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He had joined the anti-Manchu resistance, was briefly imprisoned, and witnessed the death of family members in 1644. Like other artists, Yun Shouping expressed his Ming loyalism in coded pictures.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","city","Cleveland",{"_318":328,"_320":329},{"_318":326,"_320":327},{"_318":324,"_320":325},{"_318":322,"_320":323},{"_318":319,"_320":321},"hex","#ebd5b5","weight",0.0533,"#8a7e44",0.0657,"#b09959",0.1122,"#d1b27b",0.1466,"#e7c892",0.6222,"Yun Shouping","yun-shouping","bio","Chinese, 1633–1690","nationality","Chinese","birth_year",1633,"death_year",1690,"birth_place","death_place","about_excerpt","view-from-mount-holyoke-northampton-massachusetts-after-a-th-met-10497","View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow",{"_42":405,"_224":406,"_332":407,"_334":408,"_336":409,"_338":410,"_340":411,"_341":412,"_342":413,"_140":99},"1836",19,"united-states","hudson-river-school","Oil on canvas","51 1/2 x 76 in. (130.8 x 193 cm)",193,130.8,1.4635931211123308,[390,391,392,393,394],{"_223":386,"_224":387,"_42":388,"_311":389},"Courtesy of The Metropolitan Museum of Art","08.228","Thomas Cole painted this in 1836, aged 35. It is now at The Met in New York.","From the summit of Mount Holyoke, the Connecticut River loops in a great oxbow through cultivated fields, while at the left a storm passes over wild, shattered trees. 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It is now at the Cleveland Museum of Art.",{"_118":454,"_306":307},"Orchids and Rocks, by Yi Ha-eung, 1897–98",{"_299":451,"_301":452,"_303":453},"https://img.ochreeditions.com/m/455.jpg?dl=1","/art/orchids-and-rocks-cma-86399","/galleries/style/painting/orchids-and-rocks-cma-86399",{"_295":296,"_297":298},{"_227":442,"_125":443,"_289":444},{"_279":438,"_281":439,"_283":440,"_285":441},162.632613840241,80.91361994396641,147.632613840241,65.91361994396641,{"_291":227,"_123":449,"_154":450,"_140":89},{"_291":125,"_123":447,"_154":448,"_140":347},{"_291":289,"_123":445,"_154":446,"_140":95},"era/19-korea","19th-century Korea","style/korean-painting","More Korean painting","artist/contemporaries-of-yi-ha-eung","Yi Ha-eung's contemporaries","https://img.ochreeditions.com/a/455/480.jpg","https://img.ochreeditions.com/a/455/960.jpg","https://img.ochreeditions.com/a/455/1920.jpg","Yi Ha-eung (1820−1898), the artist of this eight-panel folding screen, was one of the most influential men in late 19th-century Korea. Acting as the regent for his son, King Gojong (1852−1919), who ascended the throne at the age of thirteen, Yi ruled Korea from 1866 to 1873.",{"_318":468,"_320":469},{"_318":466,"_320":467},{"_318":464,"_320":465},{"_318":462,"_320":463},{"_318":460,"_320":461},"#af9776",0.1078,"#f1dfc5",0.1449,"#d3c2a3",0.1713,"#d6b182",0.2575,"#7d6a4a",0.3185,"Yi Ha-eung","yi-ha-eung","Korean, 1820–1898","Korean",1820,1898,"the-roll-call-of-the-last-victims-of-the-terror-aic-111730","The Roll Call of the Last Victims of the Terror",{"_42":534,"_224":535,"_332":536,"_334":537,"_336":538,"_338":539,"_340":-5,"_341":-5,"_342":-5,"_140":103},"c. 1850","france","paris-salon-painting","76.2 × 132 cm (30 × 52 in.); Framed: 115.6 × 172.8 × 12.1 cm (45 1/2 × 68 × 4 3/4 in.)",132,1.7930250189537529,[519,520,521,522,523],{"_223":515,"_224":516,"_42":517,"_311":518},"Courtesy of the Art Institute of Chicago","2019.1421","Charles Louis-Lucien Muller painted this in about 1850, aged about 30. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_299":512,"_301":513,"_303":514},"https://img.ochreeditions.com/m/289.jpg?dl=1","/art/the-roll-call-of-the-last-victims-of-the-terror-aic-111730","/galleries/style/painting/the-roll-call-of-the-last-victims-of-the-terror-aic-111730",{"_295":296,"_297":298},{"_227":501,"_125":502,"_289":503},{"_279":498,"_281":499,"_283":483,"_285":500},147,88.61860465116278,73.61860465116278,{"_291":227,"_123":510,"_154":511,"_140":89},{"_291":125,"_123":507,"_154":508,"_140":509},{"_291":289,"_123":504,"_154":505,"_140":506},"era/19-france","19th-century France",237,"style/paris-salon-painting","More Paris Salon painting",79,"artist/contemporaries-of-charles-louis-lucien-muller","Charles Louis-Lucien Muller's contemporaries","https://img.ochreeditions.com/a/289/480.jpg","https://img.ochreeditions.com/a/289/960.jpg","https://img.ochreeditions.com/a/289/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_318":532,"_320":533},{"_318":530,"_320":531},{"_318":528,"_320":529},{"_318":526,"_320":527},{"_318":524,"_320":525},"#8c7856",0.0375,"#6d532e",0.1174,"#4e3616",0.1598,"#312109",0.2714,"#211908",0.4139,"Charles Louis-Lucien Muller","charles-louis-lucien-muller","French, 1815–1892","French",1815,1892,"daniel-crommelin-verplanck-met-10522","Daniel Crommelin Verplanck",{"_42":594,"_224":595,"_332":596,"_334":408,"_336":597,"_338":538,"_340":598,"_341":599,"_342":600,"_140":95},"1771","american-colonial-and-federal","49 1/2 x 40 in. (125.7 x 101.6 cm)",101.6,125.7,0.800107469102633,[579,580,581,582,583],{"_223":386,"_224":387,"_42":388,"_311":389},"49.12","John Singleton Copley painted this in 1771, aged 33. It is now at The Met in New York.","Daniel Crommelin Verplanck, a boy of about nine from a prominent New York family, poses with his pet squirrel on a fine chain beside him.","Daniel Crommelin Verplanck, by John Singleton Copley, 1771",{"_299":576,"_301":577,"_303":578},"https://img.ochreeditions.com/m/815.jpg?dl=1","/art/daniel-crommelin-verplanck-met-10522","/galleries/style/painting/daniel-crommelin-verplanck-met-10522",{"_295":296,"_297":298},{"_227":565,"_125":566,"_289":567},{"_279":562,"_281":563,"_283":564,"_285":547},115.57350886620097,140.7,100.57350886620097,{"_291":227,"_123":574,"_154":575,"_140":95},{"_291":125,"_123":571,"_154":572,"_140":573},{"_291":289,"_123":568,"_154":569,"_140":570},"era/18-united-states","18th-century United States",21,"style/american-colonial-and-federal","More American colonial and Federal art",29,"artist/john-singleton-copley","More by John Singleton Copley","https://img.ochreeditions.com/a/815/480.jpg","https://img.ochreeditions.com/a/815/960.jpg","https://img.ochreeditions.com/a/815/1920.jpg",{"_318":592,"_320":593},{"_318":590,"_320":591},{"_318":588,"_320":589},{"_318":586,"_320":587},{"_318":584,"_320":585},"#8e5336",0.0475,"#a59174",0.0576,"#685636",0.0901,"#3b2a1a",0.3434,"#181513",0.4614,"John Singleton Copley","john-singleton-copley","American, 1738–1815",1738,"Boston, Massachusetts","London","Copley was largely self-taught and became colonial America’s finest portraitist, painting Boston merchants and their families with sharp, tactile realism, from glinting silver to polished mahogany.","the-infant-krishna-spirited-away-by-vasudev-from-a-copy-of-t-aic-131908","The Infant Krishna Spirited Away by Vasudev, from a copy of the Dispersed Bhagavat Purana","Unrecorded Indian maker","c. 1520–1530","india","mughal-and-rajput-painting","Opaque