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Parisian beggars held a particular fascination for Realist artists and writers.","source","Text from the Art Institute of Chicago.",{"_312":454,"_314":455},{"_312":452,"_314":453},{"_312":450,"_314":451},{"_312":448,"_314":449},{"_312":446,"_314":447},"#96745b",0.021,"#272c2d",0.051,"#403018",0.0975,"#282011",0.1571,"#1b1309",0.6734,"Édouard Manet","edouard-manet","French, 1832–1883",1832,1883,"Paris","Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.","the-rocky-mountains-lander-s-peak-met-10154","The Rocky Mountains, Lander's Peak",{"_42":516,"_224":517,"_326":518,"_328":519,"_330":520,"_332":521,"_334":522,"_335":382,"_336":-5,"_140":101},"1863","united-states","hudson-river-school","73 1/2 x 120 3/4 in. (186.7 x 306.7 cm)",306.7,186.7,1.6685639229422067,[501,502,503,504,505],{"_223":379,"_224":380,"_42":381,"_305":382},"07.123","Albert Bierstadt painted this in 1863, aged 33. It is now at The Met in New York.","The Rocky Mountains, Lander's Peak, by Albert Bierstadt, 1863",{"_296":498,"_298":499,"_300":500},"https://img.ochreeditions.com/m/804.jpg?dl=1","/art/the-rocky-mountains-lander-s-peak-met-10154","/galleries/style/painting-19/the-rocky-mountains-lander-s-peak-met-10154",{"_292":293,"_294":295},{"_227":487,"_125":488,"_286":489},{"_277":362,"_279":485,"_281":364,"_283":486},158.83626344791392,143.83626344791392,{"_288":227,"_123":496,"_154":497,"_140":89},{"_288":125,"_123":493,"_154":494,"_140":495},{"_288":286,"_123":490,"_154":491,"_140":492},"era/19-united-states","19th-century United States",198,"style/hudson-river-school","More Hudson River School",27,"artist/contemporaries-of-albert-bierstadt","Albert Bierstadt's contemporaries","https://img.ochreeditions.com/a/804/480.jpg","https://img.ochreeditions.com/a/804/960.jpg","https://img.ochreeditions.com/a/804/1920.jpg",{"_312":514,"_314":515},{"_312":512,"_314":513},{"_312":510,"_314":511},{"_312":508,"_314":509},{"_312":506,"_314":507},"#92bed5",0.0855,"#8b816f",0.0966,"#61532a",0.2233,"#373624",0.2566,"#c7d0d0",0.338,"Albert Bierstadt","albert-bierstadt","American, 1830–1902","American",1830,1902,"Solingen","rouen-cathedral-west-facade-nga-46524","Rouen Cathedral, West Façade",{"_42":580,"_224":581,"_326":582,"_328":401,"_330":583,"_332":584,"_334":-5,"_335":-5,"_336":585,"_140":85},"1894","impressionism","oil on canvas","overall: 100.1 x 65.9 cm (39 3/8 x 25 15/16 in.) framed: 121.6 x 88.3 cm (47 7/8 x 34 3/4 in.)",65.9,100.1,0.646728515625,[565,566,567,568,569],{"_223":561,"_224":562,"_42":563,"_305":564},"Courtesy National Gallery of Art, Washington","1963.10.49","Claude Monet painted this in 1894, aged 54. It is now at the National Gallery of Art in Washington, DC.","The west front of Rouen Cathedral fills the canvas, its portal, gable, rose window and spires dissolving into a crust of blue, peach, lavender and brown paint.","We look up at the exterior of a church that soars the height of this vertical painting. The church is painted with visible dabs and strokes of azure blue, peach, lavender purple, and camel brown to create a blurred look, as if seeing a reflection in the rippling surface of a puddle. The church façade is angled to our left, away from us. The main door and its surround takes up the center of the composition, where a rectangular door is set within