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It is now at The Met in New York.","\"King Lear,\" Act I, Scene I, by Edwin Austin Abbey, 1898",{"_297":445,"_299":446,"_301":447},"https://img.ochreeditions.com/m/801.jpg?dl=1","/art/king-lear-act-i-scene-i-met-10049","/galleries/style/painting-19/king-lear-act-i-scene-i-met-10049",{"_293":294,"_295":296},{"_227":434,"_125":435,"_287":436},{"_278":430,"_280":431,"_282":432,"_284":433},255,118.33417657475336,240,103.33417657475336,{"_289":227,"_123":443,"_154":444,"_140":89},{"_289":125,"_123":440,"_154":441,"_140":442},{"_289":287,"_123":437,"_154":438,"_140":439},"era/19-united-states","19th-century United States",198,"style/american-gilded-age","More American Gilded Age",67,"artist/contemporaries-of-edwin-austin-abbey","Edwin Austin Abbey's contemporaries","https://img.ochreeditions.com/a/801/480.jpg","https://img.ochreeditions.com/a/801/960.jpg","https://img.ochreeditions.com/a/801/1920.jpg",{"_313":461,"_315":462},{"_313":459,"_315":460},{"_313":457,"_315":458},{"_313":455,"_315":456},{"_313":453,"_315":454},"#5e2b2b",0.0742,"#79735d",0.0921,"#43302b",0.202,"#4e4739",0.2204,"#2b2b29",0.4113,"Edwin Austin Abbey","edwin-austin-abbey","American, 1852–1911","American",1852,1911,"Philadelphia, Pennsylvania","London","the-large-tree-cma-148297","The Large Tree",{"_42":519,"_224":520,"_327":521,"_329":330,"_331":522,"_333":523,"_335":338,"_337":524,"_339":525,"_140":85},"1891","oil on canvas","Framed: 92.4 x 112.7 x 6.4 cm (36 3/8 x 44 3/8 x 2 1/2 in.); Unframed: 74 x 92.8 cm (29 1/8 x 36 9/16 in.)",92.8,74,1.261595547309833,[505,506,507,508,509],{"_223":382,"_224":383,"_42":384,"_306":385},"1975.263","Paul Gauguin painted this in 1891, aged 43. It is now at the Cleveland Museum of Art.",{"_118":504,"_380":381},"The Large Tree, by Paul Gauguin, 1891",{"_297":501,"_299":502,"_301":503},"https://img.ochreeditions.com/m/685.jpg?dl=1","/art/the-large-tree-cma-148297","/galleries/style/painting-19/the-large-tree-cma-148297",{"_293":294,"_295":296},{"_227":496,"_125":497,"_287":498},{"_278":493,"_280":494,"_282":477,"_284":495},107.8,88.55764705882352,73.55764705882352,{"_289":227,"_123":499,"_154":500,"_140":85},{"_289":125,"_123":371,"_154":372,"_140":373},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/paul-gauguin","More by Paul Gauguin","https://img.ochreeditions.com/a/685/480.jpg","https://img.ochreeditions.com/a/685/960.jpg","https://img.ochreeditions.com/a/685/1920.jpg","Disgusted with the materialism of European society, Gauguin abandoned his family and career as a stockbroker and departed for Tahiti in 1891. This canvas is among the first paintings he completed on the island.",{"_313":517,"_315":518},{"_313":516,"_315":322},{"_313":514,"_315":515},{"_313":512,"_315":513},{"_313":510,"_315":511},"#907b60",0.1327,"#5f5b4f",0.1906,"#3e472d",0.2019,"#6c462f","#322e27",0.268,"Paul Gauguin","paul-gauguin","French, 1848–1903",1848,1903,"Atuona, Hiva Oa, Marquesas Islands","Gauguin worked as a Paris stockbroker and collected the Impressionists before taking up painting full time in the 1880s, showing in the last five Impressionist exhibitions.","cupid-and-psyche-cma-138464","Cupid and Psyche",{"_42":573,"_224":574,"_327":575,"_329":330,"_331":576,"_333":577,"_335":338,"_337":578,"_339":579,"_140":97},"1817","Framed: 