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Dassy and His Brother Jean-Baptiste-Claude-Amédé Dassy","artist",{"_42":328,"_223":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":-5,"_339":-5,"_340":-5,"_140":103},"unrecorded","date","1850","century",19,"place","france","movement","paris-salon-painting","painting","classification","Painting","medium","oil on canvas, original frame","dimensions","Framed: 173.5 x 134 x 14 cm (68 5/16 x 52 3/4 x 5 1/2 in.); Unframed: 133.4 x 92.7 cm (52 1/2 x 36 1/2 in.)","width_cm",92.7,"height_cm",133.4,"aspect",0.6905882352941176,"palette",[311,312,313,314,315],"museum",{"_222":306,"_223":307,"_42":308,"_309":310},"credit","Courtesy of the Cleveland Museum of Art","accession","2000.17","licence","CC0","story","Hippolyte Jean Flandrin painted this in 1850, aged 41. It is now at the Cleveland Museum of Art.",{"_118":303,"_304":305},"note","René-Charles Dassy and His Brother Jean-Baptiste-Claude-Amédé Dassy, by Hippolyte Jean Flandrin, 1850","images",{"_297":298,"_299":300,"_301":302},"download_url","https://img.ochreeditions.com/m/761.jpg?dl=1","page_url","/art/rene-charles-dassy-and-his-brother-jean-baptiste-claude-amed-cma-161595","walk_url","/galleries/style/paris-salon-painting/rene-charles-dassy-and-his-brother-jean-baptiste-claude-amed-cma-161595","frame",{"_293":294,"_295":296},{"_226":285,"_125":286,"_287":288},"size",{"_278":279,"_280":281,"_282":283,"_284":247},"w",107.1244705882353,"h",148.4,"image_w",92.1244705882353,"image_h",{"_289":226,"_123":170,"_154":169,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},"era",{"_289":287,"_123":166,"_154":165,"_140":168},"facet","style/painting-19","More paintings of the 19th century",432,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/761/480.jpg","960","https://img.ochreeditions.com/a/761/960.jpg","1920","https://img.ochreeditions.com/a/761/1920.jpg","This double portrait depicts two brothers dressed in the height of fashion for the 1850s, clearly asserting their social status. Jean-Baptiste (left, age 23) carries gloves and a walking stick.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","city","Cleveland",{"_316":326,"_318":327},{"_316":324,"_318":325},{"_316":322,"_318":323},{"_316":320,"_318":321},{"_316":317,"_318":319},"hex","#c09f93","weight",0.0163,"#5f5247",0.038,"#2e352f",0.2564,"#121414",0.3374,"#242320",0.3519,"Hippolyte Jean Flandrin","hippolyte-jean-flandrin","bio","French, 1809–1864","nationality","French","birth_year",1809,"death_year",1864,"birth_place","death_place","about_excerpt","the-artist-s-wife-fishing-nga-66417","The Artist's Wife Fishing",{"_42":394,"_223":395,"_330":396,"_332":333,"_334":397,"_336":398,"_338":-5,"_339":-5,"_340":399,"_140":99},"1896","oil on canvas","overall: 95.5 x 101 cm (37 5/8 x 39 3/4 in.) framed: 121 x 126.1 x 7 cm (47 5/8 x 49 5/8 x 2 3/4 in.)",101,95.5,1.0652795838751625,[379,380,381,382,383],{"_222":375,"_223":376,"_42":377,"_309":378},"Courtesy National Gallery of Art, Washington","1985.64.19","Jean Louis Forain painted this in 1896, aged 44. It is now at the National Gallery of Art in Washington, DC.","A woman in a bright pink dress casts a line from a grassy bank, a small red float resting on the still water, while a second woman in a brown dress and white apron stands behind her holding a baby in a bonnet. A small dog runs up from behind.","In this painting, there are two women standing near a body of water, surrounded by tall green grass and white flowers. One woman wears a bright pink dress, while the other wears a brown dress with a white apron. The woman in pink holds a long, thin rod outwards, its other end connected to a thin string and a small red lure floating on the water. The other woman stands behind her and holds a baby wearing white clothes and a white bonnet. Behind