nested, pointed arches that lead up to a narrow, tall, triangular gable. The point of that gable overlaps the round, dark rose window, which is the same width as the portal surround below. Spires flank the central section and rise precipitously off the top edge of the painting. The sky above is painted with daubs of white and pale blue. The artist signed and dated the lower left, “Claude Monet 94.”",{"_296":558,"_298":559,"_300":560},"https://img.ochreeditions.com/m/1517.jpg?dl=1","/art/rouen-cathedral-west-facade-nga-46524","/galleries/style/painting-19/rouen-cathedral-west-facade-nga-46524",{"_292":293,"_294":295},{"_227":550,"_125":551,"_286":552},{"_277":547,"_279":548,"_281":549,"_283":531},79.73752441406249,115.1,64.73752441406249,{"_288":227,"_123":556,"_154":557,"_140":85},{"_288":125,"_123":553,"_154":554,"_140":555},{"_288":286,"_123":369,"_154":370,"_140":371},"style/impressionism","More Impressionism",53,"artist/claude-monet","More by Claude Monet","https://img.ochreeditions.com/a/1517/480.jpg","https://img.ochreeditions.com/a/1517/960.jpg","https://img.ochreeditions.com/a/1517/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_312":578,"_314":579},{"_312":576,"_314":577},{"_312":574,"_314":575},{"_312":572,"_314":573},{"_312":570,"_314":571},"#848998",0.1387,"#d4d2cf",0.1456,"#9d9494",0.1966,"#9ca4b8",0.2268,"#b6bdca",0.2923,"Claude Monet","claude-monet","French, 1840–1926",1840,1926,"Monet grew up in Le Havre, where Eugène Boudin encouraged him to paint outdoors. In Paris he met Renoir, Sisley and Bazille, and his Impression, Sunrise gave the Impressionist movement its name in 1874.","the-towpath-nga-136018","The Towpath",{"_42":636,"_224":637,"_326":638,"_328":639,"_330":402,"_332":640,"_334":-5,"_335":-5,"_336":-5,"_140":101},"1864","netherlands","overall: 34.3 x 47 cm (13 1/2 x 18 1/2 in.) framed: 50.8 x 63.18 x 7.94 cm (20 x 24 7/8 x 3 1/8 in.)",47,34.3,1.3870640027091095,[621,622,623,624,625],{"_223":561,"_224":562,"_42":563,"_305":564},"2006.128.22","Johan Barthold Jongkind painted this in 1864, aged 45. It is now at the National Gallery of Art in Washington, DC.","This painting shows a landscape with a horizon in the lower third of the composition. On the left side of the painting, there are tall trees along a canal. In the center is a dirt path on the other edge of the canal, with a person riding a donkey who looks over their shoulder towards us. On the right side, there are white buildings in the distance, with a grassy field leading towards them. The light blue sky is filled with fluffy clouds, and the water of the canal reflects the sky and trees. The brushstrokes of the painting are thick and visible, especially in the sky.",{"_296":618,"_298":619,"_300":620},"https://img.ochreeditions.com/m/1664.jpg?dl=1","/art/the-towpath-nga-136018","/galleries/style/painting-19/the-towpath-nga-136018",{"_292":293,"_294":295},{"_227":610,"_125":611,"_286":612},{"_277":607,"_279":608,"_281":592,"_283":609},62,48.884521484375,33.884521484375,{"_288":227,"_123":616,"_154":617,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":613,"_154":614,"_140":615},"era/19-netherlands","19th-century Netherlands",21,"artist/contemporaries-of-johan-barthold-jongkind","Johan Barthold Jongkind's