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It is now at the Cleveland Museum of Art.","Homage to a Bishop, by François Marius Granet, 1839",{"_298":369,"_300":370,"_302":371},"https://img.ochreeditions.com/m/706.jpg?dl=1","/art/homage-to-a-bishop-cma-149292","/galleries/style/paris-salon-painting/homage-to-a-bishop-cma-149292",{"_294":295,"_296":297},{"_228":364,"_125":365,"_288":366},{"_279":361,"_281":362,"_283":363,"_284":346},137.77941176470588,187.5,122.77941176470588,{"_290":228,"_123":367,"_154":368,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-francois-marius-granet","François Marius Granet's contemporaries","https://img.ochreeditions.com/a/706/480.jpg","https://img.ochreeditions.com/a/706/960.jpg","https://img.ochreeditions.com/a/706/1920.jpg","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_314":389,"_316":390},{"_314":387,"_316":388},{"_314":385,"_316":386},{"_314":383,"_316":384},{"_314":381,"_316":382},"#853f34",0.0343,"#987f5d",0.0683,"#675541",0.161,"#2e2a26",0.2544,"#453d31",0.482,"François Marius Granet","francois-marius-granet","French, 1775–1849",1775,1849,"Aix-en-Provence","the-roll-call-of-the-last-victims-of-the-terror-aic-111730","The Roll Call of the Last Victims of the Terror",{"_42":442,"_225":443,"_328":444,"_330":331,"_332":445,"_334":446,"_336":-5,"_337":-5,"_338":-5,"_140":103},"c. 1850","76.2 × 132 cm (30 × 52 in.); Framed: 115.6 × 172.8 × 12.1 cm (45 1/2 × 68 × 4 3/4 in.)",132,76,1.7930250189537529,[427,428,429,430,431],{"_224":304,"_225":305,"_42":306,"_307":308},"2019.1421","Charles Louis-Lucien Muller painted this in about 1850, aged about 30. It is now at the Art Institute of Chicago.",{"_298":424,"_300":425,"_302":426},"https://img.ochreeditions.com/m/289.jpg?dl=1","/art/the-roll-call-of-the-last-victims-of-the-terror-aic-111730","/galleries/style/paris-salon-painting/the-roll-call-of-the-last-victims-of-the-terror-aic-111730",{"_294":295,"_296":297},{"_228":419,"_125":420,"_288":421},{"_279":416,"_281":417,"_283":402,"_284":418},147,88.61860465116278,73.61860465116278,{"_290":228,"_123":422,"_154":423,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-charles-louis-lucien-muller","Charles Louis-Lucien Muller's contemporaries","https://img.ochreeditions.com/a/289/480.jpg","https://img.ochreeditions.com/a/289/960.jpg","https://img.ochreeditions.com/a/289/1920.jpg",{"_314":440,"_316":441},{"_314":438,"_316":439},{"_314":436,"_316":437},{"_314":434,"_316":435},{"_314":432,"_316":433},"#8c7856",0.0375,"#6d532e",0.1174,"#4e3616",0.1598,"#312109",0.2714,"#211908",0.4139,"Charles Louis-Lucien Muller","charles-louis-lucien-muller","French, 1815–1892",1815,1892,"blessing-of-a-yacht-on-the-belon-river-cma-92844","Blessing of a Yacht on the Belon River",{"_42":498,"_225":499,"_328":500,"_330":331,"_332":501,"_334":502,"_336":-5,"_337":-5,"_338":-5,"_140":101},"1899","oil on canvas","Unframed: 75 x 80 cm (29 1/2 x 31 1/2 in.)",80,75,1.0688462747563658,[483,484,485,486,487],{"_224":372,"_225":373,"_42":374,"_307":375},"2020.110","Maurice Denis painted this in 1899, aged 29. It is now at the Cleveland Museum of Art.",{"_118":480,"_481":482},"Blessing of a Yacht on the Belon River, by Maurice Denis, 1899",{"_298":477,"_300":478,"_302":479},"https://img.ochreeditions.com/m/458.jpg?dl=1","/art/blessing-of-a-yacht-on-the-belon-river-cma-92844","/galleries/style/paris-salon-painting/blessing-of-a-yacht-on-the-belon-river-cma-92844",{"_294":295,"_296":297},{"_228":472,"_125":473,"_288":474},{"_279":469,"_281":470,"_283":453,"_284":471},95,89.84705882352942,74.84705882352942,{"_290":228,"_123":475,"_154":476,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-maurice-denis","Maurice Denis's