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The loose sleeves fall to just below her elbows, and the dress is belted around the waist. A curving swipe of canary-yellow paint could be a buckle at the front. The fabric of the dress is painted with long, visible strokes of shell and rose pink, butter yellow, and ivory white, and a few touches of sage green and periwinkle blue for shadows. She wears a ring on the middle finger of her right hand. The space around her is loosely painted with strokes of electric and cobalt blue, with unpainted canvas visible at some of the edges. To our left, over the girl's shoulder, a wooden bird cage holds an emerald-green parakeet. The bird is streaked with royal blue along its back, and the area around its hooked beak is apple red. The cage has a mint-green bow and ribbon along the top. 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It is now at The Met in New York.","Talking It Over, by Enoch Wood Perry, 1872",{"_297":379,"_299":380,"_301":381},"https://img.ochreeditions.com/m/849.jpg?dl=1","/art/talking-it-over-met-11758","/galleries/style/painting-19/talking-it-over-met-11758",{"_293":294,"_295":296},{"_226":368,"_125":369,"_287":370},{"_278":365,"_280":366,"_282":349,"_284":367},89.3,71.30501180792442,56.30501180792442,{"_289":226,"_123":377,"_154":378,"_140":89},{"_289":125,"_123":374,"_154":375,"_140":376},{"_289":287,"_123":371,"_154":372,"_140":373},"era/19-united-states","19th-century United States",198,"style/realism","More Realism",41,"artist/contemporaries-of-enoch-wood-perry","Enoch Wood Perry's contemporaries","https://img.ochreeditions.com/a/849/480.jpg","https://img.ochreeditions.com/a/849/960.jpg","https://img.ochreeditions.com/a/849/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_313":399,"_315":400},{"_313":397,"_315":398},{"_313":395,"_315":396},{"_313":393,"_315":394},{"_313":391,"_315":392},"#a08662",0.0492,"#7e5425",0.1517,"#281713",0.221,"#5a381b",0.2855,"#402516",0.2926,"Enoch Wood Perry","enoch-wood-perry","1831–1915","American",1831,1915,"basket-of-fruit-nga-42506","Basket of Fruit","Unrecorded American maker","c. 1830","romanticism","watercolor on velveteen (theorem painting)","overall: 40.6 x 48.4 cm (16 x 19 1/16 in.) framed: 49.5 x 57.6 x 2.8 cm (19 1/2 x 22 11/16 x 1 1/8 in.)",48.4,40.6,1.188279663475486,[443,444,445,446,447],{"_222":303,"_223":304,"_42":305,"_306":307},"1953.5.103","An unrecorded American artist painted this in about 1830. It is now at the National Gallery of Art in Washington, DC.","Basket of Fruit, c. 1830",{"_297":440,"_299":441,"_301":442},"https://img.ochreeditions.com/m/1504.jpg?dl=1","/art/basket-of-fruit-nga-42506","/galleries/style/painting-19/basket-of-fruit-nga-42506",{"_293":294,"_295":296},{"_226":432,"_125":433,"_287":434},{"_278":429,"_280":430,"_282":414,"_284":431},63.4,55.73115234375,40.73115234375,{"_289":226,"_123":438,"_154":439,"_140":87},{"_289":125,"_123":435,"_154":436,"_140":437},{"_289":287,"_123":371,"_154":372,"_140":373},"style/romanticism","More Romanticism",32,"artist/unrecorded-united-states","More by unrecorded makers of the United States","https://img.ochreeditions.com/a/1504/480.jpg","https://img.ochreeditions.com/a/1504/960.jpg","https://img.ochreeditions.com/a/1504/1920.jpg",{"_313":456,"_315":457},{"_313":454,"_315":455},{"_313":452,"_315":453},{"_313":450,"_315":451},{"_313":448,"_315":449},"#dcac1b",0.0787,"#3b3f41",0.0992,"#d38452",0.1102,"#89805c",0.2072,"#eec187",0.5047,"the-bay-of-marseille-seen-from-l-estaque-aic-16487","The Bay of Marseille, Seen from L'Estaque",{"_42":514,"_223":515,"_327":516,"_329":330,"_331":517,"_333":518,"_335":519,"_337":519,"_339":520,"_140":79},"c. 1885","post-impressionism","80.2 × 100.6 cm (31 5/8 × 39 5/8 in.); Framed: 107.4 × 127.4 × 10.5 cm (42 1/4 × 50 1/8 × 4 1/8 in.)",100,80,1.247785888077859,[499,500,501,502,503],{"_222":495,"_223":496,"_42":497,"_306":498},"Courtesy