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(63 x 49.5 cm) Plate: 21 7/16 x 16 5/16 in. (54.5 x 41.5 cm)",41.5,54.5,0.7688,[382,383,384,385,386],{"_225":305,"_226":306,"_42":307,"_308":309},"37.45.3(27)","Giovanni Battista Piranesi made this in about 1749–50, aged about 24. It is now at The Met in New York.","A great circular tower rises within a cavernous prison, ringed by stairs, galleries and beams that lead nowhere certain. This impression is of the first state, printed around 1749–50, when Piranesi’s Imaginary Prisons were still airy and sketch-like, etched with a free, rapid line that owes much to stage design.","The Round Tower, from \"Carceri d'invenzione\" (Imaginary Prisons), by Giovanni Battista Piranesi, ca. 1749–50",{"_299":379,"_301":380,"_303":381},"https://img.ochreeditions.com/m/1030.jpg?dl=1","/art/the-round-tower-from-carceri-d-invenzione-imaginary-prisons-met-337725","/galleries/style/print-18/the-round-tower-from-carceri-d-invenzione-imaginary-prisons-met-337725",{"_295":296,"_297":298},{"_229":368,"_125":369,"_289":370},{"_280":365,"_282":366,"_284":367,"_286":350},65.89959999999999,78.5,41.8996,{"_291":229,"_123":377,"_154":378,"_140":97},{"_291":125,"_123":374,"_154":375,"_140":376},{"_291":289,"_123":371,"_154":372,"_140":373},"era/18-italy","18th-century Italy",49,"style/italian-settecento","More Italian Settecento",25,"artist/giovanni-battista-piranesi","More by Giovanni Battista Piranesi","https://img.ochreeditions.com/a/1030/480.jpg","https://img.ochreeditions.com/a/1030/960.jpg","https://img.ochreeditions.com/a/1030/1920.jpg",{"_315":395,"_317":396},{"_315":393,"_317":394},{"_315":391,"_317":392},{"_315":389,"_317":390},{"_315":387,"_317":388},"#e5dac2",0.0804,"#b4a994",0.1754,"#5d574d",0.2028,"#766e60",0.2685,"#938978",0.2729,"Giovanni Battista Piranesi","giovanni-battista-piranesi","Italian, 1720–1778","Italian",1720,1778,"Mogliano Veneto","Rome","Piranesi trained in Venice as an architect and stage designer before moving to Rome in 1740, where he spent the rest of his life.","l-heureuse-fecondite-nga-32677","L'heureuse fécondité",{"_42":465,"_226":466,"_329":467,"_331":468,"_333":469,"_335":470,"_337":-5,"_338":-5,"_339":-5,"_140":103},"1777","france","neoclassicism","Print","etching and engraving",1.1238784370477568,[450,451,452,453,454],{"_225":446,"_226":447,"_42":448,"_308":449},"Courtesy National Gallery of Art, Washington","1946.5.1","Nicolas Delaunay made this in 1777, aged 38. It is now at the National Gallery of Art in Washington, DC.","The engraving depicts a gathering around a woman holding a child in her arms in an indoor setting with stone columns and an arched background. Another woman is next to her, looking towards her while leaning over what appears to be a child or possibly a doll on a small donkey. Surrounding the central woman are several children, some seated and playing on the floor. A dog is resting at the central woman's feet. The image features lush drapery, creating a warm and intimate setting. The style suggests classical or historical fashion, and there is an ornate border with ivy leaves. The text and emblem below likely contain relevant inscriptions.",{"_299":443,"_301":444,"_303":445},"https://img.ochreeditions.com/m/1473.jpg?dl=1","/art/l-heureuse-fecondite-nga-32677","/galleries/style/print-18/l-heureuse-fecondite-nga-32677",{"_295":296,"_297":298},{"_229":432,"_125":433,"_289":434},{"_280":428,"_282":429,"_284":430,"_286":431},84,77.38655678599022,60,53.386556785990216,{"_291":229,"_123":441,"_154":442,"_140":89},{"_291":125,"_123":438,"_154":439,"_140":440},{"_291":289,"_123":435,"_154":436,"_140":437},"era/18-france","18th-century