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The directness of execution, bold brushwork, and immediacy of vision, however, suggest why the public found Manet’s work so unorthodox and confrontational.","source","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","city","Chicago",{"_313":323,"_315":324},{"_313":321,"_315":322},{"_313":319,"_315":320},{"_313":317,"_315":318},{"_313":314,"_315":316},"hex","#b6a435","weight",0.0089,"#6b5241",0.1403,"#bdb29a",0.2047,"#938771",0.2105,"#32281f",0.4356,"Édouard Manet","edouard-manet","bio","French, 1832–1883","nationality","French","birth_year",1832,"death_year",1883,"birth_place","Paris","death_place","about_excerpt","Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.","the-orange-christ-cma-84662","The Orange Christ",{"_42":396,"_220":397,"_327":398,"_329":330,"_331":399,"_333":400,"_335":-5,"_337":-5,"_338":-5,"_140":101},"1889","oil on board","Unframed: 23.8 x 18.9 cm (9 3/8 x 7 7/16 in.)",18.9,23.8,0.8061764705882353,[381,382,383,384,385],{"_219":377,"_220":378,"_42":379,"_306":380},"Courtesy of the Cleveland Museum of Art","2020.107","Maurice Denis painted this in 1889, aged 19. 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It is now at the Art Institute of Chicago.",{"_118":483,"_301":302},"Dark portrait of older woman in black dress with lace collar, flowers.",{"_294":480,"_296":481,"_298":482},"https://img.ochreeditions.com/m/5.jpg?dl=1","/art/mere-gregoire-aic-4428","/galleries/style/paris-salon-painting/mere-gregoire-aic-4428",{"_290":291,"_292":293},{"_223":475,"_125":476,"_284":477},{"_275":472,"_277":473,"_279":474,"_280":457},111.37931034482759,144,96.37931034482759,{"_286":223,"_123":478,"_154":479,"_140":91},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/gustave-courbet","More by Gustave Courbet","https://img.ochreeditions.com/a/5/480.jpg","https://img.ochreeditions.com/a/5/960.jpg","https://img.ochreeditions.com/a/5/1920.jpg","Gustave Courbet played a crucial role in the development of modern French Realism. Critics and the public, however, did not easily accept his large, naturalistic, and unsentimental depictions of commonplace, often rural subjects. They called him the “apostle of ugliness.”",{"_313":497,"_315":498},{"_313":495,"_315":496},{"_313":493,"_315":494},{"_313":491,"_315":492},{"_313":489,"_315":490},"#927b62",0.0257,"#4d402a",0.0924,"#3e220a",0.167,"#1b1507",0.2334,"#342a16",0.4815,"Gustave Courbet","gustave-courbet","French, 1819–1877",1819,1877,"Ornans","La Tour-de-Peilz","Courbet left his native Ornans for Paris and became the standard-bearer of Realism, painting ordinary people and his own region on the scale reserved for history painting, as in A Burial at Ornans.","the-forest-of-coubron-nga-1149","The Forest of Coubron",{"_42":559,"_220":560,"_327":561,"_329":330,"_331":562,"_333":563,"_335":336,"_337":336,"_338":564,"_140":87},"1872","oil on canvas","overall: 96 x 77.8 cm (37 13/16 x 30 5/8 in.)",77.8,96,0.8076171875,[545,546,547,548,549],{"_219":541,"_220":542,"_42":543,"_306":544},"Courtesy National Gallery of Art, Washington","1942.9.12","Jean Baptiste Camille Corot painted this in 1872, aged 76. It is now at the National Gallery of Art in Washington, DC.","A rider on a white horse follows a narrow path that curves away through a forest of tall, golden trees, past a backlit boulder, towards a pale gap of sky.","A person rides a horse away from us on a narrow dirt path curving through a forest dominated