221 x 282 x 10 cm (87 x 111 x 3 15/16 in.); Unframed: 184.2 x 241.6 cm (72 1/2 x 95 1/8 in.)",241.6,184.2,1.320901320901321,[558,559,560,561,562],{"_223":382,"_224":383,"_42":384,"_306":385},"1962.37","Jacques-Louis David painted this in 1817, aged 69. It is now at the Cleveland Museum of Art.",{"_118":557,"_380":381},"Cupid and Psyche, by Jacques-Louis David, 1817",{"_297":554,"_299":555,"_301":556},"https://img.ochreeditions.com/m/652.jpg?dl=1","/art/cupid-and-psyche-cma-138464","/galleries/style/painting-19/cupid-and-psyche-cma-138464",{"_293":294,"_295":296},{"_227":549,"_125":550,"_287":551},{"_278":430,"_280":547,"_282":432,"_284":548},196.69411764705882,181.69411764705882,{"_289":227,"_123":552,"_154":553,"_140":97},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/jacques-louis-david","More by Jacques-Louis David","https://img.ochreeditions.com/a/652/480.jpg","https://img.ochreeditions.com/a/652/960.jpg","https://img.ochreeditions.com/a/652/1920.jpg","David used the story of Cupid and Psyche to explore the conflict between idealized love and physical reality. Cupid, lover of the beautiful mortal Psyche, visited her nightly on the condition that she not know his identity.",{"_313":571,"_315":572},{"_313":569,"_315":570},{"_313":567,"_315":568},{"_313":565,"_315":566},{"_313":563,"_315":564},"#d3bea7",0.1003,"#99755a",0.1348,"#4b4e43",0.1387,"#47291f",0.265,"#1e1d18",0.3612,"Jacques-Louis David","jacques-louis-david","French, 1748–1825",1748,1825,"Brussels","David was the leading painter of French Neoclassicism. After winning the Prix de Rome he studied antiquity in Italy, and in the 1780s produced severe, moralising history paintings such as The Oath of the Horatii and The Death of Socrates.","view-of-florence-cma-136911","View of Florence",{"_42":632,"_224":633,"_327":634,"_329":466,"_331":635,"_333":522,"_335":636,"_337":637,"_339":638,"_140":99},"1837","hudson-river-school","Framed: 125.4 x 186.7 x 9.2 cm (49 3/8 x 73 1/2 x 3 5/8 in.); Unframed: 99.5 x 160.4 cm (39 3/16 x 63 1/8 in.)",160.4,99.5,1.6244624940277115,[617,618,619,620,621],{"_223":382,"_224":383,"_42":384,"_306":385},"1961.39","Thomas Cole painted this in 1837, aged 36. It is now at the Cleveland Museum of Art.",{"_118":616,"_380":381},"View of Florence, by Thomas Cole, 1837",{"_297":613,"_299":614,"_301":615},"https://img.ochreeditions.com/m/641.jpg?dl=1","/art/view-of-florence-cma-136911","/galleries/style/painting-19/view-of-florence-cma-136911",{"_293":294,"_295":296},{"_227":605,"_125":606,"_287":607},{"_278":602,"_280":603,"_282":586,"_284":604},175.4,113.74035294117647,98.74035294117647,{"_289":227,"_123":611,"_154":612,"_140":99},{"_289":125,"_123":608,"_154":609,"_140":610},{"_289":287,"_123":437,"_154":438,"_140":439},"style/hudson-river-school","More Hudson River School",27,"artist/thomas-cole","More by Thomas Cole","https://img.ochreeditions.com/a/641/480.jpg","https://img.ochreeditions.com/a/641/960.jpg","https://img.ochreeditions.com/a/641/1920.jpg","Cole visited Italy in 1831 and made a small pencil sketch of this vista of Florence shortly before sunset. In his New York studio six years later, he transformed the drawing into this large oil painting, adding picturesque humans and goats