France",75,"style/neoclassicism","More Neoclassicism",109,"artist/contemporaries-of-nicolas-delaunay","Nicolas Delaunay's contemporaries","https://img.ochreeditions.com/a/1473/480.jpg","https://img.ochreeditions.com/a/1473/960.jpg","https://img.ochreeditions.com/a/1473/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_315":463,"_317":464},{"_315":461,"_317":462},{"_315":459,"_317":460},{"_315":457,"_317":458},{"_315":455,"_317":456},"#cfbfa5",0.0811,"#6d6255",0.1848,"#524a43",0.2193,"#ac9b81",0.2536,"#897b68",0.2612,"Nicolas Delaunay","nicolas-delaunay","French, 1739–1792","French",1739,1792,"view-of-the-villa-of-his-eminence-cardinal-alessandro-albani-aic-48151","View of the Villa of His Eminence Cardinal Alessandro Albani, outside Porta Salaria, from Views of Rome",{"_42":397,"_226":398,"_329":399,"_331":400,"_333":401,"_335":402,"_337":403,"_338":404,"_339":405,"_140":97},"1769, published 1800–07","rococo","Etching on ivory laid paper","48.2 × 70.5 cm (19 × 27 13/16 in.)",70,48,1.456324248777079,[510,511,512,513,514],{"_225":506,"_226":507,"_42":508,"_308":509},"Courtesy of the Art Institute of Chicago","1927.4814","Giovanni Battista Piranesi made this in 1769, published 1800–07, aged 49. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_299":503,"_301":504,"_303":505},"https://img.ochreeditions.com/m/156.jpg?dl=1","/art/view-of-the-villa-of-his-eminence-cardinal-alessandro-albani-aic-48151","/galleries/style/print-18/view-of-the-villa-of-his-eminence-cardinal-alessandro-albani-aic-48151",{"_295":296,"_297":298},{"_229":497,"_125":498,"_289":499},{"_280":494,"_282":495,"_284":478,"_286":496},94,72.06621880998081,48.06621880998081,{"_291":229,"_123":377,"_154":378,"_140":97},{"_291":125,"_123":500,"_154":501,"_140":502},{"_291":289,"_123":371,"_154":372,"_140":373},"style/rococo","More Rococo",21,"https://img.ochreeditions.com/a/156/480.jpg","https://img.ochreeditions.com/a/156/960.jpg","https://img.ochreeditions.com/a/156/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_315":523,"_317":524},{"_315":521,"_317":522},{"_315":519,"_317":520},{"_315":517,"_317":518},{"_315":515,"_317":516},"#524a3c",0.13,"#736958",0.1935,"#958978",0.2031,"#dcd1be",0.2045,"#bbae9b",0.2689,"the-lion-bas-reliefs-plate-5-from-imaginary-prisons-aic-7353","The Lion Bas-Reliefs, plate 5 from Imaginary Prisons",{"_42":397,"_226":398,"_329":399,"_331":400,"_333":401,"_335":402,"_337":403,"_338":404,"_339":405,"_140":97},"1761","Etching and engraving on heavy ivory laid paper","Image: 56.6 × 41.4 cm (22 5/16 × 16 5/16 in.); Plate: 56.6 × 41.4 cm (22 5/16 × 16 5/16 in.); Sheet: 78.9 × 58.5 cm (31 1/8 × 23 1/16 in.)",41,56,0.7473263275365014,[556,557,558,559,560],{"_225":506,"_226":507,"_42":508,"_308":509},"1922.5595","Giovanni Battista Piranesi made this in 1761, aged 41. It is now at the Art Institute of Chicago.","Vast stairways, arches and bridges recede into the gloom of an imaginary prison, while in the foreground stand massive relief panels carved with lions.","A work made of etching and engraving on heavy ivory laid