by golden yellow trees in this vertical landscape painting. A boulder about twice the width of the path is backlit where it sits just left of the lower center of the canvas. The path begins near the bottom right corner of the painting and curves back and to the right. The horse is white, and the rider wears dark brown pants and a hat, and a lighter brown shirt. Trees towering over the rider to either side of the curve nearly reach the top of the composition. The horizon comes less than a third of the way up the painting. Pearly white sky fills in the gap between the trees around the rider, and ivory-colored clouds frame an icy blue sky above. The scene is painted with textured and blended strokes, which gives the painting a soft look even though some of the brushstrokes are visible. The artist signed and dated the lower center of the canvas, though it is partially cut off: “COROT 1872.”",{"_294":538,"_296":539,"_298":540},"https://img.ochreeditions.com/m/1329.jpg?dl=1","/art/the-forest-of-coubron-nga-1149","/galleries/style/paris-salon-painting/the-forest-of-coubron-nga-1149",{"_290":291,"_292":293},{"_223":533,"_125":534,"_284":535},{"_275":530,"_277":531,"_279":532,"_280":514},92.53125,111,77.53125,{"_286":223,"_123":536,"_154":537,"_140":87},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/jean-baptiste-camille-corot","More by Jean Baptiste Camille Corot","https://img.ochreeditions.com/a/1329/480.jpg","https://img.ochreeditions.com/a/1329/960.jpg","https://img.ochreeditions.com/a/1329/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_313":557,"_315":558},{"_313":555,"_315":556},{"_313":554,"_315":391},{"_313":552,"_315":553},{"_313":550,"_315":551},"#bfb498",0.1308,"#bda76b",0.1823,"#46310a","#7b5810",0.2093,"#b08c31",0.2916,"Jean Baptiste Camille Corot","jean-baptiste-camille-corot","French, 1796–1875",1796,1875,"Corot trained with the landscape painters Achille-Etna Michallon and Jean-Victor Bertin, then spent 1825–28 in Italy, where his small oil sketches of Rome and the Campagna caught its clear light with great economy. He returned to Italy twice and travelled widely in France.","sawmill-outskirts-of-paris-aic-68433","Sawmill, Outskirts of Paris",{"_42":610,"_220":611,"_327":612,"_329":330,"_331":613,"_333":614,"_335":615,"_337":336,"_338":616,"_140":99},"c. 1893/95","25.5 × 45.5 cm (10 × 17 7/8 in.)",45,1.861797112462006,[595,596,597,598,599],{"_219":303,"_220":304,"_42":305,"_306":307},"1950.133","Henri Rousseau painted this in about 1893/95, aged about 44. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_294":592,"_296":593,"_298":594},"https://img.ochreeditions.com/m/186.jpg?dl=1","/art/sawmill-outskirts-of-paris-aic-68433","/galleries/style/paris-salon-painting/sawmill-outskirts-of-paris-aic-68433",{"_290":291,"_292":293},{"_223":587,"_125":588,"_284":589},{"_275":584,"_277":585,"_279":570,"_280":586},60,39.17019539819397,24.170195398193968,{"_286":223,"_123":590,"_154":591,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/henri-rousseau","More by Henri Rousseau","https://img.ochreeditions.com/a/186/480.jpg","https://img.ochreeditions.com/a/186/960.jpg","https://img.ochreeditions.com/a/186/1920.jpg",{"_313":608,"_315":609},{"_313":606,"_315":607},{"_313":604,"_315":605},{"_313":602,"_315":603},{"_313":600,"_315":601},"#5e4221",0.1411,"#ac9b76",0.1512,"#332617",0.2082,"#625b40",0.2422,"#847858",0.2573,"Henri Rousseau","henri-rousseau","French, 1844–1910",1844,1910,"Laval","Rousseau