of the Art Institute of Chicago","1933.1116","Paul Cézanne painted this in about 1885, aged about 41. It is now at the Art Institute of Chicago.","From the hills above the village of L’Estaque, the rooftops of tan houses tumble down to the deep blue expanse of the Bay of Marseille, with mountains rising beyond the water.","Impressionist sea landscape, tan houses, blue ocean, distant mountains.",{"_297":492,"_299":493,"_301":494},"https://img.ochreeditions.com/m/54.jpg?dl=1","/art/the-bay-of-marseille-seen-from-l-estaque-aic-16487","/galleries/style/painting-19/the-bay-of-marseille-seen-from-l-estaque-aic-16487",{"_293":294,"_295":296},{"_226":484,"_125":485,"_287":486},{"_278":481,"_280":482,"_282":464,"_284":483},115,95.14195460572498,80.14195460572498,{"_289":226,"_123":490,"_154":491,"_140":79},{"_289":125,"_123":487,"_154":488,"_140":489},{"_289":287,"_123":166,"_154":165,"_140":168},"style/post-impressionism","More Post-Impressionism",62,"artist/paul-cezanne","More by Paul Cézanne","https://img.ochreeditions.com/a/54/480.jpg","https://img.ochreeditions.com/a/54/960.jpg","https://img.ochreeditions.com/a/54/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_313":512,"_315":513},{"_313":510,"_315":511},{"_313":508,"_315":509},{"_313":506,"_315":507},{"_313":504,"_315":505},"#627b63",0.0803,"#a78766",0.1271,"#787366",0.1596,"#4f6e7f",0.315,"#899ea2",0.318,"Paul Cézanne","paul-cezanne","French, 1839–1906",1839,1906,"Aix-en-Provence","Cézanne divided his life between Paris and his native Aix-en-Provence. Encouraged by his schoolfriend Émile Zola and later by Pissarro, with whom he painted at Pontoise and Auvers in the 1870s, he showed at the first and third Impressionist exhibitions.","seventeenth-century-lady-met-10475","Seventeenth Century Lady",{"_42":571,"_223":572,"_327":573,"_329":404,"_331":574,"_333":575,"_335":576,"_337":385,"_339":577,"_140":93},"ca. 1895","american-gilded-age","36 1/2 x 23 3/4in. (92.7 x 60.3cm)",60.3,92.7,0.6552258064516129,[556,557,558,559,560],{"_222":382,"_223":383,"_42":384,"_306":385},"06.1220","William Merritt Chase painted this in about 1895, aged about 43. It is now at The Met in New York.","Seventeenth Century Lady, by William Merritt Chase, ca. 1895",{"_297":553,"_299":554,"_301":555},"https://img.ochreeditions.com/m/810.jpg?dl=1","/art/seventeenth-century-lady-met-10475","/galleries/style/painting-19/seventeenth-century-lady-met-10475",{"_293":294,"_295":296},{"_226":545,"_125":546,"_287":547},{"_278":542,"_280":543,"_282":544,"_284":528},75.73943225806451,107.7,60.73943225806452,{"_289":226,"_123":551,"_154":552,"_140":93},{"_289":125,"_123":548,"_154":549,"_140":550},{"_289":287,"_123":371,"_154":372,"_140":373},"style/american-gilded-age","More American Gilded Age",67,"artist/william-merritt-chase","More by William Merritt Chase","https://img.ochreeditions.com/a/810/480.jpg","https://img.ochreeditions.com/a/810/960.jpg","https://img.ochreeditions.com/a/810/1920.jpg",{"_313":569,"_315":570},{"_313":567,"_315":568},{"_313":565,"_315":566},{"_313":563,"_315":564},{"_313":561,"_315":562},"#6a603f",0.1027,"#433625",0.1376,"#8f8157",0.1522,"#312a20",0.1581,"#221f18",0.4494,"William Merritt Chase","william-merritt-chase","American, 1849–1916",1849,1916,"Williamsburg, Indiana","Chase studied at the Royal Academy in Munich, then returned to New York in 1878 to teach at the Art Students League, setting up a lavish Tenth Street studio that became a showcase.","hunting-in-the-pontine-marshes-nga-70970","Hunting in the Pontine Marshes",{"_42":627,"_223":628,"_327":629,"_329":330,"_331":630,"_333":631,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1833","paris-salon-painting","overall: 100 × 137 cm (39 3/8 × 53 15/16 in.) framed: 136.53 × 173.36 × 16.51 cm (53 3/4 × 68 1/4 × 6 1/2 in.)",137,1.3795890872347591,[612,613,614,615,616],{"_222":303,"_223":304,"_42":305,"_306":307},"1989.3.1","Horace