both women, on the right, is a brown shape like a small dog running towards them. The reflection of the women is visible against the still, blue water. The sky is light blue at the top, transitioning to a warm pink by the horizon, crossed by purple clouds and a flock of small birds. In the bottom right corner, across the water from the women, is a patch of more tall blue-and-green grass. The brushstrokes of the painting are light and feathery.",{"_297":372,"_299":373,"_301":374},"https://img.ochreeditions.com/m/1608.jpg?dl=1","/art/the-artist-s-wife-fishing-nga-66417","/galleries/style/paris-salon-painting/the-artist-s-wife-fishing-nga-66417",{"_293":294,"_295":296},{"_226":367,"_125":368,"_287":369},{"_278":364,"_280":365,"_282":347,"_284":366},116,109.810791015625,94.810791015625,{"_289":226,"_123":370,"_154":371,"_140":99},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/jean-louis-forain","More by Jean Louis Forain","https://img.ochreeditions.com/a/1608/480.jpg","https://img.ochreeditions.com/a/1608/960.jpg","https://img.ochreeditions.com/a/1608/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_316":392,"_318":393},{"_316":390,"_318":391},{"_316":388,"_318":389},{"_316":386,"_318":387},{"_316":384,"_318":385},"#74695d",0.1365,"#486f61",0.1383,"#b2997e",0.1547,"#3d4b3c",0.2349,"#9da187",0.3356,"Jean Louis Forain","jean-louis-forain","French, 1852–1931",1852,1931,"Forain was a friend and follower of Degas and showed in four of the Impressionist exhibitions. He became best known as a caricaturist, contributing incisive drawings to the Paris press that mocked the bourgeoisie, the courts and politics, often with sharp captions.","the-courtyard-aic-25810","The Courtyard",{"_42":452,"_223":453,"_330":454,"_332":333,"_334":455,"_336":456,"_338":-5,"_339":-5,"_340":-5,"_140":101},"c. 1880","Oil on canvas","33.7 × 18.3 cm (13 1/4 × 7 in.)",18,33,0.5372741414383152,[437,438,439,440,441],{"_222":433,"_223":434,"_42":435,"_309":436},"Courtesy of the Art Institute of Chicago","1937.1018","Stanislas Lépine painted this in about 1880, aged about 40. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_297":430,"_299":431,"_301":432},"https://img.ochreeditions.com/m/108.jpg?dl=1","/art/the-courtyard-aic-25810","/galleries/style/paris-salon-painting/the-courtyard-aic-25810",{"_293":294,"_295":296},{"_226":425,"_125":426,"_287":427},{"_278":422,"_280":423,"_282":424,"_284":407},32.7300466674644,48,17.7300466674644,{"_289":226,"_123":428,"_154":429,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-stanislas-lepine","Stanislas Lépine's contemporaries","https://img.ochreeditions.com/a/108/480.jpg","https://img.ochreeditions.com/a/108/960.jpg","https://img.ochreeditions.com/a/108/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_316":450,"_318":451},{"_316":448,"_318":449},{"_316":446,"_318":447},{"_316":444,"_318":445},{"_316":442,"_318":443},"#afa898",0.1204,"#c7c1b0",0.1567,"#403c33",0.2197,"#675e51",0.2344,"#8b7e6b",0.2688,"Stanislas Lépine","stanislas-lepine","French, 1835–1892",1835,1892,"woman-reading-aic-14591","Woman Reading",{"_42":506,"_223":507,"_330":508,"_332":333,"_334":509,"_336":510,"_338":511,"_339":511,"_340":512,"_140":53},"1880–82","61.2 × 50.7 cm (24 1/16 × 19 7/8 in.); Framed: 83.2 × 73.1 × 9.9 cm (32 3/4 × 28 3/4 × 3 7/8 in.)",50,61,0.8093580560947855,[491,492,493,494,495],{"_222":433,"_223":434,"_42":435,"_309":436},"1933.435","Édouard Manet painted this in 1880–82, aged about 48. It is now at the Art Institute of Chicago.",{"_118":489,"_304":490},"A young woman in a dark hat and coat with light ruffled collar sits reading a large periodical held up in her gloved hands. Flowers and foliage are suggested behind