to the foreground.",{"_313":630,"_315":631},{"_313":628,"_315":629},{"_313":626,"_315":627},{"_313":624,"_315":625},{"_313":622,"_315":623},"#392816",0.1571,"#cbb19d",0.1807,"#765133",0.1855,"#4e3817",0.1863,"#a19e98",0.2904,"Thomas Cole","thomas-cole","American, born England,1801–1848",1801,"Lancashire","Catskill, New York","Cole emigrated from Lancashire to the United States as a teenager and, largely self-taught, made his name in 1825 with views of the Catskill Mountains that launched what became known as the Hudson River School.","study-for-the-horse-fair-aic-93781","Study for The Horse Fair",{"_42":695,"_224":696,"_327":697,"_329":330,"_331":698,"_333":699,"_335":700,"_337":701,"_339":702,"_140":99},"c. 1850","paris-salon-painting","43.2 × 87 cm (17 × 34 1/2 in.); Framed: 69.3 × 111.8 × 10.2 cm (27 1/4 × 44 × 4 in.)",87,43,2.0360687022900765,[680,681,682,683,684],{"_223":676,"_224":677,"_42":678,"_306":679},"Courtesy of the Art Institute of Chicago","1977.3","Rosa Bonheur painted this in about 1850, aged about 23. It is now at the Art Institute of Chicago.","A dozen horses circle in procession, some ridden and some led, sketched in greys and blacks in this oil study for Rosa Bonheur’s celebrated painting The Horse Fair.","A sketchy black-and-white oil painting of a dozen horses walking in a circle, some with riders. All of the figures are shadowy.",{"_297":673,"_299":674,"_301":675},"https://img.ochreeditions.com/m/252.jpg?dl=1","/art/study-for-the-horse-fair-aic-93781","/galleries/style/painting-19/study-for-the-horse-fair-aic-93781",{"_293":294,"_295":296},{"_227":665,"_125":666,"_287":667},{"_278":662,"_280":663,"_282":645,"_284":664},102,57.729402943106194,42.729402943106194,{"_289":227,"_123":671,"_154":672,"_140":99},{"_289":125,"_123":668,"_154":669,"_140":670},{"_289":287,"_123":166,"_154":165,"_140":168},"style/paris-salon-painting","More Paris Salon painting",79,"artist/rosa-bonheur","More by Rosa Bonheur","https://img.ochreeditions.com/a/252/480.jpg","https://img.ochreeditions.com/a/252/960.jpg","https://img.ochreeditions.com/a/252/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_313":693,"_315":694},{"_313":691,"_315":692},{"_313":689,"_315":690},{"_313":687,"_315":688},{"_313":685,"_315":686},"#86552e",0.0403,"#916636",0.1462,"#a2814b",0.2041,"#99743f",0.2203,"#ae925e",0.3891,"Rosa Bonheur","rosa-bonheur","French, 1822–1899",1822,1899,"Bordeaux","Thomery","Bonheur trained with her father, the painter Raymond Bonheur, and studied animals closely in fields, markets and slaughterhouses, obtaining police permission to wear trousers for the purpose.","landscape-with-haywain-cma-148215","Landscape with Haywain",{"_42":755,"_224":756,"_327":757,"_329":466,"_331":758,"_333":759,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1861","antebellum-america","Framed: 65.5 x 103 x 12.5 cm (25 13/16 x 40 9/16 x 4 15/16 in.); Unframed: 40.2 x 78 cm (15 13/16 x 30 11/16 in.)",78,40.2,1.9406392694063928,[740,741,742,743,744],{"_223":382,"_224":383,"_42":384,"_306":385},"1975.20","Worthington Whittredge painted this in 1861, aged 41. It is now at the Cleveland Museum of Art.",{"_118":739,"_380":381},"Landscape with Haywain, by Worthington Whittredge, 