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(20.3 x 29.5 cm)",29.5,20.3,1.4641288433382138,[383,384,385,386,387],{"_223":379,"_224":380,"_42":381,"_306":382},"Courtesy of the Smithsonian American Art Museum","1930.12.38","Lorenzo J. Hatch painted this in 1883, aged 26. It is now at the Smithsonian American Art Museum in Washington, DC.","Sketch on the Potomac, by Lorenzo J. Hatch, 1883",{"_297":376,"_299":377,"_301":378},"https://img.ochreeditions.com/m/1886.jpg?dl=1","/art/sketch-on-the-potomac-si-saam-1930-12-38","/galleries/style/painting-19/sketch-on-the-potomac-si-saam-1930-12-38",{"_293":294,"_295":296},{"_227":365,"_125":366,"_287":367},{"_278":362,"_280":363,"_282":346,"_284":364},44.5,35.1485,20.1485,{"_289":227,"_123":374,"_154":375,"_140":89},{"_289":125,"_123":371,"_154":372,"_140":373},{"_289":287,"_123":368,"_154":369,"_140":370},"era/19","The 19th century",731,"style/painting","More paintings",1127,"artist/contemporaries-of-lorenzo-j-hatch","Lorenzo J. 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The brushstrokes of the painting are light and feathery.",{"_297":442,"_299":443,"_301":444},"https://img.ochreeditions.com/m/1608.jpg?dl=1","/art/the-artist-s-wife-fishing-nga-66417","/galleries/style/painting-19/the-artist-s-wife-fishing-nga-66417",{"_293":294,"_295":296},{"_227":431,"_125":432,"_287":433},{"_278":428,"_280":429,"_282":411,"_284":430},116,109.810791015625,94.810791015625,{"_289":227,"_123":440,"_154":441,"_140":99},{"_289":125,"_123":437,"_154":438,"_140":439},{"_289":287,"_123":434,"_154":435,"_140":436},"era/19-france","19th-century France",237,"style/paris-salon-painting","More Paris Salon painting",79,"artist/jean-louis-forain","More by Jean Louis Forain","https://img.ochreeditions.com/a/1608/480.jpg","https://img.ochreeditions.com/a/1608/960.jpg","https://img.ochreeditions.com/a/1608/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_313":461,"_315":462},{"_313":459,"_315":460},{"_313":457,"_315":458},{"_313":455,"_315":456},{"_313":453,"_315":454},"#74695d",0.1365,"#486f61",0.1383,"#b2997e",0.1547,"#3d4b3c",0.2349,"#9da187",0.3356,"Jean Louis Forain","jean-louis-forain","French, 1852–1931","French",1852,1931,"Forain was a friend and follower of Degas and showed in four of the Impressionist exhibitions. He became best known as a caricaturist, contributing incisive drawings to the Paris press that mocked the bourgeoisie, the courts and politics, often with sharp captions.","fish-still-life-aic-44892","Fish (Still Life)",{"_42":525,"_224":526,"_327":527,"_329":466,"_331":528,"_333":529,"_335":530,"_337":530,"_339":531,"_140":53},"1864","73.5 × 92.4 cm (28 15/16 × 36 3/8 in.); Framed: 108.6 × 127 × 12.7 cm (42 3/4 × 50 × 5 in.)",92,73,1.2622034154450656,[510,511,512,513,514],{"_223":506,"_224":507,"_42":508,"_306":509},"Courtesy of the Art Institute of Chicago","1942.311","Édouard Manet painted this in 1864, aged 32. It is now at the Art Institute of Chicago.",{"_118":503,"_504":505},"Still-life painting, fish, open oysters, eel, lemon on tablecloth.",{"_297":500,"_299":501,"_301":502},"https://img.ochreeditions.com/m/150.jpg?dl=1","/art/fish-still-life-aic-44892","/galleries/style/painting-19/fish-still-life-aic-44892",{"_293":294,"_295":296},{"_227":495,"_125":496,"_287":497},{"_278":492,"_280":493,"_282":475,"_284":494},107,87.88840996168582,72.88840996168582,{"_289":227,"_123":498,"_154":499,"_140":53},{"_289":125,"_123":437,"_154":438,"_140":439},{"_289":287,"_123":434,"_154":435,"_140":436},"artist/edouard-manet","More