[{"_1":2,"_3":4},"root",{"_5":1236},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","Paintings, in the galleries · Ochre Editions","description","Every one of the collection's paintings, in today's hang. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/painting","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/painting.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","Paintings, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/allegory-of-painting-nga-32679",15,"https://www.ochreeditions.com/art/young-ladies-of-the-village-met-438820",14,"https://www.ochreeditions.com/art/portrait-of-a-carthusian-met-435896",13,"https://www.ochreeditions.com/art/jacques-and-berthe-lipchitz-aic-27987",12,"https://www.ochreeditions.com/art/noli-me-tangere-aic-16207",11,"https://www.ochreeditions.com/art/saint-peter-repentant-cma-128842",10,"https://www.ochreeditions.com/art/merrymakers-at-shrovetide-met-436622",9,"https://www.ochreeditions.com/art/beggar-kojiki-cma-154263",8,"https://www.ochreeditions.com/art/the-bride-si-saam-1929-6-75",7,"https://www.ochreeditions.com/art/corot-s-studio-woman-seated-before-an-easel-a-mandolin-in-he-nga-1148",6,"https://www.ochreeditions.com/art/legends-of-the-yuzu-nembutsu-sect-aic-56731",5,"https://www.ochreeditions.com/art/landscape-two-men-sitting-under-a-tree-beside-a-waterfall-si-fsg-f1911-161b",4,"https://www.ochreeditions.com/art/eaton-s-neck-long-island-met-11307",3,"https://www.ochreeditions.com/art/study-for-the-dancing-lesson-the-banjo-player-nga-66414",2,"https://www.ochreeditions.com/art/the-sea-si-saam-1925-12-2",1,"https://www.ochreeditions.com/art/the-standing-figure-of-a-woman-si-fsg-f1915-31","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~painting.5543e1e112.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~painting.5543e1e112.jpg","alt","Paintings, a room in the galleries: three of its 1127 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk Paintings: 1127 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~painting.jpg","key","style/painting","style","Paintings","intro","Every one of the collection's paintings, in today's hang.","wing","Style galleries","floor","layout","long","hang",752,"/galleries/style/painting","total",1127,"page","works",[203,204,205,206,207,208,209,210,211,212,213,214,215,216,217,218],"walls",[171,172,173,174,175],"doors",[162,163],"next_cursor","eyJvIjoxNiwiaCI6NzUyLCJpIjpudWxsLCJnIjoiMm1fUHlFMVQifQ","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/painting?hang=752&cursor=eyJvIjoxNiwiaCI6NzUyLCJpIjpudWxsLCJnIjoiMm1fUHlFMVQifQ&via=continue","label","Paintings, room 2","move","doorway","first_wall_images",[160,161],"https://img.ochreeditions.com/a/353/480.jpg","https://img.ochreeditions.com/a/321/480.jpg",{"_154":168,"_123":169,"_44":170,"_140":93},{"_154":164,"_123":165,"_44":166,"_140":167},"18th-century France","era/18-france","/galleries/era/18-france?hang=752&via=continue",75,"More by François Boucher","artist/francois-boucher","/galleries/artist/francois-boucher?hang=752&via=continue",{"_42":198,"_177":199},{"_42":193,"_177":194},{"_42":187,"_177":188},{"_42":181,"_177":182},{"_42":176,"_177":178},"Section 3, north wall","work_ids",[179,180],1195,1475,"Section 2, north wall",[183,184,185,186],593,47,117,1075,"Section 2, south wall",[189,190,191,192],1328,1882,744,1102,"Section 1, south wall",[195,196,197],840,1799,169,"Section 1, north wall",[200,201,202],1805,1871,1606,{"_219":200,"_220":1186,"_20":1187,"_223":1188,"_225":-5,"_226":1189,"_228":-5,"_230":956,"_232":957,"_125":-5,"_28":234,"_235":236,"_237":1190,"_239":1191,"_241":1192,"_243":1193,"_245":1194,"_247":1195,"_249":1196,"_251":965,"_253":1197,"_255":256,"_257":1198,"_154":-5,"_259":-5,"_111":1199,"_262":1200,"_264":1201,"_266":1202,"_268":1203,"_270":1204,"_144":1205,"_273":1206},{"_219":201,"_220":1129,"_20":1130,"_223":1131,"_225":-5,"_226":1132,"_228":341,"_230":-5,"_232":-5,"_125":-5,"_28":234,"_235":236,"_237":238,"_239":1133,"_241":1134,"_243":1135,"_245":1136,"_247":1137,"_249":1138,"_251":801,"_253":1139,"_255":256,"_257":1140,"_154":-5,"_259":-5,"_111":1141,"_262":1142,"_264":1143,"_266":1144,"_268":1145,"_270":1146,"_144":1147,"_273":1148},{"_219":202,"_220":1071,"_20":1072,"_223":1073,"_225":-5,"_226":1074,"_228":341,"_230":1013,"_232":-5,"_125":1075,"_28":234,"_235":236,"_237":1076,"_239":1077,"_241":1078,"_243":1079,"_245":1080,"_247":1081,"_249":1082,"_251":252,"_253":1083,"_255":256,"_257":1084,"_154":-5,"_259":1085,"_111":1086,"_262":1087,"_264":1088,"_266":1089,"_268":1090,"_270":1091,"_144":1092,"_273":1093},{"_219":195,"_220":1009,"_20":1010,"_223":1011,"_225":-5,"_226":1012,"_228":341,"_230":1013,"_232":1014,"_125":-5,"_28":234,"_235":236,"_237":343,"_239":1015,"_241":1016,"_243":1017,"_245":1018,"_247":1019,"_249":1020,"_251":350,"_253":1021,"_255":256,"_257":1022,"_154":-5,"_259":1023,"_111":1024,"_262":1025,"_264":1026,"_266":1027,"_268":1028,"_270":1029,"_144":1030,"_273":1031},{"_219":196,"_220":952,"_20":953,"_223":954,"_225":-5,"_226":955,"_228":-5,"_230":956,"_232":957,"_125":-5,"_28":234,"_235":236,"_237":958,"_239":959,"_241":960,"_243":961,"_245":962,"_247":963,"_249":964,"_251":965,"_253":966,"_255":256,"_257":967,"_154":-5,"_259":-5,"_111":968,"_262":969,"_264":970,"_266":971,"_268":972,"_270":973,"_144":974,"_273":975},{"_219":197,"_220":903,"_20":904,"_223":-5,"_225":905,"_226":906,"_228":81,"_230":732,"_232":-5,"_125":733,"_28":234,"_235":236,"_237":907,"_239":908,"_241":909,"_243":628,"_245":910,"_247":911,"_249":912,"_251":479,