1861",{"_297":736,"_299":737,"_301":738},"https://img.ochreeditions.com/m/684.jpg?dl=1","/art/landscape-with-haywain-cma-148215","/galleries/style/painting-19/landscape-with-haywain-cma-148215",{"_293":294,"_295":296},{"_227":728,"_125":729,"_287":730},{"_278":725,"_280":726,"_282":709,"_284":727},93,55.19294117647059,40.19294117647059,{"_289":227,"_123":734,"_154":735,"_140":89},{"_289":125,"_123":731,"_154":732,"_140":733},{"_289":287,"_123":437,"_154":438,"_140":439},"style/antebellum-america","More Antebellum America",33,"artist/contemporaries-of-worthington-whittredge","Worthington Whittredge's contemporaries","https://img.ochreeditions.com/a/684/480.jpg","https://img.ochreeditions.com/a/684/960.jpg","https://img.ochreeditions.com/a/684/1920.jpg","Painted during the first year of the Civil War, this idyllic view of a farm near Dobb's Ferry, New York, proclaimed to Northern viewers the success of an agricultural system in which farmers worked their own land. The American flag hanging beside the homestead subtly alludes to the war.",{"_313":753,"_315":754},{"_313":751,"_315":752},{"_313":749,"_315":750},{"_313":747,"_315":748},{"_313":745,"_315":746},"#565047",0.1127,"#c8bead",0.1567,"#76532f",0.1643,"#41351d",0.2287,"#8a857f",0.3376,"Worthington Whittredge","worthington-whittredge","American, 1820–1910",1820,1910,"alfred-sisley-aic-14650","Alfred Sisley",{"_42":809,"_224":810,"_327":811,"_329":330,"_331":812,"_333":813,"_335":814,"_337":815,"_339":816,"_140":81},"1876","impressionism","66.2 × 54.8 cm (26 × 21 9/16 in.); Framed: 90.2 × 79.4 × 10.8 cm (35 1/2 × 31 1/4 × 4 1/4 in.)",54,66,0.8343702386998476,[794,795,796,797,798],{"_223":676,"_224":677,"_42":678,"_306":679},"1933.453","Pierre-Auguste Renoir painted this in 1876, aged 35. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_297":791,"_299":792,"_301":793},"https://img.ochreeditions.com/m/36.jpg?dl=1","/art/alfred-sisley-aic-14650","/galleries/style/painting-19/alfred-sisley-aic-14650",{"_293":294,"_295":296},{"_227":783,"_125":784,"_287":785},{"_278":781,"_280":200,"_282":782,"_284":767},70.06843575418995,55.06843575418994,{"_289":227,"_123":789,"_154":790,"_140":81},{"_289":125,"_123":786,"_154":787,"_140":788},{"_289":287,"_123":166,"_154":165,"_140":168},"style/impressionism","More Impressionism",53,"artist/pierre-auguste-renoir","More by Pierre-Auguste Renoir","https://img.ochreeditions.com/a/36/480.jpg","https://img.ochreeditions.com/a/36/960.jpg","https://img.ochreeditions.com/a/36/1920.jpg",{"_313":807,"_315":808},{"_313":805,"_315":806},{"_313":803,"_315":804},{"_313":801,"_315":802},{"_313":799,"_315":800},"#c0b3af",0.0563,"#816c44",0.0672,"#7f918a",0.1736,"#2f3c3e",0.2255,"#232533",0.4774,"Pierre-Auguste Renoir","pierre-auguste-renoir","French, 1841–1919",1841,1919,"Limoges","Cagnes-sur-Mer","Renoir began as a painter of porcelain in Paris, then studied in Gleyre’s studio, where he met Monet, Sisley and Bazille. In the 1870s he was a central figure of Impressionism, painting Parisians at leisure in dappled light.","robert-coleman-nga-33962","Robert Coleman",{"_42":873,"_224":874,"_327":875,"_329":466,"_331":876,"_333":877,"_335":-5,"_337":-5,"_339":-5,"_140":101},"c. 1820","american-colonial-and-federal","oil on canvas transferred to wood","overall: 91.7 x 71 cm (36 1/8 x 27 15/16 in.) framed: 126.7 x 106 x 