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It is now at The Met in New York.","Stage Fort across Gloucester Harbor, by Fitz Henry Lane, 1862",{"_293":445,"_295":446,"_297":447},"https://img.ochreeditions.com/m/845.jpg?dl=1","/art/stage-fort-across-gloucester-harbor-met-11396","/galleries/style/painting-19/stage-fort-across-gloucester-harbor-met-11396",{"_289":290,"_291":292},{"_224":434,"_125":435,"_283":436},{"_274":431,"_276":432,"_278":415,"_279":433},167.4,106.21605877722384,91.21605877722384,{"_285":224,"_123":443,"_154":444,"_140":89},{"_285":125,"_123":440,"_154":441,"_140":442},{"_285":283,"_123":437,"_154":438,"_140":439},"era/19-united-states","19th-century United States",198,"style/realism","More Realism",41,"artist/contemporaries-of-fitz-henry-lane","Fitz Henry Lane's contemporaries","https://img.ochreeditions.com/a/845/480.jpg","https://img.ochreeditions.com/a/845/960.jpg","https://img.ochreeditions.com/a/845/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_312":465,"_314":466},{"_312":463,"_314":464},{"_312":461,"_314":462},{"_312":459,"_314":460},{"_312":457,"_314":458},"#7b747b",0.116,"#27160c",0.1188,"#744b24",0.1583,"#b0997a",0.2418,"#d5ad6d",0.3651,"Fitz Henry Lane","fitz-henry-lane","1804–1865","American",1804,1865,"the-shadow-of-death-aic-260424","The Shadow of Death",{"_42":529,"_221":530,"_326":531,"_328":532,"_329":533,"_331":534,"_333":-5,"_334":-5,"_335":535,"_140":103},"1873-74","britain","victorian-art","Oil on panel","104.5 × 82 cm (41 × 32 1/4 in.); Framed: 137.2 × 115.9 × 9.6 cm (54 × 45 5/8 × 3 3/4 in.)",82,104,0.7817462497939447,[514,515,516,517,518],{"_220":381,"_221":382,"_42":383,"_305":384},"2021.54","William Holman Hunt painted this in 1873-74, aged about 46. It is now at the Art Institute of Chicago.","In the carpenter’s workshop at Nazareth, the young Jesus straightens from his work and stretches his arms, and the evening light throws his shadow onto the wall behind him in the shape of a crucifixion. His mother Mary, kneeling at a chest that holds the gifts of the Magi, turns and sees it.","A work made of oil on panel.",{"_293":511,"_295":512,"_297":513},"https://img.ochreeditions.com/m/401.jpg?dl=1","/art/the-shadow-of-death-aic-260424","/galleries/style/painting-19/the-shadow-of-death-aic-260424",{"_289":290,"_291":292},{"_224":500,"_125":501,"_283":502},{"_274":497,"_276":498,"_278":499,"_279":482},96.30160997857024,119,81.30160997857024,{"_285":224,"_123":509,"_154":510,"_140":89},{"_285":125,"_123":506,"_154":507,"_140":508},{"_285":283,"_123":503,"_154":504,"_140":505},"era/19-britain","19th-century Britain",40,"style/victorian-art","More Victorian art",20,"artist/contemporaries-of-william-holman-hunt","William Holman Hunt's contemporaries","https://img.ochreeditions.com/a/401/480.jpg","https://img.ochreeditions.com/a/401/960.jpg","https://img.ochreeditions.com/a/401/1920.jpg",{"_312":527,"_314":528},{"_312":525,"_314":526},{"_312":523,"_314":524},{"_312":521,"_314":522},{"_312":519,"_314":520},"#3c4a49",0.0747,"#7f674f",0.1856,"#be8e61",0.1938,"#985f3a",0.2728,"#623e2a",0.2731,"William Holman Hunt","william-holman-hunt","English, 1827–1910","English",1827,1910,"Holman Hunt founded the Pre-Raphaelite Brotherhood in 1848 with John Everett Millais and Dante Gabriel Rossetti, and remained the most faithful to its aims of truth to nature