"_253":913,"_255":256,"_257":914,"_154":915,"_259":-5,"_111":916,"_262":917,"_264":918,"_266":919,"_268":920,"_270":921,"_144":922,"_273":923},{"_219":189,"_220":849,"_20":850,"_223":851,"_225":-5,"_226":852,"_228":341,"_230":231,"_232":-5,"_125":342,"_28":234,"_235":236,"_237":853,"_239":854,"_241":855,"_243":856,"_245":857,"_247":858,"_249":859,"_251":252,"_253":860,"_255":256,"_257":861,"_154":-5,"_259":862,"_111":863,"_262":864,"_264":865,"_266":866,"_268":867,"_270":868,"_144":869,"_273":870},{"_219":190,"_220":791,"_20":792,"_223":793,"_225":-5,"_226":794,"_228":470,"_230":-5,"_232":-5,"_125":472,"_28":234,"_235":236,"_237":238,"_239":795,"_241":796,"_243":797,"_245":798,"_247":799,"_249":800,"_251":801,"_253":802,"_255":256,"_257":803,"_154":-5,"_259":-5,"_111":804,"_262":805,"_264":806,"_266":807,"_268":808,"_270":809,"_144":810,"_273":811},{"_219":191,"_220":728,"_20":729,"_223":730,"_225":-5,"_226":731,"_228":341,"_230":732,"_232":-5,"_125":733,"_28":234,"_235":236,"_237":734,"_239":735,"_241":736,"_243":737,"_245":738,"_247":739,"_249":740,"_251":608,"_253":741,"_255":256,"_257":742,"_154":743,"_259":-5,"_111":744,"_262":745,"_264":746,"_266":747,"_268":748,"_270":749,"_144":750,"_273":751},{"_219":192,"_220":665,"_20":666,"_223":667,"_225":-5,"_226":668,"_228":600,"_230":411,"_232":-5,"_125":669,"_28":234,"_235":126,"_237":343,"_239":670,"_241":671,"_243":672,"_245":673,"_247":674,"_249":675,"_251":350,"_253":676,"_255":256,"_257":677,"_154":-5,"_259":678,"_111":679,"_262":680,"_264":681,"_266":682,"_268":683,"_270":684,"_144":685,"_273":686},{"_219":183,"_220":596,"_20":597,"_223":598,"_225":-5,"_226":599,"_228":600,"_230":231,"_232":-5,"_125":601,"_28":234,"_235":236,"_237":238,"_239":602,"_241":603,"_243":604,"_245":605,"_247":606,"_249":607,"_251":608,"_253":609,"_255":256,"_257":610,"_154":611,"_259":-5,"_111":612,"_262":613,"_264":614,"_266":615,"_268":616,"_270":617,"_144":618,"_273":619},{"_219":184,"_220":536,"_20":537,"_223":538,"_225":-5,"_226":539,"_228":75,"_230":471,"_232":540,"_125":-5,"_28":234,"_235":236,"_237":541,"_239":542,"_241":543,"_243":544,"_245":545,"_247":546,"_249":547,"_251":479,"_253":548,"_255":256,"_257":549,"_154":-5,"_259":-5,"_111":550,"_262":551,"_264":552,"_266":553,"_268":554,"_270":555,"_144":556,"_273":557},{"_219":185,"_220":466,"_20":467,"_223":468,"_225":-5,"_226":469,"_228":470,"_230":471,"_232":-5,"_125":472,"_28":234,"_235":236,"_237":343,"_239":473,"_241":474,"_243":475,"_245":476,"_247":477,"_249":478,"_251":479,"_253":480,"_255":256,"_257":481,"_154":482,"_259":-5,"_111":483,"_262":484,"_264":485,"_266":486,"_268":487,"_270":488,"_144":489,"_273":490},{"_219":186,"_220":407,"_20":408,"_223":409,"_225":-5,"_226":410,"_228":75,"_230":411,"_232":-5,"_125":412,"_28":234,"_235":126,"_237":413,"_239":414,"_241":415,"_243":416,"_245":417,"_247":418,"_249":419,"_251":350,"_253":420,"_255":256,"_257":421,"_154":-5,"_259":-5,"_111":422,"_262":423,"_264":424,"_266":425,"_268":426,"_270":427,"_144":428,"_273":429},{"_219":179,"_220":337,"_20":338,"_223":339,"_225":-5,"_226":340,"_228":341,"_230":231,"_232":-5,"_125":342,"_28":234,"_235":126,"_237":343,"_239":344,"_241":345,"_243":346,"_245":347,"_247":348,"_249":349,"_251":350,"_253":351,"_255":256,"_257":352,"_154":-5,"_259":353,"_111":354,"_262":355,"_264":356,"_266":357,"_268":358,"_270":359,"_144":360,"_273":361},{"_219":180,"_220":221,"_20":222,"_223":224,"_225":-5,"_226":227,"_228":229,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":236,"_237":238,"_239":240,"_241":242,"_243":244,"_245":246,"_247":248,"_249":250,"_251":252,"_253":254,"_255":256,"_257":258,"_154":-5,"_259":260,"_111":261,"_262":263,"_264":265,"_266":267,"_268":269,"_270":271,"_144":272,"_273":274},"id","slug","allegory-of-painting-nga-32679","Allegory of Painting","artist",{"_42":322,"_220":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":333,"_335":336,"_140":93},"unrecorded","date","1765","century",18,"place","france","movement","neoclassicism","painting","classification","Painting","medium","oil on canvas","dimensions","overall: 101.5 x 130 cm (39 15/16 x 51 3/16 in.) framed: 129.5 x 157.5 cm (51 x 62 in.)","width_cm",130,"height_cm",101.5,"aspect",1.2692903625658507,"palette",[305,306,307,308,309],"museum",{"_219":300,"_220":301,"_42":302,"_303":304},"credit","Courtesy National Gallery of Art, Washington","accession","1946.7.1","licence","CC0","story","François Boucher painted this in 1765, aged 62. It is now at the National Gallery of Art in Washington, DC.","note","A young woman reclining on clouds draws a putto from life with a holder carrying white and black chalk, while her model, holding a torch and resting beside a quiver of arrows, eyes her from under his brows, like Cupid sitting for his portrait.","A young woman draws on an oval surface with white chalk while three winged, baby-like putti gather nearby, all on a bank of pale pink clouds in this horizontal painting. The woman and putti have pale, rosy skin, flushed cheeks, and hazel-brown eyes. To our left, the woman reclines with her upper body propped up on her far elbow, which rests on a steel-blue cushion as her legs stretch out to our right. Her light brown hair is braided and wrapped across the top of her head. She wears a loose, seafoam-green robe over a billowing ivory-white garment that has slipped off the shoulder closer to us. A round paint palette with brushes sticking out of its thumb hole and a roll of blue and white paper sit in the lower left corner, behind the woman. The woman and