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Martin Johnson Heade painted the marshes of the northeastern coast more than a hundred times, fascinated by the way light and weather transformed their level horizons from hour to hour.","Newburyport Meadows, by Martin Johnson Heade, ca. 1876–81",{"_296":445,"_298":446,"_300":447},"https://img.ochreeditions.com/m/828.jpg?dl=1","/art/newburyport-meadows-met-11053","/galleries/style/painting-19/newburyport-meadows-met-11053",{"_292":293,"_294":295},{"_225":437,"_125":438,"_286":439},{"_277":434,"_279":435,"_281":418,"_282":436},70.9,40.903804775649434,25.903804775649437,{"_288":225,"_123":443,"_154":444,"_140":97},{"_288":125,"_123":440,"_154":441,"_140":442},{"_288":286,"_123":167,"_154":166,"_140":169},"style/realism","More Realism",41,"artist/martin-johnson-heade","More by Martin Johnson Heade","https://img.ochreeditions.com/a/828/480.jpg","https://img.ochreeditions.com/a/828/960.jpg","https://img.ochreeditions.com/a/828/1920.jpg",{"_312":461,"_314":462},{"_312":459,"_314":460},{"_312":457,"_314":458},{"_312":455,"_314":456},{"_312":453,"_314":454},"#2f2e1d",0.1018,"#54512a",0.1169,"#897d38",0.1428,"#5f6250",0.2446,"#a49f85",0.3939,"Martin Johnson Heade","martin-johnson-heade","1819–1904",1819,1904,"Heade travelled restlessly and worked in many genres, but is best known for three subjects: the salt marshes of New England and New Jersey, with haystacks under changing skies; hummingbirds and orchids, which he studied on journeys to Brazil and Central America; and, in later…","in-the-sea-aic-110507","In the Sea",{"_42":524,"_222":525,"_326":526,"_328":527,"_330":528,"_332":529,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1883","switzerland","Oil on panel","86.5 × 115 cm (34 3/8 × 45 3/4 in.); Framed: 130.8 × 158.8 × 17.8 cm (51 1/2 × 62 1/2 × 7 in.)",115,86,1.3268645908761767,[509,510,511,512,513],{"_221":384,"_222":385,"_42":386,"_305":387},"1990.443","Arnold Böcklin painted this in 1883, aged 56. It is now at the Art Institute of Chicago.",{"_118":508,"_382":383},"Painting of centaur with harp, in water, surrounded by mermaids and mermen.",{"_296":505,"_298":506,"_300":507},"https://img.ochreeditions.com/m/273.jpg?dl=1","/art/in-the-sea-aic-110507","/galleries/style/painting-19/in-the-sea-aic-110507",{"_292":293,"_294":295},{"_225":495,"_125":496,"_286":497},{"_277":492,"_279":493,"_281":476,"_282":494},130,101.67048679327658,86.67048679327658,{"_288":225,"_123":503,"_154":504,"_140":89},{"_288":125,"_123":500,"_154":501,"_140":502},{"_288":286,"_123":498,"_154":499,"_140":95},"era/19-switzerland","19th-century Switzerland","style/painting","More paintings",1127,"artist/contemporaries-of-arnold-bocklin","Arnold Böcklin's contemporaries","https://img.ochreeditions.com/a/273/480.jpg","https://img.ochreeditions.com/a/273/960.jpg","https://img.ochreeditions.com/a/273/1920.jpg","Böcklin’s art had little in common with Impressionism or the academic art of his time. Instead, his depictions of demigods in naturalistic settings interpret themes from Classical mythology.",{"_312":522,"_314":523},{"_312":520,"_314":521},{"_312":518,"_314":519},{"_312":516,"_314":517},{"_312":514,"_314":515},"#163533",0.1292,"#312b25",0.1995,"#5a5751",0.2041,"#898a80",0.2139,"#adab97",0.2533,"Arnold