and serious moral purpose.","the-rock-of-hautepierre-aic-27027","The Rock of Hautepierre",{"_42":586,"_221":587,"_326":588,"_328":403,"_329":589,"_331":590,"_333":591,"_334":592,"_335":593,"_140":91},"c. 1869","paris-salon-painting","80.2 × 100.3 cm (31 1/2 × 39 1/2 in.); Framed: 113.1 × 134 × 11.5 cm (44 1/2 × 52 3/4 × 4 1/2 in.)",80,1.2468544857768054,[571,572,573,574,575],{"_220":381,"_221":382,"_42":383,"_305":384},"1967.140","Gustave Courbet painted this in about 1869, aged about 45. It is now at the Art Institute of Chicago.","A pale limestone cliff rises above a valley under a broad sky, a landscape of the Jura near Gustave Courbet’s native Ornans in eastern France.","A work made of oil on canvas.",{"_293":568,"_295":569,"_297":570},"https://img.ochreeditions.com/m/113.jpg?dl=1","/art/the-rock-of-hautepierre-aic-27027","/galleries/style/painting-19/the-rock-of-hautepierre-aic-27027",{"_289":290,"_291":292},{"_224":560,"_125":561,"_283":562},{"_274":557,"_276":558,"_278":346,"_279":559},115,95.20182077437752,80.20182077437752,{"_285":224,"_123":566,"_154":567,"_140":91},{"_285":125,"_123":563,"_154":564,"_140":565},{"_285":283,"_123":368,"_154":369,"_140":370},"style/paris-salon-painting","More Paris Salon painting",79,"artist/gustave-courbet","More by Gustave Courbet","https://img.ochreeditions.com/a/113/480.jpg","https://img.ochreeditions.com/a/113/960.jpg","https://img.ochreeditions.com/a/113/1920.jpg",{"_312":584,"_314":585},{"_312":582,"_314":583},{"_312":580,"_314":581},{"_312":578,"_314":579},{"_312":576,"_314":577},"#828677",0.0922,"#697f7d",0.1271,"#474337",0.2007,"#494821",0.277,"#2c3322",0.303,"Gustave Courbet","gustave-courbet","French, 1819–1877",1819,1877,"Ornans","La Tour-de-Peilz","Courbet left his native Ornans for Paris and became the standard-bearer of Realism, painting ordinary people and his own region on the scale reserved for history painting, as in A Burial at Ornans.","gathering-storm-si-hmsg-66-503","Gathering Storm",{"_42":609,"_221":646,"_326":647,"_328":470,"_329":648,"_331":649,"_333":650,"_334":451,"_335":-5,"_140":101},"(c. 1857-1858)","hudson-river-school","Oil on paper mounted on paperboard","6 7/8 x 9 3/4 in. (17.4 x 24.7 cm)",24.7,17.4,1.428494623655914,[631,632,633,634,635],{"_220":302,"_221":303,"_42":304,"_305":306},"Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution","66.503","Albert Bierstadt painted this ((c. 1857-1858)), aged about 27. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.","Albert Bierstadt",{"_293":628,"_295":629,"_297":630},"https://img.ochreeditions.com/m/1826.jpg?dl=1","/art/gathering-storm-si-hmsg-66-503","/galleries/style/painting-19/gathering-storm-si-hmsg-66-503",{"_289":290,"_291":292},{"_224":620,"_125":621,"_283":622},{"_274":505,"_276":617,"_278":618,"_279":619},32.50094091080166,25,17.500940910801656,{"_285":224,"_123":626,"_154":627,"_140":89},{"_285":125,"_123":623,"_154":624,"_140":625},{"_285":283,"_123":437,"_154":438,"_140":439},"style/hudson-river-school","More Hudson River School",27,"artist/contemporaries-of-albert-bierstadt","Albert Bierstadt's contemporaries","https://img.ochreeditions.com/a/1826/480.jpg","https://img.ochreeditions.com/a/1826/960.jpg","https://img.ochreeditions.com/a/1826/1920.jpg",{"_312":644,"_314":645},{"_312":642,"_314":643},{"_312":640,"_314":641},{"_312":638,"_314":639},{"_312":636,"_314":637},"#88909c",0.0774,"#252e1b",0.0819,"#38373c",0.2149,"#161718",0.3028,"#565557",0.323,"albert-bierstadt","American, 