paper.",{"_299":553,"_301":554,"_303":555},"https://img.ochreeditions.com/m/12.jpg?dl=1","/art/the-lion-bas-reliefs-plate-5-from-imaginary-prisons-aic-7353","/galleries/style/print-18/the-lion-bas-reliefs-plate-5-from-imaginary-prisons-aic-7353",{"_295":296,"_297":298},{"_229":550,"_125":551,"_289":552},{"_280":547,"_282":548,"_284":549,"_286":532},65.85027434204409,80,41.85027434204408,{"_291":229,"_123":377,"_154":378,"_140":97},{"_291":125,"_123":500,"_154":501,"_140":502},{"_291":289,"_123":371,"_154":372,"_140":373},"https://img.ochreeditions.com/a/12/480.jpg","https://img.ochreeditions.com/a/12/960.jpg","https://img.ochreeditions.com/a/12/1920.jpg",{"_315":569,"_317":570},{"_315":567,"_317":568},{"_315":565,"_317":566},{"_315":563,"_317":564},{"_315":561,"_317":562},"#786f64",0.125,"#5a534b",0.1276,"#988d80",0.1432,"#b7ada3",0.1549,"#f5e7d9",0.4493,"catching-fireflies-aic-90193","Catching Fireflies",{"_42":618,"_226":619,"_329":620,"_331":332,"_333":-5,"_335":-5,"_337":-5,"_338":-5,"_339":-5,"_140":101},"c.1790s","Color woodblock print; ōban","37.2 × 23.2 cm (14 5/8 × 9 1/8 in.)",23,37,0.6847079037800687,[603,604,605,606,607],{"_225":506,"_226":507,"_42":508,"_308":509},"1949.392","Eishosai Choki designed this in about 1790s. It is now at the Art Institute of Chicago.","A work made of color woodblock print; ōban.",{"_299":600,"_301":601,"_303":602},"https://img.ochreeditions.com/m/248.jpg?dl=1","/art/catching-fireflies-aic-90193","/galleries/style/print-18/catching-fireflies-aic-90193",{"_295":296,"_297":298},{"_229":595,"_125":596,"_289":597},{"_280":592,"_282":593,"_284":594,"_286":578},49.33419243986255,61,25.334192439862544,{"_291":229,"_123":598,"_154":599,"_140":89},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-eishosai-choki","Eishosai Choki's contemporaries","https://img.ochreeditions.com/a/248/480.jpg","https://img.ochreeditions.com/a/248/960.jpg","https://img.ochreeditions.com/a/248/1920.jpg",{"_315":616,"_317":617},{"_315":614,"_317":615},{"_315":612,"_317":613},{"_315":610,"_317":611},{"_315":608,"_317":609},"#84946f",0.0799,"#a89b83",0.2074,"#736e61",0.2113,"#484740",0.2404,"#cdc1a7",0.261,"Eishosai Choki","eishosai-choki","Japanese, active c. 1790s-early 1800s","the-shika-teahouse-cma-95352","The Shika Teahouse",{"_42":678,"_226":679,"_329":680,"_331":332,"_333":681,"_335":682,"_337":-5,"_338":-5,"_339":683,"_140":89},"early 1790s","Triptych of color woodblock prints","Each: 39.2 x 26.4 cm (15 7/16 x 10 3/8 in.)",26.4,39.2,1.9101123595505618,[663,664,665,666,667],{"_225":659,"_226":660,"_42":661,"_308":662},"Courtesy of the Cleveland Museum of Art","1916.1113","Utagawa Toyokuni designed this in the early 1790s, aged about 21. It is now at the Cleveland Museum of Art.",{"_118":656,"_657":658},"The Shika Teahouse, by Utagawa Toyokuni, early 1790s",{"_299":653,"_301":654,"_303":655},"https://img.ochreeditions.com/m/464.jpg?dl=1","/art/the-shika-teahouse-cma-95352","/galleries/style/print-18/the-shika-teahouse-cma-95352",{"_295":296,"_297":298},{"_229":648,"_125":649,"_289":650},{"_280":644,"_282":645,"_284":646,"_286":647},68.46051145288013,47.2763854076843,44.460511452880134,23.276385407684305,{"_291":229,"_123":651,"_154":652,"_140":89},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":166,"_154":165,"_140":168},"artist/utagawa-toyokuni","More by Utagawa Toyokuni","https://img.ochreeditions.com/a/464/480.jpg","https://img.ochreeditions.com/a/464/960.jpg","https://img.ochreeditions.com/a/464/1920.jpg","Exotic birds and tobacco—Western imports—feature in this composition. Peacocks and parrots were brought to Japan by Dutch traders in the 1700s. Many of the visitors to this teahouse, which specialized in displays of foreign birds, admire the unusual fowl while sipping tea and smoking long pipes.