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It is now at the National Gallery of Art in Washington, DC.","The image features two young children standing side by side. The child on the left extends one arm sideways and has the other arm lowered, while the child on the right has both arms relaxed by their sides, one holding a string. Both children have round faces with light complexions; the child on the left has dark brown hair styled in waves down to the shoulders, while the child on the right has light brown hair. The child on the left is dressed in a blue dress with a loosely gathered waist and short sleeves, white stockings, white shoes, and a red beaded necklace. The child on the right wears a green dress with similar design features, white stockings, and black shoes. Near their feet are a toy doll in a red cradle and a small toy house. In the background, there is a plain dark wall, a deep red drapery, a carpet with elaborate patterns, and a small wooden table with a box on top.",{"_292":435,"_294":436,"_296":437},"https://img.ochreeditions.com/m/1511.jpg?dl=1","/art/mary-and-francis-wilcox-nga-45956","/galleries/style/painting-19/mary-and-francis-wilcox-nga-45956",{"_288":289,"_290":291},{"_222":427,"_125":428,"_283":429},{"_274":424,"_276":425,"_278":426,"_280":409},117.22265625,137,102.22265625,{"_285":222,"_123":433,"_154":434,"_140":89},{"_285":125,"_123":430,"_154":431,"_140":432},{"_285":283,"_123":166,"_154":165,"_140":168},"style/antebellum-america","More Antebellum America",33,"artist/contemporaries-of-joseph-whiting-stock","Joseph Whiting Stock's contemporaries","https://img.ochreeditions.com/a/1511/480.jpg","https://img.ochreeditions.com/a/1511/960.jpg","https://img.ochreeditions.com/a/1511/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_308":455,"_310":456},{"_308":453,"_310":454},{"_308":451,"_310":452},{"_308":449,"_310":450},{"_308":447,"_310":448},"#8d5333",0.1312,"#d4c0a7",0.1409,"#687126",0.1563,"#4e5553",0.2795,"#3b221e",0.2921,"Joseph Whiting Stock","joseph-whiting-stock","American, 1815–1855",1815,1855,"the-place-du-havre-paris-aic-81551","The Place du Havre, Paris",{"_42":508,"_219":509,"_322":510,"_324":511,"_326":512,"_328":513,"_330":514,"_331":515,"_332":516,"_140":95},"1893","60.1 × 73.5 cm (23 5/8 × 28 13/16 in.); Framed: 83.2 × 97.8 × 12.1 cm (32 3/4 × 38 1/2 × 4 3/4 in.)",73,60,1.2263553899163209,[493,494,495,496,497],{"_218":378,"_219":379,"_42":380,"_301":381},"1922.434","Camille Pissarro painted this in 1893, aged 63. It is now at the Art Institute of Chicago.","Pissarro looks down from an upper window onto the Place du Havre beside the Gare Saint-Lazare in Paris, where pedestrians and carriages cross in every direction.",{"_292":490,"_294":491,"_296":492},"https://img.ochreeditions.com/m/220.jpg?dl=1","/art/the-place-du-havre-paris-aic-81551","/galleries/style/painting-19/the-place-du-havre-paris-aic-81551",{"_288":289,"_290":291},{"_222":485,"_125":486,"_283":487},{"_274":482,"_276":483,"_278":467,"_280":484},88,74.52597477064221,59.52597477064221,{"_285":222,"_123":488,"_154":489,"_140":95},{"_285":125,"_123":367,"_154":368,"_140":369},{"_285":283,"_123":364,"_154":365,"_140":366},"artist/camille-pissarro","More by Camille Pissarro","https://img.ochreeditions.com/a/220/480.jpg","https://img.ochreeditions.com/a/220/960.jpg","https://img.ochreeditions.com/a/220/1920.jpg",{"_308":506,"_310":507},{"_308":504,"_310":505},{"_308":502,"_310":503},{"_308":500,"_310":501},{"_308":498,"_310":499},"#5c6068",0.1442,"#8c8076",0.1514,"#b4a692",0.1881,"#aaadaa",0.2404,"#848a90",0.2759,"Camille