by Édouard Manet","https://img.ochreeditions.com/a/150/480.jpg","https://img.ochreeditions.com/a/150/960.jpg","https://img.ochreeditions.com/a/150/1920.jpg","This painting, like many of Manet’s still lifes, recalls 17th-century Dutch models. The directness of execution, bold brushwork, and immediacy of vision, however, suggest why the public found Manet’s work so unorthodox and confrontational.","source","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_313":523,"_315":524},{"_313":521,"_315":522},{"_313":519,"_315":520},{"_313":517,"_315":518},{"_313":515,"_315":516},"#b6a435",0.0089,"#6b5241",0.1403,"#bdb29a",0.2047,"#938771",0.2105,"#32281f",0.4356,"Édouard Manet","edouard-manet","French, 1832–1883",1832,1883,"Paris","Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.","the-millinery-shop-aic-14572","The Millinery Shop",{"_42":584,"_224":585,"_327":586,"_329":466,"_331":332,"_333":587,"_335":530,"_337":530,"_339":588,"_140":75},"1879-86","impressionism","100 × 110.7 cm (39 3/8 × 43 9/16 in.); Framed: 132.1 × 142.3 × 9.6 cm (52 × 56 × 3 3/4 in.)",110,100,1.101254677525864,[569,570,571,572,573],{"_223":506,"_224":507,"_42":508,"_306":509},"1933.428","Edgar Degas painted this in 1879-86, aged about 45. It is now at the Art Institute of Chicago.",{"_118":568,"_504":505},"Impressionist painting of woman wearing green dress trying on hats.",{"_297":565,"_299":566,"_301":567},"https://img.ochreeditions.com/m/31.jpg?dl=1","/art/the-millinery-shop-aic-14572","/galleries/style/painting-19/the-millinery-shop-aic-14572",{"_293":294,"_295":296},{"_227":557,"_125":558,"_287":559},{"_278":554,"_280":555,"_282":538,"_284":556},125,114.8860683589846,99.8860683589846,{"_289":227,"_123":563,"_154":564,"_140":75},{"_289":125,"_123":560,"_154":561,"_140":562},{"_289":287,"_123":434,"_154":435,"_140":436},"style/impressionism","More Impressionism",53,"artist/edgar-degas","More by Edgar Degas","https://img.ochreeditions.com/a/31/480.jpg","https://img.ochreeditions.com/a/31/960.jpg","https://img.ochreeditions.com/a/31/1920.jpg","When this work was painted, millinery work (hat making) was considered a prestigious trade, elevating the women who succeeded in the business.",{"_313":582,"_315":583},{"_313":580,"_315":581},{"_313":578,"_315":579},{"_313":576,"_315":577},{"_313":574,"_315":575},"#b18e60",0.0655,"#3c4138",0.1934,"#717148",0.2029,"#865224",0.2279,"#583b26",0.3103,"Edgar Degas","edgar-degas","French, 1834–1917",1917,"Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers.","landscape-scene-from-thanatopsis-met-10793","Landscape—Scene from \"Thanatopsis\"",{"_42":639,"_224":640,"_327":641,"_329":330,"_331":642,"_333":181,"_335":643,"_337":644,"_339":-5,"_140":101},"1850","romanticism","39 1/2 x 61 in. (100.3 x 154.9 cm)",154.9,100.3,1.5311370028123745,[624,625,626,627,628],{"_223":303,"_224":304,"_42":305,"_306":307},"11.156","Asher Brown Durand painted this in 1850, aged 54. It is now at The Met in New York.","Landscape—Scene from \"Thanatopsis\", by Asher Brown Durand, 