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This painting, made at the beginning of his London period, was designed to appeal to Victorian audiences who enjoyed art that hinted at narrative.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","city","Cleveland",{"_315":325,"_317":326},{"_315":323,"_317":324},{"_315":321,"_317":322},{"_315":319,"_317":320},{"_315":316,"_317":318},"hex","#6d7d5f","weight",0.0691,"#aba998",0.1377,"#292a26",0.1756,"#5f5e55",0.2981,"#838074",0.3195,"James Tissot","james-tissot","bio","French, 1836–1902","nationality","French","birth_year",1836,"death_year",1902,"birth_place","death_place","about_excerpt","roses-in-a-vase-cma-120286","Roses in a Vase",{"_42":393,"_222":394,"_329":395,"_331":332,"_333":396,"_335":397,"_337":398,"_338":399,"_339":400,"_140":81},"c. 1890","impressionism","oil on fabric","Unframed: 25.5 x 34 cm (10 1/16 x 13 3/8 in.)",34,25.5,1.377075739165654,[378,379,380,381,382],{"_221":305,"_222":306,"_42":307,"_308":309},"1941.14","Pierre-Auguste Renoir painted this in about 1890, aged about 49. It is now at the Cleveland Museum of Art.",{"_118":377,"_303":304},"Roses in a Vase, by Pierre-Auguste Renoir, c. 1890",{"_296":374,"_298":375,"_300":376},"https://img.ochreeditions.com/m/546.jpg?dl=1","/art/roses-in-a-vase-cma-120286","/galleries/style/painting-19/roses-in-a-vase-cma-120286",{"_292":293,"_294":295},{"_225":366,"_125":367,"_286":368},{"_277":363,"_279":364,"_281":347,"_283":365},49,39.69,24.69,{"_288":225,"_123":372,"_154":373,"_140":81},{"_288":125,"_123":369,"_154":370,"_140":371},{"_288":286,"_123":167,"_154":166,"_140":169},"style/impressionism","More Impressionism",53,"artist/pierre-auguste-renoir","More by Pierre-Auguste Renoir","https://img.ochreeditions.com/a/546/480.jpg","https://img.ochreeditions.com/a/546/960.jpg","https://img.ochreeditions.com/a/546/1920.jpg","The palette Renoir used to depict the seven roses in this still life ranges from various shades of red to warm whites, light yellows, and pinks. 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From 1859 until after the Civil War, new gushers brought investors, cardsharps, saloons, and speculators into these rural settlements.","Text from the Smithsonian American Art Museum.","si","smithsonian","Smithsonian Institution","Washington, DC",{"_315":460,"_317":461},{"_315":458,"_317":459},{"_315":456,"_317":457},{"_315":454,"_317":455},{"_315":452,"_317":453},"#a87c44",0.0183,"#f29334",0.0326,"#ca4628",0.0509,"#603729",0.0938,"#2a2728",0.8044,"James Hamilton","james-hamilton","born near Belfast, Ireland 1819-died San Francisco, CA 1878",1819,1878,"peaceful-valley-nga-50295","Peaceful Valley",{"_42":525,"_222":526,"_329":527,"_331":528,"_333":334,"_335":529,"_337":-5,"_338":-5,"_339":-5,"_140":103},"c. 1872","united-states","american-gilded-age","overall: 17.7 x 31.1 cm (6 15/16 x 12 1/4 in.) framed: 36.8 x 49.5 x 4.8 cm (14 1/2 x 19 1/2 x 1 7/8 in.)",31.1,17.7,1.7333897587812104,[510,511,512,513,514],{"_221":507,"_222":508,"_42":509,"_308":446},"Courtesy National Gallery of Art, Washington","1965.10.1","Alexander Helwig Wyant painted this in about 1872, aged 36. It is now at the National Gallery of Art in Washington, DC.","The painting depicts a rural landscape at sunset or sunrise. The horizon is slightly above the center, showing distant pale-pink and purple mountains against the sky. Closest to us is an area with dark green bushes and vegetation, leading to a lighter green field surrounded by green-and-brown