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The angled light indicates either a rising or setting sun.",{"_293":437,"_295":438,"_297":439},"https://img.ochreeditions.com/m/183.jpg?dl=1","/art/stacks-of-wheat-end-of-summer-aic-64818","/galleries/style/painting-19/stacks-of-wheat-end-of-summer-aic-64818",{"_289":290,"_291":292},{"_224":429,"_125":430,"_283":431},{"_273":426,"_275":427,"_277":409,"_279":428},115,74.09355026147588,59.09355026147589,{"_285":224,"_123":435,"_154":436,"_140":85},{"_285":125,"_123":432,"_154":433,"_140":434},{"_285":283,"_123":365,"_154":366,"_140":367},"style/impressionism","More Impressionism",53,"artist/claude-monet","More by Claude Monet","https://img.ochreeditions.com/a/183/480.jpg","https://img.ochreeditions.com/a/183/960.jpg","https://img.ochreeditions.com/a/183/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_309":457,"_311":458},{"_309":455,"_311":456},{"_309":453,"_311":454},{"_309":451,"_311":452},{"_309":449,"_311":450},"#717b6f",0.1575,"#776356",0.1711,"#a49378",0.1896,"#7f7d84",0.2319,"#aeaea6",0.2499,"Claude Monet","claude-monet","French, 1840–1926",1840,1926,"Monet grew up in Le Havre, where Eugène Boudin encouraged him to paint outdoors. In Paris he met Renoir, Sisley and Bazille, and his Impression, Sunrise gave the Impressionist movement its name in 1874.","southwest-tower-amiens-cathedral-si-saam-1962-13-18","Southwest Tower, Amiens Cathedral",{"_42":510,"_221":511,"_323":512,"_325":-5,"_326":513,"_328":514,"_330":-5,"_331":-5,"_332":-5,"_140":101},"1880","watercolor on paper","sight 13 3/4 x 9 3/4 in. (35.5 x 25.0 cm.)",35.5,0.6883333333333334,[496,497,498,499,500],{"_220":299,"_221":300,"_42":301,"_302":303},"1962.13.18","Cass Gilbert painted this in 1880, aged 22. It is now at the Smithsonian American Art Museum in Washington, DC.","Southwest Tower, Amiens Cathedral, by Cass Gilbert, 1880",{"_293":493,"_295":494,"_297":495},"https://img.ochreeditions.com/m/1917.jpg?dl=1","/art/southwest-tower-amiens-cathedral-si-saam-1962-13-18","/galleries/style/painting-19/southwest-tower-amiens-cathedral-si-saam-1962-13-18",{"_289":290,"_291":292},{"_224":488,"_125":489,"_283":490},{"_273":485,"_275":486,"_277":487,"_279":471},39.435833333333335,50.5,24.435833333333335,{"_285":224,"_123":491,"_154":492,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-cass-gilbert","Cass Gilbert's contemporaries","https://img.ochreeditions.com/a/1917/480.jpg","https://img.ochreeditions.com/a/1917/960.jpg","https://img.ochreeditions.com/a/1917/1920.jpg",{"_309":508,"_311":509},{"_309":507,"_311":394},{"_309":505,"_311":506},{"_309":503,"_311":504},{"_309":501,"_311":502},"#685f5e",0.0682,"#beaa95",0.1697,"#82766e",0.1733,"#ab9d91","#98897b",0.3036,"Cass Gilbert","cass-gilbert","born Zanesville, OH 1858-died Brockenhurst, England 1934",1858,1934,"orchids-and-rocks-cma-86399","Orchids and Rocks",{"_42":578,"_221":579,"_323":580,"_325":581,"_326":582,"_328":583,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1897–98","korea","korean-painting","Eight-panel folding screen; ink on silk","Overall: 185 x 52.6 cm (72 13/16 x 20 11/16 in.); Each panel: 111.9 x 1.5 cm (44 1/16 x 9/16 in.)",52.6,185,2.2397891963109355,[563,564,565,566,567],{"_220":559,"_221":560,"_42":561,"_302":562},"Courtesy of the Cleveland Museum of Art","2015.138","Yi Ha-eung painted this in 1897–98, aged about 77. It is now at the Cleveland Museum of Art.",{"_118":556,"_557":558},"Orchids and Rocks, by Yi Ha-eung, 