1850",{"_297":621,"_299":622,"_301":623},"https://img.ochreeditions.com/m/819.jpg?dl=1","/art/landscape-scene-from-thanatopsis-met-10793","/galleries/style/painting-19/landscape-scene-from-thanatopsis-met-10793",{"_293":294,"_295":296},{"_227":613,"_125":614,"_287":615},{"_278":610,"_280":611,"_282":595,"_284":612},169.9,116.1666491734453,101.1666491734453,{"_289":227,"_123":619,"_154":620,"_140":89},{"_289":125,"_123":616,"_154":617,"_140":618},{"_289":287,"_123":165,"_154":164,"_140":167},"style/romanticism","More Romanticism",32,"artist/contemporaries-of-asher-brown-durand","Asher Brown Durand's contemporaries","https://img.ochreeditions.com/a/819/480.jpg","https://img.ochreeditions.com/a/819/960.jpg","https://img.ochreeditions.com/a/819/1920.jpg",{"_313":637,"_315":638},{"_313":635,"_315":636},{"_313":633,"_315":634},{"_313":631,"_315":632},{"_313":629,"_315":630},"#b8a585",0.1529,"#5e5025",0.1737,"#36311b",0.2001,"#917748",0.2094,"#bab5a6",0.2639,"Asher Brown Durand","asher-brown-durand","American, 1796–1886",1796,"Jefferson, New Jersey","Maplewood, New Jersey","hunting-in-the-pontine-marshes-nga-70970","Hunting in the Pontine Marshes",{"_42":690,"_224":691,"_327":692,"_329":466,"_331":693,"_333":694,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1833","overall: 100 × 137 cm (39 3/8 × 53 15/16 in.) framed: 136.53 × 173.36 × 16.51 cm (53 3/4 × 68 1/4 × 6 1/2 in.)",137,1.3795890872347591,[675,676,677,678,679],{"_223":445,"_224":446,"_42":447,"_306":382},"1989.3.1","Horace Vernet painted this in 1833, aged 44. It is now at the National Gallery of Art in Washington, DC.","A leafless, ash-white tree trunk has fallen from a broken stump into the wide V of a neighboring tree at the edge of a body of water near a verdant forest in this horizontal landscape painting. The fallen trunk creates a diagonal from near the lower left corner to the upper right. As it fell, it sheared off a substantial branch from a neighboring tree with a dark trunk. The bark where the damaged branch has pulled away is honey-orange, the same color as the leaves at the canopy, which has been pinned under the fallen trunk. Trees, vines, and other vegetation fill the space around and beyond this pair. In the lower right corner of the painting, vines grow over a broken stump, which deep in shadow. Between the stump and fallen tree, the peanut-brown surface of the water is smooth. Tiny in scale beneath the fallen tree and easily overlooked, there are two men and a dog in a boat. One man stands at the back of the boat and pushes it along with a long pole. He wears a tall, brown, cloth hat, a white shirt rolled up to the elbows under a blue vest, and loose-fitting pants. A second man wears a flat-topped, white hat with a black brim, a long, forest-green jacket, and tight-fitting slate-blue pants. He braces a rifle against one shoulder and shoots into the forest. The dog is white with brown spots, and it stands with its front paws on the edge of the boat, presumably ready to spring after the target. A patch of blue sky with puffy white clouds is seen above the trees in the upper left corner. The artist signed and dated the work in the lower right corner: “H. Vernet Rome 1833.”",{"_297":672,"_299":673,"_301":674},"https://img.ochreeditions.com/m/1617.jpg?dl=1","/art/hunting-in-the-pontine-marshes-nga-70970","/galleries/style/painting-19/hunting-in-the-pontine-marshes-nga-70970",{"_293":294,"_295":296},{"_227":667,"_125":668,"_287":669},{"_278":664,"_280":665,"_282":650,"_284":666},152,114.304931640625,99.304931640625,{"_289":227,"_123":670,"_154":671,"_140":89},{"_289":125,"_123":437,"_154":438,"_140":439},{"_289":287,"_123":434,"_154":435,"_140":436},"artist/contemporaries-of-horace-vernet","Horace