[{"_1":2,"_3":4},"root",{"_5":1205},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","Paintings of the 19th century, in the galleries · Ochre Editions","description","Paintings made in the 19th century, from every museum. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/painting-19","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/painting-19.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","Paintings of the 19th century, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/madame-georges-charpentier-marguerite-louise-lemonnier-1848-met-438815",15,"https://www.ochreeditions.com/art/view-on-the-outskirts-of-caen-nga-66421",14,"https://www.ochreeditions.com/art/landing-at-sabbath-day-point-nga-50852",13,"https://www.ochreeditions.com/art/the-artist-s-daughter-with-a-parakeet-nga-46525",12,"https://www.ochreeditions.com/art/the-sand-pits-hampstead-heath-aic-250453",11,"https://www.ochreeditions.com/art/landscape-si-saam-1956-11-38",10,"https://www.ochreeditions.com/art/operating-on-guan-yu-s-arm-cma-160300",9,"https://www.ochreeditions.com/art/the-pleiades-met-13070",8,"https://www.ochreeditions.com/art/robert-edward-lee-si-npg-npg-2019-23",7,"https://www.ochreeditions.com/art/untitled-autumn-leaf-si-saam-1970-355-761",6,"https://www.ochreeditions.com/art/study-for-a-sunday-on-la-grande-jatte-met-437658",5,"https://www.ochreeditions.com/art/abraham-kintzing-nga-1129",4,"https://www.ochreeditions.com/art/stoke-by-nayland-aic-4758",3,"https://www.ochreeditions.com/art/stage-fort-across-gloucester-harbor-met-11396",2,"https://www.ochreeditions.com/art/the-fountain-at-grottaferrata-aic-209942",1,"https://www.ochreeditions.com/art/sunrise-met-11235","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~painting-19.dea77219d0.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~painting-19.dea77219d0.jpg","alt","Paintings of the 19th century, a room in the galleries: three of its 432 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk Paintings of the 19th century: 432 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~painting-19.jpg","key","style/painting-19","style","Paintings of the 19th century","intro","Paintings made in the 19th century, from every museum.","wing","Style galleries","floor","layout","long","hang",6190,"/galleries/style/painting-19","total",432,"page","works",[203,204,205,206,207,208,209,210,211,212,213,214,215,216,217,218],"walls",[172,173,174,175,176],"doors",[163,164],"next_cursor","eyJvIjoxNiwiaCI6NjE5MCwiaSI6bnVsbCwiZyI6IkxKdkZpOHhWIn0","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/painting-19?hang=6190&cursor=eyJvIjoxNiwiaCI6NjE5MCwiaSI6bnVsbCwiZyI6IkxKdkZpOHhWIn0&via=continue","label","Paintings of the 19th century, room 2","move","doorway","first_wall_images",[160,161,162],"https://img.ochreeditions.com/a/346/480.jpg","https://img.ochreeditions.com/a/29/480.jpg","https://img.ochreeditions.com/a/836/480.jpg",{"_154":169,"_123":170,"_44":171,"_140":81},{"_154":165,"_123":166,"_44":167,"_140":168},"19th-century France","era/19-france","/galleries/era/19-france?hang=6190&via=continue",237,"More by Pierre-Auguste Renoir","artist/pierre-auguste-renoir","/galleries/artist/pierre-auguste-renoir?hang=6190&via=continue",{"_42":198,"_178":199},{"_42":194,"_178":195},{"_42":188,"_178":189},{"_42":182,"_178":183},{"_42":177,"_178":179},"Section 3, north wall","work_ids",[180,181],1612,1191,"Section 2, north wall",[184,185,186,187],1911,384,1518,1538,"Section 2, south wall",[190,191,192,193],1943,1835,860,754,"Section 1, south wall",[91,196,197],1311,1156,"Section 1, north wall",[200,201,202],837,353,845,{"_219":200,"_220":1151,"_20":1152,"_223":1153,"_225":-5,"_226":1154,"_228":229,"_230":403,"_232":715,"_125":-5,"_28":234,"_235":343,"_237":238,"_239":1155,"_241":1156,"_243":1157,"_245":1158,"_247":1159,"_249":1160,"_251":252,"_253":1161,"_255":256,"_257":1162,"_154":-5,"_259":-5,"_111":1163,"_262":1164,"_264":1165,"_266":1166,"_268":1167,"_270":1168,"_144":1169,"_273":1170},{"_219":201,"_220":1091,"_20":1092,"_223":1093,"_225":-5,"_226":1094,"_228":229,"_230":1095,"_232":1096,"_125":-5,"_28":234,"_235":343,"_237":238,"_239":1097,"_241":676,"_243":1098,"_245":1099,"_247":1100,"_249":1101,"_251":530,"_253":1102,"_255":256,"_257":1103,"_154":1104,"_259":-5,"_111":1105,"_262":1106,"_264":1107,"_266":1108,"_268":1109,"_270":1110,"_144":1111,"_273":1112},{"_219":202,"_220":1040,"_20":1041,"_223":1042,"_225":-5,"_226":1043,"_228":229,"_230":403,"_232":715,"_125":-5,"_28":234,"_235":343,"_237":238,"_239":1044,"_241":1045,"_243":1046,"_245":1047,"_247":1048,"_249":1049,"_251":252,"_253":1050,"_255":256,"_257":1051,"_154":-5,"_259":-5,"_111":1052,"_262":1053,"_264":1054,"_266":1055,"_268":1056,"_270":1057,"_144":1058,"_273":1059},{"_219":91,"_220":985,"_20":986,"_223":987,"_225":-5,"_226":988,"_228":229,"_230":521,"_232":-5,"_125":522,"_28":234,"_235":343,"_237":238,"_239":989,"_241":990,"_243":991,"_245":992,"_247":993,"_249":994,"_251":530,"_253":995,"_255":256,"_257":996,"_154":997,"_259":-5,"_111":998,"_262":999,"_264":1000,"_266":1001,"_268":1002,"_270":1003,"_144":1004,"_273":1005},{"_219":196,"_220":928,"_20":929,"_223":930,"_225":-5,"_226":931,"_228":229,"_230":403,"_232":-5,"_125":932,"_28":234,"_235