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(213 x 147 cm)",147,213,0.6846193682030036,[447,448,449,450,451],{"_219":444,"_220":445,"_42":446,"_306":338},"Courtesy of The Metropolitan Museum of Art","2012.348","baron François Gérard painted this in 1808, aged 38. It is now at The Met in New York.","Charles Maurice de Talleyrand Périgord (1754–1838), Prince de Bénévent, by baron François Gérard, 1808",{"_294":441,"_296":442,"_298":443},"https://img.ochreeditions.com/m/1203.jpg?dl=1","/art/charles-maurice-de-talleyrand-perigord-1754-1838-prince-de-b-met-441969","/galleries/style/painting-19/charles-maurice-de-talleyrand-perigord-1754-1838-prince-de-b-met-441969",{"_290":291,"_292":293},{"_223":433,"_125":434,"_284":435},{"_275":430,"_277":431,"_279":432,"_280":415},160.82392542723977,228,145.82392542723977,{"_286":223,"_123":439,"_154":440,"_140":89},{"_286":125,"_123":436,"_154":437,"_140":438},{"_286":284,"_123":371,"_154":372,"_140":373},"style/neoclassicism","More Neoclassicism",109,"artist/contemporaries-of-baron-francois-gerard","baron François Gérard's contemporaries","https://img.ochreeditions.com/a/1203/480.jpg","https://img.ochreeditions.com/a/1203/960.jpg","https://img.ochreeditions.com/a/1203/1920.jpg","met","the-met","The Metropolitan Museum of Art",{"_313":460,"_315":461},{"_313":458,"_315":459},{"_313":456,"_315":457},{"_313":454,"_315":455},{"_313":452,"_315":453},"#787469",0.0196,"#5a3d24",0.0614,"#896137",0.0658,"#33231b",0.2068,"#1a1513",0.6464,"baron François Gérard","baron-francois-gerard","French, 1770–1837",1770,1837,"Rome","Paris","portrait-of-don-juan-antonio-cuervo-cma-123490","Portrait of Don Juan Antonio Cuervo",{"_42":520,"_220":521,"_327":522,"_329":523,"_331":524,"_333":525,"_335":526,"_337":527,"_339":528,"_140":81},"1819","spain","Framed: 136.8 x 105.1 x 7.3 cm (53 7/8 x 41 3/8 x 2 7/8 in.); Unframed: 120 x 87 cm (47 1/4 x 34 1/4 in.)",87,120,0.7191176470588235,[505,506,507,508,509],{"_219":303,"_220":304,"_42":305,"_306":307},"1943.90","Francisco Goya painted this in 1819, aged 73. It is now at the Cleveland Museum of Art.",{"_118":504,"_301":302},"Portrait of Don Juan Antonio Cuervo, by Francisco Goya, 1819",{"_294":501,"_296":502,"_298":503},"https://img.ochreeditions.com/m/566.jpg?dl=1","/art/portrait-of-don-juan-antonio-cuervo-cma-123490","/galleries/style/painting-19/portrait-of-don-juan-antonio-cuervo-cma-123490",{"_290":291,"_292":293},{"_223":494,"_125":495,"_284":496},{"_275":491,"_277":492,"_279":493,"_280":476},101.29411764705883,135,86.29411764705883,{"_286":223,"_123":499,"_154":500,"_140":81},{"_286":125,"_123":436,"_154":437,"_140":438},{"_286":284,"_123":497,"_154":498,"_140":87},"era/19-spain","19th-century Spain","artist/francisco-goya","More by Francisco Goya","https://img.ochreeditions.com/a/566/480.jpg","https://img.ochreeditions.com/a/566/960.jpg","https://img.ochreeditions.com/a/566/1920.jpg","This portrait both testifies to Goya’s friendship with Cuervo and presents the sitter as a cutting-edge intellectual. Director of the Royal Academy of San Fernando, the official academy for artists and architects in Spain, Cuervo appears with his plan for the recent renovation of Madrid’s Church of Santiago.",{"_313":518,"_315":519},{"_313":516,"_315":517},{"_313":514,"_315":515},{"_313":512,"_315":513},{"_313":510,"_315":511},"#5f564a",0.0539,"#3a2c1b",0.0618,"#3f3d36",0.1001,"#12120f",0.261,"#201f1c",0.5232,"Francisco Goya","francisco-goya","Spanish, 1746–1828","Spanish",1746,1828,"Fuendetodos","Bordeaux","Goya began with tapestry designs for the royal factory in Madrid and rose to