Vernet's contemporaries","https://img.ochreeditions.com/a/1617/480.jpg","https://img.ochreeditions.com/a/1617/960.jpg","https://img.ochreeditions.com/a/1617/1920.jpg",{"_313":688,"_315":689},{"_313":686,"_315":687},{"_313":684,"_315":685},{"_313":682,"_315":683},{"_313":680,"_315":681},"#bab79d",0.0649,"#6b492c",0.0676,"#696141",0.1498,"#443d2e",0.3108,"#282623",0.4069,"Horace Vernet","horace-vernet","French, 1789–1863",1789,1863,"major-thomas-biddle-nga-1125","Major Thomas Biddle",{"_42":745,"_224":746,"_327":747,"_329":330,"_331":748,"_333":749,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1832","antebellum-america","overall: 90.5 x 69.5 cm (35 5/8 x 27 3/8 in.) framed: 122.9 x 102.4 x 11.6 cm (48 3/8 x 40 5/16 x 4 9/16 in.)",69.5,90.5,0.758544921875,[730,731,732,733,734],{"_223":445,"_224":446,"_42":447,"_306":382},"1942.8.31","Thomas Wilcocks Sully painted this in 1832, aged 21. It is now at the National Gallery of Art in Washington, DC.","Major Thomas Biddle, by Thomas Wilcocks Sully, 1832",{"_297":727,"_299":728,"_301":729},"https://img.ochreeditions.com/m/1310.jpg?dl=1","/art/major-thomas-biddle-nga-1125","/galleries/style/painting-19/major-thomas-biddle-nga-1125",{"_293":294,"_295":296},{"_227":719,"_125":720,"_287":721},{"_278":716,"_280":717,"_282":718,"_284":702},83.6483154296875,105.5,68.6483154296875,{"_289":227,"_123":725,"_154":726,"_140":89},{"_289":125,"_123":722,"_154":723,"_140":724},{"_289":287,"_123":165,"_154":164,"_140":167},"style/antebellum-america","More Antebellum America",33,"artist/contemporaries-of-thomas-wilcocks-sully","Thomas Wilcocks Sully's contemporaries","https://img.ochreeditions.com/a/1310/480.jpg","https://img.ochreeditions.com/a/1310/960.jpg","https://img.ochreeditions.com/a/1310/1920.jpg",{"_313":743,"_315":744},{"_313":741,"_315":742},{"_313":739,"_315":740},{"_313":737,"_315":738},{"_313":735,"_315":736},"#362320",0.1087,"#936726",0.1315,"#5a3f21",0.1338,"#130d1d",0.1849,"#a79167",0.4411,"Thomas Wilcocks Sully","thomas-wilcocks-sully","American, 1811–1847",1811,1847,"the-departure-of-the-crusaders-si-saam-1984-50","The Departure of the Crusaders",{"_42":796,"_224":797,"_327":798,"_329":-5,"_331":799,"_333":800,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1863","14 7/8 x 22 3/4 in. (37.8 x 57.8 cm.)",57.8,37.8,1.5756302521008403,[781,782,783,784,785],{"_223":379,"_224":380,"_42":381,"_306":382},"1984.50","Victor Nehlig painted this in 1863, aged 33. It is now at the Smithsonian American Art Museum in Washington, DC.","The Departure of the Crusaders, by Victor Nehlig, 1863",{"_297":778,"_299":779,"_301":780},"https://img.ochreeditions.com/m/1975.jpg?dl=1","/art/the-departure-of-the-crusaders-si-saam-1984-50","/galleries/style/painting-19/the-departure-of-the-crusaders-si-saam-1984-50",{"_293":294,"_295":296},{"_227":773,"_125":774,"_287":775},{"_278":770,"_280":771,"_282":755,"_284":772},72.8,51.68373333333333,36.68373333333333,{"_289":227,"_123":776,"_154":777,"_140":89},{"_289":125,"_123":371,"_154":372,"_140":373},{"_289":287,"_123":368,"_154":369,"_140":370},"artist/contemporaries-of-victor-nehlig","Victor Nehlig's