1830–1902",1830,1902,"Solingen","kalorama-cottage-si-saam-1973-153","Kalorama Cottage",{"_42":698,"_221":699,"_326":700,"_328":-5,"_329":701,"_331":702,"_333":-5,"_334":-5,"_335":-5,"_140":103},"ca. 1860","oil on paperboard","5 5/8 x 10 3/8 in. (14.3 x 26.4 cm)",26.4,14.3,1.8083182640144666,[683,684,685,686,687],{"_220":302,"_221":303,"_42":304,"_305":306},"1973.153","John Ferguson Weir painted this in about 1860, aged 19. It is now at the Smithsonian American Art Museum in Washington, DC.","Kalorama Cottage, by John Ferguson Weir, ca. 1860",{"_293":680,"_295":681,"_297":682},"https://img.ochreeditions.com/m/1949.jpg?dl=1","/art/kalorama-cottage-si-saam-1973-153","/galleries/style/painting-19/kalorama-cottage-si-saam-1973-153",{"_289":290,"_291":292},{"_224":675,"_125":676,"_283":677},{"_274":672,"_276":673,"_278":657,"_279":674},41.4,29.599199999999996,14.599199999999998,{"_285":224,"_123":678,"_154":679,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-ferguson-weir","John Ferguson Weir's contemporaries","https://img.ochreeditions.com/a/1949/480.jpg","https://img.ochreeditions.com/a/1949/960.jpg","https://img.ochreeditions.com/a/1949/1920.jpg",{"_312":696,"_314":697},{"_312":694,"_314":695},{"_312":692,"_314":693},{"_312":690,"_314":691},{"_312":688,"_314":689},"#2b201a",0.0616,"#684e2d",0.0998,"#564837",0.1324,"#513b22",0.3112,"#413020",0.395,"John Ferguson Weir","john-ferguson-weir","born West Point, NY 1841-died Providence, RI 1926",1841,1926,"the-brook-greenwich-connecticut-si-saam-1929-6-144","The Brook, Greenwich, Connecticut",{"_42":749,"_221":750,"_326":751,"_328":-5,"_329":752,"_331":649,"_333":-5,"_334":-5,"_335":-5,"_140":101},"ca. 1890-1900","25 1/8 x 34 7/8 in. (63.7 x 88.5 cm)",88.5,63.7,1.3850415512465375,[734,735,736,737,738],{"_220":302,"_221":303,"_42":304,"_305":306},"1929.6.144","John Henry Twachtman painted this in about 1890-1900, aged about 37. It is now at the Smithsonian American Art Museum in Washington, DC.","The Brook, Greenwich, Connecticut, by John Henry Twachtman, ca. 1890-1900",{"_293":731,"_295":732,"_297":733},"https://img.ochreeditions.com/m/1875.jpg?dl=1","/art/the-brook-greenwich-connecticut-si-saam-1929-6-144","/galleries/style/painting-19/the-brook-greenwich-connecticut-si-saam-1929-6-144",{"_289":290,"_291":292},{"_224":726,"_125":727,"_283":728},{"_274":723,"_276":724,"_278":708,"_279":725},103.5,78.89699999999999,63.897,{"_285":224,"_123":729,"_154":730,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-henry-twachtman","John Henry Twachtman's contemporaries","https://img.ochreeditions.com/a/1875/480.jpg","https://img.ochreeditions.com/a/1875/960.jpg","https://img.ochreeditions.com/a/1875/1920.jpg",{"_312":747,"_314":748},{"_312":745,"_314":746},{"_312":743,"_314":744},{"_312":741,"_314":742},{"_312":739,"_314":740},"#beb18b",0.1036,"#c7c2af",0.1141,"#d4c4a5",0.1566,"#e3d5be",0.2683,"#ebe0cf",0.3574,"John Henry Twachtman","john-henry-twachtman","born Cincinnati, OH 1853-died Gloucester, MA 1902",1853,"boating-met-436947","Boating",{"_42":801,"_221":802,"_326":803,"_328":403,"_329":804,"_331":805,"_333":406,"_334":406,"_335":806,"_140":53},"1874","Paintings","38 1/4 x 51 1/4 in. (97.2 x 130.2 