contemporaries","https://img.ochreeditions.com/a/458/480.jpg","https://img.ochreeditions.com/a/458/960.jpg","https://img.ochreeditions.com/a/458/1920.jpg","Maurice Denis made this painting during the summer of 1899 while vacationing with his family in the coastal village of Le Pouldu in Brittany in northwestern France.","source","Text from the Cleveland Museum of Art.",{"_314":496,"_316":497},{"_314":494,"_316":495},{"_314":492,"_316":493},{"_314":490,"_316":491},{"_314":488,"_316":489},"#937258",0.0372,"#383632",0.1677,"#686b5c",0.1966,"#8d857a",0.2344,"#4c4e42",0.3641,"Maurice Denis","maurice-denis","French, 1870–1943",1870,1943,"josephine-eleonore-marie-pauline-de-galard-de-brassac-de-bea-met-459106","Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie",{"_42":556,"_225":557,"_328":558,"_330":331,"_332":559,"_334":560,"_336":561,"_337":562,"_338":563,"_140":97},"1851–53","Paintings","47 3/4 × 35 3/4 in. (121.3 × 90.8 cm) Framed: 61 1/4 × 49 1/2 in. (155.6 × 125.7 cm)",90.8,121.3,0.75475,[541,542,543,544,545],{"_224":537,"_225":538,"_42":539,"_307":540},"Courtesy of The Metropolitan Museum of Art","1975.1.186","Jean Auguste Dominique Ingres painted this in 1851–53, aged about 71. It is now at The Met in New York.","The Princesse de Broglie leans on an upholstered armchair in a gown of pale blue satin, her hands clasped and jewels at her throat and wrists.","Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie, by Jean Auguste Dominique Ingres, 1851–53",{"_298":534,"_300":535,"_302":536},"https://img.ochreeditions.com/m/1262.jpg?dl=1","/art/josephine-eleonore-marie-pauline-de-galard-de-brassac-de-bea-met-459106","/galleries/style/paris-salon-painting/josephine-eleonore-marie-pauline-de-galard-de-brassac-de-bea-met-459106",{"_294":295,"_296":297},{"_228":529,"_125":530,"_288":531},{"_279":526,"_281":527,"_283":528,"_284":510},106.551175,136.3,91.551175,{"_290":228,"_123":532,"_154":533,"_140":97},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/jean-auguste-dominique-ingres","More by Jean Auguste Dominique Ingres","https://img.ochreeditions.com/a/1262/480.jpg","https://img.ochreeditions.com/a/1262/960.jpg","https://img.ochreeditions.com/a/1262/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_314":554,"_316":555},{"_314":552,"_316":553},{"_314":550,"_316":551},{"_314":548,"_316":549},{"_314":546,"_316":547},"#665030",0.071,"#9b8a69",0.0895,"#4d787f",0.0996,"#0d4660",0.1637,"#2a2924",0.5762,"Jean Auguste Dominique Ingres","jean-auguste-dominique-ingres","French, 1780–1867",1780,1867,"Montauban","Paris","Ingres trained under Jacques-Louis David and won the Prix de Rome, then spent nearly two decades in Italy, absorbing Raphael above all. He became the champion of line and classical tradition against Delacroix’s Romanticism, and later directed the French Academy in Rome.","the-forest-in-winter-at-sunset-met-438816","The Forest in Winter at Sunset",{"_42":611,"_225":612,"_328":613,"_330":331,"_332":614,"_334":560,"_336":562,"_337":615,"_338":-5,"_140":103},"ca. 1846–67","64 x 102 3/8 in. (162.6 x 260 cm)",260,162.6,1.597444089456869,[596,597,598,599,600],{"_224":537,"_225":538,"_42":539,"_307":540},"11.4","Théodore Rousseau painted this in about 1846–67, aged about 34. It is now at The Met in New York.","The Forest in Winter at Sunset, by Théodore Rousseau, ca. 1846–67",{"_298":593,"_300":594,"_302":595},"https://img.ochreeditions.com/m/1192.jpg?dl=1","/art/the-forest-in-winter-at-sunset-met-438816","/galleries/style/paris-salon-painting/the-forest-in-winter-at-sunset-met-438816",{"_294":295,"_296":297},{"_228":588,"_125":589,"_288":590},{"_279":584,"_281":585,"_283":586,"_284":587},255,165.23999999999998,240,150.23999999999998,{"_290":228,"_123":591,"_154":592,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-theodore-rousseau","Théodore