her.",{"_297":486,"_299":487,"_301":488},"https://img.ochreeditions.com/m/34.jpg?dl=1","/art/woman-reading-aic-14591","/galleries/style/paris-salon-painting/woman-reading-aic-14591",{"_293":294,"_295":296},{"_226":481,"_125":482,"_287":483},{"_278":478,"_280":479,"_282":480,"_284":463},64.37084142178192,76,49.37084142178192,{"_289":226,"_123":484,"_154":485,"_140":53},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/edouard-manet","More by Édouard Manet","https://img.ochreeditions.com/a/34/480.jpg","https://img.ochreeditions.com/a/34/960.jpg","https://img.ochreeditions.com/a/34/1920.jpg","Édouard Manet was a pivotal figure in the development of Impressionism and modern art. Here, an elegantly dressed Parisian woman reads a magazine, a beer close at hand—a scene that would have struck contemporary viewers as fashionable and modern.","Text from the Art Institute of Chicago.",{"_316":504,"_318":505},{"_316":502,"_318":503},{"_316":500,"_318":501},{"_316":498,"_318":499},{"_316":496,"_318":497},"#8f7b5e",0.1121,"#557157",0.1139,"#535452",0.2136,"#96978a",0.247,"#211c1e",0.3134,"Édouard Manet","edouard-manet","French, 1832–1883",1832,1883,"Paris","Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.","mon-ancien-regiment-aic-111726","Mon Ancien Regiment",{"_42":557,"_223":558,"_330":559,"_332":333,"_334":560,"_336":561,"_338":-5,"_339":-5,"_340":-5,"_140":103},"1881","47 × 66.5 cm (18 1/2 × 26 1/4 in.); Framed: 73.7 × 94 × 10.8 cm (29 × 37 × 4 1/4 in.)",66,47,1.430226204786362,[542,543,544,545,546],{"_222":433,"_223":434,"_42":435,"_309":436},"2019.1420","Jean Baptiste Édouard Detaille painted this in 1881, aged 33. It is now at the Art Institute of Chicago.",{"_297":539,"_299":540,"_301":541},"https://img.ochreeditions.com/m/286.jpg?dl=1","/art/mon-ancien-regiment-aic-111726","/galleries/style/paris-salon-painting/mon-ancien-regiment-aic-111726",{"_293":294,"_295":296},{"_226":534,"_125":535,"_287":536},{"_278":194,"_280":532,"_282":518,"_284":533},61.14654645476773,46.14654645476773,{"_289":226,"_123":537,"_154":538,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jean-baptiste-edouard-detaille","Jean Baptiste Édouard Detaille's contemporaries","https://img.ochreeditions.com/a/286/480.jpg","https://img.ochreeditions.com/a/286/960.jpg","https://img.ochreeditions.com/a/286/1920.jpg",{"_316":555,"_318":556},{"_316":553,"_318":554},{"_316":551,"_318":552},{"_316":549,"_318":550},{"_316":547,"_318":548},"#c6b699",0.1087,"#a19581",0.18,"#785c3c",0.1839,"#3e3021",0.1946,"#5c4a33",0.3328,"Jean Baptiste Édouard Detaille","jean-baptiste-edouard-detaille","French, 1848–1912",1848,1912,"george-moore-in-the-artist-s-garden-nga-136019","George Moore in the Artist's Garden",{"_42":506,"_223":507,"_330":508,"_332":333,"_334":509,"_336":510,"_338":511,"_339":511,"_340":512,"_140":53},"c. 1879","overall: 54.6 x 45.1 cm (21 1/2 x 17 3/4 in.) framed: 78.11 × 68.26 × 10.8 cm (30 3/4 × 26 7/8 × 4 1/4 in.)",45.1,54.6,0.822509765625,[592,593,594,595,596],{"_222":375,"_223":376,"_42":377,"_309":378},"2006.128.24","Édouard Manet painted this in about 1879, aged 47. It is now at the National Gallery of Art in Washington, DC.","The young Irish writer George Moore sits astride a green folding chair in a sunlit garden, leaning forward with his hands on its frame, his red hair and beard and blue jacket set against a trellis tangled with vines and flecks of flowers.","A pale-skinned young man with a carrot-red beard and hair faces us, straddling a green chair in a sunny outdoor setting in this vertical painting. The scene is loosely painted so his features are indistinct. His eyes are painted as pale blue dots, and he looks out at us. His chair unfolds into an X shape, with interlacing slats to make the seat. He leans forward to rest his hands on one side of the chair, and his legs are spread wide. He wears a marine-blue jacket over a white shirt, sage-green trousers streaked with