Vernet painted this in 1833, aged 44. It is now at the National Gallery of Art in Washington, DC.","A leafless, ash-white tree trunk has fallen from a broken stump into the wide V of a neighboring tree at the edge of a body of water near a verdant forest in this horizontal landscape painting. The fallen trunk creates a diagonal from near the lower left corner to the upper right. As it fell, it sheared off a substantial branch from a neighboring tree with a dark trunk. The bark where the damaged branch has pulled away is honey-orange, the same color as the leaves at the canopy, which has been pinned under the fallen trunk. Trees, vines, and other vegetation fill the space around and beyond this pair. In the lower right corner of the painting, vines grow over a broken stump, which deep in shadow. Between the stump and fallen tree, the peanut-brown surface of the water is smooth. Tiny in scale beneath the fallen tree and easily overlooked, there are two men and a dog in a boat. One man stands at the back of the boat and pushes it along with a long pole. He wears a tall, brown, cloth hat, a white shirt rolled up to the elbows under a blue vest, and loose-fitting pants. A second man wears a flat-topped, white hat with a black brim, a long, forest-green jacket, and tight-fitting slate-blue pants. He braces a rifle against one shoulder and shoots into the forest. The dog is white with brown spots, and it stands with its front paws on the edge of the boat, presumably ready to spring after the target. A patch of blue sky with puffy white clouds is seen above the trees in the upper left corner. The artist signed and dated the work in the lower right corner: “H. Vernet Rome 1833.”",{"_297":609,"_299":610,"_301":611},"https://img.ochreeditions.com/m/1617.jpg?dl=1","/art/hunting-in-the-pontine-marshes-nga-70970","/galleries/style/painting-19/hunting-in-the-pontine-marshes-nga-70970",{"_293":294,"_295":296},{"_226":601,"_125":602,"_287":603},{"_278":598,"_280":599,"_282":584,"_284":600},152,114.304931640625,99.304931640625,{"_289":226,"_123":607,"_154":608,"_140":89},{"_289":125,"_123":604,"_154":605,"_140":606},{"_289":287,"_123":166,"_154":165,"_140":168},"style/paris-salon-painting","More Paris Salon painting",79,"artist/contemporaries-of-horace-vernet","Horace Vernet's contemporaries","https://img.ochreeditions.com/a/1617/480.jpg","https://img.ochreeditions.com/a/1617/960.jpg","https://img.ochreeditions.com/a/1617/1920.jpg",{"_313":625,"_315":626},{"_313":623,"_315":624},{"_313":621,"_315":622},{"_313":619,"_315":620},{"_313":617,"_315":618},"#bab79d",0.0649,"#6b492c",0.0676,"#696141",0.1498,"#443d2e",0.3108,"#282623",0.4069,"Horace Vernet","horace-vernet","French, 1789–1863",1789,1863,"isabella-wolff-aic-4773","Isabella Wolff",{"_42":690,"_223":691,"_327":692,"_329":693,"_331":694,"_333":695,"_335":696,"_337":697,"_339":698,"_140":91},"1803–15","britain","georgian-britain","128.2 × 102.4 cm (50 1/2 × 40 5/16 in.); Framed: 156.2 × 130.5 cm (61 1/2 × 51 3/8 in.)",102,128,0.789839944328462,[675,676,677,678,679],{"_222":495,"_223":496,"_42":497,"_306":498},"1922.4461","Thomas Lawrence painted this in 1803–15, aged about 34. It is now at the Art Institute of Chicago.",{"_118":672,"_673":674},"A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.",{"_297":669,"_299":670,"_301":671},"https://img.ochreeditions.com/m/8.jpg?dl=1","/art/isabella-wolff-aic-4773","/galleries/style/painting-19/isabella-wolff-aic-4773",{"_293":294,"_295":296},{"_226":658,"_125":659,"_287":660},{"_278":655,"_280":656,"_282":657,"_284":640},116.09951287404314,143,101.09951287404314,{"_289":226,"_123":667,"_154":668,"_140":91},{"_289":125,"_123":664,"_154":665,"_140":666},{"_289":287,"_123":661,"_154":662,"_140":663},"era/19-britain","19th-century Britain",40,"style/georgian-britain","More Georgian Britain",63,"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/8/480.jpg","https://img.ochreeditions.com/a/8/960.jpg","https://img.ochreeditions.com/a/8/1920.jpg","This portrait depicts Isabella Wolff, one of Sir Thomas Lawrence’s closest friends. Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.","source","Text from the Art Institute of Chicago.",{"_313":688,"_315":689},{"_313":686,"_315":687},{"_313":684,"_315":685},{"_313":682,"_315":683},{"_313":680,"_315":681},"#d0b89c",0.1026,"#8b6a53",0.1523,"#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,"Thomas Lawrence","thomas-lawrence","English, 1769–1830","British",1769,1830,"Bristol","London","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","spanish-lady-si-hmsg-66-1745","Spanish Lady",{"_42":750,"_223":751,"_327":752,"_329":753,"_331":754,"_333":755,"_335":-5,"_337":-5,"_339":756,"_140":97},"1889","Watercolor on paper","11 5/8 x 8 7/16 in. (29.5 x 21.4 cm)",21.4,29.5,0.7222074113569715,[735,736,737,738,739],{"_222":732,"_223":733,"_42":734,"_306":307},"Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution","66.1745","Louis M. Eilshemius painted this in 1889, aged 25. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.","Louis Eilshemius",{"_297":729,"_299":730,"_301":731},"https://img.ochreeditions.com/m/1824.jpg?dl=1","/art/spanish-lady-si-hmsg-66-1745","/galleries/style/painting-19/spanish-lady-si-hmsg-66-1745",{"_293":294,"_295":296},{"_226":724,"_125":725,"_287":726},{"_278":721,"_280":722,"_282":723,"_284":706},36.30511863503066,44.5,21.30511863503066,{"_289":226,"_123":727,"_154":728,"_140":97},{"_289":125,"_123":374,"_154":375,"_140":376},{"_289":287,"_123":371,"_154":372,"_140":373},"artist/louis-m-eilshemius","More by Louis M. Eilshemius","https://img.ochreeditions.com/a/1824/480.jpg","https://img.ochreeditions.com/a/1824/960.jpg","https://img.ochreeditions.com/a/1824/1920.jpg","si","smithsonian","Smithsonian Institution",{"_313":748,"_315":749},{"_313":746,"_315":747},{"_313":744,"_315":745},{"_313":742,"_315":743},{"_313":740,"_315":741},"#835a4d",0.074,"#ad8f7f",0.0931,"#d3bdad",0.1827,"#c48c67",0.2208,"#dbb18e",0.4294,"Louis M. Eilshemius","louis-m-eilshemius","New Jersey, 1864–1941","New Jersey",1864,1941,"Eilshemius studied in New York and at the Académie Julian in Paris and travelled widely, as far as Samoa, painting romantic landscapes and nudes that found few admirers.","amedee-david-the-comte-de-pastoret-aic-111317","Amédée-David, the Comte de Pastoret",{"_42":808,"_223":809,"_327":810,"_329":330,"_331":811,"_333":812,"_335":813,"_337":338,"_339":814,"_140":97},"1823–26","neoclassicism","103 × 83.5 cm (40 1/2 × 32 3/4 in.); Framed: 129.6 × 110.2 cm (51 × 43 3/8 in.)",83,103,0.8080808080808081,[793,794,795,796,797],{"_222":495,"_223":496,"_42":497,"_306":498},"1971.452","Jean Auguste Dominique Ingres painted this in 1823–26, aged about 43. It is now at the Art Institute of Chicago.",{"_118":792,"_673":674},"Portrait of white man dressed in all black with medallion and sword.",{"_297":789,"_299":790,"_301":791},"https://img.ochreeditions.com/m/278.jpg?dl=1","/art/amedee-david-the-comte-de-pastoret-aic-111317","/galleries/style/painting-19/amedee-david-the-comte-de-pastoret-aic-111317",{"_293":294,"_295":296},{"_226":781,"_125":782,"_287":783},{"_278":779,"_280":194,"_282":780,"_284":764},98.23232323232322,83.23232323232322,{"_289":226,"_123":787,"_154":788,"_140":97},{"_289":125,"_123":784,"_154":785,"_140":786},{"_289":287,"_123":166,"_154":165,"_140":168},"style/neoclassicism","More Neoclassicism",109,"artist/jean-auguste-dominique-ingres","More by Jean Auguste Dominique Ingres","https://img.ochreeditions.com/a/278/480.jpg","https://img.ochreeditions.com/a/278/960.jpg","https://img.ochreeditions.com/a/278/1920.jpg","This portrait by French painter Jean-Auguste-Dominique Ingres depicts the young count Amédée-David de Pastoret at 32 years old. One of several paintings he commissioned