the objects are on a red cloth. In front of the woman is a rounded surface, perhaps a canvas, on which she draws. She holds up a gold-colored stylus with her right hand, closer to us, with a pointed piece of white chalk in one end and black chalk in the other. The canvas is taller than her head, so the child-like putto she draws on it is life-sized. The three nude putti on the far side of the canvas have copper or golden-blond, curly hair, flushed, rounded cheeks, short wings in white or peacock blue, pudgy torsos, and dimpled limbs. One putto, presumably the one the woman draws, sits back on the bank of clouds with a carnation-pink sash across his chest. He pulls his chin back and looks at her from under his eyebrows. He holds a gold-colored torch with a pink flame in one hand, and the other hand rests near a cylindrical quiver of arrows. Another putto peeks around the side of the canvas, and the third stands and props the canvas up. That third putto holds up a wreath of laurel leaves up over the canvas, above the woman’s drawing hand. The bank of clouds is parchment-brown with muted pink and blue highlights against a vivid blue sky. The artist signed and dated the lower right, “F Boucher – 1765.”","images",{"_294":295,"_296":297,"_298":299},"download_url","https://img.ochreeditions.com/m/1475.jpg?dl=1","page_url","/art/allegory-of-painting-nga-32679","walk_url","/galleries/style/painting/allegory-of-painting-nga-32679","frame",{"_290":291,"_292":293},{"_223":282,"_125":283,"_284":285},"size",{"_275":276,"_277":278,"_279":242,"_280":281},"w",145,"h",117.41943359375,"image_w","image_h",102.41943359375,{"_286":223,"_123":169,"_154":168,"_140":93},{"_286":125,"_123":287,"_154":288,"_140":289},"era",{"_286":284,"_123":165,"_154":164,"_140":167},"facet","style/neoclassicism","More Neoclassicism",109,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1475/480.jpg","960","https://img.ochreeditions.com/a/1475/960.jpg","1920","https://img.ochreeditions.com/a/1475/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_310":320,"_312":321},{"_310":318,"_312":319},{"_310":316,"_312":317},{"_310":314,"_312":315},{"_310":311,"_312":313},"hex","#774c35","weight",0.1156,"#a57a66",0.1425,"#b5a18e",0.2025,"#738d94",0.2138,"#6f7161",0.3256,"François Boucher","francois-boucher","bio","French, 1703–1770","nationality","French","birth_year",1703,"death_year",1770,"birth_place","Paris","death_place","about_excerpt","Boucher trained with François Lemoyne, won the Prix de Rome and spent several years in Italy before rising to become First Painter to Louis XV. Madame de Pompadour was his most important patron.","young-ladies-of-the-village-met-438820","Young Ladies of the Village",{"_42":399,"_220":400,"_324":401,"_326":327,"_328":402,"_330":403,"_332":404,"_334":405,"_335":406,"_140":91},"1851–52",19,"paris-salon-painting","Oil on canvas","76 3/4 x 102 3/4 in. (194.9 x 261 cm)",261,194.9,1.3386020372321743,[384,385,386,387,388],{"_219":380,"_220":381,"_42":382,"_303":383},"Courtesy of The Metropolitan Museum of Art","40.175","Gustave Courbet painted this in 1851–52, aged about 32. It is now at The Met in New York.","Three young women in their Sunday best, Courbet’s own sisters, pause on a hillside path near Ornans to give alms to a barefoot cowherd girl, while cows graze and a small dog stands nearby.","Young Ladies of the Village, by Gustave Courbet, 1851–52",{"_294":377,"_296":378,"_298":379},"https://img.ochreeditions.com/m/1195.jpg?dl=1","/art/young-ladies-of-the-village-met-438820","/galleries/style/painting/young-ladies-of-the-village-met-438820",{"_290":291,"_292":293},{"_223":366,"_125":367,"_284":368},{"_275":362,"_277":363,"_279":364,"_280":365},255,194.29152453424297,240,179.29152453424297,{"_286":223,"_123":375,"_154":376,"_140":91},{"_286":125,"_123":372,"_154":373,"_140":374},{"_286":284,"_123":369,"_154":370,"_140":371},"era/19-france","19th-century France",237,"style/paris-salon-painting","More Paris Salon painting",79,"artist/gustave-courbet","More by Gustave Courbet","https://img.ochreeditions.com/a/1195/480.jpg","https://img.ochreeditions.com/a/1195/960.jpg","https://img.ochreeditions.com/a/1195/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":397,"_312":398},{"_310":395,"_312":396},{"_310":393,"_312":394},{"_310":391,"_312":392},{"_310":389,"_312":390},"#986d2b",0.1188,"#1d1406",0.1211,"#768178",0.234,"#45300c",0.238,"#694912",0.2881,"Gustave Courbet","gustave-courbet","French, 1819–1877",1819,1877,"Ornans","La Tour-de-Peilz","Courbet left his native Ornans for Paris and became the standard-bearer of Realism, painting ordinary people and his own region on the scale reserved for history painting, as in A Burial at Ornans.","portrait-of-a-carthusian-met-435896","Portrait of a Carthusian",{"_42":460,"_220":461,"_324":462,"_326":463,"_328":-5,"_330":464,"_332":-5,"_334":465,"_335":-5,"_140":101},"1446","netherlands","early-netherlandish-art","Oil on oak","Overall 11 1/2 x 8 1/2 in. (29.2 x 21.6 cm); painted surface 11 1/2 x 7 3/8 in. (29.2 x 18.7 cm)",21.6,29.2,0.729,[445,446,447,448,449],{"_219":380,"_220":381,"_42":382,"_303":383},"49.7.19","Petrus Christus painted this in 1446. It is now at The Met in New York.","Portrait of a Carthusian, by Petrus Christus, 1446",{"_294":442,"_296":443,"_298":444},"https://img.ochreeditions.com/m/1075.jpg?dl=1","/art/portrait-of-a-carthusian-met-435896","/galleries/style/painting/portrait-of-a-carthusian-met-435896",{"_290":291,"_292":293},{"_223":433,"_125":434,"_284":435},{"_275":430,"_277":431,"_279":432,"_280":416},36.2868,44.2,21.2868,{"_286":223,"_123":440,"_154":441,"_140":89},{"_286":125,"_123":438,"_154":439,"_140":53},{"_286":284,"_123":436,"_154":437,"_140":81},"era/15-netherlands","15th-century