Rousseau's contemporaries","https://img.ochreeditions.com/a/1192/480.jpg","https://img.ochreeditions.com/a/1192/960.jpg","https://img.ochreeditions.com/a/1192/1920.jpg",{"_314":609,"_316":610},{"_314":607,"_316":608},{"_314":605,"_316":606},{"_314":603,"_316":604},{"_314":601,"_316":602},"#030201",0.0402,"#694c21",0.0637,"#4c3317",0.1184,"#362413",0.3008,"#2a1f13",0.4769,"Théodore Rousseau","theodore-rousseau","French, 1812–1867",1812,"Barbizon","george-moore-in-the-artist-s-garden-nga-136019","George Moore in the Artist's Garden",{"_42":668,"_225":669,"_328":670,"_330":331,"_332":671,"_334":672,"_336":562,"_337":562,"_338":673,"_140":53},"c. 1879","overall: 54.6 x 45.1 cm (21 1/2 x 17 3/4 in.) framed: 78.11 × 68.26 × 10.8 cm (30 3/4 × 26 7/8 × 4 1/4 in.)",45.1,54.6,0.822509765625,[653,654,655,656,657],{"_224":649,"_225":650,"_42":651,"_307":652},"Courtesy National Gallery of Art, Washington","2006.128.24","Édouard Manet painted this in about 1879, aged 47. It is now at the National Gallery of Art in Washington, DC.","The young Irish writer George Moore sits astride a green folding chair in a sunlit garden, leaning forward with his hands on its frame, his red hair and beard and blue jacket set against a trellis tangled with vines and flecks of flowers.","A pale-skinned young man with a carrot-red beard and hair faces us, straddling a green chair in a sunny outdoor setting in this vertical painting. The scene is loosely painted so his features are indistinct. His eyes are painted as pale blue dots, and he looks out at us. His chair unfolds into an X shape, with interlacing slats to make the seat. He leans forward to rest his hands on one side of the chair, and his legs are spread wide. He wears a marine-blue jacket over a white shirt, sage-green trousers streaked with gray, and black shoes. A soft blue V-shape at the neck suggests a neckerchief. Behind him, a half wall is topped by a trellis. The wall is painted in muted tones of pale laurel green while the trellis is painted with crisscrossed strokes of pine green. Daubs of emerald, pine, and forest green suggest vines and leaves, and flicks of orange, gold, and blue could be flowers. The ground beneath the man is pale peach scattered with thin scribbles and patches of fog blue. The painting is inscribed with “E 72.” in the lower right.",{"_298":646,"_300":647,"_302":648},"https://img.ochreeditions.com/m/1665.jpg?dl=1","/art/george-moore-in-the-artist-s-garden-nga-136019","/galleries/style/paris-salon-painting/george-moore-in-the-artist-s-garden-nga-136019",{"_294":295,"_296":297},{"_228":641,"_125":642,"_288":643},{"_279":638,"_281":639,"_283":640,"_284":622},59.909033203125,69.6,44.909033203125,{"_290":228,"_123":644,"_154":645,"_140":53},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/edouard-manet","More by Édouard Manet","https://img.ochreeditions.com/a/1665/480.jpg","https://img.ochreeditions.com/a/1665/960.jpg","https://img.ochreeditions.com/a/1665/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_314":666,"_316":667},{"_314":664,"_316":665},{"_314":662,"_316":663},{"_314":660,"_316":661},{"_314":658,"_316":659},"#202b3b",0.0682,"#38544a",0.1547,"#8d9280",0.198,"#c1ac8c",0.2464,"#5c6d5e",0.3327,"Édouard Manet","edouard-manet","French, 1832–1883",1832,1883,"Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.","view-on-the-outskirts-of-caen-nga-66421","View on the Outskirts of Caen",{"_42":721,"_225":722,"_328":723,"_330":331,"_332":724,"_334":446,"_336":-5,"_337":-5,"_338":-5,"_140":101},"1872/1875","oil on wood","overall: 17.6 x 28.1 cm (6 15/16 x 11 1/16 in.) framed: 38.4 x 27.9 cm (15 1/8 x 11 in.)",28.1,17.6,1.7202855942881143,[706,707,708,709,710],{"_224":649,"_225":650,"_42":651,"_307":652},"1985.64.23","Stanislas