526},{"_278":521,"_280":522,"_282":506,"_284":523},60.2,48.47165109034268,24.471651090342682,{"_289":226,"_123":527,"_154":528,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-shotei-hokuju","Shōtei Hokuju's contemporaries","https://img.ochreeditions.com/a/940/480.jpg","https://img.ochreeditions.com/a/940/960.jpg","https://img.ochreeditions.com/a/940/1920.jpg",{"_313":545,"_315":546},{"_313":543,"_315":544},{"_313":541,"_315":542},{"_313":539,"_315":540},{"_313":537,"_315":538},"#818680",0.1101,"#8e6d5f",0.1326,"#59636d",0.1791,"#ae9f86",0.2093,"#d3c1a0",0.3689,"Shōtei Hokuju","shotei-hokuju",1820,"the-actor-osagawa-tsuneyo-ii-as-osan-ippei-s-elder-sister-aic-87259","The actor Osagawa Tsuneyo II as Osan, Ippei’s elder sister",{"_42":595,"_223":596,"_327":330,"_329":330,"_331":-5,"_333":597,"_335":-5,"_336":-5,"_337":598,"_140":89},"1794","36.6 × 24.4 cm (14 7/16 × 9 5/8 in.)",24,36,0.6741699493528419,[580,581,582,583,584],{"_222":373,"_223":374,"_42":375,"_306":376},"1934.199","Tōshūsai Sharaku designed this in 1794. It is now at the Art Institute of Chicago.","Osagawa Tsuneyo II, a male actor of female roles, appears as Osan, elder sister of the manservant Ippei, in a print Tōshūsai Sharaku designed in 1794 as a companion to his portrait of Ichikawa Omezō in the role of Ippei.",{"_297":577,"_299":578,"_301":579},"https://img.ochreeditions.com/m/236.jpg?dl=1","/art/the-actor-osagawa-tsuneyo-ii-as-osan-ippei-s-elder-sister-aic-87259","/galleries/style/print-18/the-actor-osagawa-tsuneyo-ii-as-osan-ippei-s-elder-sister-aic-87259",{"_293":294,"_295":296},{"_226":572,"_125":573,"_287":574},{"_278":570,"_280":418,"_282":571,"_284":556},48.27011817670231,24.270118176702308,{"_289":226,"_123":575,"_154":576,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/toshusai-sharaku","More by Tōshūsai Sharaku","https://img.ochreeditions.com/a/236/480.jpg","https://img.ochreeditions.com/a/236/960.jpg","https://img.ochreeditions.com/a/236/1920.jpg",{"_313":593,"_315":594},{"_313":591,"_315":592},{"_313":589,"_315":590},{"_313":587,"_315":588},{"_313":585,"_315":586},"#b9afa0",0.0781,"#302d2a",0.0981,"#d8cfbb",0.2002,"#c5a47f",0.2351,"#6b635d",0.3885,"Tōshūsai Sharaku","toshusai-sharaku",1795,"Sharaku remains one of the puzzles of Japanese art. Within about ten months in 1794–95 he designed some 140 portraits of kabuki actors for the publisher Tsutaya Jūzaburō, then disappeared from the record.","the-young-draftsman-aic-264161","The Young Draftsman",{"_42":655,"_223":656,"_327":657,"_329":658,"_331":659,"_333":660,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1750/70","france","french-eighteenth-century","Crayon manner engraving in red and black on cream laid paper","Plate/sheet: 21 × 155.6 cm (8 5/16 × 61 5/16 in.)",155,21,0.7382341984353658,[640,641,642,643,644],{"_222":373,"_223":374,"_42":375,"_306":376},"2022.156","Gilles Demarteau made this in 1750/70, aged about 21. It is now at the Art Institute of Chicago.","A work made of crayon manner engraving in red and black on cream laid paper.",{"_297":637,"_299":638,"_301":639},"https://img.ochreeditions.com/m/419.jpg?dl=1","/art/the-young-draftsman-aic-264161","/galleries/style/print-18/the-young-draftsman-aic-264161",{"_293":294,"_295":296},{"_226":626,"_125":627,"_287":628},{"_278":622,"_280":623,"_282":624,"_284":625},73.01991754284288,90.40158048318145,49.01991754284288,66.40158048318145,{"_289":226,"_123":635,"_154":636,"_140":89},{"_289":125,"_123":632,"_154":633,"_140":634},{"_289":287,"_123":629,"_154":630,"_140":631},"era/18-france","18th-century