1897–98",{"_293":553,"_295":554,"_297":555},"https://img.ochreeditions.com/m/455.jpg?dl=1","/art/orchids-and-rocks-cma-86399","/galleries/style/painting-19/orchids-and-rocks-cma-86399",{"_289":290,"_291":292},{"_224":544,"_125":545,"_283":546},{"_273":540,"_275":541,"_277":542,"_279":543},162.632613840241,80.91361994396641,147.632613840241,65.91361994396641,{"_285":224,"_123":551,"_154":552,"_140":89},{"_285":125,"_123":549,"_154":550,"_140":230},{"_285":283,"_123":547,"_154":548,"_140":95},"era/19-korea","19th-century Korea","style/korean-painting","More Korean painting","artist/contemporaries-of-yi-ha-eung","Yi Ha-eung's contemporaries","https://img.ochreeditions.com/a/455/480.jpg","https://img.ochreeditions.com/a/455/960.jpg","https://img.ochreeditions.com/a/455/1920.jpg","Yi Ha-eung (1820−1898), the artist of this eight-panel folding screen, was one of the most influential men in late 19th-century Korea. Acting as the regent for his son, King Gojong (1852−1919), who ascended the throne at the age of thirteen, Yi ruled Korea from 1866 to 1873.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_309":576,"_311":577},{"_309":574,"_311":575},{"_309":572,"_311":573},{"_309":570,"_311":571},{"_309":568,"_311":569},"#af9776",0.1078,"#f1dfc5",0.1449,"#d3c2a3",0.1713,"#d6b182",0.2575,"#7d6a4a",0.3185,"Yi Ha-eung","yi-ha-eung","Korean, 1820–1898","Korean",1820,1898,"sarah-porter-si-npg-npg-75-35","Sarah Porter",{"_42":632,"_221":633,"_323":634,"_325":-5,"_326":635,"_328":636,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1896","Frame: 76.2 x 95.3 x 8.3cm (30 x 37 1/2 x 3 1/4\")",95.3,76.2,0.831,[617,618,619,620,621],{"_220":299,"_221":300,"_42":301,"_302":303},"Courtesy of the National Portrait Gallery, Smithsonian Institution","NPG.75.35","Robert Bolling Brandegee painted this in 1896, aged 47. It is now at the National Portrait Gallery in Washington, DC.","Artist: Robert Bolling Brandegee, Sitter: Sarah Porter, Current owner: National Portrait Gallery, Smithsonian Institution",{"_293":614,"_295":615,"_297":616},"https://img.ochreeditions.com/m/1846.jpg?dl=1","/art/sarah-porter-si-npg-npg-75-35","/galleries/style/painting-19/sarah-porter-si-npg-npg-75-35",{"_289":290,"_291":292},{"_224":609,"_125":610,"_283":611},{"_273":605,"_275":606,"_277":607,"_279":608},92.68272433430742,108.48101604609799,77.68272433430742,93.48101604609799,{"_285":224,"_123":612,"_154":613,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-robert-bolling-brandegee","Robert Bolling Brandegee's contemporaries","https://img.ochreeditions.com/a/1846/480.jpg","https://img.ochreeditions.com/a/1846/960.jpg","https://img.ochreeditions.com/a/1846/1920.jpg",{"_309":630,"_311":631},{"_309":628,"_311":629},{"_309":626,"_311":627},{"_309":624,"_311":625},{"_309":622,"_311":623},"#d09b6b",0.0598,"#6d461b",0.0681,"#4a2d0d",0.2188,"#301f0f",0.2373,"#11120e",0.416,"Robert Bolling Brandegee","robert-bolling-brandegee","1849–1922",1849,1922,"betsey-colt-foot-si-npg-npg-2016-132","Betsey Colt Foot",{"_42":683,"_221":684,"_323":685,"_325":-5,"_326":686,"_328":687,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1815","Stretcher: 75.9 × 60.6 × 2.5 cm (29 7/8 × 23 7/8 × 1\")",60.6,75.9,0.80075,[668,669,670,671,672],{"_220":299,"_221":300,"_42":301,"_302":303},"NPG.2016.132","Ezra Ames painted this in 1815, aged 47. It is now at the National Portrait Gallery in Washington, DC.","Artist: Ezra Ames, Sitter: Betsey Colt Foot, Current owner: National Portrait Gallery, Smithsonian