Pissarro","camille-pissarro","French, 1830–1903","French",1830,1903,"Charlotte Amalie, Saint Thomas","Paris","Pissarro was born on the Caribbean island of Saint Thomas and moved to France in 1855. Encouraged by Corot, he became the elder statesman of Impressionism, the only painter to show at all eight of the group’s exhibitions, and a generous mentor to Cézanne and Gauguin.","betsey-colt-foot-si-npg-npg-2016-132","Betsey Colt Foot",{"_42":573,"_219":574,"_322":575,"_324":-5,"_326":576,"_328":577,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1815","Stretcher: 75.9 × 60.6 × 2.5 cm (29 7/8 × 23 7/8 × 1\")",60.6,75.9,0.80075,[558,559,560,561,562],{"_218":555,"_219":556,"_42":557,"_301":441},"Courtesy of the National Portrait Gallery, Smithsonian Institution","NPG.2016.132","Ezra Ames painted this in 1815, aged 47. It is now at the National Portrait Gallery in Washington, DC.","Artist: Ezra Ames, Sitter: Betsey Colt Foot, Current owner: National Portrait Gallery, Smithsonian Institution",{"_292":552,"_294":553,"_296":554},"https://img.ochreeditions.com/m/1834.jpg?dl=1","/art/betsey-colt-foot-si-npg-npg-2016-132","/galleries/style/painting-19/betsey-colt-foot-si-npg-npg-2016-132",{"_288":289,"_290":291},{"_222":541,"_125":542,"_283":543},{"_274":538,"_276":539,"_278":540,"_280":523},75.776925,90.9,60.776925,{"_285":222,"_123":550,"_154":551,"_140":89},{"_285":125,"_123":547,"_154":548,"_140":549},{"_285":283,"_123":544,"_154":545,"_140":546},"era/19","The 19th century",731,"style/painting","More paintings",1127,"artist/contemporaries-of-ezra-ames","Ezra Ames's contemporaries","https://img.ochreeditions.com/a/1834/480.jpg","https://img.ochreeditions.com/a/1834/960.jpg","https://img.ochreeditions.com/a/1834/1920.jpg","si","smithsonian","Smithsonian Institution",{"_308":571,"_310":572},{"_308":569,"_310":570},{"_308":567,"_310":568},{"_308":565,"_310":566},{"_308":563,"_310":564},"#6c3919",0.0401,"#836841",0.0797,"#caa576",0.0846,"#4a3926",0.276,"#221d1b",0.5196,"Ezra Ames","ezra-ames","5 May 1768 - 23 Feb 1836",1768,1836,"the-race-track-nga-66416","The Race Track",{"_42":630,"_219":631,"_322":632,"_324":511,"_326":633,"_328":634,"_330":-5,"_331":-5,"_332":635,"_140":99},"c. 1891","paris-salon-painting","gouache on canvas","overall: 80.5 x 114.9 cm (31 11/16 x 45 1/4 in.) framed: 97.8 x 134 x 6.9 cm (38 1/2 x 52 3/4 x 2 11/16 in.)",114.9,80.5,1.4371929824561402,[615,616,617,618,619],{"_218":438,"_219":439,"_42":440,"_301":441},"1985.64.18","Jean Louis Forain painted this in about 1891, aged 39. It is now at the National Gallery of Art in Washington, DC.","At the edge of a racecourse, a man in a top hat and long coat talks with a woman in pink and a man in riding boots and breeches, while riders gallop away across the green turf and spectators watch under parasols.","This painting depicts a wide, grassy green field with distant green hills under a blue sky with fluffy white clouds. To the right of center, two men and one woman seem to be engaged in conversation. One man wears a dark suit with a long jacket over it and a top hat, and the other man wears a red shirt with tan breeches, tall black boots, a shorter brown coat, and a round hat. The woman wears a long pink dress with a ruffled black neckline and a large pink hat. Behind them, on the left, are four people riding horses, all headed towards the back left. On the far left, more men and women in dresses and suits seem to watch as the horses and riders race by, one woman holding a large white parasol. All of the people appear to have light skin, and their facial features