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_315":676,"_317":677},{"_315":674,"_317":675},{"_315":672,"_317":673},{"_315":670,"_317":671},{"_315":668,"_317":669},"#5d5449",0.0331,"#ba9a75",0.1671,"#95856e",0.1738,"#cab599",0.2462,"#b19e7f",0.3798,"Utagawa Toyokuni","utagawa-toyokuni","Japanese, 1769–1825",1769,1825,"Toyokuni studied with Utagawa Toyoharu, founder of the Utagawa school, and made his name in the 1790s with vivid portraits of kabuki actors and pictures of fashionable women.","the-actor-ichikawa-danjuro-iv-in-a-shibaraku-role-possibly-f-aic-21839","The Actor Ichikawa Danjuro IV in a \"Shibaraku\" Role, Possibly from the Play Ima o Sakari Suehiro Genji (The Genji Clan Now at Its Zenith), Performed at the Nakamura Theater from the First Day of the Eleventh Month, 1768",{"_42":732,"_226":733,"_329":734,"_331":332,"_333":735,"_335":470,"_337":-5,"_338":-5,"_339":736,"_140":93},"c. 1768","Color woodblock print; oban","38.3 × 26 cm (15 1/8 × 10 1/4 in.)",26,38,0.6817056396148555,[717,718,719,720,721],{"_225":506,"_226":507,"_42":508,"_308":509},"1925.2365","Katsukawa Shunshō designed this in about 1768, aged about 37. It is now at the Art Institute of Chicago.","Ichikawa Danjūrō IV appears in Shibaraku, the showpiece of his family’s aragoto, or ‘rough style’, of acting: a superhuman hero in an enormous costume who halts the villains with a thunderous cry. The scene was traditionally inserted into the season-opening programmes staged by the Edo theatres in the eleventh month.","A work made of color woodblock print; oban.",{"_299":714,"_301":715,"_303":716},"https://img.ochreeditions.com/m/89.jpg?dl=1","/art/the-actor-ichikawa-danjuro-iv-in-a-shibaraku-role-possibly-f-aic-21839","/galleries/style/print-18/the-actor-ichikawa-danjuro-iv-in-a-shibaraku-role-possibly-f-aic-21839",{"_295":296,"_297":298},{"_229":709,"_125":710,"_289":711},{"_280":706,"_282":707,"_284":708,"_286":691},49.90481430536451,62,25.90481430536451,{"_291":229,"_123":712,"_154":713,"_140":93},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":166,"_154":165,"_140":168},"artist/katsukawa-shunsho","More by Katsukawa Shunshō","https://img.ochreeditions.com/a/89/480.jpg","https://img.ochreeditions.com/a/89/960.jpg","https://img.ochreeditions.com/a/89/1920.jpg",{"_315":730,"_317":731},{"_315":728,"_317":729},{"_315":726,"_317":727},{"_315":724,"_317":725},{"_315":722,"_317":723},"#775a43",0.0337,"#dbceb7",0.0703,"#a78261",0.1637,"#a55437",0.2713,"#c0a580",0.461,"Katsukawa Shunshō","katsukawa-shunsho","Japanese, 1726–1792",1726,"Shunshō founded the Katsukawa school and changed the way kabuki actors were portrayed, giving them recognisable individual features rather than standard types. From the late 1760s his actor designs, often in the narrow hosoban format, dominated the field.","le-torrent-et-la-riviere-the-torrent-and-theriver-nga-55521","Le torrent et la riviere (The Torrent and theRiver)",{"_42":784,"_226":785,"_329":786,"_331":468,"_333":787,"_335":788,"_337":-5,"_338":-5,"_339":-5,"_140":103},"published 1756","french-eighteenth-century","hand-colored etching",0.734130859375,[769,770,771,772,773],{"_225":446,"_226":447,"_42":448,"_308":449},"1975.81.12","Louis-Simon Lempereur made this (published 1756), aged 28. It is now at the