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Hatch's contemporaries","https://img.ochreeditions.com/a/1886/480.jpg","https://img.ochreeditions.com/a/1886/960.jpg","https://img.ochreeditions.com/a/1886/1920.jpg","si","smithsonian","Smithsonian Institution","Washington, DC",{"_311":455,"_313":456},{"_311":453,"_313":454},{"_311":451,"_313":452},{"_311":449,"_313":450},{"_311":447,"_313":448},"#6e5642",0.1136,"#80757b",0.1229,"#bdaa9d",0.1811,"#968580",0.1953,"#a8948a",0.3871,"Lorenzo J. Hatch","lorenzo-j-hatch","born Hartford, NY 1857-died Peking, China 1914",1857,1914,"the-power-of-music-cma-155783","The Power of Music",{"_42":526,"_221":527,"_325":528,"_327":529,"_329":530,"_331":531,"_333":-5,"_335":-5,"_336":-5,"_140":103},"1847","united-states","antebellum-america","oil on canvas","Framed: 67 x 78 x 7.5 cm (26 3/8 x 30 11/16 x 2 15/16 in.); Unframed: 43.4 x 53.5 cm (17 1/16 x 21 1/16 in.)",53.5,43.4,1.238615664845173,[511,512,513,514,515],{"_220":507,"_221":508,"_42":509,"_304":510},"Courtesy of the Cleveland Museum of Art","1991.110","William Sidney Mount painted this in 1847, aged 40. It is now at the Cleveland Museum of Art.",{"_118":504,"_505":506},"The Power of Music, by William Sidney Mount, 1847",{"_295":501,"_297":502,"_299":503},"https://img.ochreeditions.com/m/749.jpg?dl=1","/art/the-power-of-music-cma-155783","/galleries/style/painting-19/the-power-of-music-cma-155783",{"_291":292,"_293":294},{"_224":490,"_125":491,"_285":492},{"_276":487,"_278":488,"_280":470,"_281":489},68.5,58.19338235294118,43.19338235294118,{"_287":224,"_123":499,"_154":500,"_140":89},{"_287":125,"_123":496,"_154":497,"_140":498},{"_287":285,"_123":493,"_154":494,"_140":495},"era/19-united-states","19th-century United States",198,"style/antebellum-america","More Antebellum America",33,"artist/contemporaries-of-william-sidney-mount","William Sidney Mount's contemporaries","https://img.ochreeditions.com/a/749/480.jpg","https://img.ochreeditions.com/a/749/960.jpg","https://img.ochreeditions.com/a/749/1920.jpg","Set in rural Long Island before the Civil War, Mount's complex painting presents an African American laborer listening intently to a fiddle tune enjoyed by white men.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":524,"_313":525},{"_311":522,"_313":523},{"_311":520,"_313":521},{"_311":518,"_313":519},{"_311":516,"_313":517},"#867e64",0.053,"#b8935f",0.1857,"#5f462c",0.2108,"#392d20",0.2184,"#8f683e",0.3321,"William Sidney Mount","william-sidney-mount","American, 1807–1868","American",1807,1868,"aglaida-and-boniface-cma-165425","Aglaida and Boniface",{"_42":584,"_221":585,"_325":586,"_327":328,"_329":587,"_331":588,"_333":-5,"_335":-5,"_336":-5,"_140":103},"c. 1857","paris-salon-painting","Unframed: 62.2 x 68 cm (24 1/2 x 26 3/4 in.)",68,62.2,1.1003236245954693,[569,570,571,572,573],{"_220":507,"_221":508,"_42":509,"_304":510},"2007.275","Alexandre Cabanel painted this in about 1857, aged about 29. It is now at the Cleveland Museum of Art.",{"_118":568,"_505":506},"Aglaida and Boniface, by Alexandre Cabanel, c. 1857",{"_295":565,"_297":566,"_299":567},"https://img.ochreeditions.com/m/768.jpg?dl=1","/art/aglaida-and-boniface-cma-165425","/galleries/style/painting-19/aglaida-and-boniface-cma-165425",{"_291":292,"_293":294},{"_224":557,"_125":558,"_285":559},{"_276":554,"_278":555,"_280":538,"_281":556},83,76.8,61.8,{"_287":224,"_123":563,"_154":564,"_140":89},{"_287":125,"_123":560,"_154":561,"_140":562},{"_287":285,"_123":166,"_154":165,"_140":168},"style/paris-salon-painting","More