Netherlands","style/early-netherlandish-art","More Early Netherlandish art","artist/contemporaries-of-petrus-christus","Petrus Christus's contemporaries","https://img.ochreeditions.com/a/1075/480.jpg","https://img.ochreeditions.com/a/1075/960.jpg","https://img.ochreeditions.com/a/1075/1920.jpg",{"_310":458,"_312":459},{"_310":456,"_312":457},{"_310":454,"_312":455},{"_310":452,"_312":453},{"_310":450,"_312":451},"#775d41",0.0605,"#a88f6a",0.09,"#372d25",0.1678,"#4f2c18",0.3336,"#1b0e0b",0.3481,"Petrus Christus","petrus-christus","Netherlandish, died 1476","Netherlandish",1476,"Bruges","jacques-and-berthe-lipchitz-aic-27987","Jacques and Berthe Lipchitz",{"_42":529,"_220":530,"_324":531,"_326":532,"_328":533,"_330":534,"_332":-5,"_334":-5,"_335":535,"_140":97},"1916",20,"italy","early-modernism","81.3 × 54.3 cm (32 × 21 3/8 in.)",54,81,0.6668341708542713,[514,515,516,517,518],{"_219":510,"_220":511,"_42":512,"_303":513},"Courtesy of the Art Institute of Chicago","1926.221","Amedeo Modigliani painted this in 1916, aged 32. It is now at the Art Institute of Chicago.",{"_118":507,"_508":509},"Large painting, standing man blue turtleneck, sitting woman with white collar.",{"_294":504,"_296":505,"_298":506},"https://img.ochreeditions.com/m/117.jpg?dl=1","/art/jacques-and-berthe-lipchitz-aic-27987","/galleries/style/painting/jacques-and-berthe-lipchitz-aic-27987",{"_290":291,"_292":293},{"_223":494,"_125":495,"_284":496},{"_275":491,"_277":492,"_279":493,"_280":475},69.01356783919599,96,54.01356783919598,{"_286":223,"_123":502,"_154":503,"_140":97},{"_286":125,"_123":499,"_154":500,"_140":501},{"_286":284,"_123":497,"_154":498,"_140":97},"era/20-italy","20th-century Italy","style/early-modernism","More Early modernism",68,"artist/amedeo-modigliani","More by Amedeo Modigliani","https://img.ochreeditions.com/a/117/480.jpg","https://img.ochreeditions.com/a/117/960.jpg","https://img.ochreeditions.com/a/117/1920.jpg","Amedeo Modigliani created his finest paintings between 1914 and his premature death in 1920. Focusing on a limited range of subjects, mainly portraits and nudes, he developed a highly distinctive style of sensitively elongated forms.","source","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":527,"_312":528},{"_310":525,"_312":526},{"_310":523,"_312":524},{"_310":521,"_312":522},{"_310":519,"_312":520},"#975e44",0.109,"#5b4030",0.1101,"#666961",0.1581,"#404342",0.182,"#342522",0.4408,"Amedeo Modigliani","amedeo-modigliani","Italian, 1884–1920","Italian",1884,1920,"Modigliani trained in Italy before moving to Paris in 1906, where he lived the precarious life of Montmartre and Montparnasse.","noli-me-tangere-aic-16207","Noli Me Tangere",{"_42":590,"_220":591,"_324":592,"_326":532,"_328":593,"_330":594,"_332":-5,"_334":-5,"_335":595,"_140":95},"1500–05","renaissance","Tempera on panel, transferred to canvas","27.3 × 46.3 cm (10 3/4 × 18 1/4 in.)",46,27,1.7202205158495767,[575,576,577,578,579],{"_219":510,"_220":511,"_42":512,"_303":513},"1933.1026","Perugino painted this in 1500–05, aged about 50. It is now at the Art Institute of Chicago.","A work made of tempera on panel, transferred to canvas.",{"_294":572,"_296":573,"_298":574},"https://img.ochreeditions.com/m/47.jpg?dl=1","/art/noli-me-tangere-aic-16207","/galleries/style/painting/noli-me-tangere-aic-16207",{"_290":291,"_292":293},{"_223":561,"_125":562,"_284":563},{"_275":558,"_277":559,"_279":543,"_280":560},61,41.74075769715005,26.740757697150052,{"_286":223,"_123":570,"_154":571,"_140":95},{"_286":125,"_123":567,"_154":568,"_140":569},{"_286":284,"_123":564,"_154":565,"_140":566},"era/15-italy","15th-century Italy",57,"style/renaissance","More Renaissance",78,"artist/perugino","More by Perugino","https://img.ochreeditions.com/a/47/480.jpg","https://img.ochreeditions.com/a/47/960.jpg","https://img.ochreeditions.com/a/47/1920.jpg",{"_310":588,"_312":589},{"_310":586,"_312":587},{"_310":584,"_312":585},{"_310":582,"_312":583},{"_310":580,"_312":581},"#7b7f70",0.0938,"#75442e",0.1022,"#835020",0.1681,"#47402e",0.2141,"#796841",0.4218,"Perugino","perugino","Italian, c. 1450/55–1523",1450,1523,"Pietro Vannucci took the name Perugino from Perugia, the chief city of his native Umbria, and trained in Florence, probably alongside Leonardo in Verrocchio’s studio.","saint-peter-repentant-cma-128842","Saint Peter Repentant",{"_42":658,"_220":659,"_324":660,"_326":327,"_328":661,"_330":662,"_332":663,"_334":664,"_335":-5,"_140":101},"1645",17,"french-classicism","Framed: 140.3 x 119.1 x 7 cm (55 1/4 x 46 7/8 x 2 3/4 in.); Unframed: 114 x 95 cm (44 7/8 x 37 3/8 in.)",95,114,0.8144117647058824,[643,644,645,646,647],{"_219":639,"_220":640,"_42":641,"_303":642},"Courtesy of the Cleveland Museum of Art","1951.454","Georges de La Tour painted this in 1645, aged 52. It is now at the Cleveland Museum of Art.",{"_118":637,"_508":638},"Saint Peter Repentant, by Georges de La Tour, 1645",{"_294":634,"_296":635,"_298":636},"https://img.ochreeditions.com/m/593.jpg?dl=1","/art/saint-peter-repentant-cma-128842","/galleries/style/painting/saint-peter-repentant-cma-128842",{"_290":291,"_292":293},{"_223":623,"_125":624,"_284":625},{"_275":620,"_277":621,"_279":622,"_280":604},107.84294117647059,129,92.84294117647059,{"_286":223,"_123":632,"_154":633,"_140":89},{"_286":125,"_123":629,"_154":630,"_140":631},{"_286":284,"_123":626,"_154":627,"_140":628},"era/17-france","17th-century France",30,"style/french-classicism","More French classicism",29,"artist/contemporaries-of-georges-de-la-tour","Georges de La Tour's contemporaries","https://img.ochreeditions.com/a/593/480.jpg","https://img.ochreeditions.com/a/593/960.jpg","https://img.ochreeditions.com/a/593/1920.jpg","During Jesus’s arrest on the night of the Last Supper, the apostle Peter denied knowing him. Although Christ forgave his betrayal, Peter was consumed by guilt. Georges de La Tour represents Peter as an old man, reflecting on his past actions in a state of perpetual repentance.