gray, and black shoes. A soft blue V-shape at the neck suggests a neckerchief. Behind him, a half wall is topped by a trellis. The wall is painted in muted tones of pale laurel green while the trellis is painted with crisscrossed strokes of pine green. Daubs of emerald, pine, and forest green suggest vines and leaves, and flicks of orange, gold, and blue could be flowers. The ground beneath the man is pale peach scattered with thin scribbles and patches of fog blue. The painting is inscribed with “E 72.” in the lower right.",{"_297":589,"_299":590,"_301":591},"https://img.ochreeditions.com/m/1665.jpg?dl=1","/art/george-moore-in-the-artist-s-garden-nga-136019","/galleries/style/paris-salon-painting/george-moore-in-the-artist-s-garden-nga-136019",{"_293":294,"_295":296},{"_226":586,"_125":587,"_287":588},{"_278":583,"_280":584,"_282":585,"_284":568},59.909033203125,69.6,44.909033203125,{"_289":226,"_123":484,"_154":485,"_140":53},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1665/480.jpg","https://img.ochreeditions.com/a/1665/960.jpg","https://img.ochreeditions.com/a/1665/1920.jpg",{"_316":604,"_318":605},{"_316":602,"_318":603},{"_316":600,"_318":601},{"_316":599,"_318":389},{"_316":597,"_318":598},"#202b3b",0.0682,"#38544a","#8d9280",0.198,"#c1ac8c",0.2464,"#5c6d5e",0.3327,"young-ladies-of-the-village-met-438820","Young Ladies of the Village",{"_42":660,"_223":661,"_330":662,"_332":333,"_334":663,"_336":664,"_338":665,"_339":666,"_340":667,"_140":91},"1851–52","Paintings","76 3/4 x 102 3/4 in. (194.9 x 261 cm)",261,194.9,1.3386020372321743,[645,646,647,648,649],{"_222":641,"_223":642,"_42":643,"_309":644},"Courtesy of The Metropolitan Museum of Art","40.175","Gustave Courbet painted this in 1851–52, aged about 32. It is now at The Met in New York.","Three young women in their Sunday best, Courbet’s own sisters, pause on a hillside path near Ornans to give alms to a barefoot cowherd girl, while cows graze and a small dog stands nearby.","Young Ladies of the Village, by Gustave Courbet, 1851–52",{"_297":638,"_299":639,"_301":640},"https://img.ochreeditions.com/m/1195.jpg?dl=1","/art/young-ladies-of-the-village-met-438820","/galleries/style/paris-salon-painting/young-ladies-of-the-village-met-438820",{"_293":294,"_295":296},{"_226":633,"_125":634,"_287":635},{"_278":629,"_280":630,"_282":631,"_284":632},255,194.29152453424297,240,179.29152453424297,{"_289":226,"_123":636,"_154":637,"_140":91},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/gustave-courbet","More by Gustave Courbet","https://img.ochreeditions.com/a/1195/480.jpg","https://img.ochreeditions.com/a/1195/960.jpg","https://img.ochreeditions.com/a/1195/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_316":658,"_318":659},{"_316":656,"_318":657},{"_316":654,"_318":655},{"_316":652,"_318":653},{"_316":650,"_318":651},"#986d2b",0.1188,"#1d1406",0.1211,"#768178",0.234,"#45300c",0.238,"#694912",0.2881,"Gustave Courbet","gustave-courbet","French, 1819–1877",1819,1877,"Ornans","La Tour-de-Peilz","Courbet left his native Ornans for Paris and became the standard-bearer of Realism, painting ordinary people and his own region on the scale reserved for history painting, as in A Burial at Ornans.","the-forest-of-coubron-nga-1149","The Forest of Coubron",{"_42":715,"_223":716,"_330":717,"_332":333,"_334":718,"_336":719,"_338":511,"_339":511,"_340":720,"_140":87},"1872","overall: 96 x 77.8 cm (37 13/16 x 30 5/8 in.)",77.8,96,0.8076171875,[700,701,702,703,704],{"_222":375,"_223":376,"_42":377,"_309":378},"1942.9.12","Jean Baptiste Camille Corot painted this in 1872, aged 76. It is now at the National Gallery of Art in Washington, DC.","A rider on a white horse follows a narrow path that curves away through a forest of tall, golden trees, past a backlit boulder, towards a pale gap of sky.","A