Lépine painted this in 1872/1875, aged about 37. It is now at the National Gallery of Art in Washington, DC.","The painting shows an elevated perspective overlooking a landscape with green hills and leafy trees. Closest to us, there are cream-colored buildings among dense foliage. These buildings have roofs in shades of pale blue-gray and reddish-brown, and the one in the center has wispy white smoke coming out of a chimney. In the distance on the left, a large, low structure sits atop a hill, with faint paths winding towards it through the green landscape. Beyond the trees, the distant landscape on the right is painted in shades of pale blue and green. The sky above is filled with puffy clouds in shades of gray.",{"_298":703,"_300":704,"_302":705},"https://img.ochreeditions.com/m/1612.jpg?dl=1","/art/view-on-the-outskirts-of-caen-nga-66421","/galleries/style/paris-salon-painting/view-on-the-outskirts-of-caen-nga-66421",{"_294":295,"_296":297},{"_228":698,"_125":699,"_288":700},{"_279":695,"_281":696,"_283":680,"_284":697},43.1,31.3344970703125,16.3344970703125,{"_290":228,"_123":701,"_154":702,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-stanislas-lepine","Stanislas Lépine's contemporaries","https://img.ochreeditions.com/a/1612/480.jpg","https://img.ochreeditions.com/a/1612/960.jpg","https://img.ochreeditions.com/a/1612/1920.jpg",{"_314":719,"_316":720},{"_314":717,"_316":718},{"_314":715,"_316":716},{"_314":713,"_316":714},{"_314":711,"_316":712},"#817947",0.1309,"#99968a",0.1651,"#cfc4b5",0.1655,"#36362e",0.2247,"#535535",0.3138,"Stanislas Lépine","stanislas-lepine","French, 1835–1892",1835,"the-race-track-nga-66416","The Race Track",{"_42":773,"_225":774,"_328":775,"_330":331,"_332":776,"_334":777,"_336":-5,"_337":-5,"_338":778,"_140":99},"c. 1891","gouache on canvas","overall: 80.5 x 114.9 cm (31 11/16 x 45 1/4 in.) framed: 97.8 x 134 x 6.9 cm (38 1/2 x 52 3/4 x 2 11/16 in.)",114.9,80.5,1.4371929824561402,[758,759,760,761,762],{"_224":649,"_225":650,"_42":651,"_307":652},"1985.64.18","Jean Louis Forain painted this in about 1891, aged 39. It is now at the National Gallery of Art in Washington, DC.","At the edge of a racecourse, a man in a top hat and long coat talks with a woman in pink and a man in riding boots and breeches, while riders gallop away across the green turf and spectators watch under parasols.","This painting depicts a wide, grassy green field with distant green hills under a blue sky with fluffy white clouds. To the right of center, two men and one woman seem to be engaged in conversation. One man wears a dark suit with a long jacket over it and a top hat, and the other man wears a red shirt with tan breeches, tall black boots, a shorter brown coat, and a round hat. The woman wears a long pink dress with a ruffled black neckline and a large pink hat. Behind them, on the left, are four people riding horses, all headed towards the back left. On the far left, more men and women in dresses and suits seem to watch as the horses and riders race by, one woman holding a large white parasol. All of the people appear to have light skin, and their facial features are indistinct. The brushstrokes in the painting are loose and visible, and the landscape and sky are painted with short, overlapping lines going in different directions, giving the scene a hazy impression.",{"_298":755,"_300":756,"_302":757},"https://img.ochreeditions.com/m/1607.jpg?dl=1","/art/the-race-track-nga-66416","/galleries/style/paris-salon-painting/the-race-track-nga-66416",{"_294":295,"_296":297},{"_228":750,"_125":751,"_288":752},{"_279":747,"_281":748,"_283":731,"_284":749},129.9,94.94750976562501,79.94750976562501,{"_290":228,"_123":753,"_154":754,"_140":99},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/jean-louis-forain","More