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American artists in the nineteenth century often painted the mountains of the American West rising dramatically from the Great Plains.","Text from the Smithsonian American Art Museum.","si","smithsonian","Smithsonian Institution","Washington, DC",{"_317":470,"_319":471},{"_317":468,"_319":469},{"_317":466,"_319":467},{"_317":464,"_319":465},{"_317":462,"_319":463},"#433522",0.0763,"#7b6236",0.1588,"#604a27",0.1802,"#b08e63",0.1824,"#c6af8e",0.4023,"John Frederick Kensett","john-frederick-kensett","American, 1816–1872",1816,1872,"Cheshire, Connecticut","Kensett trained as an engraver before spending seven years in Europe, sketching in England and Italy. Back in New York in 1847 he became a leading figure of the second generation of the Hudson River School.","sarah-porter-si-npg-npg-75-35","Sarah Porter",{"_42":533,"_224":534,"_331":535,"_333":-5,"_335":536,"_337":537,"_339":-5,"_341":-5,"_343":-5,"_140":103},"1896","Frame: 76.2 x 95.3 x 8.3cm (30 x 37 1/2 x 3 1/4\")",95.3,76.2,0.831,[518,519,520,521,522],{"_223":453,"_224":454,"_42":455,"_310":456},"Courtesy of the National Portrait Gallery, Smithsonian Institution","NPG.75.35","Robert Bolling Brandegee painted this in 1896, aged 47. It is now at the National Portrait Gallery in Washington, DC.","Artist: Robert Bolling Brandegee, Sitter: Sarah Porter, Current owner: National Portrait Gallery, Smithsonian Institution",{"_298":515,"_300":516,"_302":517},"https://img.ochreeditions.com/m/1846.jpg?dl=1","/art/sarah-porter-si-npg-npg-75-35","/galleries/style/painting-19/sarah-porter-si-npg-npg-75-35",{"_294":295,"_296":297},{"_227":504,"_125":505,"_288":506},{"_279":500,"_281":501,"_283":502,"_284":503},92.68272433430742,108.48101604609799,77.68272433430742,93.48101604609799,{"_290":227,"_123":513,"_154":514,"_140":89},{"_290":125,"_123":510,"_154":511,"_140":512},{"_290":288,"_123":507,"_154":508,"_140":509},"era/19","The 19th century",731,"style/painting","More paintings",1127,"artist/contemporaries-of-robert-bolling-brandegee","Robert Bolling Brandegee's contemporaries","https://img.ochreeditions.com/a/1846/480.jpg","https://img.ochreeditions.com/a/1846/960.jpg","https://img.ochreeditions.com/a/1846/1920.jpg",{"_317":531,"_319":532},{"_317":529,"_319":530},{"_317":527,"_319":528},{"_317":525,"_319":526},{"_317":523,"_319":524},"#d09b6b",0.0598,"#6d461b",0.0681,"#4a2d0d",0.2188,"#301f0f",0.2373,"#11120e",0.416,"Robert Bolling Brandegee","robert-bolling-brandegee","1849–1922",1849,1922,"aaron-baldwin-nga-32581","Aaron Baldwin",{"_42":593,"_224":594,"_331":595,"_333":408,"_335":596,"_337":597,"_339":-5,"_341":-5,"_343":-5,"_140":103},"c. 1835","antebellum-america","oil on wood","overall: 64.5 x 54.2 cm (25 3/8 x 21 5/16 in.)",54.2,64.5,0.8359375,[578,579,580,581,582],{"_223":575,"_224":576,"_42":577,"_310":456},"Courtesy National Gallery of Art, Washington","1945.11.1","Francis Alexander painted this in about 1835, aged 35. It is now at the National Gallery of Art in Washington, DC.","The image is a portrait painting showing a man's upper body. He is positioned slightly turned to his right, with his head facing the viewer. The man has fair skin, defined cheekbones, and small, bright eyes. His hair is short, neatly combed, and grey or white. He is wearing a dark coat over a white shirt with a high collar, partially visible. The background is a muted, dark color, providing a simple setting that emphasizes the subject. There are no visible