France",75,"style/french-eighteenth-century","More French eighteenth century",35,"artist/contemporaries-of-gilles-demarteau","Gilles Demarteau's contemporaries","https://img.ochreeditions.com/a/419/480.jpg","https://img.ochreeditions.com/a/419/960.jpg","https://img.ochreeditions.com/a/419/1920.jpg",{"_313":653,"_315":654},{"_313":651,"_315":652},{"_313":649,"_315":650},{"_313":647,"_315":648},{"_313":645,"_315":646},"#9f968e",0.0731,"#776054",0.138,"#947664",0.2566,"#c39b82",0.258,"#ad8771",0.2743,"Gilles Demarteau","gilles-demarteau","French, 1729–1776","French",1729,1776,"the-actors-otani-hiroji-iii-as-yokambei-right-nakamura-tomij-aic-88331","The Actors Otani Hiroji III as Yokambei (right), Nakamura Tomijuro I as Kuzunoha (center), and Bando Mitsugoro I as Yakambei (left), in the Last Scene from the Play Shinodazuma (The Wife from Shinoda Forest), Performed as a Supplement to the Play Kikyo-zome Onna Urakata (Female Diviner in Deep Violet), at the Morita Theater from the Ninth Day of the Ninth Month, 1776",{"_42":709,"_223":710,"_327":711,"_329":330,"_331":455,"_333":712,"_335":-5,"_336":-5,"_337":713,"_140":93},"c. 1776","Color woodblock print; hosoban; triptych","31.1 × 14.6 cm (12 1/4 × 5 3/4 in.) (right); 31.3 × 14.9 cm (12 5/16 × 5 7/8 in.) (center); 31.1 × 14.3 cm (12 1/4 × 5 5/8 in.) (left)",14.6,31.1,1.403168316831683,[694,695,696,697,698],{"_222":373,"_223":374,"_42":375,"_306":376},"1938.499","Katsukawa Shunshō designed this in about 1776, aged about 45. It is now at the Art Institute of Chicago.","A work made of color woodblock print; hosoban; triptych.",{"_297":691,"_299":692,"_301":693},"https://img.ochreeditions.com/m/240.jpg?dl=1","/art/the-actors-otani-hiroji-iii-as-yokambei-right-nakamura-tomij-aic-88331","/galleries/style/print-18/the-actors-otani-hiroji-iii-as-yokambei-right-nakamura-tomij-aic-88331",{"_293":294,"_295":296},{"_226":686,"_125":687,"_287":688},{"_278":682,"_280":683,"_282":684,"_284":685},49.24128772350163,41.98878111821666,25.241287723501628,17.988781118216657,{"_289":226,"_123":689,"_154":690,"_140":93},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/katsukawa-shunsho","More by Katsukawa Shunshō","https://img.ochreeditions.com/a/240/480.jpg","https://img.ochreeditions.com/a/240/960.jpg","https://img.ochreeditions.com/a/240/1920.jpg",{"_313":707,"_315":708},{"_313":705,"_315":706},{"_313":703,"_315":704},{"_313":701,"_315":702},{"_313":699,"_315":700},"#80503e",0.0611,"#d88a56",0.0865,"#c9b271",0.184,"#c4ac8a",0.2833,"#dfd2b9",0.3851,"Katsukawa Shunshō","katsukawa-shunsho","Japanese, 1726–1792",1792,"Shunshō founded the Katsukawa school and changed the way kabuki actors were portrayed, giving them recognisable individual features rather than standard types. From the late 1760s his actor designs, often in the narrow hosoban format, dominated the field.","the-shika-teahouse-cma-95355","The Shika Teahouse",{"_42":770,"_223":771,"_327":772,"_329":330,"_331":773,"_333":774,"_335":-5,"_336":-5,"_337":775,"_140":89},"early 1790s","One of a triptych of color woodblock prints","39.1 x 25.6 cm (15 3/8 x 10 1/16 in.)",25.6,39.1,0.6670588235294118,[755,756,757,758,759],{"_222":751,"_223":752,"_42":753,"_306":754},"Courtesy of the Cleveland Museum of Art","1916.1113.c","Utagawa Toyokuni designed this in the early 1790s, aged about 21. It is now at the Cleveland Museum of Art.",{"_118":748,"_749":750},"The Shika Teahouse, by Utagawa Toyokuni, early 