are indistinct. The brushstrokes in the painting are loose and visible, and the landscape and sky are painted with short, overlapping lines going in different directions, giving the scene a hazy impression.",{"_292":612,"_294":613,"_296":614},"https://img.ochreeditions.com/m/1607.jpg?dl=1","/art/the-race-track-nga-66416","/galleries/style/painting-19/the-race-track-nga-66416",{"_288":289,"_290":291},{"_222":604,"_125":605,"_283":606},{"_274":601,"_276":602,"_278":585,"_280":603},129.9,94.94750976562501,79.94750976562501,{"_285":222,"_123":610,"_154":611,"_140":99},{"_285":125,"_123":607,"_154":608,"_140":609},{"_285":283,"_123":364,"_154":365,"_140":366},"style/paris-salon-painting","More Paris Salon painting",79,"artist/jean-louis-forain","More by Jean Louis Forain","https://img.ochreeditions.com/a/1607/480.jpg","https://img.ochreeditions.com/a/1607/960.jpg","https://img.ochreeditions.com/a/1607/1920.jpg",{"_308":628,"_310":629},{"_308":626,"_310":627},{"_308":624,"_310":625},{"_308":622,"_310":623},{"_308":620,"_310":621},"#897d6c",0.0866,"#89936a",0.1179,"#91c1e8",0.1296,"#b8c2c2",0.2287,"#aeb281",0.4372,"Jean Louis Forain","jean-louis-forain","French, 1852–1931",1852,1931,"Forain was a friend and follower of Degas and showed in four of the Impressionist exhibitions. He became best known as a caricaturist, contributing incisive drawings to the Paris press that mocked the bourgeoisie, the courts and politics, often with sharp captions.","descent-of-cattle-from-the-pyrenees-aic-4800","Descent of Cattle from the Pyrenees",{"_42":682,"_219":683,"_322":684,"_324":511,"_326":685,"_328":686,"_330":-5,"_331":-5,"_332":-5,"_140":103},"c. 1880","99.2 × 66.1 cm (39 × 26 in.); Framed: 94.9 × 127.9 × 11.5 cm (37 3/8 × 50 3/8 × 4 1/2 in.)",66,99,1.4479043100039541,[667,668,669,670,671],{"_218":378,"_219":379,"_42":380,"_301":381},"1922.4473","Emile van Marcke de Lummen painted this in about 1880, aged about 48. It is now at the Art Institute of Chicago.",{"_292":664,"_294":665,"_296":666},"https://img.ochreeditions.com/m/10.jpg?dl=1","/art/descent-of-cattle-from-the-pyrenees-aic-4800","/galleries/style/painting-19/descent-of-cattle-from-the-pyrenees-aic-4800",{"_288":289,"_290":291},{"_222":659,"_125":660,"_283":661},{"_274":655,"_276":656,"_278":657,"_280":658},112.26565047109816,82.17684987817498,97.26565047109816,67.17684987817498,{"_285":222,"_123":662,"_154":663,"_140":89},{"_285":125,"_123":607,"_154":608,"_140":609},{"_285":283,"_123":364,"_154":365,"_140":366},"artist/contemporaries-of-emile-van-marcke-de-lummen","Emile van Marcke de Lummen's contemporaries","https://img.ochreeditions.com/a/10/480.jpg","https://img.ochreeditions.com/a/10/960.jpg","https://img.ochreeditions.com/a/10/1920.jpg",{"_308":680,"_310":681},{"_308":678,"_310":679},{"_308":676,"_310":677},{"_308":674,"_310":675},{"_308":672,"_310":673},"#232323",0.1143,"#4c4c4c",0.1388,"#6f6f6f",0.206,"#929292",0.2699,"#b8b8b8",0.271,"Emile van Marcke de Lummen","emile-van-marcke-de-lummen","French, 1827–1890",1827,1890,"the-old-oak-nga-35089","The Old Oak",{"_42":733,"_219":734,"_322":735,"_324":511,"_326":736,"_328":737,"_330":-5,"_331":-5,"_332":-5,"_140":101},"c. 1870","overall: 32.1 x 41.5 cm (12 5/8 x 16 5/16 in.) framed: 55.3 x 64.8 x 8.3 cm (21 3/4 x 25 1/2 x 3 1/4 in.)",41.5,32.1,1.2966128521684077,[718,719,720,721,722],{"_218":438,"_219":439,"_42":440,"_301":441},"1949.1.5","Jules Dupré painted this in about 1870, aged 59. It is now at the National Gallery of Art in Washington, DC.","The painting depicts a landscape with a field, trees, and a dramatic cloudy