cm)",130.2,97.2,1.3106159895150722,[786,787,788,789,790],{"_220":448,"_221":449,"_42":450,"_305":451},"29.100.115","Édouard Manet painted this in 1874, aged 42. It is now at The Met in New York.","A man in a straw boater and white flannels sits at the tiller of a sailing boat, glancing towards us, while a woman in a striped blue dress and veiled hat sits beside him.","Boating, by Édouard Manet, 1874",{"_293":783,"_295":784,"_297":785},"https://img.ochreeditions.com/m/1125.jpg?dl=1","/art/boating-met-436947","/galleries/style/painting-19/boating-met-436947",{"_289":290,"_291":292},{"_224":778,"_125":779,"_283":780},{"_274":775,"_276":776,"_278":759,"_279":777},145.2,114.34259999999999,99.34259999999999,{"_285":224,"_123":781,"_154":782,"_140":53},{"_285":125,"_123":563,"_154":564,"_140":565},{"_285":283,"_123":368,"_154":369,"_140":370},"artist/edouard-manet","More by Édouard Manet","https://img.ochreeditions.com/a/1125/480.jpg","https://img.ochreeditions.com/a/1125/960.jpg","https://img.ochreeditions.com/a/1125/1920.jpg",{"_312":799,"_314":800},{"_312":797,"_314":798},{"_312":795,"_314":796},{"_312":793,"_314":794},{"_312":791,"_314":792},"#6e573d",0.1027,"#908b78",0.1515,"#261f17",0.1869,"#47504b",0.1885,"#488080",0.3704,"Édouard Manet","edouard-manet","French, 1832–1883",1832,1883,"Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.","rio-de-janeiro-bay-nga-50281","Rio de Janeiro Bay",{"_42":862,"_221":863,"_326":864,"_328":470,"_329":589,"_331":865,"_333":-5,"_334":-5,"_335":866,"_140":97},"1864","antebellum-america","overall: 45.5 x 91.1 cm (17 15/16 x 35 7/8 in.) framed: 70.2 x 115.9 x 12.1 cm (27 5/8 x 45 5/8 x 4 3/4 in.)",91.1,45.5,2.025717111770524,[847,848,849,850,851],{"_220":844,"_221":845,"_42":846,"_305":306},"Courtesy National Gallery of Art, Washington","1965.2.1","Martin Johnson Heade painted this in 1864, aged 45. It is now at the National Gallery of Art in Washington, DC.","Waves of bottle-green water break over boulders on a sandy shore, while sailboats dot the bay and hills curve around it beneath a sky glowing from butter yellow to mint green.","Across a short stretch of sand in front of us, waves of bottle-green water break over two boulders on the shoreline, with sailboats in the water beyond, in this wide, horizontal painting. One boulder is at the left edge of the painting; the other is a short distance away, about a quarter of the way across. The water cascades down between those large rocks. Across the rest of the beach, the waves flare up to break toward us in white, foamy surf. The land curves back into view on both sides of the canvas with muted, sage-green hills and, to our left, dark green trees on more craggy boulders. A more distant finger of land to our left stretches nearly halfway across the horizon, which comes about halfway up the composition. Minuscule in scale there, smoke pours out of a chimney, which is surrounded by pale yellow buildings. A mound emerges from the horizon to our right of center. About ten sailboats float on the water. The closest one to us is near the center of the painting, and the tiny forms of people aboard can just barely be made out. The other boats become smaller as they move back to the horizon, and some are only a touch of white or gray on the canvas. White and pale lavender-purple clouds sweep up from the horizon into the sky, which glows butter