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":656,"_312":657},{"_310":654,"_312":655},{"_310":652,"_312":653},{"_310":650,"_312":651},{"_310":648,"_312":649},"#966349",0.0346,"#5e3f2d",0.0913,"#3a2a20",0.1484,"#221f1a",0.3074,"#121210",0.4183,"Georges de La Tour","georges-de-la-tour","French, 1593–1652",1593,1652,"Vic-sur-Seille","Lunéville","merrymakers-at-shrovetide-met-436622","Merrymakers at Shrovetide",{"_42":719,"_220":720,"_324":721,"_326":722,"_328":723,"_330":724,"_332":725,"_334":726,"_335":727,"_140":99},"ca. 1616–17","dutch-and-flemish-baroque","51 3/4 x 39 1/4 in. (131.4 x 99.7 cm)",99.7,131.4,0.7673293927995701,[704,705,706,707,708],{"_219":380,"_220":381,"_42":382,"_303":383},"14.40.605","Frans Hals painted this in about 1616–17, aged about 34. It is now at The Met in New York.","An elaborately dressed young woman sits at a crowded table during the boisterous days before Lent, surrounded by grinning revellers, among them two stock characters of Dutch carnival theatre, Peeckelhaeringh and Hans Wurst.","Merrymakers at Shrovetide, by Frans Hals, ca. 1616–17",{"_294":701,"_296":702,"_298":703},"https://img.ochreeditions.com/m/1102.jpg?dl=1","/art/merrymakers-at-shrovetide-met-436622","/galleries/style/painting/merrymakers-at-shrovetide-met-436622",{"_290":291,"_292":293},{"_223":690,"_125":691,"_284":692},{"_275":687,"_277":688,"_279":689,"_280":672},115.82708221386352,146.4,100.82708221386352,{"_286":223,"_123":699,"_154":700,"_140":99},{"_286":125,"_123":696,"_154":697,"_140":698},{"_286":284,"_123":693,"_154":694,"_140":695},"era/17-netherlands","17th-century Netherlands",91,"style/dutch-and-flemish-baroque","More Dutch and Flemish Baroque",94,"artist/frans-hals","More by Frans Hals","https://img.ochreeditions.com/a/1102/480.jpg","https://img.ochreeditions.com/a/1102/960.jpg","https://img.ochreeditions.com/a/1102/1920.jpg",{"_310":717,"_312":718},{"_310":715,"_312":716},{"_310":713,"_312":714},{"_310":711,"_312":712},{"_310":709,"_312":710},"#7e6d55",0.085,"#524736",0.1237,"#5f3b28",0.1702,"#392b1e",0.2822,"#1f1c17",0.3389,"Frans Hals","frans-hals","Dutch, 1582–1666","Dutch",1582,1666,"Antwerp","Haarlem","Hals was born in Antwerp but spent his whole career in Haarlem, where he became its leading portraitist.","beggar-kojiki-cma-154263","Beggar (Kojiki)",{"_42":785,"_220":786,"_324":787,"_326":788,"_328":789,"_330":790,"_332":-5,"_334":-5,"_335":-5,"_140":103},"1871","japan","japanese-painting","hanging scroll; ink on paper","Overall: 215.3 x 93 cm (84 3/4 x 36 5/8 in.); Painting only: 141 x 70.8 cm (55 1/2 x 27 7/8 in.)",93,215.3,0.5120588235294118,[770,771,772,773,774],{"_219":639,"_220":640,"_42":641,"_303":642},"1988.73","Hirafuku Suian painted this in 1871, aged 27. It is now at the Cleveland Museum of Art.",{"_118":769,"_508":638},"Beggar (Kojiki), by Hirafuku Suian, 1871",{"_294":766,"_296":767,"_298":768},"https://img.ochreeditions.com/m/744.jpg?dl=1","/art/beggar-kojiki-cma-154263","/galleries/style/painting/beggar-kojiki-cma-154263",{"_290":291,"_292":293},{"_223":755,"_125":756,"_284":757},{"_275":752,"_277":753,"_279":754,"_280":737},125.24626470588237,230.3,110.24626470588237,{"_286":223,"_123":764,"_154":765,"_140":89},{"_286":125,"_123":761,"_154":762,"_140":763},{"_286":284,"_123":758,"_154":759,"_140":760},"era/19-japan","19th-century Japan",99,"style/japanese-painting","More Japanese painting",76,"artist/contemporaries-of-hirafuku-suian","Hirafuku Suian's contemporaries","https://img.ochreeditions.com/a/744/480.jpg","https://img.ochreeditions.com/a/744/960.jpg","https://img.ochreeditions.com/a/744/1920.jpg","The Japanese term for beggar, kojiki, derives from the word kotsujiki, which refers to Buddhist monks taking bowls from door to door to request sustenance. The son of the artist Suian Bunrō, Suian Hirafuku was born in Kakunodate in Japan’s northern Akita prefecture. When he was 16, he went to study in Kyoto.",{"_310":783,"_312":784},{"_310":781,"_312":782},{"_310":779,"_312":780},{"_310":777,"_312":778},{"_310":775,"_312":776},"#66635c",0.0578,"#8a857a",0.1439,"#a29b8f",0.1714,"#d6cbbb",0.2978,"#bcb3a3",0.3291,"Hirafuku Suian","hirafuku-suian","Japanese, 1844–1890","Japanese",1844,1890,"the-bride-si-saam-1929-6-75","The Bride",{"_42":844,"_220":845,"_324":846,"_326":-5,"_328":847,"_330":848,"_332":-5,"_334":-5,"_335":-5,"_140":101},"ca. 1907","27 1/2 x 16 3/8 in. (70.0 x 41.7 cm)",41.7,70,0.5956666666666667,[829,830,831,832,833],{"_219":826,"_220":827,"_42":828,"_303":304},"Courtesy of the Smithsonian American Art Museum","1929.6.75","Gari Melchers painted this in about 1907, aged 47. It is now at the Smithsonian American Art Museum in Washington, DC.","The Bride, by Gari Melchers, ca. 