person rides a horse away from us on a narrow dirt path curving through a forest dominated by golden yellow trees in this vertical landscape painting. A boulder about twice the width of the path is backlit where it sits just left of the lower center of the canvas. The path begins near the bottom right corner of the painting and curves back and to the right. The horse is white, and the rider wears dark brown pants and a hat, and a lighter brown shirt. Trees towering over the rider to either side of the curve nearly reach the top of the composition. The horizon comes less than a third of the way up the painting. Pearly white sky fills in the gap between the trees around the rider, and ivory-colored clouds frame an icy blue sky above. The scene is painted with textured and blended strokes, which gives the painting a soft look even though some of the brushstrokes are visible. The artist signed and dated the lower center of the canvas, though it is partially cut off: “COROT 1872.”",{"_297":697,"_299":698,"_301":699},"https://img.ochreeditions.com/m/1329.jpg?dl=1","/art/the-forest-of-coubron-nga-1149","/galleries/style/paris-salon-painting/the-forest-of-coubron-nga-1149",{"_293":294,"_295":296},{"_226":692,"_125":693,"_287":694},{"_278":689,"_280":690,"_282":691,"_284":674},92.53125,111,77.53125,{"_289":226,"_123":695,"_154":696,"_140":87},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/jean-baptiste-camille-corot","More by Jean Baptiste Camille Corot","https://img.ochreeditions.com/a/1329/480.jpg","https://img.ochreeditions.com/a/1329/960.jpg","https://img.ochreeditions.com/a/1329/1920.jpg",{"_316":713,"_318":714},{"_316":711,"_318":712},{"_316":709,"_318":710},{"_316":707,"_318":708},{"_316":705,"_318":706},"#bfb498",0.1308,"#bda76b",0.1823,"#46310a",0.186,"#7b5810",0.2093,"#b08c31",0.2916,"Jean Baptiste Camille Corot","jean-baptiste-camille-corot","French, 1796–1875",1796,1875,"Corot trained with the landscape painters Achille-Etna Michallon and Jean-Victor Bertin, then spent 1825–28 in Italy, where his small oil sketches of Rome and the Campagna caught its clear light with great economy. He returned to Italy twice and travelled widely in France.","the-conversation-aic-21165","The Conversation",{"_42":766,"_223":767,"_330":768,"_332":333,"_334":769,"_336":770,"_338":-5,"_339":-5,"_340":-5,"_140":103},"1875–79","55.5 × 38 cm (21 13/16 × 14 15/16 in.); Framed: 69.5 × 52.1 × 8.9 cm (27 3/8 × 20 1/2 × 3 1/2 in.)",38,55,0.6761757902852737,[751,752,753,754,755],{"_222":433,"_223":434,"_42":435,"_309":436},"1935.71","Marcellin Gilbert Desboutin painted this in 1875–79, aged about 52. It is now at the Art Institute of Chicago.",{"_297":748,"_299":749,"_301":750},"https://img.ochreeditions.com/m/81.jpg?dl=1","/art/the-conversation-aic-21165","/galleries/style/paris-salon-painting/the-conversation-aic-21165",{"_293":294,"_295":296},{"_226":743,"_125":744,"_287":745},{"_278":740,"_280":741,"_282":742,"_284":727},52.189668465690055,70,37.189668465690055,{"_289":226,"_123":746,"_154":747,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-marcellin-gilbert-desboutin","Marcellin Gilbert Desboutin's contemporaries","https://img.ochreeditions.com/a/81/480.jpg","https://img.ochreeditions.com/a/81/960.jpg","https://img.ochreeditions.com/a/81/1920.jpg",{"_316":764,"_318":765},{"_316":762,"_318":763},{"_316":760,"_318":761},{"_316":758,"_318":759},{"_316":756,"_318":757},"#827d6c",0.1039,"#614427",0.1305,"#5d5746",0.1475,"#3f392b",0.214,"#22221b",0.4041,"Marcellin Gilbert Desboutin","marcellin-gilbert-desboutin","French, 1823–1902",1823,1902,"colonnade-and-gardens-of-the-medici-palace-aic-30368","Colonnade and Gardens of the Medici Palace",{"_42":818,"_223":819,"_330":820,"_332":333,"_334":821,"_336":822,"_338":-5,"_339":-5,"_340":-5,"_140":103},"After 1870","Oil