yellow along the left edge. The sky cools to mint green in the upper right corner. Several white or brown birds fly across the sky or low over the water. The artist signed and dated the lower left, “M. J. Heade 1864.”",{"_293":841,"_295":842,"_297":843},"https://img.ochreeditions.com/m/1531.jpg?dl=1","/art/rio-de-janeiro-bay-nga-50281","/galleries/style/painting-19/rio-de-janeiro-bay-nga-50281",{"_289":290,"_291":292},{"_224":833,"_125":834,"_283":835},{"_274":830,"_276":831,"_278":813,"_279":832},106.1,59.971728515624996,44.971728515624996,{"_285":224,"_123":839,"_154":840,"_140":97},{"_285":125,"_123":836,"_154":837,"_140":838},{"_285":283,"_123":437,"_154":438,"_140":439},"style/antebellum-america","More Antebellum America",33,"artist/martin-johnson-heade","More by Martin Johnson Heade","https://img.ochreeditions.com/a/1531/480.jpg","https://img.ochreeditions.com/a/1531/960.jpg","https://img.ochreeditions.com/a/1531/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_312":860,"_314":861},{"_312":858,"_314":859},{"_312":856,"_314":857},{"_312":854,"_314":855},{"_312":852,"_314":853},"#2c2316",0.0912,"#705f31",0.121,"#b9b09c",0.1613,"#95956a",0.2717,"#d5b776",0.3548,"Martin Johnson Heade","martin-johnson-heade","1819–1904",1904,"Heade travelled restlessly and worked in many genres, but is best known for three subjects: the salt marshes of New England and New Jersey, with haystacks under changing skies; hummingbirds and orchids, which he studied on journeys to Brazil and Central America; and, in later…","haystacks-autumn-met-437097","Haystacks: Autumn",{"_42":913,"_221":914,"_326":915,"_328":403,"_329":916,"_331":190,"_333":917,"_334":918,"_335":-5,"_140":103},"ca. 1874","33 1/2 x 43 3/8 in. (85.1 x 110.2 cm)",110.2,85.1,1.2804635761589405,[898,899,900,901,902],{"_220":448,"_221":449,"_42":450,"_305":451},"60.71.12","Jean-François Millet painted this in about 1874, aged about 55. It is now at The Met in New York.","Haystacks: Autumn, by Jean-François Millet, ca. 1874",{"_293":895,"_295":896,"_297":897},"https://img.ochreeditions.com/m/1130.jpg?dl=1","/art/haystacks-autumn-met-437097","/galleries/style/painting-19/haystacks-autumn-met-437097",{"_289":290,"_291":292},{"_224":890,"_125":891,"_283":892},{"_274":887,"_276":888,"_278":872,"_279":889},125.2,101.06258081199897,86.06258081199897,{"_285":224,"_123":893,"_154":894,"_140":89},{"_285":125,"_123":563,"_154":564,"_140":565},{"_285":283,"_123":368,"_154":369,"_140":370},"artist/contemporaries-of-jean-francois-millet","Jean-François Millet's contemporaries","https://img.ochreeditions.com/a/1130/480.jpg","https://img.ochreeditions.com/a/1130/960.jpg","https://img.ochreeditions.com/a/1130/1920.jpg",{"_312":911,"_314":912},{"_312":909,"_314":910},{"_312":907,"_314":908},{"_312":905,"_314":906},{"_312":903,"_314":904},"#b9af93",0.0944,"#7c7e71",0.1419,"#5b6056",0.1825,"#ab8b56",0.2316,"#785f36",0.3496,"Jean-François Millet","jean-francois-millet","French, 1814–1875",1814,"Gruchy","Barbizon","the-forest-of-coubron-nga-1149","The Forest of Coubron",{"_42":966,"_221":967,"_326":968,"_328":403,"_329":330,"_331":190,"_333":406,"_334":406,"_335":969,"_140":87},"1872","overall: 96 x 77.8 cm (37 13/16 x 30 5/8 in.)",77.8,96,0.8076171875,[951,952,953,954,955],{"_220":844,"_221":845,"_42":846,"_305":306},"1942.9.12","Jean Baptiste Camille Corot painted this