jewelry or objects in the image.",{"_298":572,"_300":573,"_302":574},"https://img.ochreeditions.com/m/1466.jpg?dl=1","/art/aaron-baldwin-nga-32581","/galleries/style/painting-19/aaron-baldwin-nga-32581",{"_294":295,"_296":297},{"_227":564,"_125":565,"_288":566},{"_279":561,"_281":562,"_283":563,"_284":546},68.91796875,79.5,53.91796875,{"_290":227,"_123":570,"_154":571,"_140":89},{"_290":125,"_123":567,"_154":568,"_140":569},{"_290":288,"_123":375,"_154":376,"_140":377},"style/antebellum-america","More Antebellum America",33,"artist/contemporaries-of-francis-alexander","Francis Alexander's contemporaries","https://img.ochreeditions.com/a/1466/480.jpg","https://img.ochreeditions.com/a/1466/960.jpg","https://img.ochreeditions.com/a/1466/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_317":591,"_319":592},{"_317":589,"_319":590},{"_317":587,"_319":588},{"_317":585,"_319":586},{"_317":583,"_319":584},"#dcc472",0.0301,"#7a5f29",0.0318,"#c68e32",0.0495,"#363625",0.3113,"#12161c",0.5773,"Francis Alexander","francis-alexander","American, 1800–1880",1800,1880,"abigail-powers-fillmore-si-npg-s-npg-78-20","Abigail Powers Fillmore","Unrecorded maker","c. 1840","Accurate: 76 x 63.5 cm (29 15/16 x 25\")",63.5,76,[629,630,631,632,633],{"_223":453,"_224":454,"_42":455,"_310":456},"S/NPG.78.20","An unrecorded artist painted this in about 1840. It is now at the National Portrait Gallery in Washington, DC.","Artist: Unidentified Artist, Sitter: Abigail Powers Fillmore, Current owner: National Portrait Gallery, Smithsonian Institution",{"_298":626,"_300":627,"_302":628},"https://img.ochreeditions.com/m/1859.jpg?dl=1","/art/abigail-powers-fillmore-si-npg-s-npg-78-20","/galleries/style/painting-19/abigail-powers-fillmore-si-npg-s-npg-78-20",{"_294":295,"_296":297},{"_227":620,"_125":621,"_288":622},{"_279":617,"_281":618,"_283":619,"_284":604},78.156,91,63.156,{"_290":227,"_123":623,"_154":624,"_140":625},{"_290":125,"_123":510,"_154":511,"_140":512},{"_290":288,"_123":507,"_154":508,"_140":509},"artist/unrecorded","More by unrecorded makers",126,"https://img.ochreeditions.com/a/1859/480.jpg","https://img.ochreeditions.com/a/1859/960.jpg","https://img.ochreeditions.com/a/1859/1920.jpg",{"_317":642,"_319":643},{"_317":640,"_319":641},{"_317":638,"_319":639},{"_317":636,"_319":637},{"_317":634,"_319":635},"#724932",0.0333,"#bc8562",0.0522,"#695c4c",0.0837,"#171513",0.2423,"#3a2d21",0.5885,"circus-sideshow-parade-de-cirque-met-437654","Circus Sideshow (Parade de cirque)",{"_42":691,"_224":692,"_331":693,"_333":334,"_335":190,"_337":694,"_339":695,"_341":695,"_343":696,"_140":89},"Paintings","39 1/4 x 59 in. (99.7 x 149.9 cm)",149.9,99.7,1.49561236169401,[676,677,678,679,680],{"_223":386,"_224":387,"_42":388,"_310":389},"61.101.17","Georges Seurat painted this in 1887–88, aged about 28. It is now at The Met in New York.","Under the glow of gas lamps, a trombonist stands on a platform outside a travelling circus in Paris, flanked by musicians and a ringmaster, while spectators line up in silhouette along the bottom edge. The scene is a parade, the free sample of entertainment staged to lure passers-by into a paid show.","Circus Sideshow (Parade de cirque), by Georges Seurat, 1887–88",{"_298":673,"_300":674,"_302":675},"https://img.ochreeditions.com/m/1155.jpg?dl=1","/art/circus-sideshow-parade-de-cirque-met-437654","/galleries/style/painting-19/circus-sideshow-parade-de-cirque-met-437654",{"_294":295,"_296":297},{"_227":668,"_125":669,"_288":670},{"_279":665,"_281":666,"_283":649,"_284":667},164.9,115.22650510204082,100.22650510204082,{"_290":227,"_123":671,"_154":672,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/georges-seurat","More