watercolor on paper","17.4 × 23.3 cm (6 13/16 × 9 3/16 in.)",23,1.3156956819739547,[639,640,641,642,643],{"_223":515,"_224":516,"_42":517,"_311":518},"1998.182","An unrecorded India artist painted this in about 1520–1530. It is now at the Art Institute of Chicago.","A work made of opaque watercolor on paper.",{"_299":636,"_301":637,"_303":638},"https://img.ochreeditions.com/m/315.jpg?dl=1","/art/the-infant-krishna-spirited-away-by-vasudev-from-a-copy-of-t-aic-131908","/galleries/style/painting/the-infant-krishna-spirited-away-by-vasudev-from-a-copy-of-t-aic-131908",{"_295":296,"_297":298},{"_227":627,"_125":628,"_289":629},{"_279":623,"_281":624,"_283":625,"_285":626},40,34.001354448843514,25,19.00135444884351,{"_291":227,"_123":634,"_154":635,"_140":570},{"_291":125,"_123":632,"_154":633,"_140":623},{"_291":289,"_123":630,"_154":631,"_140":53},"era/16-india","16th-century India","style/mughal-and-rajput-painting","More Mughal and Rajput painting","artist/unrecorded-india","More by unrecorded makers of India","https://img.ochreeditions.com/a/315/480.jpg","https://img.ochreeditions.com/a/315/960.jpg","https://img.ochreeditions.com/a/315/1920.jpg",{"_318":652,"_320":653},{"_318":650,"_320":651},{"_318":648,"_320":649},{"_318":646,"_320":647},{"_318":644,"_320":645},"#4a4b4f",0.1215,"#ae4c46",0.1508,"#826e5b",0.1904,"#e1bb91",0.2411,"#ba8967",0.2962,"on-the-beach-sunset-met-438551","On the Beach, Sunset",{"_42":701,"_224":702,"_332":703,"_334":537,"_336":704,"_338":475,"_340":705,"_341":706,"_342":-5,"_140":103},"1865","Oil on wood","15 x 23 in. (38.1 x 58.4 cm)",58.4,38.1,1.6100549218419942,[686,687,688,689,690],{"_223":386,"_224":387,"_42":388,"_311":389},"2003.20.2","Eugène Boudin painted this in 1865, aged 41. It is now at The Met in New York.","On the Beach, Sunset, by Eugène Boudin, 1865",{"_299":683,"_301":684,"_303":685},"https://img.ochreeditions.com/m/1184.jpg?dl=1","/art/on-the-beach-sunset-met-438551","/galleries/style/painting/on-the-beach-sunset-met-438551",{"_295":296,"_297":298},{"_227":678,"_125":679,"_289":680},{"_279":675,"_281":676,"_283":660,"_285":677},73.4,51.27205457885069,36.27205457885069,{"_291":227,"_123":681,"_154":682,"_140":89},{"_291":125,"_123":507,"_154":508,"_140":509},{"_291":289,"_123":504,"_154":505,"_140":506},"artist/contemporaries-of-eugene-boudin","Eugène Boudin's contemporaries","https://img.ochreeditions.com/a/1184/480.jpg","https://img.ochreeditions.com/a/1184/960.jpg","https://img.ochreeditions.com/a/1184/1920.jpg",{"_318":699,"_320":700},{"_318":697,"_320":698},{"_318":695,"_320":696},{"_318":693,"_320":694},{"_318":691,"_320":692},"#3b3929",0.0836,"#716f58",0.102,"#6f5932",0.2137,"#aba67c",0.225,"#93a08a",0.3757,"Eugène Boudin","eugene-boudin","French, 1824–1898",1824,"Honfleur","Deauville","seven-jeweled-mountain-cma-155043","Seven Jeweled Mountain","Unrecorded Korean maker","late 1800s","ten-panel screen; ink and color on silk","Overall: 185.2 x 42.9 cm (72 15/16 x 16 7/8 in.); Each screen: 158.2 x 42.9 cm (62 5/16 x 16 7/8 in.)",439.8,178.4,2.4233784746970777,[744,745,746,747,748],{"_223":308,"_224":309,"_42":310,"_311":312},"1989.6","An unrecorded Korea, Joseon dynasty (1392–1910) artist painted this in the late 1800s. It is now at the Cleveland Museum of Art.",{"_118":743,"_306":307},"Seven Jeweled Mountain, late 