worked for years as a clerk in the Paris toll service, which earned him the nickname “le Douanier”, and taught himself to paint, exhibiting from 1886 at the jury-free Salon des Indépendants.","the-abduction-of-rebecca-met-438814","The Abduction of Rebecca",{"_42":670,"_220":671,"_327":672,"_329":330,"_331":673,"_333":674,"_335":675,"_337":336,"_338":676,"_140":95},"1846","Paintings","39 1/2 x 32 1/4 in. (100.3 x 81.9 cm)",81.9,100.3,0.81575,[655,656,657,658,659],{"_219":651,"_220":652,"_42":653,"_306":654},"Courtesy of The Metropolitan Museum of Art","03.30","Eugène Delacroix painted this in 1846, aged 48. It is now at The Met in New York.","In a scene from Sir Walter Scott’s Ivanhoe, two Saracen slaves of the Templar knight Brian de Bois-Guilbert carry off the struggling Jewish heroine Rebecca, while the castle of Torquilstone burns behind them.","The Abduction of Rebecca, by Eugène Delacroix, 1846",{"_294":648,"_296":649,"_298":650},"https://img.ochreeditions.com/m/1190.jpg?dl=1","/art/the-abduction-of-rebecca-met-438814","/galleries/style/paris-salon-painting/the-abduction-of-rebecca-met-438814",{"_290":291,"_292":293},{"_223":643,"_125":644,"_284":645},{"_275":640,"_277":641,"_279":642,"_280":624},96.81972499999999,115.3,81.81972499999999,{"_286":223,"_123":646,"_154":647,"_140":95},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/eugene-delacroix","More by Eugène Delacroix","https://img.ochreeditions.com/a/1190/480.jpg","https://img.ochreeditions.com/a/1190/960.jpg","https://img.ochreeditions.com/a/1190/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_313":668,"_315":669},{"_313":666,"_315":667},{"_313":664,"_315":665},{"_313":662,"_315":663},{"_313":660,"_315":661},"#5d4a32",0.1013,"#3d2115",0.1025,"#36413a",0.1373,"#342b1d",0.3239,"#221b15",0.335,"Eugène Delacroix","eugene-delacroix","French, 1798–1863",1798,1863,"Charenton-Saint-Maurice","Delacroix trained under Pierre-Narcisse Guérin and emerged in the 1820s as the leader of French Romanticism, with dramatic, richly coloured canvases such as The Death of Sardanapalus and Liberty Leading the People.","the-roll-call-of-the-last-victims-of-the-terror-aic-111730","The Roll Call of the Last Victims of the Terror",{"_42":722,"_220":723,"_327":724,"_329":330,"_331":725,"_333":726,"_335":-5,"_337":-5,"_338":-5,"_140":103},"c. 1850","76.2 × 132 cm (30 × 52 in.); Framed: 115.6 × 172.8 × 12.1 cm (45 1/2 × 68 × 4 3/4 in.)",132,76,1.7930250189537529,[707,708,709,710,711],{"_219":303,"_220":304,"_42":305,"_306":307},"2019.1421","Charles Louis-Lucien Muller painted this in about 1850, aged about 30. It is now at the Art Institute of Chicago.",{"_294":704,"_296":705,"_298":706},"https://img.ochreeditions.com/m/289.jpg?dl=1","/art/the-roll-call-of-the-last-victims-of-the-terror-aic-111730","/galleries/style/paris-salon-painting/the-roll-call-of-the-last-victims-of-the-terror-aic-111730",{"_290":291,"_292":293},{"_223":699,"_125":700,"_284":701},{"_275":696,"_277":697,"_279":682,"_280":698},147,88.61860465116278,73.61860465116278,{"_286":223,"_123":702,"_154":703,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-charles-louis-lucien-muller","Charles Louis-Lucien Muller's contemporaries","https://img.ochreeditions.com/a/289/480.jpg","https://img.ochreeditions.com/a/289/960.jpg","https://img.ochreeditions.com/a/289/1920.jpg",{"_313":720,"_315":721},{"_313":718,"_315":719},{"_313":716,"_315":717},{"_313":714,"_315":715},{"_313":712,"_315":713},"#8c7856",0.0375,"#6d532e",0.1174,"#4e3616",0.1598,"#312109",0.2714,"#211908",0.4139,"Charles