sky. Grass, rocks, and a group of large trees are visible in the center of the composition. Below the trees, there is a small shape that could be a person looking up. Farther back, there are some small triangular structures that might be houses. The brushstrokes are expressive and not much detail is visible in the smaller shapes. The grass and foliage are painted in earthy tones of brown, orange, and green, while the sky is blue with areas of thick gray and white clouds.",{"_292":715,"_294":716,"_296":717},"https://img.ochreeditions.com/m/1495.jpg?dl=1","/art/the-old-oak-nga-35089","/galleries/style/painting-19/the-old-oak-nga-35089",{"_288":289,"_290":291},{"_222":710,"_125":711,"_283":712},{"_274":707,"_276":708,"_278":692,"_280":709},56.5,47.0064697265625,32.0064697265625,{"_285":222,"_123":713,"_154":714,"_140":89},{"_285":125,"_123":607,"_154":608,"_140":609},{"_285":283,"_123":364,"_154":365,"_140":366},"artist/contemporaries-of-jules-dupre","Jules Dupré's contemporaries","https://img.ochreeditions.com/a/1495/480.jpg","https://img.ochreeditions.com/a/1495/960.jpg","https://img.ochreeditions.com/a/1495/1920.jpg",{"_308":731,"_310":732},{"_308":729,"_310":730},{"_308":727,"_310":728},{"_308":725,"_310":726},{"_308":723,"_310":724},"#aba487",0.1218,"#798070",0.1429,"#5f5d4b",0.2347,"#75582e",0.2379,"#433422",0.2627,"Jules Dupré","jules-dupre","French, 1811–1889",1811,1889,"landscape-scene-from-thanatopsis-met-10793","Landscape—Scene from \"Thanatopsis\"",{"_42":788,"_219":789,"_322":790,"_324":325,"_326":791,"_328":792,"_330":793,"_331":794,"_332":-5,"_140":101},"1850","romanticism","39 1/2 x 61 in. (100.3 x 154.9 cm)",154.9,100.3,1.5311370028123745,[773,774,775,776,777],{"_218":298,"_219":299,"_42":300,"_301":302},"11.156","Asher Brown Durand painted this in 1850, aged 54. It is now at The Met in New York.","Landscape—Scene from \"Thanatopsis\", by Asher Brown Durand, 1850",{"_292":770,"_294":771,"_296":772},"https://img.ochreeditions.com/m/819.jpg?dl=1","/art/landscape-scene-from-thanatopsis-met-10793","/galleries/style/painting-19/landscape-scene-from-thanatopsis-met-10793",{"_288":289,"_290":291},{"_222":762,"_125":763,"_283":764},{"_274":759,"_276":760,"_278":744,"_280":761},169.9,116.1666491734453,101.1666491734453,{"_285":222,"_123":768,"_154":769,"_140":89},{"_285":125,"_123":765,"_154":766,"_140":767},{"_285":283,"_123":166,"_154":165,"_140":168},"style/romanticism","More Romanticism",32,"artist/contemporaries-of-asher-brown-durand","Asher Brown Durand's contemporaries","https://img.ochreeditions.com/a/819/480.jpg","https://img.ochreeditions.com/a/819/960.jpg","https://img.ochreeditions.com/a/819/1920.jpg",{"_308":786,"_310":787},{"_308":784,"_310":785},{"_308":782,"_310":783},{"_308":780,"_310":781},{"_308":778,"_310":779},"#b8a585",0.1529,"#5e5025",0.1737,"#36311b",0.2001,"#917748",0.2094,"#bab5a6",0.2639,"Asher Brown Durand","asher-brown-durand","American, 1796–1886",1796,1886,"Jefferson, New Jersey","Maplewood, New Jersey","harmony-in-green-and-rose-the-music-room-si-fsg-f1917-234a-b","Harmony in Green and Rose: The Music Room",{"_42":849,"_219":850,"_322":851,"_324":325,"_326":186,"_328":513,"_330":852,"_331":853,"_332":854,"_140":228},"1860-1861","realism","H x W: 96.3 x 71.7 cm (37 15/16 x 28 1/4 in)",71.7,96.3,0.8108888888888889,[834,835,836,837,838],{"_218":555,"_219":556,"_42":557,"_301":441},"Courtesy of the National Museum of Asian Art, Smithsonian Institution","F1917.234a-b","James McNeill Whistler painted this in 1860-1861, aged about 26. It is now at the National Museum of Asian Art in Washington, DC.",{"_118":832,"_376":833},"Oil