trees. The palette is warm and earthy, with greens and browns in the bottom transitioning to purples and pinks in the distance. The sky is a pale-yellow color that fades into light blue towards the top left corner, and faint yellow and gray clouds drift across it.",{"_296":504,"_298":505,"_300":506},"https://img.ochreeditions.com/m/1535.jpg?dl=1","/art/peaceful-valley-nga-50295","/galleries/style/painting-19/peaceful-valley-nga-50295",{"_292":293,"_294":295},{"_225":493,"_125":494,"_286":495},{"_277":490,"_279":491,"_281":474,"_283":492},46.1,32.9417236328125,17.9417236328125,{"_288":225,"_123":502,"_154":503,"_140":89},{"_288":125,"_123":499,"_154":500,"_140":501},{"_288":286,"_123":496,"_154":497,"_140":498},"era/19-united-states","19th-century United States",198,"style/american-gilded-age","More American Gilded Age",67,"artist/contemporaries-of-alexander-helwig-wyant","Alexander Helwig Wyant's contemporaries","https://img.ochreeditions.com/a/1535/480.jpg","https://img.ochreeditions.com/a/1535/960.jpg","https://img.ochreeditions.com/a/1535/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_315":523,"_317":524},{"_315":521,"_317":522},{"_315":519,"_317":520},{"_315":517,"_317":518},{"_315":515,"_317":516},"#4c3923",0.1376,"#815b28",0.1693,"#322a1e",0.1879,"#cba885",0.2339,"#e8bc81",0.2713,"Alexander Helwig Wyant","alexander-helwig-wyant","American, 1836–1892","American",1892,"george-washington-si-saam-1950-6-4","George Washington",{"_42":576,"_222":577,"_329":578,"_331":-5,"_333":579,"_335":580,"_337":-5,"_338":-5,"_339":-5,"_140":103},"1843-1844","9 7/8 x 7 7/8 in. (25.1 x 20.0 cm.)",20,25.1,0.786,[561,562,563,564,565],{"_221":443,"_222":444,"_42":445,"_308":446},"1950.6.4","Edward Dalton Marchant painted this in 1843-1844, aged about 37. It is now at the Smithsonian American Art Museum in Washington, DC.","George Washington, by Edward Dalton Marchant, 1843-1844",{"_296":558,"_298":559,"_300":560},"https://img.ochreeditions.com/m/1898.jpg?dl=1","/art/george-washington-si-saam-1950-6-4","/galleries/style/painting-19/george-washington-si-saam-1950-6-4",{"_292":293,"_294":295},{"_225":553,"_125":554,"_286":555},{"_277":550,"_279":551,"_281":552,"_283":536},34.7286,40.1,19.728600000000004,{"_288":225,"_123":556,"_154":557,"_140":89},{"_288":125,"_123":433,"_154":434,"_140":435},{"_288":286,"_123":430,"_154":431,"_140":432},"artist/contemporaries-of-edward-dalton-marchant","Edward Dalton Marchant's contemporaries","https://img.ochreeditions.com/a/1898/480.jpg","https://img.ochreeditions.com/a/1898/960.jpg","https://img.ochreeditions.com/a/1898/1920.jpg",{"_315":574,"_317":575},{"_315":572,"_317":573},{"_315":570,"_317":571},{"_315":568,"_317":569},{"_315":566,"_317":567},"#b36e31",0.0309,"#ae8544",0.0316,"#6c512a",0.0434,"#151514",0.3894,"#262117",0.5047,"Edward Dalton Marchant","edward-dalton-marchant","born Edgartown, MA 1806-died Asbury Park, NJ 1887",1806,1887,"une-martyre-saint-thechla-si-saam-1923-8-1","Une Martyre (Saint Thechla)",{"_42":629,"_222":630,"_329":631,"_331":-5,"_333":632,"_335":633,"_337":-5,"_338":-5,"_339":-5,"_140":103},"1891","29 1/2 x 21 1/2 in. (74.9 x 54.6 cm)",54.6,74.9,0.7206666666666667,[614,615,616,617,618],{"_221":443,"_222":444,"_42":445,"_308":446},"1923.8.1","Sarah Paxton Ball Dodson painted this in 1891, aged 44. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":613,"_303":442},"Une Martyre (Saint Thechla), by Sarah Paxton Ball Dodson, 1891",{"_296":610,"_298":611,"_300":612},"https://img.ochreeditions.com/m/1869.jpg?dl=1","/art/une-martyre-saint-thechla-si-saam-1923-8-1","/galleries/style/painting-19/une-martyre-saint-thechla-si-saam-1923-8-1",{"_292":293,"_294":295},{"_225":605,"_125":606,"_286":607},{"_277":602,"_279":603,"_281":604,"_283":587},68.97793333333334,89.9,53.97793333333334,{"_288":225,"_123":608,"_154":609,"_140":89},{"_288":125,"_123":433,"_154":434,"_140":435},{"_288":286,"_123":430,"_154":431,"_140":432},"artist/contemporaries-of-sarah-paxton-ball-dodson","Sarah Paxton Ball Dodson's contemporaries","https://img.ochreeditions.com/a/1869/480.jpg","https://img.ochreeditions.com/a/1869/960.jpg","https://img.ochreeditions.com/a/1869/1920.jpg","Many of Sarah Dodson’s paintings were inspired by religious or mythological subjects. This image shows Saint Thechla (or Thecla), who converted to Christianity and renounced marriage after hearing a sermon by the Apostle Paul.",{"_315":627,"_317":628},{"_315":625,"_317":626},{"_315":623,"_317":624},{"_315":621,"_317":622},{"_315":619,"_317":620},"#897662",0.1026,"#dcc7af",0.142,"#a6917b",0.2181,"#bba494",0.2632,"#beaf8a",0.2741,"Sarah Paxton Ball Dodson","sarah-paxton-ball-dodson","born Philadelphia, PA 1847-died Brighton, England 1906",1847,1906,"in-the-waves-dans-les-vagues-cma-149410","In the Waves (Dans les Vagues)",{"_42":686,"_222":687,"_329":688,"_331":332,"_333":689,"_335":690,"_337":691,"_338":692,"_339":693,"_140":85},"1889","post-impressionism","Framed: 123.8 x 106 x 7 cm (48 3/4 x 41 3/4 x 2 3/4 in.); Unframed: 92.5 x 72.4 cm (36 7/16 x 28 1/2 in.)",72.4,92.5,0.778235294117647,[671,672,673,674,675],{"_221":305,"_222":306,"_42":307,"_308":309},"1978.63","Paul Gauguin painted this in 1889, aged 41. It is now at the Cleveland Museum of Art.",{"_118":670,"_303":304},"In the Waves (Dans les Vagues), by Paul Gauguin, 1889",{"_296":667,"_298":668,"_300":669},"https://img.ochreeditions.com/m/710.jpg?dl=1","/art/in-the-waves-dans-les-vagues-cma-149410","/galleries/style/painting-19/in-the-waves-dans-les-vagues-cma-149410",{"_292":293,"_294":295},{"_225":659,"_125":660,"_286":661},{"_277":656,"_279":657,"_281":658,"_283":641},86.98676470588235,107.5,71.98676470588235,{"_288":225,"_123":665,"_154":666,"_140":85},{"_288":125,"_123":662,"_154":663,"_140":664},{"_288":286,"_123":167,"_154":166,"_140":169},"style/post-impressionism","More Post-Impressionism",62,"artist/paul-gauguin","More by Paul Gauguin","https://img.ochreeditions.com/a/710/480.jpg","https://img.ochreeditions.com/a/710/960.jpg","https://img.ochreeditions.com/a/710/1920.jpg","Painted at Pont-Aven in northwest France, this depiction of a nude figure throwing herself into the sea suggests a metaphor for a modern European woman forsaking civilization and abandoning herself to her natural, primitive instincts.",{"_315":684,"_317":685},{"_315":682,"_317":683},{"_315":680,"_317":681},{"_315":678,"_317":679},{"_315":676,"_317":677},"#753318",0.0366,"#726953",0.0947,"#597d62",0.0956,"#9e9572",0.2088,"#104b30",0.5643,"Paul Gauguin","paul-gauguin","French, 1848–1903",1848,1903,"Paris","Atuona, Hiva Oa, Marquesas Islands","Gauguin worked as a Paris stockbroker and collected the Impressionists before taking up painting full time in the 1880s, showing in the last five Impressionist exhibitions.","the-biglin-brothers-turning-the-stake-cma-151904","The Biglin Brothers Turning the Stake",{"_42":742,"_222":743,"_329":744,"_331":528,"_333":745,"_335":746,"_337":747,"_338":747,"_339":748,"_140":87},"1873","Framed: 117 x 167 x 6.5 cm (46 1/16 x 65 3/4 x 