1790s",{"_297":745,"_299":746,"_301":747},"https://img.ochreeditions.com/m/467.jpg?dl=1","/art/the-shika-teahouse-cma-95355","/galleries/style/print-18/the-shika-teahouse-cma-95355",{"_293":294,"_295":296},{"_226":740,"_125":741,"_287":742},{"_278":737,"_280":738,"_282":739,"_284":721},50.08200000000001,63.1,26.082000000000004,{"_289":226,"_123":743,"_154":744,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/utagawa-toyokuni","More by Utagawa Toyokuni","https://img.ochreeditions.com/a/467/480.jpg","https://img.ochreeditions.com/a/467/960.jpg","https://img.ochreeditions.com/a/467/1920.jpg","Exotic birds and tobacco—Western imports—feature in this composition. Peacocks and parrots were brought to Japan by Dutch traders in the 1700s. Many of the visitors to this teahouse, which specialized in displays of foreign birds, admire the unusual fowl while sipping tea and smoking long pipes.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_313":768,"_315":769},{"_313":766,"_315":767},{"_313":764,"_315":765},{"_313":762,"_315":763},{"_313":760,"_315":761},"#51483f",0.0429,"#e3d6c3",0.0778,"#9d8d75",0.1621,"#cfb799",0.2892,"#b9a27e",0.428,"Utagawa Toyokuni","utagawa-toyokuni","Japanese, 1769–1825",1769,1825,"Toyokuni studied with Utagawa Toyoharu, founder of the Utagawa school, and made his name in the 1790s with vivid portraits of kabuki actors and pictures of fashionable women.","women-and-children-viewing-the-fireworks-aic-24478","Women and Children Viewing the Fireworks",{"_42":821,"_223":822,"_327":823,"_329":330,"_331":824,"_333":825,"_335":-5,"_336":-5,"_337":826,"_140":802},"c. 1798","Color woodblock print","23.7 × 36.1 cm (9 3/8 × 14 1/4 in.)",1.5056133056133056,[806,807,808,809,810],{"_222":373,"_223":374,"_42":375,"_306":376},"1925.3206","Katsushika Hokusai designed this in about 1798, aged about 33. It is now at the Art Institute of Chicago.","A work made of color woodblock print.",{"_297":803,"_299":804,"_301":805},"https://img.ochreeditions.com/m/101.jpg?dl=1","/art/women-and-children-viewing-the-fireworks-aic-24478","/galleries/style/print-18/women-and-children-viewing-the-fireworks-aic-24478",{"_293":294,"_295":296},{"_226":797,"_125":798,"_287":799},{"_278":418,"_280":795,"_282":556,"_284":796},47.910521955260975,23.91052195526098,{"_289":226,"_123":800,"_154":801,"_140":802},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/katsushika-hokusai","More by Katsushika Hokusai",20,"https://img.ochreeditions.com/a/101/480.jpg","https://img.ochreeditions.com/a/101/960.jpg","https://img.ochreeditions.com/a/101/1920.jpg",{"_313":819,"_315":820},{"_313":817,"_315":818},{"_313":815,"_315":816},{"_313":813,"_315":814},{"_313":811,"_315":812},"#847b67",0.0688,"#d5bc89",0.1179,"#a99e86",0.1529,"#d0c2a6",0.1879,"#e5d8bc",0.4725,"Katsushika Hokusai","katsushika-hokusai","Japanese, 1760–1849",1760,1849,"Hokusai trained in the studio of the actor-portraitist Katsukawa Shunshō and went on to work under more than thirty names across a career of some seventy years.","the-actor-ichikawa-danjuro-iv-in-a-shibaraku-role-possibly-f-aic-21839","The Actor Ichikawa Danjuro IV in a \"Shibaraku\" Role, Possibly from the Play Ima o Sakari Suehiro Genji (The Genji Clan Now at Its Zenith), Performed at the Nakamura Theater from the First Day of the Eleventh Month, 1768",{"_42":709,"_223":710,"_327":711,"_329":330,"_331":455,"_333":712,"_335":-5,"_336":-5,"_337":713,"_140":93},"c. 1768","38.3 × 26 cm (15 1/8 × 10 1/4 