become first painter to the Spanish court under Charles IV. After a serious illness left him deaf in the 1790s, his work grew darker and more personal.","fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","Fishing Boats with Hucksters Bargaining for Fish",{"_42":584,"_220":585,"_327":586,"_329":587,"_331":588,"_333":589,"_335":590,"_337":590,"_339":591,"_140":97},"1837–38","britain","georgian-britain","174.5 × 224.9 cm (68 3/4 × 88 1/2 in.); Framed: 216.6 × 268 cm (85 1/4 × 105 1/2 in.)",224,174,1.2940322346449833,[569,570,571,572,573],{"_219":382,"_220":383,"_42":384,"_306":385},"1922.4472","Joseph Mallord William Turner painted this in 1837–38, aged about 57. It is now at the Art Institute of Chicago.","Fishing boats pitch on rough water under a sky of piled storm cloud, while hucksters, the dealers who bought the catch at sea, bargain with the fishermen.","Large marine landscape of boats on rough waves, storm clouds.",{"_294":566,"_296":567,"_298":568},"https://img.ochreeditions.com/m/9.jpg?dl=1","/art/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","/galleries/style/painting-19/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796",{"_290":291,"_292":293},{"_223":555,"_125":556,"_284":557},{"_275":552,"_277":553,"_279":536,"_280":554},239,188.10233393177737,173.10233393177737,{"_286":223,"_123":564,"_154":565,"_140":97},{"_286":125,"_123":561,"_154":562,"_140":563},{"_286":284,"_123":558,"_154":559,"_140":560},"era/19-britain","19th-century Britain",40,"style/georgian-britain","More Georgian Britain",63,"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/9/480.jpg","https://img.ochreeditions.com/a/9/960.jpg","https://img.ochreeditions.com/a/9/1920.jpg",{"_313":582,"_315":583},{"_313":580,"_315":581},{"_313":578,"_315":579},{"_313":576,"_315":577},{"_313":574,"_315":575},"#8e979a",0.1084,"#c6ac89",0.1668,"#4c4438",0.2133,"#736551",0.2481,"#9e886b",0.2634,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851","English",1775,1851,"London","Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","seventh-regiment-on-review-washington-square-new-york-met-10194","Seventh Regiment on Review, Washington Square, New York",{"_42":642,"_220":643,"_327":644,"_329":645,"_331":646,"_333":647,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1851","realism","24 x 36 in. (61 x 91.4 cm)",91.4,61,1.5021679148600708,[627,628,629,630,631],{"_219":444,"_220":445,"_42":446,"_306":338},"54.90.295","Otto Boetticher painted this in 1851, aged 35. It is now at The Met in New York.","Seventh Regiment on Review, Washington Square, New York, by Otto Boetticher, 1851",{"_294":624,"_296":625,"_298":626},"https://img.ochreeditions.com/m/806.jpg?dl=1","/art/seventh-regiment-on-review-washington-square-new-york-met-10194","/galleries/style/painting-19/seventh-regiment-on-review-washington-square-new-york-met-10194",{"_290":291,"_292":293},{"_223":616,"_125":617,"_284":618},{"_275":613,"_277":614,"_279":598,"_280":615},106.4,75.84539490947259,60.84539490947259,{"_286":223,"_123":622,"_154":623,"_140":89},{"_286":125,"_123":619,"_154":620,"_140":621},{"_286":284,"_123":167,"_154":166,"_140":169},"style/realism","More Realism",41,"artist/contemporaries-of-otto-boetticher","Otto Boetticher's contemporaries","https://img.ochreeditions.com/a/806/480.jpg","https://img.ochreeditions.com/a/806/960.jpg","https://img.ochreeditions.com/a/806/1920.jpg",{"_313":640,"_315":641},{"_313":638,"_315":639},{"_313":636,"_315":637},{"_313":634,"_315":635},{"_313":632,"_315":633},"#1b2424",0.1507,"#403c2c",0.1797,"#7f663c",0.2001,"#a7a680",0.2247,"#5c5234",0.2448,"Otto