contemporaries","https://img.ochreeditions.com/a/1975/480.jpg","https://img.ochreeditions.com/a/1975/960.jpg","https://img.ochreeditions.com/a/1975/1920.jpg",{"_313":794,"_315":795},{"_313":792,"_315":793},{"_313":790,"_315":791},{"_313":788,"_315":789},{"_313":786,"_315":787},"#6f5a3c",0.0816,"#7e7f66",0.0824,"#525b4c",0.2516,"#2b2118",0.2895,"#4a3d2b",0.2949,"Victor Nehlig","victor-nehlig","born Paris, France 1830-died New York City 1909",1830,1909,"watering-place-at-marly-aic-37741","Watering Place at Marly",{"_42":849,"_224":850,"_327":851,"_329":851,"_331":-5,"_333":852,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1875","39.5 × 56.2 cm (15 7/16 × 22 1/8 in.); Framed: 63.9 × 80.7 × 9.6 cm (25 1/8 × 31 3/4 × 3 3/4 in.)",56,39,1.428224788896438,[834,835,836,837,838],{"_223":506,"_224":507,"_42":508,"_306":509},"1971.875","Alfred Sisley painted this in 1875. It is now at the Art Institute of Chicago.",{"_118":833,"_504":505},"A work made of oil on canvas.",{"_297":830,"_299":831,"_301":832},"https://img.ochreeditions.com/m/139.jpg?dl=1","/art/watering-place-at-marly-aic-37741","/galleries/style/painting-19/watering-place-at-marly-aic-37741",{"_293":294,"_295":296},{"_227":825,"_125":826,"_287":827},{"_278":822,"_280":823,"_282":806,"_284":824},71,54.20951410125722,39.20951410125722,{"_289":227,"_123":828,"_154":829,"_140":89},{"_289":125,"_123":560,"_154":561,"_140":562},{"_289":287,"_123":434,"_154":435,"_140":436},"artist/contemporaries-of-alfred-sisley","Alfred Sisley's contemporaries","https://img.ochreeditions.com/a/139/480.jpg","https://img.ochreeditions.com/a/139/960.jpg","https://img.ochreeditions.com/a/139/1920.jpg","In 1875 Alfred Sisley moved to the French village of Marly-le-Roi. His home flanked the pool, or “watering place,” featured on the left of this canvas, which had once been the water gardens of King Louis XIV's country retreat.",{"_313":847,"_315":848},{"_313":845,"_315":846},{"_313":843,"_315":844},{"_313":841,"_315":842},{"_313":839,"_315":840},"#968e68",0.1003,"#556758",0.1028,"#879189",0.1247,"#c2baa5",0.2767,"#9fb8be",0.3955,"Alfred Sisley","alfred-sisley","British",1899,"newburyport-meadows-met-11053","Newburyport Meadows",{"_42":900,"_224":901,"_327":902,"_329":330,"_331":903,"_333":904,"_335":-5,"_337":-5,"_339":905,"_140":97},"ca. 1876–81","10 1/2 x 22 in. (26.7 x 55.9 cm)",55.9,26.7,2.1579841449603623,[885,886,887,888,889],{"_223":303,"_224":304,"_42":305,"_306":307},"1985.117","Martin Johnson Heade painted this in about 1876–81, aged about 54. It is now at The Met in New York.","Haystacks dot the flat salt marshes near Newburyport, Massachusetts, beneath a broad sky. Martin Johnson Heade painted the marshes of the northeastern coast more than a hundred times, fascinated by the way light and weather transformed their level horizons from hour to hour.","Newburyport Meadows, by Martin Johnson Heade, ca. 1876–81",{"_297":882,"_299":883,"_301":884},"https://img.ochreeditions.com/m/828.jpg?dl=1","/art/newburyport-meadows-met-11053","/galleries/style/painting-19/newburyport-meadows-met-11053",{"_293":294,"_295":296},{"_227":877,"_125":878,"_287":879},{"_278":874,"_280":875,"_282":858,"_284":876},70.9,40.903804775649434,25.903804775649437,{"_289":227,"_123":880,"_154":881,"_140":97},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":165,"_154":164,"_140":167},"artist/martin-johnson-heade","More by Martin Johnson