Institution",{"_293":665,"_295":666,"_297":667},"https://img.ochreeditions.com/m/1834.jpg?dl=1","/art/betsey-colt-foot-si-npg-npg-2016-132","/galleries/style/painting-19/betsey-colt-foot-si-npg-npg-2016-132",{"_289":290,"_291":292},{"_224":660,"_125":661,"_283":662},{"_273":657,"_275":658,"_277":659,"_279":643},75.776925,90.9,60.776925,{"_285":224,"_123":663,"_154":664,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-ezra-ames","Ezra Ames's contemporaries","https://img.ochreeditions.com/a/1834/480.jpg","https://img.ochreeditions.com/a/1834/960.jpg","https://img.ochreeditions.com/a/1834/1920.jpg",{"_309":681,"_311":682},{"_309":679,"_311":680},{"_309":677,"_311":678},{"_309":675,"_311":676},{"_309":673,"_311":674},"#6c3919",0.0401,"#836841",0.0797,"#caa576",0.0846,"#4a3926",0.276,"#221d1b",0.5196,"Ezra Ames","ezra-ames","5 May 1768 - 23 Feb 1836",1768,1836,"king-lear-act-i-scene-i-met-10049","\"King Lear,\" Act I, Scene I",{"_42":743,"_221":744,"_323":745,"_325":746,"_326":747,"_328":748,"_330":749,"_331":750,"_332":-5,"_140":103},"1898","united-states","american-gilded-age","54 1/4 x 127 1/4 in. (137.8 x 323.2 cm)",323.2,137.8,2.3225616921269094,[728,729,730,731,732],{"_220":376,"_221":377,"_42":378,"_302":379},"13.140","Edwin Austin Abbey painted this in 1898, aged 46. It is now at The Met in New York.","\"King Lear,\" Act I, Scene I, by Edwin Austin Abbey, 1898",{"_293":725,"_295":726,"_297":727},"https://img.ochreeditions.com/m/801.jpg?dl=1","/art/king-lear-act-i-scene-i-met-10049","/galleries/style/painting-19/king-lear-act-i-scene-i-met-10049",{"_289":290,"_291":292},{"_224":714,"_125":715,"_283":716},{"_273":710,"_275":711,"_277":712,"_279":713},255,118.33417657475336,240,103.33417657475336,{"_285":224,"_123":723,"_154":724,"_140":89},{"_285":125,"_123":720,"_154":721,"_140":722},{"_285":283,"_123":717,"_154":718,"_140":719},"era/19-united-states","19th-century United States",198,"style/american-gilded-age","More American Gilded Age",67,"artist/contemporaries-of-edwin-austin-abbey","Edwin Austin Abbey's contemporaries","https://img.ochreeditions.com/a/801/480.jpg","https://img.ochreeditions.com/a/801/960.jpg","https://img.ochreeditions.com/a/801/1920.jpg",{"_309":741,"_311":742},{"_309":739,"_311":740},{"_309":737,"_311":738},{"_309":735,"_311":736},{"_309":733,"_311":734},"#5e2b2b",0.0742,"#79735d",0.0921,"#43302b",0.202,"#4e4739",0.2204,"#2b2b29",0.4113,"Edwin Austin Abbey","edwin-austin-abbey","American, 1852–1911","American",1852,1911,"Philadelphia, Pennsylvania","London","the-pilgrim-of-the-cross-at-the-end-of-his-journey-study-for-si-saam-1965-10","The Pilgrim of the Cross at the End of His Journey (study for series, The Cross and the World)",{"_42":805,"_221":806,"_323":807,"_325":746,"_326":808,"_328":809,"_330":810,"_331":811,"_332":812,"_140":99},"ca. 1846-1848","hudson-river-school","oil on canvas","12 x 18 in. (30.4 x 45.8 cm.)",45.8,30.4,1.5007503751875937,[790,791,792,793,794],{"_220":299,"_221":300,"_42":301,"_302":303},"1965.10","Thomas Cole painted this in about 1846-1848, aged about 45. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":788,"_557":789},"The Pilgrim of the Cross at the End of His Journey (study for series, The Cross and the World), by Thomas Cole, ca. 1846-1848",{"_293":785,"_295":786,"_297":787},"https://img.ochreeditions.com/m/1921.jpg?dl=1","/art/the-pilgrim-of-the-cross-at-the-end-of-his-journey-study-for-si-saam-1965-10","/galleries/style/painting-19/the-pilgrim-of-the-cross-at-the-end-of-his-journey-study-for-si-saam-1965-10",{"_289":290,"_291":292},{"_224":777,"_125":778,"_283":779},{"_273":774,"_275":775,"_277":758,"_279":776},60.8,45.51806666666667,30.518066666666666,{"_285":224,"_123":783,"_154":784,"_140":99},{"_285":125,"_123":780,"_154":781,"_140":782},{"_285":283,"_123":717,"_154":718,"_140":719},"style/hudson-river-school","More Hudson River School",27,"artist/thomas-cole","More by Thomas Cole","https://img.ochreeditions.com/a/1921/480.jpg","https://img.ochreeditions.com/a/1921/960.jpg","https://img.ochreeditions.com/a/1921/1920.jpg","Thomas Cole died before he was able to complete his final group of paintings, titled The Cross and the World. In the beginning of the series, two young men each begin a pilgrimage---one to the cross and the other through the world.","Text from the Smithsonian American Art Museum.",{"_309":803,"_311":804},{"_309":801,"_311":802},{"_309":799,"_311":800},{"_309":797,"_311":798},{"_309":795,"_311":796},"#6d4119",0.1205,"#a27650",0.1231,"#391b0d",0.1362,"#ceaa7d",0.2366,"#1b0d0a",0.3836,"Thomas Cole","thomas-cole","American, born England,1801–1848",1801,1848,"Lancashire","Catskill, New York","Cole emigrated from Lancashire to the United States as a teenager and, largely self-taught, made his name in 1825 with views of the Catskill Mountains that launched what became known as the Hudson River School.","hibiscus-and-magpies-aic-124654","Hibiscus and Magpies",{"_42":869,"_221":870,"_323":871,"_325":872,"_326":873,"_328":874,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1847","japan","japanese-painting","Hanging scroll; ink and color on paper","129.5 × 44.5 cm (51 × 17 1/8 in.); Overall: 201.8 × 61 cm (83 × 24 in.)",44,129,0.454678515420805,[854,855,856,857,858],{"_220":440,"_221":441,"_42":442,"_302":443},"1993.307","Baiitsu Yamamoto painted this in 1847, aged 64. It is now at the Art Institute of Chicago.","A work made of hanging scroll; ink and color on paper.",{"_293":851,"_295":852,"_297":853},"https://img.ochreeditions.com/m/302.jpg?dl=1","/art/hibiscus-and-magpies-aic-124654","/galleries/style/painting-19/hibiscus-and-magpies-aic-124654",{"_289":290,"_291":292},{"_224":840,"_125":841,"_283":842},{"_273":836,"_275":837,"_277":838,"_279":839},65.80113437245757,126.72978851978768,50.80113437245756,111.72978851978768,{"_285":224,"_123":849,"_154":850,"_140":89},{"_285":125,"_123":846,"_154":847,"_140":848},{"_285":283,"_123":843,"_154":844,"_140":845},"era/19-japan","19th-century Japan",99,"style/japanese-painting","More Japanese painting",76,"artist/contemporaries-of-baiitsu-yamamoto","Baiitsu Yamamoto's contemporaries","https://img.ochreeditions.com/a/302/480.jpg","https://img.ochreeditions.com/a/302/960.jpg","https://img.ochreeditions.com/a/302/1920.jpg",{"_309":867,"_311":868},{"_309":865,"_311":866},{"_309":863,"_311":864},{"_309":861,"_311":862},{"_309":859,"_311":860},"#9f8050",0.0668,"#817c70",0.0954,"#90703f",0.1401,"#aea18c",0.2592,"#d2c1ac",0.4385,"Baiitsu Yamamoto","baiitsu-yamamoto","Japanese, 1783–1856","Japanese",1783,1856,"mother-and-son-met-12693","Mother and Son",{"_42":925,"_221":926,"_323":927,"_325":746,"_326":873,"_328":928,"_330":929,"_331":749,"_332":930,"_140":91},"1840","romanticism","57 x 45 3/8 in. (144.8 x 115.3 cm)",115.3,144.8,0.792315959161741,[910,911,912,913,914],{"_220":376,"_221":377,"_42":378,"_302":379},"14.126.5","Thomas Sully painted this in 1840, aged 57. It is now at The Met in New York.","Mother and Son, by Thomas Sully, 