in.)",26,38,0.6817056396148555,[856,857,858,859,860],{"_222":373,"_223":374,"_42":375,"_306":376},"1925.2365","Katsukawa Shunshō designed this in about 1768, aged about 37. It is now at the Art Institute of Chicago.","Ichikawa Danjūrō IV appears in Shibaraku, the showpiece of his family’s aragoto, or ‘rough style’, of acting: a superhuman hero in an enormous costume who halts the villains with a thunderous cry. The scene was traditionally inserted into the season-opening programmes staged by the Edo theatres in the eleventh month.",{"_297":853,"_299":854,"_301":855},"https://img.ochreeditions.com/m/89.jpg?dl=1","/art/the-actor-ichikawa-danjuro-iv-in-a-shibaraku-role-possibly-f-aic-21839","/galleries/style/print-18/the-actor-ichikawa-danjuro-iv-in-a-shibaraku-role-possibly-f-aic-21839",{"_293":294,"_295":296},{"_226":850,"_125":851,"_287":852},{"_278":847,"_280":848,"_282":849,"_284":833},49.90481430536451,62,25.90481430536451,{"_289":226,"_123":689,"_154":690,"_140":93},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/89/480.jpg","https://img.ochreeditions.com/a/89/960.jpg","https://img.ochreeditions.com/a/89/1920.jpg",{"_313":869,"_315":870},{"_313":867,"_315":868},{"_313":865,"_315":866},{"_313":863,"_315":864},{"_313":861,"_315":862},"#775a43",0.0337,"#dbceb7",0.0703,"#a78261",0.1637,"#a55437",0.2713,"#c0a580",0.461,"a-windy-day-under-the-cherry-trees-aic-21660","A Windy Day under the Cherry Trees",{"_42":770,"_223":771,"_327":772,"_329":330,"_331":773,"_333":774,"_335":-5,"_336":-5,"_337":775,"_140":89},"c. 1797","Color woodblock prints; oban triptych",2.007557354925776,[897,898,899,900,901],{"_222":373,"_223":374,"_42":375,"_306":376},"1925.2313","Utagawa Toyokuni designed this in about 1797, aged about 23. It is now at the Art Institute of Chicago.","A work made of color woodblock prints; oban triptych.",{"_297":894,"_299":895,"_301":896},"https://img.ochreeditions.com/m/84.jpg?dl=1","/art/a-windy-day-under-the-cherry-trees-aic-21660","/galleries/style/print-18/a-windy-day-under-the-cherry-trees-aic-21660",{"_293":294,"_295":296},{"_226":891,"_125":892,"_287":893},{"_278":201,"_280":889,"_282":418,"_284":890},53.887066415703146,29.887066415703142,{"_289":226,"_123":743,"_154":744,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/84/480.jpg","https://img.ochreeditions.com/a/84/960.jpg","https://img.ochreeditions.com/a/84/1920.jpg",{"_313":910,"_315":911},{"_313":908,"_315":909},{"_313":906,"_315":907},{"_313":904,"_315":905},{"_313":902,"_315":903},"#4c473f",0.0539,"#ac9b80",0.1991,"#827b63",0.2021,"#e0ceb2",0.2707,"#c9b395",0.2742,"le-duel-the-duel-nga-45777","Le Duel (The Duel)",{"_42":959,"_223":960,"_327":961,"_329":658,"_331":962,"_333":963,"_335":-5,"_336":-5,"_337":-5,"_140":103},"in or after 1756","etching on laid paper","sheet (trimmed to plate mark): 33.1 x 23.7 cm (13 1/16 x 9 5/16 in.)",23.7,33.1,0.719970703125,[944,945,946,947,948],{"_222":432,"_223":433,"_42":434,"_306":435},"1958.8.132","Charles Germain de Saint-Aubin made this (in or after 1756), aged 35. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of anthropomorphic butterflies engaged in a duel with fencing swords. The butterflies have human-like bodies with wings resembling cloaks or capes. They stand on an ornate structure featuring decorative architectural elements like columns with floral and leaf motifs. Above them are arches, canopies, and hanging vines, creating a theatrical setting. The drawing combines fantasy and nature elements, showcasing elegance and imagination.",{"_297":941,"_299":942,"_301":943},"https://img.ochreeditions.com/m/1509.jpg?dl=1","/art/le-duel-the-duel-nga-45777","/galleries/style/print-18/le-duel-the-duel-nga-45777",{"_293":294,"_295":296},{"_226":936,"_125":937,"_287":938},{"_278":933,"_280":934,"_282":935,"_284":919},47.831030273437506,57.1,23.831030273437502,{"_289":226,"_123":939,"_154":940,"_140":89},{"_289":125,"_123":632,"_154":633,"_140":634},{"_289":287,"_123":629,"_154":630,"_140":631},"artist/contemporaries-of-charles-germain-de-saint-aubin","Charles Germain de Saint-Aubin's contemporaries","https://img.ochreeditions.com/a/1509/480.jpg","https://img.ochreeditions.com/a/1509/960.jpg","https://img.ochreeditions.com/a/1509/1920.jpg",{"_313":957,"_315":958},{"_313":955,"_315":956},{"_313":953,"_315":954},{"_313":951,"_315":952},{"_313":949,"_315":950},"#8a7c67",0.0391,"#aa9b82",0.1077,"#c4b599",0.1664,"#dbccb0",0.2065,"#f2e3c8",0.4803,"Charles Germain de Saint-Aubin","charles-germain-de-saint-aubin","French, 1721–1786",1721,1786,"actor-ichikawa-monnosuke-ii-in-an-unidentified-role-aic-60252","Actor Ichikawa Monnosuke II in an Unidentified Role",{"_42":1010,"_223":1011,"_327":1012,"_329":330,"_331":1013,"_333":1014,"_335":-5,"_336":-5,"_337":-5,"_140":101},"About 1785","Color woodblock print; hosoban","32.7 × 14.6 cm (12 7/8 × 5 3/4 in.)",32,0.46008403361344535,[995,996,997,998,999],{"_222":373,"_223":374,"_42":375,"_306":376},"1928.310","Katsukawa Shunkо̄ designed this in about 1785, aged about 37. It is now at the Art Institute of Chicago.","A work made of color woodblock print; hosoban.",{"_297":992,"_299":993,"_301":994},"https://img.ochreeditions.com/m/175.jpg?dl=1","/art/actor-ichikawa-monnosuke-ii-in-an-unidentified-role-aic-60252","/galleries/style/print-18/actor-ichikawa-monnosuke-ii-in-an-unidentified-role-aic-60252",{"_293":294,"_295":296},{"_226":987,"_125":988,"_287":989},{"_278":984,"_280":985,"_282":986,"_284":970},38.72268907563025,56,14.722689075630251,{"_289":226,"_123":990,"_154":991,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-katsukawa-shunk","Katsukawa Shunkо̄'s contemporaries","https://img.ochreeditions.com/a/175/480.jpg","https://img.ochreeditions.com/a/175/960.jpg","https://img.ochreeditions.com/a/175/1920.jpg",{"_313":1008,"_315":1009},{"_313":1006,"_315":1007},{"_313":1004,"_315":1005},{"_313":1002,"_315":1003},{"_313":1000,"_315":1001},"#ca9374",0.0734,"#d8bb88",0.1135,"#ad9d87",0.1734,"#d5c1a7",0.212,"#e7dac2",0.4277,"Katsukawa Shunkо̄","katsukawa-shunk","Japanese, 1743–1812",1743,1812,"the-old-shepherd-aic-55557","The Old Shepherd",{"_42":1067,"_223":1068,"_327":1069,"_329":1070,"_331":1071,"_333":1072,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1722","italy","rococo","Chiaroscuro woodcut, from three blocks in pink, dark blue, and light blue, on cream laid paper","Image: 17 × 11.3 cm (6 3/4 × 4 1/2 in.); Sheet: 17.3 × 11.6 cm (6 13/16 × 4 5/8 in.)",17,0.6735376645801856,[1052,1053,1054,1055,1056],{"_222":373,"_223":374,"_42":375,"_306":376},"1946.359","Conte Antonio Maria Zanetti, the Elder made this in 1722, aged 42. It is now at the Art Institute of Chicago.","A work made of chiaroscuro woodcut, from three blocks in pink, dark blue, and light blue, on cream laid paper.",{"_297":1049,"_299":1050,"_301":1051},"https://img.ochreeditions.com/m/168.jpg?dl=1","/art/the-old-shepherd-aic-55557","/galleries/style/print-18/the-old-shepherd-aic-55557",{"_293":294,"_295":296},{"_226":1040,"_125":1041,"_287":1042},{"_278":1037,"_280":1038,"_282":1039,"_284":463},40.83844161450464,49,16.83844161450464,{"_289":226,"_123":1047,"_154":1048,"_140":89},{"_289":125,"_123":1045,"_154":1046,"_140":608},{"_289":287,"_123":1043,"_154":1044,"_140":1038},"era/18-italy","18th-century