Boetticher","otto-boetticher","ca. 1816–after 1864","German",1816,1865,"before-the-ballet-nga-1158","Before the Ballet",{"_42":702,"_220":703,"_327":704,"_329":404,"_331":705,"_333":706,"_335":468,"_337":468,"_339":707,"_140":75},"1890/1892","impressionism","overall: 40 x 88.9 cm (15 3/4 x 35 in.) framed: 59.7 x 109.8 x 8.2 cm (23 1/2 x 43 1/4 x 3 1/4 in.)",88.9,2.303712035995501,[687,688,689,690,691],{"_219":683,"_220":684,"_42":685,"_306":686},"Courtesy National Gallery of Art, Washington","1942.9.19","Edgar Degas painted this in 1890/1892, aged about 56. It is now at the National Gallery of Art in Washington, DC.","Two dancers in robin’s-egg-blue tutus sit on a bench in the foreground, one bending low to reach her foot, the other pulling on her pink tights, while across a broad expanse of floor four more practise with legs raised high.","In a dance studio, two ballerinas wearing knee-length tutus and ballet slippers sit on a bench and stretch to our right while four more pose at the back of the space, to our left, in this long, horizontal painting. The scene and dancers are loosely painted so many features are indistinct. All the women have light skin and dark brown hair. Each pale, robins’ egg-blue costume has a low-cut, tightly fitting, sleeveless bodice and a full skirt. Dabs of off white, teal, and blue suggest flowers lining the deep U of the neckline at the front and down the back of each bodice. Closest to us and nearly brushing the edges of the lower right corner of the canvas, one dancer sits on the end of a wooden bench and leans down between her legs, her feet widely planted. She rests her torso on an elbow folded onto one knee as she reaches for her left foot, farther from us, with her other hand. Her hair is pulled up and her face, looking downward, is deep in shadow. Sitting behind her on the bench, to our left, a second dancer lifts her right leg, toe pointing, as she pulls on her pale pink tights. Her other leg stretches straight, pointed toe brushing the floor, in front of her. This woman’s hair hangs loose around her shoulders. The pair is brightly lit from a source to our right, and an arched area of electric blue and mustard yellow behind them is difficult to interpret. The floor, which takes up about two-thirds of the composition, is painted with dabs of teal blue, pale fuchsia pink, and caramel brown. It leads us back to the upper left corner of the painting where four more four ballerinas stand in a line. The pair to our left stands with their backs to us, facing the wall with their right legs raised to shoulder height, toes pointed. The pair to our right faces us. They also stand with their right legs raised, creating a wide angle with their standing legs. All four ballerinas bend their arms gently at the elbow, and some tip their heads toward the raised legs. The rightmost dancer is illuminated by a pair of French doors at the back corner, at the top center of the painting. The wall behind the bench is streaked with mint green over honey brown, and the wall at the back of the room is leather brown. The visible, soft brushstrokes give the image a blurred, ethereal appearance in the dimmed studio. The artist signed the painting in the lower left corner, “Degas.”",{"_294":680,"_296":681,"_298":682},"https://img.ochreeditions.com/m/1335.jpg?dl=1","/art/before-the-ballet-nga-1158","/galleries/style/painting-19/before-the-ballet-nga-1158",{"_290":291,"_292":293},{"_223":673,"_125":674,"_284":675},{"_275":670,"_277":671,"_279":654,"_280":672},103.9,53.589892578124996,38.589892578124996,{"_286":223,"_123":678,"_154":679,"_140":75},{"_286":125,"_123":676,"_154":677,"_140":365},{"_286":284,"_123":371,"_154":372,"_140":373},"style/impressionism","More