contemporaries","https://img.ochreeditions.com/a/1664/480.jpg","https://img.ochreeditions.com/a/1664/960.jpg","https://img.ochreeditions.com/a/1664/1920.jpg",{"_312":634,"_314":635},{"_312":632,"_314":633},{"_312":630,"_314":631},{"_312":628,"_314":629},{"_312":626,"_314":627},"#465643",0.1046,"#78949f",0.1165,"#bbb79e",0.1797,"#7c7f65",0.2038,"#a3ada4",0.3954,"Johan Barthold Jongkind","johan-barthold-jongkind","Dutch, 1819–1891","Dutch",1891,"josephine-eleonore-marie-pauline-de-galard-de-brassac-de-bea-met-459106","Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie",{"_42":688,"_224":689,"_326":690,"_328":401,"_330":691,"_332":692,"_334":693,"_335":461,"_336":694,"_140":97},"1851–53","47 3/4 × 35 3/4 in. (121.3 × 90.8 cm) Framed: 61 1/4 × 49 1/2 in. (155.6 × 125.7 cm)",90.8,121.3,0.75475,[673,674,675,676,677],{"_223":379,"_224":380,"_42":381,"_305":382},"1975.1.186","Jean Auguste Dominique Ingres painted this in 1851–53, aged about 71. It is now at The Met in New York.","The Princesse de Broglie leans on an upholstered armchair in a gown of pale blue satin, her hands clasped and jewels at her throat and wrists.","Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie, by Jean Auguste Dominique Ingres, 1851–53",{"_296":670,"_298":671,"_300":672},"https://img.ochreeditions.com/m/1262.jpg?dl=1","/art/josephine-eleonore-marie-pauline-de-galard-de-brassac-de-bea-met-459106","/galleries/style/painting-19/josephine-eleonore-marie-pauline-de-galard-de-brassac-de-bea-met-459106",{"_292":293,"_294":295},{"_227":665,"_125":666,"_286":667},{"_277":662,"_279":663,"_281":664,"_283":647},106.551175,136.3,91.551175,{"_288":227,"_123":668,"_154":669,"_140":97},{"_288":125,"_123":372,"_154":373,"_140":245},{"_288":286,"_123":369,"_154":370,"_140":371},"artist/jean-auguste-dominique-ingres","More by Jean Auguste Dominique Ingres","https://img.ochreeditions.com/a/1262/480.jpg","https://img.ochreeditions.com/a/1262/960.jpg","https://img.ochreeditions.com/a/1262/1920.jpg",{"_312":686,"_314":687},{"_312":684,"_314":685},{"_312":682,"_314":683},{"_312":680,"_314":681},{"_312":678,"_314":679},"#665030",0.071,"#9b8a69",0.0895,"#4d787f",0.0996,"#0d4660",0.1637,"#2a2924",0.5762,"Jean Auguste Dominique Ingres","jean-auguste-dominique-ingres","French, 1780–1867",1780,1867,"Montauban","Ingres trained under Jacques-Louis David and won the Prix de Rome, then spent nearly two decades in Italy, absorbing Raphael above all. He became the champion of line and classical tradition against Delacroix’s Romanticism, and later directed the French Academy in Rome.","beggar-kojiki-cma-154263","Beggar (Kojiki)",{"_42":757,"_224":758,"_326":759,"_328":760,"_330":761,"_332":762,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1871","japan","japanese-painting","hanging scroll; ink on paper","Overall: 215.3 x 93 cm (84 3/4 x 36 5/8 in.); Painting only: 141 x 70.8 cm (55 1/2 x 27 7/8 in.)",93,215.3,0.5120588235294118,[742,743,744,745,746],{"_223":738,"_224":739,"_42":740,"_305":741},"Courtesy of the Cleveland Museum of Art","1988.73","Hirafuku Suian painted this in 1871, aged 27. It is now at the Cleveland Museum of Art.",{"_118":736,"_439":737},"Beggar (Kojiki), by Hirafuku Suian, 1871",{"_296":733,"_298":734,"_300":735},"https://img.ochreeditions.com/m/744.jpg?dl=1","/art/beggar-kojiki-cma-154263","/galleries/style/painting-19/beggar-kojiki-cma-154263",{"_292":293,"_294":295},{"_227":723,"_125":724,"_286":725},{"_277":720,"_279":721,"_281":722,"_283":704},125.24626470588237,230.3,110.24626470588237,{"_288":227,"_123":731,"_154":732,"_140":89},{"_288":125,"_123":728,"_154":729,"_140":730},{"_288":286,"_123":726,"_154":727,"_140":247},"era/19-japan","19th-century