2 9/16 in.); Unframed: 101.3 x 151.4 cm (39 7/8 x 59 5/8 in.)",151.4,101.3,1.5131286159323543,[727,728,729,730,731],{"_221":305,"_222":306,"_42":307,"_308":309},"1927.1984","Thomas Eakins painted this in 1873, aged 29. It is now at the Cleveland Museum of Art.",{"_118":726,"_303":304},"The Biglin Brothers Turning the Stake, by Thomas Eakins, 1873",{"_296":723,"_298":724,"_300":725},"https://img.ochreeditions.com/m/721.jpg?dl=1","/art/the-biglin-brothers-turning-the-stake-cma-151904","/galleries/style/painting-19/the-biglin-brothers-turning-the-stake-cma-151904",{"_292":293,"_294":295},{"_225":718,"_125":719,"_286":720},{"_277":715,"_279":716,"_281":699,"_283":717},166.4,115.05758823529412,100.05758823529412,{"_288":225,"_123":721,"_154":722,"_140":87},{"_288":125,"_123":499,"_154":500,"_140":501},{"_288":286,"_123":496,"_154":497,"_140":498},"artist/thomas-eakins","More by Thomas Eakins","https://img.ochreeditions.com/a/721/480.jpg","https://img.ochreeditions.com/a/721/960.jpg","https://img.ochreeditions.com/a/721/1920.jpg","Eakins's painting celebrates athletic teamwork while commemorating an actual event, a famous rowing race that took place on the Schuylkill River in Philadelphia during May 1872.",{"_315":740,"_317":741},{"_315":738,"_317":739},{"_315":736,"_317":737},{"_315":734,"_317":735},{"_315":732,"_317":733},"#7c7362",0.0822,"#3a2f27",0.1458,"#969787",0.1659,"#c9bfa6",0.2593,"#53493c",0.3468,"Thomas Eakins","thomas-eakins","American, 1844–1916",1844,1916,"Philadelphia, Pennsylvania","Eakins studied in Paris under Jean-Léon Gérôme and was impressed in Spain by Velázquez and Ribera, then returned to Philadelphia, where he spent his life.","the-valley-of-wyoming-met-10586","The Valley of Wyoming",{"_42":805,"_222":806,"_329":807,"_331":528,"_333":808,"_335":809,"_337":810,"_338":811,"_339":-5,"_140":101},"1865","hudson-river-school","Oil on canvas","48 1/2 x 84 in. (123.2 x 213.4 cm)",213.4,123.2,1.7312414733969987,[790,791,792,793,794],{"_221":786,"_222":787,"_42":788,"_308":789},"Courtesy of The Metropolitan Museum of Art","66.113","Jasper Francis Cropsey painted this in 1865, aged 42. It is now at The Met in New York.","The Valley of Wyoming, by Jasper Francis Cropsey, 1865",{"_296":783,"_298":784,"_300":785},"https://img.ochreeditions.com/m/818.jpg?dl=1","/art/the-valley-of-wyoming-met-10586","/galleries/style/painting-19/the-valley-of-wyoming-met-10586",{"_292":293,"_294":295},{"_225":775,"_125":776,"_286":777},{"_277":772,"_279":773,"_281":756,"_283":774},228.4,138.26414499605988,123.26414499605988,{"_288":225,"_123":781,"_154":782,"_140":89},{"_288":125,"_123":778,"_154":779,"_140":780},{"_288":286,"_123":496,"_154":497,"_140":498},"style/hudson-river-school","More Hudson River School",27,"artist/contemporaries-of-jasper-francis-cropsey","Jasper Francis Cropsey's contemporaries","https://img.ochreeditions.com/a/818/480.jpg","https://img.ochreeditions.com/a/818/960.jpg","https://img.ochreeditions.com/a/818/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_315":803,"_317":804},{"_315":801,"_317":802},{"_315":799,"_317":800},{"_315":797,"_317":798},{"_315":795,"_317":796},"#504823",0.1254,"#a4a392",0.1508,"#878262",0.1807,"#837036",0.1862,"#cfc8b5",0.3569,"Jasper Francis Cropsey","jasper-francis-cropsey","American, 1823–1900",1823,1900,"Rossville, New York","Hastings-on-Hudson, New York","view-from-mount-holyoke-northampton-massachusetts-after-a-th-met-10497","View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow",{"_42":859,"_222":860,"_329":861,"_331":528,"_333":862,"_335":689,"_337":863,"_338":864,"_339":865,"_140":99},"1836","51 