1907",{"_294":823,"_296":824,"_298":825},"https://img.ochreeditions.com/m/1882.jpg?dl=1","/art/the-bride-si-saam-1929-6-75","/galleries/style/painting/the-bride-si-saam-1929-6-75",{"_290":291,"_292":293},{"_223":815,"_125":816,"_284":817},{"_275":812,"_277":813,"_279":814,"_280":797},56.696666666666665,85,41.696666666666665,{"_286":223,"_123":821,"_154":822,"_140":89},{"_286":125,"_123":499,"_154":500,"_140":501},{"_286":284,"_123":818,"_154":819,"_140":820},"era/20","The 20th century",189,"artist/contemporaries-of-gari-melchers","Gari Melchers's contemporaries","https://img.ochreeditions.com/a/1882/480.jpg","https://img.ochreeditions.com/a/1882/960.jpg","https://img.ochreeditions.com/a/1882/1920.jpg","si","smithsonian","Smithsonian Institution",{"_310":842,"_312":843},{"_310":840,"_312":841},{"_310":838,"_312":839},{"_310":836,"_312":837},{"_310":834,"_312":835},"#916a56",0.0868,"#5e5e59",0.169,"#a8a89a",0.2192,"#9a472b",0.2299,"#868783",0.2951,"Gari Melchers","gari-melchers","born Detroit MI 1860-died Falmouth, VA 1932",1860,1932,"corot-s-studio-woman-seated-before-an-easel-a-mandolin-in-he-nga-1148","Corot's Studio: Woman Seated Before an Easel, a Mandolin in her Hand",{"_42":897,"_220":898,"_324":899,"_326":327,"_328":900,"_330":901,"_332":333,"_334":333,"_335":902,"_140":87},"c. 1868","oil on wood","overall: 61.8 x 40 cm (24 5/16 x 15 3/4 in.) framed: 78.4 x 56.5 cm (30 7/8 x 22 1/4 in.)",40,61.8,0.64990234375,[882,883,884,885,886],{"_219":300,"_220":301,"_42":302,"_303":304},"1942.9.11","Jean Baptiste Camille Corot painted this in about 1868, aged 72. It is now at the National Gallery of Art in Washington, DC.","A young model in a green bodice and olive skirt sits with her back half turned, a mandolin resting at her side, and reaches out to touch a landscape on the easel before her, while a black and white dog looks up at her. Small paintings and plaster casts hang on the wall above a stove.","A young, pale-skinned woman sits with her back to us as she looks at a painting on an easel in a studio in this vertical painting. She sits in a ladder-back wood chair so her knees angle away from us, toward the back right corner of the studio. We look onto the side of her right cheek as she leans forward. Her brown hair is combed back and twisted into a bun wrapped with a raspberry-red ribbon that trails down her back. Touches of pearl white, pale pink, and silvery gray suggest flowers by the ear we can see. A cream-white chemise falls off the shoulder closer to us, under a grass-green bodice. She holds a mandolin down by her right side, which is closer to us, to nestle in the folds of her voluminous, olive-green skirt. She reaches forward with her other hand to touch the lower left corner of the painting resting on the easel. That vertically-oriented scene is loosely painted and shows a few people gathered in a landscape. A white and black dog stands with one front leg lifted to the left of the woman's chair, looking at her. The wall opposite us is parchment white over a strip of molding, like a high chair rail, and muted mauve pink below. An L-shaped pipe leads to an iron stove to our left of center. A narrow shelf tucked into the L of the pipe holds three hand-sized sculptures or casts. Small paintings and plaster casts hang around it on the wall above the molding. The artist signed the painting in the lower right: “COROT.”",{"_294":879,"_296":880,"_298":881},"https://img.ochreeditions.com/m/1328.jpg?dl=1","/art/corot-s-studio-woman-seated-before-an-easel-a-mandolin-in-he-nga-1148","/galleries/style/painting/corot-s-studio-woman-seated-before-an-easel-a-mandolin-in-he-nga-1148",{"_290":291,"_292":293},{"_223":874,"_125":875,"_284":876},{"_275":871,"_277":872,"_279":873,"_280":856},55.16396484375,76.8,40.16396484375,{"_286":223,"_123":877,"_154":878,"_140":87},{"_286":125,"_123":372,"_154":373,"_140":374},{"_286":284,"_123":369,"_154":370,"_140":371},"artist/jean-baptiste-camille-corot","More by Jean Baptiste Camille Corot","https://img.ochreeditions.com/a/1328/480.jpg","https://img.ochreeditions.com/a/1328/960.jpg","https://img.ochreeditions.com/a/1328/1920.jpg",{"_310":895,"_312":896},{"_310":893,"_312":894},{"_310":891,"_312":892},{"_310":889,"_312":890},{"_310":887,"_312":888},"#a9936b",0.0469,"#836e50",0.1749,"#4a3d2d",0.2411,"#68543c",0.2626,"#2f251d",0.2745,"Jean Baptiste Camille Corot","jean-baptiste-camille-corot","French, 1796–1875",1796,1875,"Corot trained with the landscape painters Achille-Etna Michallon and Jean-Victor Bertin, then spent 1825–28 in Italy, where his small oil sketches of Rome and the Campagna caught its clear light with great economy. He returned to Italy twice and travelled widely in France.","legends-of-the-yuzu-nembutsu-sect-aic-56731","Legends of the Yūzū Nembutsu Sect","Unrecorded Japanese maker","Kamakura period (1185–1333), 14th century","Handscroll; ink, colors, and gold on paper","30.5 × 1176.9 cm (12 × 460 in.)",1176,2.5077772202709485,[937,938,939,940,941],{"_219":510,"_220":511,"_42":512,"_303":513},"1956.1256","An unrecorded Japan artist painted this in the Kamakura period (1185–1333), 14th century. It is now at the Art Institute of Chicago.",{"_118":936,"_508":509},"Long painted scroll, green, brown mountains, wooden house, Amida Buddha on cloud.",{"_294":933,"_296":934,"_298":935},"https://img.ochreeditions.com/m/169.jpg?dl=1","/art/legends-of-the-yuzu-nembutsu-sect-aic-56731","/galleries/style/painting/legends-of-the-yuzu-nembutsu-sect-aic-56731",{"_290":291,"_292":293},{"_223":926,"_125":927,"_284":928},{"_275":362,"_277":924,"_279":364,"_280":925},110.70228091236494,95.70228091236494,{"_286":223,"_123":931,"_154":932,"_140":229},{"_286":125,"_123":761,"_154":762,"_140":763},{"_286":284,"_123":929,"_154":930,"_140":95},"era/12","The 