by Jean Louis Forain","https://img.ochreeditions.com/a/1607/480.jpg","https://img.ochreeditions.com/a/1607/960.jpg","https://img.ochreeditions.com/a/1607/1920.jpg",{"_314":771,"_316":772},{"_314":769,"_316":770},{"_314":767,"_316":768},{"_314":765,"_316":766},{"_314":763,"_316":764},"#897d6c",0.0866,"#89936a",0.1179,"#91c1e8",0.1296,"#b8c2c2",0.2287,"#aeb281",0.4372,"Jean Louis Forain","jean-louis-forain","French, 1852–1931",1852,1931,"Forain was a friend and follower of Degas and showed in four of the Impressionist exhibitions. He became best known as a caricaturist, contributing incisive drawings to the Paris press that mocked the bourgeoisie, the courts and politics, often with sharp captions.","portrait-of-a-woman-nga-46440","Portrait of a Woman",{"_42":825,"_225":826,"_328":827,"_330":331,"_332":828,"_334":829,"_336":-5,"_337":-5,"_338":830,"_140":95},"1875","overall: 53.4 x 43.8 cm (21 x 17 1/4 in.) framed: 62.9 x 53.7 x 4.4 cm (24 3/4 x 21 1/8 x 1 3/4 in.)",43.8,53.4,0.822998046875,[810,811,812,813,814],{"_224":649,"_225":650,"_42":651,"_307":652},"1963.1.2","Alphonse Legros painted this in 1875, aged 38. It is now at the National Gallery of Art in Washington, DC.","The image portrays a woman in a profile view, with her head turned towards the left. She has medium-length dark hair styled back, wearing a high-collared garment with ruffled edges. She has a sharp nose, defined cheekbones, and a firm chin. The background is a plain, light-colored canvas, and the artist's signature \"A. Legros\" and the year \"1875\" are seen in the upper right corner.",{"_298":807,"_300":808,"_302":809},"https://img.ochreeditions.com/m/1514.jpg?dl=1","/art/portrait-of-a-woman-nga-46440","/galleries/style/paris-salon-painting/portrait-of-a-woman-nga-46440",{"_294":295,"_296":297},{"_228":802,"_125":803,"_288":804},{"_279":799,"_281":800,"_283":801,"_284":785},58.948095703125,68.4,43.948095703125,{"_290":228,"_123":805,"_154":806,"_140":95},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/alphonse-legros","More by Alphonse Legros","https://img.ochreeditions.com/a/1514/480.jpg","https://img.ochreeditions.com/a/1514/960.jpg","https://img.ochreeditions.com/a/1514/1920.jpg",{"_314":823,"_316":824},{"_314":821,"_316":822},{"_314":819,"_316":820},{"_314":817,"_316":818},{"_314":815,"_316":816},"#9c855e",0.0505,"#624936",0.0538,"#a4714a",0.0562,"#342925",0.1088,"#d3b782",0.7307,"Alphonse Legros","alphonse-legros","French, 1837–1911",1837,1911,"Legros trained in Dijon and Paris, where he befriended Whistler and Fantin-Latour, and in 1863 he settled in London at Whistler’s suggestion. His etchings and paintings of peasants, beggars, monks and forests carry the sober realism of his French training.","boating-met-436947","Boating",{"_42":668,"_225":669,"_328":670,"_330":331,"_332":671,"_334":672,"_336":562,"_337":562,"_338":673,"_140":53},"1874","38 1/4 x 51 1/4 in. (97.2 x 130.2 cm)",130.2,97.2,1.3106159895150722,[861,862,863,864,865],{"_224":537,"_225":538,"_42":539,"_307":540},"29.100.115","Édouard Manet painted this in 1874, aged 42. It is now at The Met in New York.","A man in a straw boater and white flannels sits at the tiller of a sailing boat, glancing towards us, while a woman in a striped blue dress and veiled hat sits beside him.","Boating, by Édouard Manet, 