1/2 x 76 in. (130.8 x 193 cm)",193,130.8,1.4635931211123308,[844,845,846,847,848],{"_221":786,"_222":787,"_42":788,"_308":789},"08.228","Thomas Cole painted this in 1836, aged 35. It is now at The Met in New York.","From the summit of Mount Holyoke, the Connecticut River loops in a great oxbow through cultivated fields, while at the left a storm passes over wild, shattered trees. Thomas Cole divides the canvas between wilderness and settlement, darkness and light, inviting reflection on what America was making of its landscape.","View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, by Thomas Cole, 1836",{"_296":841,"_298":842,"_300":843},"https://img.ochreeditions.com/m/814.jpg?dl=1","/art/view-from-mount-holyoke-northampton-massachusetts-after-a-th-met-10497","/galleries/style/painting-19/view-from-mount-holyoke-northampton-massachusetts-after-a-th-met-10497",{"_292":293,"_294":295},{"_225":836,"_125":837,"_286":838},{"_277":833,"_279":834,"_281":817,"_283":835},208,146.86725,131.86725,{"_288":225,"_123":839,"_154":840,"_140":99},{"_288":125,"_123":778,"_154":779,"_140":780},{"_288":286,"_123":496,"_154":497,"_140":498},"artist/thomas-cole","More by Thomas Cole","https://img.ochreeditions.com/a/814/480.jpg","https://img.ochreeditions.com/a/814/960.jpg","https://img.ochreeditions.com/a/814/1920.jpg",{"_315":857,"_317":858},{"_315":855,"_317":856},{"_315":853,"_317":854},{"_315":851,"_317":852},{"_315":849,"_317":850},"#807264",0.1367,"#6d592b",0.1378,"#534b3b",0.1623,"#a8a194",0.2685,"#383016",0.2947,"Thomas Cole","thomas-cole","American, born England,1801–1848",1801,"Lancashire","Catskill, New York","Cole emigrated from Lancashire to the United States as a teenager and, largely self-taught, made his name in 1825 with views of the Catskill Mountains that launched what became known as the Hudson River School.","kalorama-cottage-si-saam-1973-153","Kalorama Cottage",{"_42":912,"_222":913,"_329":914,"_331":-5,"_333":396,"_335":915,"_337":-5,"_338":-5,"_339":-5,"_140":103},"ca. 1860","5 5/8 x 10 3/8 in. (14.3 x 26.4 cm)",26.4,14.3,1.8083182640144666,[897,898,899,900,901],{"_221":443,"_222":444,"_42":445,"_308":446},"1973.153","John Ferguson Weir painted this in about 1860, aged 19. It is now at the Smithsonian American Art Museum in Washington, DC.","Kalorama Cottage, by John Ferguson Weir, ca. 1860",{"_296":894,"_298":895,"_300":896},"https://img.ochreeditions.com/m/1949.jpg?dl=1","/art/kalorama-cottage-si-saam-1973-153","/galleries/style/painting-19/kalorama-cottage-si-saam-1973-153",{"_292":293,"_294":295},{"_225":889,"_125":890,"_286":891},{"_277":886,"_279":887,"_281":871,"_283":888},41.4,29.599199999999996,14.599199999999998,{"_288":225,"_123":892,"_154":893,"_140":89},{"_288":125,"_123":433,"_154":434,"_140":435},{"_288":286,"_123":430,"_154":431,"_140":432},"artist/contemporaries-of-john-ferguson-weir","John Ferguson Weir's contemporaries","https://img.ochreeditions.com/a/1949/480.jpg","https://img.ochreeditions.com/a/1949/960.jpg","https://img.ochreeditions.com/a/1949/1920.jpg",{"_315":910,"_317":911},{"_315":908,"_317":909},{"_315":906,"_317":907},{"_315":904,"_317":905},{"_315":902,"_317":903},"#2b201a",0.0616,"#684e2d",0.0998,"#564837",0.1324,"#513b22",0.3112,"#413020",0.395,"John Ferguson Weir","john-ferguson-weir","born West Point, NY 1841-died Providence, RI 1926",1926,"pink-note-shelling-peas-si-fsg-f1902-166a-c","Pink