12th century","artist/unrecorded-japan","More by unrecorded makers of Japan","https://img.ochreeditions.com/a/169/480.jpg","https://img.ochreeditions.com/a/169/960.jpg","https://img.ochreeditions.com/a/169/1920.jpg","Commissioned and executed in the mid-14th century, this lengthy horizontal scroll illustrates the founding of the Yūzū Nembutsu sect of Japanese Buddhism.",{"_310":950,"_312":951},{"_310":948,"_312":949},{"_310":946,"_312":947},{"_310":944,"_312":945},{"_310":942,"_312":943},"#9c9a77",0.0325,"#988771",0.1256,"#ae9575",0.2006,"#b19e89",0.2281,"#c4ae95",0.4132,"landscape-two-men-sitting-under-a-tree-beside-a-waterfall-si-fsg-f1911-161b","Landscape: two men sitting under a tree beside a waterfall",{"_42":1006,"_220":1007,"_324":-5,"_326":-5,"_328":-5,"_330":1008,"_332":-5,"_334":-5,"_335":-5,"_140":103},"14th-15th century","china","chinese-painting","Ink on silk","H x W: 25.4 x 30.8 cm (10 x 12 1/8 in)",30.8,25.4,1.7255546425636812,[992,993,994,995,996],{"_219":826,"_220":827,"_42":828,"_303":304},"Courtesy of the National Museum of Asian Art, Smithsonian Institution","F1911.161b","Xia Gui painted this in 14th-15th century. It is now at the National Museum of Asian Art in Washington, DC.","Album leaf",{"_294":989,"_296":990,"_298":991},"https://img.ochreeditions.com/m/1799.jpg?dl=1","/art/landscape-two-men-sitting-under-a-tree-beside-a-waterfall-si-fsg-f1911-161b","/galleries/style/painting/landscape-two-men-sitting-under-a-tree-beside-a-waterfall-si-fsg-f1911-161b",{"_290":291,"_292":293},{"_223":980,"_125":981,"_284":982},{"_275":976,"_277":977,"_279":978,"_280":979},51.7414739493453,36.29255895064439,36.7414739493453,21.292558950644395,{"_286":223,"_123":987,"_154":988,"_140":89},{"_286":125,"_123":985,"_154":986,"_140":763},{"_286":284,"_123":983,"_154":984,"_140":763},"era/china","China","style/chinese-painting","More Chinese painting","artist/contemporaries-of-xia-gui","Xia Gui's contemporaries","https://img.ochreeditions.com/a/1799/480.jpg","https://img.ochreeditions.com/a/1799/960.jpg","https://img.ochreeditions.com/a/1799/1920.jpg",{"_310":1004,"_312":1005},{"_310":1002,"_312":1003},{"_310":1000,"_312":1001},{"_310":998,"_312":999},{"_310":997,"_312":943},"#7c6d55","#544c3f",0.0946,"#645743",0.1448,"#9a7a53",0.2741,"#dcd0b3",0.454,"Xia Gui","xia-gui",1230,"eaton-s-neck-long-island-met-11307","Eaton's Neck, Long Island",{"_42":1063,"_220":1064,"_324":1065,"_326":1066,"_328":1067,"_330":1068,"_332":1069,"_334":383,"_335":1070,"_140":93},"1872","united-states","hudson-river-school","18 x 36 in. (45.7 x 91.4 cm)",91.4,45.7,2.071376547705754,[1048,1049,1050,1051,1052],{"_219":380,"_220":381,"_42":382,"_303":383},"74.29","John Frederick Kensett painted this in 1872, aged 56. It is now at The Met in New York.","A curving strip of sandy beach meets a broad expanse of calm water beneath a vast, pale sky. Kensett painted this spare, almost empty composition in 1872, the last summer of his life, which he spent on the Connecticut shore of Long Island Sound.","Eaton's Neck, Long Island, by John Frederick Kensett, 1872",{"_294":1045,"_296":1046,"_298":1047},"https://img.ochreeditions.com/m/840.jpg?dl=1","/art/eaton-s-neck-long-island-met-11307","/galleries/style/painting/eaton-s-neck-long-island-met-11307",{"_290":291,"_292":293},{"_223":1035,"_125":1036,"_284":1037},{"_275":1032,"_277":1033,"_279":1016,"_280":1034},106.4,59.125246132208154,44.125246132208154,{"_286":223,"_123":1043,"_154":1044,"_140":93},{"_286":125,"_123":1041,"_154":1042,"_140":544},{"_286":284,"_123":1038,"_154":1039,"_140":1040},"era/19-united-states","19th-century United States",198,"style/hudson-river-school","More Hudson River School","artist/john-frederick-kensett","More by John Frederick Kensett","https://img.ochreeditions.com/a/840/480.jpg","https://img.ochreeditions.com/a/840/960.jpg","https://img.ochreeditions.com/a/840/1920.jpg",{"_310":1061,"_312":1062},{"_310":1059,"_312":1060},{"_310":1057,"_312":1058},{"_310":1055,"_312":1056},{"_310":1053,"_312":1054},"#c8b799",0.0791,"#352819",0.0912,"#7b7251",0.1028,"#555745",0.1295,"#8e9588",0.5974,"John Frederick Kensett","john-frederick-kensett","American, 1816–1872","American",1816,1872,"Cheshire, Connecticut","Kensett trained as an engraver before spending seven years in Europe, sketching in England and Italy. Back in New York in 1847 he became a leading figure of the second generation of the Hudson River School.","study-for-the-dancing-lesson-the-banjo-player-nga-66414","Study for \"The Dancing Lesson\": The Banjo Player",{"_42":1123,"_220":1124,"_324":1125,"_326":1066,"_328":789,"_330":1126,"_332":1127,"_334":1127,"_335":1128,"_140":87},"probably 1877","american-gilded-age","oil on canvas on cardboard","overall: 49.5 x 37.9 cm (19 1/2 x 14 15/16 in.) framed: 57.9 x 45.7 x 3.5 cm (22 13/16 x 18 x 1 3/8 in.)",37.9,49.5,0.75341796875,[1108,1109,1110,1111,1112],{"_219":300,"_220":301,"_42":302,"_303":304},"1985.64.16","Thomas Eakins painted this (probably 1877), aged 33. It is now at the National Gallery of Art in Washington, DC.","A young banjo player leans over his instrument, lit from the left so that his profile falls into shadow, in an oil study Thomas Eakins made for his watercolour The Dancing Lesson of 1878.","A young, gangly, brown-skinned boy sits on a green chair and leans over the banjo he plays in this loosely painted, vertical composition. His body faces our right in profile, and his head leans to his left and away from us. Light comes from our