":343,"_237":405,"_239":933,"_241":934,"_243":935,"_245":936,"_247":937,"_249":938,"_251":351,"_253":939,"_255":256,"_257":940,"_154":-5,"_259":-5,"_111":941,"_262":942,"_264":943,"_266":944,"_268":945,"_270":946,"_144":947,"_273":948},{"_219":197,"_220":871,"_20":872,"_223":873,"_225":-5,"_226":874,"_228":229,"_230":231,"_232":875,"_125":-5,"_28":234,"_235":236,"_237":238,"_239":876,"_241":877,"_243":878,"_245":879,"_247":880,"_249":881,"_251":252,"_253":882,"_255":256,"_257":883,"_154":-5,"_259":884,"_111":885,"_262":886,"_264":887,"_266":888,"_268":889,"_270":890,"_144":891,"_273":892},{"_219":190,"_220":818,"_20":819,"_223":820,"_225":-5,"_226":821,"_228":229,"_230":-5,"_232":-5,"_125":-5,"_28":234,"_235":343,"_237":822,"_239":823,"_241":824,"_243":825,"_245":826,"_247":827,"_249":828,"_251":591,"_253":829,"_255":256,"_257":830,"_154":-5,"_259":-5,"_111":831,"_262":832,"_264":833,"_266":834,"_268":835,"_270":836,"_144":837,"_273":838},{"_219":191,"_220":767,"_20":768,"_223":769,"_225":-5,"_226":770,"_228":229,"_230":-5,"_232":-5,"_125":-5,"_28":234,"_235":343,"_237":238,"_239":771,"_241":772,"_243":773,"_245":774,"_247":775,"_249":776,"_251":777,"_253":778,"_255":256,"_257":779,"_154":-5,"_259":-5,"_111":780,"_262":781,"_264":782,"_266":783,"_268":784,"_270":785,"_144":786,"_273":787},{"_219":192,"_220":711,"_20":712,"_223":713,"_225":-5,"_226":714,"_228":229,"_230":403,"_232":715,"_125":-5,"_28":234,"_235":343,"_237":238,"_239":716,"_241":717,"_243":718,"_245":719,"_247":720,"_249":721,"_251":252,"_253":722,"_255":256,"_257":723,"_154":-5,"_259":-5,"_111":724,"_262":725,"_264":726,"_266":727,"_268":728,"_270":729,"_144":730,"_273":731},{"_219":193,"_220":642,"_20":643,"_223":644,"_225":-5,"_226":645,"_228":229,"_230":646,"_232":-5,"_125":647,"_28":234,"_235":343,"_237":648,"_239":649,"_241":650,"_243":651,"_245":652,"_247":653,"_249":654,"_251":655,"_253":656,"_255":256,"_257":657,"_154":658,"_259":-5,"_111":659,"_262":660,"_264":661,"_266":662,"_268":663,"_270":664,"_144":665,"_273":666},{"_219":184,"_220":582,"_20":583,"_223":584,"_225":-5,"_226":585,"_228":229,"_230":-5,"_232":-5,"_125":-5,"_28":234,"_235":343,"_237":405,"_239":586,"_241":587,"_243":77,"_245":588,"_247":589,"_249":590,"_251":591,"_253":592,"_255":256,"_257":593,"_154":-5,"_259":-5,"_111":594,"_262":595,"_264":596,"_266":597,"_268":598,"_270":599,"_144":600,"_273":601},{"_219":185,"_220":517,"_20":518,"_223":519,"_225":-5,"_226":520,"_228":229,"_230":521,"_232":-5,"_125":522,"_28":234,"_235":343,"_237":523,"_239":524,"_241":525,"_243":526,"_245":527,"_247":528,"_249":529,"_251":530,"_253":531,"_255":256,"_257":532,"_154":-5,"_259":-5,"_111":533,"_262":534,"_264":535,"_266":536,"_268":537,"_270":538,"_144":539,"_273":540},{"_219":186,"_220":463,"_20":464,"_223":465,"_225":-5,"_226":466,"_228":229,"_230":231,"_232":233,"_125":-5,"_28":234,"_235":343,"_237":405,"_239":467,"_241":468,"_243":469,"_245":470,"_247":471,"_249":472,"_251":351,"_253":473,"_255":256,"_257":474,"_154":-5,"_259":475,"_111":476,"_262":477,"_264":478,"_266":479,"_268":480,"_270":481,"_144":482,"_273":483},{"_219":187,"_220":399,"_20":400,"_223":401,"_225":-5,"_226":402,"_228":229,"_230":403,"_232":404,"_125":-5,"_28":234,"_235":343,"_237":405,"_239":406,"_241":407,"_243":408,"_245":409,"_247":410,"_249":411,"_251":351,"_253":412,"_255":256,"_257":413,"_154":-5,"_259":414,"_111":415,"_262":416,"_264":417,"_266":418,"_268":419,"_270":420,"_144":421,"_273":422},{"_219":180,"_220":338,"_20":339,"_223":340,"_225":-5,"_226":341,"_228":229,"_230":231,"_232":-5,"_125":342,"_28":234,"_235":343,"_237":344,"_239":345,"_241":346,"_243":347,"_245":348,"_247":349,"_249":350,"_251":351,"_253":352,"_255":256,"_257":353,"_154":-5,"_259":-5,"_111":354,"_262":355,"_264":356,"_266":357,"_268":358,"_270":359,"_144":360,"_273":361},{"_219":181,"_220":221,"_20":222,"_223":224,"_225":-5,"_226":227,"_228":229,"_230":231,"_232":233,"_125":-5,"_28":234,"_235":236,"_237":238,"_239":240,"_241":242,"_243":244,"_245":246,"_247":248,"_249":250,"_251":252,"_253":254,"_255":256,"_257":258,"_154":-5,"_259":260,"_111":261,"_262":263,"_264":265,"_266":267,"_268":269,"_270":271,"_144":272,"_273":274},"id","slug","madame-georges-charpentier-marguerite-louise-lemonnier-1848-met-438815","Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895)","artist",{"_42":322,"_220":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_140":81},"unrecorded","date","1878","century",19,"place","france","movement","impressionism","painting","classification","Paintings","medium","Oil on canvas","dimensions","60 1/2 x 74 7/8 in. (153.7 x 190.2 cm)","width_cm",190.2,"height_cm",153.7,"aspect",1.2292562999385372,"palette",[305,306,307,308,309],"museum",{"_219":300,"_220":301,"_42":302,"_303":304},"credit","Courtesy of The Metropolitan Museum of Art","accession","07.122","licence","CC0","story","Pierre-Auguste Renoir painted this in 1878, aged 37. It is now at The Met in New York.","note","Marguerite Charpentier, wife of the publisher Georges Charpentier, sits in black silk in her fashionable Japanese-style salon, while her children, Georgette and Paul, dressed alike in blue and white, play beside her; Georgette perches on the family’s large Newfoundland