1840",{"_293":907,"_295":908,"_297":909},"https://img.ochreeditions.com/m/855.jpg?dl=1","/art/mother-and-son-met-12693","/galleries/style/painting-19/mother-and-son-met-12693",{"_289":290,"_291":292},{"_224":899,"_125":900,"_283":901},{"_273":896,"_275":897,"_277":898,"_279":882},129.72735088662012,159.8,114.72735088662012,{"_285":224,"_123":905,"_154":906,"_140":91},{"_285":125,"_123":902,"_154":903,"_140":904},{"_285":283,"_123":717,"_154":718,"_140":719},"style/romanticism","More Romanticism",32,"artist/thomas-sully","More by Thomas Sully","https://img.ochreeditions.com/a/855/480.jpg","https://img.ochreeditions.com/a/855/960.jpg","https://img.ochreeditions.com/a/855/1920.jpg",{"_309":923,"_311":924},{"_309":921,"_311":922},{"_309":919,"_311":920},{"_309":917,"_311":918},{"_309":915,"_311":916},"#835939",0.1138,"#2e2423",0.1888,"#553d2f",0.1984,"#c0a787",0.2166,"#776b5e",0.2824,"Thomas Sully","thomas-sully","American, 1783–1872",1872,"Horncastle, Lincolnshire","Sully was taken from England to America as a child by his actor parents and settled in Philadelphia in 1808. After brief study with Gilbert Stuart, he went to London, where he worked under Benjamin West and came under the influence of Thomas Lawrence.","hunting-in-the-pontine-marshes-nga-70970","Hunting in the Pontine Marshes",{"_42":984,"_221":985,"_323":986,"_325":398,"_326":987,"_328":988,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1833","paris-salon-painting","overall: 100 × 137 cm (39 3/8 × 53 15/16 in.) framed: 136.53 × 173.36 × 16.51 cm (53 3/4 × 68 1/4 × 6 1/2 in.)",137,1.3795890872347591,[969,970,971,972,973],{"_220":966,"_221":967,"_42":968,"_302":303},"Courtesy National Gallery of Art, Washington","1989.3.1","Horace Vernet painted this in 1833, aged 44. It is now at the National Gallery of Art in Washington, DC.","A leafless, ash-white tree trunk has fallen from a broken stump into the wide V of a neighboring tree at the edge of a body of water near a verdant forest in this horizontal landscape painting. The fallen trunk creates a diagonal from near the lower left corner to the upper right. As it fell, it sheared off a substantial branch from a neighboring tree with a dark trunk. The bark where the damaged branch has pulled away is honey-orange, the same color as the leaves at the canopy, which has been pinned under the fallen trunk. Trees, vines, and other vegetation fill the space around and beyond this pair. In the lower right corner of the painting, vines grow over a broken stump, which deep in shadow. Between the stump and fallen tree, the peanut-brown surface of the water is smooth. Tiny in scale beneath the fallen tree and easily overlooked, there are two men and a dog in a boat. One man stands at the back of the boat and pushes it along with a long pole. He wears a tall, brown, cloth hat, a white shirt rolled up to the elbows under a blue vest, and loose-fitting pants. A second man wears a flat-topped, white hat with a black brim, a long, forest-green jacket, and tight-fitting slate-blue pants. He braces a rifle against one shoulder and shoots into the forest. The dog is white with brown spots, and it stands with its front paws on the edge of the boat, presumably ready to spring after the target. A patch of blue sky with puffy white clouds is seen above the trees in the upper left corner. The artist signed and dated the work in the lower right corner: “H. Vernet Rome 