1800s",{"_299":740,"_301":741,"_303":742},"https://img.ochreeditions.com/m/747.jpg?dl=1","/art/seven-jeweled-mountain-cma-155043","/galleries/style/painting/seven-jeweled-mountain-cma-155043",{"_295":296,"_297":298},{"_227":733,"_125":734,"_289":735},{"_279":729,"_281":730,"_283":731,"_285":732},255,114.03529411764706,240,99.03529411764706,{"_291":227,"_123":738,"_154":739,"_140":83},{"_291":125,"_123":447,"_154":448,"_140":347},{"_291":289,"_123":736,"_154":737,"_140":95},"era/18-korea","18th-century Korea","artist/unrecorded-korea","More by unrecorded makers of Korea","https://img.ochreeditions.com/a/747/480.jpg","https://img.ochreeditions.com/a/747/960.jpg","https://img.ochreeditions.com/a/747/1920.jpg","With a bird’s-eye view, this ten-panel folding screen portrays the famous Seven Jeweled Mountain 칠보산 in North Korea.",{"_318":757,"_320":758},{"_318":755,"_320":756},{"_318":753,"_320":754},{"_318":751,"_320":752},{"_318":749,"_320":750},"#28404e",0.0373,"#534c3c",0.1286,"#8e7251",0.2194,"#bb9263",0.2578,"#a3815a",0.3569,"self-portrait-cma-144976","Self-Portrait",{"_42":815,"_224":816,"_332":817,"_334":408,"_336":818,"_338":819,"_340":-5,"_341":-5,"_342":-5,"_140":103},20,"early-modernism","oil on wood","Unframed: 88.9 x 70.9 cm (35 x 27 15/16 in.)",70.9,88.9,0.8029411764705883,[800,801,802,803,804],{"_223":308,"_224":309,"_42":310,"_311":312},"1970.17","Abbott Handerson Thayer painted this in 1920, aged 71. It is now at the Cleveland Museum of Art.",{"_118":799,"_306":307},"Self-Portrait, by Abbott Handerson Thayer, 1920",{"_299":796,"_301":797,"_303":798},"https://img.ochreeditions.com/m/675.jpg?dl=1","/art/self-portrait-cma-144976","/galleries/style/painting/self-portrait-cma-144976",{"_295":296,"_297":298},{"_227":785,"_125":786,"_289":787},{"_279":782,"_281":783,"_283":784,"_285":767},86.3814705882353,103.9,71.3814705882353,{"_291":227,"_123":794,"_154":795,"_140":89},{"_291":125,"_123":791,"_154":792,"_140":793},{"_291":289,"_123":788,"_154":789,"_140":790},"era/20-united-states","20th-century United States",124,"style/early-modernism","More Early modernism",68,"artist/contemporaries-of-abbott-handerson-thayer","Abbott Handerson Thayer's contemporaries","https://img.ochreeditions.com/a/675/480.jpg","https://img.ochreeditions.com/a/675/960.jpg","https://img.ochreeditions.com/a/675/1920.jpg","In 1919, an art commentator described Abbott Handerson Thayer as \"a man of slight build and of a nervous temperament, with a glance so intense and clear and penetrating; with a mind so keen and logical and which acts with such precision that the impression received of the man's personality is enduring.\"",{"_318":813,"_320":814},{"_318":811,"_320":812},{"_318":809,"_320":810},{"_318":807,"_320":808},{"_318":805,"_320":806},"#ad8b6f",0.0362,"#7e6856",0.1906,"#604e3f",0.2433,"#4d4139",0.2475,"#383028",0.2824,"Abbott Handerson Thayer","abbott-handerson-thayer","American, 1849–1921",1849,1921,"landscape-with-travelers-cma-97189","Landscape with Travelers",{"_42":877,"_224":878,"_332":879,"_334":880,"_336":881,"_338":882,"_340":-5,"_341":-5,"_342":883,"_140":97},"1630s","netherlands","dutch-golden-age","oil on canvas","Framed: 98 x 119 x 9 cm (38 9/16 x 46 7/8 x 3 9/16 in.); Unframed: 75 x 94.8 cm (29 1/2 x 37 5/16 in.)",94.8,75,1.2743628185907045,[862,863,864,865,866],{"_223":308,"_224":309,"_42":310,"_311":312},"1916.823","Herman van Swanevelt painted this in the 1630s, aged about 30. It is now at the Cleveland Museum of Art.",{"_118":861,"_306":307},"Landscape with Travelers, by Herman van Swanevelt, 