by Georges Seurat","https://img.ochreeditions.com/a/1155/480.jpg","https://img.ochreeditions.com/a/1155/960.jpg","https://img.ochreeditions.com/a/1155/1920.jpg",{"_317":689,"_319":690},{"_317":687,"_319":688},{"_317":685,"_319":686},{"_317":683,"_319":684},{"_317":681,"_319":682},"#7c6256",0.1097,"#5a4d3c",0.1145,"#5e5151",0.2129,"#2d2b35",0.2362,"#483e43",0.3267,"Georges Seurat","georges-seurat","French, 1859–1891",1891,"Paris","Seurat trained at the École des Beaux-Arts and studied the colour theories of Chevreul and others before developing pointillism, building pictures from small, separate touches of pure colour meant to combine in the eye.","assembly-of-buddhist-deities-cma-98867","Assembly of Buddhist Deities","Unrecorded Korean maker","1846","korea","korean-painting","handscroll; ink and color on silk","Overall: 78 x 216 cm (30 11/16 x 85 1/16 in.)",216,78,2.512934220251293,[743,744,745,746,747],{"_223":739,"_224":740,"_42":741,"_310":742},"Courtesy of the Cleveland Museum of Art","1918.541","An unrecorded Korea, Joseon dynasty (1392–1910) artist painted this in 1846. It is now at the Cleveland Museum of Art.",{"_118":737,"_305":738},"Assembly of Buddhist Deities, 1846",{"_298":734,"_300":735,"_302":736},"https://img.ochreeditions.com/m/494.jpg?dl=1","/art/assembly-of-buddhist-deities-cma-98867","/galleries/style/painting-19/assembly-of-buddhist-deities-cma-98867",{"_294":295,"_296":297},{"_227":725,"_125":726,"_288":727},{"_279":722,"_281":723,"_283":705,"_284":724},231,100.95529411764707,85.95529411764707,{"_290":227,"_123":732,"_154":733,"_140":83},{"_290":125,"_123":730,"_154":731,"_140":233},{"_290":288,"_123":728,"_154":729,"_140":95},"era/19-korea","19th-century Korea","style/korean-painting","More Korean painting","artist/unrecorded-korea","More by unrecorded makers of Korea","https://img.ochreeditions.com/a/494/480.jpg","https://img.ochreeditions.com/a/494/960.jpg","https://img.ochreeditions.com/a/494/1920.jpg","The central deity in this Buddhist painting is Sākyamuni Buddha, given that he is displaying the earth-touching hand gesture. He is surrounded by several bodhisattvas and disciples.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_317":756,"_319":757},{"_317":754,"_319":755},{"_317":752,"_319":753},{"_317":750,"_319":751},{"_317":748,"_319":749},"#583e36",0.1613,"#bd9a64",0.1813,"#8a7055",0.1931,"#464137",0.2063,"#6c5b4a",0.258,"autumn-nga-66420","Autumn",{"_42":810,"_224":811,"_331":812,"_333":408,"_335":813,"_337":814,"_339":815,"_341":816,"_343":817,"_140":53},"1877","american-gilded-age","oil on canvas","overall: 97.1 x 58.9 cm (38 1/4 x 23 3/16 in.) framed: 126.4 x 91.1 x 7.9 cm (49 3/4 x 35 7/8 x 3 1/8 in.)",58.9,97.1,0.626220703125,[795,796,797,798,799],{"_223":575,"_224":576,"_42":577,"_310":456},"1985.64.22","Winslow Homer painted this in 1877, aged 41. It is now at the National Gallery of Art in Washington, DC.","A fashionably dressed young woman in a black jacket and round hat stands on a hillside carpeted with fallen leaves, lifting her ruffled skirt to reveal its sky-blue lining and holding a basket overflowing with orange foliage. She looks straight out at us.","A woman with smooth, pale skin and wearing a hat, long dress, and gloves, stands holding a bunch of pumpkin-orange leaves against a