Böcklin","arnold-bocklin","Swiss, 1827–1901","Swiss",1827,1901,"benjamin-harrison-si-npg-npg-2019-35","Benjamin Harrison",{"_42":584,"_222":585,"_326":586,"_328":-5,"_330":587,"_332":588,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1899","Stretcher: 76.2 × 63.5 cm (30 × 25\")",63.5,76.2,0.87025,[569,570,571,572,573],{"_221":565,"_222":566,"_42":567,"_305":568},"Courtesy of the National Portrait Gallery, Smithsonian Institution","NPG.2019.35","William Thomas Mathews painted this in 1899, aged 78. It is now at the National Portrait Gallery in Washington, DC.","Artist: William Thomas Mathews, Sitter: Benjamin Harrison, Current owner: National Portrait Gallery, Smithsonian Institution",{"_296":562,"_298":563,"_300":564},"https://img.ochreeditions.com/m/1837.jpg?dl=1","/art/benjamin-harrison-si-npg-npg-2019-35","/galleries/style/painting-19/benjamin-harrison-si-npg-npg-2019-35",{"_292":293,"_294":295},{"_225":554,"_125":555,"_286":556},{"_277":551,"_279":552,"_281":553,"_282":536},81.31305,91.2,66.31305,{"_288":225,"_123":560,"_154":561,"_140":89},{"_288":125,"_123":500,"_154":501,"_140":502},{"_288":286,"_123":557,"_154":558,"_140":559},"era/19","The 19th century",731,"artist/contemporaries-of-william-thomas-mathews","William Thomas Mathews's contemporaries","https://img.ochreeditions.com/a/1837/480.jpg","https://img.ochreeditions.com/a/1837/960.jpg","https://img.ochreeditions.com/a/1837/1920.jpg","si","smithsonian","Smithsonian Institution","Washington, DC",{"_312":582,"_314":583},{"_312":580,"_314":581},{"_312":578,"_314":579},{"_312":576,"_314":577},{"_312":574,"_314":575},"#ad846c",0.0307,"#73533e",0.0564,"#372419",0.2045,"#271915",0.2617,"#141414",0.4467,"William Thomas Mathews","william-thomas-mathews","7 May 1821 - 11 Jan 1905",1821,1905,"thomas-alva-edison-si-npg-npg-65-23","Thomas Alva Edison",{"_42":637,"_222":638,"_326":639,"_328":-5,"_330":640,"_332":641,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1890","Stretcher: 114.3 x 138.7 x 2.5cm (45 x 54 5/8 x 1\")",138.7,114.3,1.2243648607284972,[623,624,625,626,627],{"_221":565,"_222":566,"_42":567,"_305":568},"NPG.65.23","Abraham Archibald Anderson painted this in 1890, aged 43. It is now at the National Portrait Gallery in Washington, DC.",{"_118":621,"_382":622},"Artist: Abraham Archibald Anderson, Sitter: Thomas Alva Edison, Current owner: National Portrait Gallery, Smithsonian Institution",{"_296":618,"_298":619,"_300":620},"https://img.ochreeditions.com/m/1838.jpg?dl=1","/art/thomas-alva-edison-si-npg-npg-65-23","/galleries/style/painting-19/thomas-alva-edison-si-npg-npg-65-23",{"_292":293,"_294":295},{"_225":613,"_125":614,"_286":615},{"_277":610,"_279":611,"_281":594,"_282":612},153.7,128.283225,113.28322499999999,{"_288":225,"_123":616,"_154":617,"_140":89},{"_288":125,"_123":500,"_154":501,"_140":502},{"_288":286,"_123":557,"_154":558,"_140":559},"artist/contemporaries-of-abraham-archibald-anderson","Abraham Archibald Anderson's contemporaries","https://img.ochreeditions.com/a/1838/480.jpg","https://img.ochreeditions.com/a/1838/960.jpg","https://img.ochreeditions.com/a/1838/1920.jpg","Born Milan, Ohio","Text from the National Portrait Gallery.",{"_312":635,"_314":636},{"_312":634,"_314":460},{"_312":632,"_314":633},{"_312":630,"_314":631},{"_312":628,"_314":629},"#b7905c",0.0246,"#6a4e26",0.0361,"#444c2f",0.1214,"#342005","#1e1a08",0.5733,"Abraham