National Gallery of Art in Washington, DC.","The image shows a man in a red coat in a river, holding on to a horse. A hat floats nearby. Three figures in 18th-century clothing stand on a rocky riverbank looking concerned. In the background, there are trees, a castle-like structure, and large clouds. The brushstrokes are detailed, capturing movement and textures. The color palette includes muted tones like earthy browns, greens, soft blue, and subtle reds.",{"_299":766,"_301":767,"_303":768},"https://img.ochreeditions.com/m/1576.jpg?dl=1","/art/le-torrent-et-la-riviere-the-torrent-and-theriver-nga-55521","/galleries/style/print-18/le-torrent-et-la-riviere-the-torrent-and-theriver-nga-55521",{"_295":296,"_297":298},{"_229":758,"_125":759,"_289":760},{"_280":756,"_282":428,"_284":757,"_286":430},68.0478515625,44.0478515625,{"_291":229,"_123":764,"_154":765,"_140":89},{"_291":125,"_123":761,"_154":762,"_140":763},{"_291":289,"_123":435,"_154":436,"_140":437},"style/french-eighteenth-century","More French eighteenth century",35,"artist/contemporaries-of-louis-simon-lempereur","Louis-Simon Lempereur's contemporaries","https://img.ochreeditions.com/a/1576/480.jpg","https://img.ochreeditions.com/a/1576/960.jpg","https://img.ochreeditions.com/a/1576/1920.jpg",{"_315":782,"_317":783},{"_315":780,"_317":781},{"_315":778,"_317":779},{"_315":776,"_317":777},{"_315":774,"_317":775},"#dbccad",0.1021,"#d1af78",0.1838,"#6d6456",0.2131,"#a7a58f",0.2257,"#8c836f",0.2753,"Louis-Simon Lempereur","louis-simon-lempereur","French, 1728–1807",1728,1807,"child-with-rosebud-aic-117789","Child with Rosebud",{"_42":840,"_226":841,"_329":842,"_331":843,"_333":844,"_335":845,"_337":-5,"_338":-5,"_339":-5,"_140":103},"n.d.","germany","romanticism","Etching on ivory wove paper","Image: 10 × 8 cm (3 15/16 × 3 3/16 in.); Plate: 24.5 × 25 cm (9 11/16 × 9 7/8 in.); Sheet: 26 × 28 cm (10 1/4 × 11 1/16 in.)",1.0978360957642725,[825,826,827,828,829],{"_225":506,"_226":507,"_42":508,"_308":509},"1991.707","Phillip Otto Runge made this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of etching on ivory wove paper.",{"_299":822,"_301":823,"_303":824},"https://img.ochreeditions.com/m/297.jpg?dl=1","/art/child-with-rosebud-aic-117789","/galleries/style/print-18/child-with-rosebud-aic-117789",{"_295":296,"_297":298},{"_229":812,"_125":813,"_289":814},{"_280":373,"_282":810,"_284":376,"_286":811},46.77206961627175,22.772069616271754,{"_291":229,"_123":820,"_154":821,"_140":89},{"_291":125,"_123":817,"_154":818,"_140":819},{"_291":289,"_123":815,"_154":816,"_140":85},"era/18-germany","18th-century Germany","style/romanticism","More Romanticism",32,"artist/contemporaries-of-phillip-otto-runge","Phillip Otto Runge's contemporaries","https://img.ochreeditions.com/a/297/480.jpg","https://img.ochreeditions.com/a/297/960.jpg","https://img.ochreeditions.com/a/297/1920.jpg",{"_315":838,"_317":839},{"_315":836,"_317":837},{"_315":834,"_317":835},{"_315":832,"_317":833},{"_315":830,"_317":831},"#a39885",0.0216,"#c4b9a4",0.0781,"#d5cbb6",0.1942,"#e9e2ce",0.3521,"#dfd7c4",0.354,"Phillip Otto Runge","phillip-otto-runge","German, 1777–1810","German",1777,1810,"morning-cherries-at-yoshiwara-met-55271","Morning Cherries at Yoshiwara",{"_42":892,"_226":893,"_329":894,"_331":332,"_333":895,"_335":896,"_337":-5,"_338":-5,"_339":897,"_140":873},"H. 9 7/16 in. (24 cm); W. 15 1/8 in. (38.4 cm)",38.4,24,1.54733492442323,[877,878,879,880,881],{"_225":305,"_226":306,"_42":307,"_308":309},"JP1314","Utagawa