Paris Salon painting",79,"artist/contemporaries-of-alexandre-cabanel","Alexandre Cabanel's contemporaries","https://img.ochreeditions.com/a/768/480.jpg","https://img.ochreeditions.com/a/768/960.jpg","https://img.ochreeditions.com/a/768/1920.jpg","The French painter Alexandre Cabanel was a favorite of Emperor Napoleon III and a leader of the academic style that emphasized precise drawing and smoothly modeled forms. This painting depicts the wealthy Roman woman Aglaida and her concubine slave Boniface, here living as pagan sinners in Rome around 290 CE.",{"_311":582,"_313":583},{"_311":580,"_313":581},{"_311":578,"_313":579},{"_311":576,"_313":577},{"_311":574,"_313":575},"#ae9d87",0.1336,"#735c44",0.1406,"#3d2d1d",0.2193,"#643c17",0.2487,"#7f8475",0.2578,"Alexandre Cabanel","alexandre-cabanel","French, 1823–1889",1823,1889,"sunrise-over-fishing-waters-maine-si-saam-1982-1-32","Sunrise over Fishing Waters--Maine",{"_42":637,"_221":638,"_325":639,"_327":-5,"_329":640,"_331":641,"_333":-5,"_335":-5,"_336":-5,"_140":101},"ca. 1880","oil on wood mounted on paperboard","8 1/4 x 13 in. (21.0 x 33.0 cm)",1.6008537886873,[622,623,624,625,626],{"_220":438,"_221":439,"_42":440,"_304":441},"1982.1.32","William E. Norton painted this in about 1880, aged 37. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":620,"_505":621},"Sunrise over Fishing Waters--Maine, by William E. Norton, ca. 1880",{"_295":617,"_297":618,"_299":619},"https://img.ochreeditions.com/m/1962.jpg?dl=1","/art/sunrise-over-fishing-waters-maine-si-saam-1982-1-32","/galleries/style/painting-19/sunrise-over-fishing-waters-maine-si-saam-1982-1-32",{"_291":292,"_293":294},{"_224":612,"_125":613,"_285":614},{"_276":609,"_278":610,"_280":498,"_281":611},48,35.614,20.613999999999997,{"_287":224,"_123":615,"_154":616,"_140":89},{"_287":125,"_123":430,"_154":431,"_140":432},{"_287":285,"_123":427,"_154":428,"_140":429},"artist/contemporaries-of-william-e-norton","William E. Norton's contemporaries","https://img.ochreeditions.com/a/1962/480.jpg","https://img.ochreeditions.com/a/1962/960.jpg","https://img.ochreeditions.com/a/1962/1920.jpg","William E. Norton lived in Boston but spent a great deal of time painting on the coast of Maine. He preferred to work outdoors and probably painted Sunrise over Fishing Waters—Maine during one of his summer trips to the coast.","Text from the Smithsonian American Art Museum.",{"_311":635,"_313":636},{"_311":633,"_313":634},{"_311":631,"_313":632},{"_311":629,"_313":630},{"_311":627,"_313":628},"#815027",0.052,"#231f15",0.1496,"#918159",0.1789,"#645f45",0.3047,"#43371f",0.3148,"William E. Norton","william-e-norton","born Boston, MA 1843-died New York City 1916",1843,1916,"mount-sainte-victoire-cma-135185","Mount Sainte-Victoire",{"_42":323,"_221":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":334,"_336":337,"_140":79},"c. 1904","oil on fabric","Framed: 87.5 x 106.5 x 7 cm (34 7/16 x 41 15/16 x 2 3/4 in.); Unframed: 72.2 x 92.4 cm (28 7/16 x 36 3/8 in.)",72.2,1.260659992584353,[672,673,674,675,676],{"_220":507,"_221":508,"_42":509,"_304":510},"1958.21","Paul Cézanne painted this in about 1904, aged about 60. It is now at the Cleveland Museum of Art.",{"_118":671,"_505":506},"Mount Sainte-Victoire, by Paul Cézanne, c. 1904",{"_295":668,"_297":669,"_299":670},"https://img.ochreeditions.com/m/621.jpg?dl=1","/art/mount-sainte-victoire-cma-135185","/galleries/style/painting-19/mount-sainte-victoire-cma-135185",{"_291":292,"_293":294},{"_224":665,"_125":666,"_285":667},{"_276":277,"_278":663,"_280":243,"_281":664},88.2949411764706,73.2949411764706,{"_287":224,"_123":170,"_154":169,"_140":79},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/621/480.jpg","https://img.ochreeditions.com/a/621/960.jpg","https://img.ochreeditions.com/a/621/1920.jpg","During