Archibald Anderson","abraham-archibald-anderson","1847–1940",1847,1940,"arlesiennes-mistral-aic-19339","Arlésiennes (Mistral)",{"_42":694,"_222":695,"_326":696,"_328":406,"_330":697,"_332":408,"_334":410,"_336":698,"_338":699,"_140":85},"1888","post-impressionism","Oil on jute canvas","73 × 92 cm (28 3/4 × 36 3/16 in.); Framed: 97.5 × 116.6 × 8 cm (38 3/8 × 45 7/8 × 3 1/8 in.)",92,1.264500892805714,[679,680,681,682,683],{"_221":384,"_222":385,"_42":386,"_305":387},"1934.391","Paul Gauguin painted this in 1888, aged 40. It is now at the Art Institute of Chicago.",{"_118":678,"_382":383},"Painting of four women with blue shawls walking near red fence.",{"_296":675,"_298":676,"_300":677},"https://img.ochreeditions.com/m/73.jpg?dl=1","/art/arlesiennes-mistral-aic-19339","/galleries/style/painting-19/arlesiennes-mistral-aic-19339",{"_292":293,"_294":295},{"_225":667,"_125":668,"_286":669},{"_277":664,"_279":665,"_281":649,"_282":666},107,87.75597868172915,72.75597868172915,{"_288":225,"_123":673,"_154":674,"_140":85},{"_288":125,"_123":670,"_154":671,"_140":672},{"_288":286,"_123":370,"_154":371,"_140":372},"style/post-impressionism","More Post-Impressionism",62,"artist/paul-gauguin","More by Paul Gauguin","https://img.ochreeditions.com/a/73/480.jpg","https://img.ochreeditions.com/a/73/960.jpg","https://img.ochreeditions.com/a/73/1920.jpg","One of 17 canvases that Paul Gauguin completed during a brief and tumultuous visit with Vincent van Gogh in Arles, this powerful and enigmatic painting depicts the public garden directly across from Van Gogh’s house.",{"_312":692,"_314":693},{"_312":690,"_314":691},{"_312":688,"_314":689},{"_312":686,"_314":687},{"_312":684,"_314":685},"#9e442e",0.0901,"#a17625",0.1271,"#2d3d4b",0.1667,"#9f947d",0.2589,"#51653a",0.3572,"Paul Gauguin","paul-gauguin","French, 1848–1903",1848,"Atuona, Hiva Oa, Marquesas Islands","Gauguin worked as a Paris stockbroker and collected the Impressionists before taking up painting full time in the 1880s, showing in the last five Impressionist exhibitions.","venice-seen-from-the-public-garden-aic-250455","Venice Seen from the Public Garden",{"_42":750,"_222":751,"_326":752,"_328":406,"_330":753,"_332":754,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1873","paris-salon-painting","Oil on paper, mounted on canvas","14 × 32.6 cm (5 1/2 × 12 13/16 in.); Framed: 21.2 × 39.4 × 3.9 cm (8 3/8 × 15 1/2 × 1 1/2 in.)",32,2.4559023066485755,[735,736,737,738,739],{"_221":384,"_222":385,"_42":386,"_305":387},"2019.190","Jean Jules Antoine Lecomte du Noüy painted this in 1873, aged 31. It is now at the Art Institute of Chicago.","A work made of oil on paper, mounted on canvas.",{"_296":732,"_298":733,"_300":734},"https://img.ochreeditions.com/m/386.jpg?dl=1","/art/venice-seen-from-the-public-garden-aic-250455","/galleries/style/painting-19/venice-seen-from-the-public-garden-aic-250455",{"_292":293,"_294":295},{"_225":724,"_125":725,"_286":726},{"_277":721,"_279":722,"_281":707,"_282":723},47,28.029834254143644,13.029834254143646,{"_288":225,"_123":730,"_154":731,"_140":89},{"_288":125,"_123":727,"_154":728,"_140":729},{"_288":286,"_123":370,"_154":371,"_140":372},"style/paris-salon-painting","More Paris