1833.”",{"_293":963,"_295":964,"_297":965},"https://img.ochreeditions.com/m/1617.jpg?dl=1","/art/hunting-in-the-pontine-marshes-nga-70970","/galleries/style/painting-19/hunting-in-the-pontine-marshes-nga-70970",{"_289":290,"_291":292},{"_224":955,"_125":956,"_283":957},{"_273":952,"_275":953,"_277":937,"_279":954},152,114.304931640625,99.304931640625,{"_285":224,"_123":961,"_154":962,"_140":89},{"_285":125,"_123":958,"_154":959,"_140":960},{"_285":283,"_123":365,"_154":366,"_140":367},"style/paris-salon-painting","More Paris Salon painting",79,"artist/contemporaries-of-horace-vernet","Horace Vernet's contemporaries","https://img.ochreeditions.com/a/1617/480.jpg","https://img.ochreeditions.com/a/1617/960.jpg","https://img.ochreeditions.com/a/1617/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_309":982,"_311":983},{"_309":980,"_311":981},{"_309":978,"_311":979},{"_309":976,"_311":977},{"_309":974,"_311":975},"#bab79d",0.0649,"#6b492c",0.0676,"#696141",0.1498,"#443d2e",0.3108,"#282623",0.4069,"Horace Vernet","horace-vernet","French, 1789–1863",1789,1863,"irises-met-436528","Irises",{"_42":1040,"_221":1041,"_323":1042,"_325":1043,"_326":1044,"_328":1045,"_330":1046,"_331":1047,"_332":1048,"_140":77},"1890","netherlands","29 x 36 1/4 in. (73.7 x 92.1 cm)",92.1,73.7,1.2610340479192939,[1025,1026,1027,1028,1029],{"_220":376,"_221":377,"_42":378,"_302":379},"58.187","Vincent van Gogh painted this in 1890, aged 37. It is now at The Met in New York.","A great bouquet of irises bursts from a vase, the flowers twisting in every direction against a pale background. Van Gogh painted the still life in May 1890, in his last days at the asylum in Saint-Rémy, as one of a pair of iris paintings exploring contrasts of colour.","Irises, by Vincent van Gogh, 1890",{"_293":1022,"_295":1023,"_297":1024},"https://img.ochreeditions.com/m/1093.jpg?dl=1","/art/irises-met-436528","/galleries/style/painting-19/irises-met-436528",{"_289":290,"_291":292},{"_224":1014,"_125":1015,"_283":1016},{"_273":1011,"_275":1012,"_277":995,"_279":1013},107.1,88.03529999999999,73.03529999999999,{"_285":224,"_123":1020,"_154":1021,"_140":77},{"_285":125,"_123":368,"_154":369,"_140":370},{"_285":283,"_123":1017,"_154":1018,"_140":1019},"era/19-netherlands","19th-century Netherlands",21,"artist/vincent-van-gogh","More by Vincent van Gogh","https://img.ochreeditions.com/a/1093/480.jpg","https://img.ochreeditions.com/a/1093/960.jpg","https://img.ochreeditions.com/a/1093/1920.jpg",{"_309":1038,"_311":1039},{"_309":1036,"_311":1037},{"_309":1034,"_311":1035},{"_309":1032,"_311":1033},{"_309":1030,"_311":1031},"#4b6074",0.0852,"#688197",0.1063,"#7caf90",0.1268,"#808d87",0.1884,"#d5cfc9",0.4933,"Vincent van Gogh","vincent-van-gogh","Dutch, 1853–1890","Dutch",1853,1890,"Zundert","Auvers-sur-Oise","Van Gogh worked as an art dealer, teacher and lay preacher before he turned to art in 1880, at twenty-seven. His early pictures of Dutch peasants are dark and heavy; in Paris from 1886 he met the Impressionists and Neo-Impressionists, and his palette brightened.","the-laundress-aic-59944","The Laundress",{"_42":1094,"_221":1095,"_323":1096,"_325":398,"_326":1097,"_328":1098,"_330":1099,"_331":1100,"_332":1101,"_140":81},"1877–79","80.8 × 56.5 cm (31 13/16 × 22 1/4 in.); Framed: 100.4 × 79.4 × 9.6 cm (39 1/2 × 31 1/4 × 3 3/4 in.)",56,80,0.6789700462025645,[1080,1081,1082,1083,1084],{"_220":440,"_221":441,"_42":442,"_302":443},"1947.102","Pierre-Auguste Renoir painted this in 1877–79, aged about 36. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_293":1077,"_295":1078,"_297":1079},"https://img.ochreeditions.com/m/174.jpg?dl=1","/art/the-laundress-aic-59944","/galleries/style/painting-19/the-laundress-aic-59944",{"_289":290,"_291":292},{"_224":1072,"_125":1073,"_283":1074},{"_273":1069,"_275":1070,"_277":1071,"_279":1055},69.31760369620517,95,54.31760369620516,{"_285":224,"_123":1075,"_154":1076,"_140":81},{"_285":125,"_123":432,"_154":433,"_140":434},{"_285":283,"_123":365,"_154":366,"_140":367},"artist/pierre-auguste-renoir","More by Pierre-Auguste Renoir","https://img.ochreeditions.com/a/174/480.jpg","https://img.ochreeditions.com/a/174/960.jpg","https://img.ochreeditions.com/a/174/1920.jpg",{"_309":1093,"_311":509},{"_309":1091,"_311":1092},{"_309":1089,"_311":1090},{"_309":1087,"_311":1088},{"_309":1085,"_311":1086},"#86655b",0.0458,"#aab0a6",0.1665,"#7a8267",0.2305,"#3f4f55",0.2536,"#5b7474","Pierre-Auguste Renoir","pierre-auguste-renoir","French, 1841–1919",1841,1919,"Limoges","Cagnes-sur-Mer","Renoir began as a painter of porcelain in Paris, then studied in Gleyre’s studio, where he met Monet, Sisley and Bazille. In the 1870s he was a central figure of Impressionism, painting Parisians at leisure in dappled light.","rio-de-janeiro-bay-nga-50281","Rio de Janeiro Bay",{"_42":1153,"_221":1154,"_323":1155,"_325":746,"_326":1156,"_328":1157,"_330":-5,"_331":-5,"_332":1158,"_140":97},"1864","antebellum-america","overall: 45.5 x 91.1 cm (17 15/16 x 35 7/8 in.) framed: 70.2 x 115.9 x 12.1 cm (27 5/8 x 45 5/8 x 4 3/4 in.)",91.1,45.5,2.025717111770524,[1138,1139,1140,1141,1142],{"_220":966,"_221":967,"_42":968,"_302":303},"1965.2.1","Martin Johnson Heade painted this in 1864, aged 45. It is now at the National Gallery of Art in Washington, DC.","Waves of bottle-green water break over boulders on a sandy shore, while sailboats dot the bay and hills curve around it beneath a sky glowing from butter yellow to mint green.","Across a short stretch of sand in front of us, waves of bottle-green water break over two boulders on the shoreline, with sailboats in the water beyond, in this wide, horizontal painting. One boulder is at the left edge of the painting; the other is a short distance away, about a quarter of the way across. The water cascades down between those large rocks. Across the rest of the beach, the waves flare up to break toward us in white, foamy surf. The land curves back into view on both sides of the canvas with muted, sage-green hills and, to our left, dark green trees on more craggy boulders. A more distant finger of land to our left stretches nearly halfway across the horizon, which comes about halfway up the composition. Minuscule in scale there, smoke pours out of a chimney, which is surrounded by pale yellow buildings. A mound emerges from the horizon to our right of center. About ten sailboats float on the water. The closest one to us is near the center of the painting, and the tiny forms of people aboard can just barely be made out. The other boats become smaller as they move back to the horizon, and some are only a touch of white or gray on the canvas. White and pale lavender-purple clouds sweep up from the horizon into the sky, which glows butter yellow along the left edge. The sky cools to mint green in the upper right corner. Several white or brown birds fly across the sky or low over the water. The artist signed and dated the lower left, “M. J. Heade 