from Ingres, the portrait highlights the nobleman’s status and swagger.",{"_313":806,"_315":807},{"_313":804,"_315":805},{"_313":802,"_315":803},{"_313":800,"_315":801},{"_313":798,"_315":799},"#a98066",0.0349,"#533e26",0.0673,"#2e2418",0.1076,"#15100d",0.3074,"#1b2b19",0.4828,"Jean Auguste Dominique Ingres","jean-auguste-dominique-ingres","French, 1780–1867",1780,1867,"Montauban","Ingres trained under Jacques-Louis David and won the Prix de Rome, then spent nearly two decades in Italy, absorbing Raphael above all. He became the champion of line and classical tradition against Delacroix’s Romanticism, and later directed the French Academy in Rome.","the-towpath-nga-136018","The Towpath",{"_42":867,"_223":868,"_327":869,"_329":870,"_331":871,"_333":872,"_335":-5,"_337":-5,"_339":-5,"_140":101},"1864","netherlands","overall: 34.3 x 47 cm (13 1/2 x 18 1/2 in.) framed: 50.8 x 63.18 x 7.94 cm (20 x 24 7/8 x 3 1/8 in.)",47,34.3,1.3870640027091095,[852,853,854,855,856],{"_222":303,"_223":304,"_42":305,"_306":307},"2006.128.22","Johan Barthold Jongkind painted this in 1864, aged 45. It is now at the National Gallery of Art in Washington, DC.","This painting shows a landscape with a horizon in the lower third of the composition. On the left side of the painting, there are tall trees along a canal. In the center is a dirt path on the other edge of the canal, with a person riding a donkey who looks over their shoulder towards us. On the right side, there are white buildings in the distance, with a grassy field leading towards them. The light blue sky is filled with fluffy clouds, and the water of the canal reflects the sky and trees. The brushstrokes of the painting are thick and visible, especially in the sky.",{"_297":849,"_299":850,"_301":851},"https://img.ochreeditions.com/m/1664.jpg?dl=1","/art/the-towpath-nga-136018","/galleries/style/painting-19/the-towpath-nga-136018",{"_293":294,"_295":296},{"_226":838,"_125":839,"_287":840},{"_278":489,"_280":836,"_282":821,"_284":837},48.884521484375,33.884521484375,{"_289":226,"_123":847,"_154":848,"_140":89},{"_289":125,"_123":844,"_154":845,"_140":846},{"_289":287,"_123":841,"_154":842,"_140":843},"era/19-netherlands","19th-century Netherlands",21,"style/painting","More paintings",1127,"artist/contemporaries-of-johan-barthold-jongkind","Johan Barthold Jongkind's contemporaries","https://img.ochreeditions.com/a/1664/480.jpg","https://img.ochreeditions.com/a/1664/960.jpg","https://img.ochreeditions.com/a/1664/1920.jpg",{"_313":865,"_315":866},{"_313":863,"_315":864},{"_313":861,"_315":862},{"_313":859,"_315":860},{"_313":857,"_315":858},"#465643",0.1046,"#78949f",0.1165,"#bbb79e",0.1797,"#7c7f65",0.2038,"#a3ada4",0.3954,"Johan Barthold Jongkind","johan-barthold-jongkind","Dutch, 1819–1891","Dutch",1819,1891,"a-sunday-on-la-grande-jatte-1884-aic-27992","A Sunday on La Grande Jatte — 1884",{"_42":922,"_223":923,"_327":924,"_329":330,"_331":925,"_333":872,"_335":338,"_337":338,"_339":926,"_140":89},"1884–86, border added 1888–89","207.5 × 308.1 cm (81 3/4 × 121 1/4 in.)",308,207,1.4927048260381595,[907,908,909,910,911],{"_222":495,"_223":496,"_42":497,"_306":498},"1926.224","Georges Seurat painted this in 1884–86, border added 1888–89, aged about 25. It is now at the Art Institute of Chicago.",{"_118":906,"_673":674},"Large painting of people in a crowded park, brushstrokes are dots.",{"_297":903,"_299":904,"_301":905},"https://img.ochreeditions.com/m/118.jpg?dl=1","/art/a-sunday-on-la-grande-jatte-1884-aic-27992","/galleries/style/painting-19/a-sunday-on-la-grande-jatte-1884-aic-27992",{"_293":294,"_295":296},{"_226":898,"_125":899,"_287":900},{"_278":894,"_280":895,"_282":896,"_284":897},255,175.78195488721803,240,160.78195488721803,{"_289":226,"_123":901,"_154":902,"_140":89},{"_289":125,"_123":487,"_154":488,"_140":489},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/georges-seurat","More