Salon painting",79,"artist/contemporaries-of-jean-jules-antoine-lecomte-du-nouy","Jean Jules Antoine Lecomte du Noüy's contemporaries","https://img.ochreeditions.com/a/386/480.jpg","https://img.ochreeditions.com/a/386/960.jpg","https://img.ochreeditions.com/a/386/1920.jpg",{"_312":748,"_314":749},{"_312":746,"_314":747},{"_312":744,"_314":745},{"_312":742,"_314":743},{"_312":740,"_314":741},"#9b9b92",0.0709,"#91a791",0.1388,"#cec3a7",0.1923,"#a7b0a3",0.2933,"#b8b6a4",0.3047,"Jean Jules Antoine Lecomte du Noüy","jean-jules-antoine-lecomte-du-nouy","French, 1842–1923",1842,1923,"a-creek-in-st-thomas-virgin-islands-nga-66427","A Creek in St. Thomas (Virgin Islands)",{"_42":403,"_222":404,"_326":405,"_328":406,"_330":407,"_332":408,"_334":409,"_336":410,"_338":411,"_140":95},"1856","oil on academy board","overall: 24.5 x 32.2 cm (9 5/8 x 12 11/16 in.) framed: 37.5 x 45.7 x 4.8 cm (14 3/4 x 18 x 1 7/8 in.)",32.2,24.5,1.3359425962165687,[790,791,792,793,794],{"_221":787,"_222":788,"_42":789,"_305":568},"Courtesy National Gallery of Art, Washington","1985.64.29","Camille Pissarro painted this in 1856, aged 26. It is now at the National Gallery of Art in Washington, DC.","A wide creek winds between a grove of palms and tree-covered boulders, with mauve-pink mountains on the far shore and a low sun laying a yellow streak across the still water. A man in a white loincloth walks the bank with a long stick.","A wide creek winds between a tree-lined bank to our left and hazy mountains to our right in this horizontal landscape painting. The riverbank curves deeply like a backward capital letter B. Marshy grasses grow in tufts, and palm and other trees grow in a grove to our left. One brown-skinned person wearing only a white cloth around the hips carries a long stick near the shoreline. Dabs of brown and muted dark pink suggest other people farther along the riverside. Tree-covered boulders jut into the creek from our right. A band of rocky, mountains are smoky mauve-pink across the rightmost two-thirds of the horizon, which comes a third of the way up the composition. The butter-yellow sun is low on the horizon to our right, peeking through the grove of palm trees. The light pours across the placid surface of the creek, creating a soft yellow streak next to the reflection of the mountain ridge. A few heather-pink clouds drift across the pale turquoise sky. The artist signed and dated the painting in the lower left corner, “C. Pizarro. 1856. Paris.”",{"_296":784,"_298":785,"_300":786},"https://img.ochreeditions.com/m/1615.jpg?dl=1","/art/a-creek-in-st-thomas-virgin-islands-nga-66427","/galleries/style/painting-19/a-creek-in-st-thomas-virgin-islands-nga-66427",{"_292":293,"_294":295},{"_225":781,"_125":782,"_286":783},{"_277":778,"_279":779,"_281":761,"_282":780},47.2,39.10283203125,24.102832031250003,{"_288":225,"_123":376,"_154":377,"_140":95},{"_288":125,"_123":373,"_154":374,"_140":375},{"_288":286,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/1615/480.jpg","https://img.ochreeditions.com/a/1615/960.jpg","https://img.ochreeditions.com/a/1615/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_312":803,"_314":804},{"_312":801,"_314":802},{"_312":799,"_314":800},{"_312":797,"_314":798},{"_312":795,"_314":796},"#442e22",0.108,"#6a4e36",0.1287,"#b7a385",0.1759,"#917c68",0.2616,"#adb199",0.3258,"landscape-cma-98043","Landscape",{"_42":861,"_222":862,"_326":863,"_328":329,"_330":864,"_332":865,"_334":-5,"_336":-5,"_338":-5,"_140":103},"before 