painting",{"_292":829,"_294":830,"_296":831},"https://img.ochreeditions.com/m/1814.jpg?dl=1","/art/harmony-in-green-and-rose-the-music-room-si-fsg-f1917-234a-b","/galleries/style/painting-19/harmony-in-green-and-rose-the-music-room-si-fsg-f1917-234a-b",{"_288":289,"_290":291},{"_222":821,"_125":822,"_283":823},{"_274":818,"_276":819,"_278":820,"_280":802},93.0886,111.3,78.0886,{"_285":222,"_123":827,"_154":828,"_140":228},{"_285":125,"_123":824,"_154":825,"_140":826},{"_285":283,"_123":166,"_154":165,"_140":168},"style/realism","More Realism",41,"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/1814/480.jpg","https://img.ochreeditions.com/a/1814/960.jpg","https://img.ochreeditions.com/a/1814/1920.jpg","Set in the London home of Whistler's brother-in-law Seymour Haden, this painting was originally titled The Morning Call. The woman reflected in the mirror at the left is Whistler's half sister Deborah Haden. The seated girl is his niece, Annie Haden.","Text from the National Museum of Asian Art.",{"_308":847,"_310":848},{"_308":845,"_310":846},{"_308":843,"_310":844},{"_308":841,"_310":842},{"_308":839,"_310":840},"#341616",0.0565,"#1d1c1d",0.0913,"#685b48",0.134,"#a1967a",0.1842,"#b99a60",0.534,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903","Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","musidora-met-12699","Musidora",{"_42":903,"_219":904,"_322":905,"_324":325,"_326":906,"_328":907,"_330":908,"_331":909,"_332":910,"_140":91},"1813–35","Oil on wood","28 1/8 x 22 1/2 in. (71.4 x 57.2 cm)",57.2,71.4,0.8032786885245902,[888,889,890,891,892],{"_218":298,"_219":299,"_42":300,"_301":302},"21.48","Thomas Sully painted this in 1813–35, aged about 30. It is now at The Met in New York.","Musidora, the heroine of a passage in James Thomson’s poem The Seasons, undresses to bathe in a secluded woodland stream, unaware that she is being watched, as the poem tells.","Musidora, by Thomas Sully, 1813–35",{"_292":885,"_294":886,"_296":887},"https://img.ochreeditions.com/m/856.jpg?dl=1","/art/musidora-met-12699","/galleries/style/painting-19/musidora-met-12699",{"_288":289,"_290":291},{"_222":880,"_125":881,"_283":882},{"_274":877,"_276":878,"_278":879,"_280":862},72.35409836065574,86.4,57.35409836065574,{"_285":222,"_123":883,"_154":884,"_140":91},{"_285":125,"_123":765,"_154":766,"_140":767},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/thomas-sully","More by Thomas Sully","https://img.ochreeditions.com/a/856/480.jpg","https://img.ochreeditions.com/a/856/960.jpg","https://img.ochreeditions.com/a/856/1920.jpg",{"_308":901,"_310":902},{"_308":899,"_310":900},{"_308":897,"_310":898},{"_308":895,"_310":896},{"_308":893,"_310":894},"#826237",0.1005,"#b59a6d",0.1094,"#2a1d10",0.1569,"#523f1d",0.1713,"#0c0d0a",0.4619,"Thomas Sully","thomas-sully","American, 1783–1872",1783,1872,"Horncastle, Lincolnshire","Philadelphia, Pennsylvania","Sully was taken from England to America as a child by his actor parents and settled in Philadelphia in 1808. After brief study with Gilbert Stuart, he went to London, where he worked under Benjamin West and came under the influence of Thomas Lawrence.","head-of-a-young-girl-nga-35083","Head of a Young Girl",{"_42":958,"_219":959,"_322":960,"_324":511,"_326":961,"_328":962,"_330":963,"_331":964,"_332":965,"_140":81},"c. 1890","overall: 42.6 x 33.3 cm (16 3/4 x 13 1/8 in.) framed: 67.6 x 58.7 x 6.9 cm (26 5/8 x 23 1/8 x 2 11/16 in.)",33.3,42.6,0.765625,[943,944,945,946,947],{"_218":438,"_219":439,"_42":440,"_301":441},"1948.18.1","Pierre-Auguste Renoir painted this in about 