1874",{"_298":858,"_300":859,"_302":860},"https://img.ochreeditions.com/m/1125.jpg?dl=1","/art/boating-met-436947","/galleries/style/paris-salon-painting/boating-met-436947",{"_294":295,"_296":297},{"_228":855,"_125":856,"_288":857},{"_279":852,"_281":853,"_283":836,"_284":854},145.2,114.34259999999999,99.34259999999999,{"_290":228,"_123":644,"_154":645,"_140":53},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1125/480.jpg","https://img.ochreeditions.com/a/1125/960.jpg","https://img.ochreeditions.com/a/1125/1920.jpg",{"_314":874,"_316":875},{"_314":872,"_316":873},{"_314":870,"_316":871},{"_314":868,"_316":869},{"_314":866,"_316":867},"#6e573d",0.1027,"#908b78",0.1515,"#261f17",0.1869,"#47504b",0.1885,"#488080",0.3704,"the-spanish-singer-met-436944","The Spanish Singer",{"_42":668,"_225":669,"_328":670,"_330":331,"_332":671,"_334":672,"_336":562,"_337":562,"_338":673,"_140":53},"1860","58 x 45 in. (147.3 x 114.3 cm)",114.3,147.3,0.785620572028339,[906,907,908,909,910],{"_224":537,"_225":538,"_42":539,"_307":540},"49.58.2","Édouard Manet painted this in 1860, aged 28. It is now at The Met in New York.","A guitarist in Spanish costume sits on a bench, singing as he plays. Manet painted him in 1860 from a model posed in the studio, at a time when all things Spanish were the fashion in Paris, and the picture won an honourable mention at the Salon of 1861, his first official success.","The Spanish Singer, by Édouard Manet, 1860",{"_298":903,"_300":904,"_302":905},"https://img.ochreeditions.com/m/1124.jpg?dl=1","/art/the-spanish-singer-met-436944","/galleries/style/paris-salon-painting/the-spanish-singer-met-436944",{"_294":295,"_296":297},{"_228":900,"_125":901,"_288":902},{"_279":897,"_281":898,"_283":899,"_284":882},130.72191025977435,162.3,115.72191025977435,{"_290":228,"_123":644,"_154":645,"_140":53},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1124/480.jpg","https://img.ochreeditions.com/a/1124/960.jpg","https://img.ochreeditions.com/a/1124/1920.jpg",{"_314":919,"_316":920},{"_314":917,"_316":918},{"_314":915,"_316":916},{"_314":913,"_316":914},{"_314":911,"_316":912},"#9c8055",0.0422,"#1a1712",0.0809,"#625136",0.1472,"#443524",0.1981,"#2c2217",0.5316,"diana-and-actaeon-diana-surprised-in-her-bath-met-459093","Diana and Actaeon (Diana Surprised in Her Bath)",{"_42":968,"_225":969,"_328":970,"_330":331,"_332":971,"_334":972,"_336":562,"_337":562,"_338":973,"_140":87},"1836","61 5/8 x 44 3/8 in. (156.5 x 112.7 cm)",112.7,156.5,0.7297152068780226,[953,954,955,956,957],{"_224":537,"_225":538,"_42":539,"_307":540},"1975.1.162","Jean Baptiste Camille Corot painted this in 1836, aged 40. It is now at The Met in New York.","In a shaded forest pool, the goddess Diana and her nymphs are bathing when the hunter Actaeon stumbles upon them; for this glimpse she will turn him into a stag, to be torn apart by his own hounds.","Diana and Actaeon (Diana Surprised in Her Bath), by Jean Baptiste Camille Corot, 1836",{"_298":950,"_300":951,"_302":952},"https://img.ochreeditions.com/m/1261.jpg?dl=1","/art/diana-and-actaeon-diana-surprised-in-her-bath-met-459093","/galleries/style/paris-salon-painting/diana-and-actaeon-diana-surprised-in-her-bath-met-459093",{"_294":295,"_296":297},{"_228":945,"_125":946,"_288":947},{"_279":942,"_281":943,"_283":944,"_284":927},129.20042987641054,171.5,114.20042987641054,{"_290":228,"_123":948,"_154":949,"_140":87},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/jean-baptiste-camille-corot","More by Jean Baptiste Camille Corot","https://img.ochreeditions.com/a/1261/480.jpg","https://img.ochreeditions.com/a/1261/960.jpg","https://img.ochreeditions.com/a/1261/1920.jpg",{"_314":966,"_316":967},{"_314":964,"_316":965},{"_314":962,"_316":963},{"_314":960,"_316":961},{"_314":958,"_316":959},"#c4c9c0",0.1031,"#827f5c",0.114,"#514e2f",0.2055,"#2b301c",0.2703,"#111a13",0.3071,"Jean Baptiste Camille Corot","jean-baptiste-camille-corot","French, 1796–1875",1796,1875,"Corot trained with the landscape painters Achille-Etna Michallon and Jean-Victor Bertin, then spent 1825–28 in Italy, where his small oil sketches of