background of trees painted with touches of rust orange and pine green in this vertical painting. The woman tips her head back slightly to look at us with dark eyes under arched eyebrows. Her cheeks are flushed and her coral-pink lips closed. Her round black hat perches on the back of her head and she has an inky black, long-sleeved, hip-length jacket with bronze trim at the shoulders, cuffs, and down the front. A gauzy bow is tied at her neck. Her left elbow, on our right, is bent and she holds up her tan-colored, ruffled skirt with a white-gloved hand. The raised skirt exposes sky-blue lining and white, ruffled flounces at her feet. Her right arm, on our left, hangs at her side and holds the handle of a basket. Deep marigold-orange leaves cascade out of the basket. One black shoe peeks out from under her long skirt. She stands on a hill carpeted with crimson-red, tawny-brown, golden yellow, and forest-green leaves. The space behind her is filled with touches and dabs of red, orange, brown, black, and tan.",{"_298":792,"_300":793,"_302":794},"https://img.ochreeditions.com/m/1611.jpg?dl=1","/art/autumn-nga-66420","/galleries/style/painting-19/autumn-nga-66420",{"_294":295,"_296":297},{"_227":784,"_125":785,"_288":786},{"_279":781,"_281":782,"_283":783,"_284":766},75.8060302734375,112.1,60.80603027343749,{"_290":227,"_123":790,"_154":791,"_140":53},{"_290":125,"_123":787,"_154":788,"_140":789},{"_290":288,"_123":375,"_154":376,"_140":377},"style/american-gilded-age","More American Gilded Age",67,"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/1611/480.jpg","https://img.ochreeditions.com/a/1611/960.jpg","https://img.ochreeditions.com/a/1611/1920.jpg",{"_317":808,"_319":809},{"_317":806,"_319":807},{"_317":804,"_319":805},{"_317":802,"_319":803},{"_317":800,"_319":801},"#1e1811",0.0441,"#695539",0.0754,"#6a2e18",0.2262,"#552d15",0.3074,"#442b15",0.3469,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","the-fountain-at-grottaferrata-aic-209942","The Fountain at Grottaferrata",{"_42":873,"_224":874,"_331":875,"_333":876,"_335":877,"_337":878,"_339":-5,"_341":-5,"_343":-5,"_140":103},"1832","germany","romanticism","113 × 99.5 cm (44 3/8 × 39 in.); Framed: 135.9 × 122 cm (53 1/2 × 48 in.)",99,113,0.8772781390237201,[858,859,860,861,862],{"_223":307,"_224":308,"_42":309,"_310":311},"2011.123","Adrian Ludwig (Ludwig) Richter painted this in 1832, aged 29. It is now at the Art Institute of Chicago.",{"_118":857,"_305":306},"A work made of oil on canvas.",{"_298":854,"_300":855,"_302":856},"https://img.ochreeditions.com/m/353.jpg?dl=1","/art/the-fountain-at-grottaferrata-aic-209942","/galleries/style/painting-19/the-fountain-at-grottaferrata-aic-209942",{"_294":295,"_296":297},{"_227":844,"_125":845,"_288":846},{"_279":841,"_281":842,"_283":843,"_284":826},114.13242970968037,128,99.13242970968037,{"_290":227,"_123":852,"_154":853,"_140":89},{"_290":125,"_123":849,"_154":850,"_140":851},{"_290":288,"_123":847,"_154":848,"_140":77},"era/19-germany","19th-century Germany","style/romanticism","More Romanticism",32,"artist/contemporaries-of-adrian-ludwig-ludwig-richter","Adrian Ludwig (Ludwig) Richter's contemporaries","https://img.ochreeditions.com/a/353/480.jpg","https://img.ochreeditions.com/a/353/960.jpg","https://img.ochreeditions.com/a/353/1920.jpg","Full of golden light, this painting depicts an idealized view of the Italian countryside. Like many young artists of the time, Richter traveled to Rome from Germany to study Classical