by Georges Seurat","https://img.ochreeditions.com/a/118/480.jpg","https://img.ochreeditions.com/a/118/960.jpg","https://img.ochreeditions.com/a/118/1920.jpg","For his largest and best-known painting, Georges Seurat depicted Parisians enjoying all sorts of leisurely activities—strolling, lounging, sailing, and fishing—in the park called La Grande Jatte on the River Seine.",{"_313":920,"_315":921},{"_313":918,"_315":919},{"_313":916,"_315":917},{"_313":914,"_315":915},{"_313":912,"_315":913},"#939595",0.1265,"#928e66",0.1657,"#80766b",0.177,"#526054",0.2544,"#5f5960",0.2764,"Georges Seurat","georges-seurat","French, 1859–1891",1859,"Seurat trained at the École des Beaux-Arts and studied the colour theories of Chevreul and others before developing pointillism, building pictures from small, separate touches of pure colour meant to combine in the eye.","rio-de-janeiro-bay-nga-50281","Rio de Janeiro Bay",{"_42":977,"_223":978,"_327":979,"_329":404,"_331":871,"_333":980,"_335":-5,"_337":-5,"_339":981,"_140":97},"antebellum-america","overall: 45.5 x 91.1 cm (17 15/16 x 35 7/8 in.) framed: 70.2 x 115.9 x 12.1 cm (27 5/8 x 45 5/8 x 4 3/4 in.)",91.1,45.5,2.025717111770524,[962,963,964,965,966],{"_222":303,"_223":304,"_42":305,"_306":307},"1965.2.1","Martin Johnson Heade painted this in 1864, aged 45. It is now at the National Gallery of Art in Washington, DC.","Waves of bottle-green water break over boulders on a sandy shore, while sailboats dot the bay and hills curve around it beneath a sky glowing from butter yellow to mint green.","Across a short stretch of sand in front of us, waves of bottle-green water break over two boulders on the shoreline, with sailboats in the water beyond, in this wide, horizontal painting. One boulder is at the left edge of the painting; the other is a short distance away, about a quarter of the way across. The water cascades down between those large rocks. Across the rest of the beach, the waves flare up to break toward us in white, foamy surf. The land curves back into view on both sides of the canvas with muted, sage-green hills and, to our left, dark green trees on more craggy boulders. A more distant finger of land to our left stretches nearly halfway across the horizon, which comes about halfway up the composition. Minuscule in scale there, smoke pours out of a chimney, which is surrounded by pale yellow buildings. A mound emerges from the horizon to our right of center. About ten sailboats float on the water. The closest one to us is near the center of the painting, and the tiny forms of people aboard can just barely be made out. The other boats become smaller as they move back to the horizon, and some are only a touch of white or gray on the canvas. White and pale lavender-purple clouds sweep up from the horizon into the sky, which glows butter yellow along the left edge. The sky cools to mint green in the upper right corner. Several white or brown birds fly across the sky or low over the water. The artist signed and dated the lower left, “M. J. Heade 1864.”",{"_297":959,"_299":960,"_301":961},"https://img.ochreeditions.com/m/1531.jpg?dl=1","/art/rio-de-janeiro-bay-nga-50281","/galleries/style/painting-19/rio-de-janeiro-bay-nga-50281",{"_293":294,"_295":296},{"_226":951,"_125":952,"_287":953},{"_278":948,"_280":949,"_282":932,"_284":950},106.1,59.971728515624996,44.971728515624996,{"_289":226,"_123":957,"_154":958,"_140":97},{"_289":125,"_123":954,"_154":955,"_140":956},{"_289":287,"_123":371,"_154":372,"_140":373},"style/antebellum-america","More Antebellum America",33,"artist/martin-johnson-heade","More by Martin Johnson Heade","https://img.ochreeditions.com/a/1531/480.jpg","https://img.ochreeditions.com/a/1531/960.jpg","https://img.ochreeditions.com/a/1531/1920.jpg",{"_313":975,"_315":976},{"_313":973,"_315":974},{"_313":971,"_315":972},{"_313":969,"_315":970},{"_313":967,"_315":968},"#2c2316",0.0912,"#705f31",0.121,"#b9b09c",0.1613,"#95956a",0.2717,"#d5b776",0.3548,"Martin