Note–Shelling Peas",{"_42":972,"_222":973,"_329":974,"_331":528,"_333":975,"_335":690,"_337":976,"_338":977,"_339":978,"_140":231},"1882-1884","realism","Watercolor on paper","H x W: 24.3 x 14.6 cm (9 9/16 x 5 3/4 in)",14.6,24.3,0.6109779482262704,[957,958,959,960,961],{"_221":443,"_222":444,"_42":445,"_308":446},"Courtesy of the National Museum of Asian Art, Smithsonian Institution","F1902.166a-c","James McNeill Whistler painted this in 1882-1884, aged about 48. It is now at the National Museum of Asian Art in Washington, DC.",{"_118":955,"_303":956},"Watercolor",{"_296":952,"_298":953,"_300":954},"https://img.ochreeditions.com/m/1766.jpg?dl=1","/art/pink-note-shelling-peas-si-fsg-f1902-166a-c","/galleries/style/painting-19/pink-note-shelling-peas-si-fsg-f1902-166a-c",{"_292":293,"_294":295},{"_225":944,"_125":945,"_286":946},{"_277":940,"_279":941,"_281":942,"_283":943},30.27444870565676,40,15.27444870565676,25,{"_288":225,"_123":950,"_154":951,"_140":231},{"_288":125,"_123":947,"_154":948,"_140":949},{"_288":286,"_123":496,"_154":497,"_140":498},"style/realism","More Realism",41,"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/1766/480.jpg","https://img.ochreeditions.com/a/1766/960.jpg","https://img.ochreeditions.com/a/1766/1920.jpg","An open door at the back of a kitchen frames a woman sitting in a garden; signed with the butterfly at left, on tablecloth.","Text from the National Museum of Asian Art.",{"_315":970,"_317":971},{"_315":968,"_317":969},{"_315":966,"_317":967},{"_315":964,"_317":965},{"_315":962,"_317":963},"#f2f0f1",0.1182,"#9c865e",0.1707,"#b3a58d",0.2043,"#72634a",0.2131,"#8c7f64",0.2937,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","radicofane-si-saam-1991-56-174","Radicofane",{"_42":1025,"_222":1026,"_329":1027,"_331":-5,"_333":1028,"_335":1029,"_337":-5,"_338":-5,"_339":-5,"_140":97},"1841","pencil and watercolor on paper","sheet: 7 1/4 x 9 in. (18.4 x 22.8 cm)",22.8,18.4,1.3089466725429704,[1010,1011,1012,1013,1014],{"_221":443,"_222":444,"_42":445,"_308":446},"1991.56.174","Miner Kilbourne Kellogg painted this in 1841, aged 27. It is now at the Smithsonian American Art Museum in Washington, DC.","Radicofane, by Miner Kilbourne Kellogg, 1841",{"_296":1007,"_298":1008,"_300":1009},"https://img.ochreeditions.com/m/1987.jpg?dl=1","/art/radicofane-si-saam-1991-56-174","/galleries/style/painting-19/radicofane-si-saam-1991-56-174",{"_292":293,"_294":295},{"_225":1002,"_125":1003,"_286":1004},{"_277":941,"_279":1000,"_281":943,"_283":1001},34.0993265993266,19.099326599326602,{"_288":225,"_123":1005,"_154":1006,"_140":97},{"_288":125,"_123":433,"_154":434,"_140":435},{"_288":286,"_123":430,"_154":431,"_140":432},"artist/miner-kilbourne-kellogg","More by Miner Kilbourne Kellogg","https://img.ochreeditions.com/a/1987/480.jpg","https://img.ochreeditions.com/a/1987/960.jpg","https://img.ochreeditions.com/a/1987/1920.jpg",{"_315":1023,"_317":1024},{"_315":1021,"_317":1022},{"_315":1019,"_317":1020},{"_315":1017,"_317":1018},{"_315":1015,"_317":1016},"#a58e70",0.0545,"#bfa97d",0.0743,"#cebc9a",0.1212,"#bfb199",0.1422,"#d3c5aa",0.6078,"Miner Kilbourne Kellogg","miner-kilbourne-kellogg","born Manlius Square, NY 1814-died Toledo, OH 1889",1814,1889,"portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","Portrait of Charlotte and Sarah Carteret-Hardy",{"_42":1085,"_222":1086,"_329":1087,"_331":1088,"_333":1089,"_335":1090,"_337":1091,"_338":977,"_339":1092,"_140":91},"1801","britain","georgian-britain","Framed: 161 x 135 