Japan","style/japanese-painting","More Japanese painting",76,"artist/contemporaries-of-hirafuku-suian","Hirafuku Suian's contemporaries","https://img.ochreeditions.com/a/744/480.jpg","https://img.ochreeditions.com/a/744/960.jpg","https://img.ochreeditions.com/a/744/1920.jpg","The Japanese term for beggar, kojiki, derives from the word kotsujiki, which refers to Buddhist monks taking bowls from door to door to request sustenance. The son of the artist Suian Bunrō, Suian Hirafuku was born in Kakunodate in Japan’s northern Akita prefecture. When he was 16, he went to study in Kyoto.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_312":755,"_314":756},{"_312":753,"_314":754},{"_312":751,"_314":752},{"_312":749,"_314":750},{"_312":747,"_314":748},"#66635c",0.0578,"#8a857a",0.1439,"#a29b8f",0.1714,"#d6cbbb",0.2978,"#bcb3a3",0.3291,"Hirafuku Suian","hirafuku-suian","Japanese, 1844–1890","Japanese",1844,1890,"jesus-mocked-by-the-soldiers-aic-16499","Jesus Mocked by the Soldiers",{"_42":456,"_224":457,"_326":458,"_328":401,"_330":459,"_332":460,"_334":461,"_335":461,"_336":462,"_140":53},"1865","190.8 × 148.3 cm (74 7/8 × 58 3/8 in.); Framed: 240.1 × 196.9 cm (94 1/2 × 77 1/2 in.)",148,190,0.7783690137359238,[793,794,795,796,797],{"_223":302,"_224":303,"_42":304,"_305":306},"1925.703","Édouard Manet painted this in 1865, aged 33. It is now at the Art Institute of Chicago.","Jesus sits half-naked and bound while three soldiers crowd around him in the dark. Manet showed this large canvas at the Paris Salon of 1865, alongside his notorious Olympia, and critics attacked both.","Large, dark painting of Jesus sitting with three standing soldiers.",{"_296":790,"_298":791,"_300":792},"https://img.ochreeditions.com/m/57.jpg?dl=1","/art/jesus-mocked-by-the-soldiers-aic-16499","/galleries/style/painting-19/jesus-mocked-by-the-soldiers-aic-16499",{"_292":293,"_294":295},{"_227":787,"_125":788,"_286":789},{"_277":784,"_279":785,"_281":786,"_283":769},162.89011260982554,205,147.89011260982554,{"_288":227,"_123":433,"_154":434,"_140":53},{"_288":125,"_123":372,"_154":373,"_140":245},{"_288":286,"_123":369,"_154":370,"_140":371},"https://img.ochreeditions.com/a/57/480.jpg","https://img.ochreeditions.com/a/57/960.jpg","https://img.ochreeditions.com/a/57/1920.jpg",{"_312":806,"_314":807},{"_312":804,"_314":805},{"_312":802,"_314":803},{"_312":800,"_314":801},{"_312":798,"_314":799},"#9c836c",0.1141,"#cfbc9e",0.1266,"#6c533d",0.1347,"#3e3932",0.2203,"#0a0c0c",0.4043,"a-farmhouse-in-the-bavarian-alps-aic-250452","A Farmhouse in the Bavarian Alps",{"_42":860,"_224":861,"_326":862,"_328":863,"_330":864,"_332":865,"_334":-5,"_335":-5,"_336":-5,"_140":103},"c. 1825","germany","romanticism","Oil on paper, laid onto cardboard","21.6 × 27.9 cm (8 1/2 × 11 in.); Framed: 29.6 × 35 × 3.9 cm (11 5/8 × 13 3/4 × 1 1/2 in.)",1.2735949098621422,[845,846,847,848,849],{"_223":302,"_224":303,"_42":304,"_305":306},"2019.189","Johann Georg von Dillis painted this in about 1825, aged about 61. It is now at the Art Institute of Chicago.","A work made of oil on paper, laid onto