dog.","Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895), by Pierre-Auguste Renoir, 1878","images",{"_294":295,"_296":297,"_298":299},"download_url","https://img.ochreeditions.com/m/1191.jpg?dl=1","page_url","/art/madame-georges-charpentier-marguerite-louise-lemonnier-1848-met-438815","walk_url","/galleries/style/painting-19/madame-georges-charpentier-marguerite-louise-lemonnier-1848-met-438815","frame",{"_290":291,"_292":293},{"_223":282,"_125":283,"_284":285},"size",{"_275":276,"_277":278,"_279":242,"_280":281},"w",205.2,"h",169.72769999999997,"image_w","image_h",154.72769999999997,{"_286":223,"_123":170,"_154":169,"_140":81},{"_286":125,"_123":287,"_154":288,"_140":289},"era",{"_286":284,"_123":166,"_154":165,"_140":168},"facet","style/impressionism","More Impressionism",53,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1191/480.jpg","960","https://img.ochreeditions.com/a/1191/960.jpg","1920","https://img.ochreeditions.com/a/1191/1920.jpg","met","the-met","The Metropolitan Museum of Art","city","New York",{"_310":320,"_312":321},{"_310":318,"_312":319},{"_310":316,"_312":317},{"_310":314,"_312":315},{"_310":311,"_312":313},"hex","#020201","weight",0.1388,"#979681",0.1833,"#282827",0.2004,"#4f4942",0.2046,"#6f614a",0.2729,"Pierre-Auguste Renoir","pierre-auguste-renoir","bio","French, 1841–1919","nationality","French","birth_year",1841,"death_year",1919,"birth_place","Limoges","death_place","Cagnes-sur-Mer","about_excerpt","Renoir began as a painter of porcelain in Paris, then studied in Gleyre’s studio, where he met Monet, Sisley and Bazille. In the 1870s he was a central figure of Impressionism, painting Parisians at leisure in dappled light.","view-on-the-outskirts-of-caen-nga-66421","View on the Outskirts of Caen",{"_42":395,"_220":396,"_324":397,"_326":327,"_328":191,"_330":398,"_332":-5,"_334":-5,"_336":-5,"_140":101},"1872/1875","paris-salon-painting","Painting","oil on wood","overall: 17.6 x 28.1 cm (6 15/16 x 11 1/16 in.) framed: 38.4 x 27.9 cm (15 1/8 x 11 in.)",28.1,17.6,1.7202855942881143,[380,381,382,383,384],{"_219":376,"_220":377,"_42":378,"_303":379},"Courtesy National Gallery of Art, Washington","1985.64.23","Stanislas Lépine painted this in 1872/1875, aged about 37. It is now at the National Gallery of Art in Washington, DC.","The painting shows an elevated perspective overlooking a landscape with green hills and leafy trees. Closest to us, there are cream-colored buildings among dense foliage. These buildings have roofs in shades of pale blue-gray and reddish-brown, and the one in the center has wispy white smoke coming out of a chimney. In the distance on the left, a large, low structure sits atop a hill, with faint paths winding towards it through the green landscape. Beyond the trees, the distant landscape on the right is painted in shades of pale blue and green. The sky above is filled with puffy clouds in shades of gray.",{"_294":373,"_296":374,"_298":375},"https://img.ochreeditions.com/m/1612.jpg?dl=1","/art/view-on-the-outskirts-of-caen-nga-66421","/galleries/style/painting-19/view-on-the-outskirts-of-caen-nga-66421",{"_290":291,"_292":293},{"_223":365,"_125":366,"_284":367},{"_275":362,"_277":363,"_279":346,"_280":364},43.1,31.3344970703125,16.3344970703125,{"_286":223,"_123":371,"_154":372,"_140":89},{"_286":125,"_123":368,"_154":369,"_140":370},{"_286":284,"_123":166,"_154":165,"_140":168},"style/paris-salon-painting","More Paris Salon painting",79,"artist/contemporaries-of-stanislas-lepine","Stanislas Lépine's contemporaries","https://img.ochreeditions.com/a/1612/480.jpg","https://img.ochreeditions.com/a/1612/960.jpg","https://img.ochreeditions.com/a/1612/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_310":393,"_312":394},{"_310":391,"_312":392},{"_310":389,"_312":390},{"_310":387,"_312":388},{"_310":385,"_312":386},"#817947",0.1309,"#99968a",0.1651,"#cfc4b5",0.1655,"#36362e",0.2247,"#535535",0.3138,"Stanislas Lépine","stanislas-lepine","French, 1835–1892",1892,"landing-at-sabbath-day-point-nga-50852","Landing at Sabbath Day Point",{"_42":455,"_220":456,"_324":457,"_326":458,"_328":459,"_330":460,"_332":461,"_334":304,"_336":462,"_140":93},"c. 1853","united-states","hudson-river-school","oil on canvas","overall: 25.4 x 39.9 cm (10 x 15 11/16 in.) framed: 38.1 x 52.1 x 6.4 cm (15 x 20 1/2 x 2 1/2 in.)",39.9,25.4,1.5759907656791075,[440,441,442,443,444],{"_219":376,"_220":377,"_42":378,"_303":379},"1968.7.1","John Frederick Kensett painted this in about 1853, aged 37. It is now at the National Gallery of Art in Washington, DC.","A large weathered rock with greenery and red flowers anchors the right foreground, while a wooden dock juts into the calm water of Lake George and a figure in red sits with his back to us, looking towards a pale green hill under a soft, cloudy sky.","The painting depicts a tranquil lake scene with a low horizon line showing a pale green hill in the background under a pale, cloudy sky. Closer to us, on the right, there is a large, textured rock surrounded by greenery and red flowers. In the distance, a wooden dock extends into the lake on the left, and a person wearing red appears to sit or stand with their back to