on panel","31.4 × 26.5 cm (12 3/8 × 10 3/8 in.); Framed: 44.5 × 39.4 × 4.5 cm (17 1/2 × 15 1/2 × 1 3/4 in.)",26,31,0.8345502336448598,[803,804,805,806,807],{"_222":433,"_223":434,"_42":435,"_309":436},"1968.616","Style of Hubert Robert painted this (After 1870). It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_297":800,"_299":801,"_301":802},"https://img.ochreeditions.com/m/124.jpg?dl=1","/art/colonnade-and-gardens-of-the-medici-palace-aic-30368","/galleries/style/paris-salon-painting/colonnade-and-gardens-of-the-medici-palace-aic-30368",{"_293":294,"_295":296},{"_226":795,"_125":796,"_287":797},{"_278":792,"_280":793,"_282":794,"_284":778},40.87105724299066,46,25.871057242990656,{"_289":226,"_123":798,"_154":799,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-style-of-hubert-robert","Style of Hubert Robert's contemporaries","https://img.ochreeditions.com/a/124/480.jpg","https://img.ochreeditions.com/a/124/960.jpg","https://img.ochreeditions.com/a/124/1920.jpg",{"_316":816,"_318":817},{"_316":814,"_318":815},{"_316":812,"_318":813},{"_316":810,"_318":811},{"_316":808,"_318":809},"#999383",0.0587,"#7f7563",0.0811,"#655641",0.2491,"#372b20",0.2677,"#4e3f2d",0.3434,"Style of Hubert Robert","style-of-hubert-robert","French, 1733–1808",1733,1808,"mere-gregoire-aic-4428","Mère Grégoire",{"_42":660,"_223":661,"_330":662,"_332":333,"_334":663,"_336":664,"_338":665,"_339":666,"_340":667,"_140":91},"1855, reworked 1857–59","129 × 97.5 cm (50 3/4 × 38 3/8 in.); Framed: 168 × 137.2 × 16.2 cm (66 1/8 × 54 × 6 3/8 in.)",97,129,0.7471264367816092,[854,855,856,857,858],{"_222":433,"_223":434,"_42":435,"_309":436},"1930.78","Gustave Courbet painted this in 1855, reworked 1857–59, aged about 36. It is now at the Art Institute of Chicago.",{"_118":853,"_304":490},"Dark portrait of older woman in black dress with lace collar, flowers.",{"_297":850,"_299":851,"_301":852},"https://img.ochreeditions.com/m/5.jpg?dl=1","/art/mere-gregoire-aic-4428","/galleries/style/paris-salon-painting/mere-gregoire-aic-4428",{"_293":294,"_295":296},{"_226":847,"_125":848,"_287":849},{"_278":844,"_280":845,"_282":846,"_284":829},111.37931034482759,144,96.37931034482759,{"_289":226,"_123":636,"_154":637,"_140":91},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/5/480.jpg","https://img.ochreeditions.com/a/5/960.jpg","https://img.ochreeditions.com/a/5/1920.jpg","Gustave Courbet played a crucial role in the development of modern French Realism. Critics and the public, however, did not easily accept his large, naturalistic, and unsentimental depictions of commonplace, often rural subjects. They called him the “apostle of ugliness.”",{"_316":867,"_318":868},{"_316":865,"_318":866},{"_316":863,"_318":864},{"_316":861,"_318":862},{"_316":859,"_318":860},"#927b62",0.0257,"#4d402a",0.0924,"#3e220a",0.167,"#1b1507",0.2334,"#342a16",0.4815,"landscape-with-rider-on-white-horse-cma-168366","Landscape with Rider on White Horse",{"_42":917,"_223":918,"_330":919,"_332":333,"_334":920,"_336":921,"_338":-5,"_339":-5,"_340":-5,"_140":103},"1846","Unframed: 35.5 x 53.3 cm (14 x 21 in.)",53.3,35.5,1.5294646873594242,[902,903,904,905,906],{"_222":306,"_223":307,"_42":308,"_309":310},"2010.19","Jean Achille Benouville painted this in 1846, aged 31. It is now at the Cleveland Museum of Art.",{"_118":901,"_304":305},"Landscape with Rider on White Horse, by Jean Achille Benouville, 1846",{"_297":898,"_299":899,"_301":900},"https://img.ochreeditions.com/m/773.jpg?dl=1","/art/landscape-with-rider-on-white-horse-cma-168366","/galleries/style/paris-salon-painting/landscape-with-rider-on-white-horse-cma-168366",{"_293":294,"_295":296},{"_226":893,"_125":894,"_287":895},{"_278":890,"_280":891,"_282":874,"_284":892},68.3,49.84879411764706,34.84879411764706,{"_289":226,"_123":896,"_154":897,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jean-achille-benouville","Jean