the last 20 years of his life, Cezanne repeatedly painted Mount Sainte-Victoire near his home in Aix-en-Provence in southern France. Cezanne painted this view from life at one of his favorite sites, a small road that led from Aix eastward toward Mount Sainte-Victoire.",{"_311":685,"_313":686},{"_311":683,"_313":684},{"_311":681,"_313":682},{"_311":679,"_313":680},{"_311":677,"_313":678},"#6b8269",0.1051,"#c2926f",0.1615,"#969b96",0.204,"#546b6c",0.2304,"#6b99b5",0.299,"musidora-met-12699","Musidora",{"_42":739,"_221":740,"_325":741,"_327":529,"_329":742,"_331":743,"_333":744,"_335":745,"_336":746,"_140":91},"1813–35","romanticism","Oil on wood","28 1/8 x 22 1/2 in. (71.4 x 57.2 cm)",57.2,71.4,0.8032786885245902,[724,725,726,727,728],{"_220":301,"_221":302,"_42":303,"_304":305},"21.48","Thomas Sully painted this in 1813–35, aged about 30. It is now at The Met in New York.","Musidora, the heroine of a passage in James Thomson’s poem The Seasons, undresses to bathe in a secluded woodland stream, unaware that she is being watched, as the poem tells.","Musidora, by Thomas Sully, 1813–35",{"_295":721,"_297":722,"_299":723},"https://img.ochreeditions.com/m/856.jpg?dl=1","/art/musidora-met-12699","/galleries/style/painting-19/musidora-met-12699",{"_291":292,"_293":294},{"_224":713,"_125":714,"_285":715},{"_276":710,"_278":711,"_280":712,"_281":695},72.35409836065574,86.4,57.35409836065574,{"_287":224,"_123":719,"_154":720,"_140":91},{"_287":125,"_123":716,"_154":717,"_140":718},{"_287":285,"_123":493,"_154":494,"_140":495},"style/romanticism","More Romanticism",32,"artist/thomas-sully","More by Thomas Sully","https://img.ochreeditions.com/a/856/480.jpg","https://img.ochreeditions.com/a/856/960.jpg","https://img.ochreeditions.com/a/856/1920.jpg",{"_311":737,"_313":738},{"_311":735,"_313":736},{"_311":733,"_313":734},{"_311":731,"_313":732},{"_311":729,"_313":730},"#826237",0.1005,"#b59a6d",0.1094,"#2a1d10",0.1569,"#523f1d",0.1713,"#0c0d0a",0.4619,"Thomas Sully","thomas-sully","American, 1783–1872",1783,1872,"Horncastle, Lincolnshire","Philadelphia, Pennsylvania","Sully was taken from England to America as a child by his actor parents and settled in Philadelphia in 1808. After brief study with Gilbert Stuart, he went to London, where he worked under Benjamin West and came under the influence of Thomas Lawrence.","spring-blossoms-montclair-new-jersey-met-11234","Spring Blossoms, Montclair, New Jersey",{"_42":798,"_221":799,"_325":800,"_327":529,"_329":801,"_331":802,"_333":803,"_335":804,"_336":805,"_140":95},"ca. 1891","realism","Oil and crayon or charcoal on canvas","29 x 45 1/4 in. (73.7 x 114.9 cm)",114.9,73.7,1.4950961161239702,[783,784,785,786,787],{"_220":301,"_221":302,"_42":303,"_304":305},"11.116.4","George Inness painted this in about 1891, aged about 63. It is now at The Met in New York.","Spring Blossoms, Montclair, New Jersey, by George Inness, ca. 1891",{"_295":780,"_297":781,"_299":782},"https://img.ochreeditions.com/m/836.jpg?dl=1","/art/spring-blossoms-montclair-new-jersey-met-11234","/galleries/style/painting-19/spring-blossoms-montclair-new-jersey-met-11234",{"_291":292,"_293":294},{"_224":772,"_125":773,"_285":774},{"_276":769,"_278":770,"_280":754,"_281":771},129.9,91.8512463920231,76.8512463920231,{"_287":224,"_123":778,"_154":779,"_140":95},{"_287":125,"_123":775,"_154":776,"_140":777},{"_287":285,"_123":493,"_154":494,"_140":495},"style/realism","More