1918","antebellum-america","oil on canvas","Unframed: 34.3 x 59.5 cm (13 1/2 x 23 7/16 in.)",59.5,34.3,1.8640350877192982,[846,847,848,849,850],{"_221":842,"_222":843,"_42":844,"_305":845},"Courtesy of the Cleveland Museum of Art","1917.67","Jasper F. Cropsey painted this (before 1918), aged about 22. It is now at the Cleveland Museum of Art.","Landscape, by Jasper F. Cropsey, before 1918",{"_296":839,"_298":840,"_300":841},"https://img.ochreeditions.com/m/492.jpg?dl=1","/art/landscape-cma-98043","/galleries/style/painting-19/landscape-cma-98043",{"_292":293,"_294":295},{"_225":831,"_125":832,"_286":833},{"_277":828,"_279":829,"_281":812,"_282":830},74.5,46.92,31.92,{"_288":225,"_123":837,"_154":838,"_140":89},{"_288":125,"_123":834,"_154":835,"_140":836},{"_288":286,"_123":167,"_154":166,"_140":169},"style/antebellum-america","More Antebellum America",33,"artist/contemporaries-of-jasper-f-cropsey","Jasper F. Cropsey's contemporaries","https://img.ochreeditions.com/a/492/480.jpg","https://img.ochreeditions.com/a/492/960.jpg","https://img.ochreeditions.com/a/492/1920.jpg","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_312":859,"_314":860},{"_312":857,"_314":858},{"_312":855,"_314":856},{"_312":853,"_314":854},{"_312":851,"_314":852},"#9e9c90",0.097,"#635038",0.1494,"#423627",0.1503,"#27251f",0.1953,"#bdb9ab",0.408,"Jasper F. Cropsey","jasper-f-cropsey","American, 1823–1900",1823,1900,"madame-x-virginie-amelie-avegno-gautreau-met-12127","Madame X (Virginie Amélie Avegno Gautreau)",{"_42":913,"_222":914,"_326":915,"_328":329,"_330":916,"_332":917,"_334":918,"_336":919,"_338":920,"_140":97},"1883–84","82 1/8 × 43 1/4 in. (208.6 × 109.9 cm) Framed: 95 3/4 × 56 5/8 × 5 in. (243.2 × 143.8 × 12.7 cm)",109.9,208.6,0.584,[898,899,900,901,902],{"_221":302,"_222":303,"_42":304,"_305":306},"16.53","John Singer Sargent painted this in 1883–84, aged about 27. It is now at The Met in New York.","Virginie Amélie Avegno Gautreau, an American-born beauty married to a French banker, stands in profile in a sleek black satin gown, one hand resting on a table, her skin powdered to a pale lavender.","Madame X (Virginie Amélie Avegno Gautreau), by John Singer Sargent, 1883–84",{"_296":895,"_298":896,"_300":897},"https://img.ochreeditions.com/m/853.jpg?dl=1","/art/madame-x-virginie-amelie-avegno-gautreau-met-12127","/galleries/style/painting-19/madame-x-virginie-amelie-avegno-gautreau-met-12127",{"_292":293,"_294":295},{"_225":890,"_125":891,"_286":892},{"_277":887,"_279":888,"_281":889,"_282":872},136.8224,223.6,121.82239999999999,{"_288":225,"_123":893,"_154":894,"_140":97},{"_288":125,"_123":440,"_154":441,"_140":442},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/john-singer-sargent","More by John Singer Sargent","https://img.ochreeditions.com/a/853/480.jpg","https://img.ochreeditions.com/a/853/960.jpg","https://img.ochreeditions.com/a/853/1920.jpg",{"_312":911,"_314":912},{"_312":909,"_314":910},{"_312":907,"_314":908},{"_312":905,"_314":906},{"_312":903,"_314":904},"#6b5f54",0.0232,"#a9998b",0.027,"#2d251f",0.2361,"#0a0909",0.3222,"#4c3f31",0.3915,"John