cardboard.",{"_296":842,"_298":843,"_300":844},"https://img.ochreeditions.com/m/383.jpg?dl=1","/art/a-farmhouse-in-the-bavarian-alps-aic-250452","/galleries/style/painting-19/a-farmhouse-in-the-bavarian-alps-aic-250452",{"_292":293,"_294":295},{"_227":832,"_125":833,"_286":834},{"_277":829,"_279":830,"_281":495,"_283":831},42,36.199833472106576,21.199833472106576,{"_288":227,"_123":840,"_154":841,"_140":89},{"_288":125,"_123":837,"_154":838,"_140":839},{"_288":286,"_123":835,"_154":836,"_140":77},"era/19-germany","19th-century Germany","style/romanticism","More Romanticism",32,"artist/contemporaries-of-johann-georg-von-dillis","Johann Georg von Dillis's contemporaries","https://img.ochreeditions.com/a/383/480.jpg","https://img.ochreeditions.com/a/383/960.jpg","https://img.ochreeditions.com/a/383/1920.jpg",{"_312":858,"_314":859},{"_312":856,"_314":857},{"_312":854,"_314":855},{"_312":852,"_314":853},{"_312":850,"_314":851},"#5f5b51",0.0691,"#ba9b7e",0.1094,"#b4afa8",0.2256,"#6a4920",0.2856,"#412a15",0.3103,"Johann Georg von Dillis","johann-georg-von-dillis","German, 1759–1841","German",1759,1841,"operating-on-guan-yu-s-arm-cma-160300","Operating on Guan Yu's Arm",{"_42":916,"_224":917,"_326":918,"_328":760,"_330":-5,"_332":-5,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1840s","hanging scroll; ink, color, and gold on silk","Mounted: 206.7 x 73.1 cm (81 3/8 x 28 3/4 in.); Painting: 140.2 x 68.3 cm (55 3/16 x 26 7/8 in.)",73.1,206.7,0.4879411764705882,[901,902,903,904,905],{"_223":738,"_224":739,"_42":740,"_305":741},"1998.178","Katsushika Ōi painted this in the 1840s. It is now at the Cleveland Museum of Art.",{"_118":900,"_439":737},"Operating on Guan Yu's Arm, by Katsushika Ōi, 1840s",{"_296":897,"_298":898,"_300":899},"https://img.ochreeditions.com/m/754.jpg?dl=1","/art/operating-on-guan-yu-s-arm-cma-160300","/galleries/style/painting-19/operating-on-guan-yu-s-arm-cma-160300",{"_292":293,"_294":295},{"_227":892,"_125":893,"_286":894},{"_277":888,"_279":889,"_281":890,"_283":891},100.86430544760726,190.97265733686842,85.86430544760726,175.97265733686842,{"_288":227,"_123":895,"_154":896,"_140":89},{"_288":125,"_123":728,"_154":729,"_140":730},{"_288":286,"_123":726,"_154":727,"_140":247},"artist/contemporaries-of-katsushika-oi","Katsushika Ōi's contemporaries","https://img.ochreeditions.com/a/754/480.jpg","https://img.ochreeditions.com/a/754/960.jpg","https://img.ochreeditions.com/a/754/1920.jpg","Ukiyo-e artists’ subject matter extended to popular literature. Katsushika Ōi used color to great effect in her gruesome version of an episode from a 14th-century Chinese novel, Romance of the Three Kingdoms.",{"_312":914,"_314":915},{"_312":912,"_314":913},{"_312":910,"_314":911},{"_312":908,"_314":909},{"_312":906,"_314":907},"#514944",0.1058,"#986956",0.1119,"#7a6f61",0.1663,"#ac977d",0.2631,"#c29d78",0.3529,"Katsushika Ōi","katsushika-oi","Japanese, c. 1800-after 1857","the-card-players-met-435868","The Card Players",{"_42":969,"_224":970,"_326":971,"_328":401,"_330":972,"_332":973,"_334":974,"_335":974,"_336":975,"_140":79},"1890–92","post-impressionism","25 3/4 x 32 1/4 in. (65.4 x 81.9 cm)",81.9,65.4,1.2561053984575836,[954,955,956,957,958],{"_223":379,"_224":380,"_42":381,"_305":382},"61.101.1","Paul Cézanne painted this in 1890–92, aged about 51. It is now at The Met in New York.","Three farmhands sit at a