us.",{"_294":437,"_296":438,"_298":439},"https://img.ochreeditions.com/m/1538.jpg?dl=1","/art/landing-at-sabbath-day-point-nga-50852","/galleries/style/painting-19/landing-at-sabbath-day-point-nga-50852",{"_290":291,"_292":293},{"_223":426,"_125":427,"_284":428},{"_275":423,"_277":424,"_279":407,"_280":425},54.9,40.317407226562494,25.317407226562498,{"_286":223,"_123":435,"_154":436,"_140":93},{"_286":125,"_123":432,"_154":433,"_140":434},{"_286":284,"_123":429,"_154":430,"_140":431},"era/19-united-states","19th-century United States",198,"style/hudson-river-school","More Hudson River School",27,"artist/john-frederick-kensett","More by John Frederick Kensett","https://img.ochreeditions.com/a/1538/480.jpg","https://img.ochreeditions.com/a/1538/960.jpg","https://img.ochreeditions.com/a/1538/1920.jpg",{"_310":453,"_312":454},{"_310":451,"_312":452},{"_310":449,"_312":450},{"_310":447,"_312":448},{"_310":445,"_312":446},"#6c5932",0.1418,"#513521",0.1434,"#c0a777",0.2133,"#9a8357",0.2438,"#ecd3a3",0.2577,"John Frederick Kensett","john-frederick-kensett","American, 1816–1872","American",1816,1872,"Cheshire, Connecticut","Kensett trained as an engraver before spending seven years in Europe, sketching in England and Italy. Back in New York in 1847 he became a leading figure of the second generation of the Hudson River School.","the-artist-s-daughter-with-a-parakeet-nga-46525","The Artist's Daughter with a Parakeet",{"_42":510,"_220":511,"_324":512,"_326":327,"_328":329,"_330":513,"_332":514,"_334":515,"_336":516,"_140":97},"1890","overall: 65.6 x 52.1 cm (25 13/16 x 20 1/2 in.) framed: 85.7 x 71.4 cm (33 3/4 x 28 1/8 in.)",52.1,65.6,0.78662109375,[495,496,497,498,499],{"_219":376,"_220":377,"_42":378,"_303":379},"1963.10.50","Berthe Morisot painted this in 1890, aged 49. It is now at the National Gallery of Art in Washington, DC.","Julie Manet, the painter’s only child, sits in a coral-peach dress with her hands in her lap, looking calmly out at us, while an emerald-green parakeet perches in a wooden cage over her shoulder.","Shown from the knees up, a young girl with pale skin, wearing a coral-peach dress, sits facing and looking at us in this loosely painted, vertical portrait. Her knees are angled slightly to our left, and her hands rest in her lap. She has a round face and smooth, lightly flushed cheeks. She has brown eyes under arched brows, a delicate, snub nose, and her rose-pink lips are closed. Her hair, which is painted with broad strokes of caramel brown and moss green, is parted on one side and pulled smoothly back, presumably tied behind her head. Tendrils fall over her shoulders. Her dress is gathered around her neck and tied with a bow at the back. The loose sleeves fall to just below her elbows, and the dress is belted around the waist. A curving swipe of canary-yellow paint could be a buckle at the front. The fabric of the dress is painted with long, visible strokes of shell and rose pink, butter yellow, and ivory white, and a few touches of sage green and periwinkle blue for shadows. She wears a ring on the middle finger of her right hand. The space around her is loosely painted with strokes of electric and cobalt blue, with unpainted canvas visible at some of the edges. To our left, over the girl's shoulder, a wooden bird cage holds an emerald-green parakeet. The bird is streaked with royal blue along its back, and the area around its hooked beak is apple red. The cage has a mint-green bow and ribbon along the top. The artist signed the painting in green on the lower right corner: “Berthe Morisot.”",{"_294":492,"_296":493,"_298":494},"https://img.ochreeditions.com/m/1518.jpg?dl=1","/art/the-artist-s-daughter-with-a-parakeet-nga-46525","/galleries/style/painting-19/the-artist-s-daughter-with-a-parakeet-nga-46525",{"_290":291,"_292":293},{"_223":487,"_125":488,"_284":489},{"_275":484,"_277":485,"_279":486,"_280":469},66.60234374999999,80.6,51.602343749999996,{"_286":223,"_123":490,"_154":491,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/berthe-morisot","More by Berthe Morisot","https://img.ochreeditions.com/a/1518/480.jpg","https://img.ochreeditions.com/a/1518/960.jpg","https://img.ochreeditions.com/a/1518/1920.jpg",{"_310":508,"_312":509},{"_310":506,"_312":507},{"_310":504,"_312":505},{"_310":502,"_312":503},{"_310":500,"_312":501},"#a99067",0.1675,"#c5946a",0.1872,"#d4b58c",0.1897,"#9e9a80",0.2113,"#819086",0.2443,"Berthe Morisot","berthe-morisot","French, 1841–1895",1895,"Bourges","Paris","Morisot studied with Corot and was a founding member of the Impressionist group, exhibiting in seven of its eight exhibitions.","the-sand-pits-hampstead-heath-aic-250453","The Sand Pits, Hampstead Heath",{"_42":576,"_220":577,"_324":578,"_326":579,"_328":580,"_330":581,"_332":-5,"_334":-5,"_336":-5,"_140":101},"1834","britain","georgian-britain","Oil on panel","24.1 × 38.1 cm (9 1/2 × 15 in.); Framed: 33.7 × 47.7 × 5.1 cm (13 1/4 × 18 3/4 × 2 in.)",38,24,1.6425614803993183,[561,562,563,564,565],{"_219":557,"_220":558,"_42":559,"_303":560},"Courtesy of the Art Institute of Chicago","2019.193","John Linnell painted this in 1834, aged 42. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_294":554,"_296":555,"_298":556},"https://img.ochreeditions.com/m/384.jpg?dl=1","/art/the-sand-pits-hampstead-heath-aic-250453","/galleries/style/painting-19/the-sand-pits-hampstead-heath-aic-250453",{"_290":291,"_292":293},{"_223":543,"_125":544,"_284":545},{"_275":289,"_277":541,"_279":525,"_280":542},38.1345982804625,23.134598280462495,{"_286":223,"_123":552,"_154":553,"_140":89},{"_286":125,"_123":549,"_154":550,"_140":551},{"_286":284,"_123":546,"_154":547,"_140":548},"era/19-britain","19th-century Britain",40,"style/georgian-britain","More Georgian Britain",63,"artist/contemporaries-of-john-linnell","John Linnell's contemporaries","https://img.ochreeditions.com/a/384/480.jpg","https://img.ochreeditions.com/a/384/960.jpg","https://img.ochreeditions.com/a/384/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":574,"_312":575},{"_310":572,"_312":573},{"_310":570,"_312":571},{"_310":568,"_312":569},{"_310":566,"_312":567},"#815e2f",0.1306,"#878980",0.1534,"#72828a",0.1631,"#391e13",0.276,"#563a1b",0.2769,"John Linnell","john-linnell","English, 1792–1882","English",1792,1882,"landscape-si-saam-1956-11-38","Landscape",{"_42":637,"_220":638,"_324":639,"_326":-5,"_328":640,"_330":641,"_332":-5,"_334":-5,"_336":-5,"_140":101},"ca. 1880-1890","5 1/2 x 12 in. (14.0 x 30.5 cm.)",30.5,2.2288261515601784,[622,623,624,625,626],{"_219":619,"_220":620,"_42":621,"_303":379},"Courtesy of the Smithsonian American Art Museum","1956.11.38","J. Francis Murphy painted this in about 1880-1890, aged about 27. It is now at the Smithsonian American Art Museum in Washington, DC.","Landscape, by J. Francis Murphy, ca. 1880-1890",{"_294":616,"_296":617,"_298":618},"https://img.ochreeditions.com/m/1911.jpg?dl=1","/art/landscape-si-saam-1956-11-38","/galleries/style/painting-19/landscape-si-saam-1956-11-38",{"_290":291,"_292":293},{"_223":605,"_125":606,"_284":607},{"_275":602,"_277":603,"_279":587,"_280":604},45.5,28.684333333333335,13.684333333333333,{"_286":223,"_123":614,"_154":615,"_140":89},{"_286":125,"_123":611,"_154":612,"_140":613},{"_286":284,"_123":608,"_154":609,"_140":610},"era/19","The 19th century",731,"style/painting","More paintings",1127,"artist/contemporaries-of-j-francis-murphy","J. Francis Murphy's contemporaries","https://img.ochreeditions.com/a/1911/480.jpg","https://img.ochreeditions.com/a/1911/960.jpg","https://img.ochreeditions.com/a/1911/1920.jpg","si","smithsonian","Smithsonian Institution",{"_310":635,"_312":636},{"_310":633,"_312":634},{"_310":631,"_312":632},{"_310":629,"_312":630},{"_310":627,"_312":628},"#ccaa54",0.1016,"#856221",0.1501,"#2b1402",0.2165,"#573c09",0.2271,"#3d2605",0.3047,"J. Francis Murphy","j-francis-murphy","born Oswego, NY 1853-died New York City 1921",1853,1921,"operating-on-guan-yu-s-arm-cma-160300","Operating on Guan Yu's Arm",{"_42":707,"_220":708,"_324":709,"_326":710,"_328":-5,"_330":-5,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1840s","japan","japanese-painting","hanging scroll; ink, color, and gold on silk","Mounted: 206.7 x 73.1 cm (81 3/8 x 28 3/4 in.); Painting: 140.2 x 68.3 cm (55 3/16 x 26 7/8 in.)",73.1,206.7,0.4879411764705882,[692,693,694,695,696],{"_219":688,"_220":689,"_42":690,"_303":691},"Courtesy of the Cleveland Museum of Art","1998.178","Katsushika Ōi painted this in the 1840s. It is now at the Cleveland Museum of Art.",{"_118":685,"_686":687},"Operating on Guan Yu's Arm, by Katsushika Ōi, 1840s",{"_294":682,"_296":683,"_298":684},"https://img.ochreeditions.com/m/754.jpg?dl=1","/art/operating-on-guan-yu-s-arm-cma-160300","/galleries/style/painting-19/operating-on-guan-yu-s-arm-cma-160300",{"_290":291,"_292":293},{"_223":671,"_125":672,"_284":673},{"_275":667,"_277":668,"_279":669,"_280":670},100.86430544760726,190.97265733686842,85.86430544760726,175.97265733686842,{"_286":223,"_123":680,"_154":681,"_140":89},{"_286":125,"_123":677,"_154":678,"_140":679},{"_286":284,"_123":674,"_154":675,"_140":676},"era/19-japan","19th-century Japan",99,"style/japanese-painting","More Japanese painting",76,"artist/contemporaries-of-katsushika-oi","Katsushika Ōi's contemporaries","https://img.ochreeditions.com/a/754/480.jpg","https://img.ochreeditions.com/a/754/960.jpg","https://img.ochreeditions.com/a/754/1920.jpg","Ukiyo-e artists’ subject matter extended to popular literature. Katsushika Ōi used color to great effect in her gruesome version of an episode from a 14th-century Chinese novel, Romance of the Three Kingdoms.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":705,"_312":706},{"_310":703,"_312":704},{"_310":701,"_312":702},{"_310":699,"_312":700},{"_310":697,"_312":698},"#514944",0.1058,"#986956",0.1119,"#7a6f61",0.1663,"#ac977d",0.2631,"#c29d78",0.3529,"Katsushika Ōi","katsushika-oi","Japanese, c. 1800-after 1857","Japanese","the-pleiades-met-13070","The Pleiades",{"_42":761,"_220":762,"_324":763,"_326":458,"_328":764,"_330":765,"_332":304,"_334":766,"_336":-5,"_140":101},"1885","realism","24 1/8 x 37 5/8 in. (61.3 x 95.6 cm)",95.6,61.3,1.5268429487179487,[746,747,748,749,750],{"_219":300,"_220":301,"_42":302,"_303":304},"10.64.13","Elihu Vedder painted this in 1885, aged 49. It is now at The Met in New York.","The Pleiades, by Elihu Vedder, 