left to highlight his ear and the side of his chin, but throws his profile into shadow against the lighter background. The boy has short black hair and wears a white shirt with the sleeves rolled up, black pants, and black shoes. The floor is loosely painted with streaks of earth brown, taupe, and dark moss green. The wall behind the boy is painted with visible strokes of parchment brown, peachy tan, pearl white, and fog gray. The space to our left of the boy is dark brown, and an outline of a standing person is sketched in the top left corner. A grid is overlaid across the boy’s body and the chair.",{"_294":1105,"_296":1106,"_298":1107},"https://img.ochreeditions.com/m/1606.jpg?dl=1","/art/study-for-the-dancing-lesson-the-banjo-player-nga-66414","/galleries/style/painting/study-for-the-dancing-lesson-the-banjo-player-nga-66414",{"_290":291,"_292":293},{"_223":1097,"_125":1098,"_284":1099},{"_275":1094,"_277":1095,"_279":1096,"_280":1079},52.294189453125,64.5,37.294189453125,{"_286":223,"_123":1103,"_154":1104,"_140":87},{"_286":125,"_123":1100,"_154":1101,"_140":1102},{"_286":284,"_123":1038,"_154":1039,"_140":1040},"style/american-gilded-age","More American Gilded Age",67,"artist/thomas-eakins","More by Thomas Eakins","https://img.ochreeditions.com/a/1606/480.jpg","https://img.ochreeditions.com/a/1606/960.jpg","https://img.ochreeditions.com/a/1606/1920.jpg",{"_310":1121,"_312":1122},{"_310":1119,"_312":1120},{"_310":1117,"_312":1118},{"_310":1115,"_312":1116},{"_310":1113,"_312":1114},"#b2a17f",0.111,"#8b775a",0.1413,"#463422",0.2197,"#6a543b",0.251,"#282017",0.277,"Thomas Eakins","thomas-eakins","American, 1844–1916",1916,"Philadelphia, Pennsylvania","Eakins studied in Paris under Jean-Léon Gérôme and was impressed in Spain by Velázquez and Ribera, then returned to Philadelphia, where he spent his life.","the-sea-si-saam-1925-12-2","The Sea",{"_42":1181,"_220":1182,"_324":1183,"_326":-5,"_328":1184,"_330":1185,"_332":-5,"_334":-5,"_335":-5,"_140":101},"1870","sight 29 7/8 x 49 3/4 in. (75.9 x 126.3 cm.)",126.3,75.9,1.6574585635359116,[1166,1167,1168,1169,1170],{"_219":826,"_220":827,"_42":828,"_303":304},"1925.12.2","Edward Moran painted this in 1870, aged 41. It is now at the Smithsonian American Art Museum in Washington, DC.","The Sea, by Edward Moran, 1870",{"_294":1163,"_296":1164,"_298":1165},"https://img.ochreeditions.com/m/1871.jpg?dl=1","/art/the-sea-si-saam-1925-12-2","/galleries/style/painting/the-sea-si-saam-1925-12-2",{"_290":291,"_292":293},{"_223":1152,"_125":1153,"_284":1154},{"_275":1149,"_277":1150,"_279":1134,"_280":1151},141.3,91.201,76.201,{"_286":223,"_123":1161,"_154":1162,"_140":89},{"_286":125,"_123":1158,"_154":1159,"_140":1160},{"_286":284,"_123":1155,"_154":1156,"_140":1157},"era/19","The 19th century",731,"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-edward-moran","Edward Moran's contemporaries","https://img.ochreeditions.com/a/1871/480.jpg","https://img.ochreeditions.com/a/1871/960.jpg","https://img.ochreeditions.com/a/1871/1920.jpg",{"_310":1179,"_312":1180},{"_310":1177,"_312":1178},{"_310":1175,"_312":1176},{"_310":1173,"_312":1174},{"_310":1171,"_312":1172},"#847d6b",0.088,"#32322f",0.183,"#696559",0.1904,"#151515",0.2229,"#4a4842",0.3157,"Edward Moran","edward-moran","born Bolton, England 1829-died New York City 1901",1829,1901,"the-standing-figure-of-a-woman-si-fsg-f1915-31","The standing figure of a woman",{"_42":1233,"_220":1234,"_324":1235,"_326":-5,"_328":-5,"_330":-5,"_332":-5,"_334":-5,"_335":-5,"_140":103},"17th century","Ink and color on silk panel","H x W: 130.6 x 50.8 cm (51 7/16 x 20 in)",50.8,130.6,0.4635396137169886,[1218,1219,1220,1221,1222],{"_219":826,"_220":827,"_42":828,"_303":304},"F1915.31","Spurious signature of Yuan Qian painted this in 17th century. It is now at the National Museum of Asian Art in Washington, DC.","Hanging scroll (mounted on panel)",{"_294":1215,"_296":1216,"_298":1217},"https://img.ochreeditions.com/m/1805.jpg?dl=1","/art/the-standing-figure-of-a-woman-si-fsg-f1915-31","/galleries/style/painting/the-standing-figure-of-a-woman-si-fsg-f1915-31",{"_290":291,"_292":293},{"_223":1210,"_125":1211,"_284":1212},{"_275":1207,"_277":1208,"_279":1209,"_280":1193},75.5382735514387,145.6,60.53827355143871,{"_286":223,"_123":1213,"_154":1214,"_140":89},{"_286":125,"_123":985,"_154":986,"_140":763},{"_286":284,"_123":983,"_154":984,"_140":763},"artist/contemporaries-of-spurious-signature-of-yuan-qian","Spurious signature of Yuan Qian's contemporaries","https://img.ochreeditions.com/a/1805/480.jpg","https://img.ochreeditions.com/a/1805/960.jpg","https://img.ochreeditions.com/a/1805/1920.jpg",{"_310":1231,"_312":1232},{"_310":1229,"_312":1230},{"_310":1227,"_312":1228},{"_310":1225,"_312":1226},{"_310":1223,"_312":1224},"#f6f5f1",0.069,"#a88f50",0.0943,"#84774f",0.1002,"#58422f",0.2074,"#684d30",0.5291,"Spurious signature of Yuan Qian","spurious-signature-of-yuan-qian","Mid-15th century",{"_1237":-5,"_1238":1239,"_1240":1241,"_1242":8,"_1243":1244,"_1245":8},"user","csrf","b5e3cb8a7bd0598e054c8fa05ba3f79c31860b16","cartCount",0,"dropLive","legal",[1246,1247,1248,1249,1250,1251,1252,1253,1254,1255,1256,1257],"uploadsEnabled",{"_220":1280,"_20":1281},{"_220":1278,"_20":1279},{"_220":1276,"_20":1277},{"_220":1274,"_20":1275},{"_220":1272,"_20":1273},{"_220":1270,"_20":1271},{"_220":1268,"_20":1269},{"_220":1266,"_20":1267},{"_220":1264,"_20":1265},{"_220":1262,"_20":1263},{"_220":1260,"_20":1261},{"_220":1258,"_20":1259},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]