Hiroshige designed this. It is now at The Met in New York.","Morning Cherries at Yoshiwara, by Utagawa Hiroshige",{"_299":874,"_301":875,"_303":876},"https://img.ochreeditions.com/m/945.jpg?dl=1","/art/morning-cherries-at-yoshiwara-met-55271","/galleries/style/print-18/morning-cherries-at-yoshiwara-met-55271",{"_295":296,"_297":298},{"_229":868,"_125":869,"_289":870},{"_280":865,"_282":866,"_284":850,"_286":867},62.4,48.81686375321337,24.816863753213365,{"_291":229,"_123":871,"_154":872,"_140":873},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":166,"_154":165,"_140":168},"artist/utagawa-hiroshige","More by Utagawa Hiroshige",19,"https://img.ochreeditions.com/a/945/480.jpg","https://img.ochreeditions.com/a/945/960.jpg","https://img.ochreeditions.com/a/945/1920.jpg",{"_315":890,"_317":891},{"_315":888,"_317":889},{"_315":886,"_317":887},{"_315":884,"_317":885},{"_315":882,"_317":883},"#3b607f",0.0844,"#728482",0.1499,"#f0dcbe",0.2351,"#dab697",0.24,"#a69a89",0.2906,"Utagawa Hiroshige","utagawa-hiroshige","Japanese, 1797–1858",1797,1858,"Hiroshige was born into a family of Edo fire wardens and trained under Utagawa Toyohiro. His breakthrough came in the early 1830s with The Fifty-three Stations of the Tōkaidō, scenes along the highway between Edo and Kyoto.","viewing-the-moon-aic-88997","Viewing the Moon",{"_42":327,"_226":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":-5,"_338":-5,"_339":340,"_140":77},"c. 1767/68","Color woodblock print; chuban","28 × 21.3 cm (11 × 8 3/8 in.)",28,0.7726302956415727,[927,928,929,930,931],{"_225":506,"_226":507,"_42":508,"_308":509},"1928.910","Suzuki Harunobu designed this in about 1767/68, aged about 37. It is now at the Art Institute of Chicago.","A work made of color woodblock print; chuban.",{"_299":924,"_301":925,"_303":926},"https://img.ochreeditions.com/m/242.jpg?dl=1","/art/viewing-the-moon-aic-88997","/galleries/style/print-18/viewing-the-moon-aic-88997",{"_295":296,"_297":298},{"_229":921,"_125":922,"_289":923},{"_280":918,"_282":919,"_284":920,"_286":904},45.633648277964035,52,21.633648277964035,{"_291":229,"_123":170,"_154":169,"_140":77},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/242/480.jpg","https://img.ochreeditions.com/a/242/960.jpg","https://img.ochreeditions.com/a/242/1920.jpg",{"_315":940,"_317":941},{"_315":938,"_317":939},{"_315":936,"_317":937},{"_315":934,"_317":935},{"_315":932,"_317":933},"#9a896d",0.0366,"#c4b08e",0.1594,"#d4a47c",0.1756,"#e1d4be",0.2134,"#e2c998",0.415,"the-actor-osagawa-tsuneyo-ii-as-osan-ippei-s-elder-sister-aic-87259","The actor Osagawa Tsuneyo II as Osan, Ippei’s elder sister",{"_42":984,"_226":985,"_329":332,"_331":332,"_333":-5,"_335":986,"_337":-5,"_338":-5,"_339":987,"_140":89},"1794","36.6 × 24.4 cm (14 7/16 × 9 5/8 in.)",36,0.6741699493528419,[971,972,973,974,975],{"_225":506,"_226":507,"_42":508,"_308":509},"1934.199","Tōshūsai Sharaku designed this in 1794. It is now at the Art Institute of Chicago.","Osagawa Tsuneyo II, a male actor of female roles, appears as Osan, elder sister of the manservant Ippei, in a print Tōshūsai Sharaku designed in 1794 as a companion to his portrait of Ichikawa Omezō in the role of