Impressionism","artist/edgar-degas","More by Edgar Degas","https://img.ochreeditions.com/a/1335/480.jpg","https://img.ochreeditions.com/a/1335/960.jpg","https://img.ochreeditions.com/a/1335/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_313":700,"_315":701},{"_313":698,"_315":699},{"_313":696,"_315":697},{"_313":694,"_315":695},{"_313":692,"_315":693},"#857e66",0.0737,"#535e4f",0.1133,"#423113",0.125,"#605339",0.2455,"#423a2d",0.4425,"Edgar Degas","edgar-degas","French, 1834–1917",1834,1917,"Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers.","view-on-the-outskirts-of-caen-nga-66421","View on the Outskirts of Caen",{"_42":754,"_220":755,"_327":756,"_329":404,"_331":757,"_333":406,"_335":-5,"_337":-5,"_339":-5,"_140":101},"1872/1875","oil on wood","overall: 17.6 x 28.1 cm (6 15/16 x 11 1/16 in.) framed: 38.4 x 27.9 cm (15 1/8 x 11 in.)",28.1,17.6,1.7202855942881143,[740,741,742,743,744],{"_219":683,"_220":684,"_42":685,"_306":686},"1985.64.23","Stanislas Lépine painted this in 1872/1875, aged about 37. It is now at the National Gallery of Art in Washington, DC.","The painting shows an elevated perspective overlooking a landscape with green hills and leafy trees. Closest to us, there are cream-colored buildings among dense foliage. These buildings have roofs in shades of pale blue-gray and reddish-brown, and the one in the center has wispy white smoke coming out of a chimney. In the distance on the left, a large, low structure sits atop a hill, with faint paths winding towards it through the green landscape. Beyond the trees, the distant landscape on the right is painted in shades of pale blue and green. The sky above is filled with puffy clouds in shades of gray.",{"_294":737,"_296":738,"_298":739},"https://img.ochreeditions.com/m/1612.jpg?dl=1","/art/view-on-the-outskirts-of-caen-nga-66421","/galleries/style/painting-19/view-on-the-outskirts-of-caen-nga-66421",{"_290":291,"_292":293},{"_223":732,"_125":733,"_284":734},{"_275":729,"_277":730,"_279":714,"_280":731},43.1,31.3344970703125,16.3344970703125,{"_286":223,"_123":735,"_154":736,"_140":89},{"_286":125,"_123":374,"_154":375,"_140":376},{"_286":284,"_123":371,"_154":372,"_140":373},"artist/contemporaries-of-stanislas-lepine","Stanislas Lépine's contemporaries","https://img.ochreeditions.com/a/1612/480.jpg","https://img.ochreeditions.com/a/1612/960.jpg","https://img.ochreeditions.com/a/1612/1920.jpg",{"_313":752,"_315":753},{"_313":751,"_315":639},{"_313":749,"_315":750},{"_313":747,"_315":748},{"_313":745,"_315":746},"#817947",0.1309,"#99968a",0.1651,"#cfc4b5",0.1655,"#36362e","#535535",0.3138,"Stanislas Lépine","stanislas-lepine","French, 1835–1892",1835,"self-portrait-with-a-straw-hat-obverse-the-potato-peeler-met-436532","Self-Portrait with a Straw Hat (obverse: The Potato Peeler)",{"_42":813,"_220":814,"_327":815,"_329":816,"_331":817,"_333":818,"_335":819,"_337":820,"_339":821,"_140":77},"1887","netherlands","post-impressionism","16 x 12 1/2 in. (40.6 x 31.8 cm)",31.8,40.6,0.8036931818181818,[798,799,800,801,802],{"_219":444,"_220":445,"_42":446,"_306":338},"67.187.70a","Vincent van Gogh painted this in 1887, aged 34. It is now at The Met in New York.","Van Gogh looks out from beneath a straw hat, his face built from short, separate strokes of blue, orange and yellow that show how quickly he absorbed the bright palette and broken touch of the Impressionists and Neo-Impressionists after moving to Paris in 1886.","Self-Portrait