Italy","style/rococo","More Rococo","artist/contemporaries-of-conte-antonio-maria-zanetti-the-elder","Conte Antonio Maria Zanetti, the Elder's contemporaries","https://img.ochreeditions.com/a/168/480.jpg","https://img.ochreeditions.com/a/168/960.jpg","https://img.ochreeditions.com/a/168/1920.jpg",{"_313":1065,"_315":1066},{"_313":1063,"_315":1064},{"_313":1061,"_315":1062},{"_313":1059,"_315":1060},{"_313":1057,"_315":1058},"#5b767f",0.0763,"#808e8c",0.1639,"#bcae9d",0.1693,"#9f9f96",0.2336,"#ddbea6",0.3569,"Conte Antonio Maria Zanetti, the Elder","conte-antonio-maria-zanetti-the-elder","Italian, 1680–1767","Italian",1680,1767,"the-lion-bas-reliefs-plate-5-from-imaginary-prisons-aic-7353","The Lion Bas-Reliefs, plate 5 from Imaginary Prisons",{"_42":1120,"_223":1121,"_327":1122,"_329":1070,"_331":1123,"_333":1124,"_335":1125,"_336":1126,"_337":1127,"_140":97},"1761","Etching and engraving on heavy ivory laid paper","Image: 56.6 × 41.4 cm (22 5/16 × 16 5/16 in.); Plate: 56.6 × 41.4 cm (22 5/16 × 16 5/16 in.); Sheet: 78.9 × 58.5 cm (31 1/8 × 23 1/16 in.)",41,0.7473263275365014,[1105,1106,1107,1108,1109],{"_222":373,"_223":374,"_42":375,"_306":376},"1922.5595","Giovanni Battista Piranesi made this in 1761, aged 41. It is now at the Art Institute of Chicago.","Vast stairways, arches and bridges recede into the gloom of an imaginary prison, while in the foreground stand massive relief panels carved with lions.","A work made of etching and engraving on heavy ivory laid paper.",{"_297":1102,"_299":1103,"_301":1104},"https://img.ochreeditions.com/m/12.jpg?dl=1","/art/the-lion-bas-reliefs-plate-5-from-imaginary-prisons-aic-7353","/galleries/style/print-18/the-lion-bas-reliefs-plate-5-from-imaginary-prisons-aic-7353",{"_293":294,"_295":296},{"_226":1097,"_125":1098,"_287":1099},{"_278":1094,"_280":1095,"_282":1096,"_284":985},65.85027434204409,80,41.85027434204408,{"_289":226,"_123":1100,"_154":1101,"_140":97},{"_289":125,"_123":1045,"_154":1046,"_140":608},{"_289":287,"_123":1043,"_154":1044,"_140":1038},"artist/giovanni-battista-piranesi","More by Giovanni Battista Piranesi","https://img.ochreeditions.com/a/12/480.jpg","https://img.ochreeditions.com/a/12/960.jpg","https://img.ochreeditions.com/a/12/1920.jpg",{"_313":1118,"_315":1119},{"_313":1116,"_315":1117},{"_313":1114,"_315":1115},{"_313":1112,"_315":1113},{"_313":1110,"_315":1111},"#786f64",0.125,"#5a534b",0.1276,"#988d80",0.1432,"#b7ada3",0.1549,"#f5e7d9",0.4493,"Giovanni Battista Piranesi","giovanni-battista-piranesi","Italian, 1720–1778",1720,1778,"Mogliano Veneto","Rome","Piranesi trained in Venice as an architect and stage designer before moving to Rome in 1740, where he spent the rest of his life.",{"_1129":-5,"_1130":1131,"_1132":1133,"_1134":8,"_1135":1136,"_1137":8},"user","csrf","a8d67c4a890ae228fdc287636786804baeb1d951","cartCount",0,"dropLive","legal",[1138,1139,1140,1141,1142,1143,1144,1145,1146,1147,1148,1149],"uploadsEnabled",{"_223":1172,"_20":1173},{"_223":1170,"_20":1171},{"_223":1168,"_20":1169},{"_223":1166,"_20":1167},{"_223":1164,"_20":1165},{"_223":1162,"_20":1163},{"_223":1160,"_20":1161},{"_223":1158,"_20":1159},{"_223":1156,"_20":1157},{"_223":1154,"_20":1155},{"_223":1152,"_20":1153},{"_223":1150,"_20":1151},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]