10.8 cm (49 7/8 x 41 3/4 x 4 1/4 in.)",71,91.7,0.773681640625,[858,859,860,861,862],{"_223":854,"_224":855,"_42":856,"_306":857},"Courtesy National Gallery of Art, Washington","1947.9.2","Jacob Eichholtz painted this in about 1820, aged 44. It is now at the National Gallery of Art in Washington, DC.","The image shows a man sitting and facing the viewer. He has his right hand on a table. The man's hair is gray and neatly styled. He is wearing a dark coat with a high collar, a white shirt, and a yellow vest peeking through. On the table are a quill, inkwell, and papers. The background is a dark, neutral tone.",{"_297":851,"_299":852,"_301":853},"https://img.ochreeditions.com/m/1489.jpg?dl=1","/art/robert-coleman-nga-33962","/galleries/style/painting-19/robert-coleman-nga-33962",{"_293":294,"_295":296},{"_227":843,"_125":844,"_287":845},{"_278":840,"_280":841,"_282":842,"_284":825},85.9466064453125,106.7,70.9466064453125,{"_289":227,"_123":849,"_154":850,"_140":89},{"_289":125,"_123":846,"_154":847,"_140":848},{"_289":287,"_123":437,"_154":438,"_140":439},"style/american-colonial-and-federal","More American colonial and Federal art",29,"artist/contemporaries-of-jacob-eichholtz","Jacob Eichholtz's contemporaries","https://img.ochreeditions.com/a/1489/480.jpg","https://img.ochreeditions.com/a/1489/960.jpg","https://img.ochreeditions.com/a/1489/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_313":871,"_315":872},{"_313":869,"_315":870},{"_313":867,"_315":868},{"_313":865,"_315":866},{"_313":863,"_315":864},"#deb354",0.0373,"#b57b28",0.0424,"#352b12",0.17,"#6b5514",0.1834,"#10140b",0.5669,"Jacob Eichholtz","jacob-eichholtz","American, 1776–1842",1776,1842,"the-conversation-aic-21165","The Conversation",{"_42":923,"_224":924,"_327":925,"_329":330,"_331":926,"_333":927,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1875–79","55.5 × 38 cm (21 13/16 × 14 15/16 in.); Framed: 69.5 × 52.1 × 8.9 cm (27 3/8 × 20 1/2 × 3 1/2 in.)",38,55,0.6761757902852737,[908,909,910,911,912],{"_223":676,"_224":677,"_42":678,"_306":679},"1935.71","Marcellin Gilbert Desboutin painted this in 1875–79, aged about 52. It is now at the Art Institute of Chicago.",{"_297":905,"_299":906,"_301":907},"https://img.ochreeditions.com/m/81.jpg?dl=1","/art/the-conversation-aic-21165","/galleries/style/painting-19/the-conversation-aic-21165",{"_293":294,"_295":296},{"_227":900,"_125":901,"_287":902},{"_278":897,"_280":898,"_282":899,"_284":884},52.189668465690055,70,37.189668465690055,{"_289":227,"_123":903,"_154":904,"_140":89},{"_289":125,"_123":668,"_154":669,"_140":670},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-marcellin-gilbert-desboutin","Marcellin Gilbert Desboutin's contemporaries","https://img.ochreeditions.com/a/81/480.jpg","https://img.ochreeditions.com/a/81/960.jpg","https://img.ochreeditions.com/a/81/1920.jpg",{"_313":921,"_315":922},{"_313":919,"_315":920},{"_313":917,"_315":918},{"_313":915,"_315":916},{"_313":913,"_315":914},"#827d6c",0.1039,"#614427",0.1305,"#5d5746",0.1475,"#3f392b",0.214,"#22221b",0.4041,"Marcellin Gilbert Desboutin","marcellin-gilbert-desboutin","French, 1823–1902",1823,1902,"nishnabottana-bluffs-1070-miles-above-st-louis-si-saam-1985-66-385","Nishnabottana Bluffs, 1070 Miles above St. Louis",{"_42":987,"_224":988,"_327":989,"_329":-5,"_331":990,"_333":991,"_335":-5,"_337":-5,"_339":992,"_140":99},"1832","11 1/4 x 14 3/8 in. (28.5 x 36.6 cm)",36.6,28.5,1.3140454995054403,[972,973,974,975,976],{"_223":969,"_224":970,"_42":971,"_306":857},"Courtesy of the Smithsonian American Art Museum","1985.66.385","George Catlin painted this in 1832, aged 36. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":967,"_380":968},"Nishnabottana Bluffs, 1070 Miles above St. Louis, by George Catlin, 1832",{"_297":964,"_299":965,"_301":966},"https://img.ochreeditions.com/m/1979.jpg?dl=1","/art/nishnabottana-bluffs-1070-miles-above-st-louis-si-saam-1985-66-385","/galleries/style/painting-19/nishnabottana-bluffs-1070-miles-above-st-louis-si-saam-1985-66-385",{"_293":294,"_295":296},{"_227":953,"_125":954,"_287":955},{"_278":950,"_280":951,"_282":933,"_284":952},51.6,42.85291682348513,27.85291682348513,{"_289":227,"_123":962,"_154":963,"_140":99},{"_289":125,"_123":959,"_154":960,"_140":961},{"_289":287,"_123":956,"_154":957,"_140":958},"era/19","The 19th century",731,"style/painting","More paintings",1127,"artist/george-catlin","More by George Catlin","https://img.ochreeditions.com/a/1979/480.jpg","https://img.ochreeditions.com/a/1979/960.jpg","https://img.ochreeditions.com/a/1979/1920.jpg","George Catlin journeyed up the Missouri River in 1832. “I often landed my skiff,” he recalled, “and mounted the green carpeted bluffs whose soft grassy tops, invited me to recline, where I was at once lost in contemplation. Soul melting scenery that was about me!","Text from the Smithsonian American Art Museum.","si","smithsonian","Smithsonian Institution",{"_313":985,"_315":986},{"_313":983,"_315":984},{"_313":981,"_315":982},{"_313":979,"_315":980},{"_313":977,"_315":978},"#2f2c2d",0.0756,"#495341",0.1346,"#60694b",0.2226,"#929079",0.2357,"#edd8cf",0.3315,"George Catlin","george-catlin","born Wilkes-Barre, PA 1796-died Jersey City, NJ 1872",1796,1872,"Catlin gave up the law to paint, first as a portraitist in Philadelphia, and from 1830 made a series of journeys west from St Louis to record the peoples of the Plains.","in-the-sea-aic-110507","In the Sea",{"_42":1045,"_224":1046,"_327":1047,"_329":1048,"_331":1049,"_333":1050,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1883","switzerland","Oil on panel","86.5 × 115 cm (34 3/8 × 45 3/4 in.); Framed: 130.8 × 158.8 × 17.8 cm (51 1/2 × 62 1/2 × 7 in.)",115,86,1.3268645908761767,[1031,1032,1033,1034,1035],{"_223":676,"_224":677,"_42":678,"_306":679},"1990.443","Arnold Böcklin painted this in 1883, aged 56. It is now at the Art Institute of Chicago.",{"_118":1029,"_380":1030},"Painting of centaur with harp, in water, surrounded by mermaids and mermen.",{"_297":1026,"_299":1027,"_301":1028},"https://img.ochreeditions.com/m/273.jpg?dl=1","/art/in-the-sea-aic-110507","/galleries/style/painting-19/in-the-sea-aic-110507",{"_293":294,"_295":296},{"_227":1019,"_125":1020,"_287":1021},{"_278":1016,"_280":1017,"_282":1000,"_284":1018},130,101.67048679327658,86.67048679327658,{"_289":227,"_123":1024,"_154":1025,"_140":89},{"_289":125,"_123":959,"_154":960,"_140":961},{"_289":287,"_123":1022,"_154":1023,"_140":95},"era/19-switzerland","19th-century Switzerland","artist/contemporaries-of-arnold-bocklin","Arnold Böcklin's