Achille Benouville's contemporaries","https://img.ochreeditions.com/a/773/480.jpg","https://img.ochreeditions.com/a/773/960.jpg","https://img.ochreeditions.com/a/773/1920.jpg","The darkly shaded trees and turbulent sky introduce a romantic sentiment into this classical or ideal landscape in which a lone rider on horseback gallops through a deep space.",{"_316":915,"_318":916},{"_316":913,"_318":914},{"_316":911,"_318":912},{"_316":909,"_318":910},{"_316":907,"_318":908},"#ad9e7c",0.061,"#4f4226",0.1555,"#563208",0.192,"#2d2517",0.2868,"#797f72",0.3047,"Jean Achille Benouville","jean-achille-benouville","French, 1815–1891",1815,1891,"the-orange-christ-cma-84662","The Orange Christ",{"_42":971,"_223":972,"_330":973,"_332":333,"_334":974,"_336":975,"_338":-5,"_339":-5,"_340":-5,"_140":101},"1889","oil on board","Unframed: 23.8 x 18.9 cm (9 3/8 x 7 7/16 in.)",18.9,23.8,0.8061764705882353,[957,958,959,960,961],{"_222":306,"_223":307,"_42":308,"_309":310},"2020.107","Maurice Denis painted this in 1889, aged 19. It is now at the Cleveland Museum of Art.",{"_118":956,"_304":305},"The Orange Christ, by Maurice Denis, 1889",{"_297":953,"_299":954,"_301":955},"https://img.ochreeditions.com/m/454.jpg?dl=1","/art/the-orange-christ-cma-84662","/galleries/style/paris-salon-painting/the-orange-christ-cma-84662",{"_293":294,"_295":296},{"_226":948,"_125":949,"_287":950},{"_278":944,"_280":945,"_282":946,"_284":947},35.154411764705884,40,20.15441176470588,25,{"_289":226,"_123":951,"_154":952,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-maurice-denis","Maurice Denis's contemporaries","https://img.ochreeditions.com/a/454/480.jpg","https://img.ochreeditions.com/a/454/960.jpg","https://img.ochreeditions.com/a/454/1920.jpg","A devout Catholic, Maurice Denis sought to create what he described as “imperishable icons.” In this small painting, he used flat planes of intense colors to conjure emotion in the viewer. Here, a somber group of women, depicted as amorphous black forms, gather around an orange figure of Christ on the cross.",{"_316":969,"_318":970},{"_316":967,"_318":968},{"_316":966,"_318":710},{"_316":964,"_318":965},{"_316":962,"_318":963},"#719c75",0.1106,"#a57a50",0.1342,"#8e7369","#86443a",0.2598,"#2f3d44",0.3094,"Maurice Denis","maurice-denis","French, 1870–1943",1870,1943,"aglaida-and-boniface-cma-165425","Aglaida and Boniface",{"_42":1024,"_223":1025,"_330":1026,"_332":333,"_334":769,"_336":1027,"_338":-5,"_339":-5,"_340":-5,"_140":103},"c. 1857","Unframed: 62.2 x 68 cm (24 1/2 x 26 3/4 in.)",68,62.2,1.1003236245954693,[1009,1010,1011,1012,1013],{"_222":306,"_223":307,"_42":308,"_309":310},"2007.275","Alexandre Cabanel painted this in about 1857, aged about 29. It is now at the Cleveland Museum of Art.",{"_118":1008,"_304":305},"Aglaida and Boniface, by Alexandre Cabanel, c. 1857",{"_297":1005,"_299":1006,"_301":1007},"https://img.ochreeditions.com/m/768.jpg?dl=1","/art/aglaida-and-boniface-cma-165425","/galleries/style/paris-salon-painting/aglaida-and-boniface-cma-165425",{"_293":294,"_295":296},{"_226":1000,"_125":1001,"_287":1002},{"_278":997,"_280":998,"_282":981,"_284":999},83,76.8,61.8,{"_289":226,"_123":1003,"_154":1004,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-alexandre-cabanel","Alexandre Cabanel's contemporaries","https://img.ochreeditions.com/a/768/480.jpg","https://img.ochreeditions.com/a/768/960.jpg","https://img.ochreeditions.com/a/768/1920.jpg","The French painter Alexandre Cabanel was a favorite of Emperor Napoleon III and a leader of the academic style that emphasized precise drawing and smoothly modeled forms. This painting depicts the wealthy Roman woman Aglaida and her concubine slave Boniface, here living as pagan sinners in Rome around 290 