1630s",{"_299":858,"_301":859,"_303":860},"https://img.ochreeditions.com/m/488.jpg?dl=1","/art/landscape-with-travelers-cma-97189","/galleries/style/painting/landscape-with-travelers-cma-97189",{"_295":296,"_297":298},{"_227":847,"_125":848,"_289":849},{"_279":844,"_281":845,"_283":828,"_285":846},109.8,89.39011764705883,74.39011764705883,{"_291":227,"_123":856,"_154":857,"_140":97},{"_291":125,"_123":853,"_154":854,"_140":855},{"_291":289,"_123":850,"_154":851,"_140":852},"era/17-netherlands","17th-century Netherlands",91,"style/dutch-golden-age","More Dutch Golden Age",44,"artist/herman-van-swanevelt","More by Herman van Swanevelt","https://img.ochreeditions.com/a/488/480.jpg","https://img.ochreeditions.com/a/488/960.jpg","https://img.ochreeditions.com/a/488/1920.jpg","Swanevelt played an important role in the development of 17th-century landscape painting in Rome. Often regarded as a follower of Claude Lorrain (1600-1682), with whom he briefly shared a home, most scholars now believe that the influence was mutual.",{"_318":875,"_320":876},{"_318":873,"_320":874},{"_318":871,"_320":872},{"_318":869,"_320":870},{"_318":867,"_320":868},"#ac9d77",0.0663,"#868674",0.0894,"#8198a7",0.1475,"#4a4634",0.1731,"#2e2d26",0.5237,"Herman van Swanevelt","herman-van-swanevelt","Dutch, c. 1600–1655","Dutch",1600,1655,"Van Swanevelt, from Woerden in Holland, spent the late 1620s and 1630s in Rome, where he worked in the circle of Claude Lorrain and became one of the Dutch painters who carried the golden light of the Roman Campagna into northern landscape.","harmony-in-green-and-rose-the-music-room-si-fsg-f1917-234a-b","Harmony in Green and Rose: The Music Room",{"_42":942,"_224":943,"_332":944,"_334":408,"_336":945,"_338":946,"_340":947,"_341":599,"_342":948,"_140":347},"1860-1861","realism","H x W: 96.3 x 71.7 cm (37 15/16 x 28 1/4 in)",71.7,96.3,0.8108888888888889,[927,928,929,930,931],{"_223":923,"_224":924,"_42":925,"_311":926},"Courtesy of the National Museum of Asian Art, Smithsonian Institution","F1917.234a-b","James McNeill Whistler painted this in 1860-1861, aged about 26. It is now at the National Museum of Asian Art in Washington, DC.",{"_118":921,"_306":922},"Oil painting",{"_299":918,"_301":919,"_303":920},"https://img.ochreeditions.com/m/1814.jpg?dl=1","/art/harmony-in-green-and-rose-the-music-room-si-fsg-f1917-234a-b","/galleries/style/painting/harmony-in-green-and-rose-the-music-room-si-fsg-f1917-234a-b",{"_295":296,"_297":298},{"_227":910,"_125":911,"_289":912},{"_279":907,"_281":908,"_283":909,"_285":891},93.0886,111.3,78.0886,{"_291":227,"_123":916,"_154":917,"_140":347},{"_291":125,"_123":913,"_154":914,"_140":915},{"_291":289,"_123":375,"_154":376,"_140":377},"style/realism","More Realism",41,"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/1814/480.jpg","https://img.ochreeditions.com/a/1814/960.jpg","https://img.ochreeditions.com/a/1814/1920.jpg","Set in the London home of Whistler's brother-in-law Seymour Haden, this painting was originally titled The Morning Call. The woman reflected in the mirror at the left is Whistler's half sister Deborah Haden. The seated girl is his niece, Annie Haden.","Text from the National Museum of Asian Art.","si","smithsonian","Smithsonian Institution","Washington, DC",{"_318":940,"_320":941},{"_318":938,"_320":939},{"_318":936,"_320":937},{"_318":934,"_320":935},{"_318":932,"_320":933},"#341616",0.0565,"#1d1c1d",0.0913,"#685b48",0.134,"#a1967a",0.1842,"#b99a60",0.534,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,1903,"Lowell, Massachusetts","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","procession-of-gondolas-in-the-bacino-di-san-marco-venice-nga-32587","Procession