Rome and the Campagna caught its clear light with great economy. He returned to Italy twice and travelled widely in France.","the-old-oak-nga-35089","The Old Oak",{"_42":1020,"_225":1021,"_328":1022,"_330":331,"_332":1023,"_334":1024,"_336":-5,"_337":-5,"_338":-5,"_140":101},"c. 1870","overall: 32.1 x 41.5 cm (12 5/8 x 16 5/16 in.) framed: 55.3 x 64.8 x 8.3 cm (21 3/4 x 25 1/2 x 3 1/4 in.)",41.5,32.1,1.2966128521684077,[1005,1006,1007,1008,1009],{"_224":649,"_225":650,"_42":651,"_307":652},"1949.1.5","Jules Dupré painted this in about 1870, aged 59. It is now at the National Gallery of Art in Washington, DC.","The painting depicts a landscape with a field, trees, and a dramatic cloudy sky. Grass, rocks, and a group of large trees are visible in the center of the composition. Below the trees, there is a small shape that could be a person looking up. Farther back, there are some small triangular structures that might be houses. The brushstrokes are expressive and not much detail is visible in the smaller shapes. The grass and foliage are painted in earthy tones of brown, orange, and green, while the sky is blue with areas of thick gray and white clouds.",{"_298":1002,"_300":1003,"_302":1004},"https://img.ochreeditions.com/m/1495.jpg?dl=1","/art/the-old-oak-nga-35089","/galleries/style/paris-salon-painting/the-old-oak-nga-35089",{"_294":295,"_296":297},{"_228":997,"_125":998,"_288":999},{"_279":994,"_281":995,"_283":979,"_284":996},56.5,47.0064697265625,32.0064697265625,{"_290":228,"_123":1000,"_154":1001,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jules-dupre","Jules Dupré's contemporaries","https://img.ochreeditions.com/a/1495/480.jpg","https://img.ochreeditions.com/a/1495/960.jpg","https://img.ochreeditions.com/a/1495/1920.jpg",{"_314":1018,"_316":1019},{"_314":1016,"_316":1017},{"_314":1014,"_316":1015},{"_314":1012,"_316":1013},{"_314":1010,"_316":1011},"#aba487",0.1218,"#798070",0.1429,"#5f5d4b",0.2347,"#75582e",0.2379,"#433422",0.2627,"Jules Dupré","jules-dupre","French, 1811–1889",1811,1889,"a-woman-at-the-elysee-montmartre-femme-a-l-elysee-montmartre-aic-222002","A Woman at the Élysée Montmartre (Femme à l’Élysée Montmartre)",{"_42":1073,"_225":1074,"_328":1075,"_330":331,"_332":1076,"_334":1077,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1888","90.5 × 72 cm (35 5/8 × 28 3/8 in.)",72,90,0.7875838926174497,[1058,1059,1060,1061,1062],{"_224":304,"_225":305,"_42":306,"_307":308},"2014.645","Louis Anquetin painted this in 1888, aged 27. It is now at the Art Institute of Chicago.",{"_118":1056,"_481":1057},{"_298":1053,"_300":1054,"_302":1055},"https://img.ochreeditions.com/m/363.jpg?dl=1","/art/a-woman-at-the-elysee-montmartre-femme-a-l-elysee-montmartre-aic-222002","/galleries/style/paris-salon-painting/a-woman-at-the-elysee-montmartre-femme-a-l-elysee-montmartre-aic-222002",{"_294":295,"_296":297},{"_228":1048,"_125":1049,"_288":1050},{"_279":1045,"_281":1046,"_283":1047,"_284":1031},85.88255033557047,105,70.88255033557047,{"_290":228,"_123":1051,"_154":1052,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-louis-anquetin","Louis Anquetin's contemporaries","https://img.ochreeditions.com/a/363/480.jpg","https://img.ochreeditions.com/a/363/960.jpg","https://img.ochreeditions.com/a/363/1920.jpg","Like Henri de Toulouse-Lautrec, Anquetin's work focused on modern life, particularly Parisian nightlife. This painting depicts an unescorted woman—unusual at that time—walking through the garden of the Élysée Montmartre, a dance hall in Montmartre.","Text from the Art Institute of Chicago.",{"_314":1071,"_316":1072},{"_314":1069,"_316":1070},{"_314":1067,"_316":1068},{"_314":1065,"_316":1066},{"_314":1063,"_316":1064},"#7e3522",0.085,"#795d38",0.1109,"#9d9c7f",0.2147,"#5c7263",0.265,"#323028",0.3244,"Louis