Heade","https://img.ochreeditions.com/a/828/480.jpg","https://img.ochreeditions.com/a/828/960.jpg","https://img.ochreeditions.com/a/828/1920.jpg",{"_313":898,"_315":899},{"_313":896,"_315":897},{"_313":894,"_315":895},{"_313":892,"_315":893},{"_313":890,"_315":891},"#2f2e1d",0.1018,"#54512a",0.1169,"#897d38",0.1428,"#5f6250",0.2446,"#a49f85",0.3939,"Martin Johnson Heade","martin-johnson-heade","1819–1904",1819,1904,"Heade travelled restlessly and worked in many genres, but is best known for three subjects: the salt marshes of New England and New Jersey, with haystacks under changing skies; hummingbirds and orchids, which he studied on journeys to Brazil and Central America; and, in later…","still-life-with-fan-and-roses-si-saam-1979-149","Still Life with Fan and Roses",{"_42":955,"_224":956,"_327":957,"_329":-5,"_331":958,"_333":959,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1874","9 3/8 x 11 1/8 in. (23.9 x 28.2 cm.)",28.2,23.9,1.1963589076723018,[940,941,942,943,944],{"_223":379,"_224":380,"_42":381,"_306":382},"1979.149","Thomas Hovenden painted this in 1874, aged 34. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":938,"_504":939},"Still Life with Fan and Roses, by Thomas Hovenden, 1874",{"_297":935,"_299":936,"_301":937},"https://img.ochreeditions.com/m/1956.jpg?dl=1","/art/still-life-with-fan-and-roses-si-saam-1979-149","/galleries/style/painting-19/still-life-with-fan-and-roses-si-saam-1979-149",{"_293":294,"_295":296},{"_227":930,"_125":931,"_287":932},{"_278":927,"_280":928,"_282":911,"_284":929},43.2,38.57152173913043,23.571521739130432,{"_289":227,"_123":933,"_154":934,"_140":89},{"_289":125,"_123":371,"_154":372,"_140":373},{"_289":287,"_123":368,"_154":369,"_140":370},"artist/contemporaries-of-thomas-hovenden","Thomas Hovenden's contemporaries","https://img.ochreeditions.com/a/1956/480.jpg","https://img.ochreeditions.com/a/1956/960.jpg","https://img.ochreeditions.com/a/1956/1920.jpg","Thomas Hovenden painted a few still lifes in addition to his better-known genre scenes. Here, a seemingly casual arrangement of objects masks the care that Hovenden took to create a balanced composition. The arc of blooms in the lower right echoes the details of the graceful Japanese fan that anchors the painting.","Text from the Smithsonian American Art Museum.",{"_313":953,"_315":954},{"_313":951,"_315":952},{"_313":949,"_315":950},{"_313":947,"_315":948},{"_313":945,"_315":946},"#b8b0a3",0.0705,"#915641",0.0722,"#5f503c",0.1902,"#717469",0.2143,"#2a2825",0.4528,"Thomas Hovenden","thomas-hovenden","born Dunmanway, Ireland 1840-died Plymouth Meeting, PA 1895",1840,1895,"album-of-landscapes-and-calligraphy-for-liu-songfu-aic-217681","Album of Landscapes and Calligraphy for Liu Songfu",{"_42":1012,"_224":1013,"_327":1014,"_329":1015,"_331":1016,"_333":1017,"_335":-5,"_337":-5,"_339":-5,"_140":103},"Qing dynasty (1644–1911), 1895/96","china","chinese-painting","Album leaves; ink and color on paper","Each leaf: 30.5 × 36.3 cm (12 × 14 1/4 in.)",36,30,1.170188679245283,[997,998,999,1000,1001],{"_223":506,"_224":507,"_42":508,"_306":509},"1943.106.11","Xugu painted this in the Qing dynasty (1644–1911), 1895/96, aged about 72. It is now at the Art Institute of Chicago.","A work made of album leaves; ink and color on paper.",{"_297":994,"_299":995,"_301":996},"https://img.ochreeditions.com/m/361.jpg?dl=1","/art/album-of-landscapes-and-calligraphy-for-liu-songfu-aic-217681","/galleries/style/painting-19/album-of-landscapes-and-calligraphy-for-liu-songfu-aic-217681",{"_293":294,"_295":296},{"_227":986,"_125":987,"_287":988},{"_278":983,"_280":984,"_282":968,"_284":985},51,45.764269590454695,30.764269590454695,{"_289":227,"_123":992,"_154":993,"_140":89},{"_289":125,"_123":989,"_154":990,"_140":991},{"_289":287,"_123":368,"_154":369,"_140":370},"style/chinese-painting","More