of Gondolas in the Bacino di San Marco, Venice",{"_42":1005,"_224":1006,"_332":1007,"_334":1008,"_336":1009,"_338":1010,"_340":-5,"_341":-5,"_342":-5,"_140":101},"1742 or after","italy","italian-settecento","overall: 160.7 x 221.6 cm (63 1/4 x 87 1/4 in.) framed: 181.6 x 239.7 cm (71 1/2 x 94 3/8 in.)",221.6,160.7,1.3671562082777036,[991,992,993,994,995],{"_223":988,"_224":989,"_42":990,"_311":926},"Courtesy National Gallery of Art, Washington","1945.15.2","Antonio Joli painted this in 1742 or after, aged 42. It is now at the National Gallery of Art in Washington, DC.","The painting depicts many large and small ships on blue-green water. Gondolas in shades of gold, black, red, and blue drift across the water, small people on them pushing long poles through the water. There are also large sailboats and long boats with several rowers. They create a colorful mix. On the left, a large brown building with columns is visible. Some of the boats pull up to it, and many people in colorful clothing are visible on the shore. Behind the water are more large buildings in shades of brown, cream, and tan, with even more people visible on the streets below them. There is a large tower in the center of the painting, and several blue domes are visible in the distance. The sky is light blue, with white and gray clouds drifting across it.",{"_299":985,"_301":986,"_303":987},"https://img.ochreeditions.com/m/1469.jpg?dl=1","/art/procession-of-gondolas-in-the-bacino-di-san-marco-venice-nga-32587","/galleries/style/painting/procession-of-gondolas-in-the-bacino-di-san-marco-venice-nga-32587",{"_295":296,"_297":298},{"_227":975,"_125":976,"_289":977},{"_279":972,"_281":973,"_283":956,"_285":974},236.6,177.08828125,162.08828125,{"_291":227,"_123":983,"_154":984,"_140":89},{"_291":125,"_123":981,"_154":982,"_140":625},{"_291":289,"_123":978,"_154":979,"_140":980},"era/18-italy","18th-century Italy",49,"style/italian-settecento","More Italian Settecento","artist/contemporaries-of-antonio-joli","Antonio Joli's contemporaries","https://img.ochreeditions.com/a/1469/480.jpg","https://img.ochreeditions.com/a/1469/960.jpg","https://img.ochreeditions.com/a/1469/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_318":1003,"_320":1004},{"_318":1002,"_320":939},{"_318":1000,"_320":1001},{"_318":998,"_320":999},{"_318":996,"_320":997},"#857154",0.0984,"#332d29",0.0994,"#5c4c3b",0.1144,"#59655b","#9bb9c0",0.5036,"Antonio Joli","antonio-joli","Italian, c. 1700–1777","Italian",1700,1777,"a-young-man-with-a-chain-cma-122348","A Young Man with a Chain",{"_42":1059,"_224":1060,"_332":1061,"_334":880,"_336":1062,"_338":1063,"_340":1064,"_341":1065,"_342":1066,"_140":77},"c. 1629 or 1632","Framed: 83.8 x 69.9 x 12.7 cm (33 x 27 1/2 x 5 in.); Unframed: 57.8 x 43.8 cm (22 3/4 x 17 1/4 in.)",43.8,57.8,0.7485294117647059,[1044,1045,1046,1047,1048],{"_223":308,"_224":309,"_42":310,"_311":312},"1942.644","Rembrandt van Rijn painted this in about 1629 or 1632, aged about 19. It is now at the Cleveland Museum of Art.",{"_118":1043,"_306":307},"A Young Man with a Chain, by Rembrandt van Rijn, c. 1629 or 