Realism",41,"artist/george-inness","More by George Inness","https://img.ochreeditions.com/a/836/480.jpg","https://img.ochreeditions.com/a/836/960.jpg","https://img.ochreeditions.com/a/836/1920.jpg",{"_311":796,"_313":797},{"_311":794,"_313":795},{"_311":792,"_313":793},{"_311":790,"_313":791},{"_311":788,"_313":789},"#a9a799",0.1348,"#5f5e47",0.1377,"#797c75",0.1642,"#8c9aa2",0.1948,"#374121",0.3685,"George Inness","george-inness","American, 1825–1894",1825,1894,"Newburgh, New York","Bridge of Allan, Scotland","Inness was largely self-taught and began in the manner of the Hudson River School, but journeys to Italy and France, where he admired the Barbizon painters, led him towards broader, more atmospheric landscapes.","view-from-mount-holyoke-northampton-massachusetts-after-a-th-met-10497","View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow",{"_42":857,"_221":858,"_325":859,"_327":529,"_329":860,"_331":861,"_333":862,"_335":863,"_336":864,"_140":99},"1836","hudson-river-school","51 1/2 x 76 in. (130.8 x 193 cm)",193,130.8,1.4635931211123308,[842,843,844,845,846],{"_220":301,"_221":302,"_42":303,"_304":305},"08.228","Thomas Cole painted this in 1836, aged 35. It is now at The Met in New York.","From the summit of Mount Holyoke, the Connecticut River loops in a great oxbow through cultivated fields, while at the left a storm passes over wild, shattered trees. Thomas Cole divides the canvas between wilderness and settlement, darkness and light, inviting reflection on what America was making of its landscape.","View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, by Thomas Cole, 1836",{"_295":839,"_297":840,"_299":841},"https://img.ochreeditions.com/m/814.jpg?dl=1","/art/view-from-mount-holyoke-northampton-massachusetts-after-a-th-met-10497","/galleries/style/painting-19/view-from-mount-holyoke-northampton-massachusetts-after-a-th-met-10497",{"_291":292,"_293":294},{"_224":831,"_125":832,"_285":833},{"_276":828,"_278":829,"_280":812,"_281":830},208,146.86725,131.86725,{"_287":224,"_123":837,"_154":838,"_140":99},{"_287":125,"_123":834,"_154":835,"_140":836},{"_287":285,"_123":493,"_154":494,"_140":495},"style/hudson-river-school","More Hudson River School",27,"artist/thomas-cole","More by Thomas Cole","https://img.ochreeditions.com/a/814/480.jpg","https://img.ochreeditions.com/a/814/960.jpg","https://img.ochreeditions.com/a/814/1920.jpg",{"_311":855,"_313":856},{"_311":853,"_313":854},{"_311":851,"_313":852},{"_311":849,"_313":850},{"_311":847,"_313":848},"#807264",0.1367,"#6d592b",0.1378,"#534b3b",0.1623,"#a8a194",0.2685,"#383016",0.2947,"Thomas Cole","thomas-cole","American, born England,1801–1848",1801,1848,"Lancashire","Catskill, New York","Cole emigrated from Lancashire to the United States as a teenager and, largely self-taught, made his name in 1825 with views of the Catskill Mountains that launched what became known as the Hudson River School.","orchids-and-rocks-cma-86399","Orchids and Rocks",{"_42":920,"_221":921,"_325":922,"_327":923,"_329":924,"_331":925,"_333":-5,"_335":-5,"_336":-5,"_140":103},"1897–98","korea","korean-painting","Eight-panel folding screen; ink on silk","Overall: 185 x 52.6 cm (72 13/16 x 20 11/16 in.); Each panel: 111.9 x 1.5 cm (44 1/16 x 9/16 in.)",52.6,185,2.2397891963109355,[906,907,908,909,910],{"_220":507,"_221":508,"_42":509,"_304":510},"2015.138","Yi Ha-eung painted this in 