contemporaries","https://img.ochreeditions.com/a/273/480.jpg","https://img.ochreeditions.com/a/273/960.jpg","https://img.ochreeditions.com/a/273/1920.jpg","Böcklin’s art had little in common with Impressionism or the academic art of his time. Instead, his depictions of demigods in naturalistic settings interpret themes from Classical mythology.","Text from the Art Institute of Chicago.",{"_313":1043,"_315":1044},{"_313":1041,"_315":1042},{"_313":1040,"_315":690},{"_313":1038,"_315":1039},{"_313":1036,"_315":1037},"#163533",0.1292,"#312b25",0.1995,"#5a5751","#898a80",0.2139,"#adab97",0.2533,"Arnold Böcklin","arnold-bocklin","Swiss, 1827–1901","Swiss",1827,1901,"the-courtyard-aic-25810","The Courtyard",{"_42":1094,"_224":1095,"_327":1096,"_329":330,"_331":1097,"_333":1098,"_335":-5,"_337":-5,"_339":-5,"_140":101},"c. 1880","33.7 × 18.3 cm (13 1/4 × 7 in.)",18,0.5372741414383152,[1080,1081,1082,1083,1084],{"_223":676,"_224":677,"_42":678,"_306":679},"1937.1018","Stanislas Lépine painted this in about 1880, aged about 40. It is now at the Art Institute of Chicago.",{"_297":1077,"_299":1078,"_301":1079},"https://img.ochreeditions.com/m/108.jpg?dl=1","/art/the-courtyard-aic-25810","/galleries/style/painting-19/the-courtyard-aic-25810",{"_293":294,"_295":296},{"_227":1072,"_125":1073,"_287":1074},{"_278":1069,"_280":1070,"_282":1071,"_284":733},32.7300466674644,48,17.7300466674644,{"_289":227,"_123":1075,"_154":1076,"_140":89},{"_289":125,"_123":668,"_154":669,"_140":670},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-stanislas-lepine","Stanislas Lépine's contemporaries","https://img.ochreeditions.com/a/108/480.jpg","https://img.ochreeditions.com/a/108/960.jpg","https://img.ochreeditions.com/a/108/1920.jpg",{"_313":1092,"_315":1093},{"_313":1090,"_315":1091},{"_313":1088,"_315":1089},{"_313":1087,"_315":748},{"_313":1085,"_315":1086},"#afa898",0.1204,"#c7c1b0","#403c33",0.2197,"#675e51",0.2344,"#8b7e6b",0.2688,"Stanislas Lépine","stanislas-lepine","French, 1835–1892",1835,1892,"orchids-and-rocks-cma-86399","Orchids and Rocks",{"_42":1155,"_224":1156,"_327":1157,"_329":1158,"_331":758,"_333":1159,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1897–98","korea","korean-painting","Eight-panel folding screen; ink on silk","Overall: 185 x 52.6 cm (72 13/16 x 20 11/16 in.); Each panel: 111.9 x 1.5 cm (44 1/16 x 9/16 in.)",52.6,185,2.2397891963109355,[1140,1141,1142,1143,1144],{"_223":382,"_224":383,"_42":384,"_306":385},"2015.138","Yi Ha-eung painted this in 1897–98, aged about 77. It is now at the Cleveland Museum of Art.",{"_118":1139,"_380":381},"Orchids and Rocks, by Yi Ha-eung, 1897–98",{"_297":1136,"_299":1137,"_301":1138},"https://img.ochreeditions.com/m/455.jpg?dl=1","/art/orchids-and-rocks-cma-86399","/galleries/style/painting-19/orchids-and-rocks-cma-86399",{"_293":294,"_295":296},{"_227":1127,"_125":1128,"_287":1129},{"_278":1123,"_280":1124,"_282":1125,"_284":1126},162.632613840241,80.91361994396641,147.632613840241,65.91361994396641,{"_289":227,"_123":1134,"_154":1135,"_140":89},{"_289":125,"_123":1132,"_154":1133,"_140":233},{"_289":287,"_123":1130,"_154":1131,"_140":95},"era/19-korea","19th-century Korea","style/korean-painting","More Korean painting","artist/contemporaries-of-yi-ha-eung","Yi Ha-eung's