Louis-Lucien Muller","charles-louis-lucien-muller","French, 1815–1892",1815,1892,"still-life-with-flowers-aic-72180","Still Life with Flowers",{"_42":772,"_220":773,"_327":774,"_329":330,"_331":775,"_333":776,"_335":-5,"_337":-5,"_338":-5,"_140":103},"1881","48.2 × 59.7 cm (19 × 23 1/2 in.); Framed: 75.6 × 86.4 × 9.6 cm (29 3/4 × 34 × 3 3/4 in.)",59,48,1.2338257016248153,[757,758,759,760,761],{"_219":303,"_220":304,"_42":305,"_306":307},"1988.260","Henri Fantin-Latour painted this in 1881, aged 45. It is now at the Art Institute of Chicago.",{"_294":754,"_296":755,"_298":756},"https://img.ochreeditions.com/m/187.jpg?dl=1","/art/still-life-with-flowers-aic-72180","/galleries/style/paris-salon-painting/still-life-with-flowers-aic-72180",{"_290":291,"_292":293},{"_223":749,"_125":750,"_284":751},{"_275":746,"_277":747,"_279":732,"_280":748},74,62.8187477552975,47.8187477552975,{"_286":223,"_123":752,"_154":753,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-henri-fantin-latour","Henri Fantin-Latour's contemporaries","https://img.ochreeditions.com/a/187/480.jpg","https://img.ochreeditions.com/a/187/960.jpg","https://img.ochreeditions.com/a/187/1920.jpg",{"_313":770,"_315":771},{"_313":768,"_315":769},{"_313":766,"_315":767},{"_313":764,"_315":765},{"_313":762,"_315":763},"#974837",0.0346,"#5f3334",0.0574,"#74664e",0.1511,"#372d2b",0.2479,"#a5977e",0.509,"Henri Fantin-Latour","henri-fantin-latour","French, 1836–1904",1836,1904,"woman-meditating-cma-126773","Woman Meditating",{"_42":559,"_220":560,"_327":561,"_329":330,"_331":562,"_333":563,"_335":336,"_337":336,"_338":564,"_140":87},"after 1868","oil on fabric","Unframed: 59.4 x 42.9 cm (23 3/8 x 16 7/8 in.)",42.9,59.4,0.7235294117647059,[809,810,811,812,813],{"_219":377,"_220":378,"_42":379,"_306":380},"1949.189","Jean Baptiste Camille Corot painted this (after 1868), aged about 72. It is now at the Cleveland Museum of Art.",{"_118":808,"_301":376},"Woman Meditating, by Jean Baptiste Camille Corot, after 1868",{"_294":805,"_296":806,"_298":807},"https://img.ochreeditions.com/m/584.jpg?dl=1","/art/woman-meditating-cma-126773","/galleries/style/paris-salon-painting/woman-meditating-cma-126773",{"_290":291,"_292":293},{"_223":802,"_125":803,"_284":804},{"_275":799,"_277":800,"_279":801,"_280":784},57.97764705882353,74.4,42.97764705882353,{"_286":223,"_123":536,"_154":537,"_140":87},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/584/480.jpg","https://img.ochreeditions.com/a/584/960.jpg","https://img.ochreeditions.com/a/584/1920.jpg","This painting, acquired by the Cleveland Museum of Art in 1949, as a work by Corot, proved to be a copy when the signed original reappeared at a public auction in New York in 1981.",{"_313":822,"_315":823},{"_313":820,"_315":821},{"_313":818,"_315":819},{"_313":816,"_315":817},{"_313":814,"_315":815},"#916c33",0.0343,"#532e1b",0.0985,"#54472a",0.1681,"#392f1e",0.2683,"#28241a",0.4308,"young-lady-in-1866-met-436964","Young Lady in 1866",{"_42":325,"_220":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":336,"_338":339,"_140":53},"1866","72 7/8 x 50 5/8 in. (185.1 x 128.6 cm)",128.6,185.1,0.6869565217391305,[854,855,856,857,858],{"_219":651,"_220":652,"_42":653,"_306":654},"89.21.3","Édouard Manet painted this in 1866, aged 34. It is now at The Met in New York.","A young woman in a flowing pink dressing gown stands beside a parrot on its perch, raising