1890, aged 49. It is now at the National Gallery of Art in Washington, DC.","A young woman with glossy brown hair gathered into a bun is seen in profile, her cheeks rosy and her lips slightly parted, one arm resting on a table. Behind her, the background breaks into swirling forms of orange, red and blue-grey, perhaps a patterned hanging, treated as pure colour.","This painting shows a young woman's upper body from the torso up. She is seated and facing the right, with her face seen in profile and one arm bent in front of her, seeming to rest on a brown table or surface. She has pale skin, round, rosy cheeks, a small nose, and pink lips that are slightly parted. Her brown hair is styled into a smooth, glossy bun at the nape of her neck. She is wearing a white garment with thin straps over her shoulders. The background features a yellow section on the bottom half, and on the top half is a colorful, abstract pattern with large, soft, swirling forms in shades of orange and red on a blue-gray background with hints of green.",{"_292":940,"_294":941,"_296":942},"https://img.ochreeditions.com/m/1493.jpg?dl=1","/art/head-of-a-young-girl-nga-35083","/galleries/style/painting-19/head-of-a-young-girl-nga-35083",{"_288":289,"_290":291},{"_222":935,"_125":936,"_283":937},{"_274":932,"_276":933,"_278":934,"_280":917},47.615625,57.6,32.615625,{"_285":222,"_123":938,"_154":939,"_140":81},{"_285":125,"_123":367,"_154":368,"_140":369},{"_285":283,"_123":364,"_154":365,"_140":366},"artist/pierre-auguste-renoir","More by Pierre-Auguste Renoir","https://img.ochreeditions.com/a/1493/480.jpg","https://img.ochreeditions.com/a/1493/960.jpg","https://img.ochreeditions.com/a/1493/1920.jpg",{"_308":956,"_310":957},{"_308":954,"_310":955},{"_308":952,"_310":953},{"_308":950,"_310":951},{"_308":948,"_310":949},"#49352a",0.1406,"#c0a17f",0.1598,"#72553b",0.2159,"#9b663c",0.2277,"#957959",0.256,"Pierre-Auguste Renoir","pierre-auguste-renoir","French, 1841–1919",1841,1919,"Limoges","Cagnes-sur-Mer","Renoir began as a painter of porcelain in Paris, then studied in Gleyre’s studio, where he met Monet, Sisley and Bazille. In the 1870s he was a central figure of Impressionism, painting Parisians at leisure in dappled light.","forest-scene-nga-35088","Forest Scene",{"_42":1012,"_219":1013,"_322":1014,"_324":511,"_326":1015,"_328":1016,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1874","oil on wood","overall: 32 x 44 x 1.3 cm (12 5/8 x 17 5/16 x 1/2 in.) framed: 59.1 x 71.8 x 7 cm (23 1/4 x 28 1/4 x 2 3/4 in.)",44,1.389416553595658,[997,998,999,1000,1001],{"_218":438,"_219":439,"_42":440,"_301":441},"1949.1.4","Narcisse Diaz de la Peña painted this in 1874, aged 67. It is now at the National Gallery of Art in Washington, DC.","The painting depicts a forest floor under tall trees, with a grassy path leading into the distance. The sky is obscured by dense green foliage and tree limbs. Rocks and shrubs are visible on the ground, and the forest stretches into the distance. The trees are dark brown, with patches of white suggesting dappled light coming in through the branches above. The leaves and ground are mostly dark green, with some patches of brown, lighter green, and yellow.",{"_292":994,"_294":995,"_296":996},"https://img.ochreeditions.com/m/1494.jpg?dl=1","/art/forest-scene-nga-35088","/galleries/style/painting-19/forest-scene-nga-35088",{"_288":289,"_290":291},{"_222":989,"_125":990,"_283":991},{"_274":986,"_276":987,"_278":972,"_280":988},59,46.66796875,31.667968750000004,{"_285":222,"_123":992,"_154":993,"_140":89},{"_285":125,"_123":607,"_154":608,"_140":609},{"_285":283,"_123":364,"_154":365,"_140":366},"artist/contemporaries-of-narcisse-diaz-de-la-pena","Narcisse