1885",{"_294":743,"_296":744,"_298":745},"https://img.ochreeditions.com/m/860.jpg?dl=1","/art/the-pleiades-met-13070","/galleries/style/painting-19/the-pleiades-met-13070",{"_290":291,"_292":293},{"_223":735,"_125":736,"_284":737},{"_275":732,"_277":733,"_279":717,"_280":734},110.6,77.61285751771189,62.61285751771189,{"_286":223,"_123":741,"_154":742,"_140":89},{"_286":125,"_123":738,"_154":739,"_140":740},{"_286":284,"_123":429,"_154":430,"_140":431},"style/realism","More Realism",41,"artist/contemporaries-of-elihu-vedder","Elihu Vedder's contemporaries","https://img.ochreeditions.com/a/860/480.jpg","https://img.ochreeditions.com/a/860/960.jpg","https://img.ochreeditions.com/a/860/1920.jpg",{"_310":759,"_312":760},{"_310":757,"_312":758},{"_310":755,"_312":756},{"_310":753,"_312":754},{"_310":751,"_312":752},"#3c3023",0.1711,"#6e5c4e",0.1823,"#634b32",0.1927,"#ae977a",0.1975,"#8c7259",0.2564,"Elihu Vedder","elihu-vedder","American, 1836–1923",1836,1923,"Rome","robert-edward-lee-si-npg-npg-2019-23","Robert Edward Lee",{"_42":814,"_220":815,"_324":816,"_326":-5,"_328":817,"_330":513,"_332":-5,"_334":-5,"_336":-5,"_140":101},"1876","Stretcher: 138.4 × 103.5 cm (54 1/2 × 40 3/4\")",103.5,138.4,0.74,[799,800,801,802,803],{"_219":619,"_220":620,"_42":621,"_303":379},"Courtesy of the National Portrait Gallery, Smithsonian Institution","NPG.2019.23","John Adams Elder painted this in 1876, aged 43. It is now at the National Portrait Gallery in Washington, DC.","Artist: John Adams Elder, Sitter: Robert Edward Lee, Current owner: National Portrait Gallery, Smithsonian Institution",{"_294":796,"_296":797,"_298":798},"https://img.ochreeditions.com/m/1835.jpg?dl=1","/art/robert-edward-lee-si-npg-npg-2019-23","/galleries/style/painting-19/robert-edward-lee-si-npg-npg-2019-23",{"_290":291,"_292":293},{"_223":791,"_125":792,"_284":793},{"_275":788,"_277":789,"_279":790,"_280":773},117.416,153.4,102.416,{"_286":223,"_123":794,"_154":795,"_140":89},{"_286":125,"_123":611,"_154":612,"_140":613},{"_286":284,"_123":608,"_154":609,"_140":610},"artist/contemporaries-of-john-adams-elder","John Adams Elder's contemporaries","https://img.ochreeditions.com/a/1835/480.jpg","https://img.ochreeditions.com/a/1835/960.jpg","https://img.ochreeditions.com/a/1835/1920.jpg",{"_310":812,"_312":813},{"_310":810,"_312":811},{"_310":808,"_312":809},{"_310":806,"_312":807},{"_310":804,"_312":805},"#997056",0.0199,"#614931",0.1017,"#3a2519",0.2101,"#4b3421",0.2643,"#261f1b",0.404,"John Adams Elder","john-adams-elder","3 Feb 1833 - 24 Feb 1895",1833,"untitled-autumn-leaf-si-saam-1970-355-761","Untitled (Autumn Leaf)",{"_42":865,"_220":866,"_324":867,"_326":-5,"_328":868,"_330":869,"_332":-5,"_334":-5,"_336":870,"_140":99},"1872","watercolor on paper","sheet: 5 1/4 x 5 1/2 in. (13.2 x 14.1 cm)",14.1,13.2,1.0830324909747293,[850,851,852,853,854],{"_219":619,"_220":620,"_42":621,"_303":379},"1970.355.761","Mary Vaux Walcott painted this in 1872, aged 12. It is now at the Smithsonian American Art Museum in Washington, DC.","Untitled (Autumn Leaf), by Mary Vaux Walcott, 1872",{"_294":847,"_296":848,"_298":849},"https://img.ochreeditions.com/m/1943.jpg?dl=1","/art/untitled-autumn-leaf-si-saam-1970-355-761","/galleries/style/painting-19/untitled-autumn-leaf-si-saam-1970-355-761",{"_290":291,"_292":293},{"_223":842,"_125":843,"_284":844},{"_275":548,"_277":839,"_279":840,"_280":841},38.08333333333333,25,23.083333333333332,{"_286":223,"_123":845,"_154":846,"_140":99},{"_286":125,"_123":611,"_154":612,"_140":613},{"_286":284,"_123":608,"_154":609,"_140":610},"artist/mary-vaux-walcott","More by Mary Vaux Walcott","https://img.ochreeditions.com/a/1943/480.jpg","https://img.ochreeditions.com/a/1943/960.jpg","https://img.ochreeditions.com/a/1943/1920.jpg",{"_310":863,"_312":864},{"_310":861,"_312":862},{"_310":859,"_312":860},{"_310":857,"_312":858},{"_310":855,"_312":856},"#7b6252",0.0352,"#ae937a",0.0567,"#82382c",0.0577,"#562725",0.0638,"#ceb99a",0.7866,"Mary Vaux Walcott","mary-vaux-walcott","born Philadelphia, PA 1860-died St. Andrews, New Brunswick, Canada 1940",1860,1940,"Mary Vaux Walcott came from a Philadelphia Quaker family and spent summers in the Canadian Rockies, where she photographed glaciers and began painting wildflowers in watercolour.","study-for-a-sunday-on-la-grande-jatte-met-437658","Study for \"A Sunday on La Grande Jatte\"",{"_42":922,"_220":923,"_324":924,"_326":327,"_328":925,"_330":926,"_332":515,"_334":515,"_336":927,"_140":89},"1884","post-impressionism","27 3/4 x 41 in. (70.5 x 104.1 cm)",104.1,70.5,1.4707207207207207,[907,908,909,910,911],{"_219":300,"_220":301,"_42":302,"_303":304},"51.112.6","Georges Seurat painted this in 1884, aged 25. It is now at The Met in New York.","This is one of the most complete of Seurat’s preparatory studies for A Sunday on La Grande Jatte — 1884: most of the figures of the final painting are already in place, from the couple with a monkey on a leash to the dog in the foreground and the strollers and boaters along the river.","Study for \"A Sunday on La Grande Jatte\", by Georges Seurat, 1884",{"_294":904,"_296":905,"_298":906},"https://img.ochreeditions.com/m/1156.jpg?dl=1","/art/study-for-a-sunday-on-la-grande-jatte-met-437658","/galleries/style/painting-19/study-for-a-sunday-on-la-grande-jatte-met-437658",{"_290":291,"_292":293},{"_223":896,"_125":897,"_284":898},{"_275":893,"_277":894,"_279":877,"_280":895},119.1,85.78162327718223,70.78162327718223,{"_286":223,"_123":902,"_154":903,"_140":89},{"_286":125,"_123":899,"_154":900,"_140":901},{"_286":284,"_123":166,"_154":165,"_140":168},"style/post-impressionism","More