1897–98, aged about 77. It is now at the Cleveland Museum of Art.",{"_118":905,"_505":506},"Orchids and Rocks, by Yi Ha-eung, 1897–98",{"_295":902,"_297":903,"_299":904},"https://img.ochreeditions.com/m/455.jpg?dl=1","/art/orchids-and-rocks-cma-86399","/galleries/style/painting-19/orchids-and-rocks-cma-86399",{"_291":292,"_293":294},{"_224":893,"_125":894,"_285":895},{"_276":889,"_278":890,"_280":891,"_281":892},162.632613840241,80.91361994396641,147.632613840241,65.91361994396641,{"_287":224,"_123":900,"_154":901,"_140":89},{"_287":125,"_123":898,"_154":899,"_140":230},{"_287":285,"_123":896,"_154":897,"_140":95},"era/19-korea","19th-century Korea","style/korean-painting","More Korean painting","artist/contemporaries-of-yi-ha-eung","Yi Ha-eung's contemporaries","https://img.ochreeditions.com/a/455/480.jpg","https://img.ochreeditions.com/a/455/960.jpg","https://img.ochreeditions.com/a/455/1920.jpg","Yi Ha-eung (1820−1898), the artist of this eight-panel folding screen, was one of the most influential men in late 19th-century Korea. Acting as the regent for his son, King Gojong (1852−1919), who ascended the throne at the age of thirteen, Yi ruled Korea from 1866 to 1873.",{"_311":918,"_313":919},{"_311":916,"_313":917},{"_311":915,"_313":736},{"_311":913,"_313":914},{"_311":911,"_313":912},"#af9776",0.1078,"#f1dfc5",0.1449,"#d3c2a3","#d6b182",0.2575,"#7d6a4a",0.3185,"Yi Ha-eung","yi-ha-eung","Korean, 1820–1898","Korean",1820,1898,"the-roll-call-of-the-last-victims-of-the-terror-aic-111730","The Roll Call of the Last Victims of the Terror",{"_42":977,"_221":978,"_325":979,"_327":328,"_329":980,"_331":981,"_333":-5,"_335":-5,"_336":-5,"_140":103},"c. 1850","76.2 × 132 cm (30 × 52 in.); Framed: 115.6 × 172.8 × 12.1 cm (45 1/2 × 68 × 4 3/4 in.)",132,76,1.7930250189537529,[962,963,964,965,966],{"_220":958,"_221":959,"_42":960,"_304":961},"Courtesy of the Art Institute of Chicago","2019.1421","Charles Louis-Lucien Muller painted this in about 1850, aged about 30. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_295":955,"_297":956,"_299":957},"https://img.ochreeditions.com/m/289.jpg?dl=1","/art/the-roll-call-of-the-last-victims-of-the-terror-aic-111730","/galleries/style/painting-19/the-roll-call-of-the-last-victims-of-the-terror-aic-111730",{"_291":292,"_293":294},{"_224":950,"_125":951,"_285":952},{"_276":947,"_278":948,"_280":931,"_281":949},147,88.61860465116278,73.61860465116278,{"_287":224,"_123":953,"_154":954,"_140":89},{"_287":125,"_123":560,"_154":561,"_140":562},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-charles-louis-lucien-muller","Charles Louis-Lucien Muller's contemporaries","https://img.ochreeditions.com/a/289/480.jpg","https://img.ochreeditions.com/a/289/960.jpg","https://img.ochreeditions.com/a/289/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_311":975,"_313":976},{"_311":973,"_313":974},{"_311":971,"_313":972},{"_311":969,"_313":970},{"_311":967,"_313":968},"#8c7856",0.0375,"#6d532e",0.1174,"#4e3616",0.1598,"#312109",0.2714,"#211908",0.4139,"Charles Louis-Lucien Muller","charles-louis-lucien-muller","French, 1815–1892",1815,1892,"on-the-beach-sunset-met-438551","On the Beach, Sunset",{"_42":1028,"_221":1029,"_325":1030,"_327":328,"_329":1031,"_331":925,"_333":1032,"_335":1033,"_336":-5,"_140":103},"1865","15 x 23 in. (38.1 x 58.4 cm)",58.4,38.1,1.6100549218419942,[1013,1014,1015,1016,1017],{"_220":301,"_221":302,"_42":303,"_304":305},"2003.20.2","Eugène Boudin painted this in 1865, aged 41. It is now at The Met in New York.","On the Beach, Sunset, by