Singer Sargent","john-singer-sargent","American, 1856–1925",1856,1925,"Florence","London","Sargent was born in Florence to American parents and grew up travelling across Europe.","une-martyre-saint-thechla-si-saam-1923-8-1","Une Martyre (Saint Thechla)",{"_42":971,"_222":972,"_326":973,"_328":-5,"_330":640,"_332":974,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1891","29 1/2 x 21 1/2 in. (74.9 x 54.6 cm)",54.6,74.9,0.7206666666666667,[956,957,958,959,960],{"_221":565,"_222":566,"_42":567,"_305":568},"Courtesy of the Smithsonian American Art Museum","1923.8.1","Sarah Paxton Ball Dodson painted this in 1891, aged 44. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":954,"_382":955},"Une Martyre (Saint Thechla), by Sarah Paxton Ball Dodson, 1891",{"_296":951,"_298":952,"_300":953},"https://img.ochreeditions.com/m/1869.jpg?dl=1","/art/une-martyre-saint-thechla-si-saam-1923-8-1","/galleries/style/painting-19/une-martyre-saint-thechla-si-saam-1923-8-1",{"_292":293,"_294":295},{"_225":946,"_125":947,"_286":948},{"_277":943,"_279":944,"_281":945,"_282":927},68.97793333333334,89.9,53.97793333333334,{"_288":225,"_123":949,"_154":950,"_140":89},{"_288":125,"_123":500,"_154":501,"_140":502},{"_288":286,"_123":557,"_154":558,"_140":559},"artist/contemporaries-of-sarah-paxton-ball-dodson","Sarah Paxton Ball Dodson's contemporaries","https://img.ochreeditions.com/a/1869/480.jpg","https://img.ochreeditions.com/a/1869/960.jpg","https://img.ochreeditions.com/a/1869/1920.jpg","Many of Sarah Dodson’s paintings were inspired by religious or mythological subjects. This image shows Saint Thechla (or Thecla), who converted to Christianity and renounced marriage after hearing a sermon by the Apostle Paul.","Text from the Smithsonian American Art Museum.",{"_312":969,"_314":970},{"_312":967,"_314":968},{"_312":965,"_314":966},{"_312":963,"_314":964},{"_312":961,"_314":962},"#897662",0.1026,"#dcc7af",0.142,"#a6917b",0.2181,"#bba494",0.2632,"#beaf8a",0.2741,"Sarah Paxton Ball Dodson","sarah-paxton-ball-dodson","born Philadelphia, PA 1847-died Brighton, England 1906",1906,"a-woman-at-the-elysee-montmartre-femme-a-l-elysee-montmartre-aic-222002","A Woman at the Élysée Montmartre (Femme à l’Élysée Montmartre)",{"_42":1020,"_222":1021,"_326":1022,"_328":406,"_330":1023,"_332":1024,"_334":-5,"_336":-5,"_338":-5,"_140":103},"90.5 × 72 cm (35 5/8 × 28 3/8 in.)",90,0.7875838926174497,[1005,1006,1007,1008,1009],{"_221":384,"_222":385,"_42":386,"_305":387},"2014.645","Louis Anquetin painted this in 1888, aged 27. It is now at the Art Institute of Chicago.",{"_118":1004,"_382":383},{"_296":1001,"_298":1002,"_300":1003},"https://img.ochreeditions.com/m/363.jpg?dl=1","/art/a-woman-at-the-elysee-montmartre-femme-a-l-elysee-montmartre-aic-222002","/galleries/style/painting-19/a-woman-at-the-elysee-montmartre-femme-a-l-elysee-montmartre-aic-222002",{"_292":293,"_294":295},{"_225":996,"_125":997,"_286":998},{"_277":993,"_279":994,"_281":995,"_282":979},85.88255033557047,105,70.88255033557047,{"_288":225,"_123":999,"_154":1000,"_140":89},{"_288":125,"_123":727,"_154":728,"_140":729},{"_288":286,"_123":370,"_154":371,"_140":372},"artist/contemporaries-of-louis-anquetin","Louis Anquetin's