Johnson Heade","martin-johnson-heade","1819–1904",1904,"Heade travelled restlessly and worked in many genres, but is best known for three subjects: the salt marshes of New England and New Jersey, with haystacks under changing skies; hummingbirds and orchids, which he studied on journeys to Brazil and Central America; and, in later…","woman-at-her-toilette-aic-11723","Woman at Her Toilette",{"_42":325,"_223":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":340,"_140":97},"1875–80","60.3 × 80.4 cm (23 3/4 × 31 5/8 in.); Framed: 85.8 × 105.5 × 10.5 cm (33 3/4 × 41 1/2 × 4 1/8 in.)",60,1.3356737780178234,[1012,1013,1014,1015,1016],{"_222":495,"_223":496,"_42":497,"_306":498},"1924.127","Berthe Morisot painted this in 1875–80, aged about 29. It is now at the Art Institute of Chicago.",{"_118":1011,"_673":674},"Painted portrait dominated by loose, large brushstrokes of a woman, seen from the back, wearing a gauzy white off-the-shoulder dress and black choker, blond hair swept up, examining herself in a mirror at left. The background is a feathered swirl suggesting floral pattern in cool pale tones of gray, purple, pink, and blue.",{"_297":1008,"_299":1009,"_301":1010},"https://img.ochreeditions.com/m/23.jpg?dl=1","/art/woman-at-her-toilette-aic-11723","/galleries/style/painting-19/woman-at-her-toilette-aic-11723",{"_293":294,"_295":296},{"_226":1005,"_125":1006,"_287":1007},{"_278":1002,"_280":1003,"_282":465,"_284":1004},95,74.89486453699959,59.8948645369996,{"_289":226,"_123":170,"_154":169,"_140":97},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/23/480.jpg","https://img.ochreeditions.com/a/23/960.jpg","https://img.ochreeditions.com/a/23/1920.jpg","Rendered with feathery brushstrokes in shades of lavender, pink, blue, white, and gray, this Impressionist painting captures a subject often explored by male artists of the day but seldom broached by the period's few women artists. Morisot presents a decidely female perspective, intimate yet not eroticized.",{"_313":1025,"_315":1026},{"_313":1023,"_315":1024},{"_313":1021,"_315":1022},{"_313":1019,"_315":1020},{"_313":1017,"_315":1018},"#816c51",0.0911,"#4f4b3b",0.1019,"#746f67",0.179,"#b2aba3",0.2897,"#918e8a",0.3383,"loammi-baldwin-si-npg-npg-85-6","Loammi Baldwin",{"_42":1075,"_223":1076,"_327":1077,"_329":-5,"_331":1078,"_333":1079,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1823","90.8cm x 70.5cm (35 3/4\" x 27 3/4\"), Accurate",0.777,[1060,1061,1062,1063,1064],{"_222":732,"_223":733,"_42":734,"_306":307},"Courtesy of the National Portrait Gallery, Smithsonian Institution","NPG.85.6","Chester Harding painted this in 1823, aged 31. It is now at the National Portrait Gallery in Washington, DC.","Artist: Chester Harding, Sitter: Loammi Baldwin, Jr., Current owner: National Portrait Gallery, Smithsonian Institution",{"_297":1057,"_299":1058,"_301":1059},"https://img.ochreeditions.com/m/1853.jpg?dl=1","/art/loammi-baldwin-si-npg-npg-85-6","/galleries/style/painting-19/loammi-baldwin-si-npg-npg-85-6",{"_293":294,"_295":296},{"_226":1049,"_125":1050,"_287":1051},{"_278":1046,"_280":1047,"_282":1048,"_284":987},61.620000000000005,75,46.620000000000005,{"_289":226,"_123":1055,"_154":1056,"_140":89},{"_289":125,"_123":844,"_154":845,"_140":846},{"_289":287,"_123":1052,"_154":1053,"_140":1054},"era/19","The 19th century",731,"artist/contemporaries-of-chester-harding","Chester Harding's contemporaries","https://img.ochreeditions.com/a/1853/480.jpg","https://img.ochreeditions.com/a/1853/960.jpg","https://img.ochreeditions.com/a/1853/1920.jpg",{"_313":1073,"_315":1074},{"_313":1071,"_315":1072},{"_313":1069,"_315":1070},{"_313":1067,"_315":1068},{"_313":1065,"_315":1066},"#e7b68f",0.0249,"#b2714c",0.0724,"#5b2c1b",0.1913,"#301a15",0.3141,"#1e1e12",0.3973,"Chester Harding","chester-harding","1 