a small bunch of violets to her face, with a monocle on a ribbon in her other hand and a half-peeled orange on the floor. The model was Victorine Meurent, who also posed for Manet’s Olympia and Le Déjeuner sur l’herbe.","Young Lady in 1866, by Édouard Manet, 1866",{"_294":851,"_296":852,"_298":853},"https://img.ochreeditions.com/m/1126.jpg?dl=1","/art/young-lady-in-1866-met-436964","/galleries/style/paris-salon-painting/young-lady-in-1866-met-436964",{"_290":291,"_292":293},{"_223":848,"_125":849,"_284":850},{"_275":845,"_277":846,"_279":847,"_280":830},142.15565217391304,200.1,127.15565217391304,{"_286":223,"_123":170,"_154":169,"_140":53},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1126/480.jpg","https://img.ochreeditions.com/a/1126/960.jpg","https://img.ochreeditions.com/a/1126/1920.jpg",{"_313":867,"_315":868},{"_313":865,"_315":866},{"_313":863,"_315":864},{"_313":861,"_315":862},{"_313":859,"_315":860},"#7f6e58",0.0541,"#ac9178",0.1119,"#4f4a3c",0.1704,"#c9ad8e",0.1751,"#32322b",0.4885,"the-third-class-carriage-met-436095","The Third-Class Carriage",{"_42":915,"_220":916,"_327":917,"_329":330,"_331":918,"_333":919,"_335":920,"_337":921,"_338":922,"_140":95},"25 3/4 x 35 1/2 in. (65.4 x 90.2 cm)",90.2,65.4,1.3722126929674099,[900,901,902,903,904],{"_219":651,"_220":652,"_42":653,"_306":654},"29.100.129","Honoré Daumier painted this in 1864, aged 56. It is now at The Met in New York.","In the cramped wooden compartment of a third-class railway carriage, an old woman sits with her hands folded on a basket, flanked by a young mother nursing her baby and a sleeping boy, while rows of passengers in top hats crowd the benches behind.","The Third-Class Carriage, by Honoré Daumier, 1864",{"_294":897,"_296":898,"_298":899},"https://img.ochreeditions.com/m/1081.jpg?dl=1","/art/the-third-class-carriage-met-436095","/galleries/style/paris-salon-painting/the-third-class-carriage-met-436095",{"_290":291,"_292":293},{"_223":892,"_125":893,"_284":894},{"_275":889,"_277":890,"_279":873,"_280":891},105.2,80.73325,65.73325,{"_286":223,"_123":895,"_154":896,"_140":95},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/honore-daumier","More by Honoré Daumier","https://img.ochreeditions.com/a/1081/480.jpg","https://img.ochreeditions.com/a/1081/960.jpg","https://img.ochreeditions.com/a/1081/1920.jpg",{"_313":913,"_315":914},{"_313":911,"_315":912},{"_313":909,"_315":910},{"_313":907,"_315":908},{"_313":905,"_315":906},"#765b2e",0.0666,"#553514",0.1019,"#392510",0.1518,"#150e06",0.2592,"#261307",0.4205,"Honoré Daumier","honore-daumier","French, 1808–1879",1808,1879,"Marseilles","Valmondois","Daumier grew up in Paris after his family left Marseilles, and learned lithography as a young man.","the-conversation-aic-21165","The Conversation",{"_42":967,"_220":968,"_327":969,"_329":330,"_331":970,"_333":971,"_335":-5,"_337":-5,"_338":-5,"_140":103},"1875–79","55.5 × 38 cm (21 13/16 × 14 15/16 in.); Framed: 69.5 × 52.1 × 8.9 cm (27 3/8 × 20 1/2 × 3 1/2 in.)",55,0.6761757902852737,[952,953,954,955,956],{"_219":303,"_220":304,"_42":305,"_306":307},"1935.71","Marcellin Gilbert Desboutin painted this in 1875–79, aged about 52. It is now at the Art Institute of Chicago.",{"_294":949,"_296":950,"_298":951},"https://img.ochreeditions.com/m/81.jpg?dl=1","/art/the-conversation-aic-21165","/galleries/style/paris-salon-painting/the-conversation-aic-21165",{"_290":291,"_292":293},{"_223":944,"_125":945,"_284":946},{"_275":941,"_277":942,"_279":943,"_280":928},52.189668465690055,70,37.189668465690055,{"_286":223,"_123":947,"_154":948,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-marcellin-gilbert-desboutin","Marcellin