contemporaries","https://img.ochreeditions.com/a/363/480.jpg","https://img.ochreeditions.com/a/363/960.jpg","https://img.ochreeditions.com/a/363/1920.jpg","Like Henri de Toulouse-Lautrec, Anquetin's work focused on modern life, particularly Parisian nightlife. This painting depicts an unescorted woman—unusual at that time—walking through the garden of the Élysée Montmartre, a dance hall in Montmartre.",{"_312":1018,"_314":1019},{"_312":1016,"_314":1017},{"_312":1014,"_314":1015},{"_312":1012,"_314":1013},{"_312":1010,"_314":1011},"#7e3522",0.085,"#795d38",0.1109,"#9d9c7f",0.2147,"#5c7263",0.265,"#323028",0.3244,"Louis Anquetin","louis-anquetin","French, 1861–1932",1861,1932,"equestrienne-at-the-cirque-fernando-aic-16146","Equestrienne (At the Cirque Fernando)",{"_42":1073,"_222":1074,"_326":1075,"_328":406,"_330":1076,"_332":529,"_334":1077,"_336":1078,"_338":1079,"_140":89},"1887–88","100.3 × 161.3 cm (39 1/2 × 63 1/2 in.); Framed: 123.2 × 181 × 8.3 cm (48 1/2 × 71 1/4 × 3 1/4 in.)",161,100,1.5877668047148774,[1058,1059,1060,1061,1062],{"_221":384,"_222":385,"_42":386,"_305":387},"1925.523","Henri de Toulouse-Lautrec painted this in 1887–88, aged about 23. It is now at the Art Institute of Chicago.",{"_118":1057,"_382":383},"Painting of a performance inside a circus ring. A man wearing a suit holds a whip in his hand and looks towards a woman with red hair riding a gray horse and wearing a green dress. Audience members wearing suits and top hats watch from red and white benches on the side.",{"_296":1054,"_298":1055,"_300":1056},"https://img.ochreeditions.com/m/42.jpg?dl=1","/art/equestrienne-at-the-cirque-fernando-aic-16146","/galleries/style/painting-19/equestrienne-at-the-cirque-fernando-aic-16146",{"_292":293,"_294":295},{"_225":1049,"_125":1050,"_286":1051},{"_277":1046,"_279":1047,"_281":1030,"_282":1048},176,116.4002808988764,101.4002808988764,{"_288":225,"_123":1052,"_154":1053,"_140":89},{"_288":125,"_123":670,"_154":671,"_140":672},{"_288":286,"_123":370,"_154":371,"_140":372},"artist/henri-de-toulouse-lautrec","More by Henri de Toulouse-Lautrec","https://img.ochreeditions.com/a/42/480.jpg","https://img.ochreeditions.com/a/42/960.jpg","https://img.ochreeditions.com/a/42/1920.jpg","This work, set at a circus, captures the tense moment in which a female trick rider prepares to stand up on her horse and leap through a paper hoop held by a clown.",{"_312":1071,"_314":1072},{"_312":1069,"_314":1070},{"_312":1067,"_314":1068},{"_312":1065,"_314":1066},{"_312":1063,"_314":1064},"#87554b",0.0828,"#646260",0.1496,"#a69e92",0.2039,"#867f77",0.2281,"#c7beb3",0.3356,"Henri de Toulouse-Lautrec","henri-de-toulouse-lautrec","French, 1864–1901",1864,"Albi","Saint-André-du-Bois","Toulouse-Lautrec came from an aristocratic family in Albi; after two leg fractures in his teens his legs stopped growing, and he turned to art.","sunrise-met-11235","Sunrise",{"_42":1125,"_222":1126,"_326":1127,"_328":329,"_330":1128,"_332":1129,"_334":1130,"_336":1131,"_338":1132,"_140":95},"1887","30 x 45 1/4 in. (76.2 x 114.9 cm)",114.9,1.505380476556495,[1110,1111,1112,1113,1114],{"_221":302,"_222":303,"_42":304,"_305":306},"54.156","George Inness painted this in 1887, aged 62. It is now at The Met in New York.","Sunrise, by George Inness, 