ruins and the Mediterranean landscape.",{"_317":871,"_319":872},{"_317":869,"_319":870},{"_317":867,"_319":868},{"_317":865,"_319":866},{"_317":863,"_319":864},"#a58763",0.0594,"#43678c",0.0988,"#7a7c76",0.1046,"#4c341b",0.2344,"#302111",0.5028,"Adrian Ludwig (Ludwig) Richter","adrian-ludwig-ludwig-richter","German, 1803–1884","German",1803,1884,"young-ladies-of-the-village-met-438820","Young Ladies of the Village",{"_42":931,"_224":932,"_331":933,"_333":334,"_335":934,"_337":935,"_339":936,"_341":937,"_343":938,"_140":91},"1851–52","paris-salon-painting","76 3/4 x 102 3/4 in. (194.9 x 261 cm)",261,194.9,1.3386020372321743,[916,917,918,919,920],{"_223":386,"_224":387,"_42":388,"_310":389},"40.175","Gustave Courbet painted this in 1851–52, aged about 32. It is now at The Met in New York.","Three young women in their Sunday best, Courbet’s own sisters, pause on a hillside path near Ornans to give alms to a barefoot cowherd girl, while cows graze and a small dog stands nearby.","Young Ladies of the Village, by Gustave Courbet, 1851–52",{"_298":913,"_300":914,"_302":915},"https://img.ochreeditions.com/m/1195.jpg?dl=1","/art/young-ladies-of-the-village-met-438820","/galleries/style/painting-19/young-ladies-of-the-village-met-438820",{"_294":295,"_296":297},{"_227":905,"_125":906,"_288":907},{"_279":901,"_281":902,"_283":903,"_284":904},255,194.29152453424297,240,179.29152453424297,{"_290":227,"_123":911,"_154":912,"_140":91},{"_290":125,"_123":908,"_154":909,"_140":910},{"_290":288,"_123":166,"_154":165,"_140":168},"style/paris-salon-painting","More Paris Salon painting",79,"artist/gustave-courbet","More by Gustave Courbet","https://img.ochreeditions.com/a/1195/480.jpg","https://img.ochreeditions.com/a/1195/960.jpg","https://img.ochreeditions.com/a/1195/1920.jpg",{"_317":929,"_319":930},{"_317":927,"_319":928},{"_317":925,"_319":926},{"_317":923,"_319":924},{"_317":921,"_319":922},"#986d2b",0.1188,"#1d1406",0.1211,"#768178",0.234,"#45300c",0.238,"#694912",0.2881,"Gustave Courbet","gustave-courbet","French, 1819–1877",1819,1877,"Ornans","La Tour-de-Peilz","Courbet left his native Ornans for Paris and became the standard-bearer of Realism, painting ordinary people and his own region on the scale reserved for history painting, as in A Burial at Ornans.","beggar-kojiki-cma-154263","Beggar (Kojiki)",{"_42":993,"_224":994,"_331":995,"_333":996,"_335":409,"_337":997,"_339":-5,"_341":-5,"_343":-5,"_140":103},"japan","japanese-painting","hanging scroll; ink on paper","Overall: 215.3 x 93 cm (84 3/4 x 36 5/8 in.); Painting only: 141 x 70.8 cm (55 1/2 x 27 7/8 in.)",93,215.3,0.5120588235294118,[978,979,980,981,982],{"_223":739,"_224":740,"_42":741,"_310":742},"1988.73","Hirafuku Suian painted this in 1871, aged 27. It is now at the Cleveland Museum of Art.",{"_118":977,"_305":738},"Beggar (Kojiki), by Hirafuku Suian, 1871",{"_298":974,"_300":975,"_302":976},"https://img.ochreeditions.com/m/744.jpg?dl=1","/art/beggar-kojiki-cma-154263","/galleries/style/painting-19/beggar-kojiki-cma-154263",{"_294":295,"_296":297},{"_227":965,"_125":966,"_288":967},{"_279":962,"_281":963,"_283":964,"_284":947},125.24626470588237,230.3,110.24626470588237,{"_290":227,"_123":972,"_154":973,"_140":89},{"_290":125,"_123":970,"_154":971,"_140":604},{"_290":288,"_123":968,"_154":969,"_140":825},"era/19-japan","19th-century Japan","style/japanese-painting","More Japanese painting","artist/contemporaries-of-hirafuku-suian","Hirafuku Suian's