x 11 cm (63 3/8 x 53 1/8 x 4 5/16 in.); Unframed: 129 x 103 cm (50 13/16 x 40 9/16 in.)",103,129,0.7955882352941176,[1070,1071,1072,1073,1074],{"_221":305,"_222":306,"_42":307,"_308":309},"1942.642","Thomas Lawrence painted this in 1801, aged 32. It is now at the Cleveland Museum of Art.",{"_118":1069,"_303":304},"Portrait of Charlotte and Sarah Carteret-Hardy, by Thomas Lawrence, 1801",{"_296":1066,"_298":1067,"_300":1068},"https://img.ochreeditions.com/m/554.jpg?dl=1","/art/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","/galleries/style/painting-19/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346",{"_292":293,"_294":295},{"_225":1056,"_125":1057,"_286":1058},{"_277":1053,"_279":1054,"_281":1055,"_283":1038},117.63088235294117,144,102.63088235294117,{"_288":225,"_123":1064,"_154":1065,"_140":91},{"_288":125,"_123":1061,"_154":1062,"_140":1063},{"_288":286,"_123":1059,"_154":1060,"_140":941},"era/19-britain","19th-century Britain","style/georgian-britain","More Georgian Britain",63,"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/554/480.jpg","https://img.ochreeditions.com/a/554/960.jpg","https://img.ochreeditions.com/a/554/1920.jpg","Charlotte (left) and Sarah were 19 and 21, respectively, when this portrait was painted on the occasion of Sarah’s marriage to the topographer Daniel Lysons. The sisters wear fashionable gowns and jewelry, but their affectionate posture conveys a sisterly tenderness that transcends glamour.",{"_315":1083,"_317":1084},{"_315":1081,"_317":1082},{"_315":1079,"_317":1080},{"_315":1077,"_317":1078},{"_315":1075,"_317":1076},"#bc9f72",0.1057,"#9c774d",0.1164,"#644528",0.1599,"#433324",0.2313,"#241b15",0.3867,"Thomas Lawrence","thomas-lawrence","English, 1769–1830","British",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","the-red-school-house-nga-66419","The Red School House",{"_42":1138,"_222":1139,"_329":1140,"_331":528,"_333":334,"_335":1141,"_337":1142,"_338":1143,"_339":1144,"_140":53},"overall: 55.5 x 39.5 cm (21 7/8 x 15 9/16 in.) framed: 65.4 x 49.9 x 4.4 cm (25 3/4 x 19 5/8 x 1 3/4 in.)",39.5,55.5,0.7001953125,[1124,1125,1126,1127,1128],{"_221":507,"_222":508,"_42":509,"_308":446},"1985.64.21","Winslow Homer painted this in 1873, aged 37. It is now at the National Gallery of Art in Washington, DC.","A young woman, perhaps the schoolteacher, stands holding her books in a striped white dress and ruffled hat, her head turned away, while behind her the red schoolhouse glows under a pale sunset sky and a few small figures gather at the door.","Shown from the knees up, a pale-skinned woman stands close to us with a red schoolhouse in the distance under a sunset sky in this vertical painting. The woman’s body faces us, but she turns her head to look off to the left with light brown eyes. She has a short, straight nose, full pink lips, and a round face. Her blond hair is pulled up under a round white hat layered with ruffles, which lies like a pancake over the top of her head. Her white dress is vertically striped with thin rust-red lines and has a long-sleeved, tight-fitting bodice and a long skirt. A dark gray belt is cinched around her narrow waist, and she wears a black, lacy ruffle around her neck. The woman’s arms hang by her sides, and she holds two paperback-sized books in her left hand, to our right. An earth-brown lawn stretches back to the schoolhouse, which has crimson-red walls, a chimney, and a dark gray roof. Three forms painted with a few streaks of dark or light gray or