Eugène Boudin, 1865",{"_295":1010,"_297":1011,"_299":1012},"https://img.ochreeditions.com/m/1184.jpg?dl=1","/art/on-the-beach-sunset-met-438551","/galleries/style/painting-19/on-the-beach-sunset-met-438551",{"_291":292,"_293":294},{"_224":1005,"_125":1006,"_285":1007},{"_276":1002,"_278":1003,"_280":987,"_281":1004},73.4,51.27205457885069,36.27205457885069,{"_287":224,"_123":1008,"_154":1009,"_140":89},{"_287":125,"_123":560,"_154":561,"_140":562},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-eugene-boudin","Eugène Boudin's contemporaries","https://img.ochreeditions.com/a/1184/480.jpg","https://img.ochreeditions.com/a/1184/960.jpg","https://img.ochreeditions.com/a/1184/1920.jpg",{"_311":1026,"_313":1027},{"_311":1024,"_313":1025},{"_311":1022,"_313":1023},{"_311":1020,"_313":1021},{"_311":1018,"_313":1019},"#3b3929",0.0836,"#716f58",0.102,"#6f5932",0.2137,"#aba67c",0.225,"#93a08a",0.3757,"Eugène Boudin","eugene-boudin","French, 1824–1898",1824,"Honfleur","Deauville","harmony-in-green-and-rose-the-music-room-si-fsg-f1917-234a-b","Harmony in Green and Rose: The Music Room",{"_42":1084,"_221":1085,"_325":1086,"_327":529,"_329":1087,"_331":1088,"_333":1089,"_335":1090,"_336":1091,"_140":230},"1860-1861","H x W: 96.3 x 71.7 cm (37 15/16 x 28 1/4 in)",71.7,96.3,0.8108888888888889,[1069,1070,1071,1072,1073],{"_220":438,"_221":439,"_42":440,"_304":441},"Courtesy of the National Museum of Asian Art, Smithsonian Institution","F1917.234a-b","James McNeill Whistler painted this in 1860-1861, aged about 26. It is now at the National Museum of Asian Art in Washington, DC.",{"_118":1067,"_505":1068},"Oil painting",{"_295":1064,"_297":1065,"_299":1066},"https://img.ochreeditions.com/m/1814.jpg?dl=1","/art/harmony-in-green-and-rose-the-music-room-si-fsg-f1917-234a-b","/galleries/style/painting-19/harmony-in-green-and-rose-the-music-room-si-fsg-f1917-234a-b",{"_291":292,"_293":294},{"_224":1059,"_125":1060,"_285":1061},{"_276":1056,"_278":1057,"_280":1058,"_281":1040},93.0886,111.3,78.0886,{"_287":224,"_123":1062,"_154":1063,"_140":230},{"_287":125,"_123":775,"_154":776,"_140":777},{"_287":285,"_123":493,"_154":494,"_140":495},"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/1814/480.jpg","https://img.ochreeditions.com/a/1814/960.jpg","https://img.ochreeditions.com/a/1814/1920.jpg","Set in the London home of Whistler's brother-in-law Seymour Haden, this painting was originally titled The Morning Call. The woman reflected in the mirror at the left is Whistler's half sister Deborah Haden. The seated girl is his niece, Annie Haden.","Text from the National Museum of Asian Art.",{"_311":1082,"_313":1083},{"_311":1080,"_313":1081},{"_311":1078,"_313":1079},{"_311":1076,"_313":1077},{"_311":1074,"_313":1075},"#341616",0.0565,"#1d1c1d",0.0913,"#685b48",0.134,"#a1967a",0.1842,"#b99a60",0.534,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","paris-street-rainy-day-aic-20684","Paris Street; Rainy Day",{"_42":1146,"_221":1147,"_325":1148,"_327":328,"_329":861,"_331":802,"_333":-5,"_335":-5,"_336":-5,"_140":103},"1877","impressionism","212.2 × 276.2 cm (83 1/2 × 108 3/4 in.); Framed: 241.3 × 306.1 × 10.2 cm (95 × 120 1/2 × 4 in.)",276,212,1.2878143133462283,[1131,1132,1133,1134,1135],{"_220":958,"_221":959,"_42":960,"_304":961},"1964.336","Gustave Caillebotte painted this in 1877, aged 29. It is now at the Art Institute of Chicago.",{"_118":1129,"_505":1130},"Life-size painting of an urban scene in Paris. A man in a top hat holding an umbrella and a woman in a long fashionable dark dress walk