contemporaries","https://img.ochreeditions.com/a/744/480.jpg","https://img.ochreeditions.com/a/744/960.jpg","https://img.ochreeditions.com/a/744/1920.jpg","The Japanese term for beggar, kojiki, derives from the word kotsujiki, which refers to Buddhist monks taking bowls from door to door to request sustenance. The son of the artist Suian Bunrō, Suian Hirafuku was born in Kakunodate in Japan’s northern Akita prefecture. When he was 16, he went to study in Kyoto.",{"_317":991,"_319":992},{"_317":989,"_319":990},{"_317":987,"_319":988},{"_317":985,"_319":986},{"_317":983,"_319":984},"#66635c",0.0578,"#8a857a",0.1439,"#a29b8f",0.1714,"#d6cbbb",0.2978,"#bcb3a3",0.3291,"Hirafuku Suian","hirafuku-suian","Japanese, 1844–1890","Japanese",1890,"corot-s-studio-woman-seated-before-an-easel-a-mandolin-in-he-nga-1148","Corot's Studio: Woman Seated Before an Easel, a Mandolin in her Hand",{"_42":1045,"_224":1046,"_331":1047,"_333":334,"_335":1048,"_337":1049,"_339":695,"_341":695,"_343":1050,"_140":87},"c. 1868","overall: 61.8 x 40 cm (24 5/16 x 15 3/4 in.) framed: 78.4 x 56.5 cm (30 7/8 x 22 1/4 in.)",40,61.8,0.64990234375,[1030,1031,1032,1033,1034],{"_223":575,"_224":576,"_42":577,"_310":456},"1942.9.11","Jean Baptiste Camille Corot painted this in about 1868, aged 72. It is now at the National Gallery of Art in Washington, DC.","A young model in a green bodice and olive skirt sits with her back half turned, a mandolin resting at her side, and reaches out to touch a landscape on the easel before her, while a black and white dog looks up at her. Small paintings and plaster casts hang on the wall above a stove.","A young, pale-skinned woman sits with her back to us as she looks at a painting on an easel in a studio in this vertical painting. She sits in a ladder-back wood chair so her knees angle away from us, toward the back right corner of the studio. We look onto the side of her right cheek as she leans forward. Her brown hair is combed back and twisted into a bun wrapped with a raspberry-red ribbon that trails down her back. Touches of pearl white, pale pink, and silvery gray suggest flowers by the ear we can see. A cream-white chemise falls off the shoulder closer to us, under a grass-green bodice. She holds a mandolin down by her right side, which is closer to us, to nestle in the folds of her voluminous, olive-green skirt. She reaches forward with her other hand to touch the lower left corner of the painting resting on the easel. That vertically-oriented scene is loosely painted and shows a few people gathered in a landscape. A white and black dog stands with one front leg lifted to the left of the woman's chair, looking at her. The wall opposite us is parchment white over a strip of molding, like a high chair rail, and muted mauve pink below. An L-shaped pipe leads to an iron stove to our left of center. A narrow shelf tucked into the L of the pipe holds three hand-sized sculptures or casts. Small paintings and plaster casts hang around it on the wall above the molding. The artist signed the painting in the lower right: “COROT.”",{"_298":1027,"_300":1028,"_302":1029},"https://img.ochreeditions.com/m/1328.jpg?dl=1","/art/corot-s-studio-woman-seated-before-an-easel-a-mandolin-in-he-nga-1148","/galleries/style/painting-19/corot-s-studio-woman-seated-before-an-easel-a-mandolin-in-he-nga-1148",{"_294":295,"_296":297},{"_227":1022,"_125":1023,"_288":1024},{"_279":1019,"_281":1020,"_283":1021,"_284":1004},55.16396484375,76.8,40.16396484375,{"_290":227,"_123":1025,"_154":1026,"_140":87},{"_290":125,"_123":908,"_154":909,"_140":910},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/jean-baptiste-camille-corot","More