in 1872, aged 76. It is now at the National Gallery of Art in Washington, DC.","A rider on a white horse follows a narrow path that curves away through a forest of tall, golden trees, past a backlit boulder, towards a pale gap of sky.","A person rides a horse away from us on a narrow dirt path curving through a forest dominated by golden yellow trees in this vertical landscape painting. A boulder about twice the width of the path is backlit where it sits just left of the lower center of the canvas. The path begins near the bottom right corner of the painting and curves back and to the right. The horse is white, and the rider wears dark brown pants and a hat, and a lighter brown shirt. Trees towering over the rider to either side of the curve nearly reach the top of the composition. The horizon comes less than a third of the way up the painting. Pearly white sky fills in the gap between the trees around the rider, and ivory-colored clouds frame an icy blue sky above. The scene is painted with textured and blended strokes, which gives the painting a soft look even though some of the brushstrokes are visible. The artist signed and dated the lower center of the canvas, though it is partially cut off: “COROT 1872.”",{"_293":948,"_295":949,"_297":950},"https://img.ochreeditions.com/m/1329.jpg?dl=1","/art/the-forest-of-coubron-nga-1149","/galleries/style/painting-19/the-forest-of-coubron-nga-1149",{"_289":290,"_291":292},{"_224":943,"_125":944,"_283":945},{"_274":940,"_276":941,"_278":942,"_279":925},92.53125,111,77.53125,{"_285":224,"_123":946,"_154":947,"_140":87},{"_285":125,"_123":563,"_154":564,"_140":565},{"_285":283,"_123":368,"_154":369,"_140":370},"artist/jean-baptiste-camille-corot","More by Jean Baptiste Camille Corot","https://img.ochreeditions.com/a/1329/480.jpg","https://img.ochreeditions.com/a/1329/960.jpg","https://img.ochreeditions.com/a/1329/1920.jpg",{"_312":964,"_314":965},{"_312":962,"_314":963},{"_312":960,"_314":961},{"_312":958,"_314":959},{"_312":956,"_314":957},"#bfb498",0.1308,"#bda76b",0.1823,"#46310a",0.186,"#7b5810",0.2093,"#b08c31",0.2916,"Jean Baptiste Camille Corot","jean-baptiste-camille-corot","French, 1796–1875","Corot trained with the landscape painters Achille-Etna Michallon and Jean-Victor Bertin, then spent 1825–28 in Italy, where his small oil sketches of Rome and the Campagna caught its clear light with great economy. He returned to Italy twice and travelled widely in France.","eaton-s-neck-long-island-met-11307","Eaton's Neck, Long Island",{"_42":1015,"_221":1016,"_326":1017,"_328":470,"_329":1018,"_331":332,"_333":1019,"_334":451,"_335":1020,"_140":93},"18 x 36 in. (45.7 x 91.4 cm)",91.4,45.7,2.071376547705754,[1001,1002,1003,1004,1005],{"_220":448,"_221":449,"_42":450,"_305":451},"74.29","John Frederick Kensett painted this in 1872, aged 56. It is now at The Met in New York.","A curving strip of sandy beach meets a broad expanse of calm water beneath a vast, pale sky. Kensett painted this spare, almost empty composition in 1872, the last summer of his life, which he spent on the Connecticut shore of Long Island Sound.","Eaton's Neck, Long Island, by John Frederick Kensett, 