table absorbed in a game of cards, while a fourth man, pipe in mouth, stands watching behind them.","The Card Players, by Paul Cézanne, 1890–92",{"_296":951,"_298":952,"_300":953},"https://img.ochreeditions.com/m/1071.jpg?dl=1","/art/the-card-players-met-435868","/galleries/style/painting-19/the-card-players-met-435868",{"_292":293,"_294":295},{"_227":944,"_125":945,"_286":946},{"_277":941,"_279":942,"_281":925,"_283":943},96.9,80.20153491941673,65.20153491941673,{"_288":227,"_123":949,"_154":950,"_140":79},{"_288":125,"_123":947,"_154":948,"_140":607},{"_288":286,"_123":369,"_154":370,"_140":371},"style/post-impressionism","More Post-Impressionism","artist/paul-cezanne","More by Paul Cézanne","https://img.ochreeditions.com/a/1071/480.jpg","https://img.ochreeditions.com/a/1071/960.jpg","https://img.ochreeditions.com/a/1071/1920.jpg",{"_312":967,"_314":968},{"_312":965,"_314":966},{"_312":963,"_314":964},{"_312":961,"_314":962},{"_312":959,"_314":960},"#845e3d",0.0882,"#3f4f5c",0.1648,"#55493f",0.1991,"#2e3032",0.2479,"#808b89",0.3,"Paul Cézanne","paul-cezanne","French, 1839–1906",1839,1906,"Aix-en-Provence","Cézanne divided his life between Paris and his native Aix-en-Provence. Encouraged by his schoolfriend Émile Zola and later by Pissarro, with whom he painted at Pontoise and Auvers in the 1870s, he showed at the first and third Impressionist exhibitions.","heart-of-the-andes-met-10481","Heart of the Andes",{"_42":1022,"_224":1023,"_326":1024,"_328":519,"_330":1025,"_332":1026,"_334":1027,"_335":382,"_336":1028,"_140":89},"1859","66 1/8 x 120 3/16 in. (168 x 302.9cm)",305.3,168,1.8156264888041924,[1007,1008,1009,1010,1011],{"_223":379,"_224":380,"_42":381,"_305":382},"09.95","Frederic Edwin Church painted this in 1859, aged 33. It is now at The Met in New York.","A vast panorama of South America unfolds from a shadowed jungle foreground, with a waterfall and a small wayside cross, across a sunlit plain to the snow-capped peak of Chimborazo far in the distance.","Heart of the Andes, by Frederic Edwin Church, 1859",{"_296":1004,"_298":1005,"_300":1006},"https://img.ochreeditions.com/m/812.jpg?dl=1","/art/heart-of-the-andes-met-10481","/galleries/style/painting-19/heart-of-the-andes-met-10481",{"_292":293,"_294":295},{"_227":999,"_125":1000,"_286":1001},{"_277":362,"_279":997,"_281":364,"_283":998},147.18577801102074,132.18577801102074,{"_288":227,"_123":1002,"_154":1003,"_140":89},{"_288":125,"_123":493,"_154":494,"_140":495},{"_288":286,"_123":490,"_154":491,"_140":492},"artist/frederic-edwin-church","More by Frederic Edwin Church","https://img.ochreeditions.com/a/812/480.jpg","https://img.ochreeditions.com/a/812/960.jpg","https://img.ochreeditions.com/a/812/1920.jpg",{"_312":1020,"_314":1021},{"_312":1018,"_314":1019},{"_312":1016,"_314":1017},{"_312":1014,"_314":1015},{"_312":1012,"_314":1013},"#978d81",0.1004,"#695638",0.1362,"#b7bcc0",0.2054,"#765c1f",0.2603,"#41320f",0.2977,"Frederic Edwin Church","frederic-edwin-church","American, 1826–1900",1826,1900,"Hartford, Connecticut","Church studied with Thomas Cole in the Catskills and became the most celebrated American landscape painter of the mid-nineteenth century.","the-veteran-cma-168420","The Veteran",{"_42":1075,"_224":1076,"_326":1077,"_328":401,"_330":1078,"_332":1079,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1870","Unframed: 