1887",{"_296":1107,"_298":1108,"_300":1109},"https://img.ochreeditions.com/m/837.jpg?dl=1","/art/sunrise-met-11235","/galleries/style/painting-19/sunrise-met-11235",{"_292":293,"_294":295},{"_225":1102,"_125":1103,"_286":1104},{"_277":1099,"_279":1100,"_281":1085,"_282":1101},129.9,91.32621904518764,76.32621904518764,{"_288":225,"_123":1105,"_154":1106,"_140":95},{"_288":125,"_123":440,"_154":441,"_140":442},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/george-inness","More by George Inness","https://img.ochreeditions.com/a/837/480.jpg","https://img.ochreeditions.com/a/837/960.jpg","https://img.ochreeditions.com/a/837/1920.jpg",{"_312":1123,"_314":1124},{"_312":1121,"_314":1122},{"_312":1119,"_314":1120},{"_312":1117,"_314":1118},{"_312":1115,"_314":1116},"#8f6a25",0.0967,"#362e0c",0.1682,"#795b23",0.186,"#5d4719",0.1908,"#47390e",0.3583,"George Inness","george-inness","American, 1825–1894",1825,1894,"Newburgh, New York","Bridge of Allan, Scotland","Inness was largely self-taught and began in the manner of the Hudson River School, but journeys to Italy and France, where he admired the Barbizon painters, led him towards broader, more atmospheric landscapes.","sarah-porter-si-npg-npg-75-35","Sarah Porter",{"_42":1179,"_222":1180,"_326":1181,"_328":-5,"_330":1182,"_332":1183,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1896","Frame: 76.2 x 95.3 x 8.3cm (30 x 37 1/2 x 3 1/4\")",95.3,0.831,[1164,1165,1166,1167,1168],{"_221":565,"_222":566,"_42":567,"_305":568},"NPG.75.35","Robert Bolling Brandegee painted this in 1896, aged 47. It is now at the National Portrait Gallery in Washington, DC.","Artist: Robert Bolling Brandegee, Sitter: Sarah Porter, Current owner: National Portrait Gallery, Smithsonian Institution",{"_296":1161,"_298":1162,"_300":1163},"https://img.ochreeditions.com/m/1846.jpg?dl=1","/art/sarah-porter-si-npg-npg-75-35","/galleries/style/painting-19/sarah-porter-si-npg-npg-75-35",{"_292":293,"_294":295},{"_225":1156,"_125":1157,"_286":1158},{"_277":1152,"_279":1153,"_281":1154,"_282":1155},92.68272433430742,108.48101604609799,77.68272433430742,93.48101604609799,{"_288":225,"_123":1159,"_154":1160,"_140":89},{"_288":125,"_123":500,"_154":501,"_140":502},{"_288":286,"_123":557,"_154":558,"_140":559},"artist/contemporaries-of-robert-bolling-brandegee","Robert Bolling Brandegee's contemporaries","https://img.ochreeditions.com/a/1846/480.jpg","https://img.ochreeditions.com/a/1846/960.jpg","https://img.ochreeditions.com/a/1846/1920.jpg",{"_312":1177,"_314":1178},{"_312":1175,"_314":1176},{"_312":1173,"_314":1174},{"_312":1171,"_314":1172},{"_312":1169,"_314":1170},"#d09b6b",0.0598,"#6d461b",0.0681,"#4a2d0d",0.2188,"#301f0f",0.2373,"#11120e",0.416,"Robert Bolling Brandegee","robert-bolling-brandegee","1849–1922",1849,1922,{"_1185":-5,"_1186":1187,"_1188":1189,"_1190":8,"_1191":1192,"_1193":8},"user","csrf","2594e20c1f409427afd1ffb73fd21eee92d1c25c","cartCount",0,"dropLive","legal",[1194,1195,1196,1197,1198,1199,1200,1201,1202,1203,1204,1205],"uploadsEnabled",{"_222":1228,"_20":1229},{"_222":1226,"_20":1227},{"_222":1224,"_20":1225},{"_222":1222,"_20":1223},{"_222":1220,"_20":1221},{"_222":1218,"_20":1219},{"_222":1216,"_20":1217},{"_222":1214,"_20":1215},{"_222":1212,"_20":1213},{"_222":1210,"_20":1211},{"_222":1208,"_20":1209},{"_222":1206,"_20":1207},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]