with a Straw Hat (obverse: The Potato Peeler), by Vincent van Gogh, 1887",{"_294":795,"_296":796,"_298":797},"https://img.ochreeditions.com/m/1094.jpg?dl=1","/art/self-portrait-with-a-straw-hat-obverse-the-potato-peeler-met-436532","/galleries/style/painting-19/self-portrait-with-a-straw-hat-obverse-the-potato-peeler-met-436532",{"_290":291,"_292":293},{"_223":784,"_125":785,"_284":786},{"_275":781,"_277":782,"_279":783,"_280":766},47.629943181818184,55.6,32.629943181818184,{"_286":223,"_123":793,"_154":794,"_140":77},{"_286":125,"_123":790,"_154":791,"_140":792},{"_286":284,"_123":787,"_154":788,"_140":789},"era/19-netherlands","19th-century Netherlands",21,"style/post-impressionism","More Post-Impressionism",62,"artist/vincent-van-gogh","More by Vincent van Gogh","https://img.ochreeditions.com/a/1094/480.jpg","https://img.ochreeditions.com/a/1094/960.jpg","https://img.ochreeditions.com/a/1094/1920.jpg",{"_313":811,"_315":812},{"_313":809,"_315":810},{"_313":807,"_315":808},{"_313":805,"_315":806},{"_313":803,"_315":804},"#d7ae34",0.1167,"#c8a45b",0.1394,"#6c5f52",0.1446,"#b18a67",0.2938,"#a59683",0.3055,"Vincent van Gogh","vincent-van-gogh","Dutch, 1853–1890","Dutch",1853,1890,"Zundert","Auvers-sur-Oise","Van Gogh worked as an art dealer, teacher and lay preacher before he turned to art in 1880, at twenty-seven. His early pictures of Dutch peasants are dark and heavy; in Paris from 1886 he met the Impressionists and Neo-Impressionists, and his palette brightened.","the-lovers-cma-92951","The Lovers",{"_42":870,"_220":871,"_327":872,"_329":404,"_331":873,"_333":874,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1872","Unframed: 101 x 61.5 cm (39 3/4 x 24 3/16 in.)",61.5,101,0.5897058823529412,[855,856,857,858,859],{"_219":303,"_220":304,"_42":305,"_306":307},"2022.140","James Tissot painted this in 1872, aged 36. It is now at the Cleveland Museum of Art.",{"_118":854,"_301":302},"The Lovers, by James Tissot, 1872",{"_294":851,"_296":852,"_298":853},"https://img.ochreeditions.com/m/460.jpg?dl=1","/art/the-lovers-cma-92951","/galleries/style/painting-19/the-lovers-cma-92951",{"_290":291,"_292":293},{"_223":846,"_125":847,"_284":848},{"_275":843,"_277":844,"_279":845,"_280":828},74.56029411764706,116,59.56029411764706,{"_286":223,"_123":849,"_154":850,"_140":89},{"_286":125,"_123":374,"_154":375,"_140":376},{"_286":284,"_123":371,"_154":372,"_140":373},"artist/contemporaries-of-james-tissot","James Tissot's contemporaries","https://img.ochreeditions.com/a/460/480.jpg","https://img.ochreeditions.com/a/460/960.jpg","https://img.ochreeditions.com/a/460/1920.jpg","James Tissot lived in London in 1871–82 where he established a reputation as painter of elegantly dressed women in modern, fashionable settings. This painting, made at the beginning of his London period, was designed to appeal to Victorian audiences who enjoyed art that hinted at narrative.",{"_313":868,"_315":869},{"_313":866,"_315":867},{"_313":864,"_315":865},{"_313":862,"_315":863},{"_313":860,"_315":861},"#6d7d5f",0.0691,"#aba998",0.1377,"#292a26",0.1756,"#5f5e55",0.2981,"#838074",0.3195,"James Tissot","james-tissot","French, 1836–1902",1836,1902,"the-forest-in-winter-at-sunset-met-438816","The Forest in Winter at Sunset",{"_42":922,"_220":923,"_327":924,"_329":404,"_331":925,"_333":926,"_335":468,"_337":927,"_339":-5,"_140":103},"ca. 1846–67","64 x 102 3/8 in. (162.6 x 260 cm)",260,162.6,1.597444089456869,[907,908,909,910,911],{"_219":444,"_220":445,"_42":446,"_306":338},"11.4","Théodore Rousseau painted this in about 1846–67, aged about 34. It is now at The Met in New