Diaz de la Peña's contemporaries","https://img.ochreeditions.com/a/1494/480.jpg","https://img.ochreeditions.com/a/1494/960.jpg","https://img.ochreeditions.com/a/1494/1920.jpg",{"_308":1010,"_310":1011},{"_308":1008,"_310":1009},{"_308":1006,"_310":1007},{"_308":1004,"_310":1005},{"_308":1002,"_310":1003},"#735a21",0.0462,"#523c0d",0.1498,"#261b06",0.1987,"#402f0b",0.2751,"#322508",0.3302,"Narcisse Diaz de la Peña","narcisse-diaz-de-la-pena","French, 1807–1876",1807,1876,"mere-gregoire-aic-4428","Mère Grégoire",{"_42":1065,"_219":1066,"_322":1067,"_324":511,"_326":1068,"_328":1069,"_330":1070,"_331":1071,"_332":1072,"_140":91},"1855, reworked 1857–59","129 × 97.5 cm (50 3/4 × 38 3/8 in.); Framed: 168 × 137.2 × 16.2 cm (66 1/8 × 54 × 6 3/8 in.)",97,129,0.7471264367816092,[1050,1051,1052,1053,1054],{"_218":378,"_219":379,"_42":380,"_301":381},"1930.78","Gustave Courbet painted this in 1855, reworked 1857–59, aged about 36. It is now at the Art Institute of Chicago.",{"_118":1049,"_376":377},"Dark portrait of older woman in black dress with lace collar, flowers.",{"_292":1046,"_294":1047,"_296":1048},"https://img.ochreeditions.com/m/5.jpg?dl=1","/art/mere-gregoire-aic-4428","/galleries/style/painting-19/mere-gregoire-aic-4428",{"_288":289,"_290":291},{"_222":1041,"_125":1042,"_283":1043},{"_274":1038,"_276":1039,"_278":1040,"_280":1023},111.37931034482759,144,96.37931034482759,{"_285":222,"_123":1044,"_154":1045,"_140":91},{"_285":125,"_123":607,"_154":608,"_140":609},{"_285":283,"_123":364,"_154":365,"_140":366},"artist/gustave-courbet","More by Gustave Courbet","https://img.ochreeditions.com/a/5/480.jpg","https://img.ochreeditions.com/a/5/960.jpg","https://img.ochreeditions.com/a/5/1920.jpg","Gustave Courbet played a crucial role in the development of modern French Realism. Critics and the public, however, did not easily accept his large, naturalistic, and unsentimental depictions of commonplace, often rural subjects. They called him the “apostle of ugliness.”",{"_308":1063,"_310":1064},{"_308":1061,"_310":1062},{"_308":1059,"_310":1060},{"_308":1057,"_310":1058},{"_308":1055,"_310":1056},"#927b62",0.0257,"#4d402a",0.0924,"#3e220a",0.167,"#1b1507",0.2334,"#342a16",0.4815,"Gustave Courbet","gustave-courbet","French, 1819–1877",1819,1877,"Ornans","La Tour-de-Peilz","Courbet left his native Ornans for Paris and became the standard-bearer of Realism, painting ordinary people and his own region on the scale reserved for history painting, as in A Burial at Ornans.","auvers-panoramic-view-aic-14556","Auvers, Panoramic View",{"_42":1125,"_219":1126,"_322":1127,"_324":511,"_326":1128,"_328":1129,"_330":1130,"_331":1130,"_332":1131,"_140":79},"1873–75","post-impressionism","65.2 × 81.3 cm (25 5/8 × 32 in.); Framed: 79.7 × 97.5 × 7.7 cm (31 3/8 × 38 3/8 × 3 in.)",81,65,1.2596577518188339,[1110,1111,1112,1113,1114],{"_218":378,"_219":379,"_42":380,"_301":381},"1933.422","Paul Cézanne painted this in 1873–75, aged about 34. It is now at the Art Institute of Chicago.",{"_118":1109,"_376":377},"View of a village surrounded by hills, fields, and trees, shown from a vantage point above the scene. Subtly rolling hills recede into a bluish gray-ish sky punctuated by white clouds. Thick brushstrokes built up atop each other are visible