by Jean Baptiste Camille Corot","https://img.ochreeditions.com/a/1328/480.jpg","https://img.ochreeditions.com/a/1328/960.jpg","https://img.ochreeditions.com/a/1328/1920.jpg",{"_317":1043,"_319":1044},{"_317":1041,"_319":1042},{"_317":1039,"_319":1040},{"_317":1037,"_319":1038},{"_317":1035,"_319":1036},"#a9936b",0.0469,"#836e50",0.1749,"#4a3d2d",0.2411,"#68543c",0.2626,"#2f251d",0.2745,"Jean Baptiste Camille Corot","jean-baptiste-camille-corot","French, 1796–1875",1796,1875,"Corot trained with the landscape painters Achille-Etna Michallon and Jean-Victor Bertin, then spent 1825–28 in Italy, where his small oil sketches of Rome and the Campagna caught its clear light with great economy. He returned to Italy twice and travelled widely in France.","eaton-s-neck-long-island-met-11307","Eaton's Neck, Long Island",{"_42":472,"_224":473,"_331":474,"_333":408,"_335":475,"_337":476,"_339":477,"_341":389,"_343":478,"_140":93},"1872","18 x 36 in. (45.7 x 91.4 cm)",91.4,45.7,2.071376547705754,[1081,1082,1083,1084,1085],{"_223":386,"_224":387,"_42":388,"_310":389},"74.29","John Frederick Kensett painted this in 1872, aged 56. It is now at The Met in New York.","A curving strip of sandy beach meets a broad expanse of calm water beneath a vast, pale sky. Kensett painted this spare, almost empty composition in 1872, the last summer of his life, which he spent on the Connecticut shore of Long Island Sound.","Eaton's Neck, Long Island, by John Frederick Kensett, 1872",{"_298":1078,"_300":1079,"_302":1080},"https://img.ochreeditions.com/m/840.jpg?dl=1","/art/eaton-s-neck-long-island-met-11307","/galleries/style/painting-19/eaton-s-neck-long-island-met-11307",{"_294":295,"_296":297},{"_227":1075,"_125":1076,"_288":1077},{"_279":1072,"_281":1073,"_283":1056,"_284":1074},106.4,59.125246132208154,44.125246132208154,{"_290":227,"_123":446,"_154":447,"_140":93},{"_290":125,"_123":443,"_154":444,"_140":445},{"_290":288,"_123":375,"_154":376,"_140":377},"https://img.ochreeditions.com/a/840/480.jpg","https://img.ochreeditions.com/a/840/960.jpg","https://img.ochreeditions.com/a/840/1920.jpg",{"_317":1094,"_319":1095},{"_317":1092,"_319":1093},{"_317":1090,"_319":1091},{"_317":1088,"_319":1089},{"_317":1086,"_319":1087},"#c8b799",0.0791,"#352819",0.0912,"#7b7251",0.1028,"#555745",0.1295,"#8e9588",0.5974,"study-for-the-dancing-lesson-the-banjo-player-nga-66414","Study for \"The Dancing Lesson\": The Banjo Player",{"_42":405,"_224":406,"_331":407,"_333":408,"_335":409,"_337":410,"_339":411,"_341":411,"_343":412,"_140":87},"probably 1877","oil on canvas on cardboard","overall: 49.5 x 37.9 cm (19 1/2 x 14 15/16 in.) framed: 57.9 x 45.7 x 3.5 cm (22 13/16 x 18 x 1 3/8 in.)",37.9,49.5,0.75341796875,[1126,1127,1128,1129,1130],{"_223":575,"_224":576,"_42":577,"_310":456},"1985.64.16","Thomas Eakins painted this (probably 1877), aged 33. It is now at the National Gallery of Art in Washington, DC.","A young banjo player leans over his instrument, lit from the left so that his profile falls into shadow, in an oil study Thomas Eakins made for his watercolour The Dancing Lesson of 1878.","A young, gangly, brown-skinned boy sits on a green chair and leans over the banjo he plays in this loosely painted, vertical composition. His body faces our right in profile, and his head leans to his left and away from us. Light comes from