1632",{"_299":1040,"_301":1041,"_303":1042},"https://img.ochreeditions.com/m/556.jpg?dl=1","/art/a-young-man-with-a-chain-cma-122348","/galleries/style/painting/a-young-man-with-a-chain-cma-122348",{"_295":296,"_297":298},{"_227":1035,"_125":1036,"_289":1037},{"_279":1032,"_281":1033,"_283":1034,"_285":1017},58.265,72.8,43.265,{"_291":227,"_123":1038,"_154":1039,"_140":77},{"_291":125,"_123":853,"_154":854,"_140":855},{"_291":289,"_123":850,"_154":851,"_140":852},"artist/rembrandt-van-rijn","More by Rembrandt van Rijn","https://img.ochreeditions.com/a/556/480.jpg","https://img.ochreeditions.com/a/556/960.jpg","https://img.ochreeditions.com/a/556/1920.jpg","This painting is an example of a tronie , a Dutch word meaning “head” or “facial expression.” Tronies were not intended to be identifiable portraits, but artistic investigations of facial appearance and fanciful costume.",{"_318":1057,"_320":1058},{"_318":1055,"_320":1056},{"_318":1053,"_320":1054},{"_318":1051,"_320":1052},{"_318":1049,"_320":1050},"#574431",0.0221,"#997a61",0.0319,"#272117",0.2298,"#010101",0.3522,"#1b1813",0.364,"Rembrandt van Rijn","rembrandt-van-rijn","Dutch, 1606–1669",1606,1669,"Leiden","Amsterdam","Rembrandt trained in Leiden and Amsterdam, settled in Amsterdam in the early 1630s and became the city’s most sought-after portraitist.","paris-street-rainy-day-aic-20684","Paris Street; Rainy Day",{"_42":1119,"_224":1120,"_332":1121,"_334":537,"_336":410,"_338":1122,"_340":-5,"_341":-5,"_342":-5,"_140":103},"1877","impressionism","212.2 × 276.2 cm (83 1/2 × 108 3/4 in.); Framed: 241.3 × 306.1 × 10.2 cm (95 × 120 1/2 × 4 in.)",276,212,1.2878143133462283,[1104,1105,1106,1107,1108],{"_223":515,"_224":516,"_42":517,"_311":518},"1964.336","Gustave Caillebotte painted this in 1877, aged 29. It is now at the Art Institute of Chicago.",{"_118":1102,"_306":1103},"Life-size painting of an urban scene in Paris. A man in a top hat holding an umbrella and a woman in a long fashionable dark dress walk arm in arm toward the viewer as other city dwellers with umbrellas walk in various directions across cobblestone roads and sidewalks.",{"_299":1099,"_301":1100,"_303":1101},"https://img.ochreeditions.com/m/77.jpg?dl=1","/art/paris-street-rainy-day-aic-20684","/galleries/style/painting/paris-street-rainy-day-aic-20684",{"_295":296,"_297":298},{"_227":1091,"_125":1092,"_289":1093},{"_279":729,"_281":1089,"_283":731,"_285":1090},201.3622709522379,186.3622709522379,{"_291":227,"_123":1097,"_154":1098,"_140":89},{"_291":125,"_123":1094,"_154":1095,"_140":1096},{"_291":289,"_123":504,"_154":505,"_140":506},"style/impressionism","More Impressionism",53,"artist/contemporaries-of-gustave-caillebotte","Gustave Caillebotte's contemporaries","https://img.ochreeditions.com/a/77/480.jpg","https://img.ochreeditions.com/a/77/960.jpg","https://img.ochreeditions.com/a/77/1920.jpg","Considered Caillebotte’s masterpiece, this view of a busy intersection captures both an everyday moment and all that was new in a rapidly changing Paris. The clothes are the latest fashion. The retractable umbrella was just invented.","Text from the Art Institute of Chicago.",{"_318":1117,"_320":1118},{"_318":1115,"_320":1116},{"_318":1113,"_320":1114},{"_318":1111,"_320":1112},{"_318":1109,"_320":1110},"#816460",0.0593,"#545c62",0.1859,"#232930",0.1996,"#c2bdb3",0.2382,"#90928f",0.317,"Gustave Caillebotte","gustave-caillebotte","French, 1848–1894",1894,"young-husband-first-marketing-met-21126","Young Husband: First Marketing",{"_42":1169,"_224":1170,"_332":1171,"_334":408,"_336":1172,"_338":1173,"_340":-5,"_341":-5,"_342":-5,"_140":101},"1854","29 1/2 x 24 3/4 in. (74.9 x 62.9 