Chinese painting",76,"artist/contemporaries-of-xugu","Xugu's contemporaries","https://img.ochreeditions.com/a/361/480.jpg","https://img.ochreeditions.com/a/361/960.jpg","https://img.ochreeditions.com/a/361/1920.jpg",{"_313":1010,"_315":1011},{"_313":1008,"_315":1009},{"_313":1006,"_315":1007},{"_313":1004,"_315":1005},{"_313":1002,"_315":1003},"#817a72",0.0557,"#9f998f",0.1284,"#b6b1a6",0.158,"#cdc5b6",0.2412,"#e1dbce",0.4167,"Xugu","xugu","Chinese, 1823–1896","Chinese",1823,1896,"landscape-cma-110952","Landscape",{"_42":1073,"_224":1074,"_327":1075,"_329":330,"_331":1076,"_333":1077,"_335":1078,"_337":1079,"_339":1080,"_140":95},"1888","american-gilded-age","Framed: 79.5 x 92 x 6 cm (31 5/16 x 36 1/4 x 2 3/8 in.); Unframed: 56.2 x 70 cm (22 1/8 x 27 9/16 in.)",70,56.2,1.2151536812008576,[1058,1059,1060,1061,1062],{"_223":1054,"_224":1055,"_42":1056,"_306":1057},"Courtesy of the Cleveland Museum of Art","1929.464","George Inness painted this in 1888, aged 63. It is now at the Cleveland Museum of Art.","Landscape, by George Inness, 1888",{"_297":1051,"_299":1052,"_301":1053},"https://img.ochreeditions.com/m/523.jpg?dl=1","/art/landscape-cma-110952","/galleries/style/painting-19/landscape-cma-110952",{"_293":294,"_295":296},{"_227":1043,"_125":1044,"_287":1045},{"_278":1040,"_280":1041,"_282":1024,"_284":1042},85,72.60588235294118,57.60588235294118,{"_289":227,"_123":1049,"_154":1050,"_140":95},{"_289":125,"_123":1046,"_154":1047,"_140":1048},{"_289":287,"_123":165,"_154":164,"_140":167},"style/american-gilded-age","More American Gilded Age",67,"artist/george-inness","More by George Inness","https://img.ochreeditions.com/a/523/480.jpg","https://img.ochreeditions.com/a/523/960.jpg","https://img.ochreeditions.com/a/523/1920.jpg","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_313":1071,"_315":1072},{"_313":1069,"_315":1070},{"_313":1067,"_315":1068},{"_313":1065,"_315":1066},{"_313":1063,"_315":1064},"#b19364",0.079,"#797057",0.1583,"#694d2a",0.2099,"#494731",0.2703,"#2b2919",0.2825,"George Inness","george-inness","American, 1825–1894",1825,1894,"Newburgh, New York","Bridge of Allan, Scotland","Inness was largely self-taught and began in the manner of the Hudson River School, but journeys to Italy and France, where he admired the Barbizon painters, led him towards broader, more atmospheric landscapes.","the-forest-in-winter-at-sunset-met-438816","The Forest in Winter at Sunset",{"_42":1129,"_224":1130,"_327":1131,"_329":466,"_331":1132,"_333":1133,"_335":530,"_337":1134,"_339":-5,"_140":103},"ca. 1846–67","Paintings","64 x 102 3/8 in. (162.6 x 260 cm)",260,162.6,1.597444089456869,[1114,1115,1116,1117,1118],{"_223":303,"_224":304,"_42":305,"_306":307},"11.4","Théodore Rousseau painted this in about 1846–67, aged about 34. It is now at The Met in New York.","The Forest in Winter at Sunset, by Théodore Rousseau, ca. 