throughout.",{"_292":1106,"_294":1107,"_296":1108},"https://img.ochreeditions.com/m/29.jpg?dl=1","/art/auvers-panoramic-view-aic-14556","/galleries/style/painting-19/auvers-panoramic-view-aic-14556",{"_288":289,"_290":291},{"_222":1098,"_125":1099,"_283":1100},{"_274":1095,"_276":1096,"_278":1079,"_280":1097},96,79.30318067192711,64.30318067192711,{"_285":222,"_123":1104,"_154":1105,"_140":79},{"_285":125,"_123":1101,"_154":1102,"_140":1103},{"_285":283,"_123":364,"_154":365,"_140":366},"style/post-impressionism","More Post-Impressionism",62,"artist/paul-cezanne","More by Paul Cézanne","https://img.ochreeditions.com/a/29/480.jpg","https://img.ochreeditions.com/a/29/960.jpg","https://img.ochreeditions.com/a/29/1920.jpg","Paul Cezanne made this work while being mentored by Impressionist Camille Pissarro. He rendered the unusual perspective—looking down onto the rooftops of Auvers and out to the distant countryside—with blocky, energetic patches of color and areas of ragged brushwork that might seem unfinished.",{"_308":1123,"_310":1124},{"_308":1121,"_310":1122},{"_308":1119,"_310":1120},{"_308":1117,"_310":1118},{"_308":1115,"_310":1116},"#87904e",0.0542,"#8f9994",0.1994,"#8a846c",0.2007,"#5c6759",0.2675,"#67795b",0.2782,"Paul Cézanne","paul-cezanne","French, 1839–1906",1839,1906,"Aix-en-Provence","Cézanne divided his life between Paris and his native Aix-en-Provence. Encouraged by his schoolfriend Émile Zola and later by Pissarro, with whom he painted at Pontoise and Auvers in the 1870s, he showed at the first and third Impressionist exhibitions.","diving-cormorant-cma-103625","Diving Cormorant",{"_42":1188,"_219":1189,"_322":1190,"_324":325,"_326":1191,"_328":1192,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1900","american-gilded-age","oil on board","Unframed: 23 x 33.2 cm (9 1/16 x 13 1/16 in.)",33.2,23,1.5131286159323543,[1173,1174,1175,1176,1177],{"_218":1169,"_219":1170,"_42":1171,"_301":1172},"Courtesy of the Cleveland Museum of Art","1921.571","Otto H. Bacher painted this in 1900, aged 44. It is now at the Cleveland Museum of Art.","Diving Cormorant, by Otto H. Bacher, 1900",{"_292":1166,"_294":1167,"_296":1168},"https://img.ochreeditions.com/m/506.jpg?dl=1","/art/diving-cormorant-cma-103625","/galleries/style/painting-19/diving-cormorant-cma-103625",{"_288":289,"_290":291},{"_222":1158,"_125":1159,"_283":1160},{"_274":1155,"_276":1156,"_278":1139,"_280":1157},48.2,36.94129411764706,21.94129411764706,{"_285":222,"_123":1164,"_154":1165,"_140":89},{"_285":125,"_123":1161,"_154":1162,"_140":1163},{"_285":283,"_123":166,"_154":165,"_140":168},"style/american-gilded-age","More American Gilded Age",67,"artist/contemporaries-of-otto-h-bacher","Otto H. Bacher's contemporaries","https://img.ochreeditions.com/a/506/480.jpg","https://img.ochreeditions.com/a/506/960.jpg","https://img.ochreeditions.com/a/506/1920.jpg","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_308":1186,"_310":1187},{"_308":1184,"_310":1185},{"_308":1182,"_310":1183},{"_308":1180,"_310":1181},{"_308":1178,"_310":1179},"#96958a",0.0766,"#757670",0.0982,"#3f4242",0.1391,"#5e615b",0.2932,"#4f5451",0.3929,"Otto H. Bacher","otto-h-bacher","American, 1856–1909",1856,1909,{"_1194":-5,"_1195":1196,"_1197":1198,"_1199":8,"_1200":1201,"_1202":8},"user","csrf","fec8102730bbab893e61772f2df82de6b2bc1070","cartCount",0,"dropLive","legal",[1203,1204,1205,1206,1207,1208,1209,1210,1211,1212,1213,1214],"uploadsEnabled",{"_219":1237,"_20":1238},{"_219":1235,"_20":1236},{"_219":1233,"_20":1234},{"_219":1231,"_20":1232},{"_219":1229,"_20":1230},{"_219":1227,"_20":1228},{"_219":1225,"_20":1226},{"_219":1223,"_20":1224},{"_219":1221,"_20":1222},{"_219":1219,"_20":1220},{"_219":1217,"_20":1218},{"_219":1215,"_20":1216},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]