York.","The Forest in Winter at Sunset, by Théodore Rousseau, ca. 1846–67",{"_294":904,"_296":905,"_298":906},"https://img.ochreeditions.com/m/1192.jpg?dl=1","/art/the-forest-in-winter-at-sunset-met-438816","/galleries/style/painting-19/the-forest-in-winter-at-sunset-met-438816",{"_290":291,"_292":293},{"_223":899,"_125":900,"_284":901},{"_275":895,"_277":896,"_279":897,"_280":898},255,165.23999999999998,240,150.23999999999998,{"_286":223,"_123":902,"_154":903,"_140":89},{"_286":125,"_123":374,"_154":375,"_140":376},{"_286":284,"_123":371,"_154":372,"_140":373},"artist/contemporaries-of-theodore-rousseau","Théodore Rousseau's contemporaries","https://img.ochreeditions.com/a/1192/480.jpg","https://img.ochreeditions.com/a/1192/960.jpg","https://img.ochreeditions.com/a/1192/1920.jpg",{"_313":920,"_315":921},{"_313":918,"_315":919},{"_313":916,"_315":917},{"_313":914,"_315":915},{"_313":912,"_315":913},"#030201",0.0402,"#694c21",0.0637,"#4c3317",0.1184,"#362413",0.3008,"#2a1f13",0.4769,"Théodore Rousseau","theodore-rousseau","French, 1812–1867",1812,1867,"Barbizon","senora-sabasa-garcia-nga-95","Señora Sabasa Garcia",{"_42":520,"_220":521,"_327":522,"_329":523,"_331":524,"_333":525,"_335":526,"_337":527,"_339":528,"_140":81},"c. 1806/1811","overall: 71 x 58 cm (27 15/16 x 22 13/16 in.) framed: 94.6 x 81.3 x 7.6 cm (37 1/4 x 32 x 3 in.)",58,71,0.81103515625,[958,959,960,961,962],{"_219":683,"_220":684,"_42":685,"_306":686},"1937.1.88","Francisco Goya painted this in about 1806/1811, aged about 60. It is now at the National Gallery of Art in Washington, DC.","A young woman looks over her shoulder directly at us, her curly brown hair half hidden under a white lace mantilla and a wide orange and black shawl wrapped about her shoulders, her gloved hands clasped at her waist.","Shown from the waist up in front of a black background, a young woman with pale white skin and curly brown hair looks directly out at us over her shoulder with her body angled to our left in this vertical portrait. She has dark brown eyes, a straight nose, smooth skin, and her pink lips are closed. Curls fall across her forehead but the rest of her hair is pulled up under a white lace scarf, called a mantilla. The mantilla is tucked under the wide orange and black shawl wrapped around her shoulders. She clasps her hands at her waist, and her hands and forearms are covered with long white gloves that disappear under the shawl.",{"_294":955,"_296":956,"_298":957},"https://img.ochreeditions.com/m/1307.jpg?dl=1","/art/senora-sabasa-garcia-nga-95","/galleries/style/painting-19/senora-sabasa-garcia-nga-95",{"_290":291,"_292":293},{"_223":952,"_125":953,"_284":954},{"_275":949,"_277":950,"_279":951,"_280":934},72.58349609375,86,57.58349609375,{"_286":223,"_123":499,"_154":500,"_140":81},{"_286":125,"_123":436,"_154":437,"_140":438},{"_286":284,"_123":497,"_154":498,"_140":87},"https://img.ochreeditions.com/a/1307/480.jpg","https://img.ochreeditions.com/a/1307/960.jpg","https://img.ochreeditions.com/a/1307/1920.jpg",{"_313":971,"_315":972},{"_313":969,"_315":970},{"_313":967,"_315":968},{"_313":965,"_315":966},{"_313":963,"_315":964},"#845b1b",0.0403,"#a29068",0.0604,"#604928",0.1037,"#3f3625",0.1316,"#1c1c17",0.664,"landscape-aic-80567","Landscape",{"_42":1018,"_220":1019,"_327":1020,"_329":404,"_331":1021,"_333":1022,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1867","53.5 × 81 cm (21 × 40 3/4 in.); Framed: 88.9 × 117.2 × 7.7 cm (35 × 46 1/8 × 3 in.)",81,1.5358337314859054,[1003,1004,1005,1006,1007],{"_219":382,"_220":383,"_42":384,"_306":385},"1954.306","Marcel Ordinaire painted this in 1867, aged 19. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_294":1000,"_296":1001,"_298":1002},"https://img.ochreeditions.com/m/212.jpg?dl=1","/art/landscape-aic-80567","/galleries/style/painting-19/landscape-aic-80567",{"_290":291,"_292":293},{"_223":995,"_125":996,"_284":997},{"_275":992,"_277":993,"_279":978,"_280":994},96,67.74008399440038,52.74008399440037,{"_286":223,"_123":998,"_154":999,"_140":89},{"_286":125,"_123":374,"_154":375,"_140":376},{"_286":284,"_123":371,"_154":372,"_140":373},"artist/contemporaries-of-marcel-ordinaire","Marcel Ordinaire's contemporaries","https://img.ochreeditions.com/a/212/480.jpg","https://img.ochreeditions.com/a/212/960.jpg","https://img.ochreeditions.com/a/212/1920.jpg",{"_313":1016,"_315":1017},{"_313":1014,"_315":1015},{"_313":1012,"_315":1013},{"_313":1010,"_315":1011},{"_313":1008,"_315":1009},"#806c4e",0.0625,"#514329",0.1324,"#5f6761",0.2042,"#38331f",0.2314,"#27251a",0.3695,"Marcel Ordinaire","marcel-ordinaire","French, 1848–1896",1848,1896,"arlesiennes-mistral-aic-19339","Arlésiennes (Mistral)",{"_42":1072,"_220":1073,"_327":1074,"_329":404,"_331":1021,"_333":1075,"_335":468,"_337":1076,"_339":1077,"_140":85},"1888","Oil on jute canvas","73 × 92 cm (28 3/4 × 36 3/16 in.); Framed: 97.5 × 116.6 × 8 cm (38 3/8 × 45 7/8 × 3 1/8 in.)",92,1.264500892805714,[1057,1058,1059,1060,1061],{"_219":382,"_220":383,"_42":384,"_306":385},"1934.391","Paul Gauguin painted this in 1888, aged 40. It is now at the Art Institute of Chicago.",{"_118":1055,"_301":1056},"Painting of four women with blue shawls walking near red fence.",{"_294":1052,"_296":1053,"_298":1054},"https://img.ochreeditions.com/m/73.jpg?dl=1","/art/arlesiennes-mistral-aic-19339","/galleries/style/painting-19/arlesiennes-mistral-aic-19339",{"_290":291,"_292":293},{"_223":1047,"_125":1048,"_284":1049},{"_275":1044,"_277":1045,"_279":1029,"_280":1046},107,87.75597868172915,72.75597868172915,{"_286":223,"_123":1050,"_154":1051,"_140":85},{"_286":125,"_123":790,"_154":791,"_140":792},{"_286":284,"_123":371,"_154":372,"_140":373},"artist/paul-gauguin","More by Paul Gauguin","https://img.ochreeditions.com/a/73/480.jpg","https://img.ochreeditions.com/a/73/960.jpg","https://img.ochreeditions.com/a/73/1920.jpg","One of 17 canvases that Paul Gauguin completed during a brief and tumultuous visit with Vincent van Gogh in Arles, this powerful and enigmatic painting depicts the public garden directly across from Van Gogh’s house.","Text from the Art Institute of Chicago.",{"_313":1070,"_315":1071},{"_313":1068,"_315":1069},{"_313":1066,"_315":1067},{"_313":1064,"_315":1065},{"_313":1062,"_315":1063},"#9e442e",0.0901,"#a17625",0.1271,"#2d3d4b",0.1667,"#9f947d",0.2589,"#51653a",0.3572,"Paul Gauguin","paul-gauguin","French, 1848–1903",1903,"Atuona, Hiva Oa, Marquesas Islands","Gauguin worked as a Paris stockbroker and collected the Impressionists before taking up painting full time in the 1880s, showing in the last five Impressionist exhibitions.","the-yacht-america-si-saam-1973-150","The Yacht America",{"_42":1136,"_220":1137,"_327":1138,"_329":-5,"_331":1139,"_333":1140,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1877","27 x 40 in. (68.6 x 101.6 cm.)",101.6,68.6,1.488833746898263,[1122,1123,1124,1125,1126],{"_219":1119,"_220":1120,"_42":1121,"_306":686},"Courtesy of the Smithsonian American Art Museum","1973.150","Charles S. Raleigh painted this in 1877, aged 47. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":1117,"_301":1118},"The Yacht America, by Charles S. Raleigh, 1877",{"_294":1114,"_296":1115,"_298":1116},"https://img.ochreeditions.com/m/1948.jpg?dl=1","/art/the-yacht-america-si-saam-1973-150","/galleries/style/painting-19/the-yacht-america-si-saam-1973-150",{"_290":291,"_292":293},{"_223":1103,"_125":1104,"_284":1105},{"_275":1100,"_277":1101,"_279":1083,"_280":1102},116.6,83.24133333333333,68.24133333333333,{"_286":223,"_123":1112,"_154":1113,"_140":89},{"_286":125,"_123":1109,"_154":1110,"_140":1111},{"_286":284,"_123":1106,"_154":1107,"_140":1108},"era/19","The 19th century",731,"style/painting","More paintings",1127,"artist/contemporaries-of-charles-s-raleigh","Charles S. Raleigh's contemporaries","https://img.ochreeditions.com/a/1948/480.jpg","https://img.ochreeditions.com/a/1948/960.jpg","https://img.ochreeditions.com/a/1948/1920.jpg","The original yacht America was built in 1851 to compete in the Hundred Guinea Cup, the only American entry against fourteen British vessels. When the race was over, Queen Victoria asked, “Who is in first place?” and was told that America had won. When she asked, “Then who is in second?”","Text from the Smithsonian American Art Museum.","si","smithsonian","Smithsonian Institution",{"_313":1134,"_315":1135},{"_313":1132,"_315":1133},{"_313":1130,"_315":1131},{"_313":1129,"_315":455},{"_313":1127,"_315":1128},"#4c412b",0.0425,"#948572","#170f07",0.1515,"#d4cdc3",0.2762,"#b1afab",0.4684,"Charles S. Raleigh","charles-s-raleigh","born Gloucester, England 1830-died Bourne, MA 1925",1830,1925,"kalorama-cottage-si-saam-1973-153","Kalorama Cottage",{"_42":1187,"_220":1188,"_327":1189,"_329":-5,"_331":1190,"_333":1191,"_335":-5,"_337":-5,"_339":-5,"_140":103},"ca. 1860","oil on paperboard","5 5/8 x 10 3/8 in. (14.3 x 26.4 cm)",26.4,14.3,1.8083182640144666,[1173,1174,1175,1176,1177],{"_219":1119,"_220":1120,"_42":1121,"_306":686},"1973.153","John Ferguson Weir painted this in about 1860, aged 19. It is now at the Smithsonian American Art Museum in Washington, DC.","Kalorama Cottage, by John Ferguson Weir, ca. 1860",{"_294":1170,"_296":1171,"_298":1172},"https://img.ochreeditions.com/m/1949.jpg?dl=1","/art/kalorama-cottage-si-saam-1973-153","/galleries/style/painting-19/kalorama-cottage-si-saam-1973-153",{"_290":291,"_292":293},{"_223":1165,"_125":1166,"_284":1167},{"_275":1162,"_277":1163,"_279":1147,"_280":1164},41.4,29.599199999999996,14.599199999999998,{"_286":223,"_123":1168,"_154":1169,"_140":89},{"_286":125,"_123":1109,"_154":1110,"_140":1111},{"_286":284,"_123":1106,"_154":1107,"_140":1108},"artist/contemporaries-of-john-ferguson-weir","John Ferguson Weir's contemporaries","https://img.ochreeditions.com/a/1949/480.jpg","https://img.ochreeditions.com/a/1949/960.jpg","https://img.ochreeditions.com/a/1949/1920.jpg",{"_313":1185,"_315":1186},{"_313":1183,"_315":1184},{"_313":1182,"_315":1011},{"_313":1180,"_315":1181},{"_313":1178,"_315":1179},"#2b201a",0.0616,"#684e2d",0.0998,"#564837","#513b22",0.3112,"#413020",0.395,"John Ferguson Weir","john-ferguson-weir","born West Point, NY 1841-died Providence, RI 1926",1841,1926,{"_1193":-5,"_1194":1195,"_1196":1197,"_1198":8,"_1199":1200,"_1201":8},"user","csrf","d10208fda451cc783d4c622cade390955be70500","cartCount",0,"dropLive","legal",[1202,1203,1204,1205,1206,1207,1208,1209,1210,1211,1212,1213],"uploadsEnabled",{"_220":1236,"_20":1237},{"_220":1234,"_20":1235},{"_220":1232,"_20":1233},{"_220":1230,"_20":1231},{"_220":1228,"_20":1229},{"_220":1226,"_20":1227},{"_220":1224,"_20":1225},{"_220":1222,"_20":1223},{"_220":1220,"_20":1221},{"_220":1218,"_20":1219},{"_220":1216,"_20":1217},{"_220":1214,"_20":1215},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]