1846–67",{"_297":1111,"_299":1112,"_301":1113},"https://img.ochreeditions.com/m/1192.jpg?dl=1","/art/the-forest-in-winter-at-sunset-met-438816","/galleries/style/painting-19/the-forest-in-winter-at-sunset-met-438816",{"_293":294,"_295":296},{"_227":1106,"_125":1107,"_287":1108},{"_278":1102,"_280":1103,"_282":1104,"_284":1105},255,165.23999999999998,240,150.23999999999998,{"_289":227,"_123":1109,"_154":1110,"_140":89},{"_289":125,"_123":437,"_154":438,"_140":439},{"_289":287,"_123":434,"_154":435,"_140":436},"artist/contemporaries-of-theodore-rousseau","Théodore Rousseau's contemporaries","https://img.ochreeditions.com/a/1192/480.jpg","https://img.ochreeditions.com/a/1192/960.jpg","https://img.ochreeditions.com/a/1192/1920.jpg",{"_313":1127,"_315":1128},{"_313":1125,"_315":1126},{"_313":1123,"_315":1124},{"_313":1121,"_315":1122},{"_313":1119,"_315":1120},"#030201",0.0402,"#694c21",0.0637,"#4c3317",0.1184,"#362413",0.3008,"#2a1f13",0.4769,"Théodore Rousseau","theodore-rousseau","French, 1812–1867",1812,1867,"Barbizon","untitled-forest-scene-with-bridge-cows-in-stream-in-foregrou-si-saam-1983-95-144","Untitled (forest scene with bridge, cows in stream in foreground)",{"_42":1180,"_224":1181,"_327":1182,"_329":-5,"_331":1183,"_333":1184,"_335":-5,"_337":-5,"_339":1185,"_140":99},"1897","36 1/8 x 48 in. (91.7 x 122.0 cm.)",122,91.7,1.3280212483399734,[1165,1166,1167,1168,1169],{"_223":379,"_224":380,"_42":381,"_306":382},"1983.95.144","Edward Mitchell Bannister painted this in 1897, aged 69. It is now at the Smithsonian American Art Museum in Washington, DC.","Untitled (forest scene with bridge, cows in stream in foreground), by Edward Mitchell Bannister, 1897",{"_297":1162,"_299":1163,"_301":1164},"https://img.ochreeditions.com/m/1973.jpg?dl=1","/art/untitled-forest-scene-with-bridge-cows-in-stream-in-foregrou-si-saam-1983-95-144","/galleries/style/painting-19/untitled-forest-scene-with-bridge-cows-in-stream-in-foregrou-si-saam-1983-95-144",{"_293":294,"_295":296},{"_227":1157,"_125":1158,"_287":1159},{"_278":650,"_280":1155,"_282":1140,"_284":1156},106.866,91.866,{"_289":227,"_123":1160,"_154":1161,"_140":99},{"_289":125,"_123":371,"_154":372,"_140":373},{"_289":287,"_123":368,"_154":369,"_140":370},"artist/edward-mitchell-bannister","More by Edward Mitchell Bannister","https://img.ochreeditions.com/a/1973/480.jpg","https://img.ochreeditions.com/a/1973/960.jpg","https://img.ochreeditions.com/a/1973/1920.jpg",{"_313":1178,"_315":1179},{"_313":1176,"_315":1177},{"_313":1174,"_315":1175},{"_313":1172,"_315":1173},{"_313":1170,"_315":1171},"#756f38",0.1257,"#271e07",0.1585,"#3c3312",0.223,"#565121",0.2441,"#c5bb94",0.2487,"Edward Mitchell Bannister","edward-mitchell-bannister","born St. Andrews, New Brunswick, Canada 1828-died Providence, RI 1901",1828,1901,"Bannister grew up in St Andrews, New Brunswick, moved to Boston and worked as a barber while training as a painter. Around 1870 he settled in Providence, Rhode Island, where his pastoral landscapes, influenced by the French Barbizon painters, found admirers.",{"_1187":-5,"_1188":1189,"_1190":1191,"_1192":8,"_1193":1194,"_1195":8},"user","csrf","df42e7307aab27426797cc138a8d835ada892ba6","cartCount",0,"dropLive","legal",[1196,1197,1198,1199,1200,1201,1202,1203,1204,1205,1206,1207],"uploadsEnabled",{"_224":1230,"_20":1231},{"_224":1228,"_20":1229},{"_224":1226,"_20":1227},{"_224":1224,"_20":1225},{"_224":1222,"_20":1223},{"_224":1220,"_20":1221},{"_224":1218,"_20":1219},{"_224":1216,"_20":1217},{"_224":1214,"_20":1215},{"_224":1212,"_20":1213},{"_224":1210,"_20":1211},{"_224":1208,"_20":1209},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]