cm)",62.9,74.9,0.8345825794779013,[1154,1155,1156,1157,1158],{"_223":386,"_224":387,"_42":388,"_311":389},"2015.401","Lilly Martin Spencer painted this in 1854, aged 32. It is now at The Met in New York.","Young Husband: First Marketing, by Lilly Martin Spencer, 1854",{"_299":1151,"_301":1152,"_303":1153},"https://img.ochreeditions.com/m/870.jpg?dl=1","/art/young-husband-first-marketing-met-21126","/galleries/style/painting/young-husband-first-marketing-met-21126",{"_295":296,"_297":298},{"_227":1146,"_125":1147,"_289":1148},{"_279":1143,"_281":1144,"_283":1145,"_285":1129},77.51023520289482,89.9,62.51023520289481,{"_291":227,"_123":1149,"_154":1150,"_140":89},{"_291":125,"_123":913,"_154":914,"_140":915},{"_291":289,"_123":375,"_154":376,"_140":377},"artist/contemporaries-of-lilly-martin-spencer","Lilly Martin Spencer's contemporaries","https://img.ochreeditions.com/a/870/480.jpg","https://img.ochreeditions.com/a/870/960.jpg","https://img.ochreeditions.com/a/870/1920.jpg",{"_318":1167,"_320":1168},{"_318":1165,"_320":1166},{"_318":1163,"_320":1164},{"_318":1161,"_320":1162},{"_318":1159,"_320":1160},"#8f633d",0.0796,"#1a1613",0.1527,"#6b4c34",0.2202,"#38251c",0.2594,"#4e3727",0.2881,"Lilly Martin Spencer","lilly-martin-spencer","1822–1902",1822,1902,"the-fall-of-man-with-scenes-of-the-creation-aic-35184","The Fall of Man with Scenes of the Creation",{"_42":1229,"_224":1230,"_332":1231,"_334":1231,"_336":-5,"_338":1232,"_340":-5,"_341":-5,"_342":-5,"_140":103},"1544","germany","renaissance","Oil on panel","48.6 × 58.4 cm (19 1/8 × 23 in.); Framed: 57.5 × 66.7 × 5.1 cm (22 5/8 × 26 1/4 × 2 in.)",58,48,1.206162990771156,[1214,1215,1216,1217,1218],{"_223":515,"_224":516,"_42":517,"_311":518},"1970.1009","Augustus Cordus painted this in 1544. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_299":1211,"_301":1212,"_303":1213},"https://img.ochreeditions.com/m/133.jpg?dl=1","/art/the-fall-of-man-with-scenes-of-the-creation-aic-35184","/galleries/style/painting/the-fall-of-man-with-scenes-of-the-creation-aic-35184",{"_295":296,"_297":298},{"_227":1200,"_125":1201,"_289":1202},{"_279":1197,"_281":1198,"_283":1182,"_285":1199},73,63.08637012060692,48.08637012060692,{"_291":227,"_123":1209,"_154":1210,"_140":89},{"_291":125,"_123":1206,"_154":1207,"_140":1208},{"_291":289,"_123":1203,"_154":1204,"_140":1205},"era/16-germany","16th-century Germany",28,"style/renaissance","More Renaissance",78,"artist/contemporaries-of-augustus-cordus","Augustus Cordus's contemporaries","https://img.ochreeditions.com/a/133/480.jpg","https://img.ochreeditions.com/a/133/960.jpg","https://img.ochreeditions.com/a/133/1920.jpg",{"_318":1227,"_320":1228},{"_318":1225,"_320":1226},{"_318":1223,"_320":1224},{"_318":1221,"_320":1222},{"_318":1219,"_320":1220},"#896b4b",0.1501,"#58706a",0.1504,"#b0967d",0.1627,"#544a2d",0.1963,"#312f23",0.3405,"Augustus Cordus","augustus-cordus","German",1553,{"_1234":-5,"_1235":1236,"_1237":1238,"_1239":8,"_1240":1241,"_1242":8},"user","csrf","a72a3f452adaca2b42450db357e8fe698e15d2ac","cartCount",0,"dropLive","legal",[1243,1244,1245,1246,1247,1248,1249,1250,1251,1252,1253,1254],"uploadsEnabled",{"_224":1277,"_20":1278},{"_224":1275,"_20":1276},{"_224":1273,"_20":1274},{"_224":1271,"_20":1272},{"_224":1269,"_20":1270},{"_224":1267,"_20":1268},{"_224":1265,"_20":1266},{"_224":1263,"_20":1264},{"_224":1261,"_20":1262},{"_224":1259,"_20":1260},{"_224":1257,"_20":1258},{"_224":1255,"_20":1256},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]