43 x 30.3 cm (16 15/16 x 11 15/16 in.)",30.3,43,0.7908823529411765,[1060,1061,1062,1063,1064],{"_223":738,"_224":739,"_42":740,"_305":741},"2010.20","Marie-François Firmin-Girard painted this in 1870, aged 32. It is now at the Cleveland Museum of Art.","The Veteran, by Marie-François Firmin-Girard, 1870",{"_296":1057,"_298":1058,"_300":1059},"https://img.ochreeditions.com/m/774.jpg?dl=1","/art/the-veteran-cma-168420","/galleries/style/painting-19/the-veteran-cma-168420",{"_292":293,"_294":295},{"_227":1052,"_125":1053,"_286":1054},{"_277":1049,"_279":1050,"_281":1051,"_283":1035},49.00794117647059,58,34.00794117647059,{"_288":227,"_123":1055,"_154":1056,"_140":89},{"_288":125,"_123":372,"_154":373,"_140":245},{"_288":286,"_123":369,"_154":370,"_140":371},"artist/contemporaries-of-marie-francois-firmin-girard","Marie-François Firmin-Girard's contemporaries","https://img.ochreeditions.com/a/774/480.jpg","https://img.ochreeditions.com/a/774/960.jpg","https://img.ochreeditions.com/a/774/1920.jpg",{"_312":1073,"_314":1074},{"_312":1071,"_314":1072},{"_312":1069,"_314":1070},{"_312":1067,"_314":1068},{"_312":1065,"_314":1066},"#807763",0.1268,"#ded9d2",0.1792,"#352f24",0.1887,"#846343",0.2475,"#af885b",0.2578,"Marie-François Firmin-Girard","marie-francois-firmin-girard","French, 1838–1921",1838,1921,"the-kitchen-of-the-rotisserie-des-deux-paons-cma-135394","The Kitchen of the Rôtisserie des Deux Paons",{"_42":1127,"_224":1128,"_326":1129,"_328":401,"_330":1130,"_332":1131,"_334":-5,"_335":-5,"_336":-5,"_140":103},"c. 1875–1881","oil on wood panel","Unframed: 44.3 x 61.2 cm (17 7/16 x 24 1/8 in.)",61.2,44.3,1.377075739165654,[1112,1113,1114,1115,1116],{"_223":738,"_224":739,"_42":740,"_305":741},"1958.40","Adolphe Monticelli painted this in about 1875–1881, aged about 51. It is now at the Cleveland Museum of Art.","The Kitchen of the Rôtisserie des Deux Paons, by Adolphe Monticelli, c. 1875–1881",{"_296":1109,"_298":1110,"_300":1111},"https://img.ochreeditions.com/m/628.jpg?dl=1","/art/the-kitchen-of-the-rotisserie-des-deux-paons-cma-135394","/galleries/style/painting-19/the-kitchen-of-the-rotisserie-des-deux-paons-cma-135394",{"_292":293,"_294":295},{"_227":1104,"_125":1105,"_286":1106},{"_277":1101,"_279":1102,"_281":1086,"_283":1103},76.2,59.442,44.442,{"_288":227,"_123":1107,"_154":1108,"_140":89},{"_288":125,"_123":372,"_154":373,"_140":245},{"_288":286,"_123":369,"_154":370,"_140":371},"artist/contemporaries-of-adolphe-monticelli","Adolphe Monticelli's contemporaries","https://img.ochreeditions.com/a/628/480.jpg","https://img.ochreeditions.com/a/628/960.jpg","https://img.ochreeditions.com/a/628/1920.jpg",{"_312":1125,"_314":1126},{"_312":1123,"_314":1124},{"_312":1121,"_314":1122},{"_312":1119,"_314":1120},{"_312":1117,"_314":1118},"#ab875c",0.0588,"#b6a68a",0.0982,"#826a4e",0.1943,"#644833",0.3213,"#493328",0.3274,"Adolphe Monticelli","adolphe-monticelli","French, 1824–1886",1824,1886,"alexander-and-bucephalus-nga-101776","Alexander and Bucephalus",{"_42":1179,"_224":1180,"_326":1181,"_328":401,"_330":1182,"_332":1183,"_334":461,"_335":461,"_336":1184,"_140":75},"1861/1862","overall: 115 x 89 cm (45 1/4 x 35 1/16 in.) framed: 139.7 × 107.95 × 12.7 cm (55 × 42 1/2 × 5 in.)",89,115,0.76416015625,[1164,1165,1166,1167,1168],{"_223":561,"_224":562,"_42":563,"_305":564},"1997.57.1","Edgar Degas