Ippei.",{"_299":968,"_301":969,"_303":970},"https://img.ochreeditions.com/m/236.jpg?dl=1","/art/the-actor-osagawa-tsuneyo-ii-as-osan-ippei-s-elder-sister-aic-87259","/galleries/style/print-18/the-actor-osagawa-tsuneyo-ii-as-osan-ippei-s-elder-sister-aic-87259",{"_295":296,"_297":298},{"_229":963,"_125":964,"_289":965},{"_280":961,"_282":430,"_284":962,"_286":947},48.27011817670231,24.270118176702308,{"_291":229,"_123":966,"_154":967,"_140":89},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":166,"_154":165,"_140":168},"artist/toshusai-sharaku","More by Tōshūsai Sharaku","https://img.ochreeditions.com/a/236/480.jpg","https://img.ochreeditions.com/a/236/960.jpg","https://img.ochreeditions.com/a/236/1920.jpg",{"_315":982,"_317":983},{"_315":981,"_317":887},{"_315":979,"_317":980},{"_315":977,"_317":978},{"_315":976,"_317":833},"#b9afa0","#302d2a",0.0981,"#d8cfbb",0.2002,"#c5a47f","#6b635d",0.3885,"Tōshūsai Sharaku","toshusai-sharaku",1795,"Sharaku remains one of the puzzles of Japanese art. Within about ten months in 1794–95 he designed some 140 portraits of kabuki actors for the publisher Tsutaya Jūzaburō, then disappeared from the record.","nuova-pianta-di-roma-data-in-luce-da-giambattista-nolli-l-an-cma-423509","Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma",{"_42":1036,"_226":1037,"_329":1038,"_331":400,"_333":1039,"_335":1040,"_337":-5,"_338":-5,"_339":1041,"_140":99},"1748","Sheet: 43 x 69.4 cm (16 15/16 x 27 5/16 in.)",69.4,43,1.6045304388862671,[1021,1022,1023,1024,1025],{"_225":659,"_226":660,"_42":661,"_308":662},"2020.276.1","Giovanni Battista Nolli made this in 1748, aged 47. It is now at the Cleveland Museum of Art.",{"_118":1020,"_657":658},"Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma, by Giovanni Battista Nolli, 1748",{"_299":1017,"_301":1018,"_303":1019},"https://img.ochreeditions.com/m/790.jpg?dl=1","/art/nuova-pianta-di-roma-data-in-luce-da-giambattista-nolli-l-an-cma-423509","/galleries/style/print-18/nuova-pianta-di-roma-data-in-luce-da-giambattista-nolli-l-an-cma-423509",{"_295":296,"_297":298},{"_229":1012,"_125":1013,"_289":1014},{"_280":1009,"_282":1010,"_284":993,"_286":1011},93.4,67.25252941176471,43.25252941176471,{"_291":229,"_123":1015,"_154":1016,"_140":99},{"_291":125,"_123":500,"_154":501,"_140":502},{"_291":289,"_123":371,"_154":372,"_140":373},"artist/giovanni-battista-nolli","More by Giovanni Battista Nolli","https://img.ochreeditions.com/a/790/480.jpg","https://img.ochreeditions.com/a/790/960.jpg","https://img.ochreeditions.com/a/790/1920.jpg","The monumental Pianta Grande di Roma, or Large Plan of Rome, which measures about 5 x 7 feet when its twelve plates are assembled, is a landmark in both cartography and printmaking.",{"_315":1034,"_317":1035},{"_315":1032,"_317":1033},{"_315":1030,"_317":1031},{"_315":1028,"_317":1029},{"_315":1026,"_317":1027},"#6a645d",0.0352,"#8b8379",0.0953,"#a1988d",0.2617,"#c1b6aa",0.2973,"#b1a79b",0.3105,"Giovanni Battista Nolli","giovanni-battista-nolli","Italian, 1701–1756",1701,1756,"Nolli was an architect and surveyor from the region around Como who worked in Rome. He spent more than a decade surveying the city for the great map published in 1748, the Pianta Grande di Roma, engraved on twelve plates.","table-and-writing-set-met-54683","Table and Writing Set",{"_42":1088,"_226":1089,"_329":1090,"_331":332,"_333":1091,"_335":1092,"_337":-5,"_338":-5,"_339":1093,"_140":95},"19th century","Woodblock print (surimono); ink and color on paper","8 3/16 x 7 1/8 in. (20.8 x 18.1 cm)",18.1,20.8,0.9088274044795784,[1073,1074,1075,1076,1077],{"_225":305,"_226":306,"_42":307,"_308":309},"JP1985","Kubo Shunman designed