Sep 1792 - 10 Apr 1866",1792,1866,"sunrise-met-11235","Sunrise",{"_42":1126,"_223":1127,"_327":1128,"_329":404,"_331":1129,"_333":1130,"_335":1131,"_337":1132,"_339":1133,"_140":95},"1887","30 x 45 1/4 in. (76.2 x 114.9 cm)",114.9,76.2,1.505380476556495,[1111,1112,1113,1114,1115],{"_222":382,"_223":383,"_42":384,"_306":385},"54.156","George Inness painted this in 1887, aged 62. It is now at The Met in New York.","Sunrise, by George Inness, 1887",{"_297":1108,"_299":1109,"_301":1110},"https://img.ochreeditions.com/m/837.jpg?dl=1","/art/sunrise-met-11235","/galleries/style/painting-19/sunrise-met-11235",{"_293":294,"_295":296},{"_226":1103,"_125":1104,"_287":1105},{"_278":1100,"_280":1101,"_282":1085,"_284":1102},129.9,91.32621904518764,76.32621904518764,{"_289":226,"_123":1106,"_154":1107,"_140":95},{"_289":125,"_123":374,"_154":375,"_140":376},{"_289":287,"_123":371,"_154":372,"_140":373},"artist/george-inness","More by George Inness","https://img.ochreeditions.com/a/837/480.jpg","https://img.ochreeditions.com/a/837/960.jpg","https://img.ochreeditions.com/a/837/1920.jpg",{"_313":1124,"_315":1125},{"_313":1122,"_315":1123},{"_313":1120,"_315":1121},{"_313":1118,"_315":1119},{"_313":1116,"_315":1117},"#8f6a25",0.0967,"#362e0c",0.1682,"#795b23",0.186,"#5d4719",0.1908,"#47390e",0.3583,"George Inness","george-inness","American, 1825–1894",1825,1894,"Newburgh, New York","Bridge of Allan, Scotland","Inness was largely self-taught and began in the manner of the Hudson River School, but journeys to Italy and France, where he admired the Barbizon painters, led him towards broader, more atmospheric landscapes.","whalers-met-437854","Whalers",{"_42":1186,"_223":1187,"_327":1188,"_329":1189,"_331":1190,"_333":1191,"_335":697,"_337":697,"_339":1192,"_140":97},"ca. 1845","victorian-art","Paintings","36 1/8 x 48 1/4 in. (91.8 x 122.6 cm)",122.6,91.8,1.3340074148972025,[1171,1172,1173,1174,1175],{"_222":382,"_223":383,"_42":384,"_306":385},"96.29","Joseph Mallord William Turner painted this in about 1845, aged about 65. It is now at The Met in New York.","A harpooned whale thrashes in a welter of spray, its shape almost lost in a vortex of white, grey and gold, while the whalers close in and a ship waits in the haze.","Whalers, by Joseph Mallord William Turner, ca. 1845",{"_297":1168,"_299":1169,"_301":1170},"https://img.ochreeditions.com/m/1170.jpg?dl=1","/art/whalers-met-437854","/galleries/style/painting-19/whalers-met-437854",{"_293":294,"_295":296},{"_226":1160,"_125":1161,"_287":1162},{"_278":1157,"_280":1158,"_282":1141,"_284":1159},137.6,106.90353713996969,91.90353713996969,{"_289":226,"_123":1166,"_154":1167,"_140":97},{"_289":125,"_123":1163,"_154":1164,"_140":1165},{"_289":287,"_123":661,"_154":662,"_140":663},"style/victorian-art","More Victorian art",20,"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/1170/480.jpg","https://img.ochreeditions.com/a/1170/960.jpg","https://img.ochreeditions.com/a/1170/1920.jpg",{"_313":1184,"_315":1185},{"_313":1182,"_315":1183},{"_313":1180,"_315":1181},{"_313":1178,"_315":1179},{"_313":1176,"_315":1177},"#2e2616",0.0306,"#574b2a",0.0531,"#897a4c",0.1035,"#a5976d",0.1624,"#c2b897",0.6504,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851","English",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.",{"_1194":-5,"_1195":1196,"_1197":1198,"_1199":8,"_1200":1201,"_1202":8},"user","csrf","29d19e7b24af9e1c39977a172ad130e51a0e7251","cartCount",0,"dropLive","legal",[1203,1204,1205,1206,1207,1208,1209,1210,1211,1212,1213,1214],"uploadsEnabled",{"_223":1237,"_20":1238},{"_223":1235,"_20":1236},{"_223":1233,"_20":1234},{"_223":1231,"_20":1232},{"_223":1229,"_20":1230},{"_223":1227,"_20":1228},{"_223":1225,"_20":1226},{"_223":1223,"_20":1224},{"_223":1221,"_20":1222},{"_223":1219,"_20":1220},{"_223":1217,"_20":1218},{"_223":1215,"_20":1216},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]