our left to highlight his ear and the side of his chin, but throws his profile into shadow against the lighter background. The boy has short black hair and wears a white shirt with the sleeves rolled up, black pants, and black shoes. The floor is loosely painted with streaks of earth brown, taupe, and dark moss green. The wall behind the boy is painted with visible strokes of parchment brown, peachy tan, pearl white, and fog gray. The space to our left of the boy is dark brown, and an outline of a standing person is sketched in the top left corner. A grid is overlaid across the boy’s body and the chair.",{"_298":1123,"_300":1124,"_302":1125},"https://img.ochreeditions.com/m/1606.jpg?dl=1","/art/study-for-the-dancing-lesson-the-banjo-player-nga-66414","/galleries/style/painting-19/study-for-the-dancing-lesson-the-banjo-player-nga-66414",{"_294":295,"_296":297},{"_227":1120,"_125":1121,"_288":1122},{"_279":1118,"_281":546,"_283":1119,"_284":1103},52.294189453125,37.294189453125,{"_290":227,"_123":381,"_154":382,"_140":87},{"_290":125,"_123":787,"_154":788,"_140":789},{"_290":288,"_123":375,"_154":376,"_140":377},"https://img.ochreeditions.com/a/1606/480.jpg","https://img.ochreeditions.com/a/1606/960.jpg","https://img.ochreeditions.com/a/1606/1920.jpg",{"_317":1139,"_319":1140},{"_317":1137,"_319":1138},{"_317":1135,"_319":1136},{"_317":1133,"_319":1134},{"_317":1131,"_319":1132},"#b2a17f",0.111,"#8b775a",0.1413,"#463422",0.2197,"#6a543b",0.251,"#282017",0.277,"the-sea-si-saam-1925-12-2","The Sea",{"_42":1186,"_224":1187,"_331":1188,"_333":-5,"_335":1189,"_337":338,"_339":-5,"_341":-5,"_343":-5,"_140":101},"sight 29 7/8 x 49 3/4 in. (75.9 x 126.3 cm.)",126.3,75.9,1.6574585635359116,[1171,1172,1173,1174,1175],{"_223":453,"_224":454,"_42":455,"_310":456},"1925.12.2","Edward Moran painted this in 1870, aged 41. It is now at the Smithsonian American Art Museum in Washington, DC.","The Sea, by Edward Moran, 1870",{"_298":1168,"_300":1169,"_302":1170},"https://img.ochreeditions.com/m/1871.jpg?dl=1","/art/the-sea-si-saam-1925-12-2","/galleries/style/painting-19/the-sea-si-saam-1925-12-2",{"_294":295,"_296":297},{"_227":1163,"_125":1164,"_288":1165},{"_279":1160,"_281":1161,"_283":1145,"_284":1162},141.3,91.201,76.201,{"_290":227,"_123":1166,"_154":1167,"_140":89},{"_290":125,"_123":510,"_154":511,"_140":512},{"_290":288,"_123":507,"_154":508,"_140":509},"artist/contemporaries-of-edward-moran","Edward Moran's contemporaries","https://img.ochreeditions.com/a/1871/480.jpg","https://img.ochreeditions.com/a/1871/960.jpg","https://img.ochreeditions.com/a/1871/1920.jpg",{"_317":1184,"_319":1185},{"_317":1182,"_319":1183},{"_317":1180,"_319":1181},{"_317":1178,"_319":1179},{"_317":1176,"_319":1177},"#847d6b",0.088,"#32322f",0.183,"#696559",0.1904,"#151515",0.2229,"#4a4842",0.3157,"Edward Moran","edward-moran","born Bolton, England 1829-died New York City 1901",1829,{"_1191":-5,"_1192":1193,"_1194":1195,"_1196":8,"_1197":1198,"_1199":8},"user","csrf","daf4812779cf231d5793f5ddf3bb886987ed412f","cartCount",0,"dropLive","legal",[1200,1201,1202,1203,1204,1205,1206,1207,1208,1209,1210,1211],"uploadsEnabled",{"_224":1234,"_20":1235},{"_224":1232,"_20":1233},{"_224":1230,"_20":1231},{"_224":1228,"_20":1229},{"_224":1226,"_20":1227},{"_224":1224,"_20":1225},{"_224":1222,"_20":1223},{"_224":1220,"_20":1221},{"_224":1218,"_20":1219},{"_224":1216,"_20":1217},{"_224":1214,"_20":1215},{"_224":1212,"_20":1213},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]