Gilbert Desboutin's contemporaries","https://img.ochreeditions.com/a/81/480.jpg","https://img.ochreeditions.com/a/81/960.jpg","https://img.ochreeditions.com/a/81/1920.jpg",{"_313":965,"_315":966},{"_313":963,"_315":964},{"_313":961,"_315":962},{"_313":959,"_315":960},{"_313":957,"_315":958},"#827d6c",0.1039,"#614427",0.1305,"#5d5746",0.1475,"#3f392b",0.214,"#22221b",0.4041,"Marcellin Gilbert Desboutin","marcellin-gilbert-desboutin","French, 1823–1902",1823,1902,"berthe-morisot-with-a-muff-cma-135336","Berthe Morisot with a Muff",{"_42":325,"_220":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":336,"_338":339,"_140":53},"c. 1871–72","Framed: 91.1 x 76.5 x 7.3 cm (35 7/8 x 30 1/8 x 2 7/8 in.); Unframed: 74 x 60 cm (29 1/8 x 23 5/8 in.)",0.8070588235294117,[1001,1002,1003,1004,1005],{"_219":377,"_220":378,"_42":379,"_306":380},"1958.34","Édouard Manet painted this in about 1871–72, aged about 39. It is now at the Cleveland Museum of Art.",{"_118":1000,"_301":376},"Berthe Morisot with a Muff, by Édouard Manet, c. 1871–72",{"_294":997,"_296":998,"_298":999},"https://img.ochreeditions.com/m/625.jpg?dl=1","/art/berthe-morisot-with-a-muff-cma-135336","/galleries/style/paris-salon-painting/berthe-morisot-with-a-muff-cma-135336",{"_290":291,"_292":293},{"_223":994,"_125":995,"_284":996},{"_275":991,"_277":992,"_279":993,"_280":746},74.72235294117647,89,59.72235294117647,{"_286":223,"_123":170,"_154":169,"_140":53},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/625/480.jpg","https://img.ochreeditions.com/a/625/960.jpg","https://img.ochreeditions.com/a/625/1920.jpg","This is one of two portraits Manet painted of Morisot dressed for winter in a heavy coat and feathered hat. (See Berthe Morisot with a Half Veil , also in this gallery.)",{"_313":1014,"_315":1015},{"_313":1012,"_315":1013},{"_313":1010,"_315":1011},{"_313":1008,"_315":1009},{"_313":1006,"_315":1007},"#947d58",0.0521,"#65543b",0.1149,"#221b16",0.1578,"#49351c",0.2705,"#392819",0.4047,"view-near-epernon-nga-1150","View near Epernon",{"_42":559,"_220":560,"_327":561,"_329":330,"_331":562,"_333":563,"_335":336,"_337":336,"_338":564,"_140":87},"1850/1860","overall: 33.8 x 55.3 cm (13 5/16 x 21 3/4 in.)",55.3,33.8,1.6643640796424217,[1046,1047,1048,1049,1050],{"_219":541,"_220":542,"_42":543,"_306":544},"1942.9.13","Jean Baptiste Camille Corot painted this in 1850/1860, aged about 54. It is now at the National Gallery of Art in Washington, DC.","A ploughman works a field behind his horse while a rider in a red cap crosses the meadow, and a row of houses with tan walls and red roofs lines the far side beyond a small arched bridge.","A person at the center of this loosely painted horizontal landscape rides a dark horse across a field as a man to the left works the field behind a horse-drawn plow. The field is carpeted with muted and gold-shaded green, and a grove of trees in the right third of the composition are painted in fern, olive, and dark green. A patch of darker green near us and to left of center is dotted with red and yellow to suggest flowers. The men and horses are small in relation to the composition. The people have brown skin and are painted with a few strokes in dark gray and muted green for the man behind the plow to the left and pale yellow and white