1872",{"_293":998,"_295":999,"_297":1000},"https://img.ochreeditions.com/m/840.jpg?dl=1","/art/eaton-s-neck-long-island-met-11307","/galleries/style/painting-19/eaton-s-neck-long-island-met-11307",{"_289":290,"_291":292},{"_224":993,"_125":994,"_283":995},{"_274":990,"_276":991,"_278":974,"_279":992},106.4,59.125246132208154,44.125246132208154,{"_285":224,"_123":996,"_154":997,"_140":93},{"_285":125,"_123":623,"_154":624,"_140":625},{"_285":283,"_123":437,"_154":438,"_140":439},"artist/john-frederick-kensett","More by John Frederick Kensett","https://img.ochreeditions.com/a/840/480.jpg","https://img.ochreeditions.com/a/840/960.jpg","https://img.ochreeditions.com/a/840/1920.jpg",{"_312":1013,"_314":1014},{"_312":1011,"_314":1012},{"_312":1009,"_314":1010},{"_312":1008,"_314":853},{"_312":1006,"_314":1007},"#c8b799",0.0791,"#352819","#7b7251",0.1028,"#555745",0.1295,"#8e9588",0.5974,"John Frederick Kensett","john-frederick-kensett","American, 1816–1872",1816,"Cheshire, Connecticut","Kensett trained as an engraver before spending seven years in Europe, sketching in England and Italy. Back in New York in 1847 he became a leading figure of the second generation of the Hudson River School.","somali-man-si-saam-1985-66-165-703","Somali Man",{"_42":1067,"_221":1068,"_326":1069,"_328":-5,"_329":1070,"_331":1071,"_333":-5,"_334":-5,"_335":-5,"_140":101},"ca. 1893","42 x 28 in. (106.7 x 71.1 cm.)",71.1,106.7,0.6613333333333333,[1052,1053,1054,1055,1056],{"_220":302,"_221":303,"_42":304,"_305":306},"1985.66.165,703","Antonion Zeno Shindler painted this in about 1893, aged 80. It is now at the Smithsonian American Art Museum in Washington, DC.","Somali Man, by Antonion Zeno Shindler, ca. 1893",{"_293":1049,"_295":1050,"_297":1051},"https://img.ochreeditions.com/m/1976.jpg?dl=1","/art/somali-man-si-saam-1985-66-165-703","/galleries/style/painting-19/somali-man-si-saam-1985-66-165-703",{"_289":290,"_291":292},{"_224":1044,"_125":1045,"_283":1046},{"_274":1041,"_276":1042,"_278":1043,"_279":1027},85.56426666666667,121.7,70.56426666666667,{"_285":224,"_123":1047,"_154":1048,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-antonion-zeno-shindler","Antonion Zeno Shindler's contemporaries","https://img.ochreeditions.com/a/1976/480.jpg","https://img.ochreeditions.com/a/1976/960.jpg","https://img.ochreeditions.com/a/1976/1920.jpg",{"_312":1065,"_314":1066},{"_312":1063,"_314":1064},{"_312":1061,"_314":1062},{"_312":1059,"_314":1060},{"_312":1057,"_314":1058},"#5d2516",0.1217,"#bca599",0.16,"#99969e",0.1622,"#4f4440",0.2507,"#99705b",0.3054,"Antonion Zeno Shindler","antonion-zeno-shindler","1813 Bulgaria-died Washington, DC 1899",1813,1899,"the-red-room-etretat-aic-94241","The Red Room, Etretat",{"_42":1124,"_221":1125,"_326":1126,"_328":1127,"_329":472,"_331":1128,"_333":-5,"_334":-5,"_335":-5,"_140":101},"1899","switzerland","Oil on artist's board","49.2 × 51.3 cm (19 3/8 × 20 3/8 in.); Framed: 62.9 × 65.4 × 6.4 cm (24 3/4 × 25 3/4 × 2 1/2 in.)",51,49,1.0349630059480632,[1109,1110,1111,1112,1113],{"_220":381,"_221":382,"_42":383,"_305":384},"1977.606","Félix Vallotton painted this in 1899, aged 34. It is now at the Art Institute of Chicago.",{"_118":1108,"_300":380},"Painting of a stately woman seated on a red velvet chair in a blood-red room, a blue-white fireplace to her left. She glances down at the floor with a serene expression toward a tiny blond child—a baby—who sits on the floor tearing up paper, her pink-clad back facing the