painted this in 1861/1862, aged about 27. It is now at the National Gallery of Art in Washington, DC.","The young Alexander raises a hand to the head of the chestnut horse Bucephalus, which no one else at the Macedonian court could master; according to Plutarch, he succeeded by turning the animal towards the sun so that it could not see its own shadow.","Two groups of people face off in front of a hilly landscape in this loosely painted, vertical scene. On our left, a pale young man in a white tunic looks with eyes wide and lips parted at a group of three people on our right. The young man's right hand, on our left, is raised to stroke the head of a reddish-brown horse at his right shoulder. He stands with feet planted wide, knees bent, and he curls his left hand into a fist. Behind him, a man holds up a fluttering, light blue cape. A mottled red wall forms a backdrop to this scene on our left. The tight group gathered under a tree on our right stares back at the young man. The trio is made up of a balding, older man, a light-skinned boy also wearing a white tunic, and, closest to us, a brown-skinned woman wearing a marigold-orange shirt and a maroon-red skirt. Behind this group, a pair of pale raised arms suggests a fourth person, but the head is missing or has been painted over. The ground under the people is saffron orange. In the center of the picture, beyond the people, a group of horses stands near a green bank by a river, its surface reflecting white. The far bank is lined with white buildings. Tan and olive-green slopes rise from the opposite riverbank under a pale blue sky with cream-white clouds sweeping along the top edge of the composition. The artist signed his name in red paint in the lower right corner: “Degas.”",{"_296":1161,"_298":1162,"_300":1163},"https://img.ochreeditions.com/m/1638.jpg?dl=1","/art/alexander-and-bucephalus-nga-101776","/galleries/style/painting-19/alexander-and-bucephalus-nga-101776",{"_292":293,"_294":295},{"_227":1156,"_125":1157,"_286":1158},{"_277":1153,"_279":1154,"_281":1155,"_283":1138},102.87841796875,130,87.87841796875,{"_288":227,"_123":1159,"_154":1160,"_140":75},{"_288":125,"_123":553,"_154":554,"_140":555},{"_288":286,"_123":369,"_154":370,"_140":371},"artist/edgar-degas","More by Edgar Degas","https://img.ochreeditions.com/a/1638/480.jpg","https://img.ochreeditions.com/a/1638/960.jpg","https://img.ochreeditions.com/a/1638/1920.jpg",{"_312":1177,"_314":1178},{"_312":1175,"_314":1176},{"_312":1173,"_314":1174},{"_312":1171,"_314":1172},{"_312":1169,"_314":1170},"#757663",0.1138,"#3d342a",0.1894,"#654730",0.2149,"#a96f31",0.2254,"#92724c",0.2565,"Edgar Degas","edgar-degas","French, 1834–1917",1834,1917,"Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers.",{"_1186":-5,"_1187":1188,"_1189":1190,"_1191":8,"_1192":1193,"_1194":8},"user","csrf","21595a41259404e310af2470aeabb8f06979b261","cartCount",0,"dropLive","legal",[1195,1196,1197,1198,1199,1200,1201,1202,1203,1204,1205,1206],"uploadsEnabled",{"_224":1229,"_20":1230},{"_224":1227,"_20":1228},{"_224":1225,"_20":1226},{"_224":1223,"_20":1224},{"_224":1221,"_20":1222},{"_224":1219,"_20":1220},{"_224":1217,"_20":1218},{"_224":1215,"_20":1216},{"_224":1213,"_20":1214},{"_224":1211,"_20":1212},{"_224":1209,"_20":1210},{"_224":1207,"_20":1208},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]