and a red cap for the person on horseback. A band of houses with tan or light yellow walls and gray or terracotta red roofs line the far side of the field to the left, and an arched bridge crosses what appears to be a shallow, grassy ravine near the center. The horizon comes about a third of the way up this composition and a few smoke-gray clouds line the upper edge of the otherwise milk-white sky. The artist signed the lower left corner, “COROT.”",{"_294":1043,"_296":1044,"_298":1045},"https://img.ochreeditions.com/m/1330.jpg?dl=1","/art/view-near-epernon-nga-1150","/galleries/style/paris-salon-painting/view-near-epernon-nga-1150",{"_290":291,"_292":293},{"_223":1040,"_125":1041,"_284":1042},{"_275":1037,"_277":1038,"_279":1021,"_280":1039},70.3,48.2259033203125,33.2259033203125,{"_286":223,"_123":536,"_154":537,"_140":87},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1330/480.jpg","https://img.ochreeditions.com/a/1330/960.jpg","https://img.ochreeditions.com/a/1330/1920.jpg",{"_313":1059,"_315":1060},{"_313":1057,"_315":1058},{"_313":1055,"_315":1056},{"_313":1053,"_315":1054},{"_313":1051,"_315":1052},"#5a512b",0.0913,"#373627",0.0917,"#7b6a2d",0.1168,"#988333",0.1447,"#dcd6be",0.5555,"the-shepherd-s-song-met-437344","The Shepherd's Song",{"_42":1107,"_220":1108,"_327":1109,"_329":330,"_331":1110,"_333":1111,"_335":1112,"_337":336,"_338":1113,"_140":101},"1891","41 1/8 x 43 1/4 in. (104.5 x 109.9 cm)",109.9,104.5,1.0427528675703859,[1092,1093,1094,1095,1096],{"_219":651,"_220":652,"_42":653,"_306":654},"06.177","Pierre Puvis de Chavannes painted this in 1891, aged 67. It is now at The Met in New York.","The Shepherd's Song, by Pierre Puvis de Chavannes, 1891",{"_294":1089,"_296":1090,"_298":1091},"https://img.ochreeditions.com/m/1139.jpg?dl=1","/art/the-shepherd-s-song-met-437344","/galleries/style/paris-salon-painting/the-shepherd-s-song-met-437344",{"_290":291,"_292":293},{"_223":1084,"_125":1085,"_284":1086},{"_275":1081,"_277":1082,"_279":1066,"_280":1083},124.9,120.3941,105.3941,{"_286":223,"_123":1087,"_154":1088,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-pierre-puvis-de-chavannes","Pierre Puvis de Chavannes's contemporaries","https://img.ochreeditions.com/a/1139/480.jpg","https://img.ochreeditions.com/a/1139/960.jpg","https://img.ochreeditions.com/a/1139/1920.jpg",{"_313":1105,"_315":1106},{"_313":1103,"_315":1104},{"_313":1101,"_315":1102},{"_313":1099,"_315":1100},{"_313":1097,"_315":1098},"#0b0906",0.0484,"#59554a",0.1588,"#617d92",0.1593,"#777d7e",0.2725,"#948a78",0.361,"Pierre Puvis de Chavannes","pierre-puvis-de-chavannes","French, 1824–1898",1824,1898,"Lyons","Puvis de Chavannes was the leading French mural painter of the later nineteenth century, decorating public buildings such as the Panthéon and the Sorbonne in Paris, the Musée des Beaux-Arts in his native Lyon and the Boston Public Library.",{"_1115":-5,"_1116":1117,"_1118":1119,"_1120":8,"_1121":1122,"_1123":8},"user","csrf","88e5697332a3305ed846d4074256ab9bd6451263","cartCount",0,"dropLive","legal",[1124,1125,1126,1127,1128,1129,1130,1131,1132,1133,1134,1135],"uploadsEnabled",{"_220":1158,"_20":1159},{"_220":1156,"_20":1157},{"_220":1154,"_20":1155},{"_220":1152,"_20":1153},{"_220":1150,"_20":1151},{"_220":1148,"_20":1149},{"_220":1146,"_20":1147},{"_220":1144,"_20":1145},{"_220":1142,"_20":1143},{"_220":1140,"_20":1141},{"_220":1138,"_20":1139},{"_220":1136,"_20":1137},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]