Post-Impressionism",62,"artist/georges-seurat","More by Georges Seurat","https://img.ochreeditions.com/a/1156/480.jpg","https://img.ochreeditions.com/a/1156/960.jpg","https://img.ochreeditions.com/a/1156/1920.jpg",{"_310":920,"_312":921},{"_310":918,"_312":919},{"_310":916,"_312":917},{"_310":914,"_312":915},{"_310":912,"_312":913},"#8e8d86",0.1123,"#776357",0.161,"#585154",0.2086,"#837f59",0.2329,"#546051",0.2852,"Georges Seurat","georges-seurat","French, 1859–1891",1859,1891,"Seurat trained at the École des Beaux-Arts and studied the colour theories of Chevreul and others before developing pointillism, building pictures from small, separate touches of pure colour meant to combine in the eye.","abraham-kintzing-nga-1129","Abraham Kintzing",{"_42":978,"_220":979,"_324":980,"_326":458,"_328":981,"_330":460,"_332":982,"_334":983,"_336":984,"_140":91},"1815","american-colonial-and-federal","overall: 76.1 x 63.8 cm (29 15/16 x 25 1/8 in.) framed: 97.5 x 85.1 x 8.9 cm (38 3/8 x 33 1/2 x 3 1/2 in.)",63.8,76.1,0.83154296875,[963,964,965,966,967],{"_219":376,"_220":377,"_42":378,"_303":379},"1942.8.35","Thomas Sully painted this in 1815, aged 32. It is now at the National Gallery of Art in Washington, DC.","This painting is a portrait of a man from the waist up. He is facing us, with pale skin, thin lips, rosy cheeks, light green eyes, and gray hair styled into curls around his ears. He has a neutral expression. The man is wearing a dark coat with gold buttons on the front, with a pale-yellow shirt underneath and a white cravat around his neck. The background is a dark and indistinct brown color.",{"_294":960,"_296":961,"_298":962},"https://img.ochreeditions.com/m/1311.jpg?dl=1","/art/abraham-kintzing-nga-1129","/galleries/style/painting-19/abraham-kintzing-nga-1129",{"_290":291,"_292":293},{"_223":952,"_125":953,"_284":954},{"_275":949,"_277":950,"_279":951,"_280":935},78.280419921875,91.1,63.280419921874994,{"_286":223,"_123":958,"_154":959,"_140":91},{"_286":125,"_123":955,"_154":956,"_140":957},{"_286":284,"_123":429,"_154":430,"_140":431},"style/american-colonial-and-federal","More American colonial and Federal art",29,"artist/thomas-sully","More by Thomas Sully","https://img.ochreeditions.com/a/1311/480.jpg","https://img.ochreeditions.com/a/1311/960.jpg","https://img.ochreeditions.com/a/1311/1920.jpg",{"_310":976,"_312":977},{"_310":974,"_312":975},{"_310":972,"_312":973},{"_310":970,"_312":971},{"_310":968,"_312":969},"#6c3a09",0.0345,"#aa6412",0.0466,"#dbae4f",0.0519,"#2d1c01",0.1825,"#071000",0.6845,"Thomas Sully","thomas-sully","American, 1783–1872",1783,"Horncastle, Lincolnshire","Philadelphia, Pennsylvania","Sully was taken from England to America as a child by his actor parents and settled in Philadelphia in 1808. After brief study with Gilbert Stuart, he went to London, where he worked under Benjamin West and came under the influence of Thomas Lawrence.","stoke-by-nayland-aic-4758","Stoke-by-Nayland",{"_42":1034,"_220":1035,"_324":1036,"_326":579,"_328":1037,"_330":1038,"_332":-5,"_334":-5,"_336":1039,"_140":99},"1836","126 × 169 cm (49 5/8 × 66 1/2 in.); Framed: 170.2 × 212.1 × 16.6 cm (67 × 83 1/2 × 6 1/2 in.)",169,126,1.358449273096764,[1019,1020,1021,1022,1023],{"_219":557,"_220":558,"_42":559,"_303":560},"1922.4453","John Constable painted this in 1836, aged 60. It is now at the Art Institute of Chicago.",{"_118":1017,"_686":1018},"Large English country landscape painting, farmers with horses, green trees.",{"_294":1014,"_296":1015,"_298":1016},"https://img.ochreeditions.com/m/7.jpg?dl=1","/art/stoke-by-nayland-aic-4758","/galleries/style/painting-19/stoke-by-nayland-aic-4758",{"_290":291,"_292":293},{"_223":1009,"_125":1010,"_284":1011},{"_275":1006,"_277":1007,"_279":990,"_280":1008},184,139.40655926352127,124.40655926352129,{"_286":223,"_123":1012,"_154":1013,"_140":99},{"_286":125,"_123":549,"_154":550,"_140":551},{"_286":284,"_123":546,"_154":547,"_140":548},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/7/480.jpg","https://img.ochreeditions.com/a/7/960.jpg","https://img.ochreeditions.com/a/7/1920.jpg","John Constable produced this full-size oil sketch for an unrealized painting near the end of his life. Its subject—the countryside of Constable's youth in Suffolk, England—was one of the artist's favorites.","Text from the Art Institute of Chicago.",{"_310":1032,"_312":1033},{"_310":1030,"_312":1031},{"_310":1028,"_312":1029},{"_310":1026,"_312":1027},{"_310":1024,"_312":1025},"#a8b3b4",0.111,"#706346",0.1553,"#758186",0.1775,"#2f291e",0.245,"#4e4330",0.3112,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","stage-fort-across-gloucester-harbor-met-11396","Stage Fort across Gloucester Harbor",{"_42":1086,"_220":1087,"_324":1088,"_326":458,"_328":1089,"_330":1090,"_332":-5,"_334":-5,"_336":-5,"_140":101},"1862","38 x 60 in. (96.5 x 152.4 cm)",152.4,96.5,1.670758439281017,[1071,1072,1073,1074,1075],{"_219":300,"_220":301,"_42":302,"_303":304},"1978.203","Fitz Henry Lane painted this in 1862, aged 