contemporaries","https://img.ochreeditions.com/a/455/480.jpg","https://img.ochreeditions.com/a/455/960.jpg","https://img.ochreeditions.com/a/455/1920.jpg","Yi Ha-eung (1820−1898), the artist of this eight-panel folding screen, was one of the most influential men in late 19th-century Korea. Acting as the regent for his son, King Gojong (1852−1919), who ascended the throne at the age of thirteen, Yi ruled Korea from 1866 to 1873.",{"_313":1153,"_315":1154},{"_313":1151,"_315":1152},{"_313":1149,"_315":1150},{"_313":1147,"_315":1148},{"_313":1145,"_315":1146},"#af9776",0.1078,"#f1dfc5",0.1449,"#d3c2a3",0.1713,"#d6b182",0.2575,"#7d6a4a",0.3185,"Yi Ha-eung","yi-ha-eung","Korean, 1820–1898","Korean",1898,"woman-meditating-cma-126773","Woman Meditating",{"_42":1208,"_224":1209,"_327":1210,"_329":330,"_331":990,"_333":1211,"_335":338,"_337":338,"_339":1212,"_140":87},"after 1868","Unframed: 59.4 x 42.9 cm (23 3/8 x 16 7/8 in.)",42.9,59.4,0.7235294117647059,[1193,1194,1195,1196,1197],{"_223":382,"_224":383,"_42":384,"_306":385},"1949.189","Jean Baptiste Camille Corot painted this (after 1868), aged about 72. It is now at the Cleveland Museum of Art.",{"_118":1192,"_380":381},"Woman Meditating, by Jean Baptiste Camille Corot, after 1868",{"_297":1189,"_299":1190,"_301":1191},"https://img.ochreeditions.com/m/584.jpg?dl=1","/art/woman-meditating-cma-126773","/galleries/style/painting-19/woman-meditating-cma-126773",{"_293":294,"_295":296},{"_227":1184,"_125":1185,"_287":1186},{"_278":1181,"_280":1182,"_282":1183,"_284":1166},57.97764705882353,74.4,42.97764705882353,{"_289":227,"_123":1187,"_154":1188,"_140":87},{"_289":125,"_123":668,"_154":669,"_140":670},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/jean-baptiste-camille-corot","More by Jean Baptiste Camille Corot","https://img.ochreeditions.com/a/584/480.jpg","https://img.ochreeditions.com/a/584/960.jpg","https://img.ochreeditions.com/a/584/1920.jpg","This painting, acquired by the Cleveland Museum of Art in 1949, as a work by Corot, proved to be a copy when the signed original reappeared at a public auction in New York in 1981.",{"_313":1206,"_315":1207},{"_313":1204,"_315":1205},{"_313":1202,"_315":1203},{"_313":1200,"_315":1201},{"_313":1198,"_315":1199},"#916c33",0.0343,"#532e1b",0.0985,"#54472a",0.1681,"#392f1e",0.2683,"#28241a",0.4308,"Jean Baptiste Camille Corot","jean-baptiste-camille-corot","French, 1796–1875",1875,"Corot trained with the landscape painters Achille-Etna Michallon and Jean-Victor Bertin, then spent 1825–28 in Italy, where his small oil sketches of Rome and the Campagna caught its clear light with great economy. He returned to Italy twice and travelled widely in France.",{"_1214":-5,"_1215":1216,"_1217":1218,"_1219":8,"_1220":1221,"_1222":8},"user","csrf","53fc0be535fa820d2ed3adb47b40aecef4d29c55","cartCount",0,"dropLive","legal",[1223,1224,1225,1226,1227,1228,1229,1230,1231,1232,1233,1234],"uploadsEnabled",{"_224":1257,"_20":1258},{"_224":1255,"_20":1256},{"_224":1253,"_20":1254},{"_224":1251,"_20":1252},{"_224":1249,"_20":1250},{"_224":1247,"_20":1248},{"_224":1245,"_20":1246},{"_224":1243,"_20":1244},{"_224":1241,"_20":1242},{"_224":1239,"_20":1240},{"_224":1237,"_20":1238},{"_224":1235,"_20":1236},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]