topaz blue suggest people standing near the door of the schoolhouse. Trees and a grassy lawn beyond the building are loosely painted with blended strokes. The sky is shaded pale lemon yellow and light peach with touches of rose pink. The artist signed and dated the lower right corner, “HOMER 1873.”",{"_296":1121,"_298":1122,"_300":1123},"https://img.ochreeditions.com/m/1610.jpg?dl=1","/art/the-red-school-house-nga-66419","/galleries/style/painting-19/the-red-school-house-nga-66419",{"_292":293,"_294":295},{"_225":1116,"_125":1117,"_286":1118},{"_277":1113,"_279":1114,"_281":1115,"_283":1098},53.86083984375,70.5,38.86083984375,{"_288":225,"_123":1119,"_154":1120,"_140":53},{"_288":125,"_123":499,"_154":500,"_140":501},{"_288":286,"_123":496,"_154":497,"_140":498},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/1610/480.jpg","https://img.ochreeditions.com/a/1610/960.jpg","https://img.ochreeditions.com/a/1610/1920.jpg",{"_315":1136,"_317":1137},{"_315":1134,"_317":1135},{"_315":1132,"_317":1133},{"_315":1131,"_317":852},{"_315":1129,"_317":1130},"#783613",0.0139,"#3c361f","#694019",0.1854,"#dfb685",0.3045,"#8a7760",0.3584,"Winslow Homer","winslow-homer","American, 1836–1910",1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","the-veteran-in-a-new-field-met-11145","The Veteran in a New Field",{"_42":1138,"_222":1139,"_329":1140,"_331":528,"_333":334,"_335":1141,"_337":1142,"_338":1143,"_339":1144,"_140":53},"24 1/8 x 38 1/8in. (61.3 x 96.8cm) Framed: 37 3/8 × 51 1/4 × 5 1/4 in. (94.9 × 130.2 × 13.3 cm)",96.8,61.3,1.5779874213836478,[1174,1175,1176,1177,1178],{"_221":786,"_222":787,"_42":788,"_308":789},"67.187.131","Winslow Homer painted this in 1865, aged 29. It is now at The Met in New York.","A Union veteran, his army jacket and canteen thrown down at the lower right, swings a scythe through a vast field of ripe wheat, his back to us. Winslow Homer painted the picture in 1865, the year the Civil War ended, and it captures the hope that soldiers could return to peaceful work.","The Veteran in a New Field, by Winslow Homer, 1865",{"_296":1171,"_298":1172,"_300":1173},"https://img.ochreeditions.com/m/834.jpg?dl=1","/art/the-veteran-in-a-new-field-met-11145","/galleries/style/painting-19/the-veteran-in-a-new-field-met-11145",{"_292":293,"_294":295},{"_225":1168,"_125":1169,"_286":1170},{"_277":1165,"_279":1166,"_281":1149,"_283":1167},111.8,76.34396173774411,61.34396173774412,{"_288":225,"_123":1119,"_154":1120,"_140":53},{"_288":125,"_123":947,"_154":948,"_140":949},{"_288":286,"_123":496,"_154":497,"_140":498},"https://img.ochreeditions.com/a/834/480.jpg","https://img.ochreeditions.com/a/834/960.jpg","https://img.ochreeditions.com/a/834/1920.jpg",{"_315":1187,"_317":1188},{"_315":1185,"_317":1186},{"_315":1183,"_317":1184},{"_315":1181,"_317":1182},{"_315":1179,"_317":1180},"#ab7012",0.1555,"#46341d",0.166,"#845618",0.1926,"#66411a",0.2328,"#92cbca",0.2531,{"_1190":-5,"_1191":1192,"_1193":1194,"_1195":8,"_1196":1197,"_1198":8},"user","csrf","2ce3ebf3720a2622afe11ea6c5ca84315938b537","cartCount",0,"dropLive","legal",[1199,1200,1201,1202,1203,1204,1205,1206,1207,1208,1209,1210],"uploadsEnabled",{"_222":1233,"_20":1234},{"_222":1231,"_20":1232},{"_222":1229,"_20":1230},{"_222":1227,"_20":1228},{"_222":1225,"_20":1226},{"_222":1223,"_20":1224},{"_222":1221,"_20":1222},{"_222":1219,"_20":1220},{"_222":1217,"_20":1218},{"_222":1215,"_20":1216},{"_222":1213,"_20":1214},{"_222":1211,"_20":1212},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]