1864.”",{"_293":1135,"_295":1136,"_297":1137},"https://img.ochreeditions.com/m/1531.jpg?dl=1","/art/rio-de-janeiro-bay-nga-50281","/galleries/style/painting-19/rio-de-janeiro-bay-nga-50281",{"_289":290,"_291":292},{"_224":1127,"_125":1128,"_283":1129},{"_273":1124,"_275":1125,"_277":1108,"_279":1126},106.1,59.971728515624996,44.971728515624996,{"_285":224,"_123":1133,"_154":1134,"_140":97},{"_285":125,"_123":1130,"_154":1131,"_140":1132},{"_285":283,"_123":717,"_154":718,"_140":719},"style/antebellum-america","More Antebellum America",33,"artist/martin-johnson-heade","More by Martin Johnson Heade","https://img.ochreeditions.com/a/1531/480.jpg","https://img.ochreeditions.com/a/1531/960.jpg","https://img.ochreeditions.com/a/1531/1920.jpg",{"_309":1151,"_311":1152},{"_309":1149,"_311":1150},{"_309":1147,"_311":1148},{"_309":1145,"_311":1146},{"_309":1143,"_311":1144},"#2c2316",0.0912,"#705f31",0.121,"#b9b09c",0.1613,"#95956a",0.2717,"#d5b776",0.3548,"Martin Johnson Heade","martin-johnson-heade","1819–1904",1819,1904,"Heade travelled restlessly and worked in many genres, but is best known for three subjects: the salt marshes of New England and New Jersey, with haystacks under changing skies; hummingbirds and orchids, which he studied on journeys to Brazil and Central America; and, in later…","capri-cma-148312","Capri",{"_42":1205,"_221":1206,"_323":1207,"_325":746,"_326":1208,"_328":1209,"_330":-5,"_331":-5,"_332":1210,"_140":99},"1869","Framed: 69.5 x 99.5 x 9 cm (27 3/8 x 39 3/16 x 3 9/16 in.); Unframed: 50 x 80 cm (19 11/16 x 31 1/2 in.)",50,1.60075329566855,[1190,1191,1192,1193,1194],{"_220":559,"_221":560,"_42":561,"_302":562},"1975.4","William Stanley Haseltine painted this in 1869, aged 34. It is now at the Cleveland Museum of Art.",{"_118":1189,"_557":558},"Capri, by William Stanley Haseltine, 1869",{"_293":1186,"_295":1187,"_297":1188},"https://img.ochreeditions.com/m/687.jpg?dl=1","/art/capri-cma-148312","/galleries/style/painting-19/capri-cma-148312",{"_289":290,"_291":292},{"_224":1181,"_125":1182,"_283":1183},{"_273":1070,"_275":1179,"_277":1055,"_279":1180},64.97647058823529,49.976470588235294,{"_285":224,"_123":1184,"_154":1185,"_140":99},{"_285":125,"_123":720,"_154":721,"_140":722},{"_285":283,"_123":717,"_154":718,"_140":719},"artist/william-stanley-haseltine","More by William Stanley Haseltine","https://img.ochreeditions.com/a/687/480.jpg","https://img.ochreeditions.com/a/687/960.jpg","https://img.ochreeditions.com/a/687/1920.jpg","The Philadelphia-born Haseltine favored images of coastal rocks, painting them on both sides of the Atlantic throughout his career.",{"_309":1203,"_311":1204},{"_309":1201,"_311":1202},{"_309":1199,"_311":1200},{"_309":1197,"_311":1198},{"_309":1195,"_311":1196},"#726253",0.059,"#3e332a",0.1574,"#2d221d",0.1707,"#9b9688",0.2793,"#b89d85",0.3336,"William Stanley Haseltine","william-stanley-haseltine","American, 1835–1900",1835,1900,"Haseltine was born in Philadelphia, studied at Harvard and trained in Düsseldorf, where he travelled and painted with Albert Bierstadt and Worthington Whittredge.",{"_1212":-5,"_1213":1214,"_1215":1216,"_1217":8,"_1218":1219,"_1220":8},"user","csrf","c74c2310a81bb1952e7a3d371f36b2f42775725c","cartCount",0,"dropLive","legal",[1221,1222,1223,1224,1225,1226,1227,1228,1229,1230,1231,1232],"uploadsEnabled",{"_221":1255,"_20":1256},{"_221":1253,"_20":1254},{"_221":1251,"_20":1252},{"_221":1249,"_20":1250},{"_221":1247,"_20":1248},{"_221":1245,"_20":1246},{"_221":1243,"_20":1244},{"_221":1241,"_20":1242},{"_221":1239,"_20":1240},{"_221":1237,"_20":1238},{"_221":1235,"_20":1236},{"_221":1233,"_20":1234},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]