viewer.",{"_293":1105,"_295":1106,"_297":1107},"https://img.ochreeditions.com/m/254.jpg?dl=1","/art/the-red-room-etretat-aic-94241","/galleries/style/painting-19/the-red-room-etretat-aic-94241",{"_289":290,"_291":292},{"_224":1098,"_125":1099,"_283":1100},{"_274":1095,"_276":1096,"_278":1079,"_279":1097},66,64.27712363330531,49.2771236333053,{"_285":224,"_123":1103,"_154":1104,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":1101,"_154":1102,"_140":95},"era/19-switzerland","19th-century Switzerland","artist/contemporaries-of-felix-vallotton","Félix Vallotton's contemporaries","https://img.ochreeditions.com/a/254/480.jpg","https://img.ochreeditions.com/a/254/960.jpg","https://img.ochreeditions.com/a/254/1920.jpg","Inspired by a personal photograph, this work reflects Vallotton's focus on the daily life of his household. This example employs bold blocks of solid color: the red of the bed and the pink of the child's dress, for example.",{"_312":1122,"_314":1123},{"_312":1120,"_314":1121},{"_312":1118,"_314":1119},{"_312":1116,"_314":1117},{"_312":1114,"_314":1115},"#856e5d",0.0973,"#7d1813",0.1255,"#581f12",0.2046,"#4f3527",0.2412,"#282216",0.3314,"Félix Vallotton","felix-vallotton","Swiss, 1865–1925","Swiss",1925,"venice-from-the-riva-looking-toward-the-piazzale-san-marco-aic-250457","Venice from the Riva looking toward the Piazzale San Marco",{"_42":1172,"_221":1173,"_326":1174,"_328":403,"_329":1175,"_331":1176,"_333":-5,"_334":-5,"_335":-5,"_140":103},"c. 1890","14 × 23.5 cm (5 1/2 × 9 1/4 in.); Framed: 24.5 × 32.4 × 3.9 cm (9 5/8 × 12 3/4 × 1 1/2 in.)",23,1.529939393939394,[1157,1158,1159,1160,1161],{"_220":381,"_221":382,"_42":383,"_305":384},"2019.194","Félix Ziem painted this in about 1890, aged about 64. It is now at the Art Institute of Chicago.",{"_293":1154,"_295":1155,"_297":1156},"https://img.ochreeditions.com/m/388.jpg?dl=1","/art/venice-from-the-riva-looking-toward-the-piazzale-san-marco-aic-250457","/galleries/style/painting-19/venice-from-the-riva-looking-toward-the-piazzale-san-marco-aic-250457",{"_289":290,"_291":292},{"_224":1149,"_125":1150,"_283":1151},{"_274":505,"_276":1147,"_278":618,"_279":1148},31.340516558390114,16.340516558390114,{"_285":224,"_123":1152,"_154":1153,"_140":89},{"_285":125,"_123":563,"_154":564,"_140":565},{"_285":283,"_123":368,"_154":369,"_140":370},"artist/contemporaries-of-felix-ziem","Félix Ziem's contemporaries","https://img.ochreeditions.com/a/388/480.jpg","https://img.ochreeditions.com/a/388/960.jpg","https://img.ochreeditions.com/a/388/1920.jpg",{"_312":1170,"_314":1171},{"_312":1168,"_314":1169},{"_312":1166,"_314":1167},{"_312":1164,"_314":1165},{"_312":1162,"_314":1163},"#965a2f",0.0755,"#503121",0.0923,"#4a5a5c",0.1987,"#734b30",0.2816,"#2b546a",0.3519,"Félix Ziem","felix-ziem","French, 1821–1911",1821,1911,{"_1178":-5,"_1179":1180,"_1181":1182,"_1183":8,"_1184":1185,"_1186":8},"user","csrf","f6f1b8bb6dd3e0f4c24b2cf2bb621cb2cc50bc9a","cartCount",0,"dropLive","legal",[1187,1188,1189,1190,1191,1192,1193,1194,1195,1196,1197,1198],"uploadsEnabled",{"_221":1221,"_20":1222},{"_221":1219,"_20":1220},{"_221":1217,"_20":1218},{"_221":1215,"_20":1216},{"_221":1213,"_20":1214},{"_221":1211,"_20":1212},{"_221":1209,"_20":1210},{"_221":1207,"_20":1208},{"_221":1205,"_20":1206},{"_221":1203,"_20":1204},{"_221":1201,"_20":1202},{"_221":1199,"_20":1200},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]