58. It is now at The Met in New York.","Stage Fort across Gloucester Harbor, by Fitz Henry Lane, 1862",{"_294":1068,"_296":1069,"_298":1070},"https://img.ochreeditions.com/m/845.jpg?dl=1","/art/stage-fort-across-gloucester-harbor-met-11396","/galleries/style/painting-19/stage-fort-across-gloucester-harbor-met-11396",{"_290":291,"_292":293},{"_223":1063,"_125":1064,"_284":1065},{"_275":1060,"_277":1061,"_279":1045,"_280":1062},167.4,106.21605877722384,91.21605877722384,{"_286":223,"_123":1066,"_154":1067,"_140":89},{"_286":125,"_123":738,"_154":739,"_140":740},{"_286":284,"_123":429,"_154":430,"_140":431},"artist/contemporaries-of-fitz-henry-lane","Fitz Henry Lane's contemporaries","https://img.ochreeditions.com/a/845/480.jpg","https://img.ochreeditions.com/a/845/960.jpg","https://img.ochreeditions.com/a/845/1920.jpg",{"_310":1084,"_312":1085},{"_310":1082,"_312":1083},{"_310":1080,"_312":1081},{"_310":1078,"_312":1079},{"_310":1076,"_312":1077},"#7b747b",0.116,"#27160c",0.1188,"#744b24",0.1583,"#b0997a",0.2418,"#d5ad6d",0.3651,"Fitz Henry Lane","fitz-henry-lane","1804–1865",1804,1865,"the-fountain-at-grottaferrata-aic-209942","The Fountain at Grottaferrata",{"_42":1145,"_220":1146,"_324":1147,"_326":1148,"_328":1149,"_330":1150,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1832","germany","romanticism","113 × 99.5 cm (44 3/8 × 39 in.); Framed: 135.9 × 122 cm (53 1/2 × 48 in.)",113,0.8772781390237201,[1130,1131,1132,1133,1134],{"_219":557,"_220":558,"_42":559,"_303":560},"2011.123","Adrian Ludwig (Ludwig) Richter painted this in 1832, aged 29. It is now at the Art Institute of Chicago.",{"_118":1129,"_686":1018},"A work made of oil on canvas.",{"_294":1126,"_296":1127,"_298":1128},"https://img.ochreeditions.com/m/353.jpg?dl=1","/art/the-fountain-at-grottaferrata-aic-209942","/galleries/style/painting-19/the-fountain-at-grottaferrata-aic-209942",{"_290":291,"_292":293},{"_223":1116,"_125":1117,"_284":1118},{"_275":1113,"_277":1114,"_279":1115,"_280":1098},114.13242970968037,128,99.13242970968037,{"_286":223,"_123":1124,"_154":1125,"_140":89},{"_286":125,"_123":1121,"_154":1122,"_140":1123},{"_286":284,"_123":1119,"_154":1120,"_140":77},"era/19-germany","19th-century Germany","style/romanticism","More Romanticism",32,"artist/contemporaries-of-adrian-ludwig-ludwig-richter","Adrian Ludwig (Ludwig) Richter's contemporaries","https://img.ochreeditions.com/a/353/480.jpg","https://img.ochreeditions.com/a/353/960.jpg","https://img.ochreeditions.com/a/353/1920.jpg","Full of golden light, this painting depicts an idealized view of the Italian countryside. Like many young artists of the time, Richter traveled to Rome from Germany to study Classical ruins and the Mediterranean landscape.",{"_310":1143,"_312":1144},{"_310":1141,"_312":1142},{"_310":1139,"_312":1140},{"_310":1137,"_312":1138},{"_310":1135,"_312":1136},"#a58763",0.0594,"#43678c",0.0988,"#7a7c76",0.1046,"#4c341b",0.2344,"#302111",0.5028,"Adrian Ludwig (Ludwig) Richter","adrian-ludwig-ludwig-richter","German, 1803–1884","German",1803,1884,"sunrise-met-11235","Sunrise",{"_42":1197,"_220":1198,"_324":1199,"_326":458,"_328":1200,"_330":1201,"_332":1202,"_334":1203,"_336":1204,"_140":95},"1887","30 x 45 1/4 in. (76.2 x 114.9 cm)",114.9,76.2,1.505380476556495,[1182,1183,1184,1185,1186],{"_219":300,"_220":301,"_42":302,"_303":304},"54.156","George Inness painted this in 1887, aged 62. It is now at The Met in New York.","Sunrise, by George Inness, 1887",{"_294":1179,"_296":1180,"_298":1181},"https://img.ochreeditions.com/m/837.jpg?dl=1","/art/sunrise-met-11235","/galleries/style/painting-19/sunrise-met-11235",{"_290":291,"_292":293},{"_223":1174,"_125":1175,"_284":1176},{"_275":1171,"_277":1172,"_279":1156,"_280":1173},129.9,91.32621904518764,76.32621904518764,{"_286":223,"_123":1177,"_154":1178,"_140":95},{"_286":125,"_123":738,"_154":739,"_140":740},{"_286":284,"_123":429,"_154":430,"_140":431},"artist/george-inness","More by George Inness","https://img.ochreeditions.com/a/837/480.jpg","https://img.ochreeditions.com/a/837/960.jpg","https://img.ochreeditions.com/a/837/1920.jpg",{"_310":1195,"_312":1196},{"_310":1193,"_312":1194},{"_310":1191,"_312":1192},{"_310":1189,"_312":1190},{"_310":1187,"_312":1188},"#8f6a25",0.0967,"#362e0c",0.1682,"#795b23",0.186,"#5d4719",0.1908,"#47390e",0.3583,"George Inness","george-inness","American, 1825–1894",1825,1894,"Newburgh, New York","Bridge of Allan, Scotland","Inness was largely self-taught and began in the manner of the Hudson River School, but journeys to Italy and France, where he admired the Barbizon painters, led him towards broader, more atmospheric landscapes.",{"_1206":-5,"_1207":1208,"_1209":1210,"_1211":8,"_1212":1213,"_1214":8},"user","csrf","9d44dc8b776fc387e03c0038c87bcd3d2fea45e7","cartCount",0,"dropLive","legal",[1215,1216,1217,1218,1219,1220,1221,1222,1223,1224,1225,1226],"uploadsEnabled",{"_220":1249,"_20":1250},{"_220":1247,"_20":1248},{"_220":1245,"_20":1246},{"_220":1243,"_20":1244},{"_220":1241,"_20":1242},{"_220":1239,"_20":1240},{"_220":1237,"_20":1238},{"_220":1235,"_20":1236},{"_220":1233,"_20":1234},{"_220":1231,"_20":1232},{"_220":1229,"_20":1230},{"_220":1227,"_20":1228},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]