arm in arm toward the viewer as other city dwellers with umbrellas walk in various directions across cobblestone roads and sidewalks.",{"_295":1126,"_297":1127,"_299":1128},"https://img.ochreeditions.com/m/77.jpg?dl=1","/art/paris-street-rainy-day-aic-20684","/galleries/style/painting-19/paris-street-rainy-day-aic-20684",{"_291":292,"_293":294},{"_224":1118,"_125":1119,"_285":1120},{"_276":1114,"_278":1115,"_280":1116,"_281":1117},255,201.3622709522379,240,186.3622709522379,{"_287":224,"_123":1124,"_154":1125,"_140":89},{"_287":125,"_123":1121,"_154":1122,"_140":1123},{"_287":285,"_123":166,"_154":165,"_140":168},"style/impressionism","More Impressionism",53,"artist/contemporaries-of-gustave-caillebotte","Gustave Caillebotte's contemporaries","https://img.ochreeditions.com/a/77/480.jpg","https://img.ochreeditions.com/a/77/960.jpg","https://img.ochreeditions.com/a/77/1920.jpg","Considered Caillebotte’s masterpiece, this view of a busy intersection captures both an everyday moment and all that was new in a rapidly changing Paris. The clothes are the latest fashion. The retractable umbrella was just invented.","Text from the Art Institute of Chicago.",{"_311":1144,"_313":1145},{"_311":1142,"_313":1143},{"_311":1140,"_313":1141},{"_311":1138,"_313":1139},{"_311":1136,"_313":1137},"#816460",0.0593,"#545c62",0.1859,"#232930",0.1996,"#c2bdb3",0.2382,"#90928f",0.317,"Gustave Caillebotte","gustave-caillebotte","French, 1848–1894","young-husband-first-marketing-met-21126","Young Husband: First Marketing",{"_42":1195,"_221":1196,"_325":1197,"_327":529,"_329":1198,"_331":1199,"_333":-5,"_335":-5,"_336":-5,"_140":101},"1854","29 1/2 x 24 3/4 in. (74.9 x 62.9 cm)",62.9,74.9,0.8345825794779013,[1180,1181,1182,1183,1184],{"_220":301,"_221":302,"_42":303,"_304":305},"2015.401","Lilly Martin Spencer painted this in 1854, aged 32. It is now at The Met in New York.","Young Husband: First Marketing, by Lilly Martin Spencer, 1854",{"_295":1177,"_297":1178,"_299":1179},"https://img.ochreeditions.com/m/870.jpg?dl=1","/art/young-husband-first-marketing-met-21126","/galleries/style/painting-19/young-husband-first-marketing-met-21126",{"_291":292,"_293":294},{"_224":1172,"_125":1173,"_285":1174},{"_276":1169,"_278":1170,"_280":1171,"_281":1155},77.51023520289482,89.9,62.51023520289481,{"_287":224,"_123":1175,"_154":1176,"_140":89},{"_287":125,"_123":775,"_154":776,"_140":777},{"_287":285,"_123":493,"_154":494,"_140":495},"artist/contemporaries-of-lilly-martin-spencer","Lilly Martin Spencer's contemporaries","https://img.ochreeditions.com/a/870/480.jpg","https://img.ochreeditions.com/a/870/960.jpg","https://img.ochreeditions.com/a/870/1920.jpg",{"_311":1193,"_313":1194},{"_311":1191,"_313":1192},{"_311":1189,"_313":1190},{"_311":1187,"_313":1188},{"_311":1185,"_313":1186},"#8f633d",0.0796,"#1a1613",0.1527,"#6b4c34",0.2202,"#38251c",0.2594,"#4e3727",0.2881,"Lilly Martin Spencer","lilly-martin-spencer","1822–1902",1822,1902,{"_1201":-5,"_1202":1203,"_1204":1205,"_1206":8,"_1207":1208,"_1209":8},"user","csrf","23ea0c5ca1583c9aba444e8f413adfca7fa72943","cartCount",0,"dropLive","legal",[1210,1211,1212,1213,1214,1215,1216,1217,1218,1219,1220,1221],"uploadsEnabled",{"_221":1244,"_20":1245},{"_221":1242,"_20":1243},{"_221":1240,"_20":1241},{"_221":1238,"_20":1239},{"_221":1236,"_20":1237},{"_221":1234,"_20":1235},{"_221":1232,"_20":1233},{"_221":1230,"_20":1231},{"_221":1228,"_20":1229},{"_221":1226,"_20":1227},{"_221":1224,"_20":1225},{"_221":1222,"_20":1223},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]