this in 19th century, aged about 43. It is now at The Met in New York.","Table and Writing Set, by Kubo Shunman, 19th century",{"_299":1070,"_301":1071,"_303":1072},"https://img.ochreeditions.com/m/933.jpg?dl=1","/art/table-and-writing-set-met-54683","/galleries/style/print-18/table-and-writing-set-met-54683",{"_295":296,"_297":298},{"_229":1065,"_125":1066,"_289":1067},{"_280":1063,"_282":373,"_284":1064,"_286":376},46.72068511198946,22.72068511198946,{"_291":229,"_123":1068,"_154":1069,"_140":95},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":166,"_154":165,"_140":168},"artist/kubo-shunman","More by Kubo Shunman","https://img.ochreeditions.com/a/933/480.jpg","https://img.ochreeditions.com/a/933/960.jpg","https://img.ochreeditions.com/a/933/1920.jpg",{"_315":1086,"_317":1087},{"_315":1084,"_317":1085},{"_315":1082,"_317":1083},{"_315":1080,"_317":1081},{"_315":1078,"_317":1079},"#ad7969",0.0727,"#6e6458",0.0846,"#9e8f7c",0.0932,"#d8c6b4",0.195,"#eedfcf",0.5545,"Kubo Shunman","kubo-shunman","Japanese, 1757–1820",1757,1820,"Shunman was both an artist and a writer of kyōka, or comic verse, and much of his work served the poetry circles of Edo. Their members commissioned surimono, privately issued woodblock sheets pairing poems with images and often finished with metallic pigments and embossing.","the-actor-morita-kanya-viii-as-tatsugoro-met-55241","The Actor Morita Kanya VIII as Tatsugorō",{"_42":1140,"_226":1141,"_329":1142,"_331":332,"_333":1143,"_335":1144,"_337":-5,"_338":-5,"_339":-5,"_140":103},"1794 (Kansei 6)","H. 12 1/8 in. (30.8 cm); W. 5 9/16 in. (14.1 cm)",14.1,30.8,0.596,[1126,1127,1128,1129,1130],{"_225":305,"_226":306,"_42":307,"_308":309},"JP1302","Katsukawa Shun'ei designed this in 1794 (Kansei 6), aged 32. It is now at The Met in New York.","The Actor Morita Kanya VIII as Tatsugorō, by Katsukawa Shun'ei, 1794 (Kansei 6)",{"_299":1123,"_301":1124,"_303":1125},"https://img.ochreeditions.com/m/943.jpg?dl=1","/art/the-actor-morita-kanya-viii-as-tatsugoro-met-55241","/galleries/style/print-18/the-actor-morita-kanya-viii-as-tatsugoro-met-55241",{"_295":296,"_297":298},{"_229":1118,"_125":1119,"_289":1120},{"_280":1114,"_282":1115,"_284":1116,"_286":1117},40.08822177868021,50.99366070248357,16.088221778680204,26.993660702483563,{"_291":229,"_123":1121,"_154":1122,"_140":89},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-katsukawa-shun-ei","Katsukawa Shun'ei's contemporaries","https://img.ochreeditions.com/a/943/480.jpg","https://img.ochreeditions.com/a/943/960.jpg","https://img.ochreeditions.com/a/943/1920.jpg",{"_315":1138,"_317":1139},{"_315":1136,"_317":1137},{"_315":1134,"_317":1135},{"_315":1132,"_317":1133},{"_315":1131,"_317":723},"#303435","#7c776f",0.1086,"#bb9b75",0.19,"#f3e7da",0.1941,"#ceb79b",0.4736,"Katsukawa Shun'ei","katsukawa-shun-ei","Japanese, 1762–1819",1762,1819,{"_1146":-5,"_1147":1148,"_1149":1150,"_1151":8,"_1152":1153,"_1154":8},"user","csrf","866203d99e53a4bbe8868c7427eb735962b958c4","cartCount",0,"dropLive","legal",[1155,1156,1157,1158,1159,1160,1161,1162,1163,1164,1165,1166],"uploadsEnabled",{"_226":1189,"_20":1190},{"_226":1187,"_20":1188},{"_226":1185,"_20":1186},{"_226":1183,"_20":1184},{"_226":1181,"_20":1182},{"_226":1179,"_20":1180},{"_226":1177,"_20":1178},{"_226":1175,"_20":1176},{"_226":1173,"_20":1174},{"_226":1171,"_20":1172},{"_226":1169,"_20":1170},{"_226":1167,"_20":1168},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]