CE.",{"_316":1022,"_318":1023},{"_316":1020,"_318":1021},{"_316":1018,"_318":1019},{"_316":1016,"_318":1017},{"_316":1014,"_318":1015},"#ae9d87",0.1336,"#735c44",0.1406,"#3d2d1d",0.2193,"#643c17",0.2487,"#7f8475",0.2578,"Alexandre Cabanel","alexandre-cabanel","French, 1823–1889",1889,"the-roll-call-of-the-last-victims-of-the-terror-aic-111730","The Roll Call of the Last Victims of the Terror",{"_42":1072,"_223":1073,"_330":1074,"_332":333,"_334":920,"_336":456,"_338":-5,"_339":-5,"_340":-5,"_140":103},"c. 1850","76.2 × 132 cm (30 × 52 in.); Framed: 115.6 × 172.8 × 12.1 cm (45 1/2 × 68 × 4 3/4 in.)",132,1.7930250189537529,[1057,1058,1059,1060,1061],{"_222":433,"_223":434,"_42":435,"_309":436},"2019.1421","Charles Louis-Lucien Muller painted this in about 1850, aged about 30. It is now at the Art Institute of Chicago.",{"_297":1054,"_299":1055,"_301":1056},"https://img.ochreeditions.com/m/289.jpg?dl=1","/art/the-roll-call-of-the-last-victims-of-the-terror-aic-111730","/galleries/style/paris-salon-painting/the-roll-call-of-the-last-victims-of-the-terror-aic-111730",{"_293":294,"_295":296},{"_226":1049,"_125":1050,"_287":1051},{"_278":1046,"_280":1047,"_282":1033,"_284":1048},147,88.61860465116278,73.61860465116278,{"_289":226,"_123":1052,"_154":1053,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-charles-louis-lucien-muller","Charles Louis-Lucien Muller's contemporaries","https://img.ochreeditions.com/a/289/480.jpg","https://img.ochreeditions.com/a/289/960.jpg","https://img.ochreeditions.com/a/289/1920.jpg",{"_316":1070,"_318":1071},{"_316":1068,"_318":1069},{"_316":1066,"_318":1067},{"_316":1064,"_318":1065},{"_316":1062,"_318":1063},"#8c7856",0.0375,"#6d532e",0.1174,"#4e3616",0.1598,"#312109",0.2714,"#211908",0.4139,"Charles Louis-Lucien Muller","charles-louis-lucien-muller","French, 1815–1892","on-the-beach-sunset-met-438551","On the Beach, Sunset",{"_42":1122,"_223":1123,"_330":1124,"_332":333,"_334":1125,"_336":1126,"_338":1127,"_339":1128,"_340":-5,"_140":103},"1865","Oil on wood","15 x 23 in. (38.1 x 58.4 cm)",58.4,38.1,1.6100549218419942,[1107,1108,1109,1110,1111],{"_222":641,"_223":642,"_42":643,"_309":644},"2003.20.2","Eugène Boudin painted this in 1865, aged 41. It is now at The Met in New York.","On the Beach, Sunset, by Eugène Boudin, 1865",{"_297":1104,"_299":1105,"_301":1106},"https://img.ochreeditions.com/m/1184.jpg?dl=1","/art/on-the-beach-sunset-met-438551","/galleries/style/paris-salon-painting/on-the-beach-sunset-met-438551",{"_293":294,"_295":296},{"_226":1099,"_125":1100,"_287":1101},{"_278":1096,"_280":1097,"_282":1081,"_284":1098},73.4,51.27205457885069,36.27205457885069,{"_289":226,"_123":1102,"_154":1103,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-eugene-boudin","Eugène Boudin's contemporaries","https://img.ochreeditions.com/a/1184/480.jpg","https://img.ochreeditions.com/a/1184/960.jpg","https://img.ochreeditions.com/a/1184/1920.jpg",{"_316":1120,"_318":1121},{"_316":1118,"_318":1119},{"_316":1116,"_318":1117},{"_316":1114,"_318":1115},{"_316":1112,"_318":1113},"#3b3929",0.0836,"#716f58",0.102,"#6f5932",0.2137,"#aba67c",0.225,"#93a08a",0.3757,"Eugène Boudin","eugene-boudin","French, 1824–1898",1824,1898,"Honfleur","Deauville",{"_1130":-5,"_1131":1132,"_1133":1134,"_1135":8,"_1136":1137,"_1138":8},"user","csrf","a9ea2f3c829b96caf84c5e93c7ea2fa898b95f50","cartCount",0,"dropLive","legal",[1139,1140,1141,1142,1143,1144,1145,1146,1147,1148,1149,1150],"uploadsEnabled",{"_223":1173,"_20":1174},{"_223":1171,"_20":1172},{"_223":1169,"_20":1170},{"_223":1167,"_20":1168},{"_223":1165,"_20":1166},{"_223":1163,"_20":1164},{"_223":1161,"_20":1162},{"_223":1159,"_20":1160},{"_223":1157,"_20":1158},{"_223":1155,"_20":1156},{"_223":1153,"_20":1154},{"_223":1151,"_20":1152},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]