Anquetin","louis-anquetin","French, 1861–1932",1861,1932,"hunting-in-the-pontine-marshes-nga-70970","Hunting in the Pontine Marshes",{"_42":1124,"_225":1125,"_328":1126,"_330":331,"_332":1127,"_334":1128,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1833","overall: 100 × 137 cm (39 3/8 × 53 15/16 in.) framed: 136.53 × 173.36 × 16.51 cm (53 3/4 × 68 1/4 × 6 1/2 in.)",137,100,1.3795890872347591,[1109,1110,1111,1112,1113],{"_224":649,"_225":650,"_42":651,"_307":652},"1989.3.1","Horace Vernet painted this in 1833, aged 44. It is now at the National Gallery of Art in Washington, DC.","A leafless, ash-white tree trunk has fallen from a broken stump into the wide V of a neighboring tree at the edge of a body of water near a verdant forest in this horizontal landscape painting. The fallen trunk creates a diagonal from near the lower left corner to the upper right. As it fell, it sheared off a substantial branch from a neighboring tree with a dark trunk. The bark where the damaged branch has pulled away is honey-orange, the same color as the leaves at the canopy, which has been pinned under the fallen trunk. Trees, vines, and other vegetation fill the space around and beyond this pair. In the lower right corner of the painting, vines grow over a broken stump, which deep in shadow. Between the stump and fallen tree, the peanut-brown surface of the water is smooth. Tiny in scale beneath the fallen tree and easily overlooked, there are two men and a dog in a boat. One man stands at the back of the boat and pushes it along with a long pole. He wears a tall, brown, cloth hat, a white shirt rolled up to the elbows under a blue vest, and loose-fitting pants. A second man wears a flat-topped, white hat with a black brim, a long, forest-green jacket, and tight-fitting slate-blue pants. He braces a rifle against one shoulder and shoots into the forest. The dog is white with brown spots, and it stands with its front paws on the edge of the boat, presumably ready to spring after the target. A patch of blue sky with puffy white clouds is seen above the trees in the upper left corner. The artist signed and dated the work in the lower right corner: “H. Vernet Rome 1833.”",{"_298":1106,"_300":1107,"_302":1108},"https://img.ochreeditions.com/m/1617.jpg?dl=1","/art/hunting-in-the-pontine-marshes-nga-70970","/galleries/style/paris-salon-painting/hunting-in-the-pontine-marshes-nga-70970",{"_294":295,"_296":297},{"_228":1101,"_125":1102,"_288":1103},{"_279":1098,"_281":1099,"_283":1083,"_284":1100},152,114.304931640625,99.304931640625,{"_290":228,"_123":1104,"_154":1105,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-horace-vernet","Horace Vernet's contemporaries","https://img.ochreeditions.com/a/1617/480.jpg","https://img.ochreeditions.com/a/1617/960.jpg","https://img.ochreeditions.com/a/1617/1920.jpg",{"_314":1122,"_316":1123},{"_314":1120,"_316":1121},{"_314":1118,"_316":1119},{"_314":1116,"_316":1117},{"_314":1114,"_316":1115},"#bab79d",0.0649,"#6b492c",0.0676,"#696141",0.1498,"#443d2e",0.3108,"#282623",0.4069,"Horace Vernet","horace-vernet","French, 1789–1863",1789,1863,{"_1130":-5,"_1131":1132,"_1133":1134,"_1135":8,"_1136":1137,"_1138":8},"user","csrf","cf7235a62f960f53192a949ea108f52171114763","cartCount",0,"dropLive","legal",[1139,1140,1141,1142,1143,1144,1145,1146,1147,1148,1149,1150],"uploadsEnabled",{"_225":1173,"_20":1174},{"_225":1171,"_20":1172},{"_225":1169,"_20":1170},{"_225":1167,"_20